#now tell me why this parallel just hit me

[stillgotscars]

“no amount of vintage dresses gives you dignity” // “so dignified in your well-pressed suit”

[nostalgia-tblr]

i nearly anon'd the thorki non-con fic out of SHAME but in two weeks it's become my third most clicked-on fic of the year, behind only a multichapter fic and a bit of angsty sifki porn lololol

[sysig]

DAAAAAAAAAAAAX <3 <3 (Patreon)

[thats-a-lot-of-cortisol]

2 & 3 from section 1 for peri and 7 from whichever section has a more interesting #7 for diodore -moss

oooh these are fun ones!

2. Describe their tent set-up (outside and inside) (Peri)

I think Peri's tent is constructed similarly to Gale and Astarion's (boxy, fabric walls, little covered area outside). Deep blue fabric w/ golden astronomical embroidery, mostly the sort of thing you see on star maps. Little golden tassles around the edges of the tarp (?) and the doorframe. He'd have a small, circular, dark wood side table short enough that you can use it sitting on the ground, and a dark blue pillow next to it; there would be some parchment and a bronze miniature astrolabe on the table. The inside would be just. full to the brim with the gaudiest night-sky-themed pillows you've ever seen. No bedroll, no palette, just a nest that would put those cube pits in trampoline parks to shame. There would be two bird perches for his familiar Medani: one taller one next to his tent and one shorter one under the overhang. The shorter one would have a crow-sized bow-tie hanging from it. Rugs on rugs on the outside area ofc. 3. What would their character quest be titled? Why? (Peri)

This is a hard one! His tav ending involves taking over the Waterdeep arm of the Harpers, so I think his arc would have something to do with that. He'd be pretty bitter about being dropped into another near-apocalyptic mess when dealing with the last one a few years prior was supposed to be a one-time thing. Something-something ptsd in a world that doesn't have the words for that yet, something-something 'once a hero always a hero', something-something the weight of responsibility...he's a planeswalker so I think part of it would be whether he decides to stay on Toril long-term and directly help rebuild the Waterdeep Harpers or if he continues to run travel around afterwards, so maybe The Far Traveller/The Far Walker?

Harpson/Fae-son are also potential options. "Fae-son" nods to him being a changeling without it being super obvious (like Astarion's "The Pale Elf"). It would also mimic his backstory reveals from RoT ("oh he's not 'from here' so, like, the Feywild" -> "OH he's not from here"). 7. Describe their arc. How would a player help resolve it? What choices can be made? Can your Tav be turned down a dark path, or pulled to a lighter one? (Diodore)

Buckle up because we're in for a long one here. I've thought about Dora's story arc a lot because she's the first of my tavs that I truly made for the game while having full control over her backstory, etc. (versus Corentin, who had their arc baked into the story as a durge). Dora's a paladin of Corellon (oath of ancients) and her story arc as a companion would have to do with whether or not she should accept capital-r-Redemption, the process by which a drow can be truly "freed" from Lolth and rejoin the ranks of the rest of elven society. It involves all of the Redeemed drow's memories being erased and them being reincarnated as a surface elf. The implication seems to be that without that, regardless of a drow's actions, they'd be thrown back to Lolth when they die? Or at least that their eternal fate is unknown (which is the way I prefer to think of it for. personal reasons). Under normal circumstances, Dora would be a long way from Redemption being presented to her at all (she's not even 200 yet and has only been on the surface for a couple decades), but like with the other gods' Chosen among the companions, near-apocalyptic circumstances tend to speed up those sorts of things.

Of course, you'd have the themes of faith & relationship with deity when they're all unequivocally real and are also mostly all assholes; maintaining or breaking generational cycles; facing the unknown; morality when none of your choices are "good" (and how that interacts with morality vs self preservation); power vs freedom; identity outside of the people who made you; etc. The choice would first be presented to her sometime in late Act I/early Act II, likely the first long rest after the group resurfaces from the Underdark and you've probably gotten some of her backstory already. I have no idea how Larian would have characterized Corellon, but he's considered one of the more benevolent/open-minded deities iirc, which could be interesting to see contrasted with Mystra, Vlaa'kith, and Shar. How much that open-mindedness would extend to a drow, even one who has been a faithful follower even before she escaped to the Surface (and who inherited that faith from her father), is unclear. At the beginning of the game she would be leaning towards accepting Redemption, despite her own misgivings about whether or not she would still be her in that case.

Her final decision (at the ending pier scene) would depend on the relationship she has with the PC and the other companions. Her best ending, imo, would be her not accepting Redemption but continuing to be a force for good. If she has a good relationship with the PC, she would have something to lose. I think seeing the House of Mourning would affect her too. After all, the thing Corellon is offering to her as a way to find peace is the same thing the Sharrans are using as a way to manipulate and control others.

She's viscerally aware of how she was socialized and very actively chooses "good", so pushing her towards a darker path would be incredibly difficult but not impossible. If you side with the goblins she'll leave immediately, and turn on you if she's in your party when you attack the grove. But if you decide to try and control the cult in Act II, depending on your over-all actions before then and how you've interacted with her, you could disillusion her to the point of convincing her to break her oath. That path would entail convincing her that controlling the cult is actually the best idea. I'm sure there would be other times that her oath could break that wouldn't necessarily lock her into an "evil" path, especially with how Oathbreakers are handled in the game. Knocking out Minthara instead of killing her outright and letting Auntie Ethel go in Act I instead of killing her are two things that come to mind.

If she doesn't choose Redemption she would be at the epilogue party, of course. I'm a bit undecided on what would happen if she does choose Redemption. She may not be there at all, w/ Jaheira, Halsin, Minthara, and/or Astarion mentioning running into her in her new, reincarnated state. Or she would be there, confused, and mention how the PC seems familiar in a way she can't quite place. In that case, she would ask them how they know each other and mention something about feeling a twinge of grief looking at everyone, but that she doesn't know why she feels that way. It would be up to the PC how much they tell her (if they tell her anything at all).

[samthestrangerthingsfan]

Pairing: Eddie Munson x Reader

Summary: friends-to-lovers, mutual pining, lots of parallels, reader is a lil down on herself but don't worry, eddie is down bad for her.

Warnings: swearing, mentions of weed and smoking, smut!! 18+, minors DNI.

AN: do i write 90% of my fics based on what pops into my head when i hear a certain song? yeah. also this is only half edited bc life. enjoy bbs <3

“Okay, okay,” You laughed. “One more hit then I’m tapped out, Eds.”

Eddie grinned, speaking through a half-held breath. “Oh no, Sweetheart. New stuff hittin’ a little too hard?”

You inhaled deeply, passing back to him what was left of the joint. It went straight to your head, and you flopped back, laying comfortably on Eddie’s bed.

Eddie inhaled, following suit, making your body bounce as he hit the mattress.

“Shit,” he mumbled. “Feel like I’m fuckin’ flying.” He grips your hand, intertwining his fingers with yours. “Don’t let me float away, okay?”

You smile at him, taking in how fucking beautiful he looks under the dim lights in his bedroom.

“Never. You’re stuck with me, Eds.”

He looks down at you, a smirk pulling at the corner of his mouth. He took you in like he'd done 100 times before. Eyes trailing from your nose, to your eyes, landing at your mouth.

So fucking beautiful.

“Good," he breathes, pulling you in closer. "Just the way I like it.”

Eddie let go of you hand, only to wrap his arm around you and pull you into his chest. He placed a kiss to the crown of your head, "This okay?"

It's all I want. You think.

"Or do we have to get up and go watch that cheesy chick-flick I promised we'd watch.

You sighed, fiddling with the hem of your denim skirt. "I'd stay here all night if you let me."

That's all I want. He thinks.

Eddie leans back a bit, looking down at you. He's not sure if it's the weed making his so emotional, but he swears he could cry just looking into your eyes. "What am I gonna do if one of these dates you keep going on works out? What if someone takes you from me?"

He tries to sound relaxed, but the truth is, the thought keeps him up at night. There’s gonna be a guy that steals you away from him one of these days. Someone who can give you everything he can’t, someone brave enough to open their mouth and tell you just how much they love you.

and it'll crush him.

The laugh that escapes you is a cynical one, "Eddie, I've been on three dates with three different men, and I've gone home alone each time."

"So?" He asks.

"So," You scoff. "It means no one is interested in doing anything with me."

It’s true—to you at least. The guys you’d gone out with were either not looking to be tied down, or ran once they met you. The last guy thought you’d be easy because ‘the freak’s best friend has to be a freak herself right?’

The dates were a distraction for you. As your heart pined over the one guy you could have it all with, it was breaking too. Eddie hadn’t made a move on you—ever, and you weren’t brave enough too.

So the two of you sat in limbo, completely unaware that the other person was right there with you.

Eddie sits back, releasing you from his arms. "Why do you do that?"

"Do what?" You ask, sitting back as well.

"That. Act like you're the problem, and not these shitty fucking dudes you keep going out with.” Eddie tried to control his tone, but his temper got the better of him. He cursed at himself for it.

Jesus H. Christ, Munson, get it together.

You push back from him fully now, "Eddie, the common denominator is me. I-I'm fucking broken or something."

“Stop that.” He seethed.

It’s a command—a tone you've heard him use with Steve, or Dustin, but not you.

Never with you.

Eddie stood as you sat up, hanging your legs off the edge of the bed.

"What--"

He turned back and got to his knees right in front of you.

“Stop talking about yourself like that. It’s fucking ridiculous.”

He was close to you, and with him on his knees, his gaze was just at your eye level. “You’re not broken. There's nothing wrong with you, you’re—you’re fucking perfect.”

