#now it's bullet points

[why-the-heck-not]

making a new yearly bullet journal spread is serious business (I drew 72 mini calendar grids and my hand cramped)

[asgardian--angels]

Izzy Discourse Masterpost

Hey all, given the amount of awful splintering and wank happening in ofmd fandom rn regarding Izzy's death, including the flat-out immature and unacceptable harassment of David Jenkins and Co, I wanted to just make this one all-encompassing post to address the various grievances and complaints I've seen (almost entirely on Twitter). If I've missed anything, please feel free to add on. I'm putting most of this under a read-more for length.

Please be aware, I say all of this as an Izzy fan. I've loved his character since season 1, and while I was sad to see him go, I completely understand and support David & Co's reasons for concluding his arc, and I think it was done respectfully in a way fitting to his character. So let's break down some of the takes I've seen. I am not referencing specific posts or people here, I just want to address the general themes that I keep seeing about why some people are upset.

Izzy's death served no narrative purpose.

Look, this is one that I'm sure fans will debate for the rest of the hiatus. It's completely within your right to disagree with this writing choice, but Izzy's death did serve a narrative purpose in the story that David Jenkins is telling - and he has spoken to this end in several interviews already. I can only summarize here, and fans may find other perspectives in time as well. What we need to remember is that Our Flag Means Death is, at the end of the day, Ed and Stede's love story. That has been made abundantly, explicitly clear. The show has been fantastic at fleshing out the other supporting characters, but that's what they are - supporting characters. They often have their own subplots but ultimately the narrative seeks to move Ed and Stede's story forward and they are tools to spur Ed and Stede's growth or mirror their struggles. Izzy has been a wonderfully complex, multifaceted character but we must remember that all characters are vessels through which stories are told, lessons are imparted, and metaphors are established. He's not a real person who 'deserves' any particular fate. David said he's always intended for Izzy to die at the end of his arc.

Firstly, Izzy (now canonically, through his own dying words) represents part of Blackbeard. He enabled and encouraged Ed's darker side, they were mutually toxic forces to each other. Ed is attempting to cope with and move on from this phase of his life, and like Stede in season 1, set out a free man, unshackled by expectations and loose ends of those he's hurt and been hurt by (though we realize this is an ongoing process that takes time). This lovely gifset sums it up nicely, with Izzy being the Mary parallel, and making s2 mirror s1. Blackbeard is both Ed and Izzy; Ed cannot be free of Blackbeard while Izzy is in his life, and when Izzy is gone he will never truly be Blackbeard again. They are each other's rotting leg!! Yet, they love each other - and David has said that for Ed, this has developed into a mentor and father relationship, and where Ed has previously despised his father figures (his actual father, Hornigold) he does not want to lose Izzy. This time, Izzy brings out Ed, not Blackbeard - and that's where we get the callback to 'there he is', bringing their impact on each other full circle, freeing Ed, getting approval of sorts that he never had, to be soft, to be loved (and there are parallels to Zheng and Auntie here as well that others have made) from that force that drove him to stay in line all this time. David has said in multiple interviews now that he was going for the idea of the mentor/father figure dying and the hero living on and trying to do justice to them.

From Izzy's side, Izzy cannot be free while Edward remains either (Mary cannot find peace while Stede remains). The scar never truly healed, the leg will always be a reminder. At this point the argument becomes 'yes, but why did he have to die? Why not just sail off with the crew of the Revenge?' David has stated that he feels they've done everything they can with, and for, Izzy; he's come leagues from season 1, he's found community, he's found hope, he's found new parts of himself, and he's made good memories. He's found worth outside of what he can be to others. That's more than most pirates could hope for. Where would his character go from there, when the Golden Age of Piracy he belongs to has burned to the ground? Would he stay around and whittle on the Revenge? If he were a real person, yes, that would be lovely, and he'd deserve all the quiet peaceful happiness in the world. But as I explain several points below, he's not interested in being a captain. He's not up for the hard physical labor of regular crew, and he's extremely overqualified for that besides. He has served his narrative purpose, and symbolically, to enter a new age, everything must go. He's connected to the old age of piracy, to the Republic of Pirates, that is now demolished. To him, fighting for what he believes in, for the family he's found, bringing down an army of British twats in the process, is how he should go. It's a pirate's death, and as Izzy's said, he's a pirate - unlike Blackbeard who's succeeding in breaking away from piracy, Izzy never wanted to stop being a pirate, throughout his arc. To me, that's why Izzy remains trapped in the narrative, trapped in history, whereas Ed and Stede will escape history. They leave piracy, and canon, behind, while Izzy was content to remain a pirate and face a pirate's fate.

Burying him on land, right next to Ed and Stede's beach house, shows that his sacrifice was not in vain - they start this new life together, thanks to Izzy's mentorship, his role in their lives that sometimes for worse, sometimes for better, made their love what it was and made their breakaway possible. The new age is built on the foundations of the old age, and is stronger for it.

As we're well aware by now, David tweeted that there's no version of ofmd without Izzy. Whether that's literal or not, symbolically it's true. Izzy's arc of growth affected everyone on the Revenge. Jim fondly remembered fighting for a time when life meant something on that ship; the crew helped give Izzy new meaning in life, and he helped them in return. When he dies, they mourn and have a funeral; that wouldn't have happened under Blackbeard's watch in episode 2. His life meant something to them. He influenced Ed and Stede immensely, and they will take that with them. As David's said, they're all a family, and Izzy was a part of that family, and his loss unites them and brings them closer to continue to fight for that family they've built. It's a tragic, sudden death of someone they've all grown to care for, and that steels their reserve to keep the torch lit. They literally sail off into the sunset to hunt down Ricky to avenge Izzy; he will always be a part of this show. And, of course, with the brief appearance of seagull Buttons, the door is left open for anything.

If this was The Izzy Show, then sure, we'd be content to see him simply engaged in shenanigans every episode. But the plot, and therefore the characters, need to keep moving forward, and Izzy got his growth and development. He got what he needed for his character to have closure, and he served his symbolic narrative purpose in Ed's (and Stede's) story. You may have your own ideas and perspectives, and that's great - that's what fandom is for. But we cannot say his death was pointless when David Jenkins and the writers clearly had a well-defined motive for pushing the narrative in this direction. I actually think the narrative around Ed and Izzy is the most well-developed in the entire show. I for one am so happy we got such an interesting and complex character, and had the brilliant Con O'Neill to portray him.

Izzy's growth & healing arc was rendered pointless by his death.

As this post so eloquently puts it, it's pretty bleak to have the outlook that taking steps to heal and find meaning in life is worthless if it's later lost. Seeking happiness and self-actualization is worthwhile for its own sake; no one knows what's down the road, and we all die eventually. Find meaning in life now. Would you rather have had Izzy not miss with his bullet in ep2? He was given the chance to experience joy, freedom, and hope for the first time in potentially a long time, and when he died he did so with those happy memories. As mentioned, Izzy's death was decided long beforehand given the narrative, and the point of storytelling is to make you feel emotions. We were given impetus to connect and relate to Izzy's character through his process of healing, so when he did die, we felt it keenly. That's how stories work actually! We felt what Ed felt. It moved us. It's not a bad thing that Izzy's arc made him more likeable to fans before his death. It's not a bad thing to lose a beloved character - guess what, it happens constantly in stories - and it's not bad to grieve over it either, but to say that it made his journey pointless is just not true. People saying that Con must be upset that they snatched his character away from him after getting to develop him so much - again I say, would you rather him have died in ep 2 before he had the chance to grow? Or how about in s1, when the crew tried to mutiny? How'd you feel when Stede killed him in his dream, in the very first scene of the season? I think Con's probably glad for the opportunity to have explored this character so much in season 2. Ask him if he thinks it was pointless.

