#oh boy… name time
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mcytenjoyer0 · 1 year ago
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This looks so good I’m in love!!
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Let the games begin!! 💚💛❤️
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cubbyhole-for-flea-bee · 5 months ago
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Macaque spent the whole season Big-Damn-Hero-ing and was NOT happy about it xD
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aunmenosheteroenespanol · 8 months ago
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2.12 Chimney Begins - 2.09 Hen Begins - 2.16 Bobby Begins Again - 7.04 Buck, Bothered and Bewildered
Tommy's family arc
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huginsmemory · 2 months ago
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Ideology of Exceptionalism and Gravity Falls; meta and character analysis
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I had a whole ago read a post by @icanlife that had a quote by Alex Hirsch on Ford's greatest flaw, and wanted to explore what the flaw is, which is the ideology of exceptionalism; in the exploration, I’ll touch on what it is and how it is used in abusive relationships and cults, as well as how it drives multiple Gravity Falls characters and consequently how it impacts relationships between these characters, and how the show ultimately refutes exceptionalism.
Quick note here; I am not in any way, shape or form a psychologist nor have any formal training in psychology; this is written from my own experiences with this ideology and my own forays into psychology and trauma-informed learning. It is also written with a loose understanding that is likely not broad enough to cover all references to cults, extremist groups and abusive relationships. 
The Ideology of Exceptionalism 
First of all, we have to get through a drier bit, which is… what is the ideology of exceptionalism and how does it arise? Might be fairly obvious, but it is the belief that you are, or belong to, a group of exceptional people, thus more important and worth more than anyone else; ie, those who don't qualify as 'exceptional'. It is often a subconsciously learned ideology. Now, what qualifies one as exceptional can be extremely varied; generally it revolves around something that provides some form of privilege. Thus, it might be, as the main exceptionalist idea in Gravity Falls, 'intelligence', or power, or it can be such things as attractiveness, quantity of money one has, species, nationality, or skin colour and ancestral heritage. The ideology of exceptionalism, being by nature hierarchical, devalues, and at its worst, openly and violently dehumanizes those who do not qualify as exceptional. 
For why exceptionalism occurs is an extremely broad topic, but I've personally found that, for exceptionalism revolving around intelligence, it's a result of a poor sense of self-worth, and having one's self-worth tied to what makes one exceptional. Poor self-worth itself (again, broadly) is a result of childhood trauma from a lack of positive affirmation and unfulfillment of the emotional needs of the child. Meanwhile, self-worth becoming tied to the quality of exceptionalism generally is a result of when positive affirmation was pretty much solely provided around their 'exceptionalism', especially when provided derogatory commentary, or a blatant example of how they would be treated if they aren't 'exceptional'. As a result of the general lack of affirmation, self-worth then becomes often solely reliant on the qualities of exceptionalism, as that is the only way for the child (and later, adult) to get affirmation of their worth, as well as out of fear of being ‘not worth anything’ like the examples of ‘non-exceptional’ people they have been given. 
This is especially likely to occur when the child is a social outcast; the adoption of the hierarchical ideology of exceptionalism, and the devaluation/dehumanization of others often occurs subconsciously as an avoidance/minimization tactic from pain. This is to say, the child, and later the adult (if healthy self-worth is not established) goes 'it doesn't matter what the non-exceptional people say or if they accept me since I matter more than them because of my exceptionality'. It can even be taken further, that being shunned is part of one's exceptionalism, and becomes part of the qualifier of being exceptional. For instance, 'they just can't understand because they aren't exceptional and that's just a part of being exceptional'. This idea also neatly tailors into the part of the concept of being better then others means you are separate from others; this can be taken that someone who is special, needs to be alone to be truly special.
Obviously, exceptionalism is not a healthy coping mechanism for poor self-worth, as often such people constantly feel the need to prove and show off their exceptionalism to gain that affirmation and avoid rejection, which is stressful. As well, it often negatively impacts their relationships with other people as a result of the arrogance of believing that they are better than most others, or even deliberate sabotage due to their arrogance. This occurs as they flatten the complexity of human experience to black-and-white hierarchical categories of exceptional/not-exceptional through constant judgement of those they meet, and often refuse to engage with people who don't belong to their 'exceptionality', or even people they simply don't like, even if they technically qualify. Generally, those that they do like or have close relationships with, often due to being similar, are automatically labelled as 'exceptional'. Those judged as ‘exceptional’ also become privy to the open judgements of ‘non-exceptional’ others, out of a subconscious belief by the exceptionalist that the other believes similarly; something that may strain their relationship if the other doesn’t ascribe to exceptionalism. This all culminates in the exceptionalist being blind or even adverse to the diversity of experiences, which makes it difficult to create relationships and community outside of echo chambers of their own beliefs (if they can even find this), and subsequently, these people are often isolated and have very few to no close relationships with people. 
However, all humans require connections with other people, relationships where one can rely on others emotionally and physically if needed and feel accepted; they also require to feel like they are worth something, that their life has meaning. Lacking meaningful connections and having a crippled sense of self-worth, a deep yearning hole is left in these people. Exceptionalism, especially as it is a narrative constantly pushed by Western society as it validates hierarchies, is then employed as a (often subconscious) trauma response to assuage this yearning hole, with arrogance and denial. And depending on the circumstances, it can be a very strong and definitive trauma response for people.
This isolation and lack of self-worth is catnip to abusive relationships, including cults and extremist groups. These types of relationships often heavily rely on isolating their victims or pulling them into echo chambers of solely the abuser’s rhetoric, to redefine what is healthy through gaslighting; as the exceptionalists are already isolated, this makes them extremely susceptible. They also often provide these people affirmation, and in these cases especially about their exceptionalism, thus confirming their self-worth, their 'specialness', while also providing them the connection they have been lacking, either through the cult community or through the abuser’s own presence. These emotional needs, which haven’t been met in a long time, if ever, begin to be fulfilled; something that abusive relationships and cults hinge on, rather than any form of logic.
Ideology of Exceptionalism and Gravity Falls
The main characters within Gravity Falls which are heavily ascribed to exceptionalism would be both Ford and Bill; this characterization deeply impacts the story and their relationships with others (technically the Northwest are another case regarding wealth, but less directly impact the storyline and thus tangential; Gideon also is an example, but as a mirror of Bill). With each of these characters I’ll go into detail within their sections on the way they began to ascribe to exceptionalism, and how it plays out later in their relationships; I will first begin with Ford, then move to Bill. Then, to cap it off, I’ll go into the characterization of Stan and the way Gravity Falls refutes exceptionalism. 
Ford and Exceptionalism
Firstly, the quote from Alex Hirsch that kicked this whole baby off, as mentioned previously; 
“Ford sees Dipper as someone who’s special like himself. That’s Ford’s great flaw, his arrogance is he believes that there’s special people, and everyone else. That human attachments are actually weaknesses. And the song and dance that he’s giving Dipper right now, is the song and dance that he gave McGucket, back when they were younger… ‘You and me are different, we’re better than everyone else. We have a path that no one else can understand, and only us can do this.’ It’s a very seductive idea for Dipper… Dipper is a smart kid, but Ford’s projecting. Ford loves Dipper because he sees someone who’ll tell him ‘yes’ to everything. Who’ll never challenge him, who’ll do a really insane dangerous mission.”
