#ope just realized this tagged you all

[dgdraws]

Artfight Postmortem

as you may know, i am prone to reflection on my art and process and progress. herein, i'm gonna navel gaze a bit about artfight 2024.

top line: really enjoyed myself, did a bunch of new things and this was "The Year of Artist Friends" which is spectacular.

i completed 20 attacks this year, including my first ever mass attacks! altogether I drew 28 different characters (incl 4 of my own).

for the first time, I had *users* i wanted to attack, rather than just characters i'd gathered via search or discord. honestly, three years ago when i picked up the stylus i was just excited at the prospect of drawing for other people, period. artfight was a cool way to be in community without prerequisites. i didn't quite dare to dream i might make some real connections and make proper friends. and yet :) here we are! i went in with three 'art friends' and i'm leaving with at least three more

in addition to being the year of artist friends, this could be "the year of clip studio paint was on megasale a week before artfight" because i knocked out like 2 practice pieces before July 1st so i wouldn't be starting with completely unfamiliar tools, but i used/learned csp for the vast majority of my attacks. one i finished in krita (lonnie), and my final attack i only used krita.

definitely trial-by-fired myself! but it motivated me to explore csp, and most important, gave me a reason to practice practice practice. last year i drew almost exclusively humans, lots of full bodys, because i wanted to get a better grip on anatomy and drawing a variety of faces. it worked then, and, well, i think i learned more of csp in one month of artfight than i would have if i was just plodding through my personal projects for 33 days :) *looks at my wip folder with months old files* pretty sure.

ok i'm gonna look at a few faves/standouts now:

came in hot with 0tt0 here! the main brush for this one (froggy pencil) was a mainstay for the whole month. so versatile!!! and lovely texture. this isn't quiiite brat green but this was what made me go, hmm, what if i... did a few pieces inspired by this album i can't stop listening to?

and then i took a huge turn and just used a soft round brush for Desa and Iryna for my dear friend @bobomcfoe bc i really wanted to turn these out in something approaching my "usual style" of late and i feared getting too deep into the temptations of csp if i put them off. and, um, yeah i love them. i got sooo close to matching that angle but ahh i can see the tilt now! nonetheless, love these two, not least bc brookie has some of the most pleasing color palettes to work w :)

then on to Rosé and baby's first vector lines! you can RESIZE lines in csp. did you know that? i didn't know that. i did forget to use it as much as i could have in later ones though, so i still only kinda know it ig. and halftone shading! bc why not? another thing i really only did this once, but want to experiment with more

Rook here, for my new friend @gender-premium-tm, was me realizing how to use filters/filter layers in csp. now THAT is something i used a lot this month! also something i use often in krita. i must say, though the csp options are slightly more limited (afaik), they have oomph!

okay these two are my "explicitly brat pieces"! artfight keeps you moving, which i find really valuable, bc i could have dithered foreverrr over Lonnie's gif here. like, do i add his arm? maybe he should be wearing a shirt? or, what if i just draw him twice, instead of splitting the expressi--see it just never ends. and as i am always going on about, art is so precious bc it is a reflection of us when we make it. maybe for some future artfight i'll redraw this (as Lonnie's artist @wenmistry did for me with Ebon this year), but for july 2024, i'm amazed at how well i executed this for just 2.5 days of work! (i did forget his glasses, which realization gave me a different take on the composition, so this is high on my list of potential redraws)

and then Aagatha. this is in my top 3 for this year. the pink just works so well with the green and her artist added the song to her character playlist AND added the necklace to her actual dnd inventory. like. omg. the impact your art can have!!! how freaking cool is that???

two mass attacks! i was in a silly goofy mood. i feel like i really got a handle on vectors w the anthro mass attack, i adjusted every single point on that one by hand. weird what hyperfocus makes you do sometimes, but i learned a lot from that. mainly that i will probably never user vectors as my main linework tool. there are circumstances it is perfect for, and outside of that i'm good w my raster lines lol

which is exactly what i used for this other mass attack, featuring mostly my ocs. hey, sometimes you need to shake things up! i can see here the style starting to hew back to my "usual style", though i'm thinking that might have a lot to do with drawing 5 people very quickly. falling back on practiced techniques. and by this time i apparently knew csp well enough to reproduce them pretty closely! ooh, one thing this made me miss was the transform tool in krita. that floor was ROUGH to wrestle into place in csp.

purple and green turned up a lot this year!

