#only the people i think are important

[clownowo]

I couldn't get this out of my head

[idontmindifuforgetme]

friend wanted to see my tumblr, and when i told him i can’t show it to him bc it’s basically my personal diary he went “oh so I can’t see it but a bunch of strangers on tumblr can??” he literally does not get me. no one will get me like the people in my phone get me

[afterthelambs]

In another (happier) world, I think Muhen would've been Akechi's Sojiro. Akechi would've lived above Jazz Jin just like how Joker lived above Leblanc. Muhen would've taught him how to make the drinks and close up at night. They would've bonded over music. And Akechi would finally have an adult looking after him. Because Muhen does care about him in-canon. He's the only character in the epilogue that mentions Akechi, he notices who Akechi spends time with, and he wishes to see him again.

It's so sad that Akechi assumes nobody cares about him or wants him around and yet this random jazz club owner does. Do you ever think about Muhen seeing Akechi at the Jazz Jin sometime in December, not knowing it would be the last time he ever would

[hrokkall]

Everybody wants your head on a platter

[mari-lair]

so the anime adapted this

but didn't adapt this...?

ok, sure, let's make the already most shallow friendship in this manga even more of a yuri bait.

[itspileofgoodthings]

one of the things that continues to strike me on reread is how much the character of Darcy, and Austen through him, finds Mr. Bennet dead. And how much Elizabeth, in growing and changing and discarding her past blindness, has to move past her way of seeing her father and thus of seeing reality, because the two are connected! Darcy’s letter exposes her father’s flaws to Elizabeth in a way she’d never been able to see before. Most especially the way his laziness and neglect of his own gifts have hurt his family and that ultimately he doesn’t. care. Not enough to change. It literally says that she comes home from Hunsford and tries to laugh at her sisters’ and mother’s folly (the way she used to; the way her father has taught her to by example for her whole life) and she can’t anymore! It sticks in her throat. She is grieved by the failures that she sees in him, all the more so because she IS his favorite and she loves him! And the thing about Mr. Bennet is he never changes. The Lydia/wickham situation exposes to him sharply his own conduct and the consequences and he feels it! Because he is neither stupid nor unfeeling. But he, like everyone, has free will. And he chooses not to change when the opportunity presents itself. He even jokes about how quickly his feeling bad will pass and how soon everything will go back to normal, to his laziness and his selfishness. He is set in his ways and he serves as a contrast to Elizabeth’s personal journey because he embodies a version of a person she could have become and was in danger of becoming if her only goal at all times was to laugh at and judge people from the sidelines.

[aingeal98]

Something about older Jason looking at the child version of himself, the innocent victim, and feeling the need to defend and avenge him the way no one else will. They'll call him reckless and try to pin the blame for his death on some unique failure of his personality, the problem isn't Robin the problem is he was just a bad fit for Robin! And then older Jason coming back to life and spits on their twisted grief. Fuck you, that innocent child deserved more. You took his memory and ruined it to make yourselves feel better. If no one will give him justice then Jason will take it himself no matter who he has to kill to get there. It's the only way he can move forward.

Something about older Cass looking at this child version of herself, this innocent who has no idea what she was doing when she was tricked into killing, and finding her irredeemable. She will forgive everyone for everything if they need a second chance but she cannot forgive that innocent child. She spends ten years wanting that child to die for their sin, a standard she holds no one else to. And in the end she does have to die. She can never forgive that child until the price has been paid and the guilty, tormented, suicidal mess of a girl is dead and never coming back. Only then can Cass live on. Only then can she smile without feeling the weight of her kill on her back. If no one will give that child the justice they deserve then she will have to do it herself. It's the only way she can move forward.

[bunnieswithknives]

Spent the last billion hours inventing fictional foods and brands for my OCs to enjoy

[colbyheartland]

So I love Dandadan actually because through those first seven episodes I couldn’t stop repeating to myself “Wow Momo is so fucking cool” like she’s such a genuine badass. My shounen senses were primed for her to just get saved over and over again, maybe just helping out every now and then but no SHE’S the one doing the majority of the saving. She and Okarun both feel like real people and they’re setting up a sweet and genuine romance that doesn’t feel creepy. The voice acting is also so good like she is SCREAMING out here.

