#one way road i love you!!

[slozhnos]

one thing i really love about the great gatsby musical is the depth they give myrtle. in the book you don’t really know that much about her outside of her relationships with tom and george, but you get to really see the depth they added in “one way road” showing her feelings and actions right up to her death, and how those led up to her being in the road in the first place

[lotus-pear]

whatever happens, please don’t break

[luck-of-the-drawings]

[OLD ART ALERT] A COLLECTION OF SCENES FROM THE GILLIONS CATSCRATCH ARC THAT BROUGHT ME GREAT JOY. i love fishy chips especially when its just gillion being delirious and violent and hostile

[littlespoonevan]

rewatching s1 this time around has actually left me sooooo fascinated by buck and abby's relationship??????? bc what we know of it in its aftermath is actually completely visible on screen during the season???

in episode 6 when abby is talking to carla about a potential valentines day date with buck she outright says she's fine with him being a boytoy and it just being something casual so she can feel good in herself again and is almost complaining that buck is taking it so seriously by trying to go slow. and the thing is, i don't think her stance on that ever changes???????

she absolutely cares about him and appreciates him for everything he does for her (both in helping support her with her mom and what he does in helping her find her way back to herself) but i don't think she ever really wanted or needed him to be more than that????

on the flipside, you have buck who's experiencing feelings he's never felt before and is so totally overwhelmed by this woman who's making him realise real connection is possible and it feels a million times better than the way he's vied for people's attention before. and there's something a little heartbreaking in the way he questions if he's ready for it to be something real. because bobby encourages him to step into the relationship fully and in the end he does do that

but abby doesn't really want him to???

so you have buck, fully committed and ready to be the partner he thinks abby needs, and abby, who is so completely unable to be that partner in return because she wants to navigate the next stage of her life alone

and aksdjfh it's just!!!! so!!!!! interesting!!!!!!!!! and i am once again BEGGING someone to make a gifset/video/edit/anything for them with reckless driving by lizzy mcalpine

[chloecherrysip]

The Power of the Star

[aroanthy]

i love how fraught and complicated discourse around various utena characters ‘dying’ is when anthy is literally stabbed to death eternally by a million swords imbued with human hatred. and then utena gets stabbed to death by them also. like. ‘death’ is incredibly interesting in rgu because most of the time it’s this ambiguous figurative thing that has interesting implications re: ohtori as a closed-off world one can escape. we are all trapped in our coffins. mamiya is the only named character with a grave. nemuro memorial hall functions as one all the same. ruka is implied to have died in the hospital— was he dead all along? who was the boy we saw for these two episodes? is this dead boy the same boy, or is this just another coincidence from the shadow girls, cutting like a knife? it’s heavily implied that akio and anthy murder kanae by poisoning her, adding to the previous implication that they were poisoning mr ohtori too, but there are no perceptible consequences of this. kanae’s absence is not felt. she’s fed an apple slice. what happens to the bodies? we know what happened to the 100 boys, but what about everyone else? and so on and so forth. ‘death’ is a tricky thing in utena, i think it’s constantly functioning on figurative and literal levels in very different ways for very different purposes. dios died. dios was dying. dios didn’t die. he grew up. etc etc

[stop-breaking-my-heart-dragonage]

I'm not ready to shut up about Aveline and Carver--so, when you go see Aveline in Act 1, you can catch up with her a little bit and that's where this conversation can happen:

Aveline: "It's just one more change, though. The real end for me was Ostagar. What about you, Carver? You were there. Do you feel something similar?" Carver: No. Aveline: All right, then. Bit of a tit, your brother.

I wanted to see what she would say if Carver isn't in the party. Instead, she says this:

Aveline: Carver was there. I imagine he feels something similar. If he allows it.

......well, at least she didn't call him a tit?

[anetherealpoetess]

Celebrían was the Lady of Rivendell, the daughter of Galadriel and Celeborn, and the wife of Elrond. She was the mother of Arwen and the twins Elrohir and Elladan.

