#object permanence comic (✩❀)

[itsaspectrumcomic]

Thank you to @holmgren13 aka @BryanBoston10 on twitter for voicing and animating my comic Object Permanence! I love his take on it, it's absolutely hilarious

Original post on Twitter

[s1lv3rp4w3dc4t]

Won't she be surprised?

When we get your heart to start tomorrow,

When you see the charts tomorrow--

YOU'LL BE NUMBER ONE.

Lyrics from the song below.

(it's really good btw)

[puppetpoppet]

So much work went into this, you can tell.

isnt it so strange how something can be so so so different yet at the sum of its parts its still the same? hard concept to grasp,,

Keep reading

[artbyblastweave]

So, one criticism of Deadpool and Wolverine, and a criticism to which I think there's some meat, is that they basically chucked the entirety of the supporting cast from the first two movies in order to shift focus onto Wade and Logan- which is especially egregious because a major part of the emotional thrust of the movie is Wade's unwillingness to abandon that supporting cast by transplanting into the MCU proper.

But what I find interesting about this, right, is that Wade getting shanghai-ed away from his normal supporting cast to go on a metatextual multiversal road-not-taken adventure would be a pretty standard 3-to-6-issue plot in an ongoing Deadpool comic. I can think of at least four times I've seen this done. And in the comics, any given member of the supporting cast not being on-panel this particular issue doesn't mean that the authors forgot about them, doesn't mean they aren't coming back at some point. That would be a ridiculous complaint. Infant-level object permanence. It's different with a film, though, because in a film franchise, the wacky multiversal excursion constitutes a third of all extant content involving the character- you're genuinely losing out on the cast from the other two-thirds, it's zero-sum, and you never know who'll be available for the fourth movie or if there'll even be a fourth one.

I once saw someone (I forget who) make the argument that one of the issues with translating the marvel universe to the MCU is that most of the movies are depicting or adapting crisis-crossover-level shitshows and status-quo shakeups without similarly porting in all of the smaller-scale status-quo-compliant adventures that serve as connective tissue between the big shakeups and give them actual weight. This leads to some ambiguity as to whether these films are depicting the only interesting things that ever happen to these heroes, or if there's a wealth of unseen smaller-scale villains being fought in the space between installments that just never come up. And here we get a film that's an adaptation of that exact kind of connective-tissue adventure, and suddenly, uh oh! It's actually kinda fighting for space with every other kind of story you could tell in the same runtime. I don't think I'm describing a real problem here, It still can handily justify itself, but that question wouldn't even come up if it were a comic. A tension inherent to adapting any character and supporting cast native to the sprawl of big-two cape comics (despite the movie in many ways being about that tension!)

[moghedien]

obviously there are a bunch of issues with the MCU and I'm not gonna sit here and try to convince everyone that MCU movies are cinema or whatever so don't get what I'm gonna say twisted. I do find their kinda mainstay in cultural media and the dominance they had to be interesting, especially now in an era where the MCU is undeniably falling off and struggling. just as like a cultural analysis I find that interesting and everyone has their opinions of why it happened.

my opinion/theory on why the MCU just crashed is because they sort of forgot what it means to be telling a comic book story, especially a marvel comic book story. Because I've read thousands of issues of various marvel series at this point, across tons of different eras and events, and the thing that makes them last (which is also a thing that drives me personally crazy and I hate so much) is that the status quo doesn't really change. Or when it does, it lasts for a few arcs or years at most and then gets reverted back to the norm eventually. Like the fact that everything is pointless and nothing is a risk is something I loathe, but it is admittedly what keeps them going. If someone just got into comics, they can pick up a modern issue and expect to find Spider-man or Captain America or whoever. They may be introduced to new characters, but the big ones will show up eventually.

And after the last Avengers movie, like half of the mainstay cast are just gone. Which as someone who likes good stories, I think is a good opportunity (which is arguably being wasted but idk I haven't watched any MCU thing in years) to actually shake things up and develop characters that mainstream people are less familiar with and give them a chance to shine and tell interesting stories. But that's not why people like marvel comics.

People like marvel comics because if they want to read about Iron Man, they can pick up any random issue about Iron Man and it will most likely be the Iron Man they know. People like the status quo, and Marvel has never been high literature and has always basically been pulp storytelling, and it gave people status quo and familiarity. And I think Marvel Studios figured this out waaayyy too late.

