#only to find it in an apocalyptic state

[forgetful-nerd]

You know what would be such good angst material?

These two meeting.

[p0orbaby]

Getting You Alone Isn’t Easy

summary: two reckless lovers, one ill-timed call, and zero chance of stopping

warnings: suggestive but not explicit

a/n: the length of time it took me to decide on a title for this was painful

word count: 1.5k

-

You’re draped over Alexia, straddling her in the faint, golden light that sneaks through the blinds. Her hands grip your hips in that familiar way, like you’re the last thing keeping her from floating off. You’re gasping, breathless, clinging to the taut warmth of her body beneath you as though the world is ending and this is your only way to stay grounded. Her hands, usually gentle, are digging in hard enough to leave bruises, but she’s sweet like that, knows exactly when you need to feel it. You can almost picture the bruises they’ll leave behind, thumbprints like violet ink smudged across your skin, each one a reminder that she was here, and that she wanted you badly enough to leave a mark.

It’s been a day, one of those long ones that started with a sun-blinded hangover, progressed into a searing headache, and then—once you forced yourself to actually acknowledge the calls you missed last night—moved rapidly toward near apocalyptic levels of panic.

Somewhere between the drink you had to “take the edge off” and the fourth one you drank without even thinking about it, Alexia texted you, and it felt like a solution, or maybe a distraction, though those two things are the same to you most of the time.

So here you are, in the thick of it, your bodies wrapped around each other, your mind slipping into that strange, dreamlike state where it feels like your skin isn’t your own. Everything’s heightened—her touch, her scent, the whisper of her breath on your neck. You’re right at the edge, teetering, and then—

Your phone rings.

Of course it fucking does.

At first, you ignore it. The vibrating hum is muffled against the sheets, barely noticeable above your own heartbeat, but then it rings again, louder this time, insistent. It’s like a drill sergeant at dawn, determined to ruin whatever peace you’d managed to find. You freeze, eyes half-closed, but Alexia’s hands don’t loosen. She’s looking up at you with an expression that’s half bemused, half annoyed, as if she’s only just managed to convince herself that you’re here, and now you’re about to ruin it with some petty, buzzing bit of reality.

You almost get through it, on the cusp letting it go to voicemail or hurling the damn thing into the bottom of your Birkin where it belongs. But something in you—a survival instinct, maybe—forces you to reach for it, fumbling as you do so. Alexia’s eyes follow your hand, then flick back up to yours with an exasperated look that says, Really? Now?

You manage to grab it without rolling entirely off her, though it’s a close call. Her hands move down to your waist, still holding you in place as you glance at the screen, and of course, it’s George. It’s always George. You swear he has some kind of sixth sense, an uncanny ability to detect the exact moment you’ve slipped into some semblance of happiness, so he can yank you back with some catastrophe or another. The man is a walking interruption.

“Don’t,” Alexia murmurs, pulling you back to the matter at hand, her voice soft but firm, her hands slipping up to your ribs with a kind of slow, determined patience. But you know better. If you don’t answer now, he’ll only call back five more times, and each time, he’ll sound more panicked, until he finally leaves you a voice note that’s somehow worse than the call itself.

“I have to,” you mutter, as you answer, attempting to clear your throat and sound like you weren’t just seconds away from giving in to everything she was doing to you.

“Hello?” you say, trying and failing to keep the breathlessness out of your voice.

George’s voice crackles through the speaker, shrill and brimming with that particular brand of theatrical urgency agents reserve for “crises.” He sounds faintly nasal, the sort of voice you imagine would belong to a man with an allergy to anything fun. You imagine him sitting in his cold, grey office somewhere in Soho, every surface immaculate and white, his expression permanently fixed into a grimace of perpetual disappointment.

“You need to sit down,” he says, voice pitched in that “I’m barely holding it together” tone that never actually means anything good.

“I am sitting,” you manage, though it comes out sounding more like a gasp than anything else, because Alexia—God bless her—is now trailing her lips along the column of your throat, completely unbothered by the fact that you’re very much occupied now. In fact, you’re convinced she’s doing this on purpose, her eyes meeting yours with that devilish glint that says she’s fully aware of what she’s doing. You pull back and give her a look—part warning, part exasperation—but she only grins, slowly, like she’s daring you to keep up the charade.

George doesn’t miss a beat. “There are photos,” he says, each syllable dripping with an ominous weight that would make anyone else think he was delivering news of a tragedy.

“Photos?” you ask, as Alexia’s hand slips a little higher, her fingers just grazing the edge of your panties. You’re barely holding it together, biting down hard on your lip to keep from making a sound. “George, there are always photos. What are you on about?”

He sighs, the kind of exasperated sigh he reserves for when he’s forced to explain the intricacies of your own life to you. “Not just any photos,” he says, voice dropping to a whisper that somehow makes everything sound worse. “These are… explicit”

“Explicit?” you repeat, your voice catching because Alexia’s lips are trailing across your collarbone now, her fingers dangerously close to places that make it impossible to sound remotely professional. “Define explicit, George”

He pauses, a beat of silence so thick with hesitation you can practically see his nervous, tight-lipped expression. “You and Alexia. On that yacht. Full-on… everything. Let’s just say someone with a very long-range lens took a rather extensive interest in your… activities”

It takes a second for the words to register, but when they do, it’s like being doused in cold water. You’re suddenly hyper-aware of everything—the sweat on your skin, Alexia’s fingers toying with you, her mouth now having moved to the swell of your exposed breast. You can’t tell if you’re more annoyed or amused by the fact that, somehow, your most private moments have once again become public property.

Alexia looks up at you once more, eyes glinting with something between curiosity and enjoyment, as if she can tell exactly what George is saying and finds the whole thing hilarious.

“So you’re telling me,” you say, trying to sound casual, though it’s hard with Alexia’s hands and mouth all over you, “that someone out there’s publishing wildlife documentaries of my sex life?”

“Don’t be flippant,” George snaps, though his voice cracks a little, like he’s barely holding it together. “This is serious. The Daily Mail already has them. And they’re… well, they’re explicit. The kind of thing they’d plaster on the front page if they could get away with it”

For a moment, you consider the insanity of it all—your life, reduced to some tawdry tabloid spread, the kind of thing boring nosey housewives read in supermarket queues. You imagine the headlines, the breathless, shocked tones they’d use to describe “the scandal.” Never mind the fact that you’re not the first celebrity to get caught like this, nor will you be the last. But still, it stings in that strange, twisted way fame always does, a reminder that your life isn’t really your own.

“I’m sorry, George,” you say, barely stifling a moan as Alexia’s hand moves just right, making it almost impossible to keep up the conversation. “But I don’t exactly have a solution for you right now”

George lets out a strangled noise. “Well, you bloody well better come up with one. Unless you want the world to know what you look like without your clothes on. Which, I might add, is not exactly… career-friendly”

You stifle a laugh, more out of habit than anything else. Alexia’s fingers are moving with that slow, calculated patience she knows drives you mad, and you can feel your resolve slipping. “Look, George,” you say, your voice strained, “I’ll call you back. After I… handle things”

“What? You can’t just hang up on me!” he practically shrieks, but you’re already pressing ‘end call’ and tossing the phone aside.

The phone lands back somewhere on the bed, George’s panicked voice cutting off abruptly. For a moment, there’s silence, and then Alexia lets out a low, throaty laugh, her eyes alight with amusement. She reaches her free hand up, trailing her fingers along your jaw, and there’s something wicked in her smile that makes you forget the world outside the bedroom.

“Where were we?” you murmur, leaning down to capture her lips in a kiss, slow and lingering, the kind of kiss that makes you forget everything else.

“Right here,” she whispers, her voice soft but possessive, and you can’t help but smile as she pulls you back down, your bodies tangling once more as you lose yourself in her warmth.

[orphiclovers]

The first scenario of ORV has always fascinated me. "Kill another person to survive." It might be the most common plot point in apocalyptic stories.. Pretty much all of them feature some discussion of morality and how to define it, good and evil, played out by deeply morally grey characters who have to make a choice to kill.

But ORV is a story about stories.

The Star Stream is trying to tell 'the story of an apocalypse' and it does! But in the most crude and unpolished way.

It's almost cynical. 'We are telling an apocalypse story, what's a common plot beat in apocalypse stories? 'No one is innocent and everyone has killed to survive'. Okay, let's make it a literal requirement for everyone to have killed someone to proceed.'

It's robotic, taking a story beat and stripping it down to it's bare essentials, then forcing the incarnations to adapt to it or die.

But the thing is. That's what all writing is. ORV just pulls back the curtain, exposing the internal circutry that makes a story work. Orv doesn't lie to you about the inherent artifice of it all.

The scenarios are perfect little plot arcs, designed to test the limits and reveal the strenghs and weaknesses of incarnations - 'the characters' of the story. It's not some cruel torture, it's literally just the act of storytelling. Writing 101 is put characters through hardship to reveal certain qualities in them or to make them go through character development.

Only difference is that writers usually camouflage the 'scenarios' they give their characters until the circumstances seem 'realistic' and like they happened on their own, like the author isn't forcing their reality to bend this way at all.

Oh, one character didn't lock the door in time due and got bitten by a zombie. And so inevitably this other character has to make the choice to kill them or not. There's as many explanaitions as the author can cook up as to what lead the characters to this moment. How the zombies got there, why these two were in the same vicinity, etc etc.

But, it's all set dressing the author has added to make the audience forget that this is too a 'scenario' given to the characters to test them. There's a time limit and a description and a reward and a penalty for failure, but all of these are cleverly hidden. The time limit can be until the last helicopter leaves in 10 minutes. The unspoken penalty is death. The author arranged how the characters find out some or all of this information in convienient ways.

Star Stream just lays it all out in front you you, straight up. States 'Kill another incarnation or have them kill you' and doesn't attempt to justify the circumstances, because of course, the real reason all this is happening is because the story demands it.

It's a universe that does not hide the author's hand in every tiny little event that happens.

So this too is the question "What if the characters knew they were in a story?" asked yet again. Every single being in the ORV universe knows they are in a story. The system itself makes it obvious - you can look at your own character sheet, you obtain 'stories' when you do something impressive but are constrained by 'probability' and what the audience finds interesting. You're body is literally made up of words written about you're life!

That's why the worldbuilding is so cohesive and so so good. All of it is telling you 'the world is a novel.'

[ckret2]

The second dimension has just been burned; Bill—who's definitely an innocent victim in this situation and totally didn't have anything to do with the fire—is inside the nightmare realm "dream realm" with a bunch of dying shapes from the neighboring dimensions that also caught fire; like a million gods are at the scene of the fire trying to figure out what happened; and the Axolotl's just been hit with a nonstop barrage of cosmic horror. But he's about to face an even greater horror: watching politicians and contractors try to get a single task done.

Here, have a fic. It's part three of a series about the Axolotl witnessing the aftermath of the Euclidean Massacre before anyone's even figured out what happened or whose fault it is. Here's part one and part two.

####

Outside what used to be the incinerated wall named Dimension 2 Delta, what seemed like half a city's worth of gods had assembled within just a few hours: agents from the Apocalyptic Threat Task Force, concerned local politicians, firefighters, cops, paramedics, reporters, rubberneckers, and volunteers. The scene was one of simmering panic being just barely suppressed by training and professionalism: everyone there had a job to do, everyone there was focused on doing it, and none of them knew whether it would be enough.

Behind what used to be the incinerated wall named Dimension 2 Delta, where there was supposed to be an empty void with the point-sized Dimension Zero, there was now a multicolored cosmic foam, frothing and roiling nauseatingly in a way reminiscent of waking from a fever dream to discover that you're actively in a state of delirium and behind the wheel on the freeway. Only the Axolotl knew that, inside that foam, there was a mad dance party of the enslaved dead and dying, overseen by the party host ghost who called himself the Magister Mentium.

Neighboring what used to be the incinerated wall named Dimension 2 Delta, five 1D and 2D dimensions had been burned down to nothingness. The ATTF had just confirmed that a sixth had joined them, two more were well on their way to full incineration, and there were unconfirmed reports trickling in that efforts to contain the fire had failed and two more 1D dimensions were burning up like fuses. The flat and linear living beings of thousands of worlds had been rescued; shapes huddled together uncomfortably on 3D worlds, evicted ghosts haunted ghost worlds, and gods who had once seen themselves as above all mortal concerns now found themselves sitting shellshocked in an "above" they'd never imagined—and they were the lucky ones. The ones who hadn't burned up in the pale blue fires or fallen down into the eternal dance party.

And amidst it all—all the fear, the fire, the death, the panic—the desperate attempts by gods that didn't know each other or didn't like each other to find a way to make this right—those who thought a crisis of such interdimensional magnitude called for kindness and compassion verbally wrestling with those who thought it called for punishment and control—a Time Giant in a hard hat, whistling a country song she'd heard on the radio that morning, completely ignored everyone else there, strolled right up to the sickly swirling border of Dimension Zero as though it were the most natural thing in the world, and started looking around for the wall named Dimension 2 Delta she'd been called out to inspect.

She was dressed in goggles, a flannel shirt, sensible overalls, and leather work gloves. There were several tools strapped to her belt: a time tape measure, a space hammer, and a utility repair kit with patches and sewing needles for making quick mends to the fabric of reality. She eyed Dimension Zero's undulating border, glanced down at her tiny repair kit, and frowned dubiously. It seemed that the problem she'd been called out for was too big to hand stitch back together. She shrugged in resignation.

The cop who looked like a crab with two mushrooms growing out of his hollowed-out eye sockets smacked one claw against the cop made of two interlocked burning rings. "Hey. Is she supposed to be here?"

VENDOR turned, took in the Time Giant's appearance, and shouted, "Hello! Excuse me? What are you doing?"

She gestured with a thumb at Dimension Zero. "I was called about a prematurely crunched dimension. Here to do an inspection."

Irritably, VENDOR said, "You're supposed to be inspecting Dimension 2 Delta, not—this thing!"

"Well, I don't see D-2Δ around here. Looks to me like it's gone," she said. "Some jackass has been blowing up my office phone all day trying to rush me out here. I had to cancel three other inspections, call another guy in on his day off, and come out myself to get this over with so we can shut this guy up. So I ain't here to stand around painting my fingernails. Unless you can point me to D-2Δ, I'm gonna inspect the dimension that is here."

VENDOR, the jackass in question, said, "I'm the one who called you and I'm saying you can't go in!"

"Uh huh." Behind her goggles, the Time Giant's expression was completely unreadable. "Anyway, if you'll excuse me, I'm gonna go do my job."

The flaming rings whirled between the Time Giant and Dimension Zero's border, hundred eyes narrowed threateningly. "This is an active crime against reality! It's still under investigation."

"Then what was the big rush to get me out here!"

