#or the war that going on around them
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theyapper0 · 3 months ago
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Will Adam come back or is stuck being dead in your au? By the way, I love your au and the designs, they are amazing!!
Im gonna be honest, I do NOT like the whole Sinner!Adam thing that a lot of the fandom (from what I know of) is hoping for
Like I do get it, a lot of ppl LOVED Adam, I'd be upset if my fav died off in such a lackluster way in canon too!
But unfortunately in this rewrite, my Adam's story is done. I wrote him and his character with the intention of killing him in the finale because that's what I knew needed to happen.
He's the antagonist of S1 but I wanted him to be one that could be sympathized with and understood, which would make it ALL THE MORE AWFUL when he is ultimately killed by Charlie! (But I'm not calling him perfect, he's made his fair share of mistakes in his loooooong after-life like going w the Exterminations and stuff (and let's be honest, he was trying to kill Charlie at the end just a much as she was trying to kill him LOL)
I'm sorry if I've disappointed anyone with that revelation!!! But I do thank you for enjoying my rewrite!!!! ❤️❤️❤️❤️
But like I said here, I still have SO MUCH MORE TO COME!!!
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poorly-drawn-mdzs · 11 days ago
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Put that thing back or so help me.
[First] Prev <–-> Next
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mroddmod · 7 months ago
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she’ll be alright because she had you.
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im-yotsu · 11 months ago
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Achooo!!
(When you're sick so the only thing you can think of drawing is someone sneezing :] )
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omaano · 2 years ago
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Scratching up their armor is incredibly satisfying for some reason
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caramelldansenu · 9 months ago
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sevenines · 2 months ago
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i saw this tweet and found it interesting for two reasons. one is that some people base how good cartoon network would be to toh by how it treated su, and despite the fact that su’s treatment by the network was considered poor at the time, now its thought to be exceptionally good in comparison to modern shows.
two is how exactly su got impacted by a limited budget. a common criticism is how characters like connie, peridot, and lapis are left out of missions. but balancing a lot of characters is not only hard but also costly (extra animation, extra voices—it’s been revealed that the show is limited to a set number of characters per episode otherwise they’re over budget). animation mistakes are not uncommon since retakes cost extra. the entire reason the original show got cut short was due to loss of funding!
#i don’t know if pay rates differ per networks#but a.ivi and s.urrashu have said that they needed to work outside of su in order to make sufficient funds#it only makes me wonder what other ways su suffered from a lower budget#that we as the audience never got to see#in the vein of the too-little characters complaint#another part of that is that low-stakes episodes should’ve been abt the main cast instead of the townies#like last one out of beach city and too short to ride vs restaurant wars and kiki’s pizza delivery service#i definitely see that especially since that isn’t budget related#nor would it seem to be network related (even if cn had an ‘episodic episodes’ quota it could still be abt the gems#(another side note: /would/ cn even have a requirement that the show make episodes that can be watched standalone?#this is a question for the people who were around when su was airing#what episodes often got rerun?#was it the townie eps or the lore eps?#for example i heard that su once did a ‘peridot event’ where they just reran peridot episodes#which had eps that skip around in the show#did they even care about airing the story so that it made sense anyways?#id get it if the low stakes townie episodes were the ones getting rerun))#but i have such a boring view on that which is i think it’s simply because the creators like townie eps#like in interviews r.ebecca s.ugar has said she’s the type to be really invested in background characters#answers in interviews have been crafted in ways to hide what’s really going on though tbf#prime example of this is rebecca and ian saying the wedding being interrupted was meant to follow the common trope#when later in the art book they said that it was bc cn rejected the ep bc it ‘wasn’t interesting enough’#both could simultaneously be true! it’s a psychology thing though where people make up nice-sounding explanations behind what they create#in retrospect because they want it to be thought out in such a nice way they believe in it#the bigger problem is that not matter how many episodes there are of them#it can be hard for ppl to be invested in the townies the same way they are invested in the main cast#i’m sure that a million writers have made surefire advice on how to get an audience to care about characters#but off the top of my head i think it’s because 1. most don’t have strong motivations to get truly invested in#(exception is ronaldo but people find him too annoying to care about him)#okay i had more points and explanations but i hit the tag limit and idk if anyone is actually reading this so bye
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warrioreowynofrohan · 2 months ago
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One of the oddest Silmarillion takes that I’ve seen recently is the idea that Beren and Lúthien had it easy.