Because if Marvel actually understood what people like about the comics, they would have embraced recasting major roles from the start. They wouldn't have tied characters' identities so strongly to their actors and would have made it clear that characters can and will continue on with different faces. There is no reason why Tony Stark needs to be RDJ or Steve Rogers needs to be Chris Evans. They would have had plans to not write these characters out of existance the second actors wanted to exit or died or were fired or any of the various reason why actors are no longer involved with the MCU. Hell they had precedent. They didn't have a problem replacing Terrence Howard with Don Cheadle, who are very different looking people who give very different performances, but we know why they felt ok with that recasting but won't recast any of their boys named Chris...

Anyway it seems like they realized that general audiences don't actually like change if its permanent and are learning the wrong lessons with the Doom casting nonsense and the fact that they seem to keep changing what the new story is to fit what they think audiences want.

I'm fine with the MCU dying off and its probably better for media that it does, but again I'm just kinda interested in the fumble from like an objective standpoint because it seemed like they just locked themselves into eventual failure in such a stupid way. Like they could have told the same safe representative Avengers storylines for decades and wouldn't have a meltdown every time an actor in a major role needed to be removed from production if they just accepted that people would be recast as needed. It would be worse for actors and it would be worse for movies in general probably, but it would have kept the MCU churning out pulp like the comics do to this day. But now people are realizing its not just pulp but pulp they don't want and its gonna kill the MCU eventually.

[kryptonbabe]

Best of Blue Ribbon Digest 36, 1983

Some Kryptonites not on the handbook:

Platinum Kryptonite ➝‬ Gives Kryptonian super-powers to humans permanently (Batman Secret Files #1, 2018)

Black Kryptonite ➝‬ Strange and unpredictable effects on Kryptonians (Smallville series, S4E1 Crusade, 2004)

Pink Kryptonite ➝‬ Sexual / gender bender (Supergirl Vol. 4 #79, 2003)

Purple Kryptonite ➝‬ Began as a coloring error / Hypnotic effect, it can control the minds of anyone that is near it (Adventure Comics #171, 1951)

Kryptonite-X (Kryptisium) ➝‬ Not lethal, it restored Superman's powers, but caused him to absorb solar energy too rapidly making he lose control of his powers (The Adventures of Superman #511, 1994)

Slow Kryptonite ➝‬ It affects humans the same way Green Kryptonite affects Kryptonians (Batman Secret Files #1, 2018)

Magno-Kryptonite ➝‬ Tracks objects from Krypton including Kryptonite (Superman's Pal, Jimmy Olsen #92, 1966)

Anti-Kryptonite / Fool's Kryptonite ➝‬ Pre-crisis: Looks like Green Kryptonite, but It's harmful to humans and is harmless to Kryptonians / In Post-crisis: it is the power source for one version of Ultraman, Superman's evil counterpart from an antimatter universe (Action Comics #252, 1959)

X-Kryptonite ➝‬ Granted Streaky the Supercat his superpowers (Action Comics #261, 1960)

Red-Green Kryptonite ➝‬ A synthetic Kryptonite created by Brainiac to mutate Superman, it made him grow a third eye on the back of his head (Action Comics #275, 1961)

Krypton Steel ➝‬ A harmless form of Kryptonite that only Superman could break (Super Friends, S3E30 Rest in Peace, 1978)

Opal Kryptonite ➝‬ Synthesized on Earth 2 this variant can apparently drive Kryptonians temporarily insane (Earth 2 #0, 2012)

Krimson Kryptonite ➝‬ Artificial construct of Mr. Mxyzptlk that eliminated Superman's powers temporarily (Superman Vol. 2 #49, 1990)

Orange Kryptonite ➝‬ Provides super-abilities to any animal that comes into contact with it for one day (Krypto the Superdog #4, 2007)

Periwinkle Kryptonite ➝‬ It turns the victim's skin and clothing periwinkle and causes them to completely lose their inhibitions (Superman Family Adventures #9, 2013)

Amber Kryptonite ➝‬ It removes Superman's powers and grant them to someone else (Dark Nights: Death Metal The Multiverse Who Laughs #1, 2021)

Synthetic Kryptonite ➝ Various effects / In Superman III (1980)‬  it caused Superman's morality to change turning him into an evil and destructive being (Multiple origins)

Bizarro Kryptonites:

Bizarro White Kryptonite ➝‬ It heals Bizarro, curing his instability (Superboy, S2E7 The Battle With Bizarro, 1989)

Bizarro Red Kryptonite ➝‬ Affects humans the same way Red Kryptonite affects Kryptonians (Superman's Pal, Jimmy Olsen #80, 1964)

False Kryptonites:

Yellow Kryptonite ➝‬ Began as a hoax by Lex Luthor / Unknown effects (Action Comics #277, 1961)

Silver Kryptonite ➝‬ Began as a hoax by Jimmy Olsen / It causes hallucinations on Kryptonians and possess mystical properties (Superman's Pal, Jimmy Olsen #70 1963)

Kryptonite Plus / Ultra-Kryptonite ➝‬ fake Kryptonite planted by aliens on the moon (Superman's Pal, Jimmy Olsen #126, 1970)

Fake Kryptonite ➝‬ Superboy's friends are selling these crystals labeled as "fake Kryptonite" to raise money for charity (Superboy, S2E17 Brimstone, 1990)

Purple Spotted Kryptonite ➝‬ Exclusive to the Krypto the Superdog cartoon, it made Krypto chase his own tail (Krypto the Superdog, S1E34 Streaky's Supercat Tale, 2005)

Blood Kryptonite ➝‬ Fake Kryptonite magically manipulated by Felix Faust to drain energy from people (52 #13, 2006)

[beryllineart]

Battle Against Lancer

... Oh dear... That wasn't supposed to happen...

Deltarune belongs to Toby Fox

Ok, little headcanon here, I think it would be cool if Darkners turned into the object they are in the Light World if they die in the Dark World. Hence, Lancer turning into the Jack of Spades when Susie kills him. She has no idea what just happened, and even though she didn't get any LOVE or anything, she knows that Lancer is definitely dead, and it's her fault. And the player can't do anything to stop it because they can't control or stop Susie.

Anyways, with Ralsei, his robes would cover up the object he really is when he reaches 0 hp, but it wouldn't be damaged like Lancer's card is because it's not a permanent death unless the whole team dies.

But come on, turning into the object could have a whole lore behind it, because the Angel is worshipped by the Light and feared by the Dark, right? So what if it is because light doesn't mean death, but death means light to the Darkners? Like, when a Darkner dies, they are brought to the Light and forced into that form, permanently. It makes sense in my head, ignore my ramblings.

Anyways, I'm not sure how my headcanon would work for Chapter 2 Darkners, but come on, I wasn't going to miss the chance to draw a card sliced to bits with a traumatized Susie looking on. You can tell that I cared about that page because I added a background. Also, I realize that the soul on page 2 comes from Susie when technically it should come from Kris, but I liked the way it looked (and totally didn't notice where it was spawning from when I played the game.)

Comics are hard, but I had so much fun playing around with the panels on the first two pages. My pacing might be a bit off though... Also, it's so so hard to draw the same character over and over in different poses, so sorry if Susie looks a bit different than she should, I did my best. And sorry for the ramble, but that's why I put the keep reading thing up above. If you read through my brain dump, good job! Get yourself a cookie.

[nitpickrider]

OBJECTION! Mr. Wayne's permanent residence, business and taxes are all paid in Gotham! The hell is he doing in a Metropolis jury pool?! Action Comics 359

[ms-demeanor]

oh my god this is random but i rarely come across people who like mike patton, i know he's very influential but for some reason almost no one talks about him, it was nice see you mentioning him!! i would love to hear more about your music taste

I am painfully and overwhelmingly obsessed with Faith No More to the point that I am the lone remaining admin of @faithnomoreshitposting. The first dance song at my wedding was Mr. Bungle's "Retrovertigo" (Mr. Bungle was the last band I saw pre-pandemic and it was fantastic) I also used to make a webcomic on tumblr called @punkpuns that's about goth, metal, and punk subcultures and at lease a few of those comics touch on my taste.

I'm also in a band called P.I.T. and a lot of the music we've made is music I like. It's a punk band but it's a punk band that's heavily informed by the two permanent members being goths who are really into industrial and metal. Here's one of our songs:

My singing style with my band is *very specifically* colored by the way I'm fixated on Patton's voice. That doesn't come across in all of our songs but I was definitely thinking "what would Patton do?" when I was figuring out key changes and breathing and switching between clean and distorted sound or trying to get to the very bottom of my range.