“Eddie…”

“No, no, just…just shush for a second.” Eddie moved his hand to your cheek, his thumb sweeping across it gently. “You think all this shit about yourself and it’s just not fucking true. I wish, for a second, you could see yourself how I see you. I fucking adore you.”

You feel the warmth of his breath on your nose. His large hand on your cheek warms you, and you lean into the touch, closing your eyes.

Everything is Eddie in this moment. He’s invading every sense you had.

It’s overwhelming.

You can feel your eyes brim with tears. “You don’t have to say that, Eds. I’m okay. I’m just…I’m lonely, that’s all.”

Eddie’s breath caught in his throat. He watched you, he saw the tears hidden beneath your lashes. How could you not see it? See how you were…everything to him?

His mind stopped for a moment, deciding whether or not to take the leap, to risk it all and not run for once.

Fuck it.

“I’m right here, Princess. I’ve been right here.” He leans his forehead on yours.

You exhale his name, “Eddie,”

“What,” he’s quick to ask. “What is it, Sweetheart?”

Your on fire with how close he is to you. But he doesn’t mean it, not in the way you hoped he would…does he?

Your eyes open, seeing his beautiful brown ones searching your face for some kind of clue as to what you’re feeling. You clasp your hand on top of his. “Please,” you beg. “Please don’t say things you don’t mean just to make me feel better. My heart can’t take it.”

He laughs softly, bringing his other hand up. He’s cradling your face gently, “Oh, Honey. You have no idea just how much I mean it.”

Eddie is overwhelmed with you. You’re everywhere, and he can’t fucking think straight. Probably a good thing right about now, because he’s about to do something he never thought he’d be lucky enough to do.

“Can,” he clears his throat. “Can I kiss you, Baby?”

With zero hesitation, you nod, earning a chuckle from Eddie.

“Gotta use your words, sweet thing.”

“Yes,” it comes out as a plea. “Kiss me...please.”

Warm warm warm.

It’s all you feel when he leans in. Then his soft lips are on yours, all the while he’s holding you as if you’d be the one to float away.

Eddie kisses you like he’s done it a thousand times. Like he knows your lips and the pattern that drives them crazy. He’s trying to tell you everything he’s been too afraid to say since the moment he met you.

There’s no one but you.

You’re everything.

I love you, please, let me love you.

Regrettably, you pull away. Breathless from the kiss, but also how surreal this moment is.

���I-I,” you sigh, touching your forehead to his. “I’ve wanted to do that for forever.” It comes out as whisper. As if you’d scare him away if you said it too loud.

Eddie smiles, a relieved laugh passing his lips. “Yeah?”

You nod, “Yeah.”

It’s quiet for a beat, Eddie is looking at you so softly and with such care.

“You’re so beautiful.” He says with all of the conviction in the world. “My pretty girl.”

“Am I?” You ask. “Am I yours?”

He nods, "If you want to be." He moves his hands, resting one on each thigh. He rubs them absentmindedly, likes he's trying to flatten the goosebumps that had prickled across your skin. “...and I’m yours. You've got me, Honey.”

Eddie's grin was still a shy one. You brush your hand across his face, pushing back any stray hairs. "Eds?"

He grips your wrist gently, placing small, tender kisses along the inside of it. The gesture is so simple, but it sends a heat through you like you've never experienced before.

"What is it, pretty girl? Whatever you want, whatever you need...it's yours."

You intertwine your fingers with his smoothly, "You, Eddie. Need you. Wanna make you feel good, Eds."

Now it was his turn to get goosebumps.

"Fuck, Angel. You can't just say that to me." He breathes.

Your bedroom eyes blink twice, "Please?"

A strangled moan vibrates from his chest, "Who am I to deny the fair maiden what she asks for?" Eddie stands, holding out a hand for you.

You're pulled to your feet by him, and he's looking at you through a brand new set of eyes. "One problem with that though, Princess. You come first."

You gasp as his hands take purchase of your ass, pulling you into him. "If anything, and I mean anything is too much, or too weird, you tell me, okay?"

You're nodding again, and he tuts at you. "Uh-uh. Words, baby."

Your arms fall around his neck and you press your body against his. "Yes, sir."

"Ho-ly-shit." He moans. "Yeah, I'm gonna kiss you now. Cool? Cool."

He's hungrier this time, kissing with teeth and tongue as his roaming hands explore your body.

"Eddie, Eddie..." You breath through swollen lips. "Too many clothes."

"You a mind reader or something?" He jokes, ripping the t-shirt from his body. His body was a work of art in more ways than one, and seeing it now, like this, made you crave it all the more.

You watch as Eddie falls to his knees, "Can I?" He asks, pulling at your skirt.

"God, yes."

He unbuttons the fastener, pulling the distressed denim down until it's pooling at your ankles. Eddie then came face to face with your black-lace covered heat.

"I-I'm dead right? I've died and now I'm at the pearly gates."

Your hands cover your face, "Eddie! Stop!"

He stands quickly, "No, baby, no. God, please don't hide from me." He pulls your hands away gently.

Your shirt is next to go, and so is the matching bra. Eddie pulls his pants down, leaving his boxers on.

"Lay down for me, Princess. Wanna take care of you.”

The timber of his voice makes you tremble. Once your comfortable on the bed, Eddie climbs on too.

“Now, I know this is all new, and we’re figuring things out as we go, but…” Eddie pauses, laying on his stomach between your legs.

He starts kissing his way up your legs. “I’ve been dreaming of eating this pussy for a long, kiss, long, kiss, long time.”

You’re so turned on you can barely speak, but you manage to get out a quiet. “Well what are you waiting for?”

Your thong is thrown into parts unknown, and Eddie starts to feast like a man starved.

“Eddie, fuck—“ his tongue explores your heat. His hands hold onto your hips as you grind down onto his mouth.

“Uh-uh, don’t hold back. Wanna hear you, Princess.” He dives back in, lips sucking on your clit, pushing you closer and closer to the edge. He slips in one, the two fingers. Pumping and curling them slowly until he finds the spot that makes you see stars.

The fire in your belly is growing and you feel your legs start to shake. “Holy fuck, Eds—Eds I’m gonna cum!” Your hands take purchase in his hair, giving it a sharp tug as you feel the heat engulf you.

Eddie eats your pussy, drinking you in as you cum.

“Shit, I’m sorry!” You release your grip on his hair as you come down from your high.

Eddie crawls up your body, kissing you. You taste yourself all over his tongue. “Don’t be sorry, Baby. Let’s me know you’re enjoying yourself,” he kisses you once more. “Plus, I kinda like it.”

You’re both breathing heavy.

Now it’s his turn.

Your hands touch his shoulder, pushing him gently. “What’re you doing, pretty girl?” He asks softly.

When Eddie’s leaned back against the headboard, you pull his boxers off. Pink, uncut cock springing from it's confines.

God damn...he's fucking huge.

"Gonna ride you, Eds. Let you feel what you did to me." You climbed on top of him, "Can I do that? Can I make you feel good?"

Eddie's nodding, not sure what part of you he wants to look at more.

"Uh-uh," you tease. "Use your words, Handsome."

"Fuck," He breathes. He palms your bare chest, moving the pads of his thumbs over your nipples. "Do whatever you want to me, use me, I'm yours." He leans forward, hot mouth latching to your other breast.

You sit up, allowing Eddie's hard length to slip inside your aching cunt. The sheer stretch and size is enough to snatch the breath from your lungs.

"Eds...Eds, shit. S'big." You moan.

His eyes close as he bottoms out inside of you, "So tight. Fuckin' pussy was made for me, she wants my cock. Won't let it go. She greedy, baby?"

You adjust to his size filling the void inside you. Eddie hold your hips as you begin to ride him, helping you to keep a steady rhythm.

"Look at you, Princess. Cock-drunk already, hm?" He teases.

Eddie is whispering praises as he fucks up into you.

Such a good girl.

Taking me so well.

My pretty girl.

Mine.

Eddie's pace quickens, and you feel the tremble return to your legs.

"Eddie, fuck, I--"

"I know, Honey. I can feel it, feel you squeezin' me. Let go, Angel. Go on, cum for me."

His words are like a spell.

You cum harder than you did on his mouth, and this time, it's his cock that's drenched in your essence.

"Gonna cum, Sweetheart. Where--"

You're entirely lost in everything Eddie. "Inside me, Eds. Fuck, please cum inside me."

"Shit, shit, shit." Eddie's moves become erratic. Sloppy thrusts chasing his release, and when he does, he all but growls in your ear.

He's breathless and spent, but his arms wrap around you. Eddie holds you, softening inside you. He kisses the center of your chest, the trail making its way across your shoulder, up your jaw, and to your lips.

"Hi." He says quietly.

You giggle softly, "Hi."

"So uh, not sure if this is a good time or not..."

You kiss his nose, "Hmm?"

"I-I...I love you. I don't know, just felt like someone should tell you, might as well be me." Eddie's big brown eyes search your face for any sign of regret or discomfort.

Nothing.

You kiss him deeply, "I'm glad you told me, otherwise I'd be sitting over here, in love with you, looking all silly by myself."

Eddie holds you tighter. "You, you love me?"

You giggle, "Edward Munson. I love you."

He pulls you closer, "You love me." It's a statement now.

Eddie lays his head against your bare chest. "I'm gonna get you cleaned up in a second, Sweetheart. Just wanna hold you for a little."

Rubbing small circles on his back, you kissed the top of his head. "I'm not going anywhere, Handsome."