Very blatantly Alex Hirsch calls Ford out on his arrogance in the belief that he is special, in his belief in the 'lone hero' complex, in his belief in exceptionalism. And really, it should be no surprise that Ford does so, considering the way he's depicted as a social outcast as a child (other than Stan), and the way his parents have been clearly shown to be not particularly emotionally supportive (“I’m not impressed”); they don't provide positive affirmation except for his intelligence (mostly due to the possibility of money making through it…), while also actively comparing him to Stan who is derogatorily ‘not-exceptional’, and ‘worth less’. This all sets Ford’s self-worth up to be fragile, and other than Stan who wholeheartedly accepts him, he is isolated and invalidated; plus, the only other validation he receives is around his intelligence. All very classically fitting the profile for exceptionalism.
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Image id: Stand and Ford when they were children, both clearly enjoying each other's company.
Ford’s belief in his exceptionalism catalyzes after the shattering of his and Stan’s relationship. Previously the twins are shown to do everything together, having a very close caring relationship; something unlikely if Ford thought he was better than Stan. Also, when Ford is talked to about his opportunities, Ford looks uncomfortable at the way they talk about Stan as inferior, compared to how he himself is being praised; but in the offer he’s simultaneously finally being validated, he’s being told he’s someone worth something, and he’s going to be someone worth something after this. And then the science fair incident occurs, and Ford loses that validation from his parents, from the judges and a future of more validation; after being promised validation and acceptance, it slips through his fingers. And in his anger of being denied that, it becomes easy to begin to slip subconsciously into the rhetoric the others have been feeding him; that he’s exceptional, that Stan isn’t, and he deserved to be recognized for his worth. So he breaks the relationship with the only person who accepted and validated him for who he is. With that loss of previous support, Ford becomes then deeply obsessed with proving his exceptionalism to the world to assuage that fragile self-worth, to become accepted, or even better, revered, confirming that he is someone of worth, someone special, like he was promised. 
Ford’s obsession also doubly functions as a way to alleviate his guilt over shattering their relationship; if he’s exceptional as he believes, then he’s within the right to respond the way he did, as he’s worth more than Stan, he's better off alone, and he has a right to be angry over being denied that validation. As well, in much the same way as it is used as a way to alleviate his guilt over the end of their relationship, it is also likely used in a way to minimize the pain of being ostracized (although not directly depicted); afterall, Ford’s keenly aware and insecure about his social ineptitude and his six fingers as things that make him different from other people, case in point with his experience visiting Lazy Susans Diner. Thus it wouldn’t be unsurprising if he uses the idea of being worth more than those who ostracize him to imply it ‘doesn’t matter’ what they think. His ostracization by nature keeps him from generally forming close relationships, with the exception of Fiddleford (who much like him, is socially outcast, and intelligent) during his university days. As a result, he's isolated and acutely lonely, having lost Stan.
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Image id: One of the missing Journal 3 pages in TBOB, detailing Ford's botched social interaction in Lazy Susans Diner. In the background is the print of his six-fingered hand.
In his obsession over being acknowledged, Ford, like many others who believe in exceptionalism, identifies strongly with the causes of his ostracization (his intelligence, his six-fingeredness) as part of, or wholly, makes him exceptional. It is obvious through his choice of study; with the grant he has been gifted, he chooses to revolve his work around the weird, the outcast, something that you see Ford gravitate towards being an outcast and deemed 'weird' himself (which in Journal 3 he openly talks about). Something that can be, much like him, framed as 'exceptional'. His work is even recorded in a journal that Ford deliberately chooses to put his six-fingered hand on the cover of. Intertwined with the way it becomes adopted into the idea of exceptionalism, is the keen loneliness from his ostracization and a deep desire to be accepted and a wish to find a community of other weird people.
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Image id: Two pages from journal 3, labelled 'Myself', in which Ford is open about being weird, and a social outcast, while also noting his ambitions and that 'Gravity Falls, [is] the place that I fit in.'
Ford and Bill
All of this culminates in Ford becoming an incredibly easy target to manipulate by Bill. He’s desperate to be acknowledged (and thus accepted) by an authority figure so that his belief in exceptionalism is justified and his self-worth confirmed. And he knows he’s intelligent, that he's exceptional because people have told him so, but he just needs to prove it with something that shakes the world. And the grant is finally his second chance after the fair, but he's stuck, and the research is going nowhere, and he's in a town where he doesn't really know anyone and he’s so terribly lonely. And sure, he clings to his exceptionalism but if he can't even prove it then is he really exceptional? Is he even worth anything like he thought he was? And what about what he's left behind, rejected, because of his exceptionalism?
And THEN he finds an incantation and he ignores the warnings because maybe, just maybe, this will be his break to get that acceptance/validation he has been chasing his whole life? 
And then it's better than that. 
A god, essentially, shows himself to him, an ultimate figure of authority. And he tells him that yes, he is special, he’s worth more than other people, and Bill’s only showing himself to Ford because he is so much more intelligent than anyone else. Ford is suddenly getting his exceptionalism confirmed by a god of ancient knowledge, an immensely intelligent interdimensional being, and he’s also showering him with affirmations, specifically affirmations around what Ford's fragile self-worth is based on. And even better, he's delighted by Ford's six-fingeredness; he's not put off at all, it even becomes his main nickname for Ford, just like it used to be for Stan all those years ago. On top of it all, Ford's own social ineptitude doesn't phase Bill, another thing Ford is self-conscious about; Bill's own social ineptitude as he's not human probably makes Ford feel comfortable, knowing that's not expected from him.
Through Bill, not only does Ford find someone who validates his self-worth through intelligence and even confirms to him that his weirdness is part and parcel of making him special, he also finds someone who he regularly (generally) is in contact with, who enjoys talking to him and even banters with him familiarly. Hell, Bill even deliberately goes out of his way (literally possessing a whole wack ton of rats, then dream karaoke) to celebrate his birthday with him; how long do you think Ford has simply skipped his birthday since he had no one to really celebrate it with? The loneliness, beneath his arrogance and belief in exceptionalism, is being fulfilled; for the first time since Ford was a teenager, he's fully accepted by someone, social awkwardness, six fingers, exceptionalism and all. 
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Image id: One of the lost pages from Journal 3 in TBOB, the 'one thing led to another' page, with Bill and Ford singing karaoke and drinking together, both clearly enjoying themselves; Bill has an arm slung around Ford's shoulders.
So it's really no surprise at all that Ford fell for this, hook line and sinker. Hell, if I was in Ford's shoes I would fall for it just as hard. And I've seen a few posts floating around talking about how Bill is bad at manipulating, and no, he's not. He was able to pinpoint exactly what Ford wanted and needed, and provided that, was charismatic enough to provide that. Again, manipulation isn't about logic. It really isn't; it's about the emotional core in people, what people lack and what you can give them to slowly reel them in to sing your dance and song. And people will ignore vast swaths of red flags when you're finally being accepted, when you're finally getting your emotional needs met at least in some way or form. It's better than not having them met at all, such as previously. So Ford worshipping Bill is really not a surprise, especially as Bill deliberately stoked it.
All of this is part of why you see Alex Hirsch call Ford's belief in his exceptionalism his greatest flaw; because it allowed him to be very easily manipulated by Bill, and by its nature kept Ford isolated from others, evident by his arrogance in assuming he knows best and refusing to see other people who aren't as 'intelligent/weird' as him as worth getting to know, listen too and even reach out to ask help from, it's him believing he has to be the lone hero as someone whose 'special'. It's something that blinds him to the danger of his work around the weirdness of gravity falls because he’s desperate to seek a place where he and his weirdness belong, and it's something that plays out in each and every relationship he has because it's something he clings to so deeply. It's what cost him his relationship with Stan, who previously accepted him completely, and, as he's disinclined to form new relationships and as Bill actively strokes his paranoia (Trust No One…), ultimately further increases the hold Bill has over him. It's only Fiddleford’s presence as he works with Ford that allows him some form of outside reference and reprieve from solely Bill’s influence, something that Bill resents deeply and is clearly jealous and angry about, even if Fiddleford is helping create the portal. And it's ultimately Fiddleford, once he was aware enough of what was happening, calls Ford out on it, seriously jeopardizing Bill's influence over Ford; but Ford is too invested in the portal, in chasing his own ambition and caught up in Bill’s manipulation to take him seriously, until the incident with the trial, and Ford beginning to hear other voices then Bill.