The argument was clearly audible over the general din as the Axolotl and the storm cloud with the ATTF returned from inspecting one of the many out-of-control fires. "Cops," the storm rumbled. "Hate cops."

The Axolotl's frills fluttered in agreement. "Interesting from an apocalypse cop."

Static crackled irritably over the cloud. "I prefer 'apocalypse agent.'"

As they caught up, the Time Giant was saying, "I ain't got time for this." She pulled out a length of time tape without unlatching the measure from her belt. "So when won't this place be an active crime scene?"

"Hold on!" The cloud flicked VENDOR's metal side with a lightning bolt to catch THEIR attention. The crack of thunder startled the Time Giant and cops into looking its way as well. To VENDOR, it snapped, "This isn't your investigation, back off." To the cops, it said, "And this is not a crime scene." To the Time Giant, it said, "I put in the initial call. Dimension 2 Delta spontaneously combusted; we want to know why. He says"—it gestured toward the Axolotl with a fork of lightning—"whatever's left of it is in there, so that might as well be where you start your investigation."

"Thank you," the Time Giant sighed. She let the tape snap back into place. "ATTF, right?"

"Right."

"I prefer to get my info from whoever's actually in charge of a dimension. So, we got any gods that can tell me about 2Δ—property owner, in-house maintenance...?"

There was suddenly a large wall of steel and glass in between the storm cloud and the Time Giant as VENDOR physically shoved THEIR way back into the conversation. "2Δ is in Lady Morgenstern's district, but she's still on vacation—(and apparently decided this incident wasn't worth coming back into the office for)—but, I am on the urban planning committee. If there's anything you need to know, you can talk to me. I can request any municipal records we have on 2Δ's construction and maintenance."

The Time Giant screwed up her mouth. "How long will that take?"

"A few hours, most likely."

The Time Giant's scowl deepened.

She wouldn't get anything useful from a career politician from a different district who knew bupkis about Dimension 2 Delta. The Axolotl said, "If you need somebody who personally knows 2Δ, I... might know someone. A mortal from the wall."

"Uh-huh." The Time Giant didn't look much less dubious about this offering. "It better be a mortal that's at least a quantum physicist. Preferably one with experience in dimensional maintenance."

"I... don't know." The Axolotl nearly added I don't think so—but he was growing less certain he knew what that triangle was capable of, and he didn't like his suspicions. "But—he is an eyewitness to Dimension 2 Delta's destruction from the inside."

The Time Giant chewed on that; then sighed, pointed at VENDOR, and said, "Okay, you request whatever files you can get," and pointed at the Axolotl and said, "In the meantime, I'll talk to your guy. Where is he?"

"Turn around, jumbo."

The group flinched in surprise. They turned toward the missing wall and the grotesquely bloated singularity behind it.

From the zeroth dimension's impossible border, the shining yellow triangle, hardly larger than a fleck of dust, blinked blearily out into the third dimension. He was holding a red plastic cup and wearing a party hat. He looked very much like a hungover homeowner trying to sign for a package at 7 in the morning.

They stared at him.

VENDOR demanded, "What in the world are you?"

"I'm a triangle," said the triangle. 

"You're not supposed to be in there. Get out."

"Hmm! Let me think! No!" He floated up to camera level with VENDOR, apparently not noticing he'd started tilting at an angle. "Why don't you make me?"

"How dare—! Do you know who you're talking to, mortal?"

"Nope. I only know the people worth knowing."

The Axolotl had to choke back a laugh as VENDOR's lights buzzed brighter with irritation.

The cloud quietly asked, "Your friend from 2Δ?"

The Axolotl nodded. "This is the Magister Mentium. He's the only survivor of Dimension 2 Delta. That I know of, anyway." He looked to the triangle, hoping he'd tell him that he was wrong—that the triangle's dancers really were his people from his own dimension.

But the triangle neither confirmed nor denied the claim. He just shot the Axolotl a dirty look. The Axolotl's heart sank.

"Are you sure he 'survived'?" VENDOR asked. "He doesn't appear to have a body. I don't think he's alive."

"What's with everyone's obsession with how alive I am today," the triangle griped. "Hey, worlds-for-guts! Come over here and I'll show you how 'lively' I can be."

"I beg your pardon?!"

"Beg harder."

The crab cop snapped his claws. "You think you can threaten a god? Better watch your mouth, mortal."

"Oh, now I'm mortal again!" The triangle laughed. "Hey, make up your minds! Am I dead or not?"

"I warned you—!"

The Axolotl quietly inserted himself between the two, muttering to the crab, "I'm sure I don't need to remind you that 2Δ isn't one of the dimensions hubris is illegal in?" From the corner of an eye, he could see the triangle pinching his fingers in mocking imitation of the cop's claw snaps. He blocked the triangle from the cop's view.

"It is up here—"

"He isn't up here. He's down there." The Axolotl stared at the crab until he backed off.

Throughout all this, the Time Giant was surveying the triangle dubiously, jaw set in an unimpressed line. Finally, she asked him, "Is uh—is your god home...?" (Even as tense as he was, the Axolotl had to fight back a chuckle. You could always tell when someone wasn't used to talking to mortals.)

"There's no gods here," the triangle retorted. "I'm the magister of this dream realm. So who're you and whaddaya want?"

No gods came up to smite the triangle for denying their existence, so the Time Giant shrugged and continued to address him: "Civil engineering inspector, cosmic structure maintenance. I'm here to figure out why D-2Δ collapsed, look over the place you're in now, see whether it's is up to code."

"Ugh, it's about time," the triangle groaned, as if he'd had any involvement in the Time Giant's appearance or any reason to expect her to be here. "According to these jokers, we got given a flimsy universe! Bad wiring or something!" (Had the triangle been eavesdropping on them the whole time?) "It'd explain a lot! The place wasn't very robust!" His irritated gaze circled the group of "jokers" in question—Axolotl, storm cloud, vending machine, the cops—then did a double take at the cop made of two flaming wheels. "Whoa, and I thought frills here was the freak. How many eyes do you have?" He squinted and started trying to count them. The rings rotated irritably and the triangle flinched. "You can shapeshift 'em. Wowww, optometrists must hate you."

The Time Giant waved a hand between the triangle and the rings to get his attention back. "So you are in charge of whatever's left of D-2Δ in there?"

"Of course he's not," VENDOR said. 

"Yep, that's me," the triangle said.

"Fantastic," said the Time Giant, loudly ignoring VENDOR. She pulled out a miniature clipboard strapped to the back of her toolbelt. "Then you get first priority in deciding what happens to the place, as long as it don't violate cosmic construction code. What's your ideal outcome here? Gut this dimension, clean out the rubble from D-2Δ, and rebuild somewhere else?"

"Don't even think about it," the triangle said. "Stabilize our dream realm."

VENDOR cut in again, "You can't expect to stay in there! A void at the center of the multiverse is no place for three million squatters—"

"You're way behind, Jack," the triangle said gleefully. "We're up to ten million now!"

THEY gasped in horror. "Ten million?!" THEY started cycling through THEIR stock of moons for one better sized for the population.

The request to stabilize the dimension gave the Time Giant pause, but before VENDOR could try to jump in again, she said, "Sure, got it." She made a note on her clipboard. "I'll look around, figure out if it can be repaired, make sure it isn't about to collapse around your ears—or whatever you have. Corners?"

"Great! I keep hearing this awful grinding noise! And the electromagnetism keeps flickering on and off! Can you do something about that?"

"I'm here to try," the Time Giant said. "Can I come in?"

The triangle hesitated. He looked to the Axolotl. "Hey, frills. Do you vouch for this freak?"

His gills fluffed in surprise at the question. Him? "Yes—she's a professional." The Apocalyptic Threat Task Force wouldn't have her on call if she wasn't dependable.

"All right," the triangle said. "Both of you come in. Welcome to the dream realm."

The Axolotl and Time Giant exchanged a look. She shrugged, scooped him into her arms like an oversized house cat, and headed into Dimension Zero.

####

"Wow. I've never seen nothing like this before." That was the fourth time the Time Giant had said that so far. (Two of them had been spent on the eternal dance party. She'd made eye contact with a square who was coughing an endless plume of black smoke out from around his dry and cracking eye, and the Axolotl—still being cradled in one arm—had felt her shudder before she deliberately turned away. If she was horrified, she was doing a better job of locking it away than the Axolotl had.) "Just moved in?" 

"Pretty recently," the triangle said. "I can't tell you exactly when! I abolished time."

"Probably for the best. This place is a real fixer-upper—I don't know if it could handle time." She had started poking and prodding as soon as she entered Dimension Zero—feeling the quality of the fabric of reality, flipping open invisible breaker boxes to inspect the fundamental forces. She paused as she peered into one box. "Where's the gravity?"

"Beats the heck outta me! I gave up looking for it. Think I like it better without gravity." The triangle had been weaving around her during her whole inspection. He was still clearly under the influence—but now, the Axolotl was less certain what influence he was under. The more the Axolotl saw him separated from his eternal dance, the less he looked like a partied-out drunk, and more like he was distracted to the point of dissociation. His voice fluctuated randomly between "loud" and "too loud." He tilted and zigzagged when he moved, drifted when he tried to hold still. He simultaneously flickered around the dimension like an indecisive quantum particle that couldn't figure out where it existed and maintained a steady, unblinking, spotlight-like stare at the Time Giant and what she was doing. "But the gravity's nothing. A while ago, the weak atomic force went out for like a whole week; you can imagine what a pain that was to get working again!"

She whistled under her breath. "Is this your first reno project? Should've started with something simpler, like a 2D universe, and worked your way up to 3D. 1D's beginner-friendly too; but honestly, with all the restrictions it's not worth it unless you're really creative with portals. 2D's a reasonably accessible middle ground."

"We came from a 2D universe," the triangle said. "After all the work we put into getting to the third dimension, I'm not about to go back!"

"Fair enough." She shifted the Axolotl from where she'd been carrying him in her arm to set him up on her shoulder so she could free her hands. He draped over her shoulder with his tail hanging down her back to watch as she shined a flashlight into the breaker box. There were five switches labeled in marker on tape, "ELECTROMAGNETISM," "STRONG WEAK ATOMIC FORCE" "WEAK  STRONG  WEAK  STRONG!!! ATOMIC FORCE," "????," and "???????? (DON'T TOUCH!!)" The weak atomic force switch was being held in the "on" position by a bundle of black rubber bands that, upon closer inspection, appeared to be made out of the triangle's own arms. The ???? switch had been replaced by a wormhole.

She prodded the wormhole with the butt of a pen. The triangle yelped and flinched. "Hey, whoa! If you're gonna get handsy, at least buy me dinner first!"

She stared at him, slowly shook her head, and muttered, "Never seen nothing like that before." She shut the breaker box. "Well, this place is no Goldilocks zone, but it's honestly kinda impressive it hasn't imploded yet."

"I'm taking that as a compliment!"

She put away her flashlight, pulled out her clipboard, and said, "So you mentioned a grinding sound. What's this grinding?"

"Right, that!" Now that she wasn't doing anything interesting worth watching, the triangle zoomed in front of her to make direct eye contact. "Every time I try to move, all of existence starts creaking and groaning."

"You're moving now and I don't hear anything."

The triangle rolled his eye. "I don't mean moving in here, I mean moving!"

She frowned.

The Axolotl suggested, "I think he's—at the center of the dimension. When he moves, we move... through the dimension. Perhaps he means when the dimension's literally moving with him?"

"Uh." The triangle squinted uncertainly. "Yyyes?"

"Huh. Dimensions shouldn't be moving." She unhooked her time tape from her belt, held it up in front of her, and said, "Can you move about... twenty lightminutes away?"

The triangle sighed heavily. "Yeah, sure." He zoomed off to the side. Existence seemed to zoom with him. The whole time he was moving, the Time Giant stretched out more of her time tape.

The Axolotl felt something very far away rumble.

"Is that all you needed, or are you gonna ask me to roll over and bark, too?"

"Haw haw," she said flatly. "Yeah, that's it." She glanced at the Axolotl. "How long did it feel to you like it took him to move?"

The Axolotl tried to think through the momentary vertigo. "Thirty, forty seconds?"

"Uh-huh. For him to move twenty lightminutes in thirty seconds, he'd be moving forty times the speed of light."

"Oh."

"Is that good?" the triangle called.

The Time Giant grimaced. "Well..."

"I can do it faster!"

"D—don't do it faster." She held up the time tape for the Axolotl to inspect. "Look at this."

Every measure mark on the tape was labeled 0 sec - 0 sec - 0 sec - 0 sec.

The Axolotl gave it a baffled look. "He did say he abolished time."

"Sure, but there's relative time, and then there's absolute time." Which was probably a statement that made sense to Time Giants, but all the Axolotl could guess was that she meant the time tape was not supposed to say zero seconds.

She let the tape retract and stroked her chin with a gloved hand. After a moment of thought, she said, "Lemme check something out."

####

(Thanks for reading!! If the art lured you in and this is the first chapter you read, this is part 3 of a probably-7-part fic about the Axolotl in the immediate aftermath of the Euclidean Massacre. Here's part one and part two if you missed it. I'm posting one chapter a week, Fridays 5pm CST, so stick around if you wanna watch the Axolotl slowly discover just how much of a monster that silly triangle he likes really is.

It's ALSO chapter 61 PART THREE of an ongoing post-canon post-TBOB very-reluctantly-human Bill fic. I'm gonna fix the chapter numbering once I know how many chapters this plot is. If you're not sold on the idea of a human Bill fic, I've also got a oneshot about normal triangle Bill escaping the Theraprism if you wanna read that.

If this is NOT your first time here and you already knew all of the above: okay, I lied that last week was the least horrifying chapter, but it's only because this chapter ran so long I decided to cut it in half. The horror comes next week. Enjoy this brief lull while everyone acts like this is a totally normal property inspection.

Anyway, lemme know what y'all think, and next week we're right back on the cosmic horror!)

[darylmydix]

THE SCARS WE SHARE | daryl dixon – 001

summary: you were the only good thing daryl had in his life. bonded by similar trauma, you suffered abuse at the hands of your stepmother, just as daryl had suffered from his own father. when you finally decide to escape your abusive home life, you're forced to leave behind your best friend in the process. now with the world in an apocalyptic state, you're left wondering if daryl was even alive.

pairings: daryl dixon x f!reader.

warnings: smut, violence, blood and gore, unrequited love, best friends to lovers, mentions of s/a, mentions of abuse, mention of suicidal thoughts/attempts, mention of drug use, use of deadly weapons, fluff, angst, slow burn, strong language, kidnapping, coercion, seasons 5-11, 18+, minors dni.

word count: 1.7k

Warm water trickles your skin, washing away your filth. Physically you weren’t dirty, but subconsciously you felt that way; you’re curled up in the fetal position on the bathtub floor, as still as a frightened rabbit. Your body felt numb, and you envisioned yourself anywhere but where you were now.

