#of course i did both

[torturedmuses]

Put ☎ in my ask for your muses info in my muses phone:

☎️ - For any of our pairings!!!

put ☎ in my ask for your muses info in my muses phone

NAME: mi amor ❤️‍🔥

RINGTONE: enchanted / taylor swift

PICTURE: 

LAST TEXT RECEIVED: yes, the doors are locked

LAST TEXT SENT: i'll be home soon. i love you the most (sent two minutes later)

NAME: laura

RINGTONE: before you go / lewis capaldi

PICTURE: 

LAST TEXT RECEIVED: fuck off

LAST TEXT SENT: all i want is five minutes to explain

[ectonurites]

happy valentines day y'all

[poorly-drawn-mdzs]

Thanks for listening to my sad backstory. Anyway, here's Wonderwall.

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[christadeguchi]

you think YOU had a bad day at work?

bonus: sid shrieking "no!!!! NO!!!!!" loud enough to be heard in the stands and on camera

[soosoosoup]

Fluffy rearing

[peanuttoffee]

Fallen Order Cal is a cinnamon bun and has a precious place in my heart forever

but Jedi Survivor Cal...

thanks for the reference to the dearest @flammabel!

[hinamie]

もう一回、もう一回

[stil-lindigo]

the sunset.

a comic about two outlaws who loved each other, despite everything.

creative notes:

--

all my other comics

store

[koobiie]

sequel to this post, this time with the rest of the titans!

[inkskinned]

it mattered because when my brother asked me what if this is the happiest you'll ever be? the best you'll ever get? the thing i felt was fear, not peace. everybody thought you were so perfect for me. even i thought you were "helping me grow". i had to challenge every internal clock. make myself more thoughtful, more kind, more beautiful.

i told my therapist it was good because i like the changes i made and there's something so strong about saying i did that. the problem is that i can like the difference all i want, but i changed for you. something akin to getting your name tattooed, all my progress is stamped with fuck you.

it was the happiest i'd ever been and also the best i'd ever gotten. i would still get in the car and think what the fuck just happened.

[gingermintpepper]

Okay, let's finally talk about EPIC's Apollo

I feel very compelled to say, first of all, that I do not dislike Epic. In fact, I am very fond of Epic and have been following its production and status very eagerly! I attend all the launch streams, I watch all of Herrans' update videos; I am, at the end of the day, a fan and I want it to be known that my words are spoken out of love and passion as much as they are spoken from a place of critique.

So really, what my problem with Epic's Apollo?

In the briefest possible terms; the choice to have Apollo be defined by his musical aspect in God Games is thematically strange. And not in the 'oh well in the Odyssey, Apollo was important to Odysseus and his family so it's weird that that wasn't kept in Epic' strange, strange in the sense that Odysseus' character arc since My Goodbye has been getting more and more obviously Apollonian and so it is positively bizarre that when we get to meet Apollo, the god seems entirely disinterested in him and his affairs. So much so that he is not even defined by any station that would indicate that he has been watching over and protecting Odysseus and his family.

What do I mean by 'Odysseus has been following an Apollonian arc'? I'm so glad you asked!

Remember Them is the last song in which Odysseus explicitly uses his sword until Mutiny where he must use it to defend himself against Eurylochus' blade. He uses it to help enact the plan to conquer Polyphemus and, due to Polites dying in that battle, Polites who wished for Odysseus to put the blade down entirely and embrace a post-war life, Odysseus also retires his sword. This is an action that symbolically separates him from Athena - and the image of Odysseus as a traditional warrior set for him in Horse and Infant - as much as My Goodbye physically separates him from the goddess and her war-ways - from this point onwards, Odysseus will no longer be leaning on Athena's wisdom or methods to solve his problems. Likewise, he will no longer be able to rely on her protection.

Odysseus thusly solves most of his upcoming problems through diplomacy and avoidance. He approaches Aeolus - a strange and ambiguous god (both in gender and in motivation) and appeals to them for help. Circe too, he approaches not with wishes to conquer or for revenge, but for the safe returning of his men and an alternate way forward. In all of these scenarios, there is some Apollonian element which is subtly interweaved alongside the influence of other gods; it is with a bow and arrows that Polyphemus' sheep is slain (and thus it is this Apollonian element which is at the root of Odysseus' spat with Poseidon), it is a vision of Penelope that warns Odysseus that his men are about to open Aeolus' wind-bag, Circe's peace offering to Odysseus is to refer him to a prophet of Apollo who has since died.