Ford’s Exceptionalism and Wider Relationships
Now back to how it plays out in all Ford's relationships; we've already gone over it with Bill's influence, because it made him extremely easy to manipulate, and with his disregard of Stan in favor of validation of his exceptionalism. But Ford, as pointed out by Alex Hirsch, also exerts the ideology's seductive rhetoric to both Fiddleford and Dipper (who look up to Ford) in a similar way that Bill does with him (although there is a difference of it being used intentionally and maliciously, compared to subconsciously and earnestly, even if it is problematic). Ford, with his black-and-white view of exceptionalism, sees both Fiddleford and Dipper as people who are like him; 'exceptional', and so he treats them as such, and uses this rhetoric to coerce them into helping him.
For Fiddleford, the lure is how he can change the world, how he can be finally acknowledged if he helps Ford with the portal. And it works well; he willingly chooses to leave his own work and his wife and young son, to work with Ford. Much like Ford, Fiddleford himself is also a social outcast and regularly presumed less smart than he is, and he’s got a chip on his shoulder to prove himself, to gain acknowledgement and recognition from the world at large. Although Fiddleford has a family which presumes he’s not entirely lonely like Ford is, he also clearly has deep feelings for Ford, some which are hinted to be more than just ‘friendly’ feelings; it is likely the combination of the lure of validation and spending time with Ford, a kindred spirit that accepts him and an old friend/crush, that causes him to agree (afterall, it was Ford who made Fiddleford feel accepted and choose to stay at Backupsmore). And Fiddleford’s not even considered a partner, but rather an assistant to Ford due to Ford's arrogance, and he still drops everything to go! It’s more about their relationship and connection rather than validation, but that doesn’t stop Ford from espousing exceptionalism. And this is a distinguishing difference, because although Fiddleford would like recognition, he’s not there solely because of it; he’s not a believer in exceptionalism nor arrogant about his skills, and so, unlike Ford who is blinded by his obsession, he’s much more aware of the dangers of the weirdness of Gravity Falls. Thus, he's actively calculating the risks involved, and when he realizes there could be potentially devastating consequences of the portal, he attempts to talk Ford out of it; this fails due to Ford’s own denial and obsession over the portal. In the end, it all goes terribly sideways, and Fiddleford ends up losing everything he had; his wife, his son, his friend, his memories and himself to the trauma he had experienced at the invitation of his friend with the lure of validation and company, due to the memory gun he had created himself. 
As for Dipper, much like Ford, he also has issues with self-worth (many of the episodes deal with Dipper finding self-worth; ie, the manotaur episode), has a physical oddity (his birthmark) and by far the trait he relies on most for worth is his intelligence (for example, in one episode he rubs it into Mabel's face over and over again in beating her in games). He's also extremely desperate to be recognized by authority figures as someone intelligent, case in point when he summons the dead after being made fun of by the government agents to try and show them that the information he's gathered is important after Stan dismisses his knowledge. This desperation to be seen as someone of worth from Dipper, much like Ford, extends to the need to be a hero, something he even says at the end of the zombie episode; yet, due to Mabel, unlike Ford he's not a lone hero, and Mabel also half the time acts as the hero.
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Image id: Zombies crawling out of a crack after Dipper summons them; Dipper and the two agents look on in horror.
It all culminates in Dipper hero-worshipping Ford when he returns; really, no different than Ford worshipping Bill. And Ford clearly finds it extremely flattering; Dipper's attention and amazement of him feeds his exceptionalism. Exactly how Ford responded to Bill, Dipper is willing to do anything for Ford, excited too, in an attempt to impress Ford and be validated and accepted. And for Ford, that's an extremely heady feeling, especially as someone who has been constantly alone the last 30 years, especially when he had one previously confirm his exceptionalism all those years ago and stopped, and now someone is once again affirming that idea. And Ford doesn't have to be alone again, because he's found a kindred spirit in Dipper as his assistant, someone ‘just’ like him, someone who is exceptional. Because he sees himself in Dipper, he begins to espouse exceptionalism unconsciously, by praising Dipper's own intellect and adventurous spirit, assuaging his feeling of self-worth, while also telling him he's more important or better than others because of it. 
And it's seductive to Dipper, because he wants to hear those affirmations of his self-worth, especially as he hero-worships him, but Dipper isn't sold on it, because it means leaving Mabel behind, it means believing that he's worth more than Mabel (and also, Stan, and all his friends he’s made in Gravity Falls). It's ultimately because of his relationship with Mabel that he rejects the ideology; he's not isolated the way Ford was with Bill, and he's not willing to break that relationship for that acknowledgement, because his relationships matter more to him.
Bill and Exceptionalism
Now of course, that's only on the Pines; what about Bill? 
While it's obvious that Bill uses exceptionalism as a main manipulative tactic, it's not just an ideology he sprouts emptily; it's also an ideology he believes in, just like Ford, although it's less based on intellectual exceptionalism, and more on power and 'weirdness'. 
This most distinctly can be seen in Bill's denial about what happened to his home dimension; Bill's belief in his exceptionalism occurs as a pain avoidance tactic from killing his whole dimension. Bill was clearly a social outcast within his dimension due to being able to see 3d; he's not accepted, and not trusted, to the point that there is medical intervention to make him blind. That's a deeply traumatic experience that completely erases one sense of self-worth, where one’s sanity is called into question by your parents on something that is not harmful, that's beautiful and you just want to share with them. It's a deep and clear rejection of who Bill is, and his ability. As a result, out of a desperate bid to be understood and accepted, he ends up trying to show them the stars. And it ends up killing everyone. 
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Image id: Page of TBOB, on 'The Early Years' which notes that Bill was an oddity for seeing 3d, something that was illegal to speak about. Bill frames it as something that made him 'special' and better than all the others.
Traumatized, and originally rejected by the dimension, he instead weaves an excuse of exceptionalism; that it doesn't matter what he did to them because he's exceptional and he's worth more than all of them because he can see 3d, because he's powerful, so he shouldn't/'doesn't' feel any remorse about it. With such a traumatic result of trying to be accepted by people, he rejects the idea of trying to be accepted for who he really is; instead adopting a facade of a monster that he believes he is (and eventually, becomes).
Even if he clings to the delusion of exceptionalism, and shuns attempts to find true acceptance, he still wants it; and that's where his henchmaniacs fit in, as they're all, as Bill's noted when trying desperately to get Ford to join him, weird; each has something 'wrong' with them, which is why Bill accepted them as his lackeys (although it's not like we know the context around these). It's a surface-level acceptance however, one more predicated on fear than emotional acceptance. He's taken his 'weirdness', much like many do who believe in exceptionalism,as ‘part of what makes him exceptional'.