You had been laying in this position for about 20 minutes now. You knew eventually you’d have to get up. You didn’t want the wrath of your stepmother banging on the door shouting about how you were running up the water bill.

You finally find your strength to get up, turning off the water. You sit for a few more minutes in silence. It was quiet in the house. You figured your stepmother had gone to bed. You grab your towel from atop of the toilet tank, standing up to wrap it around your body.

You step onto the shaggy rug outside of the tub, drying your feet off. Last thing you wanted to hear was complaints about how you left the floor wet. Your stepmom would bitch about anything if she could.

You open the door, peeking your head out to make sure she wasn’t walking around the hallway. It was radio silence, and dark. You shuffle down to your bedroom, your feet pattering against the hardwood floors. You notice your stepmother’s bedroom door was closed, officially confirming that she was indeed asleep.

You softly close your bedroom door behind you, letting out a meek sigh. You dry yourself off, quickly trying to change so you could head out for the night. You needed the fresh air. You felt suffocated the longer you stayed in here. You grab your set of house keys from your nightstand, leaving back out of your bedroom. You tiptoe past your stepmom’s room, making your way into the living room.

You slipped on your shoes that were sitting by the front door, and you were almost home free until you heard her voice. “Going somewhere?” You jump in surprise, the lights suddenly flicked on to reveal your stepmother sitting at the dining room table. She’s sitting with a bottle of tequila on the table, the glass she was drinking it from in her hands. She was drunk to all hell.

“I’m– I’m just going for a walk…” You stutter, timidly. She scoffs. “Don’t lie to me. You’re going to those trailer parks to see that hillbilly Dixon boy, aren’t you?” You don’t respond, and she snickers. “Those boys ain’t nothin’ but trouble. I don’t see why you even go over there. What’re you doing? Letting them run a train on you?”

You bite down on your bottom lip, holding back your tears. “I’m just going for a walk.” You repeat, opening your front door to leave. “Make sure you get your money's worth, you slut!” She shouts. You slam the door behind you, wiping your tears away with the back of your hand.

You stuff your hands in the pockets of your sweater as you make your way to the trailer parks. It wasn’t too far from where you lived, probably like a 20 minute walk if you had to estimate it.

Your best friend Daryl Dixon, who you were on your way to see, used to live a couple blocks down from you. That was before the house fire that claimed the life of his mother happened. Now he, his older brother Merle, and their father Will were living in a shaggy trailer park neighborhood.

“Right where they belonged” your stepmother would say. You make it to the trailer parks, walking through until you get to the Dixon residence. You notice their lights were on, meaning they were likely awake. As you readied yourself to walk up the stairs, the sound of a loud crash makes you freeze. “You ever talk to me like that again, boy, I’ll make you wish you died in that fire too. Ya hear me?!”

Will Dixon could be heard yelling from inside. A pretty normal occurrence for the Dixon home. “Man, get off me!” You hear Daryl shout back, his heavy southern accent easy to distinguish. “You leave out that door boy, you can sleep out there tonight.”

“Like I give a damn!” The door is suddenly ripped open, and Daryl steps outside, slamming it close behind him. The brunette pauses as he sees you at the end of the stairs, staring up at him. He’s quiet for a moment. “You heard all that?” He asks, coming down the steps towards you.

“Just the end of it.” You say. You notice there’s a cut on his lower lip. Your eyebrows knit together in concern as you reach up, letting your thumb gently brush over the wound. “Your lip’s busted.” You frown. Daryl winced, moving his head back from your touch.

“To hell with it.” He mutters. “Whad’ya doin’ here?”

Your head tips to the side slightly, and you give him a small smile. “I’m always here.”

You and Daryl sat without a word, your backs rested up against a southern magnolia tree in the woods. This was a spot you two always went when you wanted to get away from everything. It usually involves you both in silence listening to wildlife. You didn’t mind it. Daryl wasn’t a man of many words anyway. Hasn’t been since his mom’s death. Regardless of if you guys did talk or not, you were just happy to be in his presence.

“Merle’s in jail.” He disrupts the silence, picking a stick off the ground before he begins to break it apart piece by piece. Merle was always in jail so that didn’t surprise you one bit.

Both the Dixon boys weren’t strangers when it came to trouble, but Merle was the worst of the two. Anytime Daryl caught himself in any trouble with the law it came from dumb shit Merle dragged him into.

You truly couldn’t stand Merle, but you could never tell that to Daryl. His loyalty to his older brother was impeccable. You hope one day he could get out of that phase and come to the realization that Merle wasn’t good for him.

“What did he do this time?” You ask, not really needing to as you could guess that it probably involved him assaulting someone. He wasn’t exactly a people person. “He beat the hell outta some guy in a bar.”

‘Bingo. Right on the mark.’

“That brother of yours isn’t gonna be satisfied until he’s locked in there for life.” You mumbled. Daryl shoots you a look. “What? You can’t just go around beating people up without consequences. That’s not how the world works.”

“Asshole probably deserved it.” He murmured, chucking the stick. You roll your eyes, deciding not to push the subject any further. You hear Daryl wince, and you look over to see him messing around with the cut on his lip.

You dig in the pockets of your sweater in search of something you could wipe the blood off with. Great forces are on your side as you pull out an alcohol prep wipe. You often carried them around for moments like these. This isn’t the first time you’ve cleaned up a wound left on Daryl by his father, or even a wound on yourself.

You rip open the package before gently grabbing the brunette’s face to make him look over at you. “Hold still.” You say, placing the wipe on his open wound. He winces again, trying to move his head back but you don’t let him. “Oh cut it out you big baby, it’s not that bad. You don’t want it to get infected, do you?”

Daryl grumbles, but sits still to let you work. It’s quiet as you do, nothing but the sound of an owl hooting. You could feel Daryl’s eyes on you, and your focus shifts from his lip to his blue hues. “What?”

“That come from her?” He questions, nodding his head to the choke bruise on your neck. He wasn’t sure how he hadn’t noticed it before. You swallow a lump that was beginning to well up at the back of your throat and shake your head. “She had another guy come by today. This one was into choking…”

Daryl’s jaw clenched in anger. Every time he heard about the men your stepmother invited over he just wanted to go there himself to rid you of the burden once and for all. But he didn’t want to put you in a worse situation than you already were in. “You don’t deserve what she’s doin’ to you.”

“Neither do you.” You remark. “But that’s just our reality.”

“Don’t have to be.” He declared. You pull the wipe from his lip, deciding it was clean enough. You ball it up, tossing it wherever on the ground. “Done.” You smile faintly, moving on from the topic. You didn’t want to think about it right now. “S’gettin’ late,” he comments. “Want me to walk you back home?” He offers.

“What’re you gonna do?” You remember his dad telling him not to come back. You’d think that he truly didn’t mean that but even you knew that Will made sure there was no way Daryl could get back inside the house tonight. “I’ma come back here to sleep. Ain’t the first time my old man’s kicked me out. Damn sure ain’t gonna be the last.”

You nod. “Then it looks like I’m staying.” You insist, settling against the tree. Daryl shakes his head. “I don’t need you to-”

“Shut up.” You cut him off before he could argue. “I’m staying.” You lean your head against the tree, your eyes closing. Daryl stares at you for a moment. Your stubbornness amazed him sometimes. It was worse than his own, but he knew he couldn’t fight you when you made up your mind on something.

“Fine.” He says, settling against the tree along with you. You scoot a bit closer to the brunette, letting your head fall on his shoulder. He tenses a bit, but calms his nerves. His body relaxes underneath you.

“Hey.” Daryl mutters, unsure if you’re awake or fast asleep already. You hum in response. “You really ain’t gotta be here.” He tries once more to change your mind. You smile.

“I’m always here.”

Taglist:

@daryldixmedown, @supernaturalstilinski, @vampiresluv, @myassisasolarsystem

[brokenmutations]

When there’s a Logan, there’s a You

Logan Howlett [Variants] • She/Her Pronouns • Mutant!Reader [Heightened Senses] • In Wade’s attempts to find the perfect Wolverine for his timeline, he half expected not to run into the many different yous that existed • ANGST/SFW/NSFW • TW: Blood / Nightmares / Scars

“Oh, I gotta find me another Logan” Wade sighs, taking out the glorified fire phone. “An alive one…Don’t get up, guys. I’ll see myself out”

Comic Accurate Short King

“Logan!” Wade shouts in the axe throwing bar, spotting Logan sat at the bar. “I’m gonna need you to come with me.”

“Who’s asking?” Logan glared, hopping off the bar stool and revealing his true height.

“Oh, look at this hairy Lou Retton” Wade giggles behind the mask. “Did you stick the landing, little guy?”

A bit of annoyance grew on Logan’s face as he walked closer to Wade.

“Yes, you did! Comic-accurate short king” Wade leaned down, his voice in more of a mocking way and before he could say more he felt a hand on his shoulder.

Marvel Jesus turned around and holy fuck was this universe’s Y/N was tall as SHIT.

“Who you callin’ short, fucking ketchup bottle?” Y/N growled, gripping his shoulder with a bit of a force that drove a shiver down his spine.

“Okay Godzilla, I think I’ll be on my way out” Wade pulls himself away, taking the phone out and staring at their height dynamics as the door opens behind him. “He climbs you like a tree huh?” He teased only for both of them to get annoyed about to follow him but he quickly went through with it shutting behind.

Cue the fucking montage

Weapon X

As Wade steps through the door he was in shock at how ruined this universe was.

“Everything here is on fire” He thought out loud, entering an alleyway finding a hunched over figure with a cloak covering them. “Hi, have you seen I guess a more apocalyptic looking Hugh Jackman around here?”

The individual lifted their head showing their face to Wade causing him to kneel in front of the person.

“Fucking hell is that you Y/N?!” Wade removed the hood of her cloak revealing the buzzed hair. “Okay Furiosa, you slay in any universe”

The confusion write itself on her face as she didn’t know who this person was but given her state of being, she didn’t have the strength to fight him. But he sure did.

Suddenly, Wade was thrown away from Y/N’s space causing a bit of a comical scream to erupt out of the poor guy. Next thing he knew, his body met the wall which broke a few bones. Especially the car he landed on broke a couple more.

As Wade groans lifting himself onto his elbows, he turned to find a man had replaced where he was.

“I don’t know who you are but maybe you know where—-“

The man straightened up turning around to look Wade with the familiar scowl that matches every Wolverine.

“Well well well, you aren’t a kitty cat like the rest with that lion’s mane of yours” Wade smirks rolling off the car and walking over to get up close and personal. He was about to demand he come with him but then his eyes moved with his head to the metal stump that used to be his left hand. “Do your claws still work with that thing?” He gasps suddenly, straightening up. “Was that the hand you used to jerk o—-“

Before he could finish he went flying to the wall again after Logan punched him with said stump. Logan had enough of this yapping individual he’s never seen before and decided a threat is a threat. So he went after Wade and if he could, he’d turn him into ceviche if other matters didn’t stop him.

Y/N watched this all play out for a while and wanted to break it up but a part of her couldn’t handle the noises she was hearing.

Her wince is what made Logan stop and shove Wade off the car he was fighting him on before quickly approaching her. Logan gently cradles her face with his hand resting his forehead against hers.

“Yeah…okay, I’ll uh…see myself out” Wade groans dragging his body to the door he opened with his phone.

Patch

When Wade opened the door to the next universe he was confused whether he was in a casino in Vegas or a casino in the middle of the jungle because when he looked outside the window it looked like a jungle.

“Can I help you sir?”

The voice caught him off guard as he quickly turned around to lock eyes with this universe’s Y/N. Except his Y/N had cochlear implants. Not every universe is the same people! This Y/N clearly had her mutation manifest a bit too much that her eardrums BOOM! Exploded. Bursted…what’s the medical mumbo-jumbo? Anyway, I only know that cuz that ALMOST happened to my Y/N.

“Sir—-Can I help you?”

“I’m looking for a tall broody man that apparently has a very gremlin sized version of himself in another universe. Hell, you were alllllll leg there” Wade started to doze off thinking about how exactly the short king, yknow then he snapped back into it. “Anyho! You’re not helpful so I’m leaving you in your cute little waiter outfit alone and let myself in”

Before he even got to the door, Y/N blocked his path firmly pressing her hand against his chest.

“Okay princess, I’m not here to fight. I just need to talk to Logan”

The name triggered a thought in her mind unknown to him, but it was obvious that she thought Logan’s position was about to be compromised by this stranger.

“You don’t have a meeting with Patch and if you enter without granted access…I’ll have to take care of you myself” Y/N shoved Wade with a force he would never expect from her.

“Holy shit have you been working out or juicing?” Wade scoffs falling on his ass watching Y/N take out a small canister that with a quick press of a button it formed into a staff. “Marvel H. Christ…you pack a punch. I wonder what you’d do with the Hulk as your opponent”

“I’d leave if I were you”

“Sorry, sweetcheeks. That’s a no can do” Wade groans on his way back up, taking one of his katanas out. “Guess I’ll have to force my way through”

Logan suddenly felt uneasy as he looked at his winning cards, confusing the others at the table but his expression was toward what he heard that they didn’t. He reveals his cards and listened to their disappointment but before he could leave the table…

“Patch” Wade gave him a look which led Logan to gesture for the man on his right to give up his seat for him. “I need to talk to you”

“I don’t know who you are, bub” Logan tapped the table for his cards as the dealer gave Wade his as he was confused at to what they were playing.

“Yeah but I know exactly who you are and you HAVE to tell me how you snagged Y/N. The little lady is crazier than mine.” Wade lifted his cards, leaning into Logan. “What are we playing?” He whispers only for the man to growl at him in his space. “Ok ok. Not Go-Fish…uhm. I fold”

The dealer nodded and went to the next player, Logan kept his composure for the most part but when Wade said his partner’s name…his whole body tensed.

“How do you know Y/N.”

“Well that’s a bigger discussion we should have in private. And probably without her because she’s gonna be pissed when she wakes up” Wade went to reach for his card and Logan had enough which led the man to unsheathe his claws to stab him in the head. The woman on the other side of the mercenary, screamed when blood got on her but business continued as Logan retracted his claws along with pulling Wade away and off the table.

“You look like you could use a drink” the dealer gestured for a waiter to come over and before Logan could stand up to check on one in particular, he felt a hand stop him.

Logan quickly looked up locking eyes with his partner who bore a tired expression along with a bruise forming on her cheek. He could smell the blood on her and knew it was hers given she hide her other arm behind her back to avoid other eyes.

‘You okay?’ He signed to her as Y/N nods before both their attention were drawn to Wade dragging himself along the carpeted floor.