Echo is my crowning achievement with the froggy pencil, most of the shading here is just layers w that. and one last nod to brat green :)

i've worked in the paper cut style before (both my pfp's use it) but i really exploited csp's clipping layers to make Scraps here. they did make me briefly forget how they work in krita when i switched back, so well done w that

i played with gradient maps a little earlier in the month but for Okanar i actually made my own gradient! really a useful tool for ref'ing real human skin tones to make non-human ones, without muddying them up too much.

finally, Chaos. this actually might be my favorite! ironically this is the one that i made in krita. it was like, ahh, yes my old friend. wait where is the scroll bar. ah, okay, yes my old friend... the line layer is set to burn which just makes the whole thing so warm (and the cause of the red outlines on the earrings). used my old sable brush, a pattern fill set to overlay... my old stomping grounds! but plus a rendering technique i picked up this month and some other random habits i picked up in csp (like copying a detail to a new layer, moving it where i want a copy, and drawing/tracing it back onto the original layer in the new position. nothing i couldn't have been doing in krita all along, but made easier by the tool layout in csp, and therefore now discovered by me. amazing how one integrates new knowledge. it's like magic sometimes!!!)

that was a good roundup! if you actually read this to the end, wow! and thank you! i hope it was interesting... and inspiring! bc i want to read about your process and reflections too! yes you! and plz tag me, i'm always down to gush about art XD

[robinsversion]

The most ironic thing to come out of having not one but multiple of my posts about the James Somerton situation that’s been blowing up over the past couple weeks, is people plagiarizing the additional commentary I put in the tags of those posts ON THE SAME FUCKING POSTS THEYRE USING THOSE TAGS ON

[shoyoist]

omfg 😭

[shortfeather]

The thing about hermnautica is I may stop posting about it but it never leaves my brain. And this time because it’s 4 am I’m thinking about kharaa. Did you know it canonically physically mutates your body? We only ever see it as the green pustules but it fucks with your organs and tangles with your literal dna. Can you imagine if it wakes up latent genes. You’re going to die. How do you measure it? By the day you wake up paranoid (too late) and the day green spots appear on your skin (too late) and the day some of those green spots aren’t just the things that showed up on your insane friend, but sightless eyes (so far beyond too late it’s not worth thinking about.) Or instead: the day your head starts itching and your hair falls out to make room for a massive crown of quickly-sprouting antlers. Or instead: the days of agony where your ribs change shape, to something more like a fish’s.

[aq2003]

oh btw i get even more why brennan (like me) clocked sophomore year fabian as fucked up and sad even if some of the other pcs were like "what are you talking about dude" . it's because the basic core theses of fabian and leiland eftbk as characters are actually pretty similar

[evadingreallife]

I will not get into fights with random users who cannot understand jokes or tones or mock-fights i will not get into fights with random users who cannot understand jokes or tones or mock-fights i will not-

[figofswords]

the op of the Hannah Gluckstein post is a terf :pensive: shes red on shinigami eyes + has some real sketchy stuff on her blog. obv no judgment, just letting you know in case you wanted to block her. love ur art <3 <3

eurgh thanks for letting me know :/// I’m not gonna delete the reblog bc hannah gluckstein as a jewish butch artist is still something that speaks to me personally and I had never heard of her before but I will be blocking the op. fucking astounding that these people will understand gender-nonconformity of lesbianism and then turn around and fail to expand it beyond the end of their nose. goddamn.

[transgaysex]

theres a post i see going around every once in a while abt how we should make trains more common (which i do agree with) but one of the arguments bugs me so much i just dont reblog it

[chemicalarospec]

.

[skyburger]

do NOT ask me a question and then let me go on wikipedia to check something you WILL receive really bizarre useless information

[neverendingford]

.

[hexiva]

Roleplay Is Not Dead Nor Doth It Sleep

There's a post going around about how text-based, freeform roleplay is dead, and I was typing up a huge response to this, with an accompanying guide on how to find roleplayer in 2024, when I realized it might have a bigger reach if I made it its own post. So here's that guide.

I hesitate to say that there isn't a problem with the new format of social media making roleplay more difficult to find, but in the desire to make that point, the OP of the original post has left people with the idea that there's no way for them to get into freeform text roleplay in 2024. Which just isn't true! Here, look at all the ways.

Forums

The link to RPG-Directory to find roleplaying forums is a good start. Once you've found a forum RPG, even if you don't join, there's usually an 'advertising' section on that forum where other forum RPGs post their ads - this may help you to find forums that don't advertise on RPG-D.

Another really good forum to find roleplay on is Barbermonger. Barbermonger is focused on connecting people for one-on-one roleplays.

This last one's going to be weird, but it turns out that there are still people seeking roleplay on the Gaia Online forums after all these years. I think this is delightfully retro and then crowd there seems a little older than average. No pre-existing knowledge of Gaia required.

Tumblr

You can also find forum roleplay groups (as well as tumblr and Discord groups) right here on Tumblr. Usually, the thing to do is to use the search function - search for "[genre] rp" or "[fandom] rp" and sort by "latest." (If you sort by Top, you are likely to find dead RPs.) For example, here's fantasy rp, historical rp, and marvel rp. You can also try jcink rp, as most roleplay forums are hosted on Jcink these days, or discord rp, depending on your favored platform.

