#oh no poor me

[fruitgoat]

Oh No! Don't throw me into that briar patch!

I called my local pharmacy to verify that they had ordered my meds - supposed to arrive today. After 15 minutes of me saying I'll just pay out of pocket this month they did find my "new" insurance. Lovely. Don't care right now. They DID order the speed but apparently it didn't arrive. And no one knows when it might arrive. According to the pharmacist, I MIGHT have to go visit my beloved ocean tomorrow. Because the Newport branch has what I need.

Poor me! Forced to visit my ocean! My beloved that I haven't seen for a week!

[brothermouse-skeleton]

The only people in the novel Dracula who aren't having the worst time of their life are the guys who moved the earth boxes because they have consistently gotten free drinks from the random lawyer who's very interested the boxes.

[inkskinned]

the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

[aroaceleovaldez]

i have suddenly become obsessed with a theme that HoO established but never proceeded to extrapolate on, which is:

You are Percy Jackson, and you have been swapped with a boy who was allegedly everyone's favorite person, but they have decided to replace him with you. They just met you. You stand next to his best friend and the people he's known his entire life. In his home. In his cloak. In his place. They stopped looking for him.

You are Jason Grace, and you have just found out you have a long lost sister who completely replaced you in her life with this girl you just met. Your lives and personalities are mirrors. She is you, living the life you were robbed of.

You are Annabeth Chase, and you have just become starkly aware that you have been inhabiting the void left behind by your best friend's long lost brother. You and Luke were just replacements for him. Now you have to look him in the eyes when he has nothing and know you took that life from him.

You are Piper McLean, and you have just found out your relationship is fake and built entirely on the memories of Annabeth Chase. You have been given a boyfriend when hers has been taken away. You have no idea how much of it is real or not but regardless you feel like if your relationship isn't exactly in their image that you have failed.

You are Leo Valdez, and you have just learned that you are the echo of your great-grandfather. You are not your own person. You just exist to be a mirror of him. A doppelganger. An actor and stunt double facing all the danger he never had to but wearing his face. To be there for his best friend decades later simply because he couldn't. You are playing a role. A seventh wheel and a pawn for a goddess who carefully sculpted your entire life for her own purposes.

You are Hazel Levesque, and the only reason you are alive is because your brother couldn't save your his sister. You are a consolation prize. An apology. Your existence here is misplaced in every way but you inhabit it anyways.

You are Frank Zhang, and you are a shapeshifter. Inhabiting your own body feels strange and clumsy when you could be literally anything at any time. You are anything and everything and live your life with the simple certainty of knowing exactly how you will die.

[emotionaldisaster909]

AAAAAAAAAAAAAAAAAAAAAAAA-

OFFICIAL BABY HONG HONG-ER DESIGN?????

AND SOLDIER HONG HONG-ER!!! MY CHILD!!!!!

LOOK AT HIM!!!!!

sourse - градоначальник хуа

[daftmooncretin]

supernatural movie reboot but its a ghostfacers mockumentary about their attempt to make a “serious film” about sam and dean winchester. opens on ed and harry going “CUT!” and the camera pans to a guy that looks kind of like jared padalecki pulling off a party city wig. turns out the finale was actually part of the ghostfacer’s retelling of supernatural. Sam Dean and Castiel spend the entire movie chasing after ed and harry trying to stop the thing being made. (its a huge commercial success and they screen it at the destiel wedding)

[sainz100]

2024 Brazilian GP | x

[canisalbus]

You could say I was horsing around.

.

[babacontainsmultitudes]

RIP Will Campos the only person who was murdered this episode.

[equestriagirl16]

Gawd I’ve been meaning to post this for 10 years now-

@zeddyzi 🖤🖤🖤

[happywitchesofnewdi]

It's too late, Mugi. I'm afraid he's already been influenced.

[sleepy-grav3]

We Became Heroes Because You Didn't

The Justice League don't specialize in much. If you ask them, they'd say otherwise. Unless they're one of the Bats, because they acknowledge that, especially with magic. They hate it, but they have connections and will at least ask for more details to deal with the situation at hand. Though they'll need proof.

That's the thing really. Proof. Because how are you going to get proof of something if everything gets repaired by the end? Or maybe you're the villain here according to the public. Or maybe everything you say is just plain crazy that nobody even knows what's going on from the start!