“Never…coming…back here” Wade groans continuing to drag himself away as Y/N scoffs at his form while signing ‘idiot’.

As soon as Wade left, Logan rises to his feet excusing himself from the table and walking out with Y/N back to the small lobby before their casino room. He frowns scanning around the room to see all the damage done to the place alone.

‘He ever comes back, you get me’ Logan scoffs as he signs to her while taking a hold of her arm that Wade managed to knick with his tiny knife.

‘I can handle myself’ She frowns, feeling his fingers gently lift her chin to have her attention on him.

“I don’t care. This operation is risky, I can’t lose you in the process” Logan frowns, kissing her forehead before bringing her into his arms for a brief moment. Her body finally relaxed after that whole interaction.

Old Man Logan

“This is much homier than the last universe…I think I still taste metal…” Wade pondered as he approached the small property in the woods. “Was it his claws or her staff going up where the sun don’t—-Oh hey!” He waves at the old man on the porch.

Said old man didn’t seem to care much of the guy dressed like a ketchup bottle. He kept his attention on himself until he heard the footsteps draw nearer.

“Hello, Hi! Hope you’re the man I’m looking for”

The old man lifted his gaze only for Wade to be taken back a sec.

“Well don’t you need some coconut oil on…that” He gestures to Logan’s older complexion as his words only drew out a low growl from the old man. “So you and my Logan actually aged. Can the little Wolvie still perform? I wanted to ask my Y/N but she’s still grieving”

Logan glared at him which drew out a growl out of the man the closer Wade got.

The growling annoyed more than the merc as the front door opened revealing this universe’s Y/N with a very tired expression on her face. Logan’s growling suddenly stopped as he turned toward the door finding her disappointed expression making his expression soften for a second.

Then a whole 180 turn back to Wade returning the scowl on his face and suddenly the shotgun he was hiding under his blanket fired at the poor guy launching him back from the force alone.

“He’s twitching” Y/N frowns stepping off the porch and checking the body, watching the bullet holes heal. “He can heal like you, babe” she pulls away from the body, only for her back to bump into Logan’s chest as he instantly went to cover her with his body. “He’s not going to hurt me”

Logan shot her a glare which was met with an annoyed look from her. He tensed when he heard Wade groaning, resulting in him gently nudging Y/N back as he took a step back.

“Okayyyy…clearly, I struck a fucking nerve with this one. Like…the others” Wade groans rising to his feet and cracking his back as he did such. “I shall bid y’all farewell…this writer needs to send me to a universe where the wolverine is a cat. Then maybe just maybe I won’t be too hurt” he sighs taking out his phone and opening a door to the next universe.

The poor guy looked around terrified as to where the man dressed in red had disappeared to, all while Y/N pulled away heading back inside.

“You want some peach cobbler?” She asks halfway through the door as Logan perked up quickly following behind her.

The door shut a moment, then Logan opened it back up leaving his shotgun outside before going back in.

Crucified Wolverine

Wade face plants into the sea of red skulls and part of him was afraid but most of him was curious.

“What in the fuck…” He lifts his head finding Logan on a giant yellow X. “Are you okay??” He laughs, struggling to rise to his feet as he stumbles on over to get close to this variant.

All this Logan has done was groan to the feeling of the nails in his wrists and the rain hitting his skin making him overall uncomfortable.

“Yeah uh. Not you…we’re uhm. Going in different directions” Wade turned around opening a door. “Thank god I didn’t find a Y/N skull…”

“Y/N…” Logan sobbed hearing her name which only made Wade anxious and get out of there faster not wanting to know what happened to one of his best friends in this universe.

John Byrne’s Brown and Tan Wolverine

“Oh yes, YES! Classic John Byrne brown and tan” Wade nodded happily watching Logan come into view of the wrecked forest they stood in. “Now you fought the Hulk in this costume…”

Logan readied himself, unsheathing his claws at the exact moment the Hulk roared which led Wade to turn around being face to face with said green monster.

“I’m Marvel Jesus you dull creature and I——“ Wade was suddenly hit by the Hulk into the trunk of a knocked down oak.

Part of him was having enough of these Logan variants that Wade started to whine and an even bigger chunk of him wishes his Y/N was with him.

“Get up!”

It felt like he was seeing an angel when her voice caught his ears. Y/N picked up Wade like it was nothing, carrying him over her shoulders and bringing him away from the fight but the Hulk was acting like a bull chasing them which led to Logan chasing him.

“DITCH THE RED, BUB” Logan shouts, climbing a tree and launching himself onto the Hulk’s back throwing him back.

Y/N suddenly dropped Wade but helped him to his feet. “Listen, Red. You’re not from here and this ain’t your fight”

“I know I know! I was gonna ask if I could borrow your Logan to help save my universe” Wade’s voice was panicked watching Logan and the Hulk fight.

“Look. Avengers are after us for messin’ with the multiverse already. You need to find a Logan that doesn’t have anything he could lose in his universe.” Y/N frowns. “It’s messed up but that’s how it’s gonna have to be.”

“Wait. How the fuck do you know so much about the multiverse?”

“When your Red vanishes one day and it became this unknown trend…you get curious and start talking to a few sorcerers” Y/N states, getting a chill down her back as she quickly grabs Wade pulling them both out of the way of the tree thrown their way.

“Y/N FOR FUCKS SAKE” Logan shouts, mainly over his anxiety for their safety with a hint of anger.

Y/N sighs grabbing Wade’s hand and pulling him out of their line of sight. She quickly took the phone out of his hand and dialed in two sequences.

“These two have lone Wolverines. One definitely has some baggage from a different studio but the other I know nothing about”

“Ok ok…I’ll take it” Wade took the phone, opening the first one up. Before she stepped completely away, he called out to her catching her attention. “Uhm. I…”

“You will save your universe, Wilson.” Y/N gave a small nod with a smile before turning around and running toward the fight.

The Cavillrine

The revving of the motorcycle caught his attention instantly.

“Oh now we’re talking” Wade started to approach this universe’s Wolverine. “That’s the whole goddamn package right there”

As he got closer, he grew more confused and remembered when the other Y/N brought up “studio” as if it meant something important…

“Yknow…from behind you look a little like Henry—-“ The second Logan turned around, Wade gasped. “Oh my FUCK…the Cavillrine the legends are true”

Logan gave him a confused expression as he puffed out some cigar smoke, bringing his attention toward his bike once more.

“And may I say sir on the behalf of all humanity….this just feels RIGHT” Wade emphasized on the last word with a bunch of giddiness in his voice watching Logan turn to him. “We will treat you so much better than those shit fucks down the street!”

“You were just leaving” Logan scoffs, removing the cigar from his mouth and tossing it.

“No sir! I wonder if your Y/N looks a little like Amy Adams” Wade thought for a moment, “No no no sir, not while the fate of my universe is at—-“

Poor guy.

Wade flew through the next time door from the force of Logan’s punch.

The Worse Wolverine

After the whole spiel, Logan came face to face with Wade’s gun as he could sense he had enough of disappointment. But he wasn’t going to go that easily.

“Watch this” Logan laughs reaching for the bottle and straightening up. “Alright…Woah—-“ he grabbed onto the gun to stabilize himself. “Easy…” he laughs softly, starting to drink the bottle straight up.

“Good god” Wade watches in pure shock. “Thirsty little honey badger aren’t yea?” He continues to watch him down the bottle which triggered a thought in his mind. “How did Y/N deal with your little drinking problem huh?”

Logan finished the bottle with a bit of a shocked expression hearing that name. “Y/N?” He questions him, only to suddenly collapse from the amount in his system.

Wade sighs holstering his gun and stepping over his unconscious body. “You will have to do”

You’ve all seen the movie do I really have to rewrite the whole thing? Let’s just get to the part where you show up

Althea scoffed after her wishing she was deaf comment as she listens to the commotion Wade and Logan were causing in the streets.

“Y/N!” She shouted knowing her apartment door is closed, and Y/N’s. But with her mutation, she heard her.

Y/N instantly lets herself in running over to the window and climbing out onto the fire escape where Al was. She instantly took note of the commotion happening.

“What is it?!”

“A fuckton of Wades”

“God fucking damn it. They better not be staying. Those motherfuckers won’t pay their rent!” Al scoffs again, going back into her apartment to look for some much need cocaine in her opinion. All while Y/N continued to watch the fight happening before re-entering herself and quickly grabbing something.

While the two were fighting in the bus, Y/N stepped out of the apartment complex finding a few Deadpool stragglers resulting in her running toward a presumed dead one and grabbing his handguns to take out the few giving hopefully her Wade less trouble. She flinched to the sound of broken glass as she ran over to the end of the bus sighing with relief.

“Wade, this is what you’ve been doing?! Fucking up the multiverse?!”

“I DIDNT DO SHIT! BLAME THE TVA” Wade shouts in her direction as he couldn’t help but feel the growing tension beside him that was Logan staring into Y/N’s soul from the looks of it. “Listen sweet cheeks. We gotta go save our universe and I need peanut’s help. So while he continues to stare at you like he’s seen a ghost Imma need you to have our backs in case—-“ he heard the sounds of bones cracking back into place as Y/N instantly knew where he was going.

“Go!” She shouted at them and while they ran to take care of the time ripper, she half expected to take on a whole clusterfuck of Deadpools. But when she heard the stand down! from Peter. She had only an ounce of hope.

Once the threat of it all was over, Y/N found herself back in her apartment leaned up against the door hugging a flannel close to her chest as she didn’t feel it in the moment. But seeing Logan, not her Logan, again was bringing back all kinds of feelings. She was hugging her Logan’s shirt as she had quite a few along with a box of Polaroids that their daughter took for the most part.

A knock on the door pulled her out of this trance she put herself in as she rises to her feet.

As she opened the door, her heart that was once beating fast because of her anxiety…relaxed when she locked eyes with Laura. Y/N instantly dropped the flannel and broke down into tears bringing her into her arms sobbing with her.

“Mom…” Laura whispers, sobbing and gripping onto the back of her shirt. Y/N held onto her for dear life, looking over her shoulder to find a smiling Wade and equally happy Logan beside him.

When they locked eyes, Y/N couldn’t help the smile on her face even with all the tears before hiding her face while hugging Laura. Logan felt his heart beating out of his chest.

You’ll find me again, I promise His Y/N’s words rang in his head as he looked at this universe’s Y/N.

A Logan will always find a Y/N

[reasonsforhope]

No-paywall version.

"You can never really see the future, only imagine it, then try to make sense of the new world when it arrives.

Just a few years ago, climate projections for this century looked quite apocalyptic, with most scientists warning that continuing “business as usual” would bring the world four or even five degrees Celsius of warming — a change disruptive enough to call forth not only predictions of food crises and heat stress, state conflict and economic strife, but, from some corners, warnings of civilizational collapse and even a sort of human endgame. (Perhaps you’ve had nightmares about each of these and seen premonitions of them in your newsfeed.)

Now, with the world already 1.2 degrees hotter, scientists believe that warming this century will most likely fall between two or three degrees. (A United Nations report released this week ahead of the COP27 climate conference in Sharm el Sheikh, Egypt, confirmed that range.) A little lower is possible, with much more concerted action; a little higher, too, with slower action and bad climate luck. Those numbers may sound abstract, but what they suggest is this: Thanks to astonishing declines in the price of renewables, a truly global political mobilization, a clearer picture of the energy future and serious policy focus from world leaders,

we have cut expected warming almost in half in just five years.

...Conventional wisdom has dictated that meeting the most ambitious goals of the Paris agreement by limiting warming to 1.5 degrees could allow for some continuing normal, but failing to take rapid action on emissions, and allowing warming above three or even four degrees, spelled doom.

Neither of those futures looks all that likely now, with the most terrifying predictions made improbable by decarbonization and the most hopeful ones practically foreclosed by tragic delay. The window of possible climate futures is narrowing, and as a result, we are getting a clearer sense of what’s to come: a new world, full of disruption but also billions of people, well past climate normal and yet mercifully short of true climate apocalypse.

Over the last several months, I’ve had dozens of conversations — with climate scientists and economists and policymakers, advocates and activists and novelists and philosophers — about that new world and the ways we might conceptualize it. Perhaps the most capacious and galvanizing account is one I heard from Kate Marvel of NASA, a lead chapter author on the fifth National Climate Assessment: “The world will be what we make it.” Personally, I find myself returning to three sets of guideposts, which help map the landscape of possibility.

First, worst-case temperature scenarios that recently seemed plausible now look much less so, which is inarguably good news and, in a time of climate panic and despair, a truly underappreciated sign of genuine and world-shaping progress...

[I cut number two for being focused on negatives. This is a reasons for hope blog.]

Third, humanity retains an enormous amount of control — over just how hot it will get and how much we will do to protect one another through those assaults and disruptions. Acknowledging that truly apocalyptic warming now looks considerably less likely than it did just a few years ago pulls the future out of the realm of myth and returns it to the plane of history: contested, combative, combining suffering and flourishing — though not in equal measure for every group...

“We live in a terrible world, and we live in a wonderful world,” Marvel says. “It’s a terrible world that’s more than a degree Celsius warmer. But also a wonderful world in which we have so many ways to generate electricity that are cheaper and more cost-effective and easier to deploy than I would’ve ever imagined. People are writing credible papers in scientific journals making the case that switching rapidly to renewable energy isn’t a net cost; it will be a net financial benefit,” she says with a head-shake of near-disbelief. “If you had told me five years ago that that would be the case, I would’ve thought, wow, that’s a miracle.”"

-via The New York Times Magazine, October 26, 2022

[godspeedmajortom]

I’m fascinated by how variations of Sea Power's “Want to Be Free (Remix)” provide a musical theme for death and endings that follows Harry and his foils throughout Disco Elysium.

The first place you hear it is as “The Field Autopsy” while inspecting the Hanged Man’s body. It's barely recognizable as the original song, though. It's sluggish and muddy and bilious. The piano melody has been lowered and sustained to an ominous funereal organ and combined with deep strings. A lilting viola line in the lush layers of the original "Want to Be Free" is isolated here and contrasts with the low organ, rising like the stench off a corpse. If you do the autopsy first thing as Kim suggests, Harry – freshly, grotesquely awakened from his apocalyptic bender – is not in a much better state than a corpse himself.

The music underscores a visceral scene of death and decay, our introduction to the Hanged Man, the first of Harry's foils. Both Harry and Lely are agents of state-sponsored violence as a cop and mercenary, respectively. They bear similar physical scars from the neglect of the systems they grew up in. They both desperately want to escape the horrorshow of their lives, using drugs and dark fantasies to cope with the terrible things they see and do but finding little more than self-destruction in the nihilism. The Bloated Corpse of a Drunk taking the Hanged Man's place in Harry's first night dream makes their connection explicit: you should be dead, Harry. This may as well have been you.