[dearsnow]

TOO SWEET

- you discover that you mix a little too much sugar into your relationship, and jake seems to believe that he’ll turn everything sour. (jake seresin x fem!reader, angst, jake being an asshole when he thinks he’s making the right decision but what’s new, i had a real fun time writing the description ⚠️ drinking)

PART 2

word count: 785

a/n - angst city is back !! and yes there are parallels bc i’m in a parallel mood so yeah some lines are very very similar to each other. hope you guys enjoy, even though my first hangman-centric fic is a sad one lol. based on “too sweet” by hozier <3

You press your palm to Jake’s face, feeling his stubble rough against your soft skin. “You’re amazing.”

He has a pool stick in his hand, one that he sets down to pull away from your touch. Your face flushes as he takes your hand in his own and places his pool stick in your other, motioning for you to take a shot. “You’re too sweet, darlin’. Let’s prove to Chicken over here that you can be tough, too.”

“Too sweet” is something he’s called you more than once. You suppose it is true, with your gentle and kind demeanor. You just can’t help wanting everyone to be happy.

Jake Seresin is pretty much the opposite of that. He intentionally upsets people with a smile on his face, content in riling them up, and fond of perpetuating rivalries. No one ever understands why you’re attracted to him, especially not the other daggers.

You see the side of him that he rarely ever shows. The one that’s kind and caring, that understands when he goes too far and reels his aggressive personality back to shore. When he kisses you on the cheek or places his hand on the small of your back, you feel it too.

So, when he pulls you to the side of the Hard Deck, you assume he’s just going to give you another drawling compliment and skirt his hand between your shirt and the soft skin of your waist. You certainly don’t expect the words that come out of his mouth next.

“Hun, I think we need to stop seeing each other.”

Your heart stops dead in its tracks. “What?” You borderline squeak. No, this can’t be happening. Everything was so perfect just moments ago, and now the look on his face makes you want to cry. It’s laden with sympathy.

He holds your hands with gentle fingers. “You’re too sweet, baby. I don’t mean it in a bad way, but I mean, you’re way sweeter than I could ever be. You tell Rooster his shirt looks nice when it’s eye-bleeding and you mean it. I love that, I really do, but we don’t fit. We don’t make sense, and I want my relationships to make sense.”

“We do make sense.” You protest. “Opposites attract or something like that. We can make it work.”

“The thing is, we can’t. I’m gonna piss you off eventually, and you’re gonna forgive me, and it’ll just be toxic. I don’t want that for you.”

He lets go of your hands, and as the cool air hits them, they miss his warmth. His green eyes are tinged with something you could associate with sadness, just a hint of aching regret. His mouth twitches a bit, curling into his sun-kissed freckles. They wouldn’t be noticeable if you hadn’t looked at him so closely, if you hadn’t kissed along that same line a few nights ago. “And what about what I want, Jake? I want you. We can have a good relationship, I promise, we’ll find a way.”

“That’s what makes you so special. Your goddamn unwavering hope. I don’t want to crush that, sweet thing, but you have to know that it isn’t always going to work out.” His tone is softer now, but his words hit like the sharp end of a knife. You stare up at him, eyes watering.

“But-“

“It’s a no, baby. Just no.”

He turns, and for the first time, you don’t follow his movements. Your fists close around empty air.

It’s really happening. He’s explained how he doesn’t want you in a million honey-suckled ways, and more than anything, you just want to sink into his arms and cry. But you can’t, and you don’t. You move away, instead, out of the Hard Deck and out of his life, into the cold night air. When you reach your car, all you can do is sob into the shiny metal.

Jake watches you leave. He wants to run after you, to thread his fingers around yours and pull you into a kiss, but he can’t, and he doesn’t. It’s better for you, he tells himself. You sip on wine and fruity drinks while his neat whiskey is sitting on the bar, half-drunk. You deserve someone nicer, kinder, who kisses you goodbye and doesn’t scratch your face with stubble. He sees you lean against your car, forehead pressed to the car door, and he almost folds. He picks up his drink and turns to face Penny, who’s looking at him disapprovingly.

“I’m not good for her.” He tries to explain.

Penny sighs and reaches for the whiskey, topping off his glass. “You aren’t. I just wish you made it your problem instead of hers.”

Taglist: @seitmai

[thependancer]

An analysis of the voices in Moment of Clarity

Before we get into the analysis, a little note:

1- I am mostly trying to show how the trauma has affected each voice compared to them on their normal routes. If they have deviations in other chapters and I have stated them as trauma responses, correct me.

2- I tried my best but some voices are just difficult 😭. So sorry if I couldn't give a satisfying explanation to your favourite.

Without further ado, let's begin:

Firstly, it should be noted that what exactly happened after you decided to stay with The Nightmare is something not even the voices themselves are sure about. But what we do know is that whatever the events were they were horrific. The voices have tried everything up to this point except freeing her. And since nothing was working and it was only making things worse, they are effectively useless now. Even the Narrator acknowledges that they are all extremely traumatized.

So let's see how these voices handle trauma.

1) The Voice of the Broken:

The voice of the Broken has shown incredible resilience and empathy in the past. And in this route he is somehow even more broken. He is also on the "Free the Princess" team, however he only wants to do it because he wants this misery to end. He has the most interesting explanation as to why we(the player) can't remember being here through all those lifetimes.

"Maybe you're shattered in your own way."

Ding Ding Ding. We've found the trauma response. The Broken has been shattered more than he already was. His will and empathy have run out. Where once he probably tried accepting the Princess, the Princess just shattered them further. He just wants to be done with it. As he says, "She smashes us to smaller pieces."

2) The Voice of the Cheated:

The voice of the cheated is the only voice to comment on the absurdity of us having so many voices. And he says it as if he's complaining about it. It's the only thing he can really do in that situation really. The Cheated does NOT like losing. But after complaining for so long and ultimately getting no where, he just accepts defeat at this point.

"It doesnt matter what we do. Because we always find her. And if we don't find her, she always finds us."

Subsequently he is on the "I don't fucking care what happens anymore" team. That isn't to say he doesn't want this to end. He does but he has just given up on trying to 'win' and get an ending. Effectively he wants to quit now. And he doesn't care if it's by completing the game or hitting alt+f4.

3) The Voice of the Smitten:

The voice of the Smitten has an interesting trauma response. The relation here is almost parallel to the relation Broken has with The Tower, except somehow worse. Smitten is incapable of seeing faults in the Princess. And when questioned if we really do love her after all shes done to us he tries to justify his love by saying

"To be given an ounce of kindness from something so pure would be more pure than any other love."

After we say that the voices in our head are wrong, he replies

"She is the ONLY THING that's right."

The Smitten is heartbroken. He's like that ex you broke up with but he still texts 'I love you' every night. Except the Princess has probably toyed with the Smittens love. But the Smitten can't not love her. So he decides he must become good enough to earn the love of "our cruel and beautiful godess". And the only way to do that is to free her. He doesn't want freedom he wants affection.

4) The Voice of the Hunted:

The Hunted was already one of the weaker voices mentally. Here he's just completely silent. He has like 6 lines the whole route. Which is only 1 more than the Stubborn. The Hunted is scared. He is almost paranoid. He doesn't even tell us to do this or that. He doesn't even comment on the mirror.

I personally feel Hunted was so broken that like a scared animal he decided it was better to hide. He does speak out in agreement to Cold when he says we sealed our fate by not killing her. Interestingly, the response is very minimal. Primitive even.

"Kill or be killed."

Which if you know Hunted, is not a normal response. He usually wants to run or hide. He never wants to kill, just survive. But here he says it would have been better to just kill. So whatever Nightmare did has made Hunted go from run to hide to kill or be killed. Wow! This is like prey animal that when cornered will just lash out in violence if they have no other choice. And that's exactly what Hunted is.

Now we start getting into some really interesting deviations.

5) The Voice of the Opportunist:

The voice of the Opportunist is so unbelievably broken its unreal. First thing to note is he already has an opinion. Secondly, he defends his own opinion. That isn't very opportunistic. He doesn't even flip flop like in his other routes. He's so different in this one, almost as if he's gained empathy as a response to trauma. He eve tries to comfort other voices like the Broken.

"You did your best really. There's just a pecking order."

And he is the only voice who tries explaining to Skeptic why his constant questions are bothering them. He does it in a positive way as well.

"They're good questions. Great questions even. But they just don't have any answers."

And he clearly doesn't care what the others think about him at this point. He's also the few voices that have some semblance of sense. Like when Cold tells them to be unfeeling, Oppy says,

"He's not wrong. He's the only smart one left if you ask me."

Again a very different opinion from the rest of the voices that deem Cold to be a nuisance. He's in the minority here. And yet when you return and start making choices, he's so relieved.

"I'm sure whatever you settle on, it'll be the best possible decision you could've made."

The reason he's relieved is because there is someone actually in control. There is a decision maker he can agree with. Finally, someone to try and suade. But this is still the most resolute we've ever seen him.

6) The Voice of the Stubborn:

He is probably the most fed up with everyone else's bullshit. Interestingly though on this route he isn't urging us to face the Princess. The only route where he isn't in a hurry to reach the cabin. He has completely lost the spirit to fight. If you got knocked out, this Stubborn could not revive you. He still wants to get physical, just can't. Who's he supposed to fight? The Princess? That's already been tried. The other voices? Now that's an idea.

"Shut up. You {Contrarion} were here."

Fight me. It's right there he wants Contrarion to punch him so he can punch him.

"Ugh. Here you {Skeptic} go philosophising again. It never goes anywhere."

I'm mocking you what you gonna do about it? Fight me. But it's hopeless. He can't even be bothered to instigate a fight anymore. But he's the macho man. What will the others think of him if he isn't aggresive? The truth is others don't really care. But he does. So he says to smash the mirror. Partly cause he wants to feel the spark of a fight again, partly cause that's what others expect of him.

