#one dimensional abuser or something

[porcupiney]

okay like genuinely these past few days the only stuff that seems to be coming my way on tumblr is negativity towards, and moral condemnation of, characters i like. and at this point i’m like two steps away from biting peoples heads off. like i think if i see one more shit take about a guy i like i’m going to start ripping people apart limb from limb im not even joking

[sunderwight]

Shen Yuan who glitches in his transmigration, but the original Shen Qingqiu still dies of a qi deviation.

So the System still needs someone with narrative relevance to throw Luo Binghe into the Abyss. In a fit of desperation, it contrives circumstances after Shen Qingqiu's death to move Luo Binghe to An Ding Peak (not that difficult), and then the System makes Shang Qinghua be Luo Binghe's new scum master who casts him down.

Airplane's thrilled, really. Cultivators aren't supposed to get ulcers but damned if he doesn't come close to one anyway. Between Shen Qingqiu and then just a while later Liu Qingge both dying from qi deviations, and Shang Qinghua looking like a stiff breeze could take him out any day now, poor Mu Qingfang is also just about at his wits' end.

But it's not all bad news! On An Ding Peak, Luo Binghe actually finds himself surrounded by the kinds of people who are accustomed to being bullied by the rest of the sect. So they're pretty sympathetic to him, and it's easier for someone with basic laboring skills to advance on that peak too. His chores don't decrease too much, but he actually gets rewarded for doing them well, and no one tries to kick him out of the dorms or anything. Shang Qinghua doesn't either go out of his way to bully or praise Luo Binghe, correctly reasoning that his best shot at not getting a gruesome death is to just be a more forgettable bad guy than an abusive dirtbag or a heart-wrenching betrayal. He doesn't sabotage Luo Binghe's cultivation (no point, and it would just farm resentment later) but he also doesn't go out of his way to help him improve (not gonna arm his inevitable maybe-probably-murderer with better weapons!), so Luo Binghe's situation sees an overall improvement but not the zero-to-hero treatment he'd have got with Shen Yuan either.

When Shang Qinghua shoves Luo Binghe into the Abyss (he just full on picks him up and tosses him like a sack of beans, better to rip it off quick like a bandage), LBH is upset, but he's not especially surprised or dismayed about Shang Qinghua's part in it. Later on he'll be kind of confused, because he just assumed that of course the righteous sect cultivator would abhor the demon, but it turns out Shang Qinghua has been working for a demon since before Luo Binghe even came to the sect? But then it still kind of makes sense because a Heavenly Demon would definitely pose a risk to Mobei Jun and to Mobei Jun's rule. Shang Qinghua, he supposes, is just really loyal to his specific demon.

Luo Binghe's subsequent revenge quest is also somewhat mitigated by the Abyss actually not being that bad.

The Abyss is not actually that bad thanks to the glitched out Shen Yuan having been camping there for several years now.

So when Shen Yuan's transmigration failed it failed because he "woke up" during the process, realized where the System intended to put him, was like no way in goddamn hell am I being that guy about it, and actually kind of won the ensuing tug-of-war. The System couldn't put him in Shen Qingqiu but Shen Yuan didn't want to go back to his dead body either, so he ended up stuck in the nearest available space for lost interdimensional beings. Which was the Endless Abyss.

Luckily Shen Yuan's quasi-transmigrated imparted an equivalent cultivation level as Shen Jiu's to him, and the glitch made him able to sense and manipulate certain extra-dimensional energies, so he manifested as this weird godlike being able to manipulate and control aspects of the Abyss. So he set about transforming Airplane's Torment Nexus into a viable ecosystem (the current version would not be anything approaching sustainable were it not for divine/narrative intervention, and is constantly on the verge of destabilizing into unlivable ruin that would only be fit for some particularly hardy microorganisms).

It's still like, a monster land full of demonic creatures and terrifying phenomenon, but with Shen Yuan's assistance it becomes something more like a demonic wildlife reserve than a dimensional horror plane. Though it is still a dimensional horror plane, and Shen Yuan is its chief dimensional horror. He treats it sort of like those dungeon building or wildlife park sims, figuring out how to keep everything in balance while still preserving all the interesting parts. A lot of the extreme survival issues of the Abyss are more of a result of it being environmentally unstable than a result of its actual denizens, and once he smooths out a lot of the messy dimensional edges and creates stable vents for the fluctuating energy run-off, the demonic inhabits start behaving less like horror movie monsters and more like animals. They're still wild and dangerous and prone to killing one another, but also more cautious, and able to access enough stable resources that they can even start to be picky about what they pursue.

Turns out that a lot of creatures in the Abyss actually don't like fighting and dying and being brutally injured on a regular basis, even if they can heal from it!

Shen Yuan has even discovered that some like chin scritches (he's not terribly worried about habituating them to people, given how rarely any people actually access the Abyss, but also because he's not really all that people-ish himself these days).

This means that one of Luo Binghe's first encounters with the horrible creatures of the Abyss, is in fact a pack of wolf-like monsters thoroughly avoiding an actual fight with him. In fact most of the denizens of the Abyss just avoid him. They can smell the Heavenly Demon energy rolling off of him, and given the current abundance of alternatives to dealing with that, virtually none of the monsters actually choose to challenge him. There are still a few that will go after anything that's bleeding, but that problem stops once Luo Binghe's physiology heals his wounds, which takes like... a couple hours, max.

Despite the stories he's heard, Luo Binghe is relieved to find that the Abyss is not quite so terrible as all that. Normal survival skills suffice for seeing him through much of it. He's able to hunt for food, scavenge for tools, and even finds potable water fairly easily. After a few weeks, he also comes across a ruin which seems to be inhabited.

