#I still don’t quite know how to draw these characters

[squidwithelbows]

Underrated character growth throughout the sellswords trilogy is Artemis becoming weirdly smug about his unrequested makeover as soon as he can use it to be condescending at people he doesn't like.

[the-real-couchrat]

Doodle inspired by @that-ghosts-art’s comic, which managed to break me out of and art block

The ensuing court case:

Bonus under the cut (TW for death, blood, injuries, and poorly drawn angles)

[arolesbianism]

Realized it’s been over a year since I last drew him and couldn’t stand by that

[gojoest]

the one with the role play — gojo satoru

— your husband breaking character during role play after you mention the one thing you shouldn’t have

suggestive, MDNI, established relationship (you’re married), written with f! reader in mind but think i kept it pretty gn, alcohol (nobody gets drunk, just a super quick mention of it as a choice of drink at the bar), strangers at the bar role play (or a failed attempt tbh), based on this talk post of mine, wc: 1.3k

“hey, love”, satoru broke the silence while the two of you were folding the laundry one afternoon. (yes, the strongest sorcerer always helps his wife with chores)

“say, love”, you quickly responded, without looking at him.

“you know, i was thinking — we’ve never tried role play”

“that’s what folding clothes made you think of?”, glancing at him you chuckled, “interesting”, raising an eyebrow teasingly.

“we’ve done pretty much everything but that. you’re not curious?”

now was not the time to tell him that you had done this before, with your ex, and that it was fun. no need to remind him that you had other partners before him and make him lose sleep for days to come, like that one time when he found your diary from high school in the attic and read about all the crushes and boyfriends you had. it took weeks and a lot of coddling on your part (you even had to start a satoru only diary and write his name into little hearts) for him to get over it. so you figured you’d keep this little detail to yourself and take it to the grave. or it would be your husband taken to the grave due to lethal jealousy steaming from the fact that another man had laid his hands on you in the past.

“s-sure”, you stuttered, thinking back to that excruciating memory, then cleared your throat before continuing — “yea, we can do that, why not”

“good then”, he tossed the shirt in his hands aside and stepped closer to you. circling his arms around your waist from behind — one hand eventually resting over your chest while the other stopping at your navel and gently rubbing it — he possessively pressed you against his chest and hummed contently.

“someone’s very excited about this, huh?”, you placed your hand over his and tilted your head back to peek at him.

“oh? can you tell?”, he grinned, playfully pushing his hips against you.

“that giant thing in your pants poking me from behind is giving you away, i’m afraid”

“it’s your fault though”, his head craned down so his lips could reach your forehead and trail soft kisses down to the tip of your nose.

standing on your tip toes you raised your hands to cup his cheeks and pecked him on the lips. “of course, it’s my fault that you’re getting all hot and bothered in the middle of the day like some pervert”

“i always get hot and bothered thinking about you”, he pecked you back, then slowly turned you around (concerned that you might hurt your neck if you kept that position up).

“any ideas?”, you asked.

“8pm, the bar around the corner”

“we’re to enact the classic strangers meeting at the bar, huh? okay. anything else?”

“nope, let’s improvise”

[8:13pm, at the bar]

sitting alone on the stool at the bar counter, you kept playing with your now half empty martini glass, drawing circles with it on the surface. you felt a bit weird sitting here pretending to be single and ready to mingle. but oh well.

he was late. you took another sip of your drink and grabbed your phone to check the time again.

“next one’s on me”, a painfully familiar voice approached you from behind. “if you would allow me, that is”

he was late on purpose, you figured. waiting for you to almost finish your drink so he could easily start a conversation by using such a lame but still quite effective line.

“i don’t normally accept drinks from strangers”, you gazed at him, “but an exception every now and then wouldn’t hurt, i assume”

a puckish smile curved on his lips. “may i?”, taking his sunglasses off, he asked for your permission to sit next to you.

“sure”

you were quite impressed at how seriously he was actually taking this, not breaking character even for a second so far. he had made up a brand new persona of himself, introducing himself as “sato kouya” — the ceo of a leading pharmaceutical company, temporarily living in tokyo for the purpose of a big business project.

“enough about me though”, eyes focused on you, he leaned his elbow on the bar counter and placed his chin on his palm. “tell me about yourself — what’s a beauty like you doing alone?”

you giggled (he was just so cute right now). “you’re lucky that i am alone — if we had met a week earlier, i would’ve still been married”

his expression froze at your words. the smile from a few seconds ago was now bleeding into a confused, almost creepy, look on his face — his lips still stretched into a grin while his eyes told a different story.

“hmmm… how so?”, he spoke in a monotone, his grin slowly fading away.

it would be a lie to say his weird reaction didn’t concern you at all but you decided to brush it off, and continued. “you see, i just got officially divorced. my ex husband and i tried our best to keep the marriage going for as long as we could but we were simply not meant to be”, you sighed. “this was the best for both of us”

“no way”, satoru whined. “no fucking way”

“umm… excuse me?”, you tilted your head in confusion.

“i don’t like this”, his face giving you a dejected grimace — brows knitted, lips pursed into a pout and eyes filled with a mix of panic and sorrow taking over the blue in them and turning it into a darker shade. “divorced? not meant to be? don’t even joke about this”, he almost cried out. the thought alone rubbed him the wrong way, tugged at his heartstrings so intensely that it forced him out of character right then and there, putting an end to your little role play escapade (rip sato kouya, you will be missed).

“satoru”, you caressed his hand, “baby. love of my life. this is just an act, please get it together”

“oh”, he gasped in utter shock after his focus fell on your hand and he noticed you were not wearing your ring. “you even took your ring off? why would you do that?”

great, this was getting worse now.

“because of the role play”, you spoke each word slowly, stressing on the last two very carefully.

“but i’m still wearing mine”, he protested, pointing at his ring, “see? you could’ve still acted fine with your ring on and without bringing up divorce and not meant to be’s”, he cried again, a hangdog look splattered on his face.

“i didn’t want to play the cheating wife, that’s why i took it o—“, you were cut off by another dramatic reaction.

“cheating? CHEATING? you considered this scenario?”, his voice was hitting desperate notes at this point. you couldn’t believe he had lost all reason over a play pretend.

you pinched the bridge of your nose before you spoke, “okay, that’s enough. you’re being ridiculous right now. i’m going home”

he followed after you like a kicked puppy, whining all the way home. but you had to admit — part of you really loved the fact that he went completely out of his mind over something so silly, that he didn’t know what to do with himself just thinking about you possibly leaving him even in a made-up scenario, that you held so much power over him…

extra:

[later that night, in bed]

done reading for the night and ready to sleep, you placed your book on the nightstand and looked over at your husband sitting with his arms crossed next to you in bed.

“still not over it?”, you nestled your head on his chest.

“no. hurts like hell just thinking about it”, he mumbled.

“come on, stop pouting”, you pinched his cheek, “you can’t go to sleep with a grumpy face”

“yea?”, he glanced down at you, “sit on it then — it’s the only way to wipe that pout off of it”

[ryescapades]

congratulations on 1k! i'd like to request for slice one + bakugo katsuki / karasu tabito + sfw + prompt 19 "do that again" ! i love both of them so you can pick whoever :D

→ EVENT OVERVIEW

prompt: 19 - “do that again.” characters: bakugou katsuki (mha) x gn!reader contents: fluff, established rs, reader is physically smaller, petnames, kats in his timeskip, ticklish!reader ^^ wc ~ 700

a/n: tysm for participating nonnie! first time writing for kats btw yeee (his timeskip appearance did something to me oughggk)

the sound of the door opening catches your attention, and your voice dies down as you swivel your head back to look at the source of interruption.

“oh? is your man back?” a crackly tone comes from the video call you’ve been doing as your friend’s teasing from the other side goes ignored. you spare them a quick look, “yeah, he is. so i’m hanging up now, bye!”

you don’t bother to listen to their complaints as you end the call, letting the screen fade to black before turning back towards the incoming person. a giddy smile grows on your face as you take in his form clad in that tight, dark compression shirt that accentuates all those delicious sinewy muscles of his, “katsuki! didn’t think you’d be back this early.”

your boyfriend doesn’t give you a response as he closes the door behind him, walking towards where you’re standing inside the joined bathroom, door wide open with a row of skincare products sitting back by the sink. you’re in the middle of rubbing some moisturizer on your skin when a pair of sturdy arms snakes around your waist, katsuki’s figure appearing in the mirror in front of you.

“how’s your day, baby?” you greet, fingers drawing the fragrant substance in circles on your cheeks as his head of blonde brushes against you. katsuki rumbles out a hum, “‘s fine. missed your cute ass the whole time, though.” he gruffly says, giving you a little pat on the side of your hips.

you snort slightly, already used to his random touches. “my friend just told me that you’re the biggest sap ever and i couldn't agree more, you know?” you say, throwing him a knowing look in the mirror. “that so?” he mutters back, distracted by the slow and methodical way your hand glides over your own skin.

“mhm,” you affirm, feeling him tighten his hold on you which causes a small grunt to escape from your lips. “you stink, kats.” you jest, scrunching your nose up in a cute way that had him almost squeezing the life out of you from cuteness aggression.

katsuki raises a questioning brow, chin now tucked on your head as his crimson gaze roves over your face. a thought seems to pass over his mind then, his head lowering to bury itself into the crook of your neck before he nuzzles deeper to take in your homely scent. “'m making you stink even more,” he huffs, breath hot against your skin.