There are also tumblr blogs specifically dedicated to advertising roleplays. I'm not super familiar with these nowadays, but just in the process of searching those tags above, I found these:

Jcink Tinder

RPG Adverts

RPings

There are more, I just don't know them off the top of my head.

Reddit

Listen, don't run away, I swear it's good now - I swear Reddit is good now -

Reddit is a good place to find Discord roleplays. It's a little heavier on smut-only roleplays than other platforms mentioned here, but it's not impossible to find sexless, plot-based roleplay here either. Most ads are for one on one RP, but you can find groups mixed in here too. The big subreddits for text-based freeform RP seem to be:

r/DiscordRP

r/RoleplayPartnerSearch

r/roleplaying

r/Roleplay

Some of these have weird rules about what you can put in your ad, and I don't remember which ones, so read carefully and don't get discouraged if your ad is initially removed.

Discord

In 2024, Discord is by far the biggest and most popular platform for roleplay, and it has its own native roleplay advertising hubs. Here are a bunch:

roleplay partner hub

Rockin Roleplay

The Roleplay Garden

roleplay help

the roleplay connection

RP Central

Roleplay Central

Roleplay Hub

Barbermonger also has a Discord server

Roleplay Meets: Reborn

RP Hub

The Scribes Guild

DM Rp Village

cherry blossom! roleplay hub

DM-RP

Roleplay Round Table (21+)

The Historical Syndicate (specifically for historical roleplay)

The Roleplayer's Directory

If you can't find the Discord roleplay you want on here, you can also try Discord hub websites, like Disboard. These work similar to tumblr tags - search for [genre] rp or [fandom] rp.

Other

The original post specifically mentions that 'all the old "omegle but for role play" type websites died out ages ago'. This is mostly true, but not quite! There's still Rolechat. It's a little janky, but what it needs more than anything is a bigger user base. Their Discord server is also a good place to find one on one discord roleplay. It is, of course, free, but if you want to support its development, they have a patreon.

Please reblog this post, and add your own tips on how to find roleplay!

[isuckatwritingsobenice]

Infernal Shadows 03

Synopsis: Being one of the most powerful overlords in Hell, you like to keep up with colonies and overlord plans. Recently with the new extermination date out, you hold your annual gala sooner than usual. You hadn’t expected to get in the middle of the already heated feud between the Radio Demon and the head of Vox Tech.

Warnings: She/Her pronouns used for the reader, mentions of blood, voodoo?, Angel Dust being a horn-bag, Reader is referred too as Madame to the public. Vox and Alastor feud because I live for it. Carmilla and Velvet feud because I also live for that. I also really favor Zestial for some reason as a calm mediator.

Song for this chapter: Ludwig van Beethoven’s Violin Concerto in D major, Op. 61

A/N: Thank you all so much for your positive feedback & feedback in general on the last two posts!! I really didn’t think this would catch so much attention but I’m so glad people like it. For some reason Tumblr’s being weird and doesn’t want to let me tag certain people, I don’t know why but if anyone does please let me know because I really don’t like that ;/ But I hope you all enjoy this chapter!! Please note that some blogs cannot be tagged, so I recommend checking this post and to check your settings to make sure I can tag you! If anything I can always just message you when the next chapter comes out, and yes I am making this series longer :) it’ll also be posted on my Wattpad soon!

Word count: 3890

Taglist: @dollops-of-delusion @nebusokuxp @scrunchss @rosedasy @valluvz @chesstras @pishybowl @iaaeav @forgotten-blues @22carolina08 @roboticsuccubus83 @doflamingadonquixote @froggyferrets @frompeach @absurd-ash @sillysillyxinnabun @urdariingdoll @delectableworm @immahuman @justaproudslytherpuff @local-mr-frog @angeli-fucking-cat @coldsweetsenthusiast @jadekomaeda @iaaeav @coffeethoughtsandanxiety @lunalixya @pretty-puppy-stuffies @lemonrolls @asimplikeallyall @lunalixya

Navigation!! // Masterlist!!! // Serendipity Writes (event) // Part One. // Part two. // Part four.