It was only when another group was formed when everything became clear. They were frowned upon, unknown, spoke nonsense, and never asked for help. They were the survivors that played hero. They were the shadowed version of the Justice League.

They were Justice League: Dark

A fanfic (or multiple small ones grouped together?) that isn't really about them joining forces, but more about the discovery of more dangerous territory that's being handled by kids/teens. Lift some weight for these kids. They really want a safe net by now in their hero careers.

Like- maybe a few of these wouldn't be the JL's fault. Maybe it was the government (at least for the US). Like Danny Phantom and Gravity Falls mentions the government, maybe they blocked off those regions from outside connections.

I feel like it would be funny if maybe Constantine just ends up collecting kids like Batman with his.

They're just kids! Itty bitty toddlers. It's supposed to be our job to take care o' that shit, ain't it?

And JLD now has a bunch of young professionals cause what the fuck, kid. Why do you know this??? Ya know? Maybe the JL just randomly finds these things, calls Constantine after Zatanna fails to know wtf is going on, and he just calls over a kid. Or a group of them.

JL: We need a professional, why is there a child here?

Constantine: Cause even when you fuckers ignored their calls for help, they still at least try to help where they can

JL: We never-

Constantine: Shut your traps! School's in session

*Child tries to explain*

JL: You have to be kidding me. ___ doesn't exist.

Constantine: Oh bloody hell-

Child: And they wonder why they get more attention than us.

idk, I just like the idea of Constantine being a father for OP characters and desperately want a Young Justice League: Dark. I read a couple of Danny and/or Billy being adopted by him, but the cravings... And if it's a whole big crossover thing, that would be great. Tag me if you see or write about something like this. I wanna read too :)

Don't put too much hope in me writing it though, I'm seriously bad at continuing/finishing stuff. But if I do, I'll edit this post with links to whatever I write.

[grandwretch]

a scene with absolutely no context just hit me v intensely out of nowhere but. imagine a world where Steve's dad is just a little more powerful, a little darker, than in canon. and this mr. harrington doesn't know his son has spent the last five years fighting for survival, so when he finds out steve has been running around with the munson boy, he thinks it'll be an easy fix. steve has always been a soft sell.

he gets a call from steve, his son's voice giving him no time to even answer: "you pull that shit again, I'm sending the next one home in a body bag."

before he can even put down the phone, dial tone already ringing on the other side, he gets the message that the heavy he sent to intimidate eddie munson is in their medic's office with two spiral fractures and a shattered kneecap.

maybe steve could have gone into the family business after all.

[nenestansunsthings]

having svsss au ideas beyond my station

thinking. shang qinghua goes on a mission as a young disciple to some town in fuckoff nowhere and finds himself in the qiu household. and there he finds a young shen jiu, undergoing the plot he originally intended for him and hadn't realised had become real and he's so young oh god hes so young why is he so small what do you mean that part was real, he hadn't kept it why is it real—

and he panics and sneaks him the Fuck out of that house

and he's not sure what to do but surely sending him to cang qiong will fuck up something in the plot and he can't come under even more investigation and cang qiong tryouts dont happen for months anyway and his system would probably never allow it (it doesnt. it would interfere with yue qingyuans story) but shen jiu is refusing to stay anywhere near this place and wants to learn cultivating to protect himself make sure nothing like this ever happens again and sqh panics harder and

calls mobei jun.

okay. on second thought, maybe this was a bad idea. but he stumbles over himself and shushes baby shen jiu's very understandable freaking out and asks his king for the first thing hes ever asked for other than his own life.

is there any way this human child could learn cultivation in the demon world?

[theswedishpajas]

FINALLY breaking myself free from the chains that are rendered Fords… STANLEY, MY LOVE, I AM HERE TO AT LAST APPRECIATE YOUR FACE HOW IT DESERVES!!!!!

[marypsue]

Man, it's cool and all if you see a metaphor for marginalisation in the monstrous, and if you want the power fantasy of 'what if you could just eat anybody who threatened you/pissed you off'. Me too.

However, as soon as you start saying 'no, these monsters are a 1:1 on Specific Marginalised Group, and you have to treat them in the fiction like they are directly representative of real human members of the marginalised group', BUT you also, in the fiction, make them hurt/kill/eat humans? And then try to shame me, your audience, for noticing or engaging with the bit where they kill people, because you made them directly representative of a real-world marginalised group? You have lost me, and also, I think, the plot.