The next place you hear a variant of "Want to Be Free" is in the washerwoman's shack in the fishing village. “Live With Me” is wistful and melancholic. The gentle piano and cooing vocals evoke the wind and waves on the bay, an escape calling outside the salt-rimed shack. But this is a place of death, or at least its potential, as the return of the high viola from "The Field Autopsy" reminds us. This is where Ruby hid when Harry's arrival made her fear for her life, where she contemplated killing herself if things got even worse. This is where Harry can end up if no one vouches for him at the RCM tribunal finale, where his wounds will grow infected without medical care, where there is little left to do but return to drinking and wait to die.

But true to the song title, the shack also offers Harry the possibility of learning to with himself as he emerges from his bender. Here is a mirror free from the damage and trauma of attempting to destroy himself where he can reflect on who he was and who he wants to become. He can choose to keep or let go of his past coping/defense mechanisms like his facial hair and The Expression. He can choose to embrace or reject the self-defeating fantasy of fascism. The shack marks a midpoint of the game, when the hangover has worn off but before the case is closed. So "Live With Me" scores the balance between potential endings: abandonment or acceptance, relapse or recovery, death or life. Harry breathes in the sea air, breathes it back out, and takes another step.

I didn’t realize this until a recent replay, but “Live With Me” also plays when you visit the Working Class Woman to notify her of her husband’s death. Since this is an optional sidequest, I understand why they didn't create original music for it. But they didn't reuse "Rue de Saint-Gislaine", the song for the rest of the Capeside Apartments (including the Smoker on the Balcony's apartment when you talk to the Sunday Friend). The Working Class Husband is another mirror for Harry who has met his end, and "Live With Me" plays to mourn him.

Victor Méjean died from an accident while inebriated, a fate that also could have befallen Harry on a previous drinking binge. The striking thing about Victor's death is how easily he could have been overlooked and forgotten. He died at the end of a pier in a fenced off, abandoned part of town. His wife wasn't concerned about his days-long absence. It's only by virtue of Can Opening and Jamrock Shuffling that Harry will know about or find him. Victor literally and figuratively died slipping through the cracks – of the rotted boardwalk, yes, but also of any sort of social safety net. This is what happens to alcoholics in Revachol. This is what will happen to Harry if he continues drinking and hasn't built his own personal safety net with Kim or Cuno to prevent the RCM from abandoning him. As Harry informs Billie of her husband's death, it's only natural for him to think of his own possible endings, and the soundtrack reflects that.

The final version of the song you hear is “Burn, Baby, Burn” blasting from Sad FM on the boat ride to the Sea Fortress to find the Hanged Man's killer and Harry's last dark reflection: Dros, The Deserter. Dros shares Harry's penchant for clinging to political ideology to give meaning to his life and obsessing over women he can't be with. He lives in bitter isolation, refusing to move beyond the failures of the past, his personal shortcomings and the evils of the world alike. He's emblematic of yet another possible outcome for Harry: not literal death, but despair-induced stagnation that leaves one living like a ghost in the mortal realm.

By the time Harry gets in the boat to the island, his fate at the end of the game is set. The RCM (specifically Jean) has all they need to decide whether to accept or abandon their prodigal lieutenant-yefreitor. Should his former partners leave him, Harry can return to the shack and the circle of drunks who have also given up on life. Or he can return to the island, where he would take Dros' place as the creepy old man haunting the fortress, scaring children, and staring at the mainland with longing and resentment. But even if Harry returns with his unit to Jamrock, simply resuming his old life will not keep him from returning to the depths of despair. The RCM broke him; the RCM will not save him. Neither outcome helps Harry become a person he truly wants to live with.

"Want to be free/It will last forever/Eternally," croons the boombox on the boat. The lyrics echo the self destruction that Harry sought before the game's events: freedom forever from pain, the ultimate release of death. At least that's what the Ancient Reptilian Brain would see in those words. But there's tension in the lyrics as the desire for freedom and exhortations to "burn, baby, burn" repeat. The bridge offers an alternative vision of verdure not consumed by the disco inferno: "And the trees are green and overhanging/Feather-light, free, and everlasting." Perhaps a less moribund future exists for Harry, even if only in the next world, as a new person.

[nightlyrequiem]

Crawl to Me

The world ended long ago. Now belonging to the undead that roam it, feeding on the last surviving people. You've learned to avoid the rotters. You have a past with one and like when she was alive, she's not willing to let you escape so easily.

New Part Every Thursday

Masterlist AO3

A/N- I was actually working on an apocalyptic fic in June, but I genuinely couldn't figure out how to progress the story in an interesting way. I still want to write one though because I'm a slut for apocalypse stories. This ones kind of lengthy. Like 2800 words

Tags/Warnings: Undead Valeria, No Use of the Word 'Zombie', Apocalypse, Gore, Stalking, WLW, Implied But Also In Your Face Toxic Relationship

The world ended eight months ago. A disease thawed from the melting glaciers and ravaged through the living population faster than it could control. Hospitals were overrun and the government declared a state of emergency. You weren't to leave your homes for anything. Rations were to be dropped off by authorized personal. They followed all the proper protocols and procedures, and it wasn't enough.

"Do you think this is expired?" A woman asks. She's rooting through a pile of canned food while you and a man keep a watch out. The infected are more active at night. A quick acting evolutionary behavior to avoid the scorching heat of the Mexican sun, to preserve the decaying host for longer.

"No." The man replies, voice deep and buttery. "Canned food can last for years past it's expiry date."

Something moves outside, kickstarting your heart. Some infected still wander out during the day. Your hands are sweating, making it hard to hold the gun. Valeria tried to teach you how to hold a gun once. You were never comfortable around them though. You peer outside, ears too sensitive in the unnatural quiet. A thin stray dog runs past the window. Clumps of fur missing from mange. You relax. Rotters will attack and eat any animal they catch but so far, you haven't seen any animals actually get infected with the disease. You shudder at the idea of running from a pack of infected strays. Their frothing jaws hung open, breath sour with illness. Sinking their teeth into the soft flesh of your thigh.

"Hurry it up, Grace." The man growls. He was a military officer; despite that he has no patience. You don't care for him. He reminds you of Valeria.

Grace shoves cans into her duffel bags. Filling them so much that she struggles with the zipper.

"If you want this to be faster then maybe you should be doing this, Rojan." She growls. Hoisting the heavy bags up and adjusting them on her shoulders. Rojan doesn't reply. Just stares out the window stoically. On the other side of the small supermarket, another man looks through magazines instead of being useful. Holding them up in the sparse light to leer at the women on the pages.

You and your small group move on. Exiting the store. The sun is hot and unforgiving. The ground beneath your feet is dry and cracked. Only the toughest of weeds able to grow from the pavement.

"What are we going to do for shelter?" Grace asks. Walking alongside Rojan. You lag behind, at the tail end of the group just behind the man who was looking at magazines instead of finding food. He turns and glances at you. Sizing you up. Both you and Grace have made it very clear you're not interested. Though there's a lack of women around and he hasn't quite given up yet.

He slows his pace to walk beside you. Hands shoved into the pockets of his jacket. It makes you sweat just looking at him.

"We might have to sleep outside tonight." He says. You wish he wouldn't talk to you.

"No we won't." You reply with disinterest. "Rojan would never make us camp outside." It's just simply too dangerous.

"Well," He starts. "If we do you and I could share a spot to keep warm."

You roll your eyes. It gets absurdly cold at night but even then, you'd rather kiss a rotter than cuddle up to him. "Pass, Arthur." 

Arthur doesn't seem perturbed by your prickly nature.

"It's not like you'd lose anything by being with me for a night." He argues. Up ahead, Grace and Rojan are deep in conversation, heads close together. You wish you could join them instead of being stuck with Arthur.

"I'm a lesbian." You grit out. Even if you weren't, you still wouldn't touch Arthur.

He pauses and you start relaxing, assuming he's going to back off. "Why does that matter?" He asks. "I'm not asking for a relationship; you don't have to be attracted to me to sleep with me."

"Arthur!" Grace barks, turning her head to scowl at him. He looks up at her. "Cut that shit out, she's not interested. I'm not interested, nobody here is interested."

Arthur considers her and moves away from you silently. You give Grace a thankful nod.

Night begins to fall. Your legs ache with each step as you walk, the bag on your back feels like it gained ten extra pounds. Finally, Rojan slows to a stop outside of a small house. The windows have been broken but boards fill in the empty space. The screen door swings in the slight wind, creaking as it does. Weeds and tall grass have dominated the small front yard and somewhere hidden within, flies buzz loudly. Congregating over something dead.

"We'll stay here for the night." Rojan says. He looks at each of you. Pointing at you and Arthur. "Help me make sure it's clear." 

You slowly creep inside. The interior is just as rundown as the outside. A dank, musty smell coats the damp-stained walls and fungus pops up from dark corners. You walk by the living room and startle. In the corner, facing the wall is a rotter. It's back turned to you. The skin is flayed and painful looking. Deep gashes litter it's skin. It's stationary. Unmoving apart from a slight sway. 

You don't know if you should risk making noise shooting it. You look to the front of you as Rojan disappears around the corner. You frown and look back at the rotter. A bullet would be loud and might wake and draw any dormant rotters in the area. You slowly holster your gun and unsheathe your hunting knife. Approaching the rotter like a predator. Remembering what Rojan taught you. Sweep out the legs - which won't be hard considering how emaciated they look - and quickly stab into the temple. You take another step, and the floor loudly creaks under your weight. You and the rotter both go still. The lax swaying coming to an abrupt halt.

You wait, heart beating in your ears. The seconds feel long but the rotter never turns, and you resume your creeping. You come right up behind it and recoil at the smell. Unwashed body mixed with overripe fruit, sickly and decaying. You shake your head and build up your courage. Finally, you kick out it's legs and ignore the very human grunt. Grabbing one side of it's head, you stab your knife into the soft spot in it's temple, cutting of the beginning of a shrill squeal. It drops, becoming dead weight in your arms. You lower it to the grown and let it drop.

The small home is cleared just in time for the sun to begin setting. The group sits in the living room. Silent and eating. Even Arthur is keeping his mouth shut. As the sky darkens, the sound of shuffling gets louder. The rotters have awoken. A few of them call out eerie pleas for help. That's what disturbs you the most; the mimicking. Back at the start you had mistakenly opened your door, assuming the woman crying for help on the other side was human. She wasn't. You had been tackled to the floor trying to fight her off. A lucky shove sent her flying into the table, snapping her neck and stunning her enough for you to bash her head in. You don't respond to calls for help anymore.

You have first watch. Your eyes droop and you fight hard to keep them open. Grace's soft snoring does nothing to help you. You're leaning against the wall. Your name gets called, startling you awake. Your heart throbs in your chest as you listen, ears ringing from the silence. Were you hallucinating? It doesn't come again. A few footsteps sound close to the boarded-up window. Maybe one of the rotters said something that sounded like your name. That's what you decide but it freaks you out enough to keep you awake.

Your group moves on promptly at sunrise. Most of the rotters having hidden themselves in shadows and buildings to hibernate for the day. It's another scorcher. Sweat wets your brow as you walk, legs aching from fatigue. Your tired stumbling reminds you of the rotters.

"Water." Arthur says. Rojan reaches into the side of his pack for the communal water bottle without stopping and holds it out behind him. Arhtur takes it and you watch him carefully from the corner of your eye to make sure he isn't taking too much. Water is a valuable commodity. Getting drinkable water is a hassle. If you can't find any bottled water stashed somewhere, you have to boil some from rivers. You lag behind a little. Overheating and exhausted from having to stay up all night.

You halt as you hear movement beside you. Your group progresses on, leaving you behind as you stare into the shadowy alley. Not a brick is out of place. You hurry your steps and catch up with your group. You're just tired and paranoid.

You sit with your back to your front door as Valeria pounds on it. Shaking the weak wood with every hit.

"Open the fucking door!" She yells. You put your head down and cover your ears, every single limb fizzling with nervous energy. You and Valeria have had a... tumultuous relationship. On and off, fighting, making up. You finally called it off for good and denied her when she tried to win you back. Valeria's never been able to leave you alone though.

She hits the door again.

"Please, mi vida, open the door." Her voice softens. It's forced. 

"Go away, Valeria!" You yell back, worried she'll break down the door. You don't know what she'll do if she makes it inside and that scares you.

"For fuck's sake!" She snarls, dropping the nice act. "I'm going to fucking kill you if you don't open this door!"

You shut your eyes and count. Trying to calm yourself down.

The faded red door and empty flowerpots are uncomfortably familiar. You feel an overwhelming sense of foreboding. Unfortunately for you, Rojan deems it suitable. He and Grace clear it and you and Arthur enter once they confirm it's empty. You cast a glance at the decayed woman on the floor, head mashed to a pulp. You're disturbed to find chunks missing from her. The other's congregate in the living room but you wander down the hall and take a left. Pushing open the closed door. The bedroom is full of dirt and dust. The curtains nothing but moth-eaten tatters now. You wander to the nightstand and lower yourself down to your knees, the carpet damp and spongy. You reach under and pull out a box, running your fingers over the gold trim. Clearing dust off the lid. You open it and pull things out. Birthday cards, baby teeth. Polaroids. You and Valeria smile up from the picture tauntingly. She has a firm grip on your waist, keeping you pressed against her.

Flowers get shoved in your face, startling you out of your skin. You stare at Valeria like a deer in headlights. Behind her lurks two dangerous looking men. Protection or intimidation? You can guess which.

"I'm sorry." Valeria murmurs, forcing you to take the flowers. "I know you're upset but I also know you're not done with me. Just stop with this little angry act and take me back."

"What? No." You frown. "Valeria, we are not good together."

Valeria ignores your words and grabs your arms gently. "I love you." She says, looking at you intensely. "I love you so much that it makes me sick. It makes me angry. You did this to me, and I wouldn't have it any other way. We are it for each other, why can't you understand that?"

You put the picture back down and hide it under a few others. Ones without Valeria in them. It's all history and at the end of the world, history means nothing. You join the others as they finish up their meal of canned sausage. You don't ask for any, no longer having an appetite. You're still exhausted though. Settling yourself on your couch. It's filthy but you still gleam a small sense of comfort from it. It doesn't take you long to drift off. Lulled by the quiet chattering of your companions.

You aren't sure what woke you first. The shattering of glass, or Grace's panicked curse. Nobody remains a heavy sleeper when there's a constant threat outside. The whole group is startled awake. It doesn't take long for the rushed steps of the rotters to be heard. You freeze. Watching as Grace shoots one but gets tackled by another. Filthy teeth sink into her throat. Both Arthur and Rojan aim and take down a few. One of the rotters slinks in-between them and heads right towards you. You're horrified to see Valeria's face glaring back at you. She barrels right into you, crushing you under her weight and pinning you down to the couch. You feel bile stinging your throat.