In this way, Apollo is walking alongside Odysseus for all of his journey after Athena departs - even in the Underworld, he is guiding him. It is Tiresias' proclamation that is the last straw for Odysseus, it is by the power of a mouthpiece of Apollo that Odysseus decides to embrace his ruthlessness. It is with the bow and arrow that Odysseus subdues the siren who sought to trick him, likewise, Odysseus does not attempt to undermine or escape the fate of paying Scylla's passage price - he knows of the doom about to befall the six men and quite unlike the rest of the journey until this point, he does not fight against it. This all comes to a head on Thrinacia where it is a blade which sacrifices the sun god's cow and brings destruction upon the crew once more.

My point with all of this is that when I heard the teasers for God Games years ago, it made perfect sense to me that Apollo would be Round One - he is not Odysseus' adversary and has no reason to oppose Athena's wish to free him. From other teasers about what will happen in the climax of Epic, Apollo will still be walking alongside Odysseus - it is Apollo's bow that Penelope will give the suitors to string. Likewise, it is Apollo's bow that will prove Odysseus' legitimacy and identity. That bow will be the power by which Odysseus hunts his adversaries and cleans out his palace - it is Apollo who is the avatar of Odysseus' ruthlessness, not Athena.

So tell me, truly, what was the point of having Apollo raise a non-argument in God Games? Why have him appear unconcerned, aloof and slightly oblivious? Why have him appear in his capacity as the Lord of Music at all?? And if the intention was never to make Apollo an active player in Odysseus' life like he was in the Odyssey, why keep Odysseus as a primary archer?

The answer of course is that Apollo is inextricable from the fabric of the Odyssey - his influence and favour exudes from Odysseus just as much as Athena's. In Athena's ten year sulk, it would have been Apollo who kept Telemachus and Penelope safe. It would have been Apollo protecting Odysseus from Poseidon's gaze as he travelled the seas (according to the Odyssey anyway)

Forgive me for not being excited about something that I thought was being purposefully set up. I was extremely ecstatic about all of the little Apollonian details that litter the sagas because I know where this story ends up (loosely) but all God Games did was reveal that maybe those Apollonian details were not intentional at all, but merely the ghost of the Apollo who persistently haunts those he favours, even if he cannot explicitly come to their aide in an adaptation.

[mossyfig]

Very WIP of Senior Year Normal and Hermie!! Wanted to share my designs for them!!!!

[poorly-drawn-mdzs]

Let the revenge games begin.

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[pokimoko]

Why fight people when your time can be better spent bantering?

[chaoticallyfluffy]

Ok consider:

A new hero emerges and the Justice League watches him for a while who make sure he’s not a threat. They see this giant clumsy man who moves like he’s not used to his body, smiles goofily every time he saves someone, and is clearly inexperienced with his powers and they’re all just like. Ah. This is a child.

Except they don’t think he’s a ten year old or however old Billy is at the time, no no. Clearly this hero came into existence shortly before his first appearance, just a few months ago. They don’t know how or why but It’s not the weirdest thing they’ve seen so it’s pretty easy to believe.

But they can’t just leave this toddler with the powers of a god to stumble around and potentially hurt someone by accident, nor go down the wrong path and become a villain. So of course they decide to ‘subtly’ guide him without alerting him to the fact they’re onto him.

They introduce themselves but instead of inviting him to the league they pop by every once in a while to ‘subtly’ teach him about responsibility and power, but also about love and humanity. They try to teach him to enjoy life and that he doesn’t have to act like an adult around them, instead encouraging him to enjoy his childhood even if it’s not an ordinary one.

(Too bad the Justice League suck at subtlety.)

Billy is certain they somehow found out he’s a kid before they even met him, probably because of Batman’s freaky know-it-all powers, but he isn’t very worried as they seem nice and don’t treat him like he’s dumb or fragile. They respect him as a hero despite his age so he lets himself act like a kid around them after a while.

When he gets comfortable enough to detransform Billy thinks that’s his identity reveal. The league thinks that he magicked himself a body that’s more of a representation of his true self and fits his developmental age better, possibly as a way to blend in with humans and experience what it’s like to be a normal child. Good for him!

Basically Billy gets a bunch of super powered parents and the Justice League get a newborn man that they think they’re raising from scratch lol

[sideblogdotjpeg]

ive been thinking about the red string superstition recently and also sol bufo always and it makes me sick how uncannily caldwell tanner has made sol to perfectly target me personally

(+ cropped versions !)