7) The Voice of the Paranoid:

He is STRESSED. To the point he's constantly thinking about the Princess. He only has one goal in mind. Free the Princess. Escape. Get out of here. Make the thoughts stop!!!!

Such a precious broken boi. He just wants peace. He states,

"(Freeing her) It's the only way to get our thoughts back."

He can also feel eyes on him. Not sure if that's just Para being Para or due to trauma. But he is growing restless because of it.

"She's watching us. She never stops watching us."

He also doesn't talk much. Like he's scared the princess will hear him. He was always quiet but he's unnaturally quiet. He also really really wants to free the Princess. Overall he's Paranoid, can't think about anything except wanting to free the Princess so he can have his thoughts back.

8) The Voice of the Contrarion:

Contrarion has always been a nihilist. Nothing matters so let's just have fun cue laughter. However, here we can't really have fun. So his attitude becomes, nothing matters cue laughter. Which just makes him seem so sad.

"There's no difference between fine and not fine. It just goes on and on."

We know that Contrarion does hate himself. But here he's trying so hard to hide it here. He does not want to look at himself. He doesn't even want to think about himself. When Skeptic starts to question identity. He's also been asked this before but he would rather look away than look at himself.

"Yes this is far from the first time you've asked us about consciousness. (In a mocking tone) 'Who am I?', 'What am I?'; (Angrily) What is 'I'? Who even cares."

The Nightmare has broken him so much but he'd rather ignore it. When the voices are telling us what to do with the mirror in the cabin, he says

"Just go around it."

He's so done with himself. He doesn't even want to look at himself. He thinks that the most disgusting thing he could see HIMSELF. Not only this he tries to dodge almost every question we pose.

"What does here even mean if you think about it?"

He doesn't want to acknowledge anything even remotely related to him. Where was I? It doesn't matter, nobody really cares about me.... atleast I don't.

9) The Voice of the Cold:

The voice of the Cold has barely been affected. Makes sense. But what's interesting about him is he has actually been affected. He either doesn't know or he is purposely ignoring it. He has become more irritable. He develops a form of empathy. He has some pity.

" I've tried to keep them numb but they are all too soft. A shame, really."

That doesn't sound like the backseat driver Cold we know? Cold wants to help the other voices but he well can't.

"You're lucky you haven't been stuck here like the rest of them. There's no other way to keep going. You either need to forget or you need to stop feeling much of anything. They can't do either."

The Cold tried to help them. But the nature of the voices doesn't let them be helped. Cold is severely disappointed because of this. He even blames the player for ending up in this position when he says,

"You sealed our fate when you refused to kill her."

He just wants the player to make decisions independent of the voices. He's seen what they all do. He sees that it always ends in losses. He thinks the player was there when the other voices were having a try. He thinks the player was just listening to their requests.

"You always give too much space to others. It's why you always lose."

He is also the chattiest in this route. He also has many lines where he just tells us to be unfeeling. He's trying to protect us as well. But he's also bored. And he just wants it to end because he's bored.

10) The Voice of the Skeptic:

Possibly the most broken of the bunch. He is TRAUMATIZED. Normally, Skeptic is the most grounded. He's the guy who always has a plan. But here? He's useless. He realises this. And just breaks. He can't answer any question. How many times have we been here?

"Many many many many times."

Skeptic, wheres the numbers? Was I here?

"Are you your memories? Or are you the one perceiving the present moment?"

For someone who really loves answers, he sure doesn't seem to have any. The most logical voice being turned completely insane. He can't accept anything.

"Can we love something that hates us? Can we love something that hurts us?"

He's trying to distract himself. He doesn't want to think about the situation. He doesn't want to THINK. That's so bizarre. The Nightmare has broken Skeptic so much he doesn't want to do the one thing he loves to do. In fact when we reach the Long Quiet his first words are,

"I can finally think again."

11) The Voice of the Hero:

The voice of the Hero has a reaction that would make anyone furious at the nightmare for what she did to our boy. Hero is normally jocund, enthusiastic, understanding, and overall lovely. But here he is depressed. He doesn't talk much which is unusual. He always has something to say. But he's just so defeated. When the Narrator tells you the only thing you can do is go to the cabin, Hero replies

"Or you could just give up."

Hero says that. Not Broken. Hero. Our Hero. The one who is always encouraging us through our journey. The one we can trust no matter the circumstances. Our best friend. This line is the most terrifying part of Moment of Clarity. If we had any optimism going in, it had left us in this moment.

"You're lucky. What I would give to be able to forget."

Please someone comfort our boy. He deserves all the chocolates in the world.

In the Long Quiet

Once you reach the Long Quiet the voices seem to ease up a little. They see death within arms reach and think it a mercy. As Hero puts it:

"Something tells me this is the end of the line, but I don't feel bad about it. I'm ready."

Which is a striking contrast to his usual plea to not look at it. His fear of death is converted to a longing of it. Which could be seen as a another proof of why the Narrator's utopia is wrong. Because people who have lived a nightmare long for change and even death. And so he is at ease.

The Broken says,

"It feels okay."

Which is huge for our boi. Broken never feels alright. He is always sad or depressed. Something is always not okay with him. But after living through a nightmare, things finally seem okay. And so he is at ease.

The Paranoid says

"The fear's gone."

Again an amazing development. Paranoid always feels watched, and he's scared of who it is and why is he being watched. But in his final moments, living through a nightmare, he realises that the fear has no place in him anymore. And so he is at ease.

The Stubborn says,

"I'm done fighting."

This statement is a confession. He had long lost the spark for a fight, but here he can finally admit it. He doesn't want to fight anymore. He doesn't want to resist anymore. He wants to let go, and he does. And so he is at ease.

The Smitten says

"My heart feels quiet."

The fire of passion is fierce. And here it burns the Smitten. He wanted affection. He desired a connection with the Princess. His heart was incapable of doing anything but. Now as he is unraveled, his passion is extinguished. His heart is quiet. He never did get the affection he desired but realised he didn't need it. And so he is at ease.

The Cheated says,

"The game was always going to end."

For him, this is an ending screen for a rage game. He hated the experience the whole way through. He constantly faced losses. But he persevered. And so he found the ending. After all, no matter how extensive the game was, it was always going to end. He is glad he didn't quit. He got to see the ending. And so he is at ease.

The Cold says,

"I'll be free of all of you."

The worst part about this nightmare wasn't the nightmare itself. It was the fact it was hurting the ones around him. They got hurt abd yet he was as unfeeling as ever. He knew he had to be right. After all, wasn't he the only sane one left? Now as death approaches, he doesn't have to help carry the burden of others. And so he is at ease.

The Skeptic says,

"I'm ready for the truth."

The Skeptic was thoroughly broken throughout this experience. A man of reality shatters when reality shatters. And the thinker's response to doubt is to seek. But no answers were present in the nightmare. Now there is something that is very clear in purpose. Something easy to test. The mirror is death? Alright then let's see the truth. There are answers again. And so he is at ease.

The Hunted says,

"I'm ready to sleep."

An animal who has tried everything to protect itself and failed over and over again. A wounded creature who was pushed to his limits. But he is very tired now. He tried his very best. Yet it seems death is inevitable. He has remained vigilant and fearful throughout the nightmare. Now he feels safe enough to rest. And so he is at ease.

The Contrarion says,

"I'm just ready to be anywhere that isn't here."

The nightmare had shown him how low of a person he could be. He has come to associate that version of himself with those wretched circumstances. As he leaves that place behind he leaves behind his self hatred. He wants to get on with it already. He finds esteem in himself and his voice now echoes with joy and pride. And so he is at ease.

The Opportunist says,

"Boys..... it's been an honour."

The one who has never experienced true connection. The one who is constantly at odds with himself and everyone. Throughout the nightmare he garners genuine connection and empathy. He realises that the ones he should truly support are those that he loves not those that are the top of a pecking order. He finally finds that connection in this moment with the others. And so he is at ease.

And so they are at ease.

[hxney-lemcn]

non-request Idia thought of the Day:

Consider hieght difference.

OUR BOY BE TALL!! Easily being able to duck under his arm or get into small spaces to fix tech because you're small.

being absolutely done with a situation (Dorm head meeting?), walking over to Idia, and promptly zipping yourself up in his jacket. while he's still in it. He doesn't know what to do. he's just standing there with another person in his jacket with him. WHAT BUTTON DOES HE PRESS FOR THIS HE DOESNT KNOW-- Not even your head is out, the jacket is zipped all the way up.

Also sweater paws for that one hit K.O. to Idia.

ALSO SHORT BUT STRONK- IMAGINE BEING SMALL AND ADORABLE BUT YOU JUST PICK IDIA'S SKYSCRAPER ASS UP LIKE NOTHING. "Hi Cater, Need Idia. Bye." Straight just yoinking him and leaving. Why did you need him? Parallel play reasons obviously.

Idia is 6 ft (183 cm) tall, and he never really thought about his height. Why would he? He barely leaves his room, if anything, he wishes he was smaller so he could blend into a crowd better.

And then you come along. It doesn't matter how much shorter you are, whether its only an inch or a foot, he notices that your shorter.

It would be so funny if you try to kabedon him, if you're really short you gotta stand up on your tippy toes. Instant K.O. Idia is gone, deceased. He finds it both adorable and lowkey hot and he secretly wishes you do it again.

If he tries to get you back...he dies of embarrassment if you slip under his arm. HE WAS TRYING TO DO THE THING! AND YOU JUST- YOU WEREN'T SUPPOSED TO DO THAT! (give him a little kiss to make up for your teasing).