“wait, katsuki–” your protest is cut off when you erupt into a fit of giggles instead. “stop that, hahah– it tickles!” you didn’t notice it earlier, but it has been quite a while since he had last shaved, courtesy of the nature of his job. the slight scruff of his stubble bristles on your neck, making you raise your shoulders to push him away from your sensitive skin.

you’re all the more unaware of how his eyes dilate as the gentle sound echoes around the walls, his ears directing towards the lilted tone of your joy. “do that again,” he breathes out quietly, going back to snuggle his face into the junction where your shoulder and neck meet.

you snort, still coming down from that split second of whimsy, “pfft– do what, katsuki?” you turn your head over to look back at him, a look of incredulous passing over your features as you try to read his expression. his vermillion eyes are heavily lidded as he looks down at you, gaze softening and lips tugging up at the corners to form a lopsided smirk.

not even one second later, you’re suddenly spun around and carried up onto the counter which elicits a stunned yelp out of you. he crowds into your space, standing in between your parted thighs as he rests his forehead on your shoulder. “come on, sweets. let me hear it.”

“huh? hear what–” katsuki gives you no warning before his hands settle on your waist, giving you no mercy as he tickles you to oblivion.

your laughter now freely spills out, vibrating from your chest to his and resounding through the bathroom as he continues to draw out that delightful melody from your mouth. he can feel himself recharging from that alone, the weight lifting from his shoulders and all that prior fatigue from work quickly disappearing as his head swims in the aftermath of your glee.

fuck yeah, even if he dies right now, it wouldn’t be so bad because he gets to listen to the sweet sound of your happiness before he breathes his last.

©🅁🅈🄴🅂🄲🄰🄿🄰🄳🄴🅂. do not steal, translate or repost my work anywhere else !

[garoujo]

✩ ˛˚ . WARM ME UP ; — cock-warming various blue lock boys.

FEATURING: nagi seishiro, itoshi rin, itoshi sae, bachira meguru + mikage reo.

warnings: f!reader, cockwarming, all characters written 22+, a little teasing in some, slight somno in bachi’s [hes inside of u before ur asleep], slight body worship (?) in reo’s, sensitive boys mostly. note: my mind spiralled w nagi’s first so that’s why his is longer but i decided 2 make it into hcs.

✩ ˛˚ . NAGI SEISHIRO

“fuck—ah, y’re g’nna make me die, quit feeling sooo good ‘ts no fair.” nagi murmurs from where he’s got you spread across his lap, resting on the edge of his bed with his cock buried in your sweet walls as he tries to beat his own high score on his game.

you’d gotten a little bored watching him, a little needy as you pressed yourself up against him and admired the way he’d bite on his lower lip as he concentrated, skilful fingers tapping at the buttons on his controller as small, low grunts of frustration fell from his parted lips.

but nagi had welcomed you so easily when you’d made your way into his lap, lifting up his arms to allow you to slide right in before he sent you a lidded, questioning look when he felt you pull at the waistband of his sweats. “huh? ‘m in a game right now, angel.”

“it’ll help you concentrate, sei.. promise.”

it’s doing anything but though, the snowy-haired striker underneath you realises with another needy, warm twitch of your walls around him. even just the press of your chest against his is driving him crazy, feeling you press kisses along his jawline when he whines from missing another shot — he can barely concentrate on anything but you.

“no fair.. you made me miss another headshot, pretty thing.” nagi grumbles as he presses his forehead against your shoulder, sighing while a tight, cute pout rests on his lips. but it’s almost like an apology, the sinful press of your hips against his as you push closer — just enough to knock the air out of him when you press his cock even deeper into you.

“hey, c-come on! angel, y’re playing dirty, wanna up my online ranking.” there’s an unsteady waver to his words that’s followed by the instinctive twitch of his hips into yours, like he’s chasing more of the friction you're teasing him with as he sighs.

“think of it as a boss fight, sei.. don’t wanna make it too easy.” your words are whispery and pretty as you pull back to trace your fingertip across the shape of nagi’s jawline — drawing his full attention as his head twists to look at you. hes starry eyed and dazed, flushed from his cheeks to his neck and you’re pretty sure the eye contact alone makes his cock twitch from where it’s pressed into you.

“eh, ‘ts no fair when you know all my weaknesses, pretty thing. gotta try somethin’ else, i guess.” it’s drawled, filthy the low tone his voice takes before he’s drawing closer to kiss you, whimpering against your lips before he’s forgetting the controller in favour of grabbing you instead.

the quick movements are followed by your back meeting the mattress as he presses you into the sheets with every deep, messy press of his lips. “sei! your game.” you gasp when your words urge his first real thrust into you, so deep and good that your toes curl from where they’re wrapped around his hips.

“eh, it’s fine.. ‘ll beat it later, f-fuck—wanna win this side quest first.”

✩ ˛˚ . ITOSHI SAE

sae was tired from practice today, but you were feeling particularly needy and as much as his muscles ached — he still couldn’t help but use this opportunity to his advantage, especially when you were already palming at him just as he returned home.

“i’ve been at practice all day, know i’m tired. is this how you welcome me home?” he drawls from where he’s got you spread out against him — your back is resting against his chest as your head rolls back against his shoulder, thighs hooked over his own as his fingers circle your clit — unmoving even though his cock is already buried deep inside of you.

there’s a certain sharpness to sae’s tone that makes you twitch, shaking your head against him as your nails scratch along his forearm. you’re so desperate for him, for him to move and fuck you — it wouldn’t take much, not when he’s touching you just right, but it’s not enough — he knows that.

“just need you, sae. i, ah—missed you today..” your hips twitch above him, an obvious little plea as his cock brushes along the spongy spot inside of you but he’s too fast, sighing before his free hand is pressing your hips back tight against his.

"how much?" sae grunts with the sweet, frustrated whine that pushes past your lips as he grinds up into you - offering you an inch before he takes it from you completely, pressing a kiss against your shoulder after like hes trying to soothe you. "how much did you miss me, hm?"

the way he presses into your clit is deliberate, baring down harder on the puffy bud until you’re thighs are shaking and twitching, begging for him to hurry up and move. your lips part, head lolling back against his shoulder before he’s pressing another smeared kiss against your cheek, and sending you a sharp looks that’s urging you to hurry up and answer.

“so much, missed you so much! been waiting for you, sae.. wanted you here.” your voice breaks under the weight of your arousal but you swear you feel sae’s cock twitch at the sound. it’s followed by a low hum, like he’s considering your answer before his hand on your hip eases — finally letting you move with another slow roll of his own that presses his cock against the swollen, sweet spots inside of you.

“then take what you need, sweetheart. don’t keep me waiting.”

✩ ˛˚ . ITOSHI RIN

it was impossible to move rin from his place on the couch when he’s examining team plays, his own most importantly — teeth gritting with concentration despite the way you’re pressed into his chest, palming at his body as his cock rests inside of your slick cunt.

but as good as it feels, finally having him buried in you like you asked, you’d rather he was moving — turning you to putty above him and fucking every single thought out of your mind that wasn’t him. so you decide to test the boundaries a little, shifting your hips deliberately until you feel his large palms squeeze at your hips and your boyfriend hiss from between his teeth.

“quit— fuck, quit it.” you almost shiver at the low, sharp tone rin’s voice takes but you can tell there’s no real irritation behind it when you notice the unsteady rise and fall of his chest. he’s just as wound up as you are, his brows crumbling as he tries to focus on the tv infront of him — nibbling on his lower lip to distract him from the warm squeeze of your walls.

“you said you wouldn’t move..” he grits, still refusing to meet your gaze despite the way every squeeze of your hands across his body makes his breathing hitch. you’ve got him so fucking wound up, he’s so lukewarm — so sensitive, he can’t even control himself for 10 fucking minutes.

“but i need you, rin. not my fault you feel so good.” rin can feel the back of his neck stinging with a flush when you smear a kiss along his jawline, making his fingers squeeze even tighter into your hips before he’s growling under his breath. but the way you purr when he readjusts himself beneath you, melting into him with a tiny, slight grind of his cock into you makes him feel fucking dizzy.

it’s fast, the way he’s suddenly readjusting his feet and beginning a pace that’s too quick, and if it wasn’t for his grip on you — you’d have bounced off of his lap completely. every wet smack of his hips is loud and clapping and driven by the pure determination to feel you creaming around him as he sends the game on the tv a lidded glare.

“can’t even control yourself—uggh, shit—you’ve got until the first half finishes to cum or ‘m stopping.. and you better—take all of it.”

✩ ˛˚ . BACHIRA MEGURU

it had become sort of a routine at this point, bachira would come home from practice — wound up and so fucking hard before he was fucking you senseless, followed by him falling asleep pressed up against you while his cock still rested inside of your cunt.

you’d be lying if you said it wasn’t comfortable though and he knew exactly how to get you to accept, bathing you in wet presses of his lips and low chuckles. “jus�� wanna feel you round me, baby. m’kay? sleep sooo good like that, so warm.” you couldn’t deny him, not when you’re still coming down from the orgasm he’s dug out of you.

but now, you feel yourself wake up from your own nap — roused by the sudden movement behind you as you feel bachira’s chest press tighter against your back — followed by the sudden, deep press of his cock along the still swollen spots inside of you. “baby~ already so wet, should’a just woke me up if you wanted it, gotta take care of you.. m’kay?”

you’re not sure if it’s the sleep that still laces your body but you already feel like putty at his touch, he’s deliberately grazing his cock along the spots that crave him most — sending intoxicating little aftershocks through your body that have you gasping with every quick thrust.

bachira chuckles when your lips part to moan, followed by another loud, wet smack of his hips as his head rests against the back of your shoulder. “already so wet, baby. mhm.. you been dreaming ‘bout me? feels like you have~” he sings, whimpers when he feels you squeeze around him at the words but that only pushes him to go faster, deeper.

it’s hard to believe he was sleeping a moment ago with how well he’s working your body, palming and grabbing at your figure as moans fall from his lips — burying them into your skin as he smears kisses along your shoulders. every deep press of his cock is eased by the remnants of both your previous orgasms, squelching loudly as he pushes himself even deeper.