The being inhabiting it is plainly a god, although he demurs and refutes such assertions whenever Binghe is too frank. He's a strange being, at turns looking like some queer approximation of a human, at other times blinking and winking in and out of existence, in patterns of strange lights and oddly geometrical fire. But he's surprisingly not hostile, letting Binghe rest in his residence, and even directing him towards points of interest. Accompanying him, too, though he seems to think that Binghe doesn't notice the odd almost spiderweb-like patterns that appear on things which he's influencing. The god calls himself The Peerless One, or at least that's what Luo Binghe infers from some writings on the ruin. The Peerless One offers instruction, seemingly without thinking about it, and gets flustered at being addressed by title, so Binghe also begins to refer to him as Shizun after a while.

[r3ynah]

I just like the idea of Red hood having a medic, that always finds him whenever and wherever.

Like my boy danny, can and will go to different measures, so he can just find the boss of the crime alley alive and well.

Getting hurt? No you aren't, patched him up and forcefully tucked him into bed with a kiss, Getting depressed? No you aren't, Wrapped him in a blanket and just let him read his novels all day and feeding him, Getting kidnap? No you aren't, Cue the corrupted video of Danny breaking in the kidnapper's lair and just freeing Red hood, No blood was shed that night, well not from Red hood that is.

Danny was something else Red hood will tell you if you ever bring up his Medic into a conversation, he would stare at the man with heart eyes as he accompanied him to do random check ups on people under Red hood's care in his civilian persona. Danny may seem weak and brittle but he can give a punch if he really wanted to, He was mysterious but at the same time so open.

Danny was prideful as he wore the medal of being the only one that knows Red hood's real apartment, and the only one that could break in and enter without getting his presence known, just to make sure the crime lord was sleeping and eating properly.

Red hood practically made a joke out of this and would always tell everyone that his medic will be mad, if he isn't in bed by curfew, and he needed to be back at his house by 10:00 sharp or he'll get dragged and thrown, who knew the all so scary crime lord had a bedtime, criminals and civilians often leave him be when the clock strikes 9:50 pm afraid of enraging the meta medic.

__

"I am telling you B, I can't do that right now, its almost my curfew." Red hood sighed in frustration, he was currently standing in the middle of the bat cave, ready to run if batman tried to talk again.

"This is an important, case Hood, and it requires your participation" Batman stood still, face devoid of any emotions " Afterall it has something to do, with crime alley, there has been a meta spotted, and its creating havoc all around the place."

Jason, blinked, blinked twice, then thrice

"Is that it?"

"Jason, can't you see that this person's dangerous, they had already committed several crimes of arson, assault, and destruction of property, this person is abusing it's powers."

"No im not." An offended voice, called out from the side. all head turned towards the source of the voice, only to be greeted by 6'1 tall boy, who had black hair and blue eyes, and looked just round in his younger adult years. "In my defense they deserved it, won't give me a discount when i literally had a coupon." he rolled his eyes in annoyance.

"Who are you?" Batman asked, his guard up "And how did you get in here?"

"Red hood's medic and the meta you've labeling as dangerous, nice to meet you, and it wasn't that hard to spot this lair if you have x-ray vision" Danny greeted happily offering a handshake, which the dark knight didn't take, Danny retreated his hand in awkward silence.

"That was so sad" Jason cackled, as he pointed at Danny who gave him the middle finger.

"Shut, Its 10:30 pm, your bedtime was like 15 minutes ago, you don't get to talk until you're taller than me." Danny pointed at him.

"Fucking funny, im laughing" Sarcasm was laced in Jason's tone as he glared at Danny, before giving a sigh. "10:30 already shit, time does fly fast, when you're fighting a man in a furry costume" Red hood stated, as he walked towards Danny who only rolled his eyes.

"Bye B, i hope to not see you anytime this week or the next week." He nonchalantly waved bye to the older male, while walking towards his medic.

he turned his head to meet Danny's gaze, then smacked his arm making the man stumble. "Come on, now boss man do your thing"

Danny gave him, a glare before shoving him playfully, he then turned to look at empty air and practically ripped out a dimensional portal out of it, and pushed Jason in it who tripped.

"Bye Mr.Batman, it was nice meeting you" Danny bid farewell as he closed the portal on the Man who looked like he can use a break.

[zoe-oneesama]

If its okay to ask what exactly is the issue with Chloe's writing in the show for you? The creators have stated multiple times "there will be no redemption, she's rotten to the core and she's gonna stay that way" and it seems like thats what you want from her. So where exactly do they fumble the bag for you?

Mostly the part where they wasted everyone's time.

They tried to play both sides - kept her as nasty and self centered as always and did nothing to change her, but also make multiple episodes where we're meant to feel sorry for her and the heroine is portrayed as In The Wrong for being too harsh on her. It was annoying.

Like, it was just...tonally confusing at the time. It's totally in character for her to "steal" a Miraculous and not give it back when the rightful owner demands it back, being a thief was never outside of Chloe's wheelhouse. So tell me why they had the heroes give her soft woobie eyes and make excuses for her on the grounds of "you just wanted Mommy to look at you" and frame it like that's correct??????

And then, AND THEN, after wasting everyone's goddamn time trying to pretend they were doing something deep with Chloe, they didn't just double down on her being a two-bit one dimensional mean girl and tried to pretend like they didn't devote multiple episodes to convincing the audience she was more than that, but they wrote her to be even more comically evil as if to drive the knife even deeper! You can't help but read into their motivations, it feels like they're doing it to target certain fans specifically. "Oh you liked Chloe and wanted her to be redeemed? What if we ANTI-REDEEMED HER?! And now she's somehow more evil than our abusive magical terrorist! BWAHAHAHA!" Like?????? The Fuck?????

There's a moment in Season 5's "Collusion" where Bustier brings up the gift Chloe got her at the end of "Zombizou", doing this speech about how she recognized that Chloe was just a fragile teenager looking for love and attention (the EXACT THING that Season 2 spent a multi-episode arc trying to convince their audience of) only for Chloe to snap back that Bustier is using her student's feelings to "blackmail" her in that moment and uses this as grounds to get the woman fired.

And I feel like that really encapsulates the frustration I have at specifically the staff behind Miraculous Ladybug when it comes to Chloe.