He is crumbling at any sign of affection (even more so if its public). You zipping yourself in his hoodie? Or just slipping it over your head as well. Sharing a hoodie while he's still in it...yeah he's a jittery mess. You're heat seeping into him, your hair tickling his skin, you look so peaceful with your head against his chest and arms around his torso...if your in a private setting he watches you with a blush. He can't get over the fact that you're real and you choose him. If you're in public his hood is over his head and he's trying to act cool but his bright pink cheeks and tips of his hair clearly give away his true feelings.

It would be absolutely comical for short but strong reader to pick up Idia. Oh my gosh and if people are around...yeah he's floundering (ik I keep saying that but lets be real...he can barely handle a normal social situation lmao). To be fair, if you can lift over 140lbs (63kg) you can probably carry him (he is thin so I'm assuming we are a similar weight and I added some lbs cus he's taller than me). This is probs your way of getting him out of a situation he doesn't want to be in (any social one 💀).

Cater is trying to be buddy buddy with Idia, wanting to finally have at least one friend from Ignihyde. Idia looks like he wants to be literally anywhere else. So you decide to step in, pick up Idia, and tell Cater that y'all had plans. Idia is holding onto you for dear life, Cater is eating it up (this is now added to his gossip folder and he definitely got photos of you carrying Idia). After the panic wears off, Idia is impressed. Who knew you had so much muscle? Totally not another reason for him to simp for you.

[lycheeloving]

a non-platonic yandere!Bruce thought this time, with some multiverse stuff, because that's all I could think about today.

I imagine this is at a point where you've been with him for some time & have mostly gotten used to your situation (having been kidnapped and forced into a relationship with a billionaire who happens to be Batman)

a small allusion to nsfw stuff, minors dni

You're bored, sitting in the bedroom you share with Bruce (who's currently patrolling, so you can't even annoy him for entertainment), so you decide that you at least want a change of scenery, and what better place for that than the batcave? So you take a book, a drink and a blanket with you as you venture down into the cave.

Bruce doesn't like it when you're down there, especially not while he's out, but it doesn't concern him enough to install anything that would keep you from going down there. If you're lucky, this will piss him off just enough to make the inevitable post-patrol sex with him more interesting tonight, so a win-win situation, really! You sit down in his comfy chair in front of his bat-computer, snuggle into your blanket so you don't freeze to death and start reading.

After some time you stand up to stretch and notice Bruce in the reflection on the computer. Weird, you didn't hear the batmobile returning! Well, you must have just been really immersed in the book.

"Bruce? You're back early, I thought you said you'd take longer today because of some Arkham emergency?"

No response.

"Ok, look, I know you don't like it when I'm down here, but I was getting sick of the manor!"

Still no response.

You turn around to look at him more closely, his expression might look like his usual stony facade, but you've spent enough time with him by now to be able to read him a bit and you're pretty sure he looks... confused?

"Hello? Are you ok? Did you hit your head? Did you drive with a head injury?? Wait, no, of course not, the batmobile can drive home all by itself-"

As you say that, you look at where the batmobile should be. should be, because it's not there. You look back at Bruce. Did his batsuit always look like that? You could swear that the ears are usually a bit smaller, and the color is wrong. Huh. You take a step back. "You're.. not Bruce, are you?"

He finally opens up his mouth to explain that he's from a parallel universe, that he and the Bruce from your universe have been helping each other with cases for a while now, he just came here to see if your Bruce was available, but if he's not here right now he's going to leave again. He gestures to a portal in the wall that you missed because from your angle it just looks like the wall of the cave, but when you take a step forward you can see into what looks like the batcave you're in right now but slightly to the left. A bit uncanny.

"You looked confused earlier, did Bruce not tell you about me? Or did you just not expect to see me down here?"

"...I was not aware that he is in a relationship."

"I mean, yeah, I guess if I was him I wouldn't go around telling people I kidnapped someone and keep them locked in my mansion, either. Even if they looked exactly like me, I mean, you never know if they think exactly like you as well. Um. Anyways, it was nice to meet you?" You wave awkwardly while he looks shocked (in his stoic way).

"...Why didn't you try to escape through the portal, then, if you're kept here against your will?"

"Oh, um, my bracelet is designed to shock me as soon as I leave. Like, really painful electric shocks. I'm not trying that again." More shock and guilt on other-Bruce's face.

"I'm sure I could disable it. Come with me."

"...And then what? Bruce will come after me. He'll attack you and be really, really mad at me for running away. Really mad. He said he'd break my legs if I ever tried to run again, I'm not risking that. And he'll keep me chained up in the bedroom for months." You shudder. "I like my walking around the house privileges, thank you very much."

You feel uncomfortable when he doesn't react and instead keeps staring at you. "I think you should leave. Now. ...Please."

He takes a step towards you. "I can keep you safe. I wouldn't feel right, knowing I left you here. Come with me."

You take a step back. "Look, thank you for offering, but I don't think this will end well for either of us. I'm gonna go now."

You turn to leave, but he's faster than you. He grabs your wrist, stopping you from getting away. You squirm in his hold while he inspects your bracelet. He then pulls something out of his utility belt with which he's able to remove the bracelet without it shocking you, throws you over his shoulder and carries you through the portal, not at all bothered by your kicking and scratching. He puts you down and closes the portal behind him. It all happened faster than you could wrap your head around.

"...I think it would be best if you stayed in the manor until I figure out how to resolve this.", he says, an unnerving glint in his eyes.

Did you just get kidnapped by a second Batman? Will he really let you go? You doubt that, somehow. You think you would have preferred to stay with your Batman, at least with him you knew what to expect...

[emo-batboy]

Trick or treat!

Hello :D Here's your treat

Battinson and Cars

He is a car guy. He loves his car. It is his baby. He can fill his car with gas, yes. That is a thing he can do on his own in his own garage with his own gas.

But he does not know how to operate a gas pump. (New Jerseyans are crying in solidarity.)

Bruce gets into so many car accidents.

Like yeah, he's Batman. But he's also that kind of driver who is perfectly okay when he's on autopilot, but the MOMENT he remembers he's driving a death machine on wheels next to other people driving death machines on wheels, and if you accidentally cut them off or forget to use your turn signal, they will rear end you?! He gets a little antsy :/

The second he overthinks it, he's making mistake after mistake. What are you gonna do? ¯\_(ツ)_/¯

But when he's in his tricked-out batmobile engaging in a high-speed chase while narrowly avoiding death at every turn? A vigilante with no regard for the rules of the road other than "Do Not Hit People?" He’s suddenly a professional stunt driver! Fuck it!

That’s one of the reasons no one could possibly believe he’s Batman

"Bruce Wayne Reverses into Bush at Local Wawa, Cries as He Calls the Cops on Himself"

Then four hours later...

"The Batman Performs INCREDIBLE STUNT on Garden State Parkway, Saves Lives and Kitten Stuck in Tree"

You think these are the same person? Please be serious.

Anyway-

He is the only person in the JL who can reliably parallel park.

He's also a fucking speed demon. (This is Jersey. The Norm is going 90 in a 55. And back to the "autopilot" point) if he's lost in thought, he's definitely breaking the law. And overtaking like five cars a minute.

Alfred taught him to drive (and is lowkey the one that gave him driving anxiety. He is a very strict teacher.) Because of this, his first car was manual :) Now, he prefers it because it feels cool and action-y when he changes gears on the highway.

Bruce got into his first car chase when he was 15. (Baby's First Car Chase <3) Don't ask me how.  Don't ask why. Just know he does. (I mean, I do have an answer but I'm not giving it to you.) This also means he did it without a license because he was too young to even have a permit at the time.

He has a hatred for literally anyone with Pennsylvania or New York plates. Why? Because they’re slow as fuck and try to turn left at the intersection when there is clearly a jughandle??

(Homework for everyone that doesn't live in NJ: Look up "jughandle" or "jersey left" and tell me your thoughts.)

He was so pissed at the amount of potholes in Gotham that he personally filled them as Batman in the middle of the night. (Wtf are his billions of tax dollars going to?)

Once Bruce was muttering curses at the idiot in front of him with NY plates only to see Clark fucking Kent exit the car. Superman could not understand why Batman kept glaring at him for a week.

I did not spell-check this. Happy Halloween :)

[arcanecor3]

Sister parallels.

Okay so, this is me trying my best to explain my view of the parallel between these 2 scenes

Firstly, a little thing to keep in mind is that in this parallel, s2 Cait represents s1 Vi and s2 Vi represents Powder 

A big fight just happened, s1’s was the Vander rescue mission and s2’s was find Jinx, and both ended up going wrong because of someone who was supposed to help (Powder; s2Vi). After everything goes down at the s1 warehouse, we see Vi screaming and she is angry (i’ll come back to that later), and then Powder shows up with the “my monkey bomb finally worked” line we all know, and on s2 we have Caitlyn being the angry one because Vi didn’t let her shoot.

a little parallel with the lines:

“you did this?”-s1vi to powder

“you stopped me”-s2cait to vi

“i was saving you”-powder to s1vi

“that was a kid! what if you missed?”- s2vi to cait

Now, both s1 Vi and s2 Cait are blinded by anger and grief, so even tho the other person (Powder; s2vi) is explaining themselves (in Powder’s case it wasn’t the greatest explanation, but she does states that it was an accident, and s2 Vi was being rational), they don’t really listen because of all the anger.

then, Vi slaps powder, making her fall, and that’s when Powder desperately asks: “why did you leave me?” to which Vi answers: “because you’re a jinx! do you hear me? mylo was right". Now on s2, basically the same thing happens, just in a different order: s2 Cait says: “I keep telling myself that you’re different. but you’re not. it’s her (Jinx’s) blood that runs in your veins”, then Vi asks her: “then why are you the one acting like her?” and Caitlyn hits vi, knocking her to the ground. AND IN S2 WE EVEN GET A SHOT OF ANGRY CAITLYN LOOKING AT VI CRYING, JUST LIKE S1 VI LOOKED ANGRY AT POWDER CRYING. LIKE HOW SICK AND TWISTED IS THAT.