Killing off Izzy was bad for queer rep/burying your gays/"Izzy was the queer heart of the show"

I'm putting 'bury your gays' on the top shelf so people can't use it when it doesn't actually apply. Most of the main cast of characters in this show are queer, and it's a show about pirates with a good amount of violence. Ergo, chances are a queer character will die in the course of Things Happening In Stories. Izzy didn't die because he was queer, and he wasn't the token queer rep. Please turn your attention to the boatloads (literally) of queer characters that are happy and thriving (how about the LuPete wedding immediately afterwards??). As for Izzy being the "queer heart of the show," this is literally the Ed and Stede show. You know, the two queer leads whose queer love the show revolves around, per David Jenkins himself. I'm glad folks connected with and derived joy from Izzy's growth and especially his performance in Calypso's birthday, but he is not the main character of the show. The queer heart of the show is in fact, the entire show, all of their characters and the community & found family they create aboard the Revenge. Not to mention the fan community as well. Izzy was never carrying the show's representation on his back, and frankly that's an absurdly wild take to have (esp when he spent most of s1 actively working against the main queer relationships in the show, attempting to maintain the oppressive status quo of pirate society).

It was bad and irresponsible to have a suicidal character die

Are we forgetting the entire first half of the season where Ed, who was suicidal, kept trying to passively kill himself because he felt he was an unlovable monster, only to be shown that he is in fact loved unconditionally and it gives him the strength to fight for life and triumph against his own self-doubt? The show has spent quite a lot of effort telling viewers that despite feeling damaged or broken you are worthy of love and that you are loved even if it may be hard to see it when you're in a bad place. That you don't need to be fully healed to deserve love and care, and that love and support will help you along your journey. It's incredibly wild to disregard this major plot point and fundamental message of s2 to try and spin this the opposite way for Izzy's character.

Secondly, where are people getting 'Izzy is suicidal' from? Are we going back all the way to episode 2, when he's at his lowest point and fails at his suicide attempt, only to be figuratively reborn after removing the metaphorical rotten leg? By the time of the finale he's shown to be in a good place, thanks to the arc of healing and growth he's gotten, through the support of the Revenge crew and his 'breakup' with Blackbeard allowing him to find his own way in life, realizing he doesn't need a purpose to have value and enjoying his time on the Revenge and the bonds he's made with Stede and the crew. He is, in the words of Ivan, "the most open and available I've ever seen him" by the finale. To take episode 2 as evidence he's suicidal is to erase his whole season of growth, which is an ironic thing to do in the context of these arguments. There's no canon evidence Izzy Hands was suicidal post-'Fun and Games'.

As for 'irresponsible,' once again I say, David Jenkins is not your therapist, he's not 'Dad,' and has no responsibility to tell his story any other way than he intended to tell it. Please find media that gives you what you want or need, and if the death of a fictional character causes you this much distress please seek help. I mean this kindly but seriously.

Killing off Izzy was ableist/bad for disability rep.

I point once again to the rest of the characters, several of which are disabled in varied ways. There are literally multiple other amputee characters specifically. It's not good storytelling to wholly avoid killing off any character that is disabled/queer/poc/female or [insert marginalized group here], especially when a) it makes sense narratively, and b) there's plenty of representation of these groups in the media in question. The answer isn't making such characters invincible and immortal, it's increasing the number of these characters in shows so it's not devastating when some do die in the course of natural storytelling.

OFMD was my comfort show/safe space show, now it's ruined for me

I am not trying to be insensitive here when I say that's a problem that is yours and nobody else's. David Jenkins created this show with a three-season vision and a story in mind, and he is telling that story to the best of his ability the way he wants to. It's already been said that he and the crew did not anticipate the fandom becoming as large and passionate as it has. The plot of the show was never intended to be 'fan service,' and it's ironic that there were people complaining this season that there's been too many fanservice tropes, up until David and the rest of the writers room made a narrative decision they did not like, then the complaints changed to not coddling the fans enough.

We as viewers can derive joy from this show, it can be a comfort to us, it can be important to us. But it was not designed specifically for that purpose, therefore it cannot fail in that respect. We do not have the right to harass writers for not steering the ship in the direction we want - it's their work of art, and we can choose to either come along for the ride or not. It's rare to see creators actually given the chance to tell their story the way they intend (budget cuts aside), so let him do that. He should not cater to fans, or cave and change the story to appease us. Respect his right to create his art, and remember you have the right to create your own. That's what fanfiction is for - write fix-its to your heart's content, but keep these realms separate. David Jenkins and Co hold zero, and I mean zero, responsibility to you. He could not please everyone no matter what he did, it would be fruitless to try, and it would certainly compromise the quality of the story he set out to tell.

You are absolutely allowed to dislike choices made in any show. Curate your media experience. If this show no longer brings you joy, stop watching. But it was never David's purpose nor responsibility to juggle the mental health of millions of fans. Trying to put that on him will only make him less enthusiastic about interacting with fans or continuing to make this show. This isn't rocket science. You're responsible for yourself, not this guy you call 'Dad' that you've developed a parasocial-therapist relationship with.

Izzy should have become captain of the Revenge.

Really?? Firstly, we did actually get that already in s1. He was tyrannical and the crew mutinied. But even if you think 'well after his character arc he'd be better suited to it,' it goes against the point of this arc. He's found value in not having a distinct role or purpose on the ship, decoupling his worth from the job he's expected to perform. He's found his place amongst the crew, not commanding it. There's no narrative reason to put him in charge when he's expressed no further interest in slotting himself back into a role full of pressure and expectations.

Con O'Neill was only told halfway through filming, it's cruel to just kill off the character he loves so much.

Guys, he's an actor. More than that, an actor with a theater background. I think he's used to characters dying. You don't need to look out for him. Con and David spoke one on one about it at length so they were on the same page, and David even said that Con took it well. I'm sure Con had input, just as other members of the cast have influenced their characters' stories, costumes, backstories, etc. Do you really think David Jenkins hurt Con's feelings or something? The writers (remember, it's not just David, it's a whole team of hard-working people coming up with these ideas) gave Con such a chance to shine this season, really developing Izzy beyond what he was given in s1 and letting Con show off his full acting range. Why are you only focusing on the destination rather than the journey? Sure, Con's probably sad to see Izzy go, but please do not project your distress onto him or try and accuse David & Co of being 'cruel' to their cast. That's really ridiculous. It's constantly evident how close they all are.

More importantly, do you actually, seriously think that Con O'Neill would want fans to harass each other or the writers over his character? The man who preaches being kind above all? There is no better way to make an actor uncomfortable about a show and its fanbase than to start treating fictional characters like they're more important than real people. He would not want you to bully people over Izzy Hands, and it's mind-boggling that some of you have convinced yourself otherwise.

Lastly, I just want to talk about the fact that some people are holding OFMD to absurdly high expectations.