Usually when an anime has two protagonists and one is a female she feels like a passive observer just getting swept along for the ride even when they’re supposed to be “tough” it fades away or they are made lesser to make the male lead look better. But Momo and Okarun actually work together!!! They both act like human people!!!! Including the ugly parts with Okarun’s avoidance tendencies and Momo regretting when she does lash out because she knows she’s in the wrong. And they talk about it after she does!! It comes with a healthy dose of “teenagers are kind of mean because they’re still maturing” which is normal and amazing to see.

This anime is healing something I didn’t even realize was broken when I found myself not having to cringe away from little moments that make me uncomfortable. There is a bit of fanservice going on (thanks grandma) and yes I get episode 1 starting off as a bit much for people but honestly, genuinely, did you think aliens WEREN’T going to try and probe someone in the Alien Ghosts Anime TM. Kidnapping humans and cows for experimentation is what they’re most famously known for. You are meant to be uncomfortable and weirded out by this episode. An episode that ends when she unlocks fucking psychic powers and blasts that alien through the wall of a SPACESHIP like hello??

Momo Ayase is that character you give a gun to if you want to shorten the book by half and the author gave her one in the form of psychic powers.

[botanyshitposts]

ok INCREDIBLY old content originally meant for this blog but in 2018 when i was just a wee lad with a little spinner propeller hat and big rainbow lollipop i went to a carnivorous plant convention in california and met a bunch of people who breed/collect/study these guys. one person was this collector who was slowly working on leaving the hobby or at least no longer growing plants, and he had a bunch of carnivorous plant related files he was charging like 50 cents for or something, and so i came into possession of these, which are examples of the kind of paperwork you have to have done to legally ship/trade endangered species of both plants and animals. functionally very boring paperwork, but something i found like, incredibly fascinating. i blacked out the personal id of the person and then immediately forgot to ever upload them, lmao.

these plants were bred and raised in a greenhouse and sold abroad, not taken from the wild, but because the species are endangered and often protected in their native countries (most of these are nepenthes, asian pitcher plants, a huge family spread throughout oceania and southeast asia), there's a lot more documentation that needs to be done regardless of their origin, both on the end of the seller and on the end of the buyer.

the rabbit hole on carnivorous plant trade is deep and kind of wild. there's plenty of common, non-threatened, greenhouse-grown pitcher plants on the market that people buy all the time, even non-collectors, but there's a whole debate to be had on if it's morally okay to be collecting the more endangered/rare of these plants in the first place. the big argument for breeding is that breeding them in captivity means there's more supply that's not poached from the wild, meaning poachers have less of an incentive to take the risk of taking adult plants from their habitats; from what i've heard, sometimes countries will issue permits for breeders to collect some wild seeds just to create a non-wild breeding pool to drive down the price. predictably, however, you also get people who are very much willing to pay a lot of money to get as rare of a plant as possible.

anyone familiar with the allure valuable plants have had over people throughout history can imagine the rest, but here's an article about a guy who started buying poached plants to enrich his private nepenthes collection, who then got busted by a fish and wildlife service agent embedded in his carvirorous plant circle. the plants this guy was buying were being sold to him without any CITES paperwork or declarations like the ones above; it was literally just a guy in indonesia taking rare plants from the woods around where he lived, selling them over facebook marketplace and ebay, and mailing them overseas as an undeclared 'gift' to get around customs. frighteningly small steps to take on all sides, to be honest.

(also, fun fact: another example of carnivorous plants that get poached are wild venus fly traps, which are only native to north and south carolina in the US. from what i understand it's a mix of people who genuinely did not know it's a native species and people who really are just going out into the woods and digging up plants to sell online. sometimes poaching is closer to home than you'd think!)

anyway. wild and interesting times in the land of plants recovered from a hard drive lmao

[serpentface]

Faiza performing the Kagnoma Odo (pretty literally 'lion dance'), a weapons dance and one of the more important ritual duties of Odonii priestesses. A relatively new addition to this traditional dance involves the musket as the primary weapon, which is fired mid-twirl into the ground at the climax of the dance. Faiza is experiencing an 'oh fuck' moment because her shot is more than ideally diagonal, but she’s being so cool with it.