Here is Chloe mocking Bustier for reading into what happened in "Zombizou" and instead it feels like the viewer is being mocked. Everyone who thought they were going somewhere with Chloe, everyone who bought what they were selling, everyone who's time was fucking wasted, is being laughed at in this moment.

Look, I never bought into Chloe being redeemed, so my personal annoyance was this dilly-dallying through this random side quest that amounted to nothing, which is a constant in this damn show. But, and I know this might be hard for some to believe, I had deep deep sympathy and empathy for fans who really thought and really wanted for the Battle of the Queens Arc to amount to something. I am so, so angry for them, because every season finds a way to not only stab you all in the back but twist the knife.

So yeah, that's my "issue".

[ofswordsandpens]

actually I do want to talk about Sally Jackson a tad more because one criticism I've been hearing about her book counterpart more recently is "book Sally is one-dimensional: the perfect mother with no flaws" and that just has me biting my cheek because one part of her book counterpart that I always thought was ripe with discussion and didn't make it to the show is that Sally states that it was selfish of her to keep Percy close. It's one of the last things she says to him before she's "killed" by the minotaur.

And there's so much that we don't know about Sally because we view her from Percy's eyes. From his perspective we know that she's exceedingly kind, she never raises her voice to him or even Gabe, and she endured a horrible and abusive relationship to protect her son from monsters (of a different kind).

But there are things we can piece together from the text: Sally has known about CHB for a long time, apparently since before Percy was even born because Poseidon told her he wanted to send Percy there; she was told that it was a mistake for her to keep Percy close - who told her that, we're not sure, she only uses the phrase they; she's been in contact with Grover through out the school year; she knows that she can't cross the camp boundary line, which means either Grover or someone else (Chiron? Poseidon?) told her that, and that she understood that there was place that Percy would be safe from monsters.

And all of these little details are so interesting because it does make you wonder just how much she did or didn't know. Was her self assessment right? Was it selfish of her to keep Percy close?

On one hand, she kept him close because she loved him, alongside the fear that if she sent him to camp, she would be saying goodbye for good -- so is it even fair to call the act of keeping him close selfish? Or perhaps, much like Chiron, she assumed keeping Percy in the dark would be safer?

But on the other hand, Percy had been attracting monsters all his childhood, she understood camp was a safe place from monsters, and she had apparently been told explicitly that it was a mistake for her to keep him close.

And then adding in the factors of: Percy is her only family in the entire world, she's been suffering with Gabe for years, sacrificing so much in order to keep Percy safe when he's at home... but even that has a touch of sad irony because when we meet Percy in tlt, its at point when he's not really home at all -- he's been regularly sent off to boarding schools, so much so that he's internalized it as his own short-coming.

And all of this isn't to say "Omg Sally is actually horrible" or to assert definitely that she is selfish... but more to speak to the fact that in the books, she's not an all-perfect 2-dimensional mother. And her self-assessment of selfishness is something that is really interesting to explore and debate given the implications of what she apparently did (or did not) know about the godly world. I feel there's even an argument to be made that Sally being "selfish" could be a reflection of Percy's fatal flaw.

[namisweatheria]

I feel like we don't discuss Nami's relationship with gender enough. Her entire character is so deeply informed by being a girl in a male-dominated pirate world and it's so interesting and so worth talking about.

The background creepiness of Bad pirate crews, which are most of them, how they tend to not have any female crew members at all, how they beckon any pretty young woman around to come play with them and join them. It's real bad. It's also like, a totally 2 dimensional portrayal of evil that is reserved for the most background of background characters.

However I think their ubiquity says a lot about how piracy is meant to be perceived by the public in One Piece, and is one of the strongest indicators of how prevalent misogyny is in-world.

It's very normal in One Piece for regular island inhabitants to have never met a Different class of pirate in their life. There's no reason for them to withhold judgement that maybe these pirates won't be like every crew that attacked before, and to wait and judge them by their actions. I mean frankly that would be irrationally weak self-preservation.

There are people who live peacefully under the flags of Yonkos who protect them, and feel loyalty and gratitude to them for it, but that seems to only be thing with very big name pirates. The East Blue, being the weakest and least populated, has no such plethora of powerful people and resulting turf wars.

So. Nami. Is very clearly implied to have never met any Different pirates before. I'm thinking about what that means. About how every group of pirates she stole from were creepy, dangerous men. How she started going out stealing when she was still a young child. How she didn't have a mother anymore to guide her or comfort her. How Arlong would grab her chin inappropriately, talk about her as a "human female", as property, and god knows what else.

How all the men in Arlong's crew treated her patronizingly, pretending they're all friends, teasing her and playing at respect when really not a single one of them ever stuck up for her or hesitated to accuse her of betrayal. Who were always ready to kill her if she refused to cooperate. Who grabbed her and intimidated her when they felt like it.

That's what she had to come back to after a close call with stealing from other predatory men, instead of the relief of home there was a dark, cramped room filled with endless hours of misery and isolation and blood. Where any one of her captors could barge in and demand new maps, work faster, where did you go, you took too long again this time. Endless threats and incursions.

I'm thinking about that her fight scene in Alabasta, where she tumbles and rips off her cape and uses it to catch her enemy's spikes, before leaping to her feet and running out the back door, all in one moment. How it makes her enemy reconsider her and think, "so the girl's not a total novice at fighting after all." What that implies about her experiences as a young thief. The times she wasn't fast or clever enough and had to fight and claw her way out. Why she always carried a staff and a knife. Why she was the only one before Chopper who had any medical knowledge or experience.

You know she was stitching herself up. And the weapons, how do you think she learned to use those? If any of the Arlong Pirates helped her it wasn't out of kindness and it wasn't gentle.

Then I think about Nojiko, and Bellemere's memory, and the only softness in a hard life. How easily Nami connects to every young woman experiencing hardship that she meets. How completely she dismisses the struggles of men unless they mean something to her and are going through something terrible. The way that Nami only has sympathy for women and children is easily noticeable in-text, but it's also something confirmed in those words by the author. And it's clearly because of the life she lived, the men who had all the power and only abused it, who saw her as nothing but a girl to take advantage of, without anyone aside from her sister clearly knowing and caring about any of it.