“awww~ i knew you wanted it, baby. mhm— ah! just gotta ask, can make you feel so good~ lemme take care of you, m’kay?”

✩ ˛˚ . MIKAGE REO

reo was obsessed with you, that much was obvious — although he’d spend his whole day proving it to you if he had to. every touch of his hands on your skin made you melt into him, he worked you with such precision but such a gentleness that you couldn’t help but seek out more.

but these moments specifically were some of your favourites, the ones when he’s pulled you onto his lap — onto his cock as his fingers leave featherlight touches along your skin as he looks up at you. it was intoxicating, to watch him appreciate every part of you, taking a slow, languid palmful of your breast as he loses himself in the mindless squeeze of your walls around him.

“does that feel good, bunny? yeah?” reo asks as his breathing cools the spit he’s left across your tits, giving you a lidded — dazed look until you’re nodding out a yes and he’s messily dragging his tongue along your nipple. you feel dizzy with how good it feels, every squeeze of his palm as he suckles at your nipples languidly, massaging and pinching at you as you try your best to keep your hips still.

but every lav of his tongue, every slow and mindless roll of it over your aching tits makes him twitch from where he’s buried in you but he’s too intoxicated, too enamoured by the way your walls squeeze with every swipe of his muscle against you.

“fuck, bunny. look so pretty, keep still for me. kay?” it almost hurts how tight your fingers are digging into reo’s shoulders with your sweet little uh huh, followed by another dreamy whimper as he suckles kisses from one breast to the next. his cheeks and chin are slick with his own spit from every sloppy press of his lips against you, and it feels so fucking good despite the way his cock still hasn’t moved inside of you.

a shaky sound breaks from his lips when you let your head roll back, your hands smoothing through his hair before the pull at the roots and he feels like he could fucking cum right there and then. you feel fucking boneless above him, melting with every greedy palm and press of his lips and hands.

“that’s it, bunny. wanna see how much you need me first.”

© 2023 garoujo. please do not copy any of my layouts or writing and translate or repost onto any other sites.

[lavandulawrites]

Hi! Here's a short request. Yan! Genshin men with a darling that compares the yandere with fictional men(they are themselves fictional but I mean a book character or smth idk)

Yandere Genshin Men With A Darling Who Compares Him With Fictional Men

Yandere Albedo x reader, yandere Tighnari x reader, yandere Diluc x reader, yandere Neuvillette x reader

This was a really fun request<3 (Let me know if anyone wanna be apart of my taglist).

Masterlist

Warnings: imprisonment, post abduction, reader has Stockholm syndrome in Diluc’s part

Word count: 582

Albedo

“Look Albedo! He looks just like you!” you pointed at the blond prince in the fairytale book you were reading. The prince had light blond hair and kind blue eyes. He really did look like Albedo.

The blond man chuckled as he looked at you with a playful smile. “Are you comparing me to a fictional character?” his voice had an amused edge to it.

“Yeah. I am. But look he’s not only just a fictional character, he’s a prince!” you smiled back at him.

Albedo’s crystal blue eyes studied the drawing for a few seconds before his gaze returned to you. “Don’t think you can make me let you go through comparing me to a fictional prince. I’m not that easily persuaded. Plus it would be illogical to let you roam the dangerous world alone, love” he stroked your cheek gently before he leaned in to kiss your forehead.

Tighnari

“All I’m saying is that you look like him, not act like him! I don’t get what the problem is” you tried your best to explain yourself to the irritated fox that sat in front of you.

His ears were pinned back in irritation and his fingers drummed against the kitchen table. “I’m not a wolf nor am I a werewolf. Are you seriously comparing me to a monster?” his voice akin to a hiss.

“Well you did abducted me you know…” you mumbled under your breath, which of course the fox hybrid heard.

“Watch your mouth [Name]. One more word about me looking like a stupid fictional character and your manga privileges gets revoked” he folded his arms over his chest as he glared at you.

Diluc

“Diluc, you remind me of him” you nodded towards the book that was perched onto your lap. “The knight I mean.”

The red head tilted his head slightly in curiosity. “The knight? Why?” he took a seat beside you and wrapped his arm around you in a one-arm hug.

“He’s the love interest. He saves a young maiden and her village and in return she marries him. It’s quite a sweet story” you smiled up at him.

Archons, he never got enough of your pretty smile. “I see. I must say I’m flattered to be compared to a hero, but as you know I’m not the fondest of knights” he chuckled as he kissed the crown of your head. “If you see me as such a nobleman, I suppose it’s only fair I act the part” he smiled to himself. Diluc was surprised how far you have become. All the struggles have finally paid off.

Neuvillette

“Are the new book to your liking, dear?” Neuvillette asked you as he took a sip of his fine glass filled with the clearest spring water. His eyes were trained on you who were sitting on the sofa opposite of him.

“Yeah, it’s good so far” your eyes still glued to the cream coloured pages. “However, one of the characters reminds me of you” your beautiful eyes flickered up to meet his.

“Oh? Which character do I remind you of? And how come?” the white haired man tilted his head in curiosity.

“You remind me of the dragon. He turned himself into a beautiful man and loved the princess into his tower. He refuses to let her go no matter what and claims he keeps her locked away as a way of protecting her” you looked up at him with a glare. “Don’t you recognise yourself?”

[itsnathateasy]

aot characters reacting to you asking them “what are we?”

warnings: just fluff word count: 1,1k author's note: this was a bit silly hehe, too silly, it broke my heart because they’re all drawings and not people

⭑🌻 ⭒🤎 . ✦ 🙈 . ⁺ . ✦ 🙈 . ⁺ . ✦ 🙈 . 🤎⭒🌻 ⭑

eren dies and i mean DIES to make things official with you but, let’s face it, eren’s a scaredy cat when it comes to matters of the heart. he does, however, reassure you that he’s thinking seriously about you two and that you’re really important to him, but he wants to take things slow

armin blushes all over but has the biggest and happiest smile on his face. he’ll have you sit down and talk through things together, making what was a situationship, now official. he stutters all the time, not because he’s shying on you, but he’s so excited, his words are trying to match the pace of his thoughts and he just stumbles over his words A LOT. he’s also trapping your knees between his own in an attempt to face you the entire time of your conversation, your hands intertwined on both of your knees

HEAR ME OUT, but mikasa probably gives you a glare, her eyes as wide as physically possible and exclaims “we’ve been dating for all these months, what do YOU think we are y/n?”, then grabs onto your hand, intertwining your fingers together, scooting closer to you on the couch and shushes you, “don’t interrupt movie night with silly questions”

levi is kind of like mikasa, in the sense that in his head, you’ve also been a couple for quite some time now, but when you surprise him with his question, he’d simply sigh, and hold both of your hands in his. he’d explain that even though this is what he thinks it might be the right time “to make it official in a proper way, right?”, looking up at you with a crooked smile. he’d kiss your hands and strike you with a “do you want to be my silly lil girlfriend/boyfriend y/n?” “why would you call me silly levi?” “we’ve been dating for 7 months and you dare ask me what we are… i know what YOU are and it’s “very silly”, as previously stated”

hange doesn’t even get it and responds with “uhm what are you talking about? we’re comrades” they said as they dag in the garden, their current project being “planting lilies”. you kneeled down beside them, proceeding to helping them with the holes on the ground. if hange paid one tiny look at your face, they’d know you were upset by their response, but instead, they kept on babbling about the plants and shared all the new information they’d learned about soil and seeds. what really got to them, was how you never responded to any of their statements. “something wrong y/n?” “yes hange, i asked you what we are and you said “comrades”, is that all i am to you? after all this time?” at this moment, you could see the confusion in hange’s face, the gears in their mind finally rolling. “oh y/n, i thought you meant right now cause we’re still on scout premises, you know… i think we’re a very happy, romantic couple and i’d like things to stay this way. but when on duty, we’re comrades” they said and gave you a sweet peck on the lips, you face becoming greasy with soil from their hands as they cupped your cheeks.

erwin is upset, what kind of stunt are you pulling on him? “we’re married, y/n. have been for 2 years now. what is this little game of yours?” he said and crossed his arms, staring at you intently. it was extremely difficult to hold back your laughter, it almost felt that you were about to choke trying to hold your breath. “it’s just a joke erwin, i’m filming your reaction” you explained and pointed to where you’d hidden your phone, camera capturing the both of you. “you and your pranks” he said, while grabbing the phone in his hand and saying “she got me… AGAIN!”, camera on him, then handed the phone back to you, kissing you on the temple. “we’ll sort this out later”

ymir will simply smile contently at you and hold your hand, a silent reassurance that you’re a thing. ymir tends to be more on the shy side, so she conveys many emotions through physical touch and by giving you certain “looks” and tons of special treatment, but you’ve come to know this is her way of expressing her feelings towards you

connie wasn’t expecting this conversation to happen right now, but he’s the calmer of group. “imma put this out there y/n and i hope i won’t regret it” he took a deep breath in as he held both of your hands in his, thumbs softly pressing down on your skin. “i know we agreed to be casual but this isn’t working for me anymore. i want us to properly be together, if that’s what you want too of course” he paused and waited for your response, avoiding your gaze. you responded with “of course it’s what i want too co-” but before you could finish his name, he hugged you tightly, squeezing your breath out of you and kissing all over your face the moment he pulled away. “is it too early to ask you to meet my mum?” connie pleaded innocently.

jean will play it nonchalant, as if he wasn’t about to burst and die because he wasn’t sure about your situation either, but was too scared to be the one to ask you first! “the talk” is quite welcome though, you can see how jean seemed more calm the more you talked about your situationship and where it might lead you, agreeing that you’re in it for the long run. he’s been giving you the puppiest of eyes throughout your conversation, only shifting his gaze elsewhere to put a strand lock of hair behind your ear or to caress your cheek. did i mention he has the goofiest smile? you almost thought he might be having a stroke, but poor boy is just so in love with you, he can’t believe you’re also in love with him.

sasha freaks out and begins to jitter. “what do you mean “what are we” y/n? are we not lovers? romantic lovers? very much in love? did i do something wrong? have i hurt you? what did i do?” you have to stop her rumbling by physically shutting her mouth with your hand and explain that everything’s fine between you, you simply wanted to clear any ambiguities and talk things through, but as you explained your trail of thought and why “the talk” was so important to you, you noticed sasha was spacing off, the look on her face turning more and more absent by the second. “hey, are you still here?” you’d question, but sasha’s response was “what’s an “ambiguities” baby?”

read part 2

[physalian]

Pacing your Story (Or, How to Avoid the "Suddenly...!")

