Just thinking about the other day one of my friends friends was talking to me and my (platonic) wife and just said "You're not one of those people who thinks will graham is a twink are you?"
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it is not that deep, but sometimes i find the discourse about forgiveness surrounding bakugo interesting because there's a lot of (younger) fans who have zero empathy for bakugo and think deku should beat his ass or that bakugo should face harsher consequences etc., and i'm just thinking that such a radical stance on forgiveness and resentment in general (outside of bnha) is a bit naive. and i'm not surprised that it's a lot of younger fans who hold this sentiment (i say this with no judgement, i think we've all been there as teenagers, you rlly think you're above all of that lol). and this isn't about what deku is "supposed" to do either (plenty of possibilities here), but i personally don't see any merit in bakugo "punishing" himself for his past actions, it's so damaging and unproductive and i feel like that's sth you have to realize as a young adult. so much about this discourse is surrounded around deku's reaction (and male fans expecting an aggressive rejection or whatever) and i can def see less convenient reactions from deku'sside work, but what makes bnha as a whole but bakugo in particular so compelling (imo!!!) is that there's so much kindness poured into the whole situation, i think the epilogue made is pretty clear that bakugo feels ashamed and angry about his negative influence on deku's self-worth and that will forever be his cross to bear, but he also isn't one to wallow in self-pity or self-hatred and that is a good thing. this started with bakugo but i guess my point is that i think his whole arc is a nice outlook on young adulthood, you will make big mistakes that will negatively affect either you or someone else and you rlly won't survive your 20s if you don't learn to find a balance between accountability and forgiveness.
idk i personally love that bakugo becomes a better person out of love for deku and himself and everyone else, that's how you /should/ guide kids like bakugo and that's how you should be led into your 20s when you will make mistakes that might have even graver consequences lol
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I don’t like minimizing the importance and gravity of Laios and Toshiro’s fight into just being a childish squabble, even if to a degree it is framed that way, because to both of them it has a lot of personal significance and emotional weight and runs very deep to their characters… The fight isn’t nothing it’s a LOT, they made up but it’s not something easy to express and to get over for either of them which makes it all the more meaningful! I’m on both sides but there very much are sides, there’s no "they’re both having a ball, Toshiro and Laios hand in hand yay" side to the fight, that comes after
The fight with Toshiro WAS very scary to Laios, almost existentially so, but it’s moreso the "I thought I’d made a friend!!" bit and my god. My god actually
Like it’s not "just" about oh his friend liking him less than he thought, THAT IS SO MUCH. It’s a bond he thought he had being a lie it’s all the time and moments spent together either being a lie from his perspective or marred now looking back. It’s not only being upset at Toshiro for lying but upset at himself that he’s so easy to fool, it’s being upset that there’s something so wrong with you that you can’t even tell if your "close buddy" even actually likes you or not, it’s like. Holding my head. He can’t trust his own vision of events that happened do you see. There’s always this film of distrust that it could be a lie that should be there when he interacts with people there’s always this sense of cloak and dagger to expect backstabs out of nowhere because you CAN’T see it coming you CAN’T you CAN’T there’s something about you which makes it impossible so you CAN’T-
He’s so scared of not being able to read people. He knows it’s a weak spot he has, he’s always known. All of these bits are centered around social expectations and betrayals, the assumption that he doesn’t belong either in society or with other humans.
And Laios’ level of awareness is actually sort of complex to analyze, but it’s there, there’s how out of him and Falin he was the one sensitive to the ~aura of hatred~ he felt from the townspeople, there’s of course his nightmares whispering to him about the mocking looks, and how yeah actually he realizes that his gold stripper coworker was taking advantage of him. There’s of course the Winged Lion speech about his trauma and how he fundamentally mistrusts/dislikes humans to some deep seated degree, this distrust that he still keeps under control always. There’s how pre-canon he often wanted to suggest eating monsters but never worked up the courage to bring it up with the others. There’s how he gets across as stoic when he isn’t being enthusiastic…… We don’t know how aware and wary he is exactly in the moment but we do know he has some anxiety around social stuff, and looking back he does notice and aughh augh, the sense you have to hide yourself to not get hurt and be on your guard and shit and.
When you don’t know what to look out for and when to look out for it, the general ‘common sense’ of not always trusting people or noticing when someone’s messing with you becomes hypervigilance in social settings
"Man they really know what you hate huh". Being socially unaware literally plagues him, he knows, he knows it so well.
It’s so quick that it’s almost hard to digest how literal and blatant Laios summoning his monster to crush all the people who’ve hurt him is. His literal go-to coping mechanism for comfort in his literal monster-induced emotionally intense nightmares, saving him by taking away the upsetting element (the humans)
"Monsters are his coping fantasy, where they can whisk him away from humanity, all the hurt it’s caused him and its arbitrary rules" with the subtlety of a brick. Monsters are his comfort safe zone "because they kill humans" yes but no it’s because he pits them as the guardians against humans who to him are in the role of the agressors. To him they represent freedom from the shackles of what it means to be part of humanity, a fundamentally social species
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the idea of transsexuality existing in qunari society with the aqun-athlok is sooo fascinating to me that i wish it would be explored more in-universe without it becoming intensely racist and islamophobic but because of that i know this is all wishful thinking </3
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dunno if this has been done yet but: airplane didn’t first become aware of peerless cucumber in the comments of pidw, he first saw peerless in the comments of a different web novel (that perhaps was one of airplane’s earlier works?) and so when initially drafting pidw he was inspired to write a villain just like cucumber bc “he’s MEAN MEAN for no reason, a literature snob, and pretends to be all high and mighty while looking down on others. also likes to kick down the little guy” and boom. sqq was born. cut to years later post-transmigration when sqh just casually drops this info with “lol i always did find it funny how much you hated the guy considering he’s literally based off you”
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All of you arguing "Patrick wanted art art wanted tashi tashi wanted tennis", "art liked Patrick as a best friend but Patrick wanted art" "art never wanted Patrick in that way"
Bitch go watch the make-out scene again (I know you want to anyways) and try to convince yourself that art wasn't SOOOOO INTO IT!? the little kiss at the end, the boner, just letting it happen and kissing Patrick in the first place KNOWING FULL WELL ITS PATRICKS HAND ON HIS NECK
No excuse YOU your honor, they're both gay for eachother and art DOES want Patrick like that. An argument could be made for older art, maybe, but Stanford art there's no doubt about it.
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