Our Flag Means Death has been a pioneer series for its diverse representation, earnest storytelling, and themes of hope, community, and love. It's fine to discuss aspects of the show with a critical eye, but so much of the discourse has truly felt like folks are trying to find fault in a show that is leagues ahead of the average tv series that we still enjoy. How many fan favorites are killed off all the time? How many plotlines are scrapped, or drawn out without closure, or contradicted the very next season? How many shows are indifferent or actively hostile towards their fanbase? How many have any queer characters, or actually do bury them? The bar's so low, and OFMD has risen above to give us so much. Some are holding the show to astronomical expectations, waiting for it to fall from the pedestal it's been placed on. If something you don't like happens in the show, it's not suddenly ruined or demoted to being ~just as bad as those other shows~. Give them some breathing room, have some perspective on how progressive the show is, and that perfection is impossible, especially meeting every single viewer's idea of it. This is basically a repeat of the recent Good Omens drama, with an absurd number of people harassing Neil Gaiman for breaking up Aziraphale and Crowley and leaving the second of three acts on a very predictable cliffhanger. Let stories be told, let them unfold as they may, and you are free to leave anytime. It's so wonderful that more queer love stories are becoming popular and even mainstream, but let's not shoot ourselves in the foot by tearing them down when they don't go exactly the way you want it, which often seems to mean no drama, no character deaths, and therefore no conflict or even plot!

Just, please be civil human beings, and while this seems to be a difficult thing for so many fandoms to do, just keep your fan opinions in the fan space. Never bring your grievances to the writers, never bully them and persecute them for telling a story that you opted into viewing. That's something that goes entirely against everything this show, and this cast and crew, have imparted onto us - the importance of kindness, support, community, and love. I'll say it again because it bears repeating: the fate of a fictional character is never more important than how you treat real people. Just be kind in real life, which includes the internet. Thanks.

Now please, let's work together to ensure we get a season 3. There's so much more story to be told, and if you want to see Izzy back, whether that's as flashbacks, as a ghost haunting the inn, or in the gravy basket, we'll need more episodes! #RenewAsACrew

[stuckinapril]

You are so productive and living your best life I admire it so much! I don't understand how you do it... do you have any advice for forcing yourself to do the things you know are good for you even when you are feeling sad and not up to it? Have a lovely day ❣️❣️❣️

Plan your day hour by hour. This actually revolutionized my life. Plan when you’ll wake up, plan what you’ll do every hour of the day, and make it as realistic as possible to stick to your goals. Start with simple things and gradually ramp it up. Don’t overwhelm your day with 60 different goals. I’d pair one passive goal (be on your phone less, for example) with one active goal (study more, take more walks, read more) and go from there. It’s better to start small and be consistent than to start big and quit one day in.

Lower the resistance necessary to accomplish tasks. If you have somewhere to be early tomorrow, plan your outfit the night before. If you have studying to do, have your textbooks/notebooks/notes on your desk by the time you wake up. If you have an overwhelming task, break it into smaller subtasks and focus on them one at a time. If you don’t want to be on your phone in the morning, charge it somewhere you won’t be able to see the moment you open your eyes. I’m trying to overcome the phone issue right now, so instead of setting an alarm on my phone I just bought a digital alarm clock bc I know I’m way less likely to get on my phone that way. I’m lowering the effort needed to actually get started on a task.

Have motivational things handy for when you’re down!! I’m a highly visual person, so it actually really helps me to make moodboards. I have moodboards for things I wanna accomplish, moodboards for things I’ve already accomplished, a Pinterest board for affirmations etc etc. I have a list on my notes app for all the reasons why it’s important to me to accomplish my goals. I have another notes app page dedicated to pasting all the motivational quotes that help me whenever I’m in a funk. You could even print them and hang them up on your wall if you want. In times where instant gratification overshadows getting things done, make it very accessible to remember why they’re important to you to begin with.

Romanticize your tasks. I make silly to-do lists, I make sure I’m always in cute outfits when I’m running errands, I put on perfume and mascara and lip gloss even if I’m literally all on my own in my bedroom about to do a 3 hour study session. I love getting manicures bc there’s nothing more satisfying than studying with pretty dark red fall nails. This may sound extra but I go through my notes pretending I’m Elle Woods or something bc it makes it so much fun. A huge part of why I’m consistent with going to the gym is bc I buy pretty workout fits that just make me feel good. I wear lingerie under my clothes wherever I am bc it makes me feel like a bad bitch even if no one sees it. I don’t start a task with the thought in mind that I want to get it done already—I try to make the act of doing it in and of itself as engaging as possible.

To piggyback off that point, switch your environment if your current one isn’t serving you. Don’t just default to quitting if one approach isn’t working. If studying in your bedroom isn’t doing it, go to the nearest coffee shop. If the coffee shop isn’t working, do the library. Study indoors. Study outdoors. Study in nature. Hell study at a beach if you want to. It doesn’t matter where you are if you’re getting things done. Exhaust all your alternatives before calling it quits.

Set firm boundaries with yourself. This is so big. Self-care is absolutely treating yourself, but it’s also being your own parent and disciplining yourself if you feel like you’re not putting your all into something. In a world where it’s very easy to go “just a few more minutes on my phone” “I’ll do it tomorrow” “I can skip working out today” it’s really important to be able to parent yourself and exercise some tough love and do some things even if you don’t feel like you want to. I really struggle with this as a gen z girl bc this is THE era of instant gratification. But my goals are just more important to me than momentary comfort.

No zero days. Just bc you’re not being your 100% on one day doesn’t mean you should just lie down and do nothing. Being at 50% performance is better than being at 0%. I try to make sure I get some light tasks done on days where I don’t feel like going all in. It helps me not feel like I’ve just derailed my whole life, which consequently helps me move on from my ruts faster.

Look ahead. Can not emphasize this enough. Death motivates me like nothing else. You do not have an infinite time on this earth. You don’t want to be at the same place you’ve been at a year from now. Resist the “I’ll do it tomorrow” mentality as much as possible. Change happens in small increments & there’s no better time for it than the present. What may seem like little things you can skip out on now can quickly snowball into the very things that are preventing you from being where you want to be.

Acknowledge your limits. Someone with two full-time jobs and school should not be comparing themself to the progress of someone with one part-time job and like nothing else. I’m currently studying full-time and also trying to maintain a consistent workout routine, so I don’t expect myself to recreationally read more than 30 minutes a day, even if ideally I’d like that time to be way higher. I know it’s pointless to compare myself to someone who reads 70 books a month but has much less workload than I do. Comparison is inherently flawed bc no one else has been the dealt the cards you’ve been dealt. Tailor your schedule to your own unique situation. Make a list of your priorities and assign them to your hours accordingly.

Listen to your needs!! Mental health is the most important thing. You need to be in tune with yourself to know when you could be pushing yourself a little harder, and when it’s necessary to give yourself time off. If I’m in an actual burnout, I go out with friends. I go see a movie. I give myself the grace of being human and step back for a little bit. It’s completely okay to have those days, and acknowledging them helps you recover quicker. Take care of yourself <3

[thekingofspin]

[xxplastic-cubexx]

do you have any personal headcanons about charles that you’re willing to share? if so i will go on my hands and knees and beg on behalf of all your followers for the juicy deets, this is your chance to yap about him for as long as humanly possible 🛐🙏🏻✨

ooohhh im bad at hcs..... but i do have. a few:

firm believer charles is a model-kit enjoyer and likes keeping his hands busy overall: started off with ship-in-a-bottle kits but over time gravitated towards cars and aircrafts

on that note, he's a slight vintage car buff/appreciator

has great upper body and core strength. he doesn't get a lot of opportunities to demonstrate it, but it catches people off guard when he can

can play at least ONE instrument. money's either on piano or violin. not much of a singer, but might hum to himself

probably gives killer shoulder massages

started collecting hats as a teenager and has numerous baseball caps. despite this, he isn't super into baseball itself and the hats themselves are probably the least worn of his collection. nowadays, despite not wearing hats as often as he used to, he favors fedora and bowler hats

wrist watch collector. has an anti-magnetic set in his collection, though rarely actually wears them

certified rambler this isn't even a hc but i must assert it extends beyond inspirational speeches and lore drops. ask him what book he's reading and he'll give you a verbal dissertation about it

favorite tea's chamomile

dyes his eyebrows to be darker (this is partially a joke.. and yet.....)