You slam into the floor as Valeria slams the door shut in your face. Your body is already on overdrive and in your adrenaline induced haze you decide Valeria did that on purpose. It doesn't help that she immediately crowds you. Her warm hands latching onto you, her smell overwhelming you.

"Get off!" You hiss, kicking at her.

"I'm sorry." She growls. Maneuvering you onto your back. You can't move, you can't leave. You're trapped in this stressful situation. A claustrophobic panic kicks in. "I didn't mean to hurt you, but you can't run out every time you argue - stop struggling!" Valeria says with anger.

"You're hurting me right now!" You try to wrench yourself away from her but only end up pulling a muscle.

"You cannot leave me." She replies, sounding hurt and desperate. Her tone scares you more than anything. "I'm sorry, just stop struggling and we can talk, please."

The sound of flesh tearing is seared into your memory. The screaming stopped after only a few seconds, but you think you'll remember it for the rest of your left. Valeria keeps you crushed under her firmly. The reek of decay permeates through the air. It's so thick you worry you'll get infected just breathing in. Through a gap in her limbs, you watch the rotters in a frenzy. Ripping your group apart like animals. Something cold caresses the side of your neck, startling you. It's Valeria running her fingers along your neck. She says your name. Voice distorted and growly. It sounds like it hurts to speak.

A salty tear rolls down your cheek as you stare blankly at the massacre. Grace's head bobs slightly as a rotter feeds on her intestines. Her eyes stare back at you lifelessly.

The wood trembles.

"Open the fucking door!"

You raise your head from your hands and look at the wall, you don't know what to do. The pounding stops. Valeria's voice is muffled but clearly aggressive as she speaks to someone.

"You're sick." She exclaims, disgusted... and afraid. "Fuck. Open the door." She repeats. Valeria doesn't sound angry anymore, she sounds urgent. "Open the door, someone sick is staring me down, open the door now." 

You've never heard her sound frightened before. This disease is frightening though. You haven't seen one of the sick in person before but just the symptoms were enough to scare you.

A bite or bodily fluid was all it took. Doctors said incubation was from anywhere between an hour to three days. It started with a fever, intense mood swings, violent behavior, thirst and hunger. Sores sprouted up on the body. Eventually they would pustulate and then rot. Then the virus made it's way through the brainstem and effectively killed the frontal lobe while triggering the amygdala. Turning the host into an animal. Valeria calls your name.

"Please open this door, I know you're mad at me, but you can't leave me out here with that thing." 

You're very tempted to open the door but you can't move. You're frozen to the spot.

"Get back!" Valeria snaps. Startling you. "Take another step and I'll shoot you."

The infected care not for the threat of a gun. Shots are fired, loud and earsplitting. Something hard thumps to the ground and Valeria screams.

You feel sick.

"I know you're mad at me, please open this door." She whispers into your hair. Every second you wait for her to bite. To tear into your vulnerable flesh, but she doesn't. "I didn't mean to hurt you, please open this door." Valeria brushes her face against your cheek. Something wet transferring onto yours. "I'm sorry, it makes me sick. I love you." Valeria tightens her grip on you. Shielding you from the horror in the living room. After being infected and dying she tracked you down. She got rid of the only people you had left. There is nowhere you could hide that she wouldn't find you. Dead or alive, she's yours.

[monstatron]

THEY’RE HEEEEERE! the full designs of faline and layla, the main characters of my upcoming monster romance novel “hunted heart”!

check under cut to read more!!

Hailing from a nomadic extraterrestrial species, the Neura, known as the “Harvesters” amongst humans, Faline was once a feared matriarch of her kind. She had led dozens of attacks, though she realised that a life of killing was not one of fairness or nobility. She refused to bend the knee to the Neura's cruel ways. After being outcast for rebellion, Faline returns to the Neura’s ancient hunting grounds in search of redemption.

Earth.

For Faline, Earth is a second chance.

Hundreds of years ago the Neura had plummeted a Victorian Earth into a post-apocalyptic state. Humanity now lives in a primitive world separated between clans. During her first days on Earth, she encounters a young human boy, Orion, whom she manages to save from falling to his death. Little did Faline know, he would be kidnapped just days later. It’s been five years since she saved that boy, five years since she came to Earth.

Five years and she still remains lost.

That was until she had encountered a farm. Unknowingly she had stolen some crop from it, only to be met with the brutal strength she had never before seen in a human.

After losing Orion, Layla, a herbalist now lives alone with caution outside of these clans, trading and doing whatever is necessary to survive. She holds the weight of her life in the city, desperately trying to find any clues as to what happened to her son.

She cared little about the consequences for attacking a Neura when the time came.

This had led to tension between the two of them, but Faline had found a certain fascination in Layla. She just wouldn’t give up on that human that had the courage to drive a knife into her shoulder.

After learning that Faline had encountered her son five years ago, Layla, although sceptical, decides to allow Faline to stay with her. Now, they stick together in hopes of rescuing Orion from the city. In the time of their begrudging alliance, they find comfort in one another.

After so long, they’ve learned how to feel once more. Layla learns to open up her heart to others, or at least Faline, and Faline learns what it means to truly have a heart.

Even when they inch closer to their goal, all is far from well: little does Faline know, she isn’t the only Neura on Earth, and Layla learns that the leader of a powerful city may be hiding more secrets than they could have ever imagined...

[thevalleyisjolly]

There’s something really fascinating about the different ways in which the Hungry One is understood and conceptualized in Calorum.  In the Bulbosi Church, it’s characterized as an apocalyptic Satan-figure, the cause of suffering in the world and the thing that will one day come to devour everything just because that’s what it does.  Where things really get interesting is in the different sects within and around the Church.  Adherants of the Ramsian Doctrine, for example, believe that it is necessary for the Hungry One to devour the world so that the Bulb can triumph over it - and they believe that the Hungry One will not devour the world so long as it contains “junk food.”  In a similar manner, the Prophidian Heresy and the FDA believe that the Hungry One will not devour the world if it is full of waste -only the FDA consider waste to be general rot and decay rather than the Candians specifically, misanthropy vs xenophobia GO- and that this is therefore the key to preventing the destruction of the world. 

Within the FDA and the Prophidian Heresy, there’s also an intriguing link between body and soul that contradicts mainstream Bulb theology.  Whereas most of the Church believes in a rigid delineation between body and soul, that after death, the body returns to the ground and the soul (if it is not damned) goes to the Bulb, the FDA’s plan of filling the world with rot and decay so that the Hungry One will not devour it suggests, quite radically, that the body just as much if not more so than the soul is what the Hungry One devours.  Mainstream Bulbians believe the stomach of the Hungry One is Hell for damned souls who do not go to the Bulb - the FDA seems to believe that the state of the material is just as important to the Hungry One as the metaphysical and that large enough volumes of rotting decay (which could also be the moral decay that comes with actions in war, but in this case the FDA themselves have the most rotten souls of all) can keep this Devil-figure from consuming anything, regardless of the state of the soul.

On a different level, with Karna, we find the idea that the Hungry One is not just a powerful over-arching entity but rather something which people can relate to and personally interact with.  When Karna kills Sir Drunon and the woman, she takes part of their bodies and burns them “in offering” to the Hungry One.  As the audience, we know that Karna is mechanically a warlock of the Hungry One, with the specific subclass of The Great Old One.  Combined with the offering, the characterization of the Hungry One is as an active, powerful being who, to some degree, can engage with people personally.  Not necessarily in a reciprocal way -you can burn an offering as a sign of respect or acknowledgement without any expectation of receiving something in return- but people like Karna can and do engage with it on an individual and personal level.  Given the fact that when she kills, a new rotten spot appears on her body, it suggests that her relationship to the Hungry One does, in some part, go both ways, that there is something on the other side receiving her votives and responding to them.

Also fascinating to observe, when she kills Sir Drunon, she says “We are all eventual food in the maw of the Hungry One,” and immediately thereafter as she kills the woman he’s with, “I’m sorry, but we are all eventual waste.”  This presents another perspective on the relationship between the Hungry One and the concept of waste. In contrast to the FDA or the Ramsian Doctrine, which believe that the Hungry One won’t devour the world if it is full of waste or junk, Karna’s statements suggest that the process of dying inherently involves becoming waste - and that the Hungry One will still eat that waste nonetheless. 

Then there’s Cumulous and his specific monastic tradition (which is not actually one and the same as the Order of the Spinning Star because it’s stated that there are monks in the Order who draw power from the Bulb; overall, the Order seems to be more an organization of people dedicated to the same goal rather than a religious enclave of people with the same spiritual beliefs).  In ACOC, the first thing Cumulous ever says is, “The Hungry One must feed.”  It’s an interesting phrasing because there’s a very passive connotation - not “The Hungry One must consume” or “The Hungry One must eat,” but rather the use of the term “feed” suggests a little less agency and purpose.  It isn’t going out looking for something to eat, but rather it is feeding on whatever it is given.

Later, Cumulous explains to the party that he does not worship the Hungry One and that it is just a source of power to him.  He can tap into it, just like the Bulbosi miracle workers can tap into the Bulb, but it’s not something that has a real consciousness or its own will and he does not interact with it as if it does.  Combined with his monk subclass (Long Death), the characterization of the Hungry One is less a supernatural powerful figure but more a manifestation of inevitable death and entropy.  Very similarly to Karna’s perspective, it’s going to feed on everything eventually because everyone’s going to die one day.  It might be today, if you happen to be a cheese sailor trying to murder your lawful child duchess, but that’s neither here nor there.

And as Lapin realized in his last moments and as he later showed to Liam, this seems to be the closest understanding to the actual nature of the Hungry One which we have encountered so far in either campaign.  The Hungry One is just a cosmological ball (add that to the list of significant TTRPG orbs!) and while it certainly contains a lot of power, it doesn’t do anything with it other than eat what is delivered into its mouth.  The power and the destruction and the death associated with the Hungry One?  All of that has only been wielded or used by living people, for their own aims and agendas.

Anyways, all this to say that while I don’t think it likely to happen, my dream scenario is for a couple FDA members to flee the scene of whatever plan they had that some or all of the Scrumptious Scoundrels have managed to foil, and as they escape, they run straight into a group of Candian monks (aka what they were actually doing during the Ravening War).  The last thing they hear, after all their scheming to “save” the world, is “The Hungry One must feed.”  And it does.

[we-stan-cale]

I have enjoyed some of the TCF reaction fics, but I feel like there's a major problem.

Namely, that it's really hard for fic writers to stay motivated for over 700+ chapters, so it feels like they all start off strong for the beginning (especially rescuing Raon) and then peter out. We never get to the really good stuff.

Never reach that flashback when Cale reads the letter from the GoD, or see reactions to Choi Han rushing over to see Kim Rok Soo after getting Choi Jung Soo's records. Never have them see the Sealed God's test, and really... Post-apocalyptic Korea horrified Alberu, for good reason. Not that it's explicitly stated, but when is it ever? He had quite the reaction when he was trying to decide what to tell everyone else.

I've had some thoughts on how I would do it, but fair warning - I'm not much of a writer, and will probably never write it. All my respect for the ones that regularly write fanfic because I have like - less than a handful? Maybe, maybe, if I haven't moved on after finishing this reread, I'll try writing it myself.

The other thing is that I've been reading part 2 - only as far as eatapplepies has translated as I find mtl more confusing than helpful - and I'm really liking the Heavenly Demon. He seems to have fallen for our Cale pretty hard, and I'm interested in seeing how that goes.

So I have been playing around with ideas.

First - Dodam is trying to find 'that terrible bastard', and is dragging around his Choi Han.

He reaches Korea. Og!Cale as KRS, specifically. He has his own attribute, one to help him track down Cale, so he can pull up visions/memories related to that.

He pulls up the dream meeting between Cale and KRS.

There are a few team 1 members present, particularly Kim Minh Ah. Cue a bit of chaos, some 'aha' moments, and the long and the short of it is Dodam is going to pull up some of just what they're team leader is up to. (And if Dodam can figure out exactly which world or dimension to to next, and OG! Cale gets the bittersweet ability to see how his deal with the God of Death prevented the destruction he'd lived through, well... That's fine too)

During that brief moment, the Henituse noticed some strange mana fluctuations and managed to get Rosalyn there. She's basically able to tap into the feed and see and hear what's going on.

And divine intervention (like perhaps a god of love) extends the feed to the Heavenly Demon.

What would follow would be an abbreviated version of the key points. Sure, it loses some of the flavor... But we don't actually need, say, the amusing anecdote where an elf mistook Cale for a dragon.

Anyways, the more I thought about it the more I thought about how team 1 would react.

Because the minute they see those monster statues you know they'll all be going 'what the fuck?!?'

They will probably also nod knowingly at some of Cale's more shocking plans. Like hey, there he goes agreeing to help the Mogoru Empire put out the fire he started with the Whipper kingdom.

Nod, nod

Just like he did when they were dealing with that one corrupt guild

And if they ever get as far as seeing the Heavenly Demon, I'm sure one team member will be like 'Is.. is he flirting with Team Leader-nim?!?'

Cue stories where Team Leader Kim Rok Soo avoided a honeypot - except now they're thinking maybe he was just too dense to notice?

[canmom]

finished Carmilla. what a wonderfully silly novel that was. I need to download an ebook to count how many times Le Fanu uses the word 'languid'.

that said, reading with modern eyes, I think it's a bit of a victim of many subsequent novels elaborating on vampires, and some of the conventions of Victorian literature - in particular, the rule that the narrator has to survive in order to recount the tale, and the evil must be overthrown and tied up neatly. worse, Laura ends up an entirely passive character, with the final resolution seeing Carmilla killed by a couple of side characters, one of whom hasn't even been mentioned up to that point.

the novel is at its best when Carmilla and Laura are interacting. I would have liked to see Laura return Carmilla's affections a bit more, rather than just being like 'well that was weird' every time Carmilla lezzes it up or says something hilariously morbid. but there is definitely humour in her being very literally the straight girl.