Arguably *the* most important lesson all writers need to learn, even for those who don’t give a damn about themes and motifs and a moral soap box: How your story is paced, whether it’s a comic book, a children’s chapter book, a doorstopper, a mini series, a movie, or a full-length season of TV (old school style), pacing is everything.

Pacing determines how long the story *feels* regardless of how long it actually is. It can make a 2 hour movie feel like 90 mins or double the time you’re trapped in your seat.

There’s very little I can say about pacing that hasn’t been said before, but I’m here to condense all that’s out there into a less intimidating mouthful to chew.

So: What is pacing?

Pacing is how a story flows, how quickly or slowly the creator moves through and between scenes, how long they spend on setting, narration, conversation, arguments, internal monologues, fight scenes, journey scenes. It’s also how smoothly tone transitions throughout the story. A fantasy adventure jumping around sporadically between meandering boredom, high-octane combat, humor, grief, and romance is exhausting to read, no matter how much effort you put into your characters.

Anyone who says the following is wrong:

Good pacing is always fast/bad pacing is always slow

Pacing means you are 100% consistent throughout the entire story

It doesn’t matter as much so long as you have a compelling story/characters/lore/etc

Now let me explain why in conveniently numbered points:

1. Pacing is not about consistency, it’s about giving the right amount of time to the right pieces of your story

This is not intuitive and it takes a long time to learn. So let’s look at some examples:

Lord of the Rings: The movies trimmed a *lot* from the books that just weren’t adaptable to screen, namely all the tedious details and quite a bit of the worldbuilding that wasn’t critical to the journey of the Fellowship. That said, with some exceptions, the battles are as long as they need to be, along with every monologue, every battle speech. When Helm’s Deep is raging on, we cut away to Merry and Pippin with the Ents to let ourselves breathe, then dive right back in just before it gets boring.

The Hobbit Trilogy: The exact opposite from LotR, stretching one kids book into 3 massive films, stuffing it full of filler, meandering side quests, pointless exposition, drawing out battles and conflicts to silly extremes, then rushing through the actual desolation of Smaug for… some reason.

Die Hard (cause it’s the Holidays y’all!): The actiony-est of action movies with lots of fisticuffs and guns and explosions still leaves time for our hero to breathe, lick his wounds, and build a relationship with the cop on the ground. We constantly cut between the hero and the villains, all sharing the same radio frequency, constantly antsy about what they know and when they’ll find out the rest, and when they’ll discover the hero’s kryptonite.

2. Make every scene you write do at least two things at once

This is also tricky. Making every scene pull double duty should be left to after you’ve written the first draft, otherwise you’ll never write that first draft. Pulling double duty means that if you’re giving exposition, the scene should also reveal something about the character saying it. If you absolutely must write the boring trip from A to B, give some foreshadowing, some thoughtful insight from one of your characters, a little anecdote along the way.

Develop at least two of the following:

The plot

The backstory

The romance/friendships

The lore

The exposition

The setting

The goals of the cast

Doing this extremely well means your readers won’t have any idea you’re doing it until they go back and read it again. If you have two characters sitting and talking exposition at a table, and then those same two characters doing some important task with filler dialogue to break up the narrative… try combining those two scenes and see what happens.

**This is going to be incredibly difficult if you struggle with making your stories longer. I do not. I constantly need to compress my stories. **

3. Not every scene needs to be crucial to the plot, but every scene must say something

I distinguish plot from story like a square vs a rectangle. Plot is just a piece of the tale you want to tell, and some scenes exist just to be funny, or romantic, or mysterious, plot be damned.

What if you’re writing a character study with very little plot? How do you make sure your story isn’t too slow if 60% of the narrative is introspection?

Avoid repeating information the audience already has, unless a reminder is crucial to understanding the scene

This isn’t 1860 anymore. Every detail must serve a purpose. Keep character and setting descriptions down to absolute need-to-know and spread it out like icing on a cake – enough to coat, but not give you a mouthful of whipped sugar and zero cake.

Avoid describing generic daily routines, unless the existence of said routine is out of ordinary for the character, or will be rudely interrupted by chaos. No one cares about them brushing their teeth and doing their hair.

Make sure your characters move, but not too much. E.g. two characters sitting and talking – do humans just stare at each other with their arms lifeless and bodies utterly motionless during conversation? No? Then neither should your characters. Make them gesture, wave, frown, laugh, cross their legs, their arms, shift around to get comfortable, pound the table, roll their eyes, point, shrug, touch their face, their hair, wring their hands, pick at their nails, yawn, stretch, pout, sneer, smirk, click their tongue, clear their throat, sniff/sniffle, tap their fingers/drum, bounce their feet, doodle, fiddle with buttons or jewelry, scratch an itch, touch their weapons/gadgets/phones, check the time, get up and sit back down, move from chair to table top – the list goes on. Bonus points if these are tics that serve to develop your character, like a nervous fiddler, or if one moves a lot and the other doesn’t – what does that say about the both of them? This is where “show don’t tell” really comes into play.

4. Your entire work should not be paced exactly the same

Just like a paragraph should not be filled with sentences of all the same length and syntax. Some beats deserve more or less time than others. Unfortunately, this is unique to every single story and there is no one size fits all.

General guidelines are as follows:

Action scenes should have short paragraphs and lots of movement. Cut all setting details and descriptors, internal monologues, and the like, unless they service the scene.

Journey/travel scenes must pull double or even triple duty. There’s a reason very few movies are marketed as “single take” and those that are don’t waste time on stuff that doesn’t matter. See 1917.

Romantic scenes are entirely up to you. Make it a thousand words, make it ten thousand, but you must advance either the romantic tension, actual movement of the characters, conversation, or intimacy of the relationship.

Don’t let your conversations run wild. If they start to veer off course, stop, boil it down to its essentials, and cut the rest.

When transitioning between slow to faster pacing and back again, it’s also not one size fits all. Maybe it being jarring is the point – it’s as sudden for the characters as it is for the reader. With that said, try to keep the “suddenly”s to a minimum.

5. Pacing and tone go hand in hand

This means that, generally speaking, the tone of your scene changes with the speed of the narrative. As stated above, a jarring tonal shift usually brings with it a jarring pacing shift.

A character might get in a car crash while speeding away from an abusive relationship. A character who thinks they’re safe from a pursuer might be rudely and terrifyingly proven wrong. An exhausting chase might finally relent when sanctuary is found. A quiet dinner might quickly turn romantic with a look, or confession. Someone casually cleaning up might discover evidence of a lie, a theft, an intruder and begin to panic.

--

Whatever the case may be, a narrative that is all action all the time suffers from lack of meaningful character moments. A narrative that meanders through the character drama often forgets there is a plot they’re supposed to be following.

[thewickwheat]

I'm going to a post full details under the cut, but a short run down:

I've sort of vaguely mentioned this here and there but this year I'm forcing myself to go on a long hiatus. Its been something in the plans for years now, but I can't put it off any longer because 2024 was the worst wrist pain I've dealt with and I don't want to risk permanently damaging myself if I haven't already.

If you're waiting on a comm, don't worry! My hiatus won't officially start until I've finished them all up (estimating April-May to finish up everything), so just bare with me!

Character Sheet comms are staying open

If you're able and willing to support me during this break, please check out my shops or my Patreon!

Ko-Fi - Physical/Digital Merch + Donations

INPRNT - Physical Prints

Patreon - Process Videos and WiPs

Full details and extra info under the cut

So this has been a long time coming but this year I’ll be taking a long hiatus. This is something I’ve wanted to do for years but I can’t put it off any longer due to how bad my wrist pain was in 2024. I’m feeling incredibly burnt out as well and my turn around times growing longer and longer is a very clear sign of it. It also means I’ve had a growing anxiety that if I continue at this pace I will end up doing permanent damage to my body, if I haven’t already. Creating art is the one thing I know I want to do for the rest of my life, be that drawing for myself or helping other people see their visions come to life, and I don’t want to put that at risk.  

So I can’t put my hiatus off any longer and I’m making this year the start. If you are still waiting on a commission from me, don’t worry! I am going to keep working on them and my official hiatus time won’t start until everything has been finished up. I’m estimating April to May to get everything cleared off the table since I’m going to work at a steady pace. Character sheet commissions are going to remain open, they are not in high demand and I can put them in a queue and so should anyone have interest in one during my hiatus, it could be something I pick up when I need the extra cash. However all other types of commissions are going to be unavailable for the foreseeable future. 

I am aiming for a 6 month long hiatus at the least. If I can go longer I will aim for a full year break. Freelance and commission work has been my main source of income for over 10 years now, so during this time I may also look into getting a part time job so I don't have to rely so heavily on art, which will also affect how much I’ll be able to take on in the future. I’m not quitting art during this hiatus, I do want to keep drawing and creating! But I will be working at a slower pace, creating for myself, experimenting and trying other projects. I also have more merch ideas on the list to work on! I’ve got some plush designs I want to have made,namely a new Zenos plush that will have doll fiber hair that can be brushed and styled.

I will also design more tag style keychains with more XIV characters (like the Scions and other major NPCs), since people have really liked those a lot! I’ll also plan out some other ideas and maybe design some original design plushies or other merch. We’ll see!