Nami clearly isn't bitter, she doesn't think the world owes her recompense, on the contrary she knows she is far from the only person in the world to suffer the things she has suffered. She is endlessly reaching out and kind, but only to those that she isn't sure would get help without her. Certainly, before Luffy, Usopp, and Zoro, no man ever reached out a hand to her without an ulterior motive.

I think when she sees a girl in trouble, a girl biting her lip to hold in a scream of grief, a girl running in the woods away from a monster, a girl captured by pirates, she sees someone who no one is coming for. Who no one will stick up for. A person without allies in a world against her. Whether it's actually true in this case or not, she runs straight for that girl anyways every single time.

[pollyperks]

so luz went from the girl at school failing her classes with no friends, completely misunderstood by her teachers, other kids, her mom even, to the girl with friends for life (and an awesome girlfriend) who has half the people on the boiling isles show up for her quinceañera because turns out she's a hero and she's found the place she belongs and is understood and completely loved for who she is

willow went from miserable, bullied girl who didn't believe she could do anything right and tried to make herself so small to a natural team leader and complete girlboss (with a cute boyfriend) who just...oozes confidence in everything that she is, there is no way you can look at her and believe people once dared to call her half-a-witch and if anyone did now she could take them to the cleaners except she couldn't care less and the rest of the hexsquad would do it for her anyway

gus went from the kid who didn't think he could do anything right to a confident teacher who gets to show students his passion for the human realm (and he can pop in and out all the time which is the dream!) and being a prodigy is really a gift now, not something that sets him apart and makes him a target but instead an awesome teacher who can empathize with students having a hard time and is just plain cool on top of all that as he teaches them not to eat paperclips

amity went from one dimensional mean girl actually desperately trying to earn her parents' approval to wild, adventure seeking author who made up for who she was, cut ties with her emotionally abusive mother and terrible friends, has a close relationship with her dad now plus the best friends ever (byeeee boscha), and also has an awesome girlfriend as she travels all over the isles doing exactly what she wants with no one controlling her

and wow okay hunter went from the golden guard who obeyed belos' every order out of the insane desire to be needed and special without realizing if he messed up belos was literally growing his replacement because he was always just a copy of someone belos both hated but couldn't let go of haha that's dark to being just hunter who has guardians he doesn't have to flinch away from and tons of friends and he gets to carve palismen just how he wanted and his girlfriend could definitely bench press him and he'll always remember the first friend who ever found him (chose him!!) and saved his life in so many ways THE HEXSQUAD IS SO GOOD I JUST!!!!!!!

[dreadfuldevotee]

I'd like to discuss the elephant in the room. Why did we get zero Loumand sex scenes? We got hints and implications, but season 1 was pretty explicit. Do we think that that's a creative choice or something else is happening?

I'm glad I ended up ruminating on this for about a week because episode 7 & 8 really solidified my opinion on it.

I do wanna start by saying that it's very clear to me that there was supposed to be more explicit scenes between them. There has been some thoughts tossed around that censorship happened with the 9 pm timeslot (as opposed to the 10 pm timeslot of S1). I believed this hearing Assad and Jacob talk about the BDSM dynamic between Louis and Armand, but what really sold me on this was Production Designer Mara LePere-Schloop talking about the bedroom set and more specifically about their beautifully carved custom headboard. (If you're a production nerd like me or just want to know more about the design philosophy of IWTV I recommend giving the entire thing a listen!).

I think there are several reasons I think as to why they decided to leave any more explicit scenes on the cutting room floor but above them all is: you cannot separate Armand's sexuality from his abuse. I am really against pulling a "well if you read the books" card but reading just the first couple chapters of "The Vampire Armand" makes me understand so much about not only Armand as a character, but the care being taken to his adaptation. It's clear to me that alongside Rolin & Co.'s commitment to not watering him down to a one-dimensional villain they are also trying to not fall into Anne Rice's tendency to romanticize his trauma.

Sex and sexuality is not the same pillar of Louis and Armand's relationship it was in Louis and Lestat's and so I don't believe their story suffers from the lack of on-screen sex. But I also firmly believe that maybe we don't need to be slutting out the character who we literally just watched talk about how he doesn't remember his life before being sex trafficked. And even when he was "freed" he was still being repeatedly assaulted at the hands of, and under the eye Marius de Romanus. Like it is extremely important to remember that Armand's craving for dominion in his relationships is a manifestation of trauma that deserves the same level of care and depth given to every other trauma portrayed in this show.

I think people have gotten too comfortable calling IWTV a romance when it has always been Gothic Horror. Romance and sex are pivotal to the story but I have found the demands for sex scenes this season a bit absurd and also? unfounded? Loustat share more kisses on screen but there are two sex scenes and both are very plot relevant. I truly figured we were all in agreement that the eroticism of this show is found in the various displays of power, and the dynamics it creates and not the actual clapping of ass-cheeks...which also wasn't happening in S1 either. S2 does not suffer because of the lack of sex-scenes, but the likelihood if it suffering trying to make one work is

[erinwantstowrite]

Could you tell me what you like about Stephanie and Cass as characters? I haven't read any of the comics so everything I know about the characters has come from fanfiction and every time they are in a fic they always feel so one dimensional and it really bothers me. Stephanie is always just talking about waffles or pulling pranks with glitter or being super nosey. And all Cass ever does is sneak around and pat people on the head and the only dialogue she ever has is something that feels like the author is infantilizing her. So many people like them and I know there is more to them as characters I just rarely find a fic they are included in where they feel as fleshed out as Dick, Jason, Tim, Damian, etc.