I also really like Orville Peck, Soul Coughing, Hole, Tom Petty, and ELO. I really like The Clash. I really like Body Count. I really like (the) Melvins. I had an obsessive Beatles phase from the ages of 13 to 17 and I grew up in a household where my dad was similarly obsessive about KISS so I kind of like KISS by default even though they objectively suck.

I generally like a lot of music. I like a lot of rap but I'm not deeply familiar with the genre and am mostly aware of stuff that was popular in the 90s. I like a lot of big band music but and a lot of jazz but I couldn't name a lot of albums or songs. I like a lot of country generally but I do not like a lot of country since the nineties. I have listened to and enjoyed a lot of emo but that mostly manifests as playing one Bright Eyes song on repeat. I am not terribly fond of pop music but I get why people like most of it (I don't understand swifties, sorry, she's the aural equivalent of dry toast except listening to her doesn't reduce nausea).

I will pretty much listen to anything, the things that I like the best are rarely played on the radio, and there's very little that will annoy me if someone puts it on (please don't make me listen to showtunes or pop country).

IDK music is good. I like music. On my website rec page I've got a running list of whatever piece of music I've been fixated on recently. I think I spent two months of 2020 listening to Janitor by Suburban Lawns on repeat.

[rancidrubysoho]

i'd joked privately with friends that the funniest resolution to the previous upd8 would be vriska dying permanently for real this time and The Point being a fake-out, but i think "Vriska Serket gets sent to Therapy Hell courtesy of Davepeta" is objectively the funniest plot development this comic has had since it was about obtuse video game inventory systems

[s1lv3rp4w3dc4t]

Uhm

I mean no one said the story boarding has to look good it just has to be comprehendible.

[rei-ismyname]

Logan tried to murder Chuck. What then?

After the sun set on Krakoa and the dust settled, Charles Xavier surrendered himself to 'human authorities.' He was being transported to his super prison built by Reed Snitchards and Tony Nark when...

Logan came to kill him in a very unsubtle way. Surely those guards died or at minimum suffered serious permanent injuries. What little we get of his motivation is an objection to Chuck's time as Sentinel X - killing a bunch of humans. Logan Behavior, basically. Certainly hypocrisy.

Pretty stylish entrance though, The Shining style. He's just about to gut him after Chuck declines explaining himself or speaking at all. Keep in mind resurrection Protocols just phased into another dimension - Logan is aiming to kill Xavier permanently (comic book permanent obviously) here despite the fact he's going to prison for life. He'd actually be subverting punitive state justice here.

I hardly need to say that this is pretty extreme for Logan. He's killed countless people, but for the last few decades he's worshipped the ground Charles walks on. After AvX, when Chuck committed suicide by Phoenix, Logan appointed himself the custodian of 'the dream' and ran the school (though he renamed it after Jean because he's a creepy and petty man.) Cyclops is often held up as Chuck's heir, but I think Logan is just as much. (Though Jean and Storm beat them both out and surpass him.) Maybe this is a hypocritical broken pedestal moment.

Magneto objects, freezing him in place and proclaiming 'no more martyrs.'

Did you know 9/10 failed murderers say 'cripes?'

Then he yeets him out of the prison and levitates it so he can't get back in. Mags and Chuck have a chat and we see nothing of Logan until Wolverine #1.

These people all need therapy. Emotional intelligence so low.

That murderous unilateral motivation seems to have cooled - 'Charles doin' what he did' is third on his list of things that took their toll. Not to minimise his pain, but everyone else has experienced those things too. Many had it worse. Scott, for example, was tortured for six months with his eyes sewn shut and a broken back (which... healed somehow.) If someone else was doing this he'd call them out at best, more likely he'd tell them to get over it. This is #Logan Behavior, though it's weird he doesn't mention Daken's death.

Brief aside - was he truly needed in the pack? I can't see what use a throng of wolves would have for a naked guy with opposite sleep patterns, very different dietary requirements, and the inability to breed with them. His presence got them killed. He was tolerated at best, more likely an imposition. Kevin Costner motherfucker.

I'm 99% sure this is next chronologically. Scott says Logan was 'in the area so he asked him to investigate' - 'the area' being Santo Marco, a fictional South American country that Magneto briefly conquered in 1963. The X-Men answered his distress call.

No mention of Chuck here, and he greets Scott warmly. No thank you though. They patch him up back at the Factory. Looks like he does have use for X-Men.