[rileys-battlecats]

girl help I started writing down oc thoughts and have started contemplating the logistics of how a city carved into the walls of a ravine would have access to fresh water

[standfucker]

Reacting to Your SH Scars - Monster Trio, Law, Kid, Killer

CW for SH, obviously. GN reader in all except Sanji’s somewhat implies a fem reader. Reader is short but it only comes up in Zoro's and Kid's sections. No established relationship, but implied feelings between everyone and the reader.

Ao3 link

Luffy

You had to wait forever for the others to finish dressing and leave the shared quarters so you could change as well, not wanting them to see your scars. You always had some excuse as to why you lagged behind, and they didn’t question it.

Your captain was less patient, however.

"Y/n! You done yet? Come on, let's go!" You hear him shout from outside the door.  You’re about to reply when the rubber man bursts into the room without warning.

You’re decent enough, having already donned shorts and a tank top, but you haven’t pulled your long sleeve shirt on yet, your scarred and cut arms plainly visible. You go rigid as his gaze falls to them.

Luffy doesn’t say anything, and you hastily pull on your shirt, but it’s too late.

“Sorry… I’m ready,” you mumble awkwardly.

Luffy still doesn’t speak. You don’t think he realizes what it is, that he doesn’t understand what he saw. That he’s naive.

So it takes you by surprise when he says softly, “Ace used to do that.”

“Ah…” You fidget with your hands, unsure of how to respond.

“But he got better.” Luffy stretches an arm across the room to wrap around your shoulders and pulls you off your feet, making you yelp as he reels you into a side hug. “You will, too. I know it.”

You weren’t going to say anything. You’re generally good at keeping your thoughts to yourself. But he sounds so certain, and you can’t help it, bitter pessimism flaring up like it always does. This time, it slips out. “What makes you so sure?”

Luffy blinks at you, entirely unphased. “I believe in you!” He says, and smiles like the sun, that bright and shining grin he always has that shows his genuine care and delight.

It catches you off guard. So much so that even though it’s been years since you’ve cried, you have to bite your tongue right then to keep yourself from tearing up. You want to believe him so badly.

“I… I see,” you manage to say. “Thanks, Captain.”

Luffy turns to walk out the room, pulling you along by the hand. He pauses before either of you exit, though, turning to face you again.

“Luffy?” You question, but a second later he’s leaped onto you, wrapping his stretched-out body around you multiple times, in a total, enveloping hug that only he can give.

He giggles, and despite everything, despite all the years of suffering and bad thoughts and hurting for no good reason, you find yourself laughing too.

Sticking around is worth it, you think, if you get to be with him and the crew.

Zoro

You and Zoro insult each other. Not in the way that he argues with Sanji–your dynamic is all teasing, neither of you ever serious in your ribbing.

“Keep up, Cyclops,” you taunt after you dispatch an enemy before he does. “I thought you trained with Mihawk?”

“How about you worry less about my speed, and more about what the adults are keeping on top of the fridge, Pipsqueak,” he shoots back with a grin.

And so it goes, until the time you’re hanging out with him on the ship. He’s spilled some of his sake, and the match you used to light your cigarette drops right into it, igniting the small puddle. You pull off your jacket in a panic and quickly smother the fire.

Zoro finally understands why you’ve never taken off your jacket in front of anyone, eyeing the scars and cuts that run up both arms.

He doesn’t comment on it. But from then on, he stops trading friendly insults, no longer responding when you call him stupid names or make fun of him for getting lost.

It messes with you, it makes you feel worse. You want him to treat you like he used to, desperately missing the banter.

You don’t know how to bring it up. You certainly won’t do it when the others are around. But finally you can’t stand it anymore, and you approach him one day when he’s exercising, the two of you alone on the bow of the ship.

“Why?” You ask, and he tilts his head at you in question. “You don’t talk back to me anymore. Ever since you saw me without my jacket. Why, Zoro?”

Zoro doesn’t stop his reps, glancing at you while he curls a massive weight. “Does it matter?”

“Yes!” You pause and lower your voice. “It matters to me. I feel like… I mean…” It’s so hard to be candid in front of him when he’s so stoic. You suck in a nervous breath. “Are we not friends anymore?”

Zoro’s eyes widen. “Of course we are.”

“Then what is it?” You try to keep from sounding as upset as you feel, but maybe you don’t do a very good job, because Zoro stops and sets down the weight to give you his full attention.

He looks at you carefully, as if deciding how to phrase his thoughts. He’s not usually one to think before he speaks, but he does so this time.

“It’s not because I don’t like you,” he starts, scratching the back of his head. “It’s just… I can’t do it. I keep thinking, ‘what if I’m the cause one time?’ What if you do it because of me?”

“Oh,” you say quietly, then speak up, “oh, no. No! Zoro. It could never be you. Never.”

He doesn’t look convinced, so you keep going.

“You could never hurt me like that,” you admit sheepishly. “Not you. I’m only ever happy when we’re hanging out.”

“Not happy enough,” he mutters, his gaze settling onto your arm–first the left, then the right, remembering what he saw.

The words pierce you like one of his swords, and you feel yourself choke on nothing. “No,” you agree. “I guess not.

Zoro picks up a towel to wipe the sweat from his face before he approaches you. “Y/n. Is there anything I can do?”

You gape at him, not expecting the words, and certainly not expecting him to rest a hand on your shoulder.

“Anything at all,” he repeats. “I don’t want you feeling like that.”

You look down. You’ve been ill for so long, you don’t know if you’ll ever stop feeling that way. But… “Treat me like you used to,” you request. “Like I’m not fragile. I need to be treated like a normal person. I need to feel normal.”

Because if someone treated you like you were as sick as you really were, you think you’d throw yourself overboard. You’re not ready to confront that reality. Maybe you never will be. ‘I’m fine’ was your mantra, even when you were not. Especially when you were not.

Zoro nods. “I’ll try,” he says. “But can’t you talk to someone? I mean, no one else knows, right?”

“No one else knows,” you confirm. “And… Well, would you talk to anyone? Have you ever brought up anything that personal to anyone else?”

Zoro opens his mouth to reply, but when he says nothing, you know you got him.

“See?” You press. “It’s not that simple.”

“Tch,” he clicks his tongue, lowering his hand from your shoulder. “Shit. Alright, I get it. Damn it…”

“No need to curse about it. It’s not that big a deal.”

Zoro looks at you so sharply you flinch. “Yes it is? Are you crazy?”

You grimace. “I mean, probably? Given the whole, uh,” you raise your arms, “you know.”

He doesn’t laugh, but you weren’t expecting him to. You weren’t really joking, anyway.

