#ok so its not COMPLETELY figured out

[xxrat--punkxx]

I already have my tarnished's lore completely figured out, but there's something I find so fucking cool about the idea of the frenzied flame ending. The idea of the tarnished fighting an eternal battle against Melina in a land of flame and ruin both fighting with incomprehensible power, a stalemate of abilities in which no victor will emerge. Destined to fight until one goes down, but of course neither of you do. Just the angst and power trip u can get out of it seems so fucking cool

[canon-gabriel-quotes]

Transcript:

I'd like to congratulate you on getting your CPR certification.

Now remember, when you’re going in for compressions, it should sound like somebody is standing behind you with the worlds largest Dorito and cracking it open!

Go in firm and hard and snap as many ribs as you can on the way down, that means you’re doing it right.

You save that life. Good luck.

Or... Or... Or kill them, I don’t fucking care.

Audio source

[saintadeline]

Ohhh I am trying so hard not to get mad at people online you have to believe me but that post about bloodborne liking women is driving me a little bit crazy not gonna lie. We can all so clearly see and point out misogyny in ds (um. Im hoping at least) so why can't we ever do it in bloodborne? Even though its the same people? What about bloodborne makes you think theyre feminists all of a sudden. Because it talks about women? Okay, but that's not how that works, a work that disregards women is misogynistic, that much everyone knows, but a work that does talk about women but portray them in a weird light can also very much be. Also whenever people say bloodborne is about women or femininity, a huge chunk of the time what they mean is bloodborne is about motherhood and pregnancy. Which is true, but thats... Not what womanhood is thats not what women are about you can't just reduce women as a concept to birth. And motherhood. And being caretakers. Almost every woman in bloodborne has less agency than their men counterparts, most of them are more strongly abused, shown as complacent and weak and only exist to serve. Even maria has no agency and is constantly driven back to the fact she was gman's apprentice and following he and laurence's orders. She has little identity outside of them in written down ingame lore and the one time she did something outside of them, is the one time she became a caretaker (because all women are it seems). The fact the og lady maria npc even exists is even worse on that part. I'm using her as an example because shes the one people most often take as an example of bb being good about women (look theres a strong female character!) but it's obviously much more than just her, just look at arianna and adella for more than one second. The only npcs i can think of that i would consider Actually Good And Normal About Women are eileen and fauxsefka. And i mean actual npcs im not counting bosses that we dont know much about on a personal level (like rom and amelia)

What I'm trying to say is, i think it's awesome when people have feminist interpretations of bloodborne and i think its a good thing to take those female characters for yourself and its a good thing to make the game as transgender and gay as you want it to be, and its perfect soil for that too, i do it all the time and find many many themes in it by myself, but we can't keep lying to ourselves that it was any good at it on its own. It's soulsborne for fuck's sake it has Always been Really Weird about women and minorities just look at ds look at firekeepers and gwyndolin and many other examples. Bloodborne isnt exempt from that just because men are writing about pregnancy as horror.

[jrueships]

guess whos not going in at all this week, actually

[yellowocaballero]

At this point you've written at least four different roleswap AUs, so I was wondering if you had any thoughts or takes about how a roleswap AU should be? - someone who's planning on making a roleswap AU

Please don't remind me. I'm embarrassed about this. I know I need to write other things. I don't know why the AU concept is so incredibly fun to write. I can't explain it. Roleswaps are very easy to write and a lot of fun and involve being a freak about everything. Who wouldn't write 10 of those bitches.

But yes, as someone whose roleswap AUs are like 9 out of her 51 fics, I feel qualified to talk about this. These are just my own opinions and takes, and other people might do it differently - if you write roleswaps too, feel free to add in your two cents!!

Before sitting down to write literally anything I always figure out the rules of the story. Writing is little more than a nonstop series of decisions, and if you abide by the rules of your story or characters then your decisions will be coherent and cohesive. By rules I don't mean worldbuilding - I mean the internal logic of the story and the characters. "X character will never explicitly say how he's feeling" or "the leads have to both win and lose every encounter".

I find establishing writing rules for roleswaps especially important - it's figuring out exactly how the roleswap works. Here are the ones that I find important, and kind of the process:

Decide what is swapped. Is it more of a universal swap, personality swap, backstory swap, chronology swap, or alignment swap? No matter which one you choose, all of these things are probably going to change anyway, but there has to be one central point for each character that guides your decisions. Are you actually swapping the narrative role in the story, or are you just changing it? You have to be really precise and have a very good idea of what exactly is swapped, and it has to be consistent throughout the story. It can't just (just) work on what you'd like to see, it has to be exactly the same between characters.