Engaging with guests throughout the night had become an exhausting endeavor, and a part of you yearned for the solace of your absence. Nevertheless, you maintained the façade, acknowledging every sinner whose smile dripped with crimson mischief. Having greeted each guest, you discreetly slipped into a shadowed corner, your shadows enveloping your figure quickly, seamlessly disappearing from the expansive room in mere seconds and emerging into an intimate gazebo outside, meticulously arranged beneath the sweeping branches of a weeping willow, you marveled at its unique ambiance. Unlike the earthly counterparts that stood white, the willow in your realm bore a deep crimson hue, its leaves adorned with a subtle, luminous sheen. A gentle smile graced your lips as you leaned against the sturdy black iron railing, delicately cradling a piece of the weeping willow between your fingertips. In the distance, the grand mansion hosting the gala loomed, its opulence contrasting with the simplicity of your secluded retreat. Despite the awareness of etiquette dictating against leaving guests unattended, the need for a mental break led you to this haven, a safe space for you. Reflecting, you acknowledged a desire for better preparation and rehearsal with the shadows, realizing the repetitiveness of conversations with the familiar sinners had rendered the night somewhat lackluster. It almost felt like you had come out of hiding for nothing. Quite the disappointment.

You sigh, massaging your temples, the lace fabric on your fingertips only slightly soothing the growing headache. However, not too far behind, you hear the sound of soft grass. You straighten up and turn around, seeing none other than your long time friend Zestial, who just smiled, nodding at you.

“Why art thou out here all alone on this crimson night?” Zestial inquired, standing by your side with his back against the railing. You resumed your original position, taking a moment to appreciate his father. Mentally noting how much of your grandfather Zestial reminded you of, you kept the sentiment unspoken.

Tonight, Zestial adorned himself in an outfit resonant with his time period, preserving his distinctive color scheme. A dark, meticulously tailored coat with lime green accents draped over his slender frame, capturing the essence of his demonic class. The cloak, adorned with lime green spider webs, unveiled a mesmerizing display when unfurled—his lime green eyes radiating, the upper pair embellished with vivid red irises. Instead of the customary big top hat, Zestial selected a smaller, more appropriate hat with a touch of flair. Dark as the shadows you command, it featured a light grey patch at the front and was finished with a grey-colored skull and a lime green and red-striped feather on the right side, adding a distinctive touch that mirrored his nature.

“Why art thou out here all alone on this crimson night?” Zestial repeated, shifting toward you a bit. Yet you resumed your original position, savoring the quiet ambiance before finally answering him. “What shall we discourse upon during our repast this eventide?” Zestial asked. Though his wording occasionally posed a challenge for others, having grown up in a family of eloquent speakers, you easily deciphered his intent. Something he truly appreciated. Though he was learning to speak more ‘modern’, or as modern as he could be.

“Quite unsure of that. Everything is changing, and I fear I might be left behind,” you expressed bluntly. Zestial sighed in response, a mix of understanding and concern evident in his lime green eyes.

“Madame, thou art timeless,” Zestial said with a bow, his cup proofing into smoke. “I pray thee, vex not thyself o’er so trivial a matter,” he added, his words resonating with both reassurance and genuine care.

You nodded, handing him a card. His surprised expression upon finding two cards instead of one didn’t escape you. “What manner of thing is this?” Zestial inquired, prompting you to summon a shadow for yourself, knowing he would find his own means back to the Gala.

“Carmilla. I am no fool to the both of you,” you said, amusement coloring your words as Zestial shook his head.

“Thou dost astonish me on every occasion,” Zestial remarked, standing by your side as you walked into your portal. Two seats vanished, leaving four empty seats at your table and six occupied.

In your study, you floated scripts in front of you, checking off names on the table list for tonight. With a few overlords left to choose from, Alastor and Charlotte secured seats based on trust and connections. Vox, Zestial, and Carmilla, an unspoken but potent couple, promised intrigue. Reconsidering Velvet for her potential devolution, you weighed each decision with strategic acumen.

Valentino, the Von Eldritch twins, and other weaker options were dismissed, maintaining a careful balance of power and influence. As you weigh the option of inviting Rosie to the gathering, her unpredictable nature adds a layer of excitement and potential surprise to the upcoming discussions. However, this unpredictability could also introduce challenges, creating an air of uncertainty around her contributions. Hopefully with Alastor around, she’d feel more inclined to behave. You check her name off the list.

In considering Stolas, the Goetia prince, his personal issues and tarnished reputation pose significant hurdles. Divorcing from his wife, sleeping with an imp for fun, as well as losing control of his daughter on Earth, it all seemed too risky to get involved with. While his wisdom and influence could contribute positively, the shadows of his struggles may complicate the dynamics, stirring potential conflicts and requiring delicate handling. Someone might get out of line with a comment towards him. His power was incredibly useful, but not worth the risk.

Husk’s transformation from a former overlord to a bartender signals a decline in power and status. While his laid-back demeanor might bring a sense of unpredictability, his diminished influence raises questions about the relevance of his involvement in the current political landscape of hell. Though he was your friend, you needed to keep your reputation pristine.

As the you contemplate the overlords assets, a mix of excitement, caution, and uncertainty envelops the decision-making process. Each overlord’s potential positive contributions are balanced by the looming negatives.