“Sorry,” you say, “I’m sorry. I never meant for you to see it. I don’t want you to worry.”

Zoro looks at you again, and you can’t figure out his expression. “...I’m glad I saw,” he says after a moment.

“Uh,” you reply dumbly, caught off guard, “you are?”

“Yeah.” He doesn’t elaborate.

You want to ask why, but you don’t, shifting nervously from foot to foot. Surprisingly, it’s Zoro who breaks the silence first.

“You’re really happy when we hang out?” He asks, face still frustratingly neutral.

“Well, yeah. You’re my favorite,” you say without thinking, then stop and cover your face in embarrassment once your brain catches up. “Fuck.”

Zoro’s eyes widen, and then a smirk stretches across his face. “No need to curse about it.”

Your cheeks get hot, but you’re also flooded with relief, because he’s teasing you again. Maybe everything will be okay after all.

“Shut up,” you grumble. “Forget I said anything.”

Zoro reaches out and ruffles your hair, making you squawk and attempt to smack his arm away. He’s far too strong for you to move him, though.

“I’m going to finish training, and then I’ll come hang with you,” he says. “Though you can wait here if you want.”

You decide to join Zoro, exercising alongside him (with normal sized weights, thank you very much.) He clears his throat once you’ve worked up a sweat.

“You can take off your jacket, you know,” he says. “If you want. I’ve already seen your arms, so…”

You’re not really sure how comfortable you are with that, but it’s hot enough out that you relent, shrugging off your jacket. To his credit, Zoro doesn’t stare.

You thought it would be more awkward, but to your surprise, having your scars exposed without any judgment makes you feel normal. It’s almost euphoric. You smile to yourself, putting a little more effort into your workout.

The two of you drink together afterward, falling back into your routine of affectionate taunting. It’s like nothing has changed, or so you thought.

By the end of the following week, you realize telling Zoro that you felt better with him around might have been a mistake, because he almost never leaves you alone anymore. When the others are around, he doesn’t do anything differently. But he has a sixth sense for when you’re by yourself, appearing by your side right when you seem to need it. He even shows up when you wake up in the middle of the night and go to sit at the bow of the boat. It’s eerie.

You tell him he doesn’t have to do that, and he just shrugs it off. “I like being around you, so it’s fine,” he says casually, like the words don’t spear you through the heart.

The idiot. But you can’t really complain.

Sanji

It took you a while to get used to how touchy Sanji is. Hugs, pats on the shoulder, touches to your arm or side, even holding your hand sometimes–he never holds back.

You’re a bit touch-starved, so you don’t mind. So long as it never becomes inappropriate, you’re alright with it.

Sanji lets you help in the kitchen sometimes. He was reluctant at first, but you told him you needed something to do, needed to keep your hands busy. You didn’t tell him why. But he conceded, giving you simple tasks to complete.

Your sleeve gets dirty while you’re cutting fruit one evening. Sanji glances at it, damp with pineapple juice, and steps over to you, tutting.

“I know you don’t like taking off your jacket, but why don’t you at least roll up your sleeves?” He asks, and before you can respond, he’s reaching for your arm and pulling back the sleeve himself.

The moment he sees the cuts, he yanks his hand away like he’s been burned. Your freeze, throat going dry, unable to do anything but stare at him in shock.

He’s staring back. The two of you just stare at each other for a dumb minute. Fear crawls through your veins and twists up your heart. No one in the crew knew about your issue until then, and you have no idea what he’ll think of you. The anxiety makes you want to vomit. You have to remind yourself to breathe.

“Um,” you say, and it comes out much higher pitched than it’s supposed to.

“Y/n,” Sanji says quietly. “Who did that to you?”

You don’t know why he’s asking, because you think the answer is obvious. Those are clearly not battle scars. You’re pretty sure he knows, too. Maybe it’s just hard for him to believe–you do an excellent job masking, after all. Sharing that kind of thing got you in trouble in the past, so you only ever appear happy in front of other people, laughing and cracking jokes like you’re not crumbling inside. To any outsider, you’d seem like the most easygoing crewmate in the Straw Hats.

You set down the knife. “Uh… I did?”

His expression slowly morphs from shock into sadness, a frown etched into his features.

“Hey, no,” you say quickly, “don’t–don’t look at me like that. It’s okay, really.”

“But–” he starts to say, pausing when he sees the slight tremble in your form. You can’t help it–past experience tells you you’re about to get yelled at.

“I’m okay,” you say, as much to yourself as to him. “Everything is fine. So don’t…”

Sanji looks at you helplessly. “But… Why?”

You’re glad he’s not yelling at you, but somehow, that look is almost worse. You don’t want to be screamed at again, but you also don’t want him to feel bad for you, either. You do enough of that on your own.

“I don’t really have a good answer for that,” you swallow.

“Nothing at all?” He practically whispers.

You get it. Not having an explanation for something so drastic is probably stressful for him. You shrug, turning back to the pineapple you were slicing to finish what you started, unable to both bare your truth and look at him at the same time.

“Sometimes I do it because I need to hurt on the outside as much as I’m hurting on the inside,” you confess. “Sometimes I do it because I’m so numb that I want to feel something. Sometimes I do it because I can’t sleep. And sometimes, I do it just because I deserve it, I guess.”

When he doesn’t respond, you glance at him cautiously, breath catching when you see his somber expression. “Sanji… I told you not to look at me like that–”

Sanji wraps his arms around you in a tight hug. Normally you’d lean into it, but this time, you tense up. “Oi, be careful! I’m holding a sharp knife, here.”

“Y/n,” he says, ignoring your comment. “You don’t deserve it. I don’t know why you think you do, but you absolutely don’t.”

A lifetime of illness isn’t going to change from a single affirmation. You don’t agree with him, but you can appreciate the sentiment. It feels good to hear, at least.

“Thanks,” you sigh, setting down the knife but remaining tense. “I, uh. I’m grateful that you care…”

“It’s not just me,” Sanji says. “Anyone on this crew would say the same thing.”

“I’ve never doubted that,” you say. It’s not enough to stop your unfortunate coping method–you think all the love in the world couldn’t hold you back–but it’s still nice to know. You finally relax into his embrace, and he squeezes a little tighter.

Sanji pulls away a while later, and you’re startled to see him tearing up. “Sanji! Stop, you don’t–it’s fine! Please, stop!”

“I’m sorry, Y/n,” he says, “I had no idea you were hurting. I can’t call myself a man…”

“Shut up! Of course you didn’t know. I put so much energy into hiding it.”

Sanji grabs your arms. “Then don’t. At least, not around me. You don’t have to hide it from me.”

You bite your lip. “But…”

“But what, love?”

“You don’t think I’m weak?” You blurt out before you can help yourself, unintentionally revealing one of your deep-seated fears.

You never thought you’d be admitting any of the stuff you’ve told him in the past minute, but here you are. Something about the cook just draws it out of you.

“Oh, Y/n. Of course not.”

You look at him like you don’t believe him.

“You’re hurting that much, and you’re still with us,” Sanji says softly. “I think that makes you strong, more than anything.”

His look of genuine sincerity makes your lower lip tremble for a moment, but you squash down your feelings before you completely lose control.

“Okay,” you say shakily. “Thank you, Sanji.”

You ask him to keep your issue secret, which he promises on his honor to uphold.

The next time the two of you are alone, he asks you how you’re doing.