In the same way that Ford wants to show the world that he's smart and intelligent by building the portal, Bill does so by wreaking havoc and taking over existences as a way to show the world that he's powerful, that he's someone to be reckoned with, that he's not someone to be ignored because he's someone who's worth more than others. If you can't be loved and accepted, then being hated and feared is better than being ignored; acknowledgement at least approaches acceptance, it's validation of some sort of worth. It also functions as deliberate self-sabotage of his morals, by proving that he is the monster that killed his entire dimension; if that's what he is, then that's who he's going to be, because if he wasn’t, then he has to come face to face with his remorse over what he did to his dimension and his whole house of cards around his exceptionalism and not caring collapses. So instead he keeps feeding the delusions the denial, and lies and lies and lies and keeps lying to ignore all of it, to wrap himself in this shroud of exceptionalism and brutality as a way to function. And it somewhat works, because he's mostly deluded himself about it all, even if subconsciously he knows. 
And of course, this display of Bill's exceptionalism is what brings Bill to earth, to Gravity Falls, and to manipulating humans. In meddling with earth and humanity, beyond Bill's goal of taking over earth and fleeing his own unravelling dimension, he also enjoys reaping the benefits of being worshiped by humans, who find him awe-inspiring. Their amazement of who he is, and Bill's own posturing and manipulation of people leads to Bill literally forming cults (ie ciphertology) or having apprentices that worship/find him (to varying degree) inspiring; all reinforcing his feelings of exceptionalism. 
Of course, Ford numbers among these people; he praises Bill and worships him, as he's played like a fiddle by Bill, because his self-worth and belief in exceptionalism is fucked up in a way that perfectly resonates with Bill’s. Because it's the exact same types of issues around self-worth, around being an outcast, being weird and wrong physically, and yet at the same time gifted. And Ford clearly is incredibly lonely and yearning for acceptance, but so is Bill; since the beginning he's been trying to find someone who would accept him, even if he's given up on it. And for his song and dance to entice Ford in, he pretends he's not crushed dimensions for fun, that he's not a 'monster'; a version of him he buried after he had tried to show his parents the stars, one that he occasionally resurrects and puppets around for manipulation (all lies are better when they have a grain of truth). And this version of him is worshipped, but above all is accepted, is loved by Ford. The softer parts of Bill, even if they are still weird as fuck, the parts that were never far beneath the surface for all his deluding, become loved by Ford. Much as Ford becomes hooked on Bill’s praise, Bill also becomes hooked on Ford's genuine love and care. It becomes personal, unlike any previous ‘inspirations’ and Bill over time gets to the point that he feels accepted, safe enough with Ford to share about his dimension much more close to the truth then he did with any of his henchmaniacs. He becomes vulnerable with Ford, in response to Ford’s own vulnerability with him. He’s finding acceptance for the first time in his life around the softer parts of himself, not just the feared acknowledgement that comes from his dimensions conquering; much like Ford is finally finding companionship and acceptance with Bill, not just only intellectual validation. Bill's also for once, not just self-serving; he cares, and goes out of his way to take time with Ford, even celebrating Ford's birthday (in the unique way he does things), both with the rats and the karaoke.
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Image id: One of the lost Journal 3 pages in TBOB. Ford recounts Bill talking about the destruction of his dimension, and calls himself by implication a monster.
They're both fulfilling each other's emotional needs, needs which both of them have struggled with most, if not all of their lives (although their relationship is certainly not healthy, considering it's codependent as fuck, riddled with exceptionalism and oodles of power imbalance issues). And suddenly, against Bill's plans, Ford's no longer just a disposable pawn, but someone Bill wants as part of his team, someone by his side, closer than his henchmaniacs are. He's unwittingly fallen for Ford, and so when everything goes sideways in his plan, and Ford swears it off, suddenly cutting off their relationship and that acceptance Bill had finally felt, he spirals into grief and anger from the rejection. As a result, he becomes extremely abusive to Ford in desperate attempts to continue their relationship, and ultimately he becomes obsessive over Ford joining him again as Ford continues to refuse, as evidenced by both Weirdmageddon and the Book of Bill.
Stanley Pines, and the Refuting of Exceptionalism 
Exceptionalism, being a negative driving factor behind many core character dynamics, is ultimately refuted by the show. This occurs multiple times over the show, such as with Mabel in the Pioneer Day episode, especially compared to Pacifica, but mostly through Stan's characterization. Stan is someone who has been since the beginning characterized (if lovingly so) as someone who is a failure by societal standards; he’s an older man running a run-down tacky tourist shop to swindle gullible tourists out of their money, has multiple divorces, has an ongoing feud with a literal 12 year old, clearly has had multiple mishaps with the law (some ongoing), is generally pretty self-serving and is extremely lonely and really had no close relationships until Mabel and Dipper showed up. He's not exceptional; he's not even what we would consider 'decent' enough to have a 'typical, hard working job’. In short, he’s a failure, a stark difference to the idea of 'exceptionalism' that characterizes Ford. If he's gifted in any area, it would be charisma (debatedly), not anything else.
But it's still Stan who rebuilds the portal from literally only one journal (not all three!) and gets it to work. It even seems like he only needs some codes from the other two journals when he does get them, suggesting that he was able to extrapolate from what was left and the first journal’s blueprints to fix it entirely, something that is extremely difficult and technically complicated (Ford, Bill and Fiddleford all worked on it together!). Stan's able to do it, even if it's been shown he's not 'naturally' gifted in that area. And it's something he does as a result of his deep care for Ford; because even after their fights, he cares about Ford and wants to right his wrongs, believes he should, because of his whole life of being defined as a failure and even worse than that, screwing up his ‘exceptional’ brother’s life. And he’ll do it even if that means learning how to build an interdimensional portal, even if it takes up thirty years of his life doing so, and he doesn't waver. Much of this is connected to his own complexes around being deemed a failure compared to Ford, having failed to succeed in his life, and how he feels that he needs to atone for screwing up Ford’s life, now for the second time; but beneath it all, he also cares. Much like Ford, he's extremely lonely, but he's not blinded by Ford's arrogance, and as a result he wants to make sure Ford's safe, because that's what he used to do, they’re twins, they grew up together, they once they had fully accepted and cared for each other, and dammit that still means something, and Stan hasn't found that depth of emotional connection since. So if possible, he wants to rekindle that closeness they had, but first, he needs to bring Ford back. 
And in the end, it's not Ford's own special gun he built using his intelligence that 'kills' Bill. It's Stan, someone who Ford had long ago broke it off with in search of validation of his exceptionalism, someone who both Ford and Bill labelled as 'not-exceptional', who defeats Bill. It's exceptionalism's devaluation of people who are 'not-exceptional' that causes Bill to underestimate the Pines beyond Ford, and it's only when Ford put aside his exceptionalism and his refusal to accept and trust 'non-exceptional' people, that is, trust Stan once more, that causes Bill to end up defeated by Stan.
In the end, it's not about who's 'smarter'; it's a reminder that everyone has different skills and are better at different things, but that doesn't diminish one's worth or value, and that just because someone isn't naturally 'gifted' in an area doesn't mean they can't learn or use different ways to get around obstacles. Ultimately, it comes down to that no one is worth more or less than other people; exceptionalism is a lie. It’s a lie and an excuse, and it's certainly not a healthy way to assuage one's poor self-worth. What does matter is creating positive healthy connections with other people, and caring about them. This creates a community where you can be yourself and be emotionally fulfilled through these connections; and when opposition does arise, you become able to fight it together, and fight so much stronger than if you are alone.
And by the end of the show, you see that. Ford begins to let go of the ideal of exceptionalism and its black-and-white categorization; finally recognizes his own faults around prioritizing validation of his intelligence and exceptionalism over his relationships, and finally, after all the years, chooses to create and rekindle positive relationships with people, trust people, and make amends. And in the end, he goes sailing with Stan, prioritizing their relationship, finally fulfilling their childhood promise.