“Madame?” One of your shadows materialized, prompting a nod for them to proceed. “There seems to be some trouble in the lobby between the guests. What would you like us to do?” it inquired. A grimace crossed your face, hoping the disturbance wouldn’t mar your night. “Let me handle it,” you declared, snapping your fingers, causing the script to vanish. The shadow nodded, blending back into a wall for you to step through.

Upon reappearing, you assumed the form of a taller shadow. The room surrounded by guests revealed Vox, Velvet, Alastor, and Carmilla standing in the middle. Zestial, seemingly composed, stood close behind Carmilla, observing the situation. Carmilla appeared visibly upset, with Velvet in proximity, a pointed finger dropping as soon as she noticed your arrival. Alastor maintained his usual wide smile, though it bordered on the eerie, revealing a glimpse of his gums. The scene unfolded, presenting a potential challenge to the serene atmosphere you aimed to maintain during the gala.

Everyone seemed to stop, slowly turning toward you to see your face. Except there was no expression, just the large shadow you had taken form of. In seconds the shadow disappeared, leaving you in the fog, the expression on your face anything but calm.

"Madame I-" Velvet began, but her words were halted by the sight of your lace glove, your hand rising to silence her. Approaching the overlords, you spoke with an air of cold authority.

"My quarters. Now," you commanded, and with a snap of your fingers, smoke enveloped your spot as you vanished. Shadows materialized around the overlords, guiding them to your quarters, leaving the stunned guests in the lobby.

"Well, that was interesting," Valentino remarked.

In your study, the overlords found you seated in your tall, black chair. Its ebony surface featured intricate carvings of black glass, elegant swirls, and patterns tailored to your essence, creating an atmosphere of undeniable authority and refinement.

"I hope you all had fun acting like children," you chided sternly. The overlords lined up, forming a unified front. Leaning against the right side of your chair, you crossed your legs, elbow on the armrest, pinching the bridge of your nose with a sigh. Annoyance laced your words as you questioned, "What did you feel the need to argue about now?" Before Velvet, Vox, and Carmilla could respond simultaneously, you halted them. "One at a time. I'd assume you all handle this like adults, if you even can." The tension in the room hung thick as the overlords awaited their turn to address your inquiry.

“She wants me at her table Vaggie! Me!” Charlotte said excitedly. Vagatha just smiled.

“That’s good! Now you can tell them about the hotel, and maybe someone will be interested.” Vagatha said, and Charlotte just nodded.

“Maybe they-“ Charlotte stopped, observing as people began to crowd around the center of the lobby. Charlotte and Vagatha stood from their spots at the bar to walk toward the center, where the overlords stood. Velvet and Vox were next to each other, while Carmilla, Alastor and Zestial were across. Carmilla and Velvet were face to face. “What’s going on?” Charlotte asked as Vagatha and her pushed their way through the crowds of people.

“Come on, Carmilla, always the mood-killer,” Velvet scoffed, a disrespectful tone tainting her words. Carmilla shot her a stern look, ready to assert her authority.

“Watch that tongue, Velvet. I will not let your insolence slide,” Carmilla retorted, attempting to rein in the escalating tension.

Vox, ever the smooth talker, chimed in, “Ladies, ladies, let’s not turn this into a drama fest. We’re all here for a reason.” Vox said, sternly giving a tight lipped smile to Velvet, silently telling her to keep her shit together.

Carmilla shot a glare at Velvet, who replied with a defiant smirk, “Drama or not, Vox, some of us aren’t here for the ballroom charm.”

Alastor, drawn to the brewing chaos, couldn’t resist adding his flair, “Well, well, a bit of spice never hurt a party, does it?”

Carmilla, unfazed by the chaos, spoke with a calm authority, “Velvet, your insolence is unnecessary. This is not a playground; it’s a gathering of overlords. Act accordingly.”

Velvet, seemingly undeterred, shot back with a dismissive laugh, “Poor Grandma, always trying to play the responsible one. Maybe loosen up a bit? Have a drink will you?”

Vox, ever the smooth talker, added with a slick comment, “Perhaps we can focus on the matters at hand. Save the theatrics for later ladies.”

Alastor, intrigued by the unfolding drama, simply grinned, “Oh the picture box has spoken! Quite intriguing.” The room continued to buzz with tension as each overlord, except Rosie, added their own flavor to the brewing turmoil. As the tension thickened, Vox, with a sly grin, couldn't resist adding his own slick comment to the mix.

"Ah, Alastor, the radio days were quaint, but it seems you're a bit outdated. Television is the future, perhaps you should tune in sometime," he quipped with a wink, the words delivered with a calculated smoothness. The room momentarily hung in a charged silence before the verbal sparring resumed, adding another layer to the complex interplay of personalities at the gala.