If anyone enjoys my work and wants to help support me during my hiatus, please check out my available merch. I have prints on INPRNT, and a variety of items on Ko-Fi (limited prints, artbooks both physical and digital, keychains, stickers, etc.), I also have a patreon where I post process videos of illustrations. You can also drop donations of my Ko-Fi. I will be adding a goal that I’ll set at a high amount I don't expect to reach, just because I personally want a visual of donations or purchases during my break. Even small donations would mean a lot. If only 10% of my followers on twitter or tumblr bought a single Ko-Fi donation, it would be a substantial amount of money. I say this not to guilt folks into donating, but to point out small donations can still have a lot of power. And so I appreciate any support at all!

Thank you so much if you read this entire message. It means a lot to me and I hope a good long break means when I’m  able to get back to commission and freelance I’ll approach them with much more vigor and skill!

[darkficsyouneveraskedfor]

Squeaky Clean 3

Warnings: non/dubcon and other dark elements. My username actually says you never asked for any of this.

My warnings are not exhaustive but be aware this is a dark fic and may include potentially triggering topics. Please use your common sense when consuming content. I am not responsible for your decisions.

Character: Steve Rogers

Summary: You start work as a maid but you’re not prepared for the mess your client brings with him. (maid AU – plus!reader)

Note: yeah…

As usual, I would appreciate any and all feedback. I’m happy to once more go on this adventure with all of you! Thank you in advance for your comments and for reblogging ❤️

Your work is cursory. There’s really no need for you to be there Monday to Friday but you won’t complain for the pay check. Or the repetition. You prefer habit over spontaneity. When you took on the job, your biggest concern was the unpredictability. 

That day, the house is empty as you work. You’re relieved. It’s easier to just do you sweep through, mop a bit where needed, dust surfaces that are still clean from the day before. It’s not as tedious as when you need to keep conversation with your hovering client. 

As you empty the crumb tray of the toaster, your peace is punctured. The front door opens and closes and you hear Steve’s voice. He’s not talking to you, if he even expects you to be there. 

“Sam, yeah, I don’t know,” he sounds agitated. “I called him. Didn’t pick up for me either. Shoot.” 

There’s a silence as he listens to the other end of the conversation. You slide the tray back in the appliance as you tip toe around. You collect the errant crumbs from the counter top.  

“My shoulder...” Steve groans. “I know, I know, you told me--” 

You’re half-startled as Steve appears in the kitchen door, his shirt pulled up to his chest, crooked as he has one shoulder free of it. He freezes as you face him cluelessly. He clears his throat. 

“Uh, Sam, call ya back.” He hangs up and nears the island, setting the phone down. He pushes his arm back in his shirt and pulls it down, covering his muscled stomach as his eyes drift away bashfully. “I didn’t hear you.” 

“That’s fine,” you assure him. “Finishing up.” You go to the bin and dust off your hands over it. You let the lid shut. “Bag’s only half full, I’ll take it tomorrow.” 

“No problem,” he says. 

You’re quiet as you gather up your cleaner and cloth. You bring it all to the door as he heads in the same direction. You both stop right at the threshold, unsure of the other. 

“Hey, uh, so... everything okay? Anything I can do to make your job easier?” he asks. 

The reply that flickers wouldn’t be very nice. You’re sure it would be much simpler without him always asking you that. Still, you have to appreciate his concern. Another girl in the agency told you about how her client barely says a word. Of how nervous it makes her.  

Steve makes you uneasy in a different way. Is there a such thing as too nice? You’ve been told you’re too pessimistic so surely the pendulum can swing in the other direction. 

“Everything’s fine,” you assure him. 

“I try not to leave too much mess,” he says with a smile. 

“Right, that’s... good. Thanks.” 

Slowly, you inch forward. You squeeze past him into the next room. Despite your efforts to shrink, you still manage to brush against him. You swear his fingers tickle just along your thigh. You don’t linger to think about it. Or rather, overthink it. 

You put your things in your kit and give a once over. His shadow looms in the kitchen door as he watches you. Again, you get the sense that he might have control issues. Some people just can’t let go of the steering wheel. 

“Hey, uh, I got an odd request,” he steps forward before you can return to the entry way. 

You pause and step back to face him, “alright?” 

“I was training this morning,” he reaches and rubs his shoulder, “you know, I think I stretched something and I can’t quite reach--” 

You blink as your brows draw together. He’s not asking you to do that, is he? 

“I know it’s kinda weird. You can say no,” he keeps his hand clamped around his muscle. “It’s just tugging the back of my neck like a fish hook.” 

“No,” you say, almost a bit too quickly. “No, I don’t think I can do that.” 

“Ah, yeah, obviously,” he chuckles. “You’re just the maid. It’s probably against the rules, huh?” 

You stare at him, fighting not to let your expression curdle. That’s very strange. This is strange. If anyone knew that Captain America was this socially awkward, they might not be star struck by the golden mane and shining shield. 

“Yep,” you say. “Uh, anyway, I think I got everything.” 

“You know,” he crosses the room as you flit out into the entryway. “I wouldn’t ask if it didn’t really hurt. I just, you know, I’m here alone. Don’t really have anyone else to ask.” 

“Sorry about that,” you shrug as you zip up your jacket. “You could try a masseuse.” 

He crosses his arms and stands over you as you pull on your shoes. “Yeah, that’s a good idea.” 

You stand up and go to grab your kit. He bends too, coming so close, you feel his breath. You look up and your noses nearly touch. You recoil and rip your hand away, knocking the bucket so the long duster and the roll of paper towels spill out. 

“Oh, uh, you surprised me,” you bend to gather up the roll and duster. 

“No problem, just trying to help,” he towers over you as you slowly straighten. You gulp and reach for the handle of your kit. 

“That’s nice of you but I think I got it,” you put your hand around the plastic, right next to his, but he doesn’t let go. You hug the armful of supplies as you tug lightly. “Really, I got it.” 

He yanks back so you’re forced closer to him. Your skins speckles and stings with sweat. You bat your eyes up at him. “So, you spend all day cleaning, you must get sore. What do you do?” 

“Erm,” you narrow your eyes as you feel his grip tighten on the kit. “A hot bath, I guess?” 

“Hot bath...” he echoes. “Sounds nice.” 

“Maybe some epsom salts,” you suggest and try to wiggle the bucket. “Steve, uh, I gotta go.” 

He nods, “you gonna have a hot bath?” 

Your chest feels clogged as you try not to falter. You’re not overreacting. He’s being... a lot. 

“I got another job,” you utter. “Please...” 

Your voice cracks without meaning to. You stare up at him and his brows rise slightly. He lets go of the bucket and smiles. 

“Sure, sure, you work so hard,” he turns his palms out then firmly braces his hips, striking that classic Cap pose. “I hope you get that hot bath.” 

You put the towels and duster back in the bucket and hold it with both hands. You grit your teeth and back up. “See ya tomorrow.” 

“See ya then,” he winks. 

You hurry for the door and he follows. You almost feel like he’s chasing you. You feel foolish for that thought as he pulls the door open and lets you out. You don’t look back as you flee. Can he see how uncomfortable you are? Does he even care? 

You’re starting to think this might not be a control thing. Not in the way you thought. 

[buckets-and-trees]

Cedar Trees OR I’m Your Man + sleepy morning orgasm 😘

Both! both both both!

BUT

I did write FINALLY FINISH a little something for one of them. I've been thinking of this man for quite a while...

Title: Morning Radiance Characters/Pairings: soft dark!Mafia!Andy Barber x female!reader Word Count: 750

Content Warnings: explicit smut - nipple play, spanking, oral - female receiving, vaginal fingering, implied oral - male receiving, somnophilia, DUBIOUS CONSENT

Logistical Notes: Takes place immediately after I'm Your Man. Probably can't stand alone. Not edited.

↠ Masterlist | Aspen's Ask Box | Field Guide to the Forest

You stir slowly into consciousness, your body already humming with pleasure, but every inch of you is also still heavy with exhaustion. There's a warm glow of morning sun touching your skin, but it's not too bright yet.

You become aware of a warm, wet mouth worshipping your breast, and you let out a content little sigh. A large hand is kneading at the other breast, but your stirring spurs that calloused hand to move down the softness of your stomach, caress your hip, and then down the length of your leg. When it moves back up, this time along the tender flesh of your inner thigh, you spread your legs and give a little hum, aware of your nakedness and glad you don’t have to rustle out of any clothes and can cling to the strings of sleepiness. You’re already wet, and you distantly register you don’t know how long your bedmate has been working your body.

A nip at the underswell of your breast makes you gasp and draws you closer to wakefulness, but your closed eyes are still too content, so you stay mostly in your sleepy state.

“Mmm, I love how responsive you are,” the voice still thick with morning roughness makes you tense as the events of the night before flood your memory.

It’s Andy Barber’s voice.

It’s Andy Barber’s palatial bed you’re in.

It’s Andy Barber’s beard and lips and tongue exquisitely torturing your breast. His hand teasing your thoroughly ruined pussy.

Andy Barber who thoroughly ruined and punished your holes and limbs.

Andy who dangled ruining your career and reputation by spreading the word you were a thief after having someone plant three of his Rolex watches in your bag and “confronting” you about it after all was said and done with the charity gala you had planned and executed flawlessly.

He removes his hand only to rain down a quick succession of slaps to your pussy, and you cry out and try to snap your legs closed, but it’s futile as part of his lower half rests over your right leg, keeping you splayed out for him.

“Don’t worry, sweetheart,” he murmurs against your breast before giving it one more long suck. “I’ll always temper the pain with pleasure.”

You whimper and try again to move your hips, but he bars them to the bed and quickly settles at your core, nestled between your thighs with your legs over his shoulders.