Wolverine can absolutely give up. It's his thing.

From 'I never should have left the woods' this has to be after Wolverine #1, but before Uncanny X-Men #1-4, because that takes place over a few days and the phone call between Rogue and Scott implies so. We only get the end of this conversation, but it's very safe to assume it was a soft recruitment offer and assumption of a family relationship. No mention of Chuck here either. He claims he's done, citing Krakoa as a loss. It is a loss, but it also bought back the 16 million Genoshan dead and established a mutant paradise in a heaven dimension - one he could have gone to.

Also, Logan didn't build shit. He had nothing to do with Genosha, in fact he opposed and obstructed it. He bailed on Utopia and the narrative kept genocidal threats away from the school. He had little to do with building Krakoa itself and while he went on the missions he was asked to, he remained a skeptic the entire time. He didn't trust the island and lived on the moon in a polycule. Anyway, he tells Scott not to come looking for him. I promise you he wouldn't say that to Jean.

Sure, stay in the woods, idiot. Get more wolves killed.

She's right, they're not strategists.

Looks like he's fine hanging out with Rogue and Gambit. Rogue seemed fine with joining Cyclops and co, but doesn't argue at all when Logan (who is hours away from leaving and has no intention of staying) shoots it down for... reasons? They were X-Men enough when they rescued him from Santo Marco, ingrate.

Neither should struggle to imagine a community 'run' by Scott Summers. Logan has been living with him for at least 3 years and he wasn't everywhere when Logan and Jean were banging. Rogue was on a Krakoan X-Men team with Scott and he and Jean prepped new leaders and stepped back. They all considered themselves Krakoan and Scott 'lived to serve.' How does it end this way? The Chuck question answers itself, though Logan doesn't say 'I wish Magneto didn't stop me killing him' or something. Scott? Uhhh, you took this misanthrope's grumbling as gospel. Go to Alaska and say hi! Or maybe he'll call you. Kate? Uhm, she just told you. She broke in Fall of X, you know this.

Interestingly, Logan uses the term 'fill Chuck's chair.' I thought he was quitting the parts that don't work? 'Why do you even want to?' should be self explanatory. Rogue receives a phone call after this from Scott, and she says he's 'the last person she wants to speak to.' Maybe Logan is right and he shouldn't be around people. He infected Rogue with Scott haterism very quickly.

The Outliers show up and less than a day later he leaves, heading for the nearest forest. Even the swamp hag that guts him thinks he's a whining bitch. Logan is aware that Rogue's group are planning a prison break, that children are being hunted, though it doesn't stop him leaving.

Put all this together and it paints a very human portrait of a traumatized person pushing everyone away, albeit in the most immature way possible. This is what Magneto referred to when he said Logan Behavior, and he's right. If I was talking about a real life person it'd be unforgivably callous, but I'm not. I wrote this piece to interrogate his continuity from Krakoa to FTA, and I was expecting it to make less sense to be honest. As I said, this is textbook trauma response. It portrays that well, but the whiplash of Logan going from 'murder Chuck no matter the collateral damage' to 'Chuck did bad things but Cyclops is worse - don't be friends with him, Rogue' is severe and unsatisfying.

Uncanny #700 was one of the last things written for Krakoa, so it's likely that information wasn't available for FTA writers. Except Logan and Kate had both sworn they'd kill Chuck with plenty of notice, so I don't think that deserves a pass. Is anyone surprised by this? Maybe I should just write a post that says 'From The Ashes doesn't care about smooth continuity and has clumsily broken up these teams by fiat. Just ask Havok, Polaris, Angel, Storm, Omega Red, Jubilee and Shogo, etc etc. Also, it's pretty fucking mid' and pin it on my Tumblr.

That's no fun though. Even when it sucks, when it's safe and nostalgic, when everything you loved has been swept away and replaced with cardboard cutouts, when it's 'fine I guess', and even when it's great; the play's the thing. I love the X-Men and fans have as much ownership of the story as anyone. Not entitlement, just the right to be a part of the narrative, close to the characters. I find it fun and if I ever don't I'll stop (or spend a few years covering Krakoa). I hope you do too. Importantly, you should be critical of the things you love in good faith. As for Marvel the capitalist entity - all bets are off. Fuck em. They do it for the money, we do it for the love.