Decide the point of divergence. Sometimes that point is pretty abstract (She's a teenager in the 90s instead of the 20s). Sometimes it's much more specific, just one moment (He developed his superpowers at this moment instead of that). The point doesn't have to be immediately obvious, but you should know it - I did a backstory swap ages ago, and it seemed like a complete change, but like 150k in I dropped that a character dropped out of the police academy instead of completing it and that her entire life changed from there. If the swap is more abstract, then maybe it's just a series of smaller decisions - character A has these seminal points in his story, and I'm swapping him with character B, so here's what character B did during these seminal points instead, and how it changed him and his narrative.

Decide who the character is. This might be more personal, but for me, I think of the character as...there is a central tenet of them, of who they are as a person, that does not change no matter what. That's three or four traits of who they are, that you will not change, and that's what makes their swapped life their own instead of the OG dude's. But there's a lot of traits and behaviors around that core personality that's the result of their environment, backstory, and experiences. That's what should change. It's about figuring out how these essential traits + what is swapped + the point of divergence = an entirely different character and story. The roleswap you'll end up with will be a combination of all of these things: how the essential aspects of a character mix with what's swapped to create an entirely new environment and set of behaviors, which cause a chain reaction to create something new. As a writer, you sit down and say, "I'm keeping these parts of the character, I'm swapping out those parts, this new mix changes these points in their backstory, this results in this new person".

This is more of a guideline, but it's the most important to me: your characters have to be recognizable as the character. The reader shouldn't go, "this OC is making some weird choices". The reader should go, "I don't know how, because he's the exact opposite of his canon self in every possible way, but somehow he still feels like my favorite character". This is why you isolate those basic traits before changing the rest - so long as your character is still who they are deep inside, then they still feel like that character. And that's the fun of the story. You're selling something insane, and the reader is buying it.

It's a lot of really heavy character work. You have to really understand the characters you're writing - the less I get the original character, the more issues I'm perpetually having. I tend to fly fast and loose with characterizations, but when writing roleswaps I have to refer back to canon and the source material a lot ("In canon he did X thing, with his newly different backstory how would that decision change?"). The more you're rooted in canon, then the funkier and more divergent you can get.

Personally, I like to play a fun little game I call: how exactly opposite can I make this character until he stops feeling like this character? I Sometimes my goal in writing is "how deeply can I ruin this story". This is not a good game and people should not play it. I find that the lazier I get about getting in touch with the canon character, about keeping track of the canon decisions, and about following these guidelines, then the more difficult a story is to write. If you structure a story well then it's easy to write, and roleswaps are pretty easy. Thanks for the question!

[judasisgayriot]

strange attractors. kind of like we could be?

[r7inyz]

downfall of the roblox myth community is something i think about a lot actually

(me missing a fandom i used to be in but it now very much dead part 100)

[lightbulb-warning]

this is getting ridiculous there's so much stuff i wanna draw i need to clone myself immediately

[jeremiahthefroge]

hey hi hello just finished s1 e13 of mcd. This ones ends with Garroth and Zenix out on patrol and Zenix looking up and aiming his bow at Garroth with the Scary Piano playing. What I think is a fun detail is that Zenix actually had Aphmau make that bow and those arrows for him in the previous episode! And you know! Garroth obviously at least admires Aphmau and supports her and is like, already down to protect her at this point! He might not be like super devoted to her and he might not even love her yet but still there's a bond starting there! He was like JUST talking about how he needs Aphmau to stay safe bc the village will be in safe hands if he dies and that he wouldn't want her death to be on his hands, so OBVIOUSLY HE CARES! And her bow and arrows just put this man in critical condition in the hands of the knight he is TRAINING. What!! What the fuck!!!

[nexus-nebulae]

it's so dumb that we still feel awkward about creating willogenic headmates in our sys when we literally found out we were plural through the tulpa community

[iiscpr]

more bullshit

[darabeatha]

/ What are the chances that our ☝️☝️🤝 muses 👥could pin for each other? 🤔 maybe even if I dare say so, feel the.... dokis for each other? 😳

[aberfaeth]

ok i am not gonna play thru all of ISAT today but what ill say is. the difference in the bathroom scenes btwn ISAT and SASASAP is well its um well its you see well . WELL!!!!!!!

[revvywevvy]

baby's first m/m/d video :3c did this as a.. trial run, I guess. yeah. pretend there's a microphone there <3

[credits under cut! <:D]

Song: Strangers - Experimental Groove / Heavenz

Motion & Facial Animations: SE/GA || Converted to M/M/D by Dover || Scripts by Minmode

Camera: Momono Sweet 01

Skydome: 怪獣対若大将P

Stage: H2CU阿相

Model: Sticklove || Converted to M/M/D by CrossM/M/D [no /s]

[mete0rbyt3]

i am going to explode someone with my brain so hard if I cant draw soon

[bonestrouslingbones]

suddenly realizing that for the reboot one of the things that i think i Have to hammer in a bit more is the concept of LV as like. just a straight up addiction