Then both s1 Vi and s2 Cait walk away, leaving the other one crying alone on the floor. 

The thing is that crying is the exactly what we expect from Powder, since that’s how she was during the entire scene, because that’s how her character is. but not Vi. Because during the entire of the s2 scene vi wasn’t actually crying, in fact, Vi barely cries in the whole show, the only time we see her actually sobbing is during the bridge scene from s1e1, when she saw her dead parents. And since then, she has trained and fought to become a person who can protect those she loves. And even when everything goes down at the s1 warehouse, we only get to see her a glimpse of her crying before she tried to go back to powder, but she’s mainly angry, that’s the way Vi usually reacts to these situations. She gets angry. And she tries to do everything in her power to go after who hurt her/the people she loves.

But this s2 scene is different. She simply has nowhere to go. Once again, she lost everything. Her family? dead. you might argue there’s Jinx but as Vi herself said: “my sister is gone”. the last person she had was Caitlyn, and she left, and Vi now feels like she ruined everything again, because that’s how she is, she burdens herself with the guilt and blames herself. So when you see Vi just, on her knees, crying, it’s just so devastating when you think that she is like that because her life is essentially over. All there’s left to her is cry. Just like Powder in the end of s1e3, s2e3 Vi lost everyone.

But that’s when the parallel ends, because it’s when Powder was in that desperate state that silco came, and even though his character divides opinions, you can’t deny that he took care of and loved Powder (who became Jinx).

Vi doesn’t have anyone to come and save her, to wipe away her tears like she had done so many times before for Caitlyn and before that for Powder. She is alone.

thank you to whoever read this entire thing for contributing to my arcane obsession, and shoutout to my amazing friend who helped me put this together @crzytoogetherr 🥰🥰

[mishy-mashy]

Bruce is actually really attractive, and I have enough reasoning to make a list

He's:

Tall (. Tall enough to hit his head on the vault doorframe)

Long-legged

Has a straight nose bridge

Has high cheekbones (more noticeable in 2nd pic below)

Has a strong jawline

Sharp eyes, but they aren't small (plus eyebags if you're into that)

Overall, he has strong, attractive facial features

Has broad, refined shoulders. You can tell he works out (or he did, when he was alive)

Even has a thick, muscly neck

He has MUSCLE. Is SCULPTED. NOICE. VERY NOICE. (nice arms. Nice shoulders. Nice neck. Nice legs. Nice butt-)

(There are actually panels where you can see some of his muscles. Other than those already shown here, he's got bricky thighs-

-and in the panels where we first get his name dropped, he's got those shoulder blades too-)

The one time we see him smile, and he actually has a scary one

Has small, kinda sharp pupils, and his eyes remind me of a cat. We only ever saw him tense or defensive, so his resting/listening face is really cute

Other than the physical appearance stuff, he also:

Takes shit without batting an eye (patience, knowing it's just how Kudo is, etc)

Kudo being all "Cut the crap Bruce and give it to me straight", after Bruce tests his blood and is rightfully Concerned because they just faced AFO

Put up with Kudo's experimenting and testing over Yoichi's transferable Factor

Did ya'll see the look on Kudo's face when he realized he had Yoichi's Factor/will? Kudo was going to start in nonsense and Bruce just dealt with that.

Also something I noticed when looking back at the images here; Bruce has bandages on his arms in the void. But not when he faced AFO in the sewers.

Were he and Kudo cutting their arms open in their experimenting over Yoichi's theory? Is this why Kudo has two gauntlets instead of his one? Why we never see his bare arms in the void? That he always keeps his arms down so there's no slip?

Is smart enough to run blood tests, plus has enough common sense to pick Shinomori as his successor

He picked a guy who avoids society, has an Ability to detect danger so he can always stay away from AFO, is also a coward so he's never going to go throw himself into danger, even without knowing instinctively he stands no chance, etc.

Meanwhile, Kudo chose Bruce, who he played Hot Potato Yoichi with; but he did also trust Bruce, and put the only pure combative Ability in OFA through Bruce.

These two made their choices based on what they valued and saw the Factor needed.

Is logical, analytical, and calm.

He tried advising Midoriya on their Abilities in One For All, especially his own.

Midoriya then tried ignoring him about using Fa Jin for the first time, but found he was right, thinking: "Dammit!! I had [Lady Nagant] right where I wanted her, but... ugh! The Third was right. My parallel Quirk processes are all screwed up!" (ch. 314).

Plus, when Midoriya fixed his processing mistakes, Bruce was analyzing the way he reached his new conclusion. Pure facts, no bias, very calm, just saying it as it was.

We never see him panic. When he's caught by surprise in the sewers by AFO, Kudo, and Yoichi's little bubble event, he immediately reacts. He doesn't falter, he just knows he has to do something right now.

Was more willing to listen than Kudo to Yoichi's beckon, and probably was just following Kudo's rejection of Midoriya

While we don't see Kudo's face, we see Bruce's eyes when Yoichi calls on his heroes. Bruce was more open and receptive, or at least more impacted.

Bruce was also the one to start talking, while Kudo just kept quiet.

He actually communicates a lot

When Yoichi called them to support Midoriya, Bruce started talking to paint a picture of why they thought the way they did, so Yoichi understood where they were coming from.

(Though he seems to beat about the bush sometimes, since Kudo spoke up to be direct on how they couldn't just put their trust in some starry-eyed teenager. Plus, when Kudo tells him to just tell him what's wrong [double Factors])

When Midoriya first used Fa Jin against Nagant, Bruce came out just to tell him he knew what he was trying, but that Midoriya wasn't ready; and Midoriya found he was right. Midoriya just didn't want to listen to him then.

He asks Kudo for clarification after finding Kudo had two Factors in him after the sewer incident ("Just to be sure, All For One didn't touch you, right?") Kudo knew him well enough to go "stop beating around the bush and tell me", so Bruce was probably gonna start with questions, theories, and trying to understand everything in general, before saying "yeah you have two Factors. Don't know why".

Is strong-willed and loyal.

He followed Kudo, even to death, carrying on the cause he started until it ended with him.

Plus, when talking about how AFO needs a strong will to override OFA's own, we first see Bruce, Kudo, and Yoichi.

AFO couldn't steal OFA because the will was too strong for him, and that was back during Banjo's time. Since Shinomori never actually tried opposing AFO and just hid, we can assume the first Three (Yoichi, Kudo, Bruce) already had an accumulation of strong willpower that made OFA un-stealable. Those three are a strong enough foundation, and the main wills, that the other users just become bonuses.

Kudo, also saying that Midoriya needs allies with the same will and drive as him... hey Kudo, you're talking about yourself and your old allies, aren't you? That's why you look at Yoichi and Bruce when you say this.

Not only is Bruce attractive, but he's got good character. THE END.

[hextechmadelesbians]

Caitlyns path to destruction is really intresting in how it shows how people get pushed in to extremist thinking via grief and fear.

Historically speaking, the way fascist movements gain followers is by preying on those who have suffered recent tragedy or trauma (often as a result to social injustices or soical unrest) and basically use it to create a common false enemy. They take complex problems and emotions and say "all your problems can go away if we just get rid of those guys." This is particularly effective against dominate social groups who have almost always already been socially conditioned to think lesser of marginalised groups, whether or not they consciously realize it or not.

Caitlyn was learning the inherit injustices done by piltover and was trying to fix things by using her connections to the council. And even then when everything went to shit cause of jinx she still defended the people of Zaun. She even admitted to jayce that she understands why people are so quick to hate them all cause she was starting to feel that way, and at that point she was able to acknowledge and address it.

But then the attack at the memorial seems to confirm those negeative beliefs. For as much as caitlyn was sympathetic to the zaunites she seems to have had this idea that if you get rid of silco and jinx then suddenly all their problems will dissappear. But with an attack that had nothing to do with either of them, and with her preexsisting implicit bias, shes left with no one to blame but the collective.

Theres also the whole thing regarding the whole "i had the shot" issue. Caitlyn feels personally responsible for her mothers death because she didn't take out Jinx when she had the chance, all because Vi asked her not to. This mixed with her implicit bias becoming exceedingly more explicit, makes for a dangerous concoction for someone very open for extremist messaging.

(Sidenote: This isnt the first we've seen this in the show, back in act 3 Jayce did something very similar with the whole "you didnt tell me they were from the undercity" "im from the undercity" conversation with viktor)

This is also the thing that causes her to ultimately betray Vi, because once again she stopped her from taking the shot that she believes would of solved everything. Not only that but while Vi isnt necessarily wrong by comparing Caitlyn's actions to Jinx, saying it that way outloud was not the correct move qnd i think its what ultimately led Caitlyn to hitting her. Comparing Caitlyn to the person who murdered her mother, regardless of how true it is, was never gonna get a level headed response. Mixed with her growing fear of Zaunites now effecting how she sees Vi, it was inevitable she was going to do something impulsive shes gonna regret.

Cutting ties with Vi is also in itself going to bite her later because Vi was both her only remaining emotional rock and the one whos willing to openly criticise her. Vi will tell Caitlyn when she thinks shes wrong or doing something stupid which helps keep Caitlyn grounded. With her gone theres not really anyone who she trusts to stop her from doing something apprehensive.