“Great,” you chirp automatically, smiling on reflex, before you pause, remembering what he told you that one night. You don’t have to hide it from me. “...Actually, uh… I don’t really feel all that good.”

“You want to talk about it?” Sanji offers.

“Not really.”

“You want a hug?”

“...Yeah.”

Sanji embraces you, tight and warm, and this time, you let yourself cry just a bit.

Law

Law sees them when he’s inspecting an injury you received in the Heart Pirates’ latest scuffle. You’ve managed to avoid it for so long, but eventually you have to take off your shirt in front of him, revealing your shoulder, and what you’ve done to it.

Law looks at you in a way he never has before, in a way that is hard to describe. Like he can’t quite believe what he’s seeing. His stoic frown seems to deepen.

“It’s fine,” you say. “It’s been years. I don’t do that anymore.”

The frown turns to an expression of incredulousness. “Have you forgotten I’m a doctor?” You wince as he continues, “I know what a recent wound looks like. By the look of it, your newest cut was… twelve days ago.”

You’re shocked that he pinned the exact day. You gape at him for a moment before muttering, “I wouldn't call it a wound.”

You think the comment pisses him off, because he looks more than a little angry with you. “I can’t believe you just lied to my face.”

Oh. That’s what it was. You look away as guilt creeps in, unable to meet his eye. “I’m sorry, Captain. I just didn’t want to concern you with my problems.”

“I…” He pauses. “ I can’t… this was happening underneath my nose...”

You huff at the phrasing, not quite able to laugh at that moment. “No more ‘underneath your nose’ than any of the crew masturbating. It’s a private thing I do to relieve stress.”

“It’s not the same,” Law snaps.

Like you don’t know that. You know. You know it’s wrong. You don’t say anything. Law looks even more upset.

Then, he says, “I can hardly call myself a captain. All these years, and I had no idea you were hurting so much.”

You realize he’s mad at himself. You balk. “I’m… I’m not hurting.”

“Y/n, you cut yourself.”

For some reason, him saying it out loud makes it worse, your stomach churning as your mouth gets dry.

Silence hangs in the air, thick and uncomfortable. Finally, you say softly, “I’m sorry.”

The anger in his face drops for a moment. “Don’t apologize.”

Another awkward silence.

“What now?” You ask, afraid of the answer but unable to tolerate any more quiet.

Law’s expression softens. “From now on, you come talk to me when you’re not feeling well. That’s an order.”

“No. If I did that, I would be bothering you every day,” you argue.

“That’s fine.”

You frown. “But you’re not that type of doctor.”

“I don’t care,” he says. “I will be. For you.”

For you. Your jaw drops slightly in disbelief. You knew he cared, but that… That was more than you felt you deserved.

“I don’t want to worry you,” you say weakly. “I don’t want to talk about it.”

“Please.” Law takes your hand in both of his, looking at you intensely. “Please talk to me. Don’t bottle it up like this.”

You stare at him in disbelief, because you’ve never heard Law beg for anything. It’s all overwhelming–him seeing this awful part of you, him caring so much he says that, the warmth of his hands around yours. “Captain…” You close your eyes for a moment to lessen the stimulation of the surrounding world. “Okay.”

“Promise me.”

You look down at his hands holding yours, then up at him. “I promise. Next time, I’ll talk to you.” Then you look away again, because if you see him looking at you like that any longer, you think you might cry. And it’s been ages since you’ve last cried.

Law squeezes your hand, and the dam almost breaks. But you manage, barely, to stay composed.

You keep your promise, seeking him out as soon as the following day. You warned him it would be frequent, and when you approach him it’s with a feeling of guilt. But he reassures you, and he listens, just like he said he would.

Kid

Kid sees after he gets injured. The cut won’t stop bleeding, so you reluctantly take off one of your arm warmers to use as a tourniquet until you make it back to the ship.

Kid does a double take at your exposed arm. You feel your cheeks get hot, but say nothing while you finish tying the cloth tight.

After you finish, you step back to give him space, but Kid grabs your wrist, extending your arm so he can better look at it.

“Hey!” You protest, trying to pull away, but even in his non-metal hand, his grip is like iron. He doesn’t budge, openly staring at the scars and cuts.

“Kid!” You hiss, and he looks at you sharply for not calling him ‘Captain,’ “let go of me. And stop staring, damn it.”

He lets go. You pull your arm to your chest protectively. The two of you walk in silence, but you notice Kid won’t stop glaring at you.

“You got something to say?” You ask harshly, not meaning to snap but too nervous to speak calmly.

“Yeah, I do,” Kid bites back with equal pissiness. “Never do that shit again on my ship.”

The breath catches in your throat. “I can’t,” you admit before you can stop yourself.

“What was that?” He stops walking, turning to face you.

You stop too, tensing under the intensity of his full scrutiny. “...I can’t stop. I keep trying to quit, but… I have a bad day and I crave it, like a cigarette.”

Kid’s frown shows teeth. You feel yourself wither, but the admission keeps going, tumbling out of your mouth like a boulder rolling down a hill, unstoppable. “I won’t lie to you. It’s probably going to happen again. If that’s unacceptable, then I guess… I guess I have to leave the crew.” That thought hurts more than anything, and you bite your lip.

Kid’s hands ball into fists, his artificial hand screeching slightly with the grind of metal. “No one said you have to leave,” he says. “Nevermind. Just… Just keep trying to quit.”

He starts walking again. You have to trot to keep up, his legs that much longer than yours. Kid’s words repeat in your mind as you follow him, because coming from the prickly captain, it means more than he could possibly know. Keep trying, huh? Maybe… Maybe you will.

Your next concern is what you’ll do when you get back to the ship. Even if you run to where your spare clothes are stored, there’s a very good chance multiple crewmates will see your scars. They’re not exactly hard to spot.

Kid seems to read your mind, because right as you round the corner and the dock comes into view, he takes off his coat and drapes it over your shoulders without saying a word.

Your eyes widen, but he won’t look at you. With the difference in height between you, his coat is dragging on the ground, but he doesn’t seem to care.

Your heart clenches, but you don’t say anything either, knowing he’ll just snap if you point out his kindness. You slip your arms through the sleeves of his coat, your hands barely poking out of the too-long sleeves. The size difference between you makes you look a little ridiculous–you look like a pile of fabric with a head. You lift the bottom of his coat off the ground as you walk. It’s the least you can do.

(And, once you’re sure he’s not looking, you bury your nose into the fur of his coat and inhale deeply, taking comfort in his scent wrapped around you.)

Kid’s demeanor toward you changes after that. He’s far less harsh, he doesn’t raise his voice as often, and when he does, he quickly corrects himself. He’s generally just softer. You even notice that he appears around you more often and eventually realize that he’s checking on you. You never say anything, and you don’t really talk about it. But that’s okay.

His presence is enough.

Killer

Killer sees when he walks in on you in the shower. He leaves quickly with a muttered apology, and you don’t even realize he saw anything, at first. But after you dry off and get dressed, when you open the door, he’s standing there.

You only know he’s looking at you because his mask is tilted down in your direction. His bulk takes up the doorframe, and you wait for him to move. He doesn’t, as still as a gargoyle.

“Um… Killer?” You say. “If you want the shower, you have to move so I can get out…”

Killer reaches out, and at one point, you might have flinched. But you’ve known him so long, and Killer’s always been nice to you, even when you were new to the crew. You don’t feel any fear as one massive hand rests on your upper arm, where your scars are hiding under the sleeve of your shirt.