OH BUDDDYYYYYYY i was in the same boat for a while. i genuinely had no idea that they were far more involved in bat stuff than what they were in fics. they're so often overlooked (so is Duke) and it makes me crazy because they have SUCH amazing character concepts!!! they're still on my to-read list so i'm not an expert and this is just what i've gathered from my pre-requisite research, but!!!

stephanie is the daughter of one of Gotham's villains, the Cluemaster. she became the Spoiler because she wanted to be his opposite, wanted to be better than him. he was an abusive asshole, both physically and mentally, and Stephani even hates her blonde hair because it's the same color as her father's. she has a close relationship with her mother, who is still alive. Stephanie is incredibly intelligent and she deserved so much better when she took up the Robin mantle when Tim's father made him put it down. at some point in the comics, she got pregnant as a teen (not Tim's, but they were dating when they figured it out?? i think? she didn't cheat on him). she wanted to be a mom so badly and she loved her baby so much. the panels where she was dreaming of playing with her baby make me feel ill because she deserves the world. she had to give the baby up for adoption because she was so scared her father would find the baby and hurt/kill them, and she didn't let herself see the baby after they were born because she knew she'd want to keep them if she held them. she didn't even know if it was a born or girl. I'm pretty sure Bruce was the one who found the baby a good home somewhere where Stephanie's father can't find them. at some point, she "died" but it was really something she had to fake? for some reason? and she trained with a doctor i think (was it Leslie?) for a WHILE. Tim had no idea that this was faked and it kind of fucked him up but this ain't about him right now. she did actually die at some point and i'm pretty sure Cass was there with her, though i am hazy on if she was revived right away or later on

and Cass. god,,,, she was also a victim of her father, David Cain. her mother is Lady Shiva, who you might have seen mentioned in Tim fics. both are highly trained assassins and considered the best of the best. David raised Cass to not understand any spoken language, so she could not speak it for a very long time. the only language that she did know was the art of body language, and she had the ability to see things that so many other people can't. that's how she's able to pick up on most everything, so she was still incredibly intelligent. one day her father made her kill someone, her first ever kill, and what she saw in the man's dying body was so agonizing that it forever changed her. she was so horrified by what she had done that she refused to kill. (in my opinion, this makes her the best candidate for taking up Batman's position but the writers are cowards.) she either ran away or was sent away by her father? (this is where it starts getting hazy for me because i still have comics to read). i don't know what happened in between for sure, but she did end up learning how to speak and understand words, and i think it's a popular headcanon that it can sometimes overwhelm her so she sticks to one words or sign language for communication, but she CAN speak now. she considers Barbara to be like her mother, as Babs was the one who mentored her and took care of her. she's a very loving person and i think her friendship with Stephanie is sweet. even if you don't ship them, they're soulmates of some kind

that's about as much as i know but i'm still learning!! if any steph or cass fans want to add on to this, feel free to infodump here and mayhaps leave your comic recommendations? :3

[pruneunfair]

The Remarried empress fandom is practically a cult.

If it isn't the very pro-monarchy storyline that gets me, its the fans and how they idolize its protagonist and everyone else who supports her, this normally wouldn't be an issue if it didn't reach the point of condoning literal slavery.

The way the fans of this comic act is straight up disturbing, part of me thinks remarried empress might even be propaganda to push imperialism and monarchies. The characters you're supposed to root for are all horrible people such as a slave owner who is regarded as a cute fangirl, the ML who is a king with an annoying uwu persona that also steals from mages and kills innocent people, a grand duke is so obsessed with Navier he becomes a creep who goes around passing date-rape love potions like candy, and a brother who violates another woman's autonomy by slipping her abortion drugs but they never face consequences and if they do, its portrayed as something unfair caused by the evil women who get in Navier's way.

speaking of which lets talk about how any other woman in this story who is powerful and above Navier in some way is immediately villainized. the mistress Rashta is a former slave who was sold by her father, abused by her masters, one of them sexually assaults her as well (the narrative tries to say Rashta consented even though a slave can't say no to someone who owns them) and ends up severely traumatized after her baby is taken away and replaced with a dead one. Already off to a rough start for someone we are supposed to see as a one dimensional villain.

in the beginning chapters, Navier's ladies in waiting are already ridiculing Rashta before she even did anything all for being a slave who dared to become the Emperors mistress and hurt the feelings of their perfect empress, how could that slave not worship our empress!? What a wench!. later the narrative justifies making a slave the ultimate evil by making her into someone who "seduced" the Emperor and is ultimately written as a evil moron who is the true villain using her body to charm the poor little noblemen. (Ugh..) In the end her character is basically to be a punching bag for Navier to girl boss back into place and she dies alone in a prison cell as the most evil empress in history.

Then there's Krista, a queen dowager who didn't really like Navier but never went as far beyond snubbing her and letting rumors spread, bad but nothing too horrible, and when she sends a gift one of Navier's ladies in waiting gets all upset and asks if she can toss the gift out, its played off as a joke but it becomes clear it's supposed to tell readers that Krista is a mean mean woman for not adoring the MC.

Then when Krista is becoming too independent for the authors liking they begin to ruin her character by having pine after Heinrey, weird as hell but it could've worked if she was actually utilized as a villain and not a bug that needs to be squashed, she then gets blamed for letting Heinrey rest on her lap even though Kaufman was the one who drugged Heinrey while Krista didn't know, she's disgraced and later killed off while Heinrey proceeds to make the rest of her family suffer in the long run as well. And yet fans practically celebrated her death.

The comments are honestly the worst part, nothing but "Trashta has nothing on our queen! 😍" and "Navier is such a true girlboss! go away Trashta! 🤢" there are chapters where characters like Heinrey literally say that he'll torture people who don't like Navier and the comments are all just "Awww he's such an upgrade from Sovieshit, what a soft boy he is!" ffs it honestly feels like a cult where Navier is the god and all her supporters are her apostles.

The message is clear: you MUST like Navier! If you don't then it makes you a bad guy worthy of death row, and it doesn't take much either, all you need to do if talk a little shit about Navier and boom, her hubby has your mouth with rocks and sewn shut (yes this actually happened and it's never talked about again) if Rashta did something like that she'd be getting flamed, I'm even willing to bet if it was Heinrey who mutilated Delice the comments would either be full of cheap excuses for him or they just would give him a slap on the wrist.