With Vox's comment about Alastor being outdated sinking in, the radio demon responded with a sly grin, sharp teeth on display, his eyes displays dials, as the rooms lights began to deepen, "Ah, Vox, your television endeavors are impressive, but remember, I'm not just audible; I'm unforgettable. A little screen time won't change that," he retorted, “This face was made for radio.” He said with a grin, tilting his head to the side, a sharp snap in his neck, his words carrying a mix of amusement and confidence. The verbal exchange between the two overlords added another layer to the already charged atmosphere, each comment becoming a piece in the intricate puzzle of conflicts and egos at the gala.

“See what you did grandma, now you’ve got the two of them fighting.” Velvet said, pointing a finger into Carmella’s chest. She scoffed, shoving her away.

“Don’t you dare get disrespectful on me you brat.” Carmilla said, beginning to heat up with anger.

That's when Madame stepped in, reappearing in the form of a taller shadow, casting a lengthened silhouette in the room brimming with guests. Vox, Velvet, Alastor, and Carmilla found themselves at the center of the unfolding tableau, and Zestial, seemingly composed, lingered just behind Carmilla, quietly observing the escalating drama. Carmilla's visage betrayed a hint of distress, her pointed finger lowering as she registered your reappearance. Alastor, with his trademark grin, bordered on eerie, revealing a glimpse of his gums. The unfolding scene disrupted the serene atmosphere you had meticulously aimed to maintain during the gala, presenting an unexpected challenge.

A hush fell over the room as everyone turned their gaze toward you, anticipating your reaction. However, your face remained expressionless, concealed within the depths of the large shadow you had taken form of. In mere seconds, the shadow dissipated, leaving you in a misty veil. Yet, beneath the calm exterior, a storm brewed, ready to challenge the delicate balance of the evening.

Now, here you all were, sitting in the study after Carmilla had explained the situation.

“Madame, with all due respect,” Carmilla spoke, looking down. “I truly do not believe Velvet is mature enough to be at our table tonight.” Carmilla said.

“Are you questioning my judgment?” You asked sharply, to which Carmilla stiffened quickly, shaking her head then.

”No Madame, I would never-“

“Then do not say foolish things.” You said. Sighing, you shut your eyes, feeling the weight of the situation. Tonight sensitive information would be revealed and Carmilla did have some point here. Velvet clearly could not hold her tongue.

”Vox, control your associate please, or you both will be cut from the dinner tonight.” You said finally, to which he nodded nervously.

“Of course Madame.” He said, nodding to you.

“I wasn’t finished.” You said, looking to Alastor.

“I want none of this technology talk either.” You spoke, staring at Alastor who just smiled with lidded eyes. You knew he was very much upset, but you had forbidden anyone to fight in your home, anyone but you of course. “You all will act like mature adults wether you like it or not. I am not your guardian, I should not be having this conversation with overlords who should know better.” You said, standing. ”Now, all of you, out.” You said, snapping your fingers. Quickly the shadows began to move, ushering everyone out of your study. Everyone except Carmilla. “Not you.” You said to her, Zestial nodding to you and her as he stepped out, giving you both privacy.

“Madame, I didn’t mean what I said-“ Carmilla said quickly. You waved her off, straightening yourself out.

“Nonsense Carmilla, I know you meant well.” You said with a stoic expression. You sit back down, crossing your legs and snapping your fingers to form a chair in front of your desk, ushering her to sit. “I wanted to speak to you about your weapons.” You stated. At this her eyes went wide, before dropping again.

“Oh, very well then. What would you like to know?” She asked. You grinned, before standing again.

“Well, how much would I need to give you for you to make me a personal bayonet?” You asked. She went silent for a moment, before answering.

“Nothing at all Madame.” She said, standing to look at you. “May I ask what for?” She questioned. You shook your head.

“No, just to have on display. I want a new one, the old one I have is quite out of style for me.” You replied. She just nodded, before you waved to her, sitting back down and summoning a script again. “You may go now, and please, do not argue with children.” You commented. She just smiled and nodded, leaving you to your own vices.

It was half-past eleven, five minutes till the midnight bells chime. Everyone in the lobby was beginning to get excited for the entertainment you had planned for the night. Oh, you knew you would not disappoint.

“Madame would like everyone to accompany her on a journey tonight. She has sent me to retrieve you all. She would like to formally welcome you to tonight’s entertainment.” The large shadow said, standing from the topic of the stairs. Behind it was a large portal. It stepped backwards, into the portal, and nodded for the guests to start coming through.

The custom-built coliseum stands as a testament to Madame's vision, a grand fusion of opulence and dark elegance. The circular structure boasts towering columns, but instead of conventional pillars, thick chains rise, intricately linked and serving as both ornamental decor and structural support. The arches, molded in black, curve gracefully around the circumference, evoking a Victorian Gothic aesthetic that permeates the entire venue.