This has all primed her to be the perfect target for Ambessa Maddarda, because shes emotionally impulsive enough to take rash action and vulnerable enough to manipulate, She now has access to the most powerful vassel she could hope to get (especially since Mel told her to fuck off). Ambessa has the power to manipulate the situation to make Caitlyn feel more and more justified in her paranoia of Zaunites and Ambessa can act like a yes man to all her worst impulses. Shes already fed into Caitlyns sense of personal responsibility for the council blowing up, immediately telling her that her mother will be avenged.

If im honest im not sure how Caitlyn is gonna come back from this one, i absolutely think shes gonna back out sooner than later much like jayce did. (Honestly she parallels S1 Jayce a lot which is why its kind of surprising to see people react to her going down this route with so much more vitriol than with Jayce.) Its definitely going happen but the question is if Ambessa will ever coerce her into staying in the hot seat or if she'll straight up try to kill her.

Either way this is going to be an extremely entertaining train wreck to watch.

[syrena-del-mar]

The Nine Circles of Hell: Dead Friend Forever, Episode 7

First, a trigger warning: I'll be discussing themes of revenge porn, grooming, statutory rape, sexual coercion.

I'm going to discuss this episode with as much upmost care as I can, due to the sheer amount of sensitive material that came out of this week's episode I will also not being using any explicit scene screen captures from this episode. If there's anything you'd like to me to take out or want a more in depth conversation, feel free to use either of my message boxes.

Last week I said DFF had more to offer than just being a campy 90s slasher remake. While I first thought we were already in the depths of hell, thematically, with Non getting beaten by the mafia, I didn't expect this week's episode to somehow double that pain. But here we are. I was lulled into false security with the 5 minute montage of getting to know what Phee and Non's relationship was like. I should have remembered that I'm definitely watching the wrong genre when I expected more of those moments.

Non and Phee

This episode really continues and expands the idea that humans are not these clear-cut, unambiguous, good-or-bad beings that idea has now been depicted through Non and his relationship with Phee. Non has so much love to give and so much want for being loved, it's what leads to Phee in the first place, but it's also what leads to his downfall. Because Non loves so much and so hard, it's also why he wasn't ecstatic that Phee had to lie to his father and say that he was involved, just to get him out of trouble with the police. What started like a sweet date turns a bit bitter, because Non is seeing the consequences of his actions not only affect himself but also the others that he loves. It's also why he couldn't tell Phee about the sheer amount he owed Tee's uncle, because he was now well aware that if Phee found out, he would get himself involved.

Non lies and manipulates Phee, he tells him time and time again that nothing happened between him and Mr. Kreng. Non swears to Phee that he isn't lying to him and that he won't keep any secrets from him anymore. It pains him to do so, he's barely holding himself together by the end of a thread thread once he's Phee's arms and his face is hidden from Phee's view. Yet, he does. He keeps it a secret how big of a hole he has found himself in, because he doesn't want to drag Phee down with him. Non says it himself to Jin, he doesn't want to be burden, he'll figure it out himself. It's a direct parallel to the bigger issues that Non is finding himself in beyond just within the 'movie set'. He has the 300 million baht hanging over his head, his parents (in his point of view) regret having him and find that he does is bring embarrassment to the family, and now he has another adult willing to give him the 300 million baht with a fake sense of care. So he found, what he believes to be, a solution that would get rid of the 300 million baht debt and all it requires is giving up a piece of himself, but at least it won't come at a cost of burdening his parents or Phee.

In trying to protect Phee, his lies ends up costing him the one he loves the most, Phee. Now from this point on, this is all speculation, but when Phee accused Non of 'always doing this', I'm not in the camp that believes that Phee is accusing Non about being a serial cheater. I see why people are in that camp, but I initially jumped to that conclusion as well. Now, I'm more in the line that Phee is accusing of Non always feeding him lies, even after explicitly promising him that he wouldn't. After putting his neck out for him, after letting Non do things his way as long as he promised to tell him the truth, Non goes back to telling lies. Phee lashes out, and at the end of the day he's still a teenager, so he hits Non's weakest point. Just get lost and die. The very words that likely haunt Phee in the present-day, now as an adult. And Non's holds the broken bracelet, punishing himself, because he knew that there was no coming back from losing his lifeline.

Non and Mr. Kreng (Please keep my trigger warnings in mind, they will be heavily discussed in this section.)

Statutory Rape. Grooming. Coerced Sexual Relations. Nonconsensual Sex. Molestation. Sexual Assault. Sexual Abuse. Those are all words to describe the relationship that occurred between Non and Mr. Keng. Let's call exactly what it is. I think I'll lose my mind if I have to see someone another person call Non a cheater. There is no cheating when there is statutory rape.

Non is literally at the end of his rope, Mr. Keng clocked that immediately. He knew that Non was isolated, that he was completely othered by his classmates, he believes that Non has nobody else to turn to, and he knows that Non is in deep in a scam that target teens. In his eyes, he found the perfect victim.

Non is taken advantage of by a person in power, a person that he should be able to trust. Non isn't naïve, he clocked that Mr. Keng wanted something from him since the moment they first met. But he is vulnerable. He's being extorted by the mafia and he sees someone offering him the money that he needs to put an end to that. In his eyes, it was a way out, a means to an end that just cost him a piece of his soul. I truly think Non rationalized it to himself as prostituting himself, because he knew that money was never coming without a price. No matter how much Mr. Keng tried to sell it as 'brotherly' love.

But at the end of the day, it does not matter what Non believed or rationalized, because Mr. Keng was the adult in the situation. He had a duty, as a teacher, to protect Non and provide a safe classroom environment. Instead he target, manipulates, and coerces Non into having sexual relations with him. He knows the power imbalance he holds, first as a teacher and then with the 300 million baht he 'gave' him. Mr. Keng, knowing that Non's not close to his 'friends', physically isolates him. He takes him to his office that's half-lit, located in a long hallway with, seemingly, very little foot traffic. He prods at Non, asking what's been bothering him and has him visibly become emotional, before offering his care. He's a complete and utter predator, in every sense of the term.

I hope he dies a long, painful death.

Non and Jin

First and foremost, whether or not Jin was ultimately the one that posted the video does not matter. Filming a classmate being sexually assaulted is still child porn at the very least and, possibly, revenge porn (if he disseminated the video) at the worst. I was on the same boat as @respectthepetty and their take that Jin had to be the worst of them all. Like they said in that post, Jin is a coward and he even admits to it. There's nothing more cowardly than hiding behind a door, filming you supposed 'friend' getting sexually abused by your teacher, and then even considering putting up on social media for revenge because your heart is broken.

Yes, Top framed Non. Yes, Por demanded (and bullied) money from Non. Yes, Tee brought Non to the mafia. Those are all very bad things, don't get me wrong. All the physical and mental abuse they put Non through was hell. Yet, Jin was the only one aware that Non had already been seeing someone, which seemingly had upset him already. Then he sees him with Mr. Keng and instead of reporting that his alleged friend was being assaulted, he gets angry and films Non at his most vulnerable point in life. Even Fluke didn't want any part of that.

Jin takes away Non's dignity. And at the end of the day, it doesn't matter whether he uploaded it online or not, he was still the one to film, transfer that file onto his computer, and contemplate whether he was going to post it or not. At every point since he found that Non and Mr. Kreng were in that room, he rendered Non powerless. That video would have never been uploaded if it hadn't existed in the first place. With just a point of a camera and click of a button, he is revictimizing Non every. single. time. that video is opened and seen by another person.

There are no words to fully describe or explain that kind of trauma that he has subjected Non to.

Final Thoughts

This episode was nauseating. It honestly took me about two hours just to get to the end. Usually, I can watch through a show I enjoy really quickly, but this episode was so hard to digest. And that's simply due to how realistic they are approaching the subject of Non and Mr. Keng.

Barcode and Ta really are the stars of the show. I'm not saying that the other castmates aren't amazing in their roles, but man TaBarcode really know are hitting every single emotional beat. I was never a TaBarcode nor a MacauChay girlie, but man Be On Cloud has truly brought out their best this time around. Even though I fully know we are heading towards an incredibly heart wrenching ending for PheeNon, I can't help but want to hoard and scramble for moments of them together.

It's crazy how well, everyone was able to pull their weight this episode. There were so many moments that with less talented, less experienced actors, could have fallen flat, but they didn't. Ta and Barcode's PheeNon was so incredibly heart-beating, butterfly inducing before we were brought back into their reality outside of their relationship. 2J and Barcode's scenes were.... so disgustingly real, for lack of better words. I knew that storyline was never going to end well but it had been more than I ever expected Be On Cloud to release. They're tackling such real issues that weigh on teens with incredible tact, there's no romanticizing what happened. Even Phee's reaction was so understandable when you put yourself in the shoes of a teenager. I'll reiterate again and again, whatever you think about Be On Cloud as a management company, as a production company, they really are breaking boundaries and doing something right. Whatever happens in the second half, I think I'll be here, recovering, for a long time.

[whateverisbeautiful]

♥️Reveling in Richonne - TOWL

#55: The Future Generations (1.06)

gif cred: @ricksmarlene

The CRM was so convinced that they were creating a better world for future generations but they failed to see how they’re actually destroying and traumatizing the youth and those that survive their horrible attacks. But fortunately, Rick and Michonne see right through them. 👌🏽 And what I see within these next scenes is the most gorgeous shot of Richonne of all time 🤩...

Beale and Rick continue their meeting and Beale reveals that, similar to Okafor, he also sacrificed people he cared about, his home, and the whole city of Pittsburg for the “greater good” of saving Philadelphia.