I mean, let’s take a look at Beren’s life. The Battle of Sudden Flame hits when he’s in his early twenties. He spends five years carrying on a guerilla war against the invasion of his homeland by orcs and other evil creatures; his mother and all his female relatives have to flee, and he has no knowledge of whether they are desd or alive, or captured. There’s a strange darkness speading over the forest and turning it into something out of a horror movie, a place most people won’t even dare to go into. The band of guerillas is slowly whittled down to about a dozen people, who are hunted constantly by Sauron and his wolves. Then, while he is away, his father, his uncles, and everyone else remaining are brutally killed, and he returns to find crows eating their corpses and orcs joking about looting the dead.
He carries on an guerilla alone, against Sauron, for another several years, in the haunted woods od Taur-nu-Fuin. When he absolutely can’t last any longer, he crosses the most horrifying wasteland in all of Beleriand, where the only water present is poisoned and turns you mad, filled with evil spiders and who knows what other creatures. He’s in his early thirties but he’s been through so mich that he looks like an old man. He has lost literally everyone he has ever known; he does not know if any friend or relative of his, anywhere, is still free or living.
Then he meets Lúthien.
When he leaves Doriath on the quest of the Silmaril, which every sane person in Beleriand knows is laughably impossible, he goes to Finrod, the one person he can hope for any assustance from. Finrod has an entire realm; I don’t think Beren is any expectation that Finrod will go with him personally. And what happens? The king of the largest remaining kingdom in Beleriand besides Doriath is overthrown by his own people at the instigation of Celegorm and Curufin and left with only a few loyal people around him. All of whom then die torturously in the dungeons of Sauron, followed by Finrod’s own death saving Beren.
On top of everything else he’s been through, on top of spending several months in despair being tortured in Sauron’s dungeons, the survivor’s guilt that Beren must be feeling is extreme. Even after Lúthien rescues him, it takes him a while to recover. And he still hasn’t made any progress on the quest itself!
Then they’re attacked by Celegorm and Curufin – the people who bear a substantial amount of respinsibility for the death of Finrod and the Ten, the people who very deliberately abandoned them all to due and coerced all Nargothrond to do the same, and the people who kidnapped Lúthien and attempted to force her into marriage – and they try to kidnap Lúthien again, and to murder Beren.
The fact that Beren does not kill Curufin in that moment is a deed of extreme moral fortitude. The difference between Beren and Lúthien compared with many of the Finwëans isn’t that they don’t face temptations, or that their choices are easy, it’s that they overcome those temptations.
So. Beren spares Curufin’s life at Lúthien’s urging and Curufin immediately tries to murder Lúthien; Beren jumps in front of the arrow, is severely wounded again, and for the third time since they met Lúthien gets to work healing him. Virtually all of their time together has been spent with Beren recuperating from physical injury, psychological injury, or both.
And as soon as Beren recovers, he walks away from the one person who loves him who’s still alive, and prepares to rob the gates of Hell, alone. Because Beleriand is dangerous, and as long as Lúthien is with him and therefore unable to go anywhere safe, she will be in danger from both the servants of Morgoth and the sons of Fëanor. And even if there’s a virtual 100% chance that him walking into Angband will lead to him being slowly tortured to death, that’s a better option than the one person he has left getting killed or, worse, captured, because of him.
And then she goes with him anyway. And beyond all hope they actually succeed in getting a Silmaril - and then he immediately loses it, and his hand, to Carcharoth, and it was all for nothing.
And for the fourth time since Lúthien met him, he’s near death and she’s desperately fighting to heal him and kerp him alive, while she’s exhausted to the point of collapse. And this is the moment when she gives up and goes back to Doriath, because that is what has the best chance of keeping Beren alive.
And then, at last, a ray of hope – Thingol looks at all they’ve been through and says, fine, you crazy kids can get married. And they’ve scarcely been married yet when they learn that oh, it’s not over, Carcharoth is rampaging through the land killing people and this needs to be dealt with. And Beren, even after everything, insists on going. (Because, hello, survivor’s guilt! he probably feels that this is his fault for, uh, getting his hand bitten off.)