And then he worships your cunt with slow kisses and long licks, soothing the sting he’d inflicted and stoking your body’s need for him.

“No,” you whine.

He chuckles because even as the protest falls from your lips, your right hand comes down to twine your fingers in his hair and push him more firmly against your dripping hole.

You bring your other hand up to cover your face, and then you pull it back, clocking the unfamiliar feel of metal against your skin and unexpected weight there.

Twisting your wrist to look at the back of your hand, you gasp at the flawless, sparkling diamond engagement ring. It’s larger than anything you would have dreamed of, but just within the realm of still being tasteful and not ostentatious.

He slipped it on your hand at some point in the night.

“You like it?” Andy pauses, leaning up to look at you and gage your reaction.

“It’s gorgeous,” you confess, but it’s one more thing you didn’t ask for, didn’t get to choose, in a long line of things Andy has promised and taken since revealing what he wanted last night.

“It’s perfect for you,” he says with satisfaction before returning to your clit.

You whimper as he edges you ever closer to orgasm.

The previous night he’d wrung every drop of pleasure out of you, playing your body until you passed out with exhaustion. He’d told you not to plan on leaving his bed this weekend, and as he pushes you onto that precipice yet again, you don’t question now how serious he is. He plunges two thick fingers into your hole, and you groan in the bliss that overtakes you.

He lets you catch your breath while he kisses back up your body, then kneels over your chest and taps his hard cock to your chin. “Come on, sweetheart, let me see that pretty ring shine while you jerk me off and suck the tip of my cock.”

And that’s only the first set of orgasms for the morning.

He’s got the rest of Saturday and Sunday to enjoy his new fiancé.

read the next part: PREPARE FOR TAKEOFF I'm Your Man Collection

Do we still like I'm Your Man Andy? I know I haven't posted anything for them since December...

↠ Main Masterlist | Aspen's Ask Box | Field Guide to the Forest

I do not do tag lists, but FOLLOW @buckets-and-stories and TURN ON NOTIFICATIONS to be updated any time I publish a new work!

[mrs-stans]

Sebastian Stan Tells All: Becoming Donald Trump, Gaining 15 Pounds and Starring in 2024’s Most Controversial Movie

By Daniel D'Addario

Sebastian Stan Variety Cover Story

It started with the most famous voice on the planet, the one that just won’t shut up.

Sebastian Stan, in real life, sounds very little like Donald Trump, whom he’s playing in the new film “The Apprentice.” Sure, they share a tristate accent — Stan has lived in the city for years and attended Rutgers University before launching his career — but he speaks with none of Trump’s emphasis on his own greatness. Trump dwells, Stan skitters. Trump attempts to draw topics together over lengthy stem-winders (what he recently called “the weave”), while Stan has a certain unwillingness to be pinned down, a desire to keep moving. It takes some coaxing to bring Stan, a man with the upright bearing and square jaw of a matinee idol, to speak about his own process — how hard he worked to conjure a sense Trump, and how he sought to bring out new insights about America’s most scrutinized politician.

“I think he’s a lot smarter than people want to say about him,” Stan says, “because he repeats things consistently, and he’s given you a brand.” Stan would know: He watched videos of Trump on a loop while preparing for “The Apprentice.” In the film, out on Oct. 11, Stan plays Trump as he moves from insecure, aspiring real estate developer to still insecure but established member of the New York celebrity firmament.

We’re sitting over coffee in Manhattan. Stan is dressed down in a black chore coat and black tee, yet he’s anything but a casual conversation partner. He rarely breaks eye contact, doing so only on the occasions when he has something he wants to show me on his iPhone (cracked screen, no case). In this instance, it’s folders of photos and videos labeled “DT” and “DT PHYSICALITY.”

“I had 130 videos on his physicality on my phone,” Stan says. “And 562 videos that I had pulled with pictures from different time periods — from the ’70s all the way to today — so I could pull out his speech patterns and try to improvise like him.” Stan, deep in character, would ad-lib entire scenes at director Ali Abbasi’s urging, drawing on the details he’d learned from watching Trump and reading interviews to understand precisely how to react in each moment.

“Ali could come in on the second take and say, ‘Why don’t you talk a little bit about the taxes and how you don’t want to pay?’ So I had to know what charities they were going to in 1983. Every night I would go home and try not only to prepare for the day that was coming, but also to prepare for where Ali was going to take this.”

Looking at Stan’s phone, among the endless pictures of Trump, I glimpse thumbnails of Stan’s own face perched in a Trumpian pout and videos of the actor’s preparation just aching to be clicked — or to be stored in the Trump Presidential Library when this is all over in a few months, or in 2029, or beyond.

“I started to realize that I needed to start speaking with my lips in a different way,” Stan says. “A lot of that came from the consonants. If I’m talking, I’m moving forward.” On film, Stan shapes his mouth like he can’t wait to get the plosives out, puckering without quite tipping into parody. “The consonants naturally forced your lips forward.”

“If he did 10% more of what he did, it would become ‘Saturday Night Live,’” Abbasi says. “If he did 10% less, then he’s not conjuring that person. But here’s the thing about Sebastian: He’s very inspired by reality, by research. And that’s also the way I work; if you want to go to strange places, you need to get your baseline reality covered very well.”

A little later, Stan passes me the phone again to show me a selfie of him posing shirtless and revealing two sagging pecs and a bit of a gut. He’s pouting into a mirror. If his expression looks exaggerated, consider that he was in Marvel-movie shape before stepping into the role of the former president; the body transformation happened rapidly and jarringly. Trump’s size is a part of the film’s plot — as Trump’s sense of self inflates, so does he. In a rush to meet the shooting deadline for “The Apprentice,” Abbasi asked Stan, “How much weight can you gain?”

“You’d be surprised,” Stan tells me. “You can gain a lot of weight in two months.” (Fifteen pounds, to be exact.)

Now he’s back in fighting form, but the character has stayed with him. After years of playing second-fiddle agents of chaos — goofball husbands to Margot Robbie’s and Lily James’ characters in “I, Tonya” and Hulu’s “Pam & Tommy,” surly frenemy to Chris Evans’ Captain America in the Marvel franchise — Stan plunged into the id of the man whose appetites have reshaped our world. He had to have a polished enough sense of Trump that he could improvise in character, and enough respect for him to play him as a human being, not a monster.

It’s one of two transformations this year for Stan — and one that might give a talented actor that most elusive thing: a brand of his own. He’s long been adjacent enough to star power that he could feel its glow, but he hasn’t been the marquee performer. While his co-stars have found themselves defined by the projects he’s been in — from “Captain America” and “I, Tonya” back to his start on “Gossip Girl” — he’s spent more than a decade in the public eye while evading being defined at all.

This fall promises to be the season that changes all that: Stan is pulling double duty with “The Apprentice” and “A Different Man” (in theaters Sept. 20), in which he plays a man afflicted with a disfiguring tumor disorder who — even when presented with a fantastical treatment that makes him look like, well, Sebastian Stan — can’t be cured of ailments of the soul. For “A Different Man,” Stan won the top acting prize at the Berlin Film Festival; for “The Apprentice,” the sky’s the limit, if it can manage to get seen. (More on that later.)

One reason Stan has largely evaded being defined is that he’s never the same twice, often willing to get loopy or go dark in pursuit of his characters’ truths. That’s all the more true this year: In “The Apprentice,” he’s under the carapace of Trumpiness; in “A Different Man,” his face is hidden behind extensive prosthetics.

“In my book, if you’re the good-looking, sensitive guy 20 movies in a row, that’s not a star for me,” says Abbasi, who compares Stan to Marlon Brando — an actor eager to play against his looks. “You’re just one of the many in the factory of the Ken dolls.”

This fall represents Stan’s chance to break out of the toy store once and for all. His Winter Soldier brought a jolt of evil into Captain America’s world, and his Jeff Gillooly was the devil sitting on Tonya Harding’s shoulder. Now Stan is at the center of the frame, playing one of the most divisive characters imaginable. So he’s showing us where he can go. The spotlight is his, and so is the risk that comes with it.

Why take such a risk?

The script for “The Apprentice,” which Stan first received in 2019, but which took years to come together, made him consider the American dream, the one that Trump achieved and is redefining.

Stan emigrated with his mother, a pianist, from communist Romania as a child. “I was raised always aware of the American dream: America being the land of opportunity, where dreams come true, where you can make something of yourself.” He pushes the wings of his hair back to frame his face, a gold signet ring glinting in the late-summer sunlight, and, briefly, I can hear a hint of Trump’s directness of approach. “You can become whoever you want, if you just have a good idea.” Stan’s good idea has been to play the lead in movies while dodging the formulaic identity of a leading man, and this year will prove just how far he can take it.

“The Apprentice” seemed like it would never come together before suddenly it did. This time last year, Stan was sure it was dead in the water, and he was OK with that. “If this movie is not happening, it’s because it’s not meant to happen,” he recalls thinking. “It will not be because I’m too scared and walk away.”

Called in on short notice and filming from November 2023 to January of this year (ahead of a May premiere in Cannes), Stan lent heft and attitude to a character arc that takes Trump from local real estate developer in the 1970s to national celebrity in the 1980s. He learns the rough-and-tumble game of power from the ruthless and hedonistic political fixer Roy Cohn (Jeremy Strong), eventually cutting the closeted Cohn loose as he dies of AIDS and alienating his wife Ivana (Maria Bakalova) in the process. (In a shocking scene, Donald sexually assaults Ivana in their Trump Tower apartment.) For all its edginess, the film is about Trump’s personality — and the way it calcified into a persona — rather than his present-day politics. (Despite its title, it’s set well before the 2004 launch of the reality show that finally made Trump the superstar he longed to be.)

