#of a lost singer
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j0hb0y · 1 year ago
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Hiya Papaya! 👋
Just started reading the first chapter of Rascal does not dream of a lost singer and my god i'm so hyped!
The 10th volume begins the college arc and i'm really excited how it'll go. It's really refreshing to get new Characters introduced and i like Miori Mitou alread, but i also hope we will hear from old friends!
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cheezy-whizz · 7 months ago
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Gay people will develop mental issues and make AT LEAST one of these movies their whole personality
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bruciemilf · 3 months ago
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I like the thought of Battinson speaking like a My Chemical Romance song , but also, I think it’d be so unique and so cool and genius and groundbreaking if he spoke like Duchess from Aristocats.
Just him with little Dick? Asking him to PRETTY PLEASE let him kidnap the creepy but cute little kid next door.
“Oh, no, my darling, that’s just awfully rude. You have to ask the little baby first.”
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strawlessandbraless · 4 months ago
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Dean in Denial - The Fall ‘24 collection
7x02//11x23//12x11//12x11//15x09
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microwavebeeep · 2 months ago
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I know, what I'm doing
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madbard · 3 months ago
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I just realized another reason I love Hozier’s music. It’s not just that the lyrics are complex, or the music itself is beautiful - it’s that Hozier is a musical liar.
Take Cherry Wine. This is a song about an abusive relationship, told from the perspective of someone very much in love with their abuser. Throughout the song, the narrator describes their lover’s cruelty. Lyrics like “I walk my days on a wire” and “open hand or closed fist would be fine” make the darker aspects of their relationship all too evident. At points, the song suggests that they are defending this relationship to someone else who cares about them (“it looks ugly but it’s clean. Oh mama, don’t fuss over me”) and even the more beautiful and seemingly romantic lines later in the song (“oh but she loves like sleep to the freezing”) have dark undertones (what else is sleep to the freezing but death?) Still, I often come across the song being used in a wholesome, romantic context. A lot of factors contribute to this, but I would argue that this song mainly gets mistaken for a romantic song because of how soft and gentle the music is - it presents as a sweet love song in every way except the lyrics. Even those lyrics are told through the lens of someone defending their broken and abusive relationship, deepening the lie. Our narrator wants to portray this relationship as something dark, yet also immensely beautiful and encompassing. The result is a song about the agony and pleasure of a broken relationship, disguised so well as a love song in every possible way that it gets mistaken for something romantic. (Even if you are aware of the meaning, there is still that deep urge to experience the song as something romantic. Just like the narrator, the listener is drawn in by beauty and the powerful idea of love, so much so that it can blind them to reality.)
Variations of this can be seen in Talk. In this song, the narrator makes their intentions very clear - they are sweet-talking someone in order to hide their own thoughts and desires (“I try to talk refined, for fear that you find out how I’m imagining you”). Despite knowing this, the sheer power of the lyrics (“I'd be the voice that urged Orpheus / when her body was found. / I'd be the choiceless hope in grief / that drove him underground. / I'd be the dreadful need in the devotee / that made him turn around, / and I'd be the immediate forgiveness in Eurydice”) overwhelms the listener. We know the speaker is putting on a show. We know they have ulterior motives, and likely don’t even believe what they are saying. But their words are so beautiful that we don’t care. The intense, almost mythic music in the background is so lovely and deep, it makes the lyrics seem genuine, because what lie could sound so astounding and true? In this case, the song about smoke and mirrors and empty talk becomes a love song because the narrator is just that skilled at lying.
Even songs like Too Sweet, sung by a narrator who refuses to be with someone unless they allow their standards to slide, become ‘romantic’ and ‘sweet’ to certain listeners - not because the lyrics are impenetrable, but because so many of Hozier’s narrators are unreliable. His songs spin sweet stories, lies so stunning that listeners are willing to deny what they know in order to experience the beauty of that untruth, the complexity of that space between what is real and what we want to believe.
And isn’t that more true to the experience of being a person, and loving other people, than the simple truths we often see in these types of songs?
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biibopping · 1 year ago
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normalest people on earth
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not-the-coffee-machine4 · 4 months ago
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Roger Taylor’s vocal range is so insanely slept on like tell me why I was just reading about countertenors and Wiki saying they tend to top out generally at E5 and Roger’s RECORDED DEMONSTRATE-ABLE vocal range is Bb1-E6. SIX. A whole OCTAVE above what was listed. And even calling him a tenor or countertenor is misleading ‘cause there’s somewhat of an implication that he can’t sing low LET ME REMIND YOU I JUST SAID B FLAT ONE. ONE. (I know voice type is where you’re generally most comfortable not just what you’re physically capable of and he seemed to naturally fall into the high range and etc etc don’t get technical with me rn) That is one note lower than Freddie’s highest and seven notes lower than Freddie’s lowest. Why does nobody talk about this like that’s insane??
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gasstationclown · 3 months ago
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whaaattttt loa posting for the first time in like... months? hi!!
misc ouaw sketches (ft metal singer gricko?? or something??)
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ORPHEUS i havent finished prime yet but after months and months orpheus lives in my head growing like a mold. my personal design for him
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and finally, i got tired of not being able to draw frost... so i practiced drawing actual tigers. ft my bad attempts before deciding it was good enough (im getting there)
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moash · 9 days ago
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just read the moash interlude. don’t know how to feel about it. anyone else feel like sanderson just like decided he didn’t like the direction he had been going with moash and tried to backtrack?
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yveunia · 7 months ago
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☻  ⁺   🛼𖨂  ✹   ➷  ⁺      
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lungblossom · 1 year ago
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it's not my problem
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angelsberrymilk · 11 months ago
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GUYS I NEED HELP PLS
Does anybody know any fanfics where Castiel learns abt human culture? sarcasm? unwritten rules and expectations and dumb random rules?? I need him exploring humans so bad. idc what ship it is. as long as he's learning new stuff and being silly.
probably fluff and some crack. but he makes me laugh regardless so anything with him exploring the human world will do PLEASE PLEASE PLEASE
give me any usernames, any links either on tumblr or ao3 I don't mind at all.
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aurorawest · 1 year ago
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'They had lived together for three years and never once had Mori knocked on Thaniel's door. It was always the other way around, and Thaniel agonised before he did. He was never sure he was welcome. Mori let him in, always, but Mori was Mori; he wasn't English, wasn't a Christian, had grown up in a place where a knock on the door between friends was unremarkable. It didn't mean he was in love, only that he was being polite. Thaniel didn't dare ask him which it was. It was cowardly, but if he didn't know, he could live hoping.'
'Mori kissed his forehead. Thaniel bumped forward against his chest and felt safe again, but ashamed too. It had been the sort of kiss you might give to a child that had got itself flustered about a spider.'
(The Eel Singers, Natasha Pulley)
Thaniel "I can't breathe when you're not here" Steepleton being terrifically stupid.
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thetimelordbatgirl · 7 months ago
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So I see Israel is continuing their BS against the other performers in Eurovision after the contest via now cosplaying as them for some skit show and making fun of them. Giving both high school bully and loser behavior here.
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