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Image id: One of the pages written by Ford into TBOB. Ford refutes Bill's idea of happiness, and says he has finally found his own happiness, and it looks like the photo taped in, of Stan, Ford, Dipper, Mabel, Soos and Wendy, all smiling together.
TLDR: Exceptionalism, an ideology of categorizing people into being special and worth more vs plebian and worth less, is a trauma response and subconscious ideology that characterizes Ford and Bill’s lives, deeply impacting all their relationships as it is used to coerce people into doing what they want, makes Ford easily manipulated, and breaks relationships through their arrogance. It is ultimately denounced through the way Dipper chooses to reject Ford’s offer and his rhetoric of being exceptional, and through the way it's not Ford’s intelligence, but rather Stan, who has been labeled as 'not-exceptional' and a failure at life, that defeats Bill through trickery. It's a reminder that everyone has worth, and no one is worth more than other people, even if one may be gifted in certain areas; the ideology of exceptionalism is fragile and a lie. In the end, creating a caring, loving community around oneself is where strength truly lies, as is seen with the deep care and love the characters have for each other, and the repairing of Ford and Stans relationship.
Thanks to the lovely @eshtaresht who deigned to beta read this monster of a post for me
If you enjoyed this meta, (first of all if you read all this you're a champ!) I've also done another gf meta post! (It's shorter I swear)
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saltyfinalboss · 4 months ago
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i think the dead cells show would've been a lot better if it had more characters from the game in the show. surprisingly, it sometimes comes frustratingly close to including a cool character from the game, but just.. doesn't.
for example, in episode 6 the main characters get trapped in a "time loop"/weird hypnosis thing by someone.
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and when they break out of the time loop they wake up in a clock tower, which looks like this:
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dead cells also has a clock tower! it looks like this, and in it lives The Time Keeper, who uses time magic to create time loops.
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so then, surely, this episode is about The Time Keeper? and that's her in the first picture, with a different outfit...?
WRONGGGG!!!!!!!!!
that is the character "Indexa", who does not exist in the game. Besides her name and appearance, she has no other traits that differentiate her from the The Time Keeper from the game. The Time Keeper does not appear anywhere in the show.
it would have been literally such an easy change - to keep the original design and name! in my honest opinion, it would have done the show a favor - there are basically only TWO characters that are from the game! the rest is made up!
so WHYYYY THE HELL DIDN'T THEY PUT TIME KEEPER IN!!!! YOU DON'T HAVE TO MAKE BOOTLEG DEAD CELLS CHARACTERS YOU'RE MAKING THE DEAD CELLS SHOW!! ABOUT DEAD CELLS!!!
BOOOO!!!
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p.s. and i hate indexas dumb ass bow and arrow that she never even fucking fires!!!!!!!!
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ofthebrownajah · 8 months ago
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Rand al'Thor:
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jonsnowunemploymentera · 2 months ago
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And remember kids, the next time someone tells you, "George R. R. Martin wouldn't make Jon Snow the typical fantasy hero because that's cliche".....
Oh yes he would!
One viewer wants to know what character would you play (on the show)? GRRM: If I could magically clap my hands and become a different person, it would be cool to play Jon Snow who's much more of the classic hero. Everybody wants to be the classic hero! ABC Interview, 2014
GRRM: And the character I’d want to be? Well who wouldn’t want to be Jon Snow — the brooding, Byronic, romantic hero whom all the girls love. Meduza Interview, 2017
In fact he already has ☺️
#asoiaf#jon snow#yes grrm has criticized neo-tolkein fantasy - a lot!#but like....dpmo#I need so many people in this godforsaken fandom to familiarize themselves with grrm's engagement with the genre#he isn't trying to say “chosen one boy protagonist bad” where tf did people get that???#he's directly trying to challenge the more unsatisfactory elements of lesser copies of tolkien's legendarium#the ones that lift lotr wholesale without actually understanding what makes tolkien's writing snap#at the same time he has admitted himself that he has borrowed from lotr albeit with his own twists#but people in this fandom need to know that ye old man LOVES sword-and-sorcery fantasy#he LOVES a good epic#he LOVES pulp fantasy and sci fi#and those inspirations are directly reflected in asoiaf#the way he's named arthuriana/lotr/MST and many pulp stories with brooding dark heroes as key inspirations#almost all of which have mcs who fall into the typical fantasy hero role#and they inspire elements that are reflected back onto jon more than anyone else in asoiaf#like seoman snowlock = jon (+bran)#frodo - who btw is the mc in lotr not aragorn!! = jon (and bran)#FUCKING KING ARTHUR IS JON SO MUCH SO THAT RLJ IS LITERALLY A 1:1 COPY OF ARTHUR'S BIRTH STORY LIKE??!!!!#anyone who's even a little bit familiar with le morte d'arthur will be like oh yeah jon is literally king arthur like 😭😭#same with anyone who's ready the once and future king - which grrm has directly identified as his fav take on arthurian lit#ntm that jon is based on some of the most prolific characters in arthuriana - percival/galahad/lancelot etc#did you know that there's an iconic sci-fi series whose main character is called Eric JOHN STARK?#well grrm has directly quoted that series and the mc as a foundational book in his life#funny that huh? 🙂#do people even know what tf they're talking about when they say stuff like this???? ajdhhjshsbvshja#grrm engages very heavily with traditional fantasy tropes but he of course provides his own spin on them#never has he said that he's trying to avoid stories with hidden princes or chosen ones as boy protagonists#like someone find me a direct quote of him saying that - but I bet you can't smh
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fireyartccoon · 7 months ago
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ok so I might’ve forgotten to get something ready for Wednesday BUT-
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you can have Nine and Chaos Sonic from my Sonic Prime AU being siblings instead
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ratatatastic · 2 months ago
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the things ekky has done or said that i cant stop thinking about. the 4 minute cut.
#theres a lot more#but those videos exist in vertical and like wow yeah#obviously because of that honourable mentions:#ekky on the pole almost kicking luosty in the face falling on his ass while he gets hauled up by multiple cats and mikksy put his hat back#ekky calling forsy a perfect swede#ekky slowdancing with sasha at the club#ekky saying im below you to benny while pointing out his name#ekky showing off his tat every minute he can by pulling up his shorts at the parade and gave us an egregious look at his dick#the first time ekky and mikksy do the bumpy ritual and ekky grunts at each bump and goes I LIKE THAT#any practise day mini mic shenanigans i.e “forsy cuz i love him” “forsy but only with his shirt off”#when he went tarps off for his cupday because it was raining on the golfcourse#additionally when he shimmied the cup to feeling hot hot hot#that time he was wearing shorts that they were bunching up in the front and he had to “subtly” pick it out in front of a crowd of phins fans#that time he organised a sturgeon tagging trip and invited the boys who liked fishing and also monty for vibes#because fishing is his love language#oh letting maffhew pour champagne in his mouth at the club#feeling up stolie at the end of the parade and lifting up his shirt#drinking out of the cup with forsy and also feeding himself the champgane cam but forsy taking it away from him#him hugging senko into his stall#honestly anytime he brings up forsy whether its his footspeed/speed. his body.#or how blessed he is to play with him#and likening him to a greek god#please dont make me go on
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uniiiquehecrt · 3 months ago
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Voice actors are NOT the same as actors.
It takes a specific kind of skill-set and training to be able to warp and meld the voice. It takes a certain kind of talent and dedication to hone that talent into the ability to meld the voice and invoke emotion with one's voice alone. Actors are used to using their voice secondarily to their body language and their facial expressions. It's all mirrored back on camera. They do have nuance. But it's a different kind of nuance and a different kind of training to produce that nuance.