This is a wholly ceremonial performance at the onset of the pilgrimage, performed in full regalia and lion skin (of the small, semi-domesticated strain) but no armor. It’s also distinctly a display of political allegiance between the powerful and beloved Odonii priesthood (and its loyal military) with the increasingly reviled and destabilized imperial family, with Faiza prominently wearing a bracelet of the royal serpent, which was gifted (along with the musket) by the usoma Stavis Amanti himself (Usoma is the Wardi word for king, which has been retained in the context of emperors).

The Kagnoma Odo is the ultimate demonstration of the Odonii as an embodiment of the Lion Face of God and living vessel of military might and sovereignty, demonstrating her fitness and proficiency with weapons and as a spiritual unifier for soldiers. It is accompanied by drumming and occurs in stages, running through the three keymost weapons used in war- the spear, the sword, and the musket. The musket is of the most significance, given the weapon has developed a particular esteem as the ultimate embodiment of might and superiority. Assistants (almost always other priestesses, occasionally high ranking soldiers) load and prime the musket to be fired at the climax of the dance, where it is shot into the ground as the priestess leaps out of range of the shot. The firing signals the end of the dance and the rite itself.

While not the utmost exemplar of trigger discipline, only fully inducted and senior (and therefore very thoroughly trained) Odonii are permitted to perform the dance, and injuries during actual performances are quite rare (though are known to occur during training, more than a few Odonii have burns and wounds on their feet).

The most important renditions of this dance are performed upon declarations of war and before battles (in this case, generally done in full armor along with the lion pelt). It is also done during some trainings (while a dance, it is carefully choreographed to include naturalistic maneuvers of the weapons involved and helps soldiers limber up and learn to move their weapons). It is regarded as an impressive and motivating sight and a morale booster, and, seen at a distance, potentially intimidating to enemies.

A special variant of this dance is performed as means of fully incarnating the Odomache, which is done in full nudity with the body covered in the blood of the freshly sacrificed lion and cloaked in its raw pelt (the lion has become the corpse of Odomache in the moment of death, as part of its recreation of God's sacrifice). Her public, full nude appearance once (and only once) in this act is what allows the Lion Face of God to incarnate within her. Those in attendance see the spiritually vulnerable, naked human body obscured with the sanctified and deified blood and cloaked in the sanctified and deified skin. It is a merger of the contradictions of mortality and divinity, the boundaries between the two indistinct in flickering firelight and the flash of musketfire. She is witnessed by her people, dangling in between humanity and divinity and leading them in dance, and and is thus transformed.

[ask-spiderpool]

Dear mod. I just wanted to ask how you're doing atm? Are you eating good food and sleeping well?

Oh bless you, anon! Regrettably, neither of those things, no. My appetite has been very poor since my surgery, and I'm more than a little sleep deprived with all the jobs I'm juggling at the moment - buuut... I'm alive. My head is good. My work is good. Always manage to make everyone happy, oh, yes sir, but can't wait to pass out for a whole day and then hang out with some friends. It'll heal me.

[ube-bluebay]

i have a problem

really long rambling in tags

[mumblesplash]

heartbreaking: this viral post is saying things you completely agree with in the most irritating way possible

[poorly-drawn-mdzs]

Wardrobe Woes

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[fumifooms]

Chilchuck analysis speedrun: As a hardworking half-foot who grew up poor and discriminated against and had his gullibility taken advantage of multiple times in his early adventuring days, Chilchuck thinks optimism is a dangerous flaw. He’s stressed and strict all the time because his job is noticing details like traps that could get everyone killed before anyone knows it, he takes the lives of everyone to be on his shoulders, and with the way he speaks about it that probably partly reflects how he felt about taking it upon himself to provide for his family too. His life’s always been pretty centered around work and has become even moreso now that his wife left and everyone is independent, and due to past events he’s very iffy with bonding with coworkers. He thinks feelings and job are a disaster mix. Like with his wife or with parties hiring him as sacrifice, being open or having good faith is vulnerability which can get you hurt, so he processes and shows all his stress as anger instead of worry. Doing strict dieting probably isn’t helping the irritability what with hunger, and on top of being a hunger suppressant alcohol might be the main stress reliever he has.

His grey hairs are so earned