I've seen subsequent adaptations of Carmilla, notably my friend Maki @mxmy's Dr Carmilla character, who's - at least in what is released so far - a space vampire with a habit of picking up waifs and strays and turning them into immortal pirates, something which tends to end badly for everyone. the other is (if anyone still remembers) the 2014 Carmilla web series on youtube, which is set in a college dormitory in the States, and presents Carmilla in a more positive light. in the end, I was a little surprised to find both these works take little other than the premise of 'lesbian vampire called Carmilla' and her relationship with a girl called Laura or Lorelei. the web series pulls in a few other names from the novel but completely reframes the situation, adding a new male vampire who is exploiting Carmilla to act as a villain (it was 2010s pop-feminism, you know how it goes). Dr Carmilla currently only vaguely hints at the relationship between Carmilla and Lorelei in the released songs, but involves a new apocalyptic scenario (I think that's about all I can say) - but it does at least keep Carmilla as an itinerant traveller, and keeps the tragic air of the story.

it is not entirely made clear in the novel if the waking Carmilla is aware of her vampiric excursions. it's easy to suppose while reading it that she's just a good liar who's taking them all for a ride, and I think that's still the best supported interpretation, but I think there's equally a reading where she's unaware of the whole vampire thing, and genuinely likes this daft straight girl Laura and before her, the general's daughter. if she is aware, she's really bad at covering her tracks, particularly with her disappearing act. the whole anagram schtick is explicitly named as a rule she has to operate under, but there's plenty she does to tip off her victims and their families. perhaps the point is that she's just charismatic enough to get away with it.

the character of carmilla's mother is a thread that never quite seems to get resolved. the natural assumption is that she's another vampire, dropping her daughter off in a new feeding ground - but since the ending acts like Carmilla was the only surviving vampire, I wonder if perhaps she should be taken as an illusion conjured by Carmilla, perhaps the reason she has to be sent away on a mysterious carriage ride as soon as possible in each instance?

the vampire is traditionally taken to be in part a symbol of the feudal past of cruel aristos persisting and corrupting the rational present, something that makes plenty of sense for Dracula, but in Carmilla's case, nearly every character is a castle-dwelling aristocrat of some sort, and the peasants and servants are treated as mostly beneath notice by the narrative and characters (one scene that stands out has Carmilla, feeling insulted by a trinket seller, idly talk about how in her day she'd have called for his bloody execution - a comment that seems to bother Laura very little). the main characters are even related to Carmilla's family. perhaps just a case of early iterations of an idea, not yet fully formed.

one thing I do like about Carmilla is the amount of physical affection - Carmilla is constantly touching and kissing Laura, and while Le Fanu probably didn't mean this the way we would today, it provides for strong images of sickly Carmilla draping herself all over her new object of affections, like she's acquired a new favourite doll. I can see why this is widely understood as a lesbian novel even though it's very Victorian; it's kinda dark yuri, like Carmilla is coming into the lives of these lonely girls and kind of lovebombing them with expressions of affection and devotion, and whomst among us... it would take many more decades of horny writers to really get into the eroticism of vampiric blood drinking itself though, which here largely takes place in a deniable way, while Laura is sleeping.

despite the reputation for Victorian novels to be long and rambling, this was a rather brisk book. I honestly wish it was a bit longer - a very obvious addition would be a chance for Laura to talk to Carmilla once she's finally figured out the vampire thing, instead of rushing to the ending. it seemed Le Fanu was more interested in explaining vampires (fucked up amirite), which makes sense for the time, but nowadays we all know what the deal is with vampires and instead the core relationship is the interesting part. ah well! it's worth the time to read.

[darylmydix]

THE SCARS WE SHARE | daryl dixon - 002

summary: you were the only good thing daryl had in his life. bonded by similar trauma, you suffered abuse at the hands of your stepmother, just as daryl had suffered from his own father. when you finally decide to escape your abusive home life, you're forced to leave behind your best friend in the process. now with the world in an apocalyptic state, you're left wondering if daryl was even alive.

pairings: daryl dixon x f!reader.

warnings: smut, violence, blood and gore, unrequited love, best friends to lovers, mentions of s/a, mentions of abuse, mention of suicidal thoughts/attempts, mention of drug use, use of deadly weapons, fluff, angst, slow burn, strong language, kidnapping, coercion, seasons 5-11, 18+, minors dni.

word count: 1.5k

author’s note: sorry if your name isn’t in the taglist and you asked to be. it wouldn’t let me tag some of you.

You lift your hand, blocking out the sun’s gleaming rays as you watch Daryl mutilate an opossum, removing the poor creature's insides. “Can’t you cook it or something?” You scrunch your face in pure disgust.

Daryl scoffs, eyeing you. “This ain't a damn five star restaurant, princess.” He says as he pops a piece into his mouth. “Well I am not eating that.” You shake your head. Daryl shrugs, making no complaints. “More for me.”

Eating dead animals was a cakewalk for someone like Daryl. He’s had to learn how to survive during times like this when his father would kick him out. At least he knew how to hunt and track thanks to the old man. The one good thing the bastard has done for his son.

You observe in silence while Daryl pigged out like he was enjoying a fine dine meal, even going as far as licking his fingers. “I don’t understand how you can eat raw animal guts. Aren’t you afraid of rabies?”

“It’s survival,” he states. “The world could go to shit one day where we ain’t got a choice but to eat crap like this. Beggars can’t be choosers.”

The thought of that makes you sick to your stomach. You didn’t even wanna imagine a world where you’d have to tear apart defenseless animals to save yourself from hunger. It just wasn’t in your human nature to hurt anything innocent. “I don’t think I could do that no matter the circumstances.” You admit.

“Then you sure as shit better hope the world don’t ever come to an end. You’d be the first to get taken out.” He jokes, but there’s some seriousness to his words. Compared to Daryl’s hardass exterior, you were as soft as a plush toy.

Two different personalities; but that’s why your friendship seemed to work so well. Daryl needed something delicate in his life to take the brute in him down a peg, and you needed a brute to protect you from what you’re too delicate to protect yourself against.

“Maybe you’re right...” You sigh, fiddling with your fingers, well aware of your fragility.

“Best be lucky ya got me then.” He says, standing up, while wiping his bloody hands on his pants. You look up at him, a smile forming your face. Daryl avoids your gaze, which he often does when he says anything remotely soft or caring to you. It was just the brooding man in him wanting to hide any emotional connection, but you knew he cared about you. And he knew you knew.

“I am lucky I have you.” You say softly. His eyes finally lock with yours for a split second before he simply nods and changes the subject. “C’mon, I’ll walk you home.” He holds out his hand for you to take. You bite the inside of your cheek, rejecting the gesture. “I’m not in a rush to go back there.” You glowered.

“I know, but I ain’t tryin’ to get you into trouble again.” Daryl reminds you of the day that not only did you suffer consequences, but he did as well. Last time you avoided going home, you returned only to find cop cars outside of your house and your stepmother pretending to be oh so worried about you.

“Him!” She shouted, pointing to Daryl. “Arrest that inbred thug! He kidnapped my daughter!”

You tried to plead with the officers, telling them that wasn’t true but given the criminal history of the Dixon family it fell upon deaf ears and you had to sadly watch as your best friend was forced into a squad car. Fortunately he didn’t get into much trouble by the police, and was taken home.

His father was another story though.

You sigh, taking his hand and the brunette lifts you off the ground. “For the record, I’m only going because I don’t wanna get you in trouble again.” You inform him. Daryl scoffs. “Yeah whatever.”

“There it is. The house of horrors.” You mumble, staring ahead at the home that no longer brought you joy. “Need me to stick around a bit? Watch over the house?” Daryl suggests, and you look at him with a raised brow. “You’re gonna stakeout my house? What good would that do?” You ask.

“First prick I see walk up there’ll get his ass kicked, that’s what good it’ll do.” He spat. You could feel the anger radiating off of him; you shake your head. “You and Merle got it bad with assault,” Daryl glares at you in response. “If you just a walk up and kick whatever sick fuck comes to my door to get his jollies off then all my stepmom’ll do is call the police and have you arrested for stalking and battery.”

Daryl made a ‘tsk’ sound. “Pigs would be givin’ me a medal if they knew the fuck was goin’ on in there. What those assholes and that bitch was doin’.” He was passionate about your situation, and you appreciated it because you felt the same when it came to him and his own. “Hell am I supposed to do?”

You put your hand on his shoulder, which makes him tense slightly before he’s calm. “Nothing. Like I said, it’s just our reality. Go home, Daryl. Eat a meal better than opossum. For me, please.” You giggle a bit.

“You sure?” He asks.

“That I want you to eat a meal better than opossum? Pretty sure.”

The brunette scowls at your joke. “No. That you want me to go.”

You knew what he meant, but you often deflected questions like that because in the end what you wanted didn’t really matter. Stay or go, your position was all the same. “Yeah. Go home.” You give his shoulder a gentle squeeze before turning to walk away. “Hey,” Daryl calls out, and you look back at him. “I’ll wait out here for a bit.”

You smile, shaking your head. “You’re a stubborn bastard.”

“Yeah, well it takes one to know one.”

You roll your eyes, turning away once again to walk home. You pull your keys from your sweater pockets as you get to the door, but it was suddenly ripped open with your stepmother standing there eyeing daggers at you. “The hell have you been? I almost had to call the law and report you missing again.”

“I’m an adult now, Sandra...”

“Like I give a damn. Get your dumbass in here.” She pointed inside with her thumb. You sigh, stepping into the house. Your stepmom pokes her head out, noticing Daryl standing there on the sidewalk. “What the hell are you doing by my house, you yokel?” She hissed.

“I was walkin’ her home, somebody’s gotta make sure she’s okay.” Daryl spat back. Your stepmother chuckled. “Well, aren't you quite the gentleman.” She snarked. “Well she’s here now, so why don’t you take your hillbilly ass back to the trailer park where you belong and get the hell away from my property before I call the cops.” She slams the door, getting the last word.

You peer at Daryl through the living room window, mouthing for him to ‘just go’. You could see him struggling within himself with the decision before he heads off. Your stepmother shuts the curtains, glaring at you. “Don’t you ever bring that redneck here again or I’ll make you regret it.”

You swallow the lump in your throat, holding back tears. “What do you have against him? He is the only thing in this world that I have that cares about me.”

She laughed mockingly. “You think he cares about you? You’re not even worth a damn to care about. The only thing you’re good for, honey, is making me money to keep this damn roof over our head. And if that little bastard isn’t helping support that, then he has no business here. Next time I see him I’ll get a restraining order and make sure he’ll never step foot here again, do you understand?”

You don’t respond, tears now falling down your face. She roughly grabs your arm, digging her nails into your skin. You yelp in pain. “Do you understand?!” She repeats. “Yes!” You cry out. She lets go of you, throwing your arm from her grasp. “Now go shower. We’ve got a guest coming later tonight.”

You quickly rush to your bedroom, slamming the room door shut. You pace around your room, wiping tears from your eyes. You were full of different emotions. Anger, sadness, sorrow, hate, agony. You wanted to just give up on this life. You had no willingness to live.

You open your drawer, digging through your clothes until you find the razor you keep in your drawer. You eye the tiny blade, twisting it around in your finger. ‘It could just end here’. You thought.

But then the sudden flash of Daryl came into your mind.

Like it always does.

You threw the razor atop of your dresser, the unwillingness fading away. “Daryl Dixon the things I do for you.” You mutter to yourself.

Taglist:

@daryldixmedown, @supernaturalstilinski, @vampiresluv, @myassisasolarsystem, @mosstheshoeshoethemoss, @scripteria, @moonlightreader649, @creepumiku, @filmsbyblair, @ginger-haired-queen, @darylsdollie

[luxaofhesperides]

Post-Apocalypse + Soulmate AU ; requested by @burr-burr!

When Danny was a kid, he used to imagine how the world would end. It was never a zombie apocalypse or the fallout of a nuclear war, but the death of the sun, the expansion of their star in death that would swallow their planet whole, leaving no survivors.

It would have been nicer than the post-apocalyptic world he stands in now, knowing that it’s his fault the world has ended. 

He’s still struggling to wrap his head around it. To understand that all of this is his fault because he cheated on one test, desperate to pass after being unable to study for it with how exhausting and time consuming fighting ghosts is. Everywhere he looks, there’s more destruction. His own home is rubble, with only the partially untouched Ops Center remaining to let him know that this is where he once lived.

The rest of Amity Park is in worse shape. Buildings are hollowed out, the skeletons of their foundations visible, if they still remain standing. Most homes have been burned to the ground, leaving blackened corners of walls and nothing else. The roads are cracked and difficult to walk through, as if an earthquake tore through the city. Cars are scattered along the road, overturned or left abandoned, doors still open.

Danny has yet to find any bodies. He doesn’t know if that’s a good sign or not. 

He’s only caught a few glimpses of his future self, the cause of all this, and can’t bring himself to chase after that monster. He feels sick to his stomach knowing what he’ll become. 

That monster has to be stopped. The world has already ended, but that doesn’t mean his future self can be allowed to go on like this. If there are any survivors, they need protection. They need to know they’ll be safe to try to start rebuilding, and that can only happen if his future self is dead.

Danny knows what he has to do; he has a responsibility to protect what little remains of Amity Park, and to do that, he needs to kill himself. 

But his head it spinning from the horror of the situation and his throat is tightening up the way it only does when he’s about to have a panic attack.

He needs to stop his future self, but he also can’t stay another second in the ruins of Amity Park without destroying himself.

The guilt sits heavy in his chest as he goes ghost and takes to the sky, flying blindly towards the setting sun. Danny doesn’t know where he’s going, and he doesn’t really care. He just needs to get away for a bit, until he can calm down and put together a plan of attack so he can take out his future self in one go.

He just…

He never thought he’d be a monster. But here they are.

Flying away from Amity Park reveals the truly harrowing extent to which this world has suffered under his future self’s hands. There are no intact cities or towns. Roads are broken beyond repair, highways littered with empty cars, most bridges crumbling into the rivers below them, and everything is covered in overgrowth. All signs of humanity’s careful cultivation of the world has been erased. The earth takes back what humans took from it, covering everything in green. 

There is no movement. No people. Barely any birds flying beneath him. 

What remains of the world is silence.

Danny is terrified that there’s no one left. That his future self has so thoroughly destroyed the earth that no human survivors remain. 

That gives his guidance, some idea of where to go: a big city. Any big city, really. 

He flies lower, searching for some sort of landmark, or a sign that will tell him where he’s going. A rusted over green sign farther down the road tells him that he’s 50 miles from Gotham.

Oh, Danny thinks, Maybe Batman can help me.

If anyone could survive the end of the world, it would be the superheroes, right? If anyone stands a chance at defeating his future self, it would be a superhero. Superman might have been a better choice, but Metropolis is the opposite direction and multiple states away; Danny’s not sure he can make it before his future self catches wind of him and hunts him down. 

Danny has no doubt about what would happen to him if he’s caught; there’s a reason he hasn’t seen any ghosts around, after all.

Gotham is a city of secrets and rumors. What little he’s heard of it is baffling and, frankly, insane. There’s no city in the country like it and Gothamites prefer it that way, stubbornly loving the home that will kill them. For all the manmade horrors they survive on the daily, they would be more prepared for the end of the world than anyone else. 