Voice actors might get their likeness transposed on their character's design, and maybe their mannerisms might seep into the character's animation. But when it's all said and done: their presence is in their voice. They are bringing a character to life, showing that emotion in their voice, trying to keep a specific accent, drawl, pitch, tone in that voice and keep it consistent for their recording sessions.
The voice actor is like a classically trained musician who can play first chair in a competitive, world-renown orchestra. The actor (who fills the voice actor's role) is like a moot who played violin in beginner and intermediate high school orchestra and thinks they can get into Juilliard with that 2-4 years of experience.
This doesn't mean that the HS orchestra moot can't play. They can even be really good at it. Maybe they won competitions and sat first chair. But they are not in the same league as the person who's been training their whole lives and lives and breathes to hone their craft using the instrument and all of the training they've ever acquired to perfect it. They are not meant for the same roles. They are not in the same caliber. You do not hire the HS equivalent when you want to play complex music in a competitive orchestra.
Actors are not the same as voice actors.
And furthermore, actors - especially big name actors - taking the roles of animated characters for big budget films or TV pilots makes no sense anyways when - at least in the case of TV pilots - there's not a point to hiring a big budget actors anyways. That money could be used elsewhere (like paying your animators), and the talent that is brought onto the screen for X character could then be hired on to voice said character no recasting required.
I wouldn't say voice acting as a profession is in danger exactly, but it's certainly being disrespected and overlooked for celebrity clout, and this has ALWAYS been an issue. Shoot, even Robin Williams knew that much - which is why he tried so hard not to be used as a marketing chess piece for Aladdin and got royally pissed off when it happened anyways. People shouldn't go to any movie (but especially not animated films) because "oh famous actor is in it". People should go because it's a good movie and the voice acting is good.
People who honest to god think that voice actors are replaceable because "oh well anyone can voice act" or "I like xyz celebrity so naturally it'll be good" ... Honestly I just wish you'd reassess your priorities because you're missing the point and are part of the problem.
Voice Actors ≠ Actors.
#(i am incredibly passionate about this)#(and seeing celebrity voice actors in what should be a voice actor's role completely burns my buns it doesn't matter WHO it is)#(hemsworth as optimus? someone tell me one good reason why they couldn't get a good v/a to replace mr. cullen properly for the future)#(ben shwartz as sonic? dude literally isn't even a good voice actor OR actor anyways-)#(- A N D jason griffith AND my boy roger craig smith are still RIGHT HERE)#(jason griffith IN PARTICULAR would have pulled back SO many sonic fans that went to watch the film anyways. if not /more/.)#(and on top of that he has the same tonality and energy they tried to force this moshmo to try and emulate anyways so GET THE REAL THING)#(chris pratt as mario? i can at least defend /him/ and say that barring his failure to do a NY accent consistently he wasn't terrible)#(but mario's new voice actor could've been used instead and people would've clearly appreciated that WAY more)#(vanessa hudgens as sunny starscout in mlp g5's pilot movie? literally why. they replace her and hitch's va in the show.)#(don't even get me started on the concept of hiring celebrity singers to do musical theatre roles or not letting musical theatre singers-)#(-dub the celebrity voice actors you just HAD to hire for your film bc you're so worried about not getting enough clout to get ppl in seats#(that you're putting it all in this (1) big name hire bc turns out that you have no faith in your writing ability much less-)#(-animation as a medium.)#(and no before anyone says anything : no this is not me saying that ALL celebrity voice castings are bad.)#(there are some that aren't that bad and others that are actually pretty good.)#(i especially appreciate it when actors are damn well aware they aren't voice actors and try to LEARN from voice coaches-)#(-and/or their va predecessors if applicable.)#(that does not change the fact that the celebrity shouldn't have been hired just because the film wanted to have bragging clout-)#(-oh look at this FAMOUS PERSON we were able to hire — yeah ok. sure wendy. i want to know if this film is quality or not.)#(and 9/10 times the SECOND there is money spent on a non voice actor to voice the main character especially)#(that usually means somewhere along the way animation IS going to get shafted. if not w the animators themselves then in the way of-)#(-the actual animation itself and ESPECIALLY the screenwriting because it's especially been so dogshit lately even before the strike.)#(a celebrity being hired to fill a voice actor's role is such an immediate red flag to me and it is VERY rare that i get to be proven wrong
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elgatt0 · 8 months ago
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Link, Captain of the Royal Navy of Hyrule.
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Mer!Wars
Name: Link Mand'el Waræ
Nicknames: Captain, Wars, pretty boy, playboy, Mr scarf, holey pants...
Age: 24
Height: 1,83m (6ft)
Occupation: captain of the ship The Hyrule Warrior
~~~⛴️~~~
Summary
Link Mand'el Waræ, the young captain. Son of the head of the Hyrule port captaincy, link had his name marked in the history of the Hyrule navy for assuming the position of captain at the age of 19.
Because of his affiliation, many doubt his competence, believing that the position was given to him due to political corruption, but Link never lets himself be shaken by such rumors, always willing to prove that he is worthy of the captain position.
~~~⛴️~~~
Personality
- Loves to tease his companions, especially when it comes to women
- He likes to maintain his appearance by always being tidy and formal (legend says it's narcissism...but it's just ocd due to his military position)
- He is proud, self-assured and may sound arrogant but is kind and has a good heart.
- Because of his pride, he doesn't like to be questioned especially when he is acting as captain, but he always pushes down and tries to be open-minded to different opinions.
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livingjust2beoverdramatizing · 10 months ago
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FLU GAME: ✨PART 2✨
hey, not my fault i love this song!
part 1
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luck-of-the-drawings · 6 months ago
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POOR GABRIEL MONTEZ! YOU NEVER SAW THIS COMING DID YOU? ALL YOU WANTED WAS POWER. SECURITY. SAFETY. & THATS EXACTLY WHAT YOU GOT! JUST IN EXCHANGE FOR YOUR BODY. LETS JUST HOPE NO ONE FUCKS THIS UP. LETS JUST HOPE YOU WONT HAVE TO CLEAN UP THE MESS.