[formulaheart]

one of my all time favorite things about F1 that really applies to all sports in general is affectionate sportsmanship !! everybody is fighting for a title or a trophy or respect on their name and everything else you win but at the very end of the day most of the time they're just glad to be competing and love the people they've gotten to know along the way, it's not life or death anymore.

it's fiercely hugging the person who beat you at the end of a hard fought race because it was such an exciting thing to be a part of. it's jokingly shit talking a competitor but going off the instant anybody else says anything about them. it's jumping out of your car in a race that hasn't stopped yet to physically try to hold a car off a driver who is crashed and unconscious. it's saying hi to your family away from home every week and coincidentally it's your teammates partner and kids. it's coaches shaking hands and smiling and third place giving first a hand to the top of the podium. it's missing your greatest rival when they're away and waiting to congratulate them when they win because somewhere along the line of being enemies for 10 years that turned into a great friendship. it's giving up a win to your teammate against team orders when earlier they had to give up a win for you because of team orders. it's a pat on the back to the rookie. it's a compliment to the press about a move made against you. its pit crews for drivers that won 1st and 2nd running and celebrating with each other. it's hugging despite the helmets, lanelines, bikes, nets, padding, railing, rapiers, angry fans and egos

if you feel it drop your favorite affectionate sportsmanship moments in the tags or wherever, i'm in a mood

[yellow-faerie]

@wormsontoast I do indeed have some thoughts about Archivist!Georgie (from the au vaguely outlined here) and since you showed a mild interest in it, I shall now tell you all about it here haha

So there are two things I kinda want to say before I keep going because this au has been changing and shifting in my head a lot and I want to get a bit more of it out into the world.

The first is that each archivist au is based off of as few changes as possible to the canon timeline, aiming (ideally) for only one change that causes ripples throughout the timeline. For example, in the Gertrude-causes-the-apocalypse au, the one change is that Agnes and Gertrude get bound when they are both much younger and the web manipulates things from there, yada yada that's not why we're here BUT you see the vision.

The other thing is that my initial intention was that most people would have a pair, forming some sort of couple or QPR, two people against the world kinda thing - one of them would be the Archivist and one of them would be their apocalypse + 1. This was mostly because (in my head at least) I saw one very eye-aligned character in each couple.

BUT I have recently been doing a re-listen and one thing that stands out to me is that so many of the main characters want to know things, that I think a lot of them could have ended up in the Archivist position in fact. Martin seems to actively encourage reading statements in S3, and Tim definitely has the motivation (when the circus gets involved at least) to be manipulated into the position - more curious though are Daisy and Georgie.

I'll leave a potential archivist!Daisy post for another day (because that's a wild au and a half haha) and talk instead about Georgie, who was meant to be the purpose of this post lol (I'll pop it under a readmore)

So, Georgie - the first thing is how does she become the Archivist? I think the point of divergence for this au would be that Georgie and Jon don't break up during Uni (or just after) and keep their relationship kinda going for a while, and when Jon mentions joining the Magnus Institute, Georgie goes with him.

The real question is why. Georgie in the podcast is fairly avidly against chasing the monsters, so I can see her as taking a job there as a way of keeping Jon safe - I think she sees him as quite naive for his scepticisim and knows that she will not talk him out of it, so she better just be there to stop him from going somewhere he shouldn't.

Jon and Georgie do break-up though, although fairly amicably. They keep living together because it's way cheaper than living alone in London and they are friends. Georgie also starts WTG but it's very much a side project to work (one that she keeps putting off making her full time job, even though she wants to, because the Institute's library is just too good for research).

She's also the one to push him towards the cute librarian with whom Jon has several cringefail attempts to woo before they start tentatively dating.

I reckon that during the course of being in research (with Jon and Tim and Sasha), Georgie gets marked by the web. They'd marked Jon but then Georgie had come, and so they saw an opportunity in her (or wanted a back-up just in case).

Either way, by the time that Gertrude dies, Georgie is the one that Elias chooses as the next Archivist (and I honestly think that Gertrude might have thought that Georgie would be the next Archivist too - Sasha is good but you can't beat actual fearlessness coupled with good sense).

She gets to take with her Jon and Sasha and Tim (Elias is like...let's make sure I have plenty of hostages to work with when the time is right) and that's the Archives team sorted. They're fairly competent, considering the fact that none of them have a library science degree.

Season 1 goes much the same but we meet Martin when he escapes Prentiss. Jon has been going to the library for Georgie, getting out books on archiving and the like and periodically finding references, mostly because he's the one who's closest to the library staff (well, one library staff member in particular).

But Jon mentions that Georgie assigned him the Vittery statement - something about facing his fears - and he hates it, so Martin suggests they go together after work, and he would deal with any remaining spiders for Jon. (Who is Martin, if not down bad for Jon?)