Two larger-than-life statues of Madame herself flank the entrance, capturing her regal poise and adding a touch of imposing authority. The statues serve not only as decorative elements but as a representation of the gala's hostess, a constant presence overseeing the proceedings, she is always watching, all seeing, perfection.

The overall ambiance is one of grandeur and mystery, with the black molding on the arches casting shadows that play into the darker undertones. Every intricate detail, from the chains to the statues, contributes to the unique Victorian Gothic feel of the coliseum, matching Madame’s home perfectly, matching her perfectly. The venue, finally being unveiled to the guests, now welcomes them who are treated to an appetizer course, surrounded by the striking architecture and entertained within the darkly enchanting atmosphere Madame has meticulously crafted.

Numerous shadows, dark and formless, line the entrance walls, extending silent greetings to the arriving guests. Their presence adds an air of mystique and intrigue as they blend seamlessly with the Gothic architecture. As attendees make their way into the coliseum, these shadowy figures create an ethereal welcome, embodying the unique atmosphere of Madame's custom-built venue.

At a separate entrance reserved for the handpicked members of Madame's esteemed dinner table, a solitary shadow stands guard. This entrance, reserved for a select few, hints at the exclusivity and importance of those who will partake in the upcoming dinner. The shadowy sentinels serve not only as silent greeters but also as guardians of the event's secrets, casting an enigmatic allure over the gala.

A singular shadows escorts Charlotte, Alastor, and the rest of the overlords to the exclusive section, leading them to an elevator to bring them to the best seats in the coliseum. The elevator’s interior is a striking display of elegance, with white and black checkered flooring lending a timeless touch. The walls, enveloped in darkness, exude an air of mystery, while black, smokey glass engravings on the ceiling add intricate detailing that dances in the ambient light. Each number on the elevator, indicating the ascending levels, glows a vibrant red, creating a vivid contrast against the monochrome palette.

“Oh I’m so excited! What do you think we’re gonna see? Gladiators? Sinners fight? Oh actually I hope not, I don’t want people to die.” Charlotte said to Alastor. Carmilla just chuckled at her antics while Zestial eyed her with curiosity. Where did Alastor find such a girl and why the princess of all people?

The elevator stops at the top floor, revealing the opening in the middle, which was surprisingly covered with water.

“What is Madame playing at?” Carmilla questioned as the overlords sat in a row at the top. From there they could see everything and everyone.

“I am quite uncertain, yet my anticipation is stirred nonetheless.” Zestial said. The lights around began to dim, and shadows began to pour glasses of water in front of all the guests. Down in the middle of the coliseum was the tallest shadow, the one that seemed to be Madame’s favorite, since it always spoke for her.

“Greetings all. It is Madame’s pleasure to invite you all to the special entertainment tonight. Madame has put together some of hell’s finest performers for your entertainment tonight. I would like to present, preforming here tonight, The Vienna Philharmonic Orchestra preforming Ludwig van Beethoven’s Violin Concerto in D major, Op. 61.” The shadow said with a bow, before it vanished just as quick as it came. Then, other shadows appeared, but this time they were different. They were people, performers, with clear outlined silhouettes, faces and expressions, even clothes.

“Hey, Al?” Charlotte asked, leaning over in her seat to Alastor. He let out a ‘hm?’ In response.

“Does Madame own those souls down there?” Charlotte whispered, but before Alastor could answer, a shadow had already cut in.

“Yes. All the shadows here, even yours, Madame owns.” The shadow said quietly, filling Charlotte’s glass cup with water. Charlotte nervously, perked up, but said nothing as she shadow carried on with it’s catering.

The ethereal notes of the music filled the air as the performance unfolded. Around the musicians stood ballet dancers, their movements a delicate poetry in motion. Clad in all black, the performers created a stark contrast to the dancers, who emerged with an otherworldly grace akin to figures rising from the depths of water. The dancers moved with an angelic fluidity, their forms intertwining seamlessly with the haunting melody, creating a mesmerizing tableau that captivated the audience. The visual symphony of black-clad musicians and the whisky-hued ballet dancers painted a scene of enchantment and mystery within the grand coliseum. Even down to the dancers, this had Madame written all over it.

Velvet's keen eye captured the essence of the dancers' ethereal movements on paper. With each stroke of her sketch, she depicted the dancers as if emerging from a watery abyss, the fog enveloping their feet creating an illusion of water flowing upward. The intricate details on her sketch paper brought to life the dancers' graceful forms, their figures seemingly intertwined with the rising mist, evoking the enchantment of a waterspout captured in a moment of sublime artistry. Velvet's artistic interpretation added a layer of depth to the performance, transforming the ephemeral dance into a tangible and captivating visual narrative.