#jrwi fanart#jrwi show#cw gore#jrwi suckening spoilers#jrwi suckening#jrwi gabriel#jrwi gabriel montez#LOOK FAMILIAR?hahahahahDONT WORRY#IM REUPLOADING THIS HERE BC i fixed up the drawing a lil. and also i wanted to add main tags#U WONT SEE ANY DIFFERENCES BETWEEN THISSUN N THE POST ON MY SIDEBLOG.i changed the image there too.HA!!!!!!!#ANYWAY.i rambled plenty about pain and gabe on my sideblog.SO LETS TALK ABT THE ART SHALL WE.ihad i very hard time getting the colors down#would u believe i nearly left this uncolored??FUCKED UP!! it was only a sketchhow did it end up like this. it was only a sketch...#BUT IM RLY GLAD I WENT W COLORING IT.this time i actually used the airbrush n pencil tools BUT i also have a handy dandy brush i made#its just the mspaint air brush tool. fucking LOVE THAT THING. but now its in fire alpaca and it can be slightly transparent.IT LOOKS SOGOOD#perfect for splatters and grime.i love you mspaint i love youuu.im also so happy w the blood here.i think i reached a shift last year#back when i made that genloss fanart something abt the way i draw blood finally CLICKED and im like OH. the inside must always be darker.#like i KNEW that already but it was like my hand itself finally had it click.i wonder what i will learn next?I LIKE THE ORGANS HERE TOO#not as veiny or thready as i usually draw em. but i think thats fine. not as WET as id like em to be but thats also fine.#i got the point across. the point ofc being WOW THIS IS GRUESOME AND PAINFUL AND TERRIBLE#I LOVE HIS EXPRESSION.i love pain and thinking abt pain. you lose yourself to it after enough time passes of just being in an ocean o agony#at one point its just too tiresome to scream or writhe. theres a point when the body accepts it.sometimes.atleast.#OHHH GABRIEL AS A CHARACTER DELIGHTS ME SO MUCH.he is a dog to me.a thing to serve others.I WISH I KNEW MORE#WHAT ELSE DID YOU WANT BOY?? SURE POWER AND SECURITY AND SAFETY ARE NICE.BUT DID YOU HAVE DREAMS? WANTS? PASSIONS?#WHAT WAS THE STORY BEHIND THAT TIGER TATTOO ON YOUR ARM?WHAT DO THE DOGTAGS SAY BOY?I WISH I COULD HAVE TEA W U#OHHH TO SIT DOWN WITH A CHARACTER AND JUST SPEAK TO THEM. AND YET. AND YET IN THE END ITS ALL TRAGEDY AND COMEDY#TRAGEDY AND COMEDY THAT IS SO SO PAINFULLY UNBALANCED. SIGH.#WHATEVER CMERE BOY YOURE BECOMING AN OC OF MINE NOW UR GONNA BE IN SPACE AND UR NAME IS GONNA BE VINEGAR#UR STILL GONNA BE SHIP OF THESEUSED THOUGH. OOOHHH GABRIEEELLL GABRIEL MONTEEEZZZ#HOW MANY PEOPLE WERE BUILT INTO YOU.HOW MANY DID YOU LOVE AND CHERISH.HOW MANY TATTOOS DO U RECOGNIZE ON UR NEW ARMS#WHAT WAS IT LIKE? ON THE NIGHT U WERE SIRED?WERE YOU EXCITED? DID YOU SEE YOUR BOSS' FACE?WHAT WAS THIS PROMOTION LIKE?
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skrunksthatwunk · 5 months ago
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actually i'm still thinking about the moral orel finale.
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he has a cross on his wall. do you know how much i think about that bc it's a lot.
a lot of stories ((auto)biographical or fictional) centering escape from abusive/fundamentalist christianity result in the lead characters leaving behind christianity entirely. and that makes complete sense! people often grow disillusioned with the associated systems and beliefs, and when it was something used to hurt them or something so inseparable from their abuse that they can't engage with it without hurting, it makes total sense that they would disengage entirely. and sometimes they just figure out that they don't really believe in god/a christian god/etc. a healthy deconstruction process can sometimes look like becoming an atheist or converting to another religion. it's all case by case. (note: i'm sure this happens with other religions as well, i'm just most familiar with christian versions of this phenomenon).
but in orel's case, his faith was one of the few things that actually brought him comfort and joy. he loved god, y'know? genuinely. and he felt loved by god and supported by him when he had no one else. and the abuses he faced were in how the people in his life twisted religion to control others, to run away from themselves, to shield them from others, etc. and often, orel's conflicts with how they acted out christianity come as a direct result of his purer understanding of god/jesus/whatever ("aren't we supposed to be like this/do that?" met with an adult's excuse for their own behavior or the fastest way they could think of to get orel to leave them alone (i.e. orel saying i thought we weren't supposed to lie? and clay saying uhhh it doesn't count if you're lying to yourself)). the little guy played catch with god instead of his dad, like.. his faith was real, and his love was real. and i think it's a good choice to have orel maintain something that was so important to him and such a grounding, comforting force in the midst of. All That Stuff Moralton Was Up To/Put Him Through. being all about jesus was not the problem, in orel's case.
and i know i'm mostly assuming that orel ended up in a healthier, less rigid version of christianity, but i feel like that's something that was hinted at a lot through the series, that that's the direction he'd go. when he meditates during the prayer bee and accepts stephanie's different way to communicate, incorporating elements of buddhism into his faith; when he has his I AM A CHURCH breakdown (removing himself from the institution and realizing he can be like,, the center of his own faith? taking a more individualistic approach? but Truly Going Through It at the same time), his acceptance (...sometimes) of those who are different from him and condemned by the adults of moralton (stephanie (lesbian icon stephanie my beloved), christina (who's like. just a slightly different form of fundie protestant from him), dr chosenberg (the jewish doctor from otherton in holy visage)). his track record on this isn't perfect, but it gets better as orel starts maturing and picking up on what an absolute shitfest moralton is. it's all ways of questioning the things he's been taught, and it makes sense that it would lead to a bigger questioning as he puts those pieces together more. anyway i think part of his growth is weeding out all the lost commandments of his upbringing and focusing on what faith means to him, and what he thinks it should mean. how he wants to see the world and how he wants to treat people and what he thinks is okay and right, and looking to religion for guidance in that, not as like. a way to justify hurting those he's afraid or resentful of, as his role models did.
he's coming to his own conclusions rather than obediently, unquestioningly taking in what others say. but he's still listening to pick out the parts that make sense to him. (edit/note: and it's his compassion and his faith that are the primary motivations for this questioning and revisal process, both of individual cases and, eventually, the final boss that is christianity.) it makes perfect sense as the conclusion to his character arc and it fits the overall approach of the show far better. it's good is what i'm saying.
and i think it's important to show that kind of ending, because that's a pretty common and equally valid result of deconstruction. and i think it cements the show's treatment of christianity as something that's often (and maybe even easily) exploited, but not something inherently bad. something that can be very positive, even. guys he even has a dog he's not afraid of loving anymore. he's not afraid of loving anyone more than jesus and i don't think it's because he loves this dog less than bartholomew (though he was probably far more desperate for healthy affection and companionship when he was younger). i think it's because he figures god would want him to love that dog. he's choosing to believe that god would want him to love and to be happy and to be kind. he's not afraid of loving in the wrong way do you know how cool that is he's taking back control he's taking back something he loves from his abusers im so normal
#i had a really big fundie snark phase a year or two ago so that's part of like. this. but im still not used to actually talking about#religious stuff so if it reads kinda awkwardly uhh forgive me orz idk#maybe it sounds dumb but i like that the message isn't 'religion is evil'. it easily could have been. but i think the show's points about#how fundie wasp culture in particular treats christianity and itself and others would be less poignant if they were like. and jesus sucks#btw >:] like. this feels more nuanced to me. i guess there's probably a way to maintain that nuance with an ultimately anti-christian#piece of media but i think it'd be like. wayy harder and it's difficult for me to imagine that bc i think a lot of it would bleed out into#the tone. + why focus on only These christians when They're All also bad? so you'd get jokes about them in general#and i think that's kinda less funny than orel and doughy screaming and running from catholics lsdkjfldksj#i think the specificity makes it more unique and compelling as comedy and as commentary. but that's just me#like moralton represents a very particular kind of christian community (namely a middle class fundie wasp nest)#you're not gonna be able to get in the weeds as much if you're laughing at/criticizing all christians. but they accomplish it so thoroughly#and WELL in morel and i think that's because it chose a smaller target it can get to dissect more intimately. anyway#moral orel#orel puppington#(OH also when i say wasp here i mean WASP the acronym. as in white anglo-saxon protestsant. in case the term's new to anyone <3)#maybe it's also relevant to say that i'm kindaaaaaaaa loosely vaguely nonspecifically christian. so there's my bias revealed#i was never raised like orel but i like to think i get some of what's going on in there y'know. in that big autistic head of his#but it's not like i can't handle anti-christian/anti-religious media/takes. i'm a big boy and also i v much get why it's out there yknow#christianity in specific has a lot of blood on its hands from its own members and from outsiders and people have a right to hate it for tha#but religion in all its forms can be positive and i appreciate the nuance. like i've said around 20 times. yeah :) <3#(<- fighting for my life to explain things even though my one job is to be the explainer)
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jtl-fics · 1 year ago
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Fluent Freshman - Part 44
PREV
The flight up to New York is a pleasant one.