I really wanted to like Remarried empress but I honestly can't anymore with the hypocrisy. Navier isn't even very likeable anymore since all she does now is react to everything and either condone what people do in her name or just not caring, so much for an empress who loves her subjects.

[showtoonzfan]

Helluva Boss and Hazbin Hotel is concerningly a trojan horse of white feminism. White feminism identifies with white patriarchy and strives to find a place of power within it, whether or not they acknowledge white men would never see them as equals. This type of feminism enforces the same patriarchal values that hold them down.

On both shows, the male characters are favored, the actions of the shitty male characters are justified to be right and that they are to be sympathized with little to no regard to their victims that are made to be at fault for being being imperfect at reacting at the abuse they receive.

And what is most perplexing to me as an outsider, is that Medrano is supposed to be a victim of abuse by some guy, and yet identifies and upholds her abusive male characters. In her attempt to humanize them, she disregards the weight of their actions. Her actions with her ex-employees and ex-friends show that the victim became the abuser to regain a sense of power, which is typically what white feminism is.

I know I shouldn't be psycho-analyzing her as a distant observer, but I'm tired of people mystifying a suffering deer with fungal-mutated horns and not thinking there's something wrong with it and that it needs help.

No you’re completely right. Vivienne has shown for many years that she isn’t a girls girl. On the outside she’s tried to paint herself as pro feminism and that she cares about other women, when in reality she’s transphobic, has put other women down, and has slut shamed them in her work. She’s basically that obnoxious girl in middle school that acts like she’s a girls girl but in reality is constantly and desperately seeking male validation, like how she once made a tweet questioning why she hasn’t been acknowledged for being a famous female content creator in a world dominated by men even though there were many other female content creators before her that were already rising to the top. I never came out of watching or reading something she made and thought “she hates men”, cause she doesn’t. She hates women and it shows in how she writes them and uses them. Her males are allowed to be 3 dimensional yet 90% of her females are one note. Viv also caters to the male audience who lusts over her female characters and I don’t need to explain that one.

Meanwhile she hasn’t got a single favorite or popular female character. There’s a reason why for years she’s said her favorites are Alastor and Angel and how she loves writing Adam, hell…she confirmed Adam is her favorite HH character. She doesn’t care about her female characters and only her males, whom she can find enjoyment in, either woobifying or sexualizing them. I think it kinda tells you something when you learn that Val is supposed to be based on her abuser yet she constantly likes tweets by Val apologists and sexy/silly fanart of him.

Meanwhile (as everyone has been saying), her content is for white queers/white fujoshi’s, no one else. She tries so hard for some reason to act like she’s new and progressive, challenging the world that’s been dominated by white people and their bland perspectives, but she hasn’t really added anything new to the table, and the way her fandom (and she herself at this point) treats black people is fucking nuts.

[llamaisllama777]

I... I think I know what's going on.

Theory: Nexus ain't dead. We're all still playing Dark Sun's game!

(Nexus fans, you're gonna love this. I know I am)

Okay, so, in today's episode, we see Moon travels to another dimension cause of a dimensional anomaly and sees a Sun bashing his Moon's skull in. Moon is obviously startled and horrified by this, and after a little investigation, Moon finds out something is wrong in the multiverse, apparently in 36% of the multiverse a bunch of Suns have started to kill their Moons.

Why? How? What caused this? What triggered it? Suns just don't start randomly murdering Moons...

I think we may have an answer...

Nexus isn't really gone. Dark Sun is still pulling the strings.

Okay, so, remember this episode?

In this episode, Dark Sun asks Nexus' permission and full trust to do something. Now we never found out what this something was until now, I think.

Dark Sun also mentioned in this episode or a different one he says that Nexus wouldn't have the same body forever. I thought he meant like he'd make Nexus a new body to contain his negative star power, but no. He just meant Nexus wouldn't have the same body... he never said he'd make him a new one.

In this episode...

Dark Sun briefly mentions to Sun that whoever he chooses to kill, he will exsponge the data of them so they couldn't come back... this means Dark Sun has access to Moon and Nexus' code... he has their code. Hmmmm....

Plus, Dark Sun did have access to Ruin a.k.a, a guy who had been exposed and probably knows how to make the Ruin virus...

Nexus isn't gone. He's just not in our world anymore. He's in EVERY WORLD NOW!

When Sun killed Nexus, that's what Dark Sun wanted. He didn't want Moon to die. That wouldn't benefit him. He needed Nexus to die to complete his plan. Dark Sun has access to Nexus' code and Ruin, a guy who knows an awful lot about the Ruin virus he probably knows how to make it, too.

Dark Sun wanted Sun to kill Nexus, so Nexus would die and become pure code, Dark Sun could then spread Nexus around the multiverse like a virus and cause other Moon's to go rouge and become Nexuses which would cause other Suns to kill their Moons and become like Dark Sun in a sense.

Dark Sun did say he did all this for Sun and probably every other Sun.

Dark Sun is trying to prove to all Suns that all Moons are bad and that they're better off without them. But of course, in the grand scheme of the multiverse, not EVERY Moon can be bad, so Dark Sun and Nexus MADE them bad.

Dark Sun is trying to create more hims cause he does view himself as the Superior Sun, the Sun that grew up, the Sun that grew a spine, the Sun that fought back!

Dark Sun views himself as a sort of savior of Suns, and in his twisted mind, he's trying to save the other Suns from being used and abused by their Moons. He's trying to prove his point that all Moons are bad, but since not every Moon is bad, he had to make them bad to prove his point. (Which kind of defeats his point, but I digress)

Dark Sun is trying to do this to save the other Suns! By ruining the other Moons!

Tl;Dr Nexus isn't dead and is now pure code, and Dark Sun is having him go around the multiverse, turning all Moon's into Nexuses to prove his point that all Moons are bad and make more Suns like himself.

But hey, that's just a theory...

A TSAMS THEORY!

[artisticdoofusxx]

I genuinely hope that Viv does something interesting with Stella’s character instead of just making her a one dimensional abuser. I hope Stella is given an interesting backstory as an explanation as to why she’s a shitty person and I have no doubt that Andre played a huge part in that.