“What’s… oh, fuck,” you breathe as it dawns on you, “you saw it, didn’t you? Shit. Um. I, uh…”

Naturally, you can’t see his expression, and it’s kind of driving you crazy, because he’s not saying anything to show what he’s thinking, either. His hand around your arm squeezes slightly, and you swallow, not really knowing what that means.

“Killer…” You mumble. “I don’t… Uh… Look, just… You won’t tell anyone, will you?”

Killer pulls you toward him suddenly, as easily as if you weigh nothing, and wraps his massive arms around you, crushing you against him in a hug.

You squeak in surprise and instinctively squirm, but he doesn’t let go, so you give up after a moment, going still.

He’s so warm, and the contact feels so good. Almost too good, because suddenly you think you might cry, and you realize you haven’t actually been hugged in years. You don’t think you’ve ever felt so safe.

“Killer,” you choke out around a lump in your throat. “If you keep doing that, I’m going to cry.”

“That’s okay,” he rumbles above you, deep voice soothing. “You can cry. You probably need it, yeah?”

Damn it, that does you in, your eyes stinging as tears well up. You don’t want to, but his gentle permission is like a catalyst, and you sink into him as the tears start to roll down your cheeks. He can’t see it from how your face is pressed against his chest, but when he hears your first sniffle, his arms tighten around you.

Even while you cry, you try to hold back, to keep from openly sobbing. It’s like Killer can sense that, because his mask presses against the top of your head almost affectionately, and the action just makes you break down further until you finally let go entirely. Your arms, at first hanging limply at your sides, raise so you can hug him back, fingers digging into his shirt.

Killer holds you for as long as you need it. You’re not sure how much time has passed. Eventually your sobs fade and the tears stop, but even then, Killer doesn’t let go until you do first.

“Killer…” You look up at him gratefully, and he wipes away your tears with his hand. “Thank you. You were right. I needed that, more than I’d like to admit. Thank you…”

He nods.

“And, um,” you swallow, “you won’t, uh…”

“I won’t tell anyone,” Killer assures.

“Okay,” you sigh, now more than a little tired after the swell of emotion. “I know you don’t like keeping things from Kid, so… Thanks.”

“Don’t worry about it.”

You’re about to step past him when Killer gently grabs your wrist. “Y/n.”

You turn back to him, your expression asking the question for you.

He bends over, lowering his head until his mask touches your forehead. His free hand takes your other wrist. “People care about you. The crew. Kid. Me. We all care.”

You might have cried again if you hadn’t just let it all out a minute ago, but it doesn’t stop your chest from getting tight. “I know.”

Killer’s thumbs rub circles on your arms for a minute before he lets you go, straightening to his full height.

You assume that would be the last time he holds you. It would have been good enough. Even though you kind of crave the physical attention after that, you’re satisfied with the one time. But Killer seeks you out again later in the week, waiting until the two of you are alone to envelop you in another hug. He does it again days later, and again after that. In fact, you realize that he takes the chance to do so whenever you two are in private. It doesn’t happen too often on the ship.

But when it does, well, how can you be upset?

Thanks so much for reading! I hope it made you feel better, if only a little. (Reblogs are much appreciated!)

[bookshelf-in-progress]

Story Ideas I'm Never Going to Write #1: The Midnight Door

A mashup retelling of "Cinderella" and "The Twelve Dancing Princesses"

Main character is a young woman who is heiress to an estate and fortune that can pass down along the female line. Her father has remarried a woman with two sons of her own. Stepmother resents that Cinderella is going to get everything while she has two sons who get nothing.

Cinderella is in love with a seventh son who's also a soldier. An upcoming ball is going to be Cinderella's last chance to see him before he goes off to war.

Cinderella's father disapproves of this relationship, believing the soldier to be a fortune hunter. To keep Cinderella away from him, he forbids her from going to the ball and the family leaves her behind.

As Cinderella is mourning this, she is visited by a fairy who offers to help, giving her a ballgown and transportation to the ball (as well as magically ensuring that her family doesn't recognize her) so long as she returns by midnight.

Cinderella has a wonderful evening, bids her beloved a fond farewell after promises of everlasting devotion, and returns at the stroke of twelve. She thanks the fairy profusely, wondering how she can ever repay her.

The fairy says she'll think of something.

The next night, at the stroke of midnight, a door appears in Cinderella's room. When Cinderella walks through, she finds herself in a magical garden. The fairy states that the door will appear in Cinderella's room each night, which will allow her to come to the fairy's home and complete a few small tasks to show her gratitude for the help she received in getting to the ball. If Cinderella refuses, this will be proof that she is a wicked, ungrateful child deserving of magical punishment.

Cinderella has no choice but to agree. The door appears each night, and Cinderella spends each night completing tasks for the fairy--sometimes ordinary cleaning or gardening tasks that she doesn't want to waste magic on, sometimes on quests into the magical wilds to find items that are best retrieved by a pure-hearted human. Sometimes, the fairy offers magical help with these tasks, which only gives Cinderella more debt to work off.

This leaves Cinderella exhausted during the daytime, and eventually, her family notices. The stepmother thinks that this is proof that Cinderella is living a pampered, worthless lifestyle, and she convinces her husband that Cinderella needs to take up more responsibilities if she wants to live up to her role as heiress to the estate.

Cinderella tries not going through the door a few times, but time always stays frozen at the stroke of midnight until she goes through the door.

Cinderella's father figures out that she's going somewhere at night, but since the magic keeps everyone in the house asleep while she's gone, and keeps her from telling anyone the truth, he's unable to figure it out.

He recruits the help of some eligible young men in the area (hoping that this will also help her forget about the soldier and agree to marry a suitable man). Since the bonds of marriage are stronger than the bonds of gratitude that bind Cinderella to the fairy's service, the fairy gets worried that she might lose the best servant she's ever had, so she takes the precaution of stealing away the young men who try to solve the mystery, turning them to stone, and leaving them as statues in her garden.

The fairy has a brother who eventually comes by and learns about the situation. The brother doesn't approve of his sister's cruelty in general (which is why he interacts with her as little as possible), and he has a sympathy for humans after spending a portion of his young life as a changeling. He learns that his sister has no intention of ever allowing Cinderella to work off the debt, and he tries to force her to set Cinderella (and the stone suitors) free.

The sister is enraged, and with her stronger magic, she casts her brother out into the human world, leaving him weak and nearly powerless .

He's in this weakened state when a soldier comes by and offers help. Taking food from a human will leave the fairy in a debt to him similar to the one that binds Cinderella to his sister's service, but he's too weak to care much.

A conversation with the soldier reveals that he's actually Cinderella's sweetheart, newly returned from the war. The fairy is unable to directly tell him what's happening to Cinderella, but since he's now bound to the soldier's service, it is totally legal for him to set up a situation where the soldier can figure out what's going on for himself.

The fairy gives the soldier an invisibility cloak, and advises him to go to Cinderella's father and offer to solve the mystery. The father figures that this is a win-win situation--either the soldier solves the mystery and they resolve the situation that's harming Cinderella and stealing away these young men, or the soldier will get stolen away and her father won't have to worry about this unsuitable suitor chasing after her.

The cloak and the fairy bound to his service protect the soldier from any detection by the sister's magic, and he follows Cinderella and figures out what's going on. They could break Cinderella's bond of service by getting married, but Cinderella refuses to free herself until she can free all the innocent men who've been caught up in this.