[haggishlyhagging]

“The popular concept of the primitive family group, complete with domineering father, cowed and submissive mother, and tumbling human cubs littering the cave-home floor, has been completely discredited; yet it remains the image of ‘caveman’ life as portrayed in the widely disseminated media of comic strip and television serial today.

The fact is that the earliest human family consisted of a woman and her children. ‘The patriarchal family was entirely unknown,’ writes Lewis Henry Morgan. ‘It was not until after recorded civilization commenced that it became established.’ Fatherhood and the idea of permanent mating were very late comers in human history. So late, as a matter of fact, is the idea of paternity that the word for father does not even exist in the original Indo-European language, as the philologist Roland Kent points out.

The Encyclopaedia Britannica (1964 edition) says that where no word existed in the ancient Indo-European language for any concept or object, it may be accepted as a truism that that concept or object was unknown to the Indo-Europeans. And since this original language did not break up into the classical and modern languages that have descended from it, according to Kent, until about 3000 B.C., it seems obvious that fatherhood was unknown even as recently as five thousand years ago.”

-Elizabeth Gould Davis, The First Sex

[sassylittlecanary]

So with the new suit photos, some people (men) are complaining that, among other things, Corenswet doesn’t look as muscular as Cavill did (largely thanks to the highlights built into the latter suit so it looks muscular even on a mannequin).

The less defined fit of the new suit isn’t a bad thing!! Aside from the numerous body image problems that hyper-muscular male superheroes help create, it’s also not uncommon in the comics for Superman to be drawn as big and muscular but without a defined six-pack or veins showing through his costume. It’s okay! We still know David Corenswet is strong and muscular (do you see his arms?? his broad chest??) without his costume being basically a second skin!

Currently thinking about that one “babies have no sense of object permanence” meme

[the-hydroxian-artblog]

Are Merch Mimics capable of using assimilation offensively against humans, for self-defense and otherwise? Like, if someone tried to break a toy/game/etc they were inhabiting, could the Mimic instead pull them in?

To a degree, yeah. I should mention though that Victor isn't "in" the TV in any magical sense; spoiler alert: he's the controller Vance is holding! Hence, the eye on the controller reacting to the dialogue. The Victor on the screen is actualy a model he rigged for a homebrew game he coded the old fashioned way, which responds to whatever inputs the controller sends to the Wii.

He actually is an active member of the homebrew community, and loves to mess with electronics the old fashioned way. Almost no one on the forums knows he's a toy bird, but are impressed nonetheless with his little projects, various rail-shooter games, and weird obsession with snarky anthropomorphic birds.

Victor could technically "jump into a game" on a tv screen, but it'd be a bit of a weird process if he doesn't know how to mod the game, so it'd look more like a shitty greenscreen effect rather than anything coherent. He'd need to learn in real time how the game is coded, how to inject arbitrary code into the system while it's running, etc etc. He CAN do that because he's a fucking NERD, but it wouldn't be a quick process at all.

I should also mention, mimics have an inherent ability to create dreams, since they come about from processing the thoughts and ideas of humans. If a human bonds with a mimic, such that the mimic now knows how the human thinks, they can pull a (somewhat) willing human into the dream when the human sleeps. So to wrap this all up: what Victor could do for a game he understands inside and out is pull a human into a dream that happens to match whatever he himself experiences as currently going on in the game. Basically the ultimate VR experience, with the mimic as a middle-man. Which might be something that'll happen in the comic soon....!

So that all seems a bit convoluted, right? Here's even more worldbuilding about matter assimilation by mimics below the cut. Stop here if you don't want a headache.

The reason so many hoops would be needed to pull a human into a game world is that assimilation is much easier on inert, inanimate objects that are not currently "in use" by a thinking thing, or something that relies on constant electrical signals to function. This can be something with brainwaves, or some other kind of animation like a normal robot. A mimic can convert a CRT TV that's turned off somewhat easily, but a TV that's turned on, with particles of every kind constantly moving into and out of it, is much harder to convert.

This means that humans and biological creatures in general are also trickier to convert, though it can still happen if done gradually enough. Hence, Victor wouldn't be able to rapidly convert Vance in one fell swoop, it'd be a whole process. It's easier to just pull a human into a dream instead, and if a mimic understands a video game, or a story in a book really well, they can basically make the fictional world into an extremely lucid reality for whatever human tags along with them.