Then Beale says, “It’s not exactly tearing into a person with your canines, but it’s not nothing. isn’t that right?” Why do I have a feeling that of all the soldiers he’s asked that same question of what’s the worst thing you’ve done, Rick gave Beale the craziest answer he’s ever heard lol? 🤭

Rick replies, “No it’s not nothing, sir...My dad taught me, for better or worse…some things have to burn to bring things back.” And Beale agrees with that line of thinking, saying, “It was that. The sword that kills is the sword that brings life. I killed my past and a whole city so another could live.”

Whenever I hear Beale talk about the sword bringing life I always think Rick would agree with him it’s just Beale’s talking about the wrong sword.

Also, it’s interesting hearing Beale say he killed his past because the CRM nearly killed Rick’s past too by taking away the images of his loved ones from his mind. But fortunately, the sword-wielding woman who gives Rick life helped restore what the CRM tried to take from him. 😇

Beale tells Rick the first secret which is that the most likely outcome is they’re all gonna die. And then we see Michonne enter an auditorium where a projector shows a bunch of photos of little kids as a robotic-sounding soldier goes over the Child Evacuation Protocol of their horrific Operation N1W.

Then y’all, we’re hit with a stunning shot of Rick and Michonne in that candlelit bed scene, and the lighting and framing of it all is perfect. 🙌🏽

And of course, now that Michonne is no longer facing away from Rick they’re back up on each other as expected. 😊 Michonne looks up at Rick with her ring-clad hand on his face as she says, “So, we’re born this way.” And the eye contact. 🫠 My goodness, they invented chemistry. 💯

They cut to several more clips of Richonne kicking butt in TWD that just further hammers home that they’re cut from the same cloth. And then Rick smiles down at Michonne and says, “I guess so.”

I love that Rick and Michonne found someone who matches their crazy and their fighting spirit so much to where they can both just know 'we were born like this and that’s okay.' In fact, being a bit certifiably crazy is part of why they’re still here. 👌🏽 And they're crazy about each other which is part of what makes this story about 'crazy love' so golden.

Back in the echelon briefing, Rick learns that according to Beale humans only have 14 years left before extinction and that’s why the CRM does what it does.

Rick inquires about what they do and Beale says, “We’re trying to beat the odds, Grimes.” Then they cut to more TWD clips of Rick and Michonne, and I like how intercutting between Rick and Michonne clips really makes it feel like these two are one being. The baddest being. 😌

Michonne is appalled by what she is learning in the auditorium and Rick is appalled by what he’s learning in the briefing as Beale finally shares what the CRM is really up to. Beale says that they destroy other communities for resources, strategic superiority, and the CRM's favorite line “to ensure the city’s secrecy and security above all.”

I like the parallel clips they use of Rick looking up at a helicopter in TWD season 8 and in TOWL ep 1, as he learns that these helicopters he saw were likely heading out to cause some serious destruction. 

Michonne sits in the auditorium as it's revealed that the CRM intends to evacuate 10% of the children before the area is gassed and its population is liquidated. And you already know none of this is happening on Mama Michonne’s watch. She’s going to fight for these kids and her kids because clearly, this 'last light of the world' doesn’t care who they hurt.

gif cred: @nerd4music

And I know after having been gassed herself, Michonne is especially horrified that they intend to do it again to tons of innocent people.

Meanwhile, Beale tells Rick they have spies throughout the world to monitor and potentially sabotage others. Jadis must have been trying to win Spy of the Month, the way she stayed sabotaging Richonne and team family back in the day. 😒

Beale says the CRM was behind destroying Omaha and in 18 hours they’ll destroy Portland to become the supreme force on the continent.

And then we’re blessed with another great shot of Rick and Michonne in bed as Rick says they’ll tell the Civic Republic the truth about what the CRM does, like the bombing.

Rick says “if they won’t who will?” as Michonne intently says, “No one” and I admit I’m not the craziest about this dialogue but what it lacks in subtlety it more than makes up for with the stunning visual.

Because then Rick notes that they don’t leave people behind and Michonne affirms that this is what they do and y’all the visual of her sliding her ring-clad hand in his hair as they look at each other…Put it in the Louvre. 🤩🖼

This gorgeous visual right here is truly my favorite Richonne visual of all time. 👏🏽 These two are some serious stunners and this shot is a mesmerizing work of art. 😍🔥

gif cred: @lousolversons

Beale continues to give Rick the 411 on what they’re about to do and he’s so emotionally removed from the fact that he’s talking about wiping out a whole city of people. That alone lets you know his brand of crazy is a major problem and Rick can sense that too as he starts to reach for his knife.

Beale also says they’ll continue to take the resources of even more communities they find, which means eventually they’ll end up on ASZ's doorstep.

As Beale says, “Maybe we get to survive'' there are quick clips shown from several surviving members of the TWD cast. Michonne then radios Rick in the auditorium while she listens to the soldiers talk in a cold and disconnected manner about the trauma they’re bound to put these kids through.

In the final bedroom scene, Rick continues to go over he and Michonne’s plan and he lets her know to key the walkie if anything changes and then he’ll get back to her when he can. Hearing that is always sweet to me because even with the stuff he has to take care of with the plan, he wants her to be assured he’ll get to her if she needs him.

gif cred: @nat111love

Looking like a beautiful mermaid, Michonne says, “if I can be gotten back to.” 🧜🏾‍♀️ And then Rick’s walkie goes off in the briefing. 😬

Beale notices and Rick is quick on his feet saying it was just Thorne. Back in the auditorium, Danai does a great job communicating Michonne’s horror even through a mask as the CRM soldier continues their cold and emotionally detached speech even calling the stuffed animals “comfort items” to “furnish” the children with. 

As the projector lands on the final image of a young Black boy (which I like how Danai wanted that pic to be the final one to connect to Michonne’s kids RJ and Andre) we then get more TWD clips of the adorable Grimes kids. And I like how each clip feels like it embodies a different season - fall, winter, summer.

There’s Carl smiling on those train tracks. 😭 Judith smiling and hugging Michonne in the snow. 😭 And RJ’s adorable little smile at the beach. 😭 And then, having seen enough, Michonne makes her way out of the auditorium. 

I feel like here is a good time to note something regarding the CRM too. I know some felt like the handling of the CRM was rushed in TOWL and wanted it to be explored more in the show, but I think the CRM/Civic Repiblic was actually intended to be more of an arena for a far more personal story being told in The Ones Who Live.

This show was more about Rick and Michonne navigating a journey to overcome a lot of internal imprisonment, and the CRM was always explored in relation to that more contained and personal story of these two characters finding themselves and each other again.

At least in TOWL (I can’t really speak on any other spinoff show in the twdu since I don't watch them) we’re always seeing the CRM through the lens of how it impacts Rick and Michonne specifically. The CRM makes Rick lose himself, they make Michonne nearly lose her life when they gas her and her friends, they almost cause a major wedge in Richonne’s relationship and nearly keep them from going home together.

The CRM had done a lot of damage throughout the miniseries so it’s not like their impact isn’t felt, it's just not necessarily dived into on a grander scale outside of Rick and Michonne because this is Rick and Michonne’s story.

gif cred: @nat111love

This miniseries was always meant to give Richonne closure, not launch the next ten years of the twdu. So for me personally, I was more than fine with Richonne getting substantially more focus than the CRM stuff.

Also, one of the main things to acknowledge about the CRM is that it makes everyone lose themselves. All these soldiers become faceless cogs in the machine, devoid of caring about anything other than the mission.

We see this with Pearl becoming a convert and becoming so obsessively mission-minded. That’s what the CRM does to its soldiers - strips them of what makes them human, so they can just obediently go along with these heinous acts for the so-called greater good. So in a sense, the way the CRM felt faceless and distant might’ve been the point. That’s what you have to be to belong to this military.

And lifeless and distant is what the CRM nearly made Rick. However, what we saw in TOWL's actual core plot is that Rick did devastatingly lose himself but he found himself again when his other half reentered his life.

In fact, Rick is fully cognizant of the fact that his beloved wife and son are why he didn’t succumb to losing himself and being in the same emotionally numb state that Beale, Okafor, Jadis, and Pearl ended up in.

And in his final confrontation with Beale, Rick makes it known the ones who truly give him something to live for. 😌👌🏽

[mara-phelion]

have we ever considered that nightowl and onionthief have the makings of two Bitter Exes

doing nightowl's route and seeing the way onion acted towards both us and him felt so...telling. like it's not even them being in a full romantic relationship, any kind would've sufficed, but everyone can see an unmistakeable tension

let me paint you a picture: two grad students who like the same web novel. so different, yet one always balances out the other

emotion and logic, the sun and the moon—two people who are at incredible parallels to each other that they fail to realize that they're just the sides of the same coin

onion cares in his own way, calculated and cold yet with warmth all the same. and nightowl sees that. he argues, but he sees that. until the words are too harsh, too critical, too much like his mother and her endless ways to tell him he's not enough

on the other end, nightowl is the life of the party, seriousness can be so easily pushed back in his light. and onion basks in it. he gets burnt, but he basks in it. until the sleepless nights happen and the alcohol hits, too chaotic, too vulnerable, just too much

and they break apart. who cares about what they could've been if they had only learned that they shared the same affinity for numbers? what does it matter that they both know what it's like to fear the impending doom of expectations? they're just onion and owl. too different. too much for the other to love

then here comes mc with their patience, intelligence, humor, and kindness. and just like that, old wounds open as onionthief and nightowl see exactly what they wanted and needed from the other that they never got

but mc chooses nightowl. in all his failure and broken glory, and in turn, he chooses to be better for the both of them

while onion is left to think about all the what-if's. what if he were kinder? what if he were less arrogant and cared more about him instead of being right?

left to wonder why now, why not then when it mattered just as much, not when it was him who was on nightowl's side

why he just wasn't good enough.