Water had begun to swirl, the dancers moving around it, the water getting taller and taller, similar to the way it had when you had first made your entrance at the beginning of the Gala. Now, it was water, and from Charlotte’s seat, she had struggled to make out what was going on. She turned to Alastor to see him holding a pair of opera glasses in his hand. Without you having to ask, he tapped the armrest of her seat. Charlotte turned to the side to see a pair tucked neatly against the front of the armrest. She grabbed them quickly, before looking through them and at the waterspout now forming in the middle. Her jaw flew open, as well as the loud screech of Alastor’s track playing. Vox had short circuited, and Carmilla gasped loudly. Velvet stood silent, but there was evident confusion on her face, while Zestial sunk into his seat, conflicting emotions flowing through him.

“Madame- she’s-“ Charlotte stuttered, and Alastor nodded, swallowing thickly.

“With an exorcist. I know.”

[qqueenofhades]

Look, I know things are rough out there, and critical thinking skills, especially on social media, are still, uh. Questionable (to say the least). But credit where credit is due, because I have also seen (to a degree I did not see in the last two major presidential elections, 2016 and 2020) the following things, a lot:

General hype posts for voting/democracy/Kamala Harris/Democrats (and even before Biden dropped out, a lot of hype posts for him too);

Blockbuster engagement with my recent pro-voting/pro-blue/pro-Kamala posts, to the point where I had to turn off notifications not because there was fuckery happening in my notes (as had OFTEN been the case before) but because I simply couldn't keep up;

Lots of high-note (10k+) posts regularly crossing my dash, written to cater to every kind of leftist/liberal/blue-leaning voter, encouraging and exhorting them to vote no matter what;

Information about Project 2025 and Republican extremism;

Forceful corrections of misinformation about Kamala's record;

Comparisons of Trump and Kamala on key issues;

Mince-no-words callouts of Trump and Republican fascism;

A tutorial!!! On how to identify an obvious psy-op anti-voting blog!!! And encouraging people to do the same/block/report!!

A constant stream of information about how to register to vote/check your voter registration/make sure you haven't been purged;

General slapdowns of tired old anti-voting narratives;

Whenever I put tags on political posts, the suggestions are always in the vein of "vote democrat, vote blue, vote kamala, please vote," etc, even though I have not used them all, indicating that those are the site-wide popular tags for similar posts;

And more!

And like. Guys. I realize there is always the task of emptying the ocean with a bucket when it comes to combating misinformation/disinformation, ESPECIALLY election misinformation/disinformation. I also tend to be grumpy, short-tempered, and cynical (and generally have zero tolerance) about its presence, just because I am old and tired and have seen this all before and know how it ended. But as I said: credit where credit is due. I have never seen all this happening on Tumblr before, and it gives me hope. Kudos.

[parkerstorms]

im sorry i dont usually do this but this post pissed me off so fucking bad and op has replies turned off (because of course they do)

fellas. is it gay to wear pink and have long hair and sing and dance? cause i didn’t realize we were using bioessentialism in movie analysis now that’s crazy

sarcasm aside this is literally why i don’t go in tags anymore because none of you are media literate. not a single one of you. longlegs is not wearing makeup in the movie. it’s shitty plastic surgery; that’s why his lips are red. you can literally tell by just looking at him that it’s not lipstick. the clothes he wears are all off-white or white. the falsetto he’s doing is very obviously meant to mimic that sort of “goochie goo” baby talk a lot of adults unironically use towards children. also coding? ‘coding’ is not when you interpret something from a movie as anything you want because you feel like it. coding is an intentional act committed by creatives to further their story and allude to specific real life things for a specific narrative purpose. it is an intentional act of storytelling. it is not you looking at a movie and assuming something as fact based off slight vibes

and i’m just gonna say it. if you see a male character with long hair that’s acting generally creepy in the vicinity of a child and automatically assume that that character is being coded as a transwoman, YOU ARE THE ONE BEING TRANSPHOBIC.

like holy fuck some of y’all have never actually looked inwards once in your life and it shows

[rebeccathenaturalist]

This FB post (which was public at the time I grabbed this screenshot) is Reason #90510 I teach nature identification classes and am SO adamant that my students look at ALL the details of a given animal/plant/fungus. Also, I ran the photo through iNaturalist just for the heck of it. Its first suggestion was timber rattlesnake (Crotalus horridus), but its second was western rat snake (Pantherophis obsoletus). This is why you never, ever, ever use an app as our only tool for identification, because you need to also have the critical thinking and observation skills to be able to differentiate between species, to include when the app offers up two similar species where the difference can be a serious matter.

I hope the OP makes a quick and full recovery, because I can't imagine getting tagged by a venomous snake is much fun. Please skip any judgemental comments about Darwin Awards, etc.--I have seen plenty of intelligent people make bad mistakes, and have even made a few myself, though none with quite this level of consequence. It can happen to anyone; thankfully OP realized their error in time to get medical help.