(That is, of course, a rhetorical question lol)

Something something, Martin gets trapped in his apartment for two weeks by the Worm Woman despite not actually being in the Archives. Then he comes straight to the Archives to give a statement, where Jon is working late and waiting for Georgie to finish so they can go home. Jon is the one that suggests Martin stay in the Archives, after he turned down the offer of staying on their sofa.

So Martin lives in document storage and continues working in the library with the rest of his coworkers none-the-wiser, and gets kinda absorbed into the Archives nonsense as Sasha meets Michael etc. etc. And Martin and Jon get really close, from late nights and evenings and weird little dates.

It goes from like...dating to being genuinely quite serious; they have been together for probably like 2 or 3 years by this point but this is a tipping point in their relationship. They keep talking about how they'll move in together after all this is over, so Georgie can finally have her home studio and Martin doesn't have to go back to his flat.

Anyway-

There's also Melanie. She comes in because Georgie was one of the people she contacted in her search for answers and Georgie was like...come and make a statement, maybe we can do something.

Melanie is slightly less derisive of the Magnus Institute (only slightly) mostly because she likes Georgie more lol

Martin is in the library when Prentiss attacks, and is the one that Sasha finds when she runs up from the Archives. Jon and Georgie and Tim are down in the archives, knocking in walls and fighting off worms, and Sasha and Martin go find the CO2 suppression system.

Sasha turns the right corner; Martin doesn't and ends up in Artefact Storage.

Tim finds Gertrude's body. The tide of worms split him off from Georgie and Jon who end up getting wormed in the archives before the fire suppression system gets set off.

They have a few weeks off. Not!Martin and Jon do move in together as had been planned, staying at Georgie's while sorting out a place together. Before everyone returns to the Institute (Martin got the time off too because he was deemed sufficiently traumatised by it all), Jon and Martin move in together, Sasha and Tim have another ill-advised hook-up and Georgie ends up...alone.

Queue the paranoia arc. Georgie might not be able to feel fear but I think that would make a paranoia arc even funnier, because she is convinced that she is seeing things Rationally only for her very much not doing that.

So the thoughts get a bit vague from here. I have some thoughts for each character though!

Martin is obviously taken by the Not!Them in this and so that really fucks Jon up. Jon is Georgie's oldest friend and very much her closest support net, often being the one to feel fear in her place (like she uses him to gauge how she should react to a situation, something that developed because there hasn't really been a time since Georgie returned to Uni where they haven't been in relatively close proximity).

So Jon goes off the deep-end after the revelation of Martin's death and the fact that he wasn't even living with the guy. He takes the responsibility of Martin's mother onto his shoulders, he literally ties up all of Martin's loose ends and then I think he just...stops caring.

It's a mix between Tim's complete S3 despair and Jon's S2 paranoia. He literally cannot trust anyone anymore, no matter how hard he tries, except maybe Georgie because of the whole Archivist thing. And so he goes to the circus with Georgie and Tim and Basira and Daisy.

And he is the one to press the button and die.

I don't usually like taking that away from Tim, because it is a decision so tightly linked to his backstory but I actually put him as ending up in the Coffin in this, shoved in there by a well-meaning Gerogie with her mind being twisted by the Unknowing.

I like the idea of Georgie having a bit of a superiority complex in this AU, where she is sure that she knows better than everyone else because she can't feel fear so she can see things Rationally and Correctly (she wildly underestimates how much other emotions can influence you).

Anyway, back to Tim. He wasn't as depressed during S3 because Georgie's own mini-paranoia arc involved a lot more of digging into statements because she is much more certain that the knowledge of who killed Gertrude is in there, and also Sasha is very much alive and well.

I mean, Jon's rancid vibes are definitely off-putting but like this is at the point where they realise they can't leave and the dread powers exist so the vibes aren't great anyway.

So Tim ends up in the Buried. How does he get out you ask?

Sasha.

I have been waiting for a potential AU in which to put Vast!Sasha and I have decided this is the one. No I don't know how yet but this is my decision - I love the idea of Buried!Tim and Vast!Sasha being something of a couple.

Beyond that for them though, it's mostly vibes.

I think Basira might actually choose to work with Peter Lukas in this one. I wouldn't have Georgie go into a coma post-Unknowing because she's already touched by the End and I don't think she would choose to wake up again, because she simply doesn't have the fear of death that influenced Jon, so she's around for the inter-season shenanigans that occurred.

So Basira doesn't trust her or Elias or Peter, but she decides that as she knows Elias and Georgie, and she's been offered this position by Peter, she'll take it.

(She's trying to ignore the pull of Daisy, hunting out there somewhere, lost after the circus - she never even got the chance to fight against it)

Melanie would be a very interesting one indeed, because part of what attracted her to Georgie in the first place (I think) is that Georgie knows about the entities and can understand her trauma, but is determined to not be a part of it, so they would be so much more messy than in canon.

I honestly couldn't say how her story would thus change. Melanie is a very fascinating character to me and I struggle to sort her out in my head without writing her (and so is Georgie - that's the problem with not writing them as much as some other characters :/) - that said, I do think she doesn't go full eye gouging because she does really love Georgie and doesn't want to leave her in hell alone.

(Hand in unlovable hand and all)

(I also think that Tim and Sasha might decide to do some eye-gouging with friends, as not-quite fully realised avatars of other powers, and try and settle down together somewhere, just in time for the apocalypse)

I'm not sure what all of Georgie's marks would be, or how she'd get them, and if you've got this far I am sure you understand my thoughts are vague and disjointed; but know it will be tragic and upsetting because I refuse to let myself write happy AUs lol

ANYWAY, thank you for showing an interest in this AU :)

[gideonisms]

Does a podcast ever release a take you disagree with so strongly it makes you question everything you heard on it up to that point

[seaweedstarshine]

Late to the game as I’ve kinda been kinda non-here for a minute but I scrolled through the Dot and Bubble tag, and thought I wanted to write this post into existence.

There's this part in Doctor Who Unleashed where RTD says this:

“What we can’t tell is how many people will have worked that out before the ending. Because they’ve seen white person after white person after white person, and television these days is very diverse. I wonder, will you be ten minutes into it, will you be fifteen, will you be twenty, before you start to think, everyone in this community is white. And if you don’t think that — why didn’t you? So, that’s gonna be interesting. I hope it’s one of those pieces of television you see, and always remember.”

And I'm like. Yeah. But the reason this works even as well as it does is largely thanks to the work of the previous showrunner with the previous creative team, which was notably the first era to have any writers of color (amongst other firsts in terms of inclusivity in directors, composer, actors). While Chibnall fumbled whenever he tried to write about race himself, he did have the self-awareness to have Black and South Asian writers writing the episodes where race is the focus (and a female writer for the episode where sexism is a focus; my point is, he seemed to know his shortcomings).

I wonder what the current creative team looks like? (not really, but I wasn't 100% sure for all of them)

To quote RTD:

“...before you start to think, everyone in this community is white.”

This is pretty non-self-aware, right? It's pretty “It is said, and I understand this, there was a history of racism with the original Toymaker, the Celestial Toymaker, who had ‘celestial,’ and I did not know this, but ‘celestial’ can mean of Chinese origin, but in a derogatory way,” right? (from The Giggle Unleashed) It's pretty “and I had problems with that, and a lot of us on the production team had problems with that: associating disability with evil,” right? (from Destination Skaro Unleashed)

—none of which are issues that should be overlooked, but think how much exponentially better they might’ve been addressed if he’d consulted with Chinese writers and wheelchair-using writers before going straight to giving the Toymaker weird fake accents and making Davros walk?

How many Black or non-white people do we think saw the Dot and Bubble script before it landed in Ncuti’s hands?

And this just keeps happening.

And like, from some of the shocked responses I've seen from white viewers to the ending of Dot and Bubble, maybe the episode's unsubtlety was needed? From the way RTD talks about it in Unleashed, the episode was written with a white audience in mind, Baby's First Microaggressions (where of course the microaggressions come from people who are pretty self-admittedly white supremacists). Ricky September, a more seemingly normal depiction of someone in the racist bubble of Finetime, seemed like an interesting element, up until the way he died.

The ending worked for me, because I do think the Doctor's reaction is true to how the Doctor would react. I just keep thinking of how much better the core themes could've been handled by someone with actual lived experience on the subject matter.

[hide-your-bugs-away]

Bob Neuwirth edit I made three years ago aaaaaa 🤲 (featuring footage from Dont Look Back and 65 Revisited)

Song: "Tattoos" by Caravan Palace

[dizzybevvie]

Sam and Max can say literally anything and it will be incorporated into my vocabulary forever

[extravagantliar]

varric talks a big game about a lot of things and had a reputation through kirkwall but the thing with a reputation is that it's built on the image perceived by the other party. yet like with most things about varric its not entirely straight forward.

[unproduciblesmackdown]

bloodsong of oh shit....oh fuck