I often describe mimics as just "jojo stands if they were corporeal and could just get up and move around on their own with no user"; you know how in jojo stand battles or old stories about magic curses, if you break the curse or kill the stand before its effect becomes permanent, all of the damage is magically undone? Like if you kill Green Day, the mold stand, all of the molding just instantly stops?

Mimics who use their powers of assimilation offensively work similarly; they can project their influence to a certain range, and partially assimilate matter in that range. If you knock out or kill the mimic, however, everything reverts to normal. A human who doesn't want to get converted can basically just turn around and walk away most of the time, or shoot the mimic, so the mimic in question needs to pull off some trick to get the human to stay within range for the assimilation to fully stick. A human can still break free and get out of range even if fully converted, but it's much harder, as assimilation usually means the mimic gaining greater control over the converted object in question. The exact range and effect mimics have is again like jojo stand ranges; it varies.

Different mimics have different affinities for different things. Victor can assimilate cheap electronics fastest because he likes them and understands how they work (it's why he's a toy bird mp3 player). Az can assimilate guns, and turn ammo into weird anomalous ammo with weird effects. Zachary is a genius who can assimilate any matter, including biological matter, faster than anyone... but he's also extremely picky and hates the sight of blood, so he only uses assimilation on things he really, really likes.

If I could somehow make another read more at this point, I would. It's gonna get messy:

What a weird power and setup though, right? Why? The true nature of mimics is unknown to most of them, but the deepest lore is that the first mimics were constructs made by a people long ago, who first made them as highly advanced machines that'd recognize the thoughts of their masters to fulfill any practical desire. Need a road built? Done. Need a ship repaired? Done. With physical needs all met, the people began to turn inward, and use the mimics to illustrate their own artistic ideas. Eventually, the will and consciousness of these people were assimilated and inherited by mimics, who themselves became people. Mimics spread, altered themselves, duplicated, deviated, fused, split, and wandered around. Getting into recreational wars, manifesting horrors and delights into reality because they could.

Somehow, after the dust settled, the strongest mimics, the angels, decide to set their sights to the stars, and observe other lifeforms develop technology and their own art. Did mimics come to earth millions of years ago, and simply watched humans grow, evolving with them in-tandem? Or did humans make the first mimics, and somehow became undone and set back to the stone age? The answer to this mystery is currently known only to the oldest of mimics. Except Zachary. He's old, but didn't care to remember.

This is generally why mimics seem so compatible with humans; they were made by either them, or people who were, for whatever the reason, very much like them, flaws and all. The ability to assimilate is basically the conversion of matter into a more malleable state of information. A virtually magical power, but this was achieved not through prayers and spells, but a very human-like obsession with developing technology to the point of exerting control over molecules, then atoms, then the lowest planks of matter. The obsession with scaling every mountain and crossing through every valley. To rip the natural world apart, and hopefully, put it back together before it's too late. Angels seek to ensure humanity walks the right path there, but with human's own desires and intent honored, for better or worse.

To answer your question: yes. A mimic of Mario can pull you into the game and you can jump with him and eat shitty low poly spaghetti with him.

The process for doing that is just convoluted and complicated, and you need to get to know each other a bit first. If he tries to use it as an attack though, it either won't work, or it might just wind up giving you mild brain damage.

[galavant-song-tournament]

Round 6

Propaganda:

It’s a song about a gay bar like what’s not to like. “tossing him to the bear” objectively a great joke

I know you didn’t ask for propaganda for this one but it’s maybe my favorite song in the series (top five at least)

Single-handedly convinced three people to watch the show

I’m ace and I love it, it’s funny and such a bop and the singing is IMMACULATE

I think it should lose a point or something just because they mention the "queen" in this gay bar and she comes out and it's not a drag queen? massive wasted opportunity.

I guess the filming was a lot of fun because Kylie Minogue (the queen) and Joshua Sasse (Galavant) got engaged

Propaganda:

My favorite is secret mission because so many d&d games end up exactly like that scene

Secret Mission has had a hugely disproportionate effect on my life. I have for a long time left places by saying "off and away?" but ever since I watched this show it is invariably (if reluctantly) followed by "but first another drink" and comically off-tune da da da da da da da das. So yeah, vote secret mission for permanently breaking my brain.

I’m not sure if it’s my ultimate favorite bc I’m mega indecisive but Secret Mission is so iconic. I’ve sent it to everyone I’ve ever played D&D with and they all love it.