The three of them figure out a way to save the suitors and defeat the evil fairy, Cinderella's father learns the truth and agrees to let Cinderella marry her true love, and everyone lives happily ever after.

[starry-bi-sky]

Childhood Friends Au: Danny's in Gotham Again

when the wool is off your eyes you'll stop counting sheep at night cause you'll eat your fill of them during the daytime

A few weeks after Danny’s visit to Gotham, he buys an apartment in the city. It’s this little thing, a studio apartment on the same street he grew up in. In Crime Alley. When he tells his parents, they protest heavily. They don’t think it's safe. They think he should reconsider. There were plenty of apartments and places to live somewhere else. And what about college? 

Danny doesn’t think he’ll go to college. He isn’t sure what he wants to do, now that being an astronaut is off the table. It’d be a waste of money to go without a goal in mind, he thinks. He says he’ll take a gap year and apply at one of the community colleges funded by the Wayne Corporation, possibly. It just wasn’t in the cards right now. 

“If things get tough,” He says at dinner that night, “then I can talk to the Waynes. I’m friends with the family, remember?” He ended up getting Bruce’s number in his phone again before he left, and in the process got Tim’s as well. They don’t talk much, Danny isn’t sure what to say. But he sends Tim memes whenever he comes across one and thinks he’ll like. Tim sends memes back in return.   

His parents do remember. They remember. They also remember the horrified shriek that echoed through the house when Danny learned of Jason’s passing. They remember running up the stairs and bursting into their son’s room and finding him sobbing into his bed, curled up like a little kid, like he was in pain. He lost his voice that day, stuck between screaming out his grief and sobbing it. 

They’re still not sure if they should let him go. 

In the end, Danny wins them out, and he lets them help him search for an apartment. They take a break from their lab work to help search for cheap furniture to buy. They may have more money than when they were in Gotham, but that frugal part of you never fully goes away. They all agree that they don’t want Danny to be seen carrying in nice-looking furniture when he moves in. 

He ends up with a basic furniture set, all mismatched, and in the warm summer of June, his parents rent out a u-haul and drive him down to Gotham to move in. They meet the landlord when they arrive, a skinny and frail old man with wispy white hair and a wrinkled face. He gives Danny the keys and tells him what apartment number he is, and then he leaves. 

His parents help him move in. They help him carry his heavy furniture up to the second floor, where his apartment is. Danny isn’t sure if he wants them to help. His mom and dad are strong, but they are getting old, closer to their fifties now that their children are grown. His dad’s hair is slowly beginning to thin, and rather than the white eating at the sides of his head, it now streaks through his hair like salt-and-pepper. His mom’s hair is graying out too, and there are more lines in their faces than he remembers there being. 

When he voices his concerns, his mom laughs spiritedly and says that they may be getting old, but they are still as spry as when they were in their twenties. Danny isn’t sure if he believes them or not. He can see his dad struggle a bit when they return to get his bed frame, and they have to take a break before they go back down for the rest of their things. 

Five years ago, his dad could do this without breaking a sweat. It forces a heavy thing in the back of Danny’s throat. (He is less afraid of his own death than he is of his loved ones, and while he has always felt rocky with his parents, he still loves them more than anything else.) 

Danny’s apartment is exactly as he would have expected it to be: shabby and worn through. The entire room smells like stale cigarette smoke and weed, nicotine stains the wall with poorly covered bullet holes, and stains in the carpet that are a color he can’t discern. The fridge has a broken light and when he tries to turn on the gas stove, it click-click-clicks before lighting, fire fwooshing out while the smell of gas fills the air. There’s rat droppings in the cupboards and the closet-like bathroom is just as bad. 

The ghostly part of him can sense the heavy stench of death in the room; people have died in this room. People have died in every room of this building, he thinks. They have died on the streets outside and in the alleys squeezed between them. He can feel it like a heavy fog in the air. 

It is painfully nostalgic, a bittersweet feeling in his chest that he grimaces to. 

When the last box is placed in his apartment, his parents offer to help unpack. They are hesitant to leave and Danny knows it, although he doesn’t know if it’s from empty nest syndrome or because it's Gotham. He thinks it might be both. He is their youngest child finally leaving home to a city known for its danger. 

“Are you sure you don’t want us to stay behind, sweetie?” His mother asks, a frown she tries to hide settled in the creases of her face. She fiddles with her hands, a nervous habit Danny has since noticed when she feels truly unsure and doesn’t need to hide it. Hesitancy looms over her like a heavy cloud. 

His dad jumps in hastily, splaying his hands and smiling painfully wide to hide the glistening in his eyes. “You’re mother’s right! We can help you get everything set up, champ. I could probably do something with that stove of yours to make it faster!” He says, his voice still booming like it always does even if there’s a stumble in his words. 

It makes his heart squeeze, knowing just how much they care. It was hard last summer, telling him that he was the Phantom. Terrifying, actually. They couldn’t comprehend it. He hadn’t felt his heart beat that fast in years when he stood in front of them at the kitchen table and told them he was a halfa, begging them to believe that ghosts weren’t inherently evil. 

His parents were people of science, however, and after much, much shock, they slowly came to terms with it. How could they not? The evidence was right in front of them. Their son was dead-alive, alive-dead. Somewhere stuck in the between. The tears they shed that night could fill a river, moving from the kitchen to the living room as Danny explains how he died. 

(When Danny tells them that he died after a week Jason did, his mom and dad look horrified. His mom covers her mouth when he adds that it was his idea to go inside it, his dad looks ashy pale, gripping his pant legs so tight that his knuckles turn white. There is a conclusion coming to their minds that he can tell they don’t like.) 

(“You’ve always hated our inventions, Danny.” Mom says in a hushed voice, and Danny winces at the wording, sinking into the back of the cushions in shame. He never thought that his parents noticed. Mom quickly grabs his arm, “No, no, there’s nothing to be ashamed of Danny. We were… perhaps too careless with our inventions, too enthusiastic. You had every right to hate the things we made when they had a tendency to… to malfunction.”) 

(Malfunction is a delicate way of putting it, when Danny remembers every time they had to evacuate their old apartment complex because whatever half-baked creation his parents made inevitably blew up into ash and smoke. There were soot marks permanently stained into the ceiling.) 

(Her hand slides down and grabs his, and she cups it in both of her hands, squeezing tightly. He forces himself to look up, and there is a look like her heart breaking when he looks into his mother’s eyes. “You’ve always avoided the lab after we moved, Danny. And you had every right to, so why on Earth did you ever think about going into the portal?”)

(Danny struggles to come up with an adequate answer, a way to verbalize what came over him that day five years ago. The answer is there, hanging in the air like a knot in a noose. He opens his mouth, and then closes it.)

(Finally, with a tongue made of lead, he shrugs lamely and looks away. “I didn’t know there was an on button inside it.” He mumbles, and despite being the truth it feels like a lie. But that is the truth. He didn’t know there was an on button inside it. So he didn’t care what happened.)

(Something dulls in mom’s eyes, like she thought of something else that Danny hadn’t said. Her eyes shimmer, and she squeezes them shut, breathing in so deep that it shakes. And then she pulls him into a hug, a hand burying into his hair and pressing him close. “It must have hurt so much, sweetheart. I’m so sorry.”)

(It is something that Danny doesn’t expect her to say, like missing the last step of the stairs. It startles him so much he laughs this short, bark of a thing. He feels