Gotham may be another casualty of his future self’s destruction, but it also offers him hope.

Danny follows the broken road towards Gotham, pushing himself to fly faster than he ever has before. What should have been a half hour flight is completed in fifteen minutes. 

As soon as the towering buildings of Gotham, dark and semi destroyed, come into view, Danny drops from the sky and returns to human form. The strain from pushing himself has exhausted him and he feels it like an ache in his chest, his heart twisting and trying to burst from how hard it’s beating. 

He collapses to his hands and knees and gasps for breath on the outskirts of Gotham. 

It takes a good few minutes to calm down and breathe normally, then another to gather his strength to stand up and begin walking. 

The world is eerily quiet as he enters the city, feeling the chill fall upon him as he is consumed by the shadows of tall buildings. It’s much more intact that Amity Park, but there’s no denying the destruction that still surrounds him. Buildings are empty and worn down, decaying and slowly being consumed by new growth. Burnt out husks of overturned cars fill the street, leaving Danny to carefully pick his way around them, unable to walk in a straight line. 

He feels like the only person in the world. He feels like he’s being watched by a hungry eyes. 

Danny shivers and walks faster. 

The deeper he goes into the city, the more he starts to hope that he’s not alone in this world. There’s small signs of life: the smell of smoke, recently burned, certain streets cleaned up, makeshift walls constructed from rubble to block access to certain areas of each block.

He swears he can see people move above his head, but anytime he looks up, the windows of every building are empty. 

“Batman,” he whispers to himself, “I just need to find Batman.”

He turns a corner and continues walking. Apartment buildings give way to stores and businesses, all with their windows broken and nothing on the shelves. Then the buildings end abruptly and he’s left staring at an overgrown park that resembles a jungle more than it does a part of the city.

The scent of something sweet lingers in the air. Fruit, perhaps, or flowers. 

If he was left in the aftermath of an apocalypse, he would go to where he could find growing food. If there’s anyone left in Gotham, he’s willing to bet they’re in here, surviving off of what food can be grown in the confines of the park. 

Danny crosses the road and takes three steps onto the grass before someone appears beside him and points an electrified baton at him.

“Who are you?” they demand, eyes hidden behind a cracked helmet, but the bottom half of their face is visible, revealing scars crossing on dark skin. 

Danny takes a step back, eyeing the electric baton warily, and lifts his hands to show he means no harm. “Danny. I came from out of town. I was hoping to find people here.”

“You don’t look like you’ve been traveling.”

His clothes are clean and intact and he has none of the world-weariness that weighs down this Gothamite. Danny winces, and says, “My situation is kinda complicated. But I did just get here. I’m looking for help, actually. Do you know where I could find Batman?”

There’s a long moment of tense silence, then he hears a quiet sigh and the helmet comes off. An exhausted looking man looks at him with one blind eye, turned a milky white, and his voice is low and stricken as he says, “Batman’s dead. But maybe I can help you.”

“Batman’s dead?!” Danny repeats, shocked.

“Yeah. Sacrificed himself in one of the last times Phantom attacked Gotham. Got me and Nightwing out of that encounter alive. We’re really the only heroes left in Gotham, not that there’s much need anymore with everyone trying to survive.”

Phantom killed Batman. His future self killed Batman. 

Danny feels sick to his stomach.

“Oh,” he manages to say. 

The man’s expression softens. “Don’t worry, we’ll help you as much as we can. Why don’t you come on in? Ivy can get you some food if you’re hungry.”

Danny nods numbly as he follows the man deeper into the park. He walks with ease, taking paths that only become visible when he walks them, leaving Danny to follow close behind. It takes some time before he realizes that the plants are moving out of their way just enough that they don’t trip, and when he looks back, the path is covered again, hidden from sight.

He’s taken to the heart of the forest, where the trees shift to the side to reveal a large encampment of survivors all living together. Beds are strung up as hammocks between trees and rope ladders dangle from branches to help people move up and down. The ground is full of small fire pits, a few in use to make make food, and sections in the back full of vegetable and herb patches, separated by berry bushes. 

The people here all look tired and worn down, but they still smile and speak in light voices, adjusted to a new life after surviving so much horror and destruction. He even spots a few people using powers, or just looking different, including one large man who looks like a crocodile. 

“Pick up another stray?” a raspy voice asks, humor lighting the tone. They both turn to see a woman with long red hair and a green tint to her skin be lowered to the ground by a vine. She’s also heavily scarred and her right arm is completely gone, replaced by a wooden limb covered in moss that moves as if it’s always been a part of her body.

“Hey Ivy,” the man greets, “I don’t think this one is staying. He came to Gotham looking for Batman.”

The words make Ivy’s gaze sharpen, and Danny feels a trickle of dread go down his spine. She’s dangerous and standing before her feels as if he’s in the mouth of a hungry beast.

“Is that so,” she says, voice flat. “How interesting. I’ll let you two talk somewhere more private.” Her gaze flicks to the side, and when Danny turns to look, he can see some of the people in the encampment observing them warily, bodies tense and poised to either flee or attack.

Ivy turns and the plants part for her. Danny waits for the man to begin walking before he follows, trying not to feel trapped as the plants close the path behind him. She takes them to a small pond full of water lilies, gives the man a careful look, then leaves, swallowed up by the plants.

“Is everything okay?” Danny asks hesitantly. “I didn’t mean to cause any trouble.”

“Nah, you’re good,” the man replies, “It’s just that people don’t trust me much.”

“Why? You’ve been really nice.”

The man shrugs. “My soulmate is Phantom. He’s the one responsible for doing all this and killing almost everyone we love. I didn’t know until the first time I fought him, but they hate anything to do with Phantom, including me.”

Danny’s heart stutters in his chest. This is his soulmate.

Most people don’t subscribe to the belief that they’re meant to be with their soulmate. Meeting your soulmate is rare enough that most people don’t try, and plenty of people have spoken of how important it is to have a variety of relationships, to not close yourself off for the slightest chance of meeting your soulmate. 

Danny never looked for his; he didn’t want to subject them to his parents, and then he became a halfa and gave up on all dreams of having a normal life or any relationship with someone who didn’t know he was Phantom.

And now he’s here, in a ruined future, standing before his soulmate who understandably hates him for destroying the world. 

“You’re Phantom’s soulmate,” Danny breathes. His hands are shaking. He wants to cry.

The man sighs. “Yeah. I am. Not that it’s stopped him from trying to kill me. Don’t worry, kid, I’m not working with him. I swear.”

“He’s your soulmate and he hurt you.”

“He hurt everyone,” he says, then gestures at his blind eye. “This is barely a thing compared to what he did to other heroes.”

Danny can’t find the words to expression his horror at seeing the damage he did to his own soulmate. His future self is heartless and cruel and bloodthirsty. He has to be stopped.

He doesn’t want to kill his soulmate. 

“I came here for Batman,” Danny says, “Because I thought he could help me stop Phantom.”

“That’s rough, kid. Batman couldn’t beat Phantom. I don’t think anyone can. We’ve tried, but most heroes are dead and we can’t just go out there and risk the lives of everyone here. We gotta focus on survival, not revenge.”

“I have to stop Phantom.”

“Sorry kid, but that’s a terrible idea. Don’t go out there trying to be a hero. You can stay here, alright? Ivy will get you set up and the others will help you settle in.”

Danny takes a step back and shakes his head. “No. I have to stop him. It has to be me.”

“And why is that?”

“Because I’m Phantom,” Danny whispers. 

The man immediately reaches for his electric batons again, taking a step back. “Not funny, kid,” he says with a tense voice. 

“I’m not joking. I am Phantom, just from the past. I’m not supposed to be here.”

“You’re Phantom?” the man repeats. “You. You’re just a kid, and you’re going to destroy the world one day?”

“I don’t want this to happen! That’s why I need to go back, so I can stop the event that will set me down this path. And to go back, I need to defeat the Phantom that exists here.”

“He’ll kill you, kid.”

“That still solves the problem, doesn’t it? If I die here, then he’ll never live long enough to destroy the world. He’ll die too.”

The man stares at him with cold eyes, then turns away, dropping his hands away from the batons. “Don’t turn this into a suicide mission, kid,” he says. “The Phantom who’s here isn’t you. You don’t have to pay for his crimes. Just… stay here and I’ll go fight Phantom.”

“He already hurt you,” Danny says. 

“What’s a little more hurt? I can handle it.”

“No,” Danny says firmly. He shoves away the fear and hurt in his heart and finds his strength in determination. No more running away. No more hiding. 

The timeline should not exist. He can’t hesitate at the thought of erasing this version of his soulmate from existence; he’s tired and injured and an outcast in the only community that still exists in Gotham. He deserves better. Everyone here does.

And to give them a better life, Danny needs to stop this one from ever happening.

“This is my future. It’s my responsibility. I’ll stop it and make sure this never happens. And… I’m sorry for everything I did.”

“It’s not your fault, Danny. You’re not this version of Phantom.”

That’s not at all true, since Danny’s actions lead to the end of the world, but he’s not going to argue when he’s preparing to fight a stronger, more ruthless version of himself. He takes a deep breath, then goes ghost and floats into the air. 

“Before I go,” he begins, hesitantly, “What’s your name? Since you’re apparently my soulmate.”

The man smiles sadly and answers, “Duke. If we ever meet in your time, tell that version of me to look for my mom’s favorite book.”

It’s an odd request, but if it’s important enough to be asked for, then Danny will do it. “Your mom’s favorite book,” he repeats, “Got it.”

“Take care, Danny. Good luck out there.”

Danny nods and takes one last look at his soulmate, older and worn down, stubbornly getting through each long day, and swears to make things better.

Then he flies off, ready to fight his future self and make things right again. 

. . .

He thinks of his soulmate for years after he’s back in the present. The timeline where his future self exists is gone and the world is safe, but he still remembers the pain he caused Duke. 

When the time comes to apply to universities, Danny sets his sights on Gotham. His parents take him on a trip during spring break to tour the campus, and it’s after the tour, as he wanders around on his own, that he bumps into a student walking out of a building.

“Sorry,” they both say at the same time, reaching for each other to help each other keep their balance. 

As soon as their hands meet, it’s as if lightning runs through him. From the look on the other guy’s face, he felt it to. 

This is his soulmate.

“Duke,” Danny says, amazed and disbelieving all at once. And the request crosses his mind, something he wondered about almost every night since he returned to his time. “Look for your mom’s favorite book.”

“How—?”

“I met you in the future. You asked me to take back a message for the you that’s here. So: look for your mom’s favorite book. What does that mean, by the way? I never asked.”

Duke blinks, then slowly retracts his hands from Danny’s. “My mom’s favorite book was a hand bound journal from my dad. They were soulmates and he wrote about their first year in a relationship together. It’s full of pictures, and she loved it more than anything. That message is to remind me to have faith in soulmates, to believe that something good can happen to me.”

“Oh! That’s… wow, sorry, I didn’t mean to pry into something so personal.”

Duke shrugs. “It’s fine. I needed the reminder. I would have already run away by now if you didn’t say that. You already know my name, but I think now’s a good time to introduce ourselves.”

“Right!” Danny says, flustered. He sticks his hand out, which Duke shakes with an amused smile. “I’m Danny. Fenton. I’m coming here next semester.”

“Duke Thomas. I’m a freshman here and I’d really love to get your number.”

He’s not hitting on Danny, not really, but it still makes him blush. The way Duke looks at him is full of light and laughter, so different from the exhausted and wary way he looked in the future now rewritten. 

This is what the future version of himself tried to kill. He doesn’t understand how anyone could ever hurt Duke when he’s so full of life. 

But he’s safe now. Everyone is; Danny changed the future and what lies ahead is wholly unknown to him.

The world is safe and full of promise. 

No matter what comes, Danny is sure he and Duke are going to be just fine.

[pdpenpals]

hihi! i was wondering if i could get a romantic letter from phoenix drop high gene? she/they pronouns please :)

and for the context of the letter, maybe Gene & Reader recently started dating but can’t text because Reader is away at an academic sleep away camp (preferably centered around literature/writing)? Reader is on the more academic/nerdy side and not officially part of the SK so them doing these kinds of programs is their usual summer thing but it’s the first time Gene and Reader have been away from eachother since they started dating

tysm <33

hihi!! thanks for sending this in, i think this prompt’s absolutely adorable!

unrelated but speaking of literature whenever i see gene now that i’m older i think of heathcliff (more of the name) or the phantom for some reason.

your entire being perks up at the mention that a letter’s arrived, and your heart races as you go through who could have possibly sent it in your head. the moment you have it in your hands, you can almost tell exactly who it’s from. the envelope’s a dark gray, close enough to be black. there are stickers all over its back next to your name and address, same goes for the front. opening it, you catch a whiff of someone familiar’s cologne. that cheeky bastard. 

you notice almost immediately that there’s not only a letter inside, but a bunch of printed photos and some unused stickers. after finding a spot to settle your new goodies upon, you get comfy and get to reading.

Hey cutie. Miss me yet? 

Heard a fair’s coming to town soon. I think it’ll still be there when you get back. There should even be fireworks on the last day. We can go there if you wanna.

Other than that, nothing much happened today. Dante was out, and I had the house to myself for a good portion of the afternoon. Without sugarcoating it, I was bored out of my mind.

It took me a while to figure out my texts or calls weren’t getting through to you. Mom must have seen how frustrated I was about it, so she shared some of her spare stationery with me as a last resort. She said something about wanting to hear about how your summer’s been doing so far.

That’s all the small talk I can handle for today. You might get too tired of staring at only words for too long over there, so you might want to check out the pics taken these past few days. The stickers are from Zenix and Sasha by the way, they also say hi.

Kidding aside, I know how much this whole camp thing means to you.  But I’ve been feeling weird ever since you left. It’s weirder knowing you’re not nearby. When you’re not a walk or a call away. Even though I know exactly how many days and many hours are left until you come back.

Sappy shit out the way, I decided to read that one book you lent me at random. I’m not sure you remember it much since you hurriedly gave it to me without a second thought, but it’s that really old one about the day before the world ends. All that apocalyptic and sad shit. Even though I didn’t get it, I guess it was nice that Vincent and Leticia got their happy ending. To be honest, the book overall didn’t stand out to me much, but the concept of having one day left to live sure did.

If I knew the world was going to end tomorrow I would

Y’know, maybe it’s for the best I save it for when we meet again in person, so you better come back home in one piece, yeah?

With an aching heart and hand, Your Gene, who misses you terribly

PS. I feel like you’ve been rubbing off on me recently, state-of-mind-wise. While it’s not that bad, it gives me the chills.

PPS. If not having you near me hasn't driven me insane yet, I definitely will go mad if this letter doesn't make it to you. Especially after all I've put my wrist through just for this. Maybe I should visit the post office a few more times?