(The fact that the Silmaril was, for a time, inside a wolf and outside Doriath, and Celegorm, noted hunter, never got near it, is, okay, rather amusing to me.)
And then Beren dies, saving Thingol, because he knows deeply what it feels like to lose his family and he’s not going to let that happen to Lúthien. And she loses him instead.
Now let’s shift to Lúthien’s point of view. Since her first meeting with Beren she has been betrayed by literally everyone she knows and everyone she meets except for Beren and Huan. She has been treated like a child, and a madwoman, and a trophy, and a pawn, and a sex object, and literally everything except an adult person whose choices have worth and meaning. She is not a superhero; she does not know what she is doing; she is terrified for practically every moment of it, for Beren’s sake even more than for her own, and for much of it she is hopeless. She does not know how or if she can achieve anything; she only knows that she has to try, because it is better than sitting in Doriath waiting to find out if Beren is dead. She puts substantial work and thought and effort into figuring out how to get out of Doriath (given in more detail in the poetic version) – and then, just when she thinks she’s found help (note: Celegorm and Curufin do not give her their names when they first meet her; she doesn’t know they’re the sons of Fëanor), she is again taken captive, this time with the goal of forced marriage and the threat of rape hanging over her. And she still knows Beren is in desperate danger, and she still can do nothing about it.
When Huan aids her and she goes to Tol-in-Gaurhoth, it isn’t because she feels she has the power to fight Sauron one-on-one! It’s because she’s desperate and can’t think of any other options. And in fact, it is not she who defeats Sauron, it is Huan; once he is defeated by Huan, she has the intelligence and strength of will to force his surrender by threatening him with something he fears more than defeat, and to demand – not the freeing of Beren alone – but the destruction of Tol-in-Gaurhoth, freeing all its prisoners. The reason she defeats Sauron is not that she’s a half-Maia badass who can wave her hands and do everything easily! The reason she defeats him is that she shows up there completely vulnerable and in effect uses herself as bait. That is an extraordinary degree of courage, not some kind of deus ex machina. And she’s putting all the strength that she has on the line – she’s pretty much passing out by the time she finds Beren. Similarly, all her healing of him is hard, exhausting work that she’s doing despite being, the whole time, terrified that he’s about to die. None of this is easy.
Likewise in Angband – Huan’s advice and Lúthien’s magic of disguise and sleep is invaluble in getting them through the door and past Carcharoth, but the reason she is able to enchant Morgoth and cast all Angband into sleep is not primarily because of extreme power, but because, like every other non-Beren person she meets, he doesn’t take her seriously. Morgoth finds the idea of using Melian’s daughter as a brief entertainment amusing (and, if you read the poetic version, makes some truly creepy sexual threats against her), and that’s how she is able to get him unguarded enough that she’s well into her song and he’s already getting sleepy before it starts to occur to him that maybe this isn’t going quite as he planned. Lúthien’s victories are not because she’s just on a different power level from the rest of Beleriand, they’re because she’s amazingly brave and willing to walk into the most dangerous places virtually defenceless. And she and Beren rely on each other utterly – after her sleep song she’s practically passing out and can only get out of Angband because Beren is holding her up.
So this is who they are, at Beren’s death. A man who has lost everyone he loves and everyone who loves him, every friend or family, often helplessly witnessing their gruesome death – everyone except for Lúthien. And an elf-woman who has been betrayed by everyone she loved or trusted, except for Beren.
When Beren dies, I wonder if he’s even relieved that it’s finally him dying instead of everyone around him. When he sees Lúthien in the Halls of Mandos, I believe his first feeling would be not joy or love, but horror. That the last living person he loved, and the one he wanted above all to save, had now died because of him.
But Lúthien isn’t done. She goes to Mandos, and she sings, and her song says: look at what we have been through, look at what all Beleriand has been through, Eldar and Edain. We don’t want realms or glory or power; we only want a few moments of peace with each other, and we fought so hard for it, and we didn’t even get that. And when she’s offered bliss and immortality for herself, she says No, I don’t want it, not without Beren. She isn’t promised happiness or long life – she only know that for the short time she will get, she will have the chance to be with Beren. And that is enough for her; for that, she gives up everything else.