Maybe Stella is genuinely a good mom to Octavia to add a little more dimension to her character, to show that she’s not fully evil

[flower-boi16]

What Are Helluva Boss' Themes?

This is something I've thought about for a while, especially recently when Viv said that Season 3 will focus on a theme of "family" (clearly relating to Stolas' relationship with Octavia).

After doing some research, apperently at a panel one of the writers said that the series is meant to be about "relationships", either romantic, platonic, professional, etc. You can see that since a lot of the episodes do focus on inter-personal drama between characters.

Now, here's the next question...how well does helluva execute that theme?

Let's take a look at a lot of the relationships in the series, shall we? (Green will be goood, yellow will be meh/okay, and red will be bad)

Blitzo and Moxxie: This one is handled fairly well. Truth Seekers gives both characters fairly solid growth where they learn to start being better friends to each other.

Moxxie and Millie: It's not that developed but it's cute as a romantic relationship.

Blitzo and Loona: This is where things take a turn for the worst sadly. Blitzo and Loona's dynamic was initially endearing in the first season, as it was a loving but overprotective father with a edgy daughter that does still show some care for her father. Unfortunetly, the dynamic suffered in Season 2 due to Loona's character assasination ruining her past development, as I've talked about before, and, so far, Loona hasn't gotten anything in later episodes that have brought back her past characterization so this remains a massive issue.

Millie and Blitzo: Gets good development in GhostFuckers showing how Millie met Blitz and helps give Millie actual character depth for once.

Blitz and Stolas: I don't think I need to explain why I hate this one anymore.

Fizz and Blitz: The relationship is significantly underdeveloped and the resolution to their truama is extremely underwhelming and rushed.

Verosika and Blitz: Verosika gets a good moment showing how she felt when Blitz betrayed her trust but that's it. Aside from that, it suffers from the same issues of underdevelopment that Fizz and Blitz' relationship does.

Octavia and Stolas: Relationship was previously very compelling in Loo Loo Land where the series actually knew that Stolas was a terrible father and didn't try to pretend otherwise. Sadly Seeing Stars came into the mix and the show tried to frame Stolas as a good father to Octavia (which, he is not). Sinsmas does thankfully reverse this framming but we'll have to see if they'll commit to it in Season 3.

Stolas and Stella: This one suffers from Stella being made into nothing but a one-dimensional abusive bitch just to make Stolas look more sympathetic. It's part of the show's trend of demonizing characters that call out Stolas' actions.

Blitzo and Barbie: We know literaly nothing about this one but so far it's fine.

So uh. Ya. Most of the relationships in the show are pretty badly written and they suffer from the major issues in regards to character and how piss poor it is.

[actually-azi]

I've seen some people saying that Muriel is annoying, shallow, one-dimensional, etc because of their sunshiney attitude. But those people are missing the point that Muriel isn't happy and sparkly because of a lack of depth as a character - it's actually evidence of how deeply abused and traumatized they are.

Look at the barely concealed sadness on their face when they refer to themself as "no one." Heaven treats them horribly, but they have to just smile and pretend it's fine. Because they're an angel, so what other choice do they have? They've been talked down to and told that they're unimportant for thousands of years. That they're beneath literally all of the other angels, just a 37th order scrivener, a nobody.

And so in order to cope with the horrific way that they're treated, they hide all of their emotions and trauma behind a cheerful mask. But if you look at how they act around the Archangels - how terrified they are to even approach Michael and Uriel, you can see how truly abused they are, and the pain and fear that they're hiding.

The other reason for their over-the-top cheerfulness is that they're so incredibly lonely. They've probably never had a friend - every couple hundred years someone comes and asks them a question, and that's it.

The poor thing has basically been kept in solitary confinement for thousands of years, of course they're going to be thrilled to speak to anyone at all, much less actually get to leave their desk and go to earth. Their sheer delight at everything on earth isn't just them being ditzy - it's the first time they've ever experienced anything other than the cold emptiness of heaven. The first time they've been allowed a tiny break from the horrible way that they're treated by the other angels.

Poor Muriel is so desperate for connection and validation that they're so excited to be needed, even after being called "the dim one" to their face. They hardly even reacted, it definitely wasn't their first time being called something like that.

All in all, Muriel is just like every single one of us who smiles through pain and loneliness and abuse, because we have no other choice. It doesn't mean that they're shallow and airheaded, or that they're any less traumatized than Crowley and Aziraphale. It means that they've learned that smiling is the only way to survive, because they're trapped in a heaven that feels like hell.

[hibiscesque]

Gave my word to OOMF that I would get over my fear of y'all sophistiqué fellas on Tumblr and actually post an analysis here, so here goes nothing.

Mori and Dazai: a noncomprehensive opinion-based analysis of the most talked about parts of their relationship by me, Lily, that has been fleshed out and crossposted from Twt.

[Feat. attached screenshots of some of the interesting contributions others made when I posted this there over the summer at the end, and the links to their Twts so you can check their accounts out if you're on the hellbird app too!]

I figure the best place to start is the place where discussion about Mori and Dazai's relationship often starts and ends: abuse.

It is an unequivocal fact that Mori was in a position of power over Dazai, as his elder, superior in rank, and the doctor who saved him. I wholly agree with this piece of the fandom collective consciousness. I do have a bit of a different interpretation, however, regarding how he used this power.

I do not think Mori lorded it over Dazai to take advantage of him sexually or hurt him physically, and from my reading of it, canon seems to support that. In fact, it was in Mori’s best interest in his relationship with Dazai to do what all the best manipulative abusers do: pretend that this power does not exist at all.

He presented himself to Dazai as Dazai’s equal, a partner in a dastardly scheme to take down the Port Mafia boss. He knew Dazai would say yes—as a disillusioned boy who seemed to have no attachment to his old life, what other answer would he give?—but took deep care to give him the illusion of choice.