And despite the fact that Trump has kept America rapt since he announced his run for president in 2015, Hollywood has been terrified of “The Apprentice.” The film didn’t sell for months after Cannes, an unusual result for a major English-language competition film, partly because Trump’s legal team sent a cease-and-desist letter attempting to block the film’s release in the U.S. while the fest was still ongoing. When it finally sold, it was to Briarcliff Entertainment, a distributor so small that the production has launched a Kickstarter campaign to raise money so that it will be able to stay in theaters.

Yes, Hollywood may vote blue, but it’s not the same town that released “Fahrenheit 9/11” or even “W.,” let alone a film that depicts the once (and possibly future) president raping his wife. (The filmmakers stand behind that story. “The script is 100% backed by my own interviews and historical research,” says Gabriel Sherman, the screenwriter and a journalist who covers Trump and the American conservative movement. “And it’s important to note that it is not a documentary. It’s a work of fiction that’s inspired by history.”) Entertainment corporations from Netflix to Disney would be severely inconvenienced if the next president came into office with a grudge against them.

“I am quite shocked, to be honest,” Abbasi says. “This is not a political piece. It’s not a hit piece; it’s not a hatchet job; it’s not propaganda. The fact that it’s been so challenging is shocking.” Abbasi, born in Iran, was condemned by his government over his last film, “Holy Spider,” and cannot safely return. He sees a parallel in the response to “The Apprentice.” “OK, that’s Iran — that is unfortunately expected. But I wasn’t expecting this.”

“Everything with this film has been one day at a time,” Stan says. The actor chalks up the film’s divisiveness to a siloed online environment. “There are a lot of people who love reading the [film’s] Wikipedia page and throwing out their opinions,” he says, an edge entering his voice. “But they don’t actually know what they’re talking about. That’s a popular sport now online, apparently.”

Unprompted, Stan brings up the idea that Trump is so widely known that some might think a biographical film about him serves no purpose. “When someone says, ‘Why do we need this movie? We know all this,’ I’ll say, ‘Maybe you do, but you haven’t experienced it. The experience of those two hours is visceral. It’s something you can hopefully feel — if you still have feelings.’”

After graduating from Rutgers in 2005, Stan found his first substantial role on “Gossip Girl,” playing troubled rich kid Carter Baizen. Like teen soaps since time immemorial, “Gossip Girl” was a star-making machine. “It was the first time I was in serious love with somebody,” he says. (He dated the series’ star, Leighton Meester, from 2008 to 2010.) He feels nostalgic for that moment: “Walking around the city, seeing these same buildings and streets — life seemed simpler.”

Stan followed his “Gossip Girl” gig with roles on the 2009 NBC drama “Kings,” playing a devious gay prince in an alternate-reality modern world governed by a monarchy, and the 2012 USA miniseries “Political Animals,” playing a black-sheep prince (and once again a gay man) of a different sort — the son of a philandering former president and an ambitious former first lady.

When I ask him what lane he envisioned himself in as a young actor, he shrugs off the question. “I grew up with a single mom, and I didn’t have a lot of male role models. I was always trying to figure out what I wanted to be. And at some point, I was like, I could just be a bunch of things.”

Which might seem challenging when one is booked to play the same character, Bucky Barnes, in Marvel movie after Marvel movie. Bucky’s adventures have been wide-ranging — he’s been brainwashed and turned evil and then brought back to the home team again, all since his debut in 2011’s “Captain America: The First Avenger.” Next year, he’ll anchor the summer movie “Thunderbolts,” as the leader of a squad of quirky heroes played by, among others, Julia Louis-Dreyfus and Florence Pugh. It’s easy to wonder if this has come to feel like a cage of sorts.

Not so, says Stan. His new Marvel film “was kind of like ‘One Flew Over the Cuckoo’s Nest’ — a guy coming into this group that was chaotic and degenerate, and somehow finding a way to unite them.”

Lately, knives have been out for Marvel movies as some have disappointed at the box office, and “Thunderbolts,” which endured strike delays and last-minute cast changes, has been under scrutiny.

“It’s become really convenient to pick on [Marvel films],” Stan says. “And that’s fine. Everyone’s got an opinion. But they’re a big part of what contributes to this business and allows us to have smaller movies as well. This is an artery traveling through the system of this entire machinery that’s Hollywood. It feeds in so many more ways than people acknowledge.” He adds, “Sometimes I get protective of it because the intention is really fucking good. It’s just fucking hard to make a good movie over and over again.”

Which may account for an eagerness to try something new. “In the last couple of years,” he says, “I’ve gotten much more aggressive about pursuing things that I want, and I’m constantly looking for different ways of challenging myself.”

The challenge continued throughout the shoot of “The Apprentice,” as Stan pushed the material. “One of the most creatively rewarding parts of the process was how open Sebastian was to giving notes on the script but also wanting to go beyond the script,” says Sherman, the screenwriter. “If he was interested in a certain aspect of a scene, he was like, Can you find me a quote?” he recalls.

Building a dynamic through improvised scenes, Stan and Strong stayed in character throughout the “Apprentice” shoot. “I was doing an Ibsen play on Broadway,” says Strong, who won a Tony in June for his performance in “An Enemy of the People,” “and he came backstage afterwards. And it was like — I’d never really met Sebastian, and I don’t think he’d ever met me. So it was nice to meet him.”

Before the pair began acting together, they didn’t rehearse much — “I’m not a fan of rehearsals,” Strong says. “I think actors are best left in their cocoon, doing their work, and then trusted to walk on set and be ready.” The two didn’t touch the script together until cameras went up — though they spent a preproduction day, Strong says, playing games in character as Donald and Roy.

After filming, both have kept memories of the hold their characters had on them. They shared a flight back from Telluride — a famously bumpy trip out of the mountains. “He’s a nervous flyer, and I’m a nervous flyer,” Stan says. Both marveled at the fact that they’d contained their nerves on the first day of shooting “The Apprentice,” when their characters traveled together via helicopter. “We both go, ‘Yeah — but there was a camera.’”

Stan’s aggressive approach to research came in handy on “A Different Man,” which shot before “The Apprentice.” His character’s disorder, neurofibromatosis, is caused by a genetic mutation and presents as benign tumors growing in the nervous system. After being healed, he feels a growing envy for a fellow sufferer who seems unbothered by his disability.

Stan’s co-star, Adam Pearson, was diagnosed with neurofibromatosis in early childhood. Stan found the experience challenging to render faithfully. “I said many times, I can do all the research in the world, but am I ever going to come close to this?” Stan says. “How am I going to ever do this justice?”

Plus, he had precious little time to prepare: “He was fully on board, and the film was being made weeks later,” director Aaron Schimberg says. “Zero to 60 in a matter of weeks.”

The actor grappled for something to hold on to, and Pearson sug gested he refer to his own experience of fame. “Adam said to me, ‘You know what it’s like to be public property,’” Stan says.

Pearson recalls describing the experience to Stan this way: “While you don’t understand the invasiveness and the staring and the pointing that I’ve grown up with, you do know what it’s like to have the world think you owe them something.”

That sense of alienation becomes universal through the film’s storytelling: “A Different Man” takes its premise as the jumping-off point for a deep and often mordant investigation of who we all are underneath the skin.

The film was shot in 22 days in a New York City heat wave, and there was, Schimberg says, “no room for error. I would get four or five takes, however many I could squeeze out, but there’s no coverage.”

Through it all, Stan’s performance is utterly poised — Schimberg and Stan discussed Buster Keaton as a reference for his ability to be “completely stone-faced” amid chaos, the director says. And the days were particularly long because Oscar-nominated prosthetics artist Michael Marino was only able to apply Stan’s makeup in the early morning, before going to his job on the set of “The Marvelous Mrs. Maisel.”

“Even though I wasn’t shooting until 11 a.m., I would go at like 5 in the morning to his studio, or his apartment,” Stan recalls. The hidden advantage was that Stan had hours to kill while made up like his character, the kind of person the world looks past. “I wanted to walk around the city and see what happened,” Stan says. “On Broadway, one of the busiest streets in New York, no one’s looking at me. It’s as if I’m not even there.” The other reaction was worse: “Somebody would immediately stop and very blatantly hit their friend, point, take a picture.”

It was a study in empathy that flowed into the character. Stan had spoken to Pearson’s mother, who watched her son develop neurofibromatosis before growing into a disability advocate and, eventually, an actor. “She said to me, ‘All I ever wanted was for someone to walk in his shoes for a day,’” Stan recalls. “And I guess that was the closest I had ever come.”

“The Apprentice” forced Stan, and forces the viewer, to do the same with a figure that some 50% of the electorate would sooner forget entirely. And that lends the film its controversy. Those on the right, presupposing that the movie is an anti-Trump document, have railed against it. In a statement provided to Variety, a Trump campaign spokesman said, “This ‘film’ is pure malicious defamation, should never see the light of day and doesn’t even deserve a place in the straight-to-DVD section of a bargain bin at a soon-to-be-closed discount movie store, it belongs in a dumpster fire.” The campaign threatened a lawsuit, though none has materialized.

Asked about the assault scene, Stan notes that Ivana had made the claim in a deposition, but later walked it back. “Is it closer to the truth, what she had said directly in the deposition or something that she retracted?” he asks. “They went with the first part.”

The movie depicts, too, Ivana’s carrying on with her marriage after the violation, which may be still more devastating. “How do you overcome something like this?” asks Bakalova. “Do you have to put on a mask that everything is fine? In the next scene, she’s going to play the game and pretend that we’re the glamorous, perfect couple.” The Trumps, in “The Apprentice,” live in a world of paper-thin images, one that grows so encompassing that Donald no longer feels anything for the people to whom he was once loyal. They’re props in his stage show.

“The Apprentice” will drop in the midst of the most chaotic presidential election of our lifetime. “The way it lands in this extremely polarized situation, for me as an artist, is exciting. I won’t lie to you,” says Abbasi.