This is a faerie-story; but it does not sound to me like a trite tale of easy victories handed to the heroes by Fate or by the author! They fought and struggled and sacrificed for those victories, amd they did it without ever letting go of courage, and mercy, and humility. There is a reason why this is the story that Frodo and Sam hearken back to for inspiration.
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voidartisan · 1 year ago
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personally i think it would be funny if the clones cursed with jango's name the same way that thor does with odin in the avengers cartoons ("odin's beard!" etc.)
there's an informal competition to see who can come up with the best/most ridiculous one. bly is currently winning with "by jango's beskar boots!" which made aayla double over laughing in the middle of a council briefing
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gherkinlizard · 5 hours ago
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some angsty kanera here for you :3
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sforzesco · 11 months ago
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And the experience of each man was peculiar. For Pompey's name and power were greater in the city when he was away from it, owing to his campaigns; but when he was at home, he was often less power­ful than Crassus, because the pomp and circumstance of his life led him to shun crowds, retire from the forum, and render aid to a few only of those who asked it of him, and then with no great zest, that he might keep his influence the more unimpaired for use in his own behalf. But Crassus was continually ready with his services, was ever at hand and easy of access, and always took an active part in the enterprises of the hour.
Plutarch, Crassus
from the vault of half finished one shots and rejected scenes! what a pair of guys! some real complementary personality stuff going on with these two!
bsky ⭐ pixiv ⭐ pillowfort ⭐ cohost
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atane-is-here · 3 months ago
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@ainurweek
Lorien and Este / The Two Trees
Este and Irmo are dancing under the light of Telperion and Laurelin as some of their Maiar float around and watch them. They are anticipating the arrival of the eldar in their new lands.
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lesbianpegbar · 7 months ago
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i think one thing that’s funny about ajin (aside from everything about it) is that if you only know about it from the anime or general cultural osmosis you think that kai is gonna be a secondary protagonist and our yaoi bait but when you read the manga it’s like no he’s. gone. for dozens of chapters. and then they just drop this other guy who looks kinda like kai if you squint into the narrative and he is Always there and fills that role instead. sorry guys the childhood friend is gone here is this kinda stupid random construction worker instead have fun
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wonder-worker · 4 months ago
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Wild how we know that Elizabeth Woodville was officially appointed to royal councils in her own right during her husband’s reign and fortified the Tower of London in preparation of a siege while 8-months pregnant and had forces gathering at Westminster “in the queen’s name” in 1483 – only for NONE of these things to be even included, let alone explored, in the vast majority of scholarship and historical novels involving her.
#lol I don't remember writing this - I found it when I was searching for something else in my drafts. But it's 100% true so I had to post it.#elizabeth woodville#my post#Imo this is mainly because Elizabeth's negative historiography has always involved both vilification and diminishment in equal measure.#and because her brand of vilification (femme fatale; intriguer) suggests more indirect/“feminine” than legitimate/forceful types of power#It's still bizarre though-you'd think these would be some of the most famous & defining aspects of Elizabeth's life. But apparently not#I guess she only matters when it comes to marrying Edward and Promoting Her Family and scheming against Richard#There is very lacking interest in her beyond those things even in her traditionally negative depictions#And most of her “reassessments” tend to do diminish her so badly she's rendered utterly irrelevant and almost pathetic by the end of it#Even when some of these things *are* mentioned they're never truly emphasized as they should be.#See: her formal appointment in royal councils. It was highly unconventional + entirely unprecedented for queens in the 14th & 15th century#You'd think this would be incredibly important and highlighted when analyzing late medieval queenship in England but apparently not#Historians are more willing to straight-up INVENT positions & roles for so many other late medieval queens/king's mothers that didn't exist#(not getting into this right now it's too long...)#But somehow acknowledging and discussing Elizabeth's ACTUAL formally appointed role is too much for them I guess#She's either subsumed into the general vilification of her family (never mind that they were known as 'the queen's kin' to actual#contemporaries; they were defined by HER not the other way around) or she's rendered utterly insignificant by historians. Often both.#But at the end of the day her individual role and identity often overlooked or downplayed in both scenarios#and ofc I've said this before but - there has literally never been a proper reassessment of Elizabeth's role in 1483-85 TILL DATE#despite the fact that it's such a sensational and well-known time period in medieval England#This isn't even a Wars of the Roses thing. Both Margaret of Anjou and Margaret Beaufort have had multiple different reassessments#of their roles and positions during their respective crises/upheavals by now;#There is simply a distinct lack of interest in reassessing Elizabeth in a similar way and I think this needs to be acknowledged.#Speaking of which - there's also a persistent habit of analyzing her through the context of Margaret of Anjou or Elizabeth of York#(either as a parallel or a foil) rather than as a historical figure in HER OWN RIGHT#that's also too long to get into I just wanted to point it out because I hate it and I think it's utterly senseless#I've so much to say about how all of this affects her portrayal in historical fiction as well but that's going into a whole other tangent#ofc there are other things but these in particular *really* frustrate me#just felt like ranting a bit in the tags because these are all things that I want to individually discuss someday with proper posts...
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plusultraetc · 1 month ago
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okay but what if seeing quirkless pro hero Deku on the news inspires quirkless former-pro Takami Keigo to try the whole hero thing again, but this time on his own terms
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puppyeared · 6 months ago
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i feel like im not making any sense but does anyone else feel like there are stories that let u run with them and ones that spell everything out for you
#im reading that post that says artists are directors of audience reaction and not its dictator:#'you cannot guarantee that everyone viewing your work will react as you are trying t make them react. a good artist knows that this is what#allows work to breath. by definition you cannot have art where the viewer brings nothing to the table ... this is why you have to let go of#the urge to plainly state in text exactly how you think the work should be interpreted ... its better to be misinterpreted sometimes than#to talk down to your audience. you wont even gain any control that way; people will still develop their opinions no matter what you do#im thinking abt this again cuz i was thinking maybe the thing that lets adventure time work so well the way it does is cuz it doesnt#take itself too seriously that it gives the audience enough room to fuck with subtext and then fuck with them back yknow. i think it was#mentioned somewhere that they werent even planning to run with the postapocalyptic elements that are hinted in the show but changed their#mind after the one off with the frozen businessmen and dominoed into marcy and simons backstory. on the other side there are stories that#explain too much to let the story speak for itself and i think it ends up having to do more with the crew trying to lead ppl in a certain#direction than expand on what they have and i see a lot of this with miraculous. like when interviews and tweets are used as word of god in#arguments and it becomes a little stifling to play around with it knowing the creator can just interject. u can say its the crews effort to#engage with its audience but it feels more like micromanaging. and none of this is to say there ISNT room for stories that spell things out#theyre just suited for different things. if sesame street tried abstract approaches to themes and nuance itd be counterproductive#a lot of things fly over my head so i need help picking things apart to get it- but it doesnt have to be from the story itself. ive picked#picked up or built on my own interpretations listening to other ppl share their thoughts which creates conversation around the same thing#sometimes stories will spell things out for you without being so obvious abt it that it feels like its woven into the text. my fav example#for this might be ATLA using younger characters as its main cast but instead of feeling like its dumbed down for kids to understand why war#is bad its framed from a childs point of view so younger audiences can pick up on it by relating to the characters. maybe an 8 year old#wont get how geopolitics works but at least they get 'hey the world is a little more complicated than everyone vs. fire nation'. same for#steven universe bc its like theyre trying to describe and put feelings into words that kids might not have so they have smth to start with#especially with the metaphors around relationships bc even if it looks unfamiliar as a kid now maybe the hope is for it to be smth you can#look back to. thats why it feels like these shows grew up with me.. instead of saving difficult topics for 'when im ready for it'#as if its preparing me for high school it gave me smth to turn in my hands and revisit again and again as i grow. stories that never#treated u as dumb all along. just someone who could learn and come back to it as many times as u need to. i loved SU for the longest time#but i felt guilty for enjoying it hearing the way ppl bash it. bc i was a kid and thought other ppl understood it better than me and made#feel bad for leaning into the message of paying forward kindness and not questioning why steven didnt punish the diamonds or hold them#accountable. but im rewatching it now and going oh. i still love this show and what it was trying to teach me#yapping#diary
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