Maintaining the illusion that they were equals was very important, as Dazai was older and of an entirely different breed than Yosano. His old strategy wouldn’t fly here. I think this actually displays the versatility of Mori’s manipulative skills, how he was so easily able to adjust between them. Even the narrative of Fifteen, whether this was deliberate or accidental, seems to intimate to the reader that there was not the power imbalance between them that you would expect. It specifically corrects you from seeing Dazai as Mori’s son or charge, seeming to want you—or want you to see Dazai—come to the conclusion that they are, though I use this word very differently than we do when it comes to SKK, partners in crime. But that is absolutely not true. He was a fourteen-year-old playing adult games.

Mori probably figured out pretty fast that Dazai was used to being the best manipulator in the room, and that he was usually incredibly adept at hiding this from the adults around him. It was to his advantage to utilize this fact and let Dazai think that he was the one in control between them, ergo the easy agreement to giving him a painless death later on when he had absolutely no intention of ever granting him that.

That's not to entirely de-dimensionalize their relationship. I do think in some ways, a lot of ways even, Dazai had Mori wrapped around his finger. For starters, we see several examples of him being petulant or defiant to Mori that evidently amuse Mori rather than anger him. Furthermore, I think I can go so far as to say that in the early days, Mori admired Dazai, in a way. Dazai effortlessly lived an existence lacking traditionally defined humanity and empathy, something that hadn't come quite so innately to Mori. He himself hadn't had to cultivate that cold, heartless calculation until the Great War, at which point he got himself so far into this "character", for a lack of a better word, that he played to protect his country, that he'd begun to grossly overcompensate. Become the exact monster he believed he needed to be, though I don't think he'd put it in those exact terms.

But to Dazai, all of this seems to come easy as breathing in the light novels. It must have been fascinating, in a way, to meet what he spent so long striving to become in the form of a fluffy-haired, teenage attitude-filled, lower secondary schooler.

Even the fond admirenvy, however, would eventually become a tool. There's a clear logical advantage to Mori to letting himself feel regarding Dazai to the degree he did where he allowed himself be jerked around a little bit. It would make Dazai more secure in the thought that he was the one in control between them, exactly the belief paradigm Mori needed him to keep existing within to be able to maneuver him to the utmost degree of exactitude when it mattered.

Something else I do disagree with the fandom about, which you've probably been able to ascertain by now, is that Mori, so to speak, birthed the darkness in Dazai. Made him that way. Forced him to be that way. Anything like that.

This darkness, in my opinion, already existed when they met.

I think Mori sensing that, as aforementioned, is part of the reason he chose to ensnare Dazai in his web in the first place. There's a whole other discussion that could be had about the sheer coincidence of acquiring the one child in the world with an ability that could turn off the Deus ex machina we know as Corruption that existed within the second child he would acquire not a year later—and yet another about why the mafia higher ups saw Dazai as a credible witness to the old boss' death—but while no, Dazai would probably have not gone on to become a mass murderer and expert torturer were he not brought into this life by Mori, he was very likely not an angel otherwise.

To me, the adroitness with which he manipulated Chuuya into joining the mafia makes this clear. That is not something he’d picked up within the last year he’d known Mori. Seamlessly using manipulation of that caliber is a skill that usually comes from being exposed to other manipulators from a very young age and/or a natural predisposition toward it. Usually "and". It's still a skill that can be cultivated, whether on purpose or not, but it's not something that's easy to just pick up and learn intuitively unless you're pre-tuned to it for one of those reasons. I also bring up that infamous scene in Fifteen where Dazai empties a magazine of bullets into a dead body. I see many things in that instance, but primarily a hurting and psychologically disturbed child.

While watching the death of the old boss could easily have been a traumatic experience for him, I think we can extrapolate from Dazai’s other aforementioned behavior that one, he’d been exposed to the darker side of society far longer ago than when he’d met Mori, and two, he was at that point, whether by natural means or not, rather stunted in the empathy department. I’m not saying that Dazai is incapable of feeling it—simply that he does not feel it to the degree the average person does. I know a lot of Dazai fans will disagree with me on that, but I do believe this very strongly.

This all comes back to the circle of bonding him to Mori; Mori always presented himself as his equal in that way, after all. While I’m sure Dazai had met more than one unempathetic adult before him, this could easily have been the first time he'd met one who was like him in the sense that their intelligence allowed them the manipulative skills to use this "lack of compassion” to their advantage.

I think Dazai was quickly and, to steal his own word, indelibly fascinated by Mori. We can see that he’s adopted many of Mori’s mannerisms—the most obvious example being using a dramatic shtick to lower people’s guards and make himself appear more harmless. For Dazai that's his ridiculous suicide attempts that will never work and appeals to women for double suicide, and for Mori that's playing the doting, haggard father to Elise. I think they both enjoyed these roles more than they let on, especially Mori, but they do serve a purpose. Correct me if I’m wrong on this, but to this point I even believe I remember a Japanese-speaking fan saying that Dazai copied some of Mori’s speech mannerisms in the untranslated text of Fifteen that were hard to emulate in English.

I think Mori, in his own way, for the reasons I shared earlier on, is equally as fascinated by Dazai as Dazai is by him. Mori is such an enigma, however, that I’m left with a question when analyzing a certain part of canon that I think the answer to depends on how charitably you want to interpret Mori: why didn’t he just kill Dazai instead of ousting him from the mafia?

I think there are two possible answers to this. One, he knew Dazai would be useful to him in the future. After all, he wouldn't be able to use his Deus ex machina more than once without him. And of course, there's Natsume's Greater Plan, the lengths to which Natsume has gone to set dominos in place for I think we're only just starting to grasp.

But then there's also two, that he, against what anyone might expect, cared about Dazai enough that he didn’t want him dead. Perhaps it was even both. I will leave you with that to ponder. Thanks for reading! 💝

& Now... Bonus!

Thoughts from Alli omgdqzai on Twitter:

[CW: CSA, though not in the form of sexual contact between Dazai and Mori]

Thoughts from Pysta pysta_myn on Twitter: