#one way road i love you!!

[slozhnos]

one thing i really love about the great gatsby musical is the depth they give myrtle. in the book you don’t really know that much about her outside of her relationships with tom and george, but you get to really see the depth they added in “one way road” showing her feelings and actions right up to her death, and how those led up to her being in the road in the first place

[lotus-pear]

whatever happens, please don’t break

[luck-of-the-drawings]

[OLD ART ALERT] A COLLECTION OF SCENES FROM THE GILLIONS CATSCRATCH ARC THAT BROUGHT ME GREAT JOY. i love fishy chips especially when its just gillion being delirious and violent and hostile

[littlespoonevan]

rewatching s1 this time around has actually left me sooooo fascinated by buck and abby's relationship??????? bc what we know of it in its aftermath is actually completely visible on screen during the season???

in episode 6 when abby is talking to carla about a potential valentines day date with buck she outright says she's fine with him being a boytoy and it just being something casual so she can feel good in herself again and is almost complaining that buck is taking it so seriously by trying to go slow. and the thing is, i don't think her stance on that ever changes???????

she absolutely cares about him and appreciates him for everything he does for her (both in helping support her with her mom and what he does in helping her find her way back to herself) but i don't think she ever really wanted or needed him to be more than that????

on the flipside, you have buck who's experiencing feelings he's never felt before and is so totally overwhelmed by this woman who's making him realise real connection is possible and it feels a million times better than the way he's vied for people's attention before. and there's something a little heartbreaking in the way he questions if he's ready for it to be something real. because bobby encourages him to step into the relationship fully and in the end he does do that

but abby doesn't really want him to???

so you have buck, fully committed and ready to be the partner he thinks abby needs, and abby, who is so completely unable to be that partner in return because she wants to navigate the next stage of her life alone

and aksdjfh it's just!!!! so!!!!! interesting!!!!!!!!! and i am once again BEGGING someone to make a gifset/video/edit/anything for them with reckless driving by lizzy mcalpine

[sea-jello]

hong kong miku,,,

[chloecherrysip]

The Power of the Star

[aroanthy]

i love how fraught and complicated discourse around various utena characters ‘dying’ is when anthy is literally stabbed to death eternally by a million swords imbued with human hatred. and then utena gets stabbed to death by them also. like. ‘death’ is incredibly interesting in rgu because most of the time it’s this ambiguous figurative thing that has interesting implications re: ohtori as a closed-off world one can escape. we are all trapped in our coffins. mamiya is the only named character with a grave. nemuro memorial hall functions as one all the same. ruka is implied to have died in the hospital— was he dead all along? who was the boy we saw for these two episodes? is this dead boy the same boy, or is this just another coincidence from the shadow girls, cutting like a knife? it’s heavily implied that akio and anthy murder kanae by poisoning her, adding to the previous implication that they were poisoning mr ohtori too, but there are no perceptible consequences of this. kanae’s absence is not felt. she’s fed an apple slice. what happens to the bodies? we know what happened to the 100 boys, but what about everyone else? and so on and so forth. ‘death’ is a tricky thing in utena, i think it’s constantly functioning on figurative and literal levels in very different ways for very different purposes. dios died. dios was dying. dios didn’t die. he grew up. etc etc

[stop-breaking-my-heart-dragonage]

I'm not ready to shut up about Aveline and Carver--so, when you go see Aveline in Act 1, you can catch up with her a little bit and that's where this conversation can happen:

Aveline: "It's just one more change, though. The real end for me was Ostagar. What about you, Carver? You were there. Do you feel something similar?" Carver: No. Aveline: All right, then. Bit of a tit, your brother.

I wanted to see what she would say if Carver isn't in the party. Instead, she says this:

Aveline: Carver was there. I imagine he feels something similar. If he allows it.

......well, at least she didn't call him a tit?

[gideonisms]

Does a podcast ever release a take you disagree with so strongly it makes you question everything you heard on it up to that point

[seaweedstarshine]

Late to the game as I’ve kinda been kinda non-here for a minute but I scrolled through the Dot and Bubble tag, and thought I wanted to write this post into existence.