The time in the airport itself had been less pleasant. Matt, as it turns out, is a firm believer in arriving with just enough time to check a bag, get through security, and get to the gate. He had claimed up, down, left, and right that he had it down to a science.
No matter how many times Smith had wondered about the scientific rigor of this 'science' he still kept it to himself. There was no need for Smith to voice his uncertainty with this plan because Kevin well and truly had it covered.
"You're giving us only an hour to check bags, get through security, and get to our gate?!" Kevin demands.
"Kevin, if you wanted to be there earlier then you could have asked Andrew to give yo a ride." Matt says. "We'll be fine."
"You know what Neil and Andrew get like when they have a long roadtrip ahead of them." Kevin argues.
"All lovey-dovey?" Nicky asks as Aaron makes a gagging sound.
"No, well yes, but no they always stop and buy all of the worst food too." Kevin reminds. "I'm just concerned about us missing our flight! We have barely enough time!" Kevin huffs crossing his arms.
"You're wrong anyways." Aaron says idly as he continues to text with Katelyn.
"How am I wrong?!" Kevin demands.
"We also have to park within that hour that Matt has left us with." Aaron says looking up from his phone.
"Matt!" Kevin squawks.
"It'll be fine." Matt reassures for the 2nd time.
"We all have checked bags!" Kevin exclaims, "What if we miss our flight?!" he wails.
"It'll be fine!" Matt repeats.
"No it won't!" Kevin exclaims.
---
It was fine.
The only real delays they met were at security.
Smith prided himself on being efficient in the security line. He has his watch off, his phone and ID secured in a zipped jacket pocket, his backpack and electronics in separate trays, and his shoes ready to be slipped off.
So he was shamed to have been the cause of the first delay when the TSA agent wouldn't wave Smith through the metal detector since she didn't realize he was there. That had been a whole anxiety attack and a half as the line had formed up behind him all wondering what the hold-up was.
Finally she seemed to startle as she realized that Smith had been standing there waiting and waved him through.
The other delay was that Kevin got patted down after he had forgotten to empty his 'emergency' water bottle.
It was probably for the best that they didn't have to be in the airport for that long. Every announcement that it was very important to not leave your bag unattended made him worry that with every blink somehow someone had slipped a bomb into his backpack.
While it was on his back.
As he was running with the rest of his friends to their gate.
"It just had to be the gate on the other end of the terminal." Aaron huffs.
"It would have been 100% perfect if someone hadn't left their water bottle in their bag despite the, let me check, 3,820 signs that said remove all liquids from your carry-ons!" Matt says as they continues to run.
"I said I forgot!" Kevin yells back from his spot at the front of the pack. Smith was under the distinct impression that Kevin was keeping pace with them since he had seen the Striker move much faster on the court and during warm-ups.
"We could have forgiven that!" Nicky pants, "Why did you have to slam the whole thing to prove that it was 'just water'?" he asks.
"Because I wanted to prove I wasn't a national security threat!" Kevin says. "I'll be going to the Olympics in a couple years and I can't have that on my record." he continues as he rounds a corner.
"What record?!" Smith asks suddenly worried that there was a record.
"Smithy, there's no record Kevin's just an idiot. An idiot who got patted down, tested for explosives, and had his carry-on searched." Nicky huffs.
"You don't know that there's not a record! The record everything nowadays!" Kevin huffs and their gate is in sight.
"Kevin, just shut up!" Aaron exclaims as they reach the line for their flight.
"Wait why aren't any of you getting shitty with Smiths?!" Kevin asks.
"His delay was like a minute and more importantly NOT HIS FAULT!" Nicky defends.
"He should have just walked through!" Kevin argues.
"Oh it's fine if he gets a record but not you?!" Aaron asks.
"So there is a record?!" Smith asks again.
They reach the line and the largely empty area around their gate is more than enough evidence that this was the final boarding. Smith breathed a sigh of relief as he took his place in line behind Nicky.
"The lines pretty slow, I'm going to go get a water." Kevin says and before any of them can say anything he is off towards a busy looking Newsweek store.
"I cannot believe him." Aaron huffs.
"All that water he just drank and is about to drink? He has lost window seat privileges." Matt pants wiping sweat from his brow.
"Agreed." Nicky says.
Smith laughed between panting breaths. His stomach hurt a bit from the stress of running but it was fine.
They get on the plane without Kevin and head to their seats. Most of the overhead storage is taken up at this point but Smith slides his bag under the middle seat in front of him after Matt
In the end, Kevin barely made it onto the plane in time since he got caught up in deciding on water. "You're in my seat." Kevin says as the only man not yet seated.
"I am not about to spend this flight getting up every 2 minutes because you have to pee." Matt says, "Abby didn't used to need to take all those pitstops when we're on the bus." Matt adds.
"I hate the aisle, the cart could hit my legs." Kevin argues.
"Then you can sit in the middle if Smith's willing to move." Matt says.
"You can have the middle Kevin." Smith offers actually preferring the aisle seat since then he doesn't have to ask anyone to move for him.
"I hate the middle seat, there is no room." Kevin crosses his arms.
"Smith is like only 3 inches shorter than you and he's not complaining." Matt continues.
"It's an important 3 inches."
"I bet it is."
"Nicky, are you serious?"
"What?!"
"There is an uninvolved member of the public, right there."
"He's wearing headphones it's fine!"
---
It's fine.
Eventually Kevin takes the middle seat if for no other reason than Matt stubbornly pretends to go to sleep but absolutely does not want the aisle seat either.
Smith gives it up and ends up with his own preferred seat while Kevin pointedly takes both of the arm rests, as is his right. The plane ride progresses smoothly from there. Smith has always liked flying. There is always a sense that the second that he gets onto the plane and the door closes he has absolutely zero control over what happens afterwards.
That is a nice comfort.
He pays attention to the safety briefing, finds his nearest exit, and that he should secure the bag over his own face before securing it on Kevin's.
He puts his headphones on and tries not to think about the anxiety of meeting the 'girls'.
He has heard much about the 'girls'.
Allison Reynolds. Allison was someone who's legacy existed even outside of the team. Smith didn't know much about fashion but a Reynolds bet remained a solid practice within Palmetto. She was, undeniably, absolutely gorgeous and if Kevin was to be believed 'kind of a bitch'. Nicky had swatted his arm but had said that it was not entirely inaccurate but like 'in the best way'.
Dan Wilds. He met Dan. Dan was nice. Also, if Matt was to be believed, the best human to ever walk the planet earth. The reason the sun rose in the east and set in the west. The gravitational pull that held the universe together. If Andrew is to be believed, she's fine.
Renee Walker. Renee was the one who taught Andrew how to use knives. His friend has talked warmly of her, in the way that Andrew talks warmly about anyone which is mentioning them at all. She was the one that Smith was the most anxious about meeting.
Kevin turns his nose up at the ginger ale that Smith gets but he's allowed these now per his actual doctors orders.
1 hour left until arriving at JFK.
He hopes this ginger ale is enough to calm his stomach since he's still not allowed Pepto.
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MASTERPOST FOR ALL PARTS OF FLUENT FRESHMAN AU
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arthursfuckinghat · 6 months ago
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Bayou Nwa - Lemoyne
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