When asked if he was concerned about blowback from a Trump 47 presidency, Stan says, “You can’t do this movie and not be thinking about all those things, but I really have no idea. I’m still in shock from going from an assassination attempt to the next weekend having a president step down [from a reelection bid].”

Stan’s job, as he sees it, was to synthesize everything he’d absorbed — all those videos on his phone — into a person who made sense. This Trump had to be part of a coherent story, not just the flurry of news updates to which we’ve become accustomed.

“You can take a Bach or a Beethoven, and everyone’s going to play that differently on the piano, right?” Stan says. (His pianist mother named him for Johann Sebastian Bach.) “So this is my take on what I’ve learned. I have to strip myself of expectations of being applauded for this, if people are going to like it or people are going to hate it. People are going to say whatever they want. Hopefully they should think at least before they say it.”

It’s a reality that Stan is now used to — the work is the work, and the way people interpret him is none of his business. Perhaps that’s why he has run away from ever being the same thing twice. “I could sit with you today and tell you passionately what my truth is, but it doesn’t matter,” he says. “Because people are more interested in a version of you that they want to see, rather than who you are.”

“The Apprentice” has been the subject of extreme difference of opinion by many who have yet to see it. It’s been read — and will continue to be after its release — as anti-Trump agitprop. The truth is chewier and more complicated, and, perhaps, unsuited for these times.

“Are we going to live in a world where anyone knows what the truth is anymore? Or is it just a world that everyone wants to create for themselves?” Stan asks.

His voice — the one that shares a slight accent with Trump but that is, finally, Stan’s own — is calm and clear. “People create their own truth right now,” he says. “That’s the only thing that I’ve made peace with; I don’t need to twist your arm if that’s what you want to believe. But the way to deal with something is to actually confront it.”

[theyhavetakenovermylife]

Hi! I hope you're doing well and drinking water! If its alright with you, may I request rottmnt Leo reacting to his s/o wearing thigh highs? It can be suggestive or full nsfw, the choice is yours!

Temptation In Thigh Highs (Fluff?) (Suggestive)

Rise!Leonardo x reader

A/N: I decided not to do a full blown NSFW this time around. Sometimes we need something a little more chill😎 Also, is it bad that I don’t own any thigh highs?😂

All characters are aged up.

Warnings: Suggestive themes, implied sex afterwards.

When you told Leo that you had a surprise for him, he couldn’t help but get a little excited, if not curious. That little mischievous smile you flashed when he asked what it was, gave him all he needed to know. It was in fact something that he should be excited for.

Leo sat restlessly on your couch, his knee bouncing while his eyes roamed your living room, as if it would give him a clue of what you had in store for him. After having been dating for as long as the two of you had, Leo was used to your apartment. Yet he couldn’t help himself, hoping that something could lead him to whatever surprise had for him. But nothing gave him a clue. And nothing could prepare him for what you were wearing as you left your bedroom, making your way into the living room, the sight made his heart race and his thoughts scatter like leaves in the wind.

You walked into the room, a mischievous grin playing on your lips. Your attire was but lacy lingerie, leaving Leo’s mind blown as he took in the sight of you, his eyes staying on your legs for a whole minute. Thigh high stockings adorned your legs, accentuating every curve of muscle and fat, and leaving little to the imagination.

"What do you think?", you asked him, your mischievous smile still plastered on your face, yet your voice trying to sound innocent.

Leo’s mouth was dry as he gulped, still somewhat taken aback by the beautiful sight before him. He couldn't tear his gaze away from your legs, the stockings drawing his attention like a magnet. Heat flooded his cheeks causing his face to feel hot, along with a sudden rush to his cloaca.

"(Y/N)... What are you wearing?", Leo managed to say, his voice filled with awe. He had seen you in lingerie before… plenty of times actually, just before he would rip it off of you, but never, never had he seen you in thigh highs. It was as if you just stepped out of those pornos he used to watch before the two of you got together, imagining the girl in the thigh highs were you, pinned beneath him.

You chuckled lightly, enjoying the effect you had on him. "Just something I found in my closet. Do you like it?"

Leo nodded enthusiastically, a warm smile spreading across his face as his usual charm and charisma coming back.

"You look absolutely stunning, (Y/N). So stunning that I think my heart stopped for a moment", he said, placing a hand on his plastron, as if he tried to massage it through his hard keratin.

A blush painted your cheeks at his compliment, and you couldn't help but feel a flutter in your heart, the small thrill you had hopped for running through your body. 

"Thank you, Leo. I'm glad you think so", you said, feeling nervous yet beautiful under his gace. How lucky you were to have a boyfriend, that made you feel so beautiful.

As you shared a tender gaze, a thought crossed Leo's mind. A thought that soon turned into a scenario in his head, building up the pressure behind his cloaca.

"You know, those thigh highs are quite tempting...", he said, resting his elbows on his knees, allowing him to lean towards you, his eyes running over your body once more, his small movements heating up the room, just as if he had started a fire.

You laughed softly, a twinkle in your eye. You knew he would go there. That was why you put these thigh highs on in the first place. Because you loved it when he went there. But you had to act innocent. It was part of the fun. Something that made it even more interesting for the two of you.

"You never miss an opportunity, do you?", you asked, slowly taking a few steps towards him on the couch. It was amazing to watch Leo sometimes. Just a moment ago he sat with a bouncing knee, and now he sat comfortably on the couch, legs spread and just inviting you to come closer.

Leo grinned, reaching out for you as you came to stand between his legs. "What can I say? When it comes to you, I can't help but be inspired". And with those words, he grabbed a firm hold of your hips, before pulling you down, so that you were straddling his lap. Just one of the many positions Leo would be seeing you and thigh highs in that night.

[the-real-couchrat]

Post ending / rescue AU / recovering Curly is everything to me, so I’m making a list of other people’s posts that feature him. (The links will connect to a reblog of them in case anything ever happens to the original post)

If anyone ever see’s posts like these ones, PLEASE tag me in a reblog!! All posts are welcome, not just art!

Please note that I don’t decide what to add to this list based on shipping, opinions on the metaphors in the game, the accuracy of burn scars, the morality of Curly, or anything else that causes discourse in the fandom. I just add any posts that I come across that include Curly recovering from his injuries in any way. Prosthetics, wheelchair, wig, crutches, It just needs to have him in better shape than when he first got injured.

No NSFW

(Also this post is edited to add new ones when I find them)

Rehabilitated Curly

Party with no Jimmy

Stand around in medbay party (Idk if this counts, but he has prosthetics so I'm saying it does)

Happy abortion!

Post-ending speculation (text)

20 years later (I AM NOT WORTHY TO LOOK UPON THIS WITH MY MERE MORTAL EYES)

ANYA’S GRADUATION DAY

Post ending

Rescue/Recovery AU

My own post! (text)

Aftermath Curly

Good ending

Best way to approach captain’s disability?

A little sketch

They care

“I wouldn’t want to frighten her”

Anya doesn’t quite overdose

They’re safe

Guys rate my fanart

WWI face prosthetics

Less fucked up Curly AU

Fix-it type AU

Silly recovering time

Curly got some gifts for his b-day

Imagine Curly survived (twitter)

Curly with a service dog

I’m not a dog and you’re not a mare

Drawing the dentalcare crew (does this count?)

The quality will not be questioned

Fix-it AU

Want to make Curly some cool new mechanical hands so he can strangle Jimmy

One can dream

He’s got a wig now

Happy ending where they all survive (devianart)

It hurt my heart (twitter)

God forbid I get sick (translated?)

This might be controversial but… (text)

Let’s get you out of the house!

Cyberpunk AU

Cartoons with breakfast

Old-school surgeries (text)

Post-ending fic prompt (text)

Post-rescue AU curlyana

Post-rescue curlyana part two

Why is this goddamn white boy so hard to draw?

Captain stop infodumping the baby

Maybe never forgive

Draw Captain Curly having a prosthetic limb

Curly from Mouthwashing (good ending)

This is how I imagine Curly post OP

whats the worse fate, whatd be better for the tulpar crew

Wip

🐈

Mouthwashing AU (Reddit)

Curly if he survives (Reddit)

My own art

I’ll give him smoochies, prosthetics, and skin grafts

Art dump time✨

Hoppin on da trendin train

The crew built curly a mechanical hand

How to give Captain Curly a voice (idk if this technically counts, but it’s a disability aid so I will)

Doodle of the Tulpar crew post-rescue!

New hyperfixation just dropped

Hi Tumblr. Funny seeing you here

Another rehabilitated Curly

Who up washing they mouth rn

Don’t use the dog buttons (text)

Haunted part one and two

Prosthetics

AU were someone saves them

Mouthwashing doodles

A New Ladder-Reader x Curly (I’ll add the original art videos when I can) (also I didnt read it. if someone did read it, please let me know if it’s SFW)

I know he always have his headphones on

More rehabilitated Curly✨

You guys like this right

Anya, what’s it like working as a medic on a spaceship?

This is how we can still get the good ending

“I’m sorry Anya”

More cringe mouthwashing art be upon thee

Curly’s happy (and recovering) ending

Writing an AU of mouthwashing where the crew survives

Most people seem to be giving him prosthetics…

Doing a bit of study

2

Ladonb Kokosa (TikTok account, LOTS of great videos )

Giving the mouthwashing characters what they deserve (TikTok)

Zest for life

Edit: I am no longer seeking out these posts, and new ones will only be added if I’m tagged or such

[mailboxxi]

your art is sooo so soft and lovely... if you're taking character requests/doodles could i request perona? maybe her and sabo together? c:

i don’t know how to tell you this anon but my deluded past self thought you said law instead of sabo and i didn’t realize until i came on to post this and read your ask again… i quite literally can’t tell you what happened but i hope you can forgive me and appreciate the perona regardless, i promise ill draw a perona and sabo for you another time if you still want it🧎‍➡️