There's this part in Doctor Who Unleashed where RTD says this:

“What we can’t tell is how many people will have worked that out before the ending. Because they’ve seen white person after white person after white person, and television these days is very diverse. I wonder, will you be ten minutes into it, will you be fifteen, will you be twenty, before you start to think, everyone in this community is white. And if you don’t think that — why didn’t you? So, that’s gonna be interesting. I hope it’s one of those pieces of television you see, and always remember.”

And I'm like. Yeah. But the reason this works even as well as it does is largely thanks to the work of the previous showrunner with the previous creative team, which was notably the first era to have any writers of color (amongst other firsts in terms of inclusivity in directors, composer, actors). While Chibnall fumbled whenever he tried to write about race himself, he did have the self-awareness to have Black and South Asian writers writing the episodes where race is the focus (and a female writer for the episode where sexism is a focus; my point is, he seemed to know his shortcomings).

I wonder what the current creative team looks like? (not really, but I wasn't 100% sure for all of them)

To quote RTD:

“...before you start to think, everyone in this community is white.”

This is pretty non-self-aware, right? It's pretty “It is said, and I understand this, there was a history of racism with the original Toymaker, the Celestial Toymaker, who had ‘celestial,’ and I did not know this, but ‘celestial’ can mean of Chinese origin, but in a derogatory way,” right? (from The Giggle Unleashed) It's pretty “and I had problems with that, and a lot of us on the production team had problems with that: associating disability with evil,” right? (from Destination Skaro Unleashed)

—none of which are issues that should be overlooked, but think how much exponentially better they might’ve been addressed if he’d consulted with Chinese writers and wheelchair-using writers before going straight to giving the Toymaker weird fake accents and making Davros walk?

How many Black or non-white people do we think saw the Dot and Bubble script before it landed in Ncuti’s hands?

And this just keeps happening.

And like, from some of the shocked responses I've seen from white viewers to the ending of Dot and Bubble, maybe the episode's unsubtlety was needed? From the way RTD talks about it in Unleashed, the episode was written with a white audience in mind, Baby's First Microaggressions (where of course the microaggressions come from people who are pretty self-admittedly white supremacists). Ricky September, a more seemingly normal depiction of someone in the racist bubble of Finetime, seemed like an interesting element, up until the way he died.

The ending worked for me, because I do think the Doctor's reaction is true to how the Doctor would react. I just keep thinking of how much better the core themes could've been handled by someone with actual lived experience on the subject matter.

[dizzybevvie]

Sam and Max can say literally anything and it will be incorporated into my vocabulary forever

[anetherealpoetess]

Celebrían was the Lady of Rivendell, the daughter of Galadriel and Celeborn, and the wife of Elrond. She was the mother of Arwen and the twins Elrohir and Elladan.

[velvetjune]

the chapter songs in Alan Wake 2,, flawless

[maulfucker]

This song is making me want to start yet another fic to never finish,, "Tell me... Where is your hideout? Who are we running from? I'm starting to think that you were right, and now I'm afraid of letting go of your hand...." Maul giving up on his Mandalore plan and deciding to just stalk Kenobi to tell him about his vision. Staying illegally in Obi-Wan's room because I love putting these guys in situations (and because Maul would NOT leave him alone until Obi-Wan actually accepted Maul is right, which he won't). Following Obi-Wan to Utapau and helping him escape after the clones attack, feeling equal parts vindicated and enraged (because he was proved right but Sidious still won). Them being on the run together....

[scrawnytreedemon]

Logged onto cohost to find it read-only as of the start of this month and set to shut down by the end of this year. I'm not particularly surprised, but it is saddening. Massive props to the devs for doing all they could-- It felt like a lovely place, while it lasted.

[writinggremlin]

While checking my outfit in the mirror today, I came to the realization that I am dressed like 90's!Fitz. I have on white, baggy 90's jeans and a black t-shirt, with a pink flannel over top. I'd show a picture but I'm too self conscious for that lmao.

Anygay, I challenge Fitz to a fashion contest. >:)

(/j I know I don't even stand a chance against him. Pretty sure he'd say/think that I have good taste if he saw me tho lol)

Also, while I was typing this...

*looks at the Clearly Canadian sparkling water I'm drinking*

...

*sprints to google*

"When was Clearly Canadian popular?"

"The 1990's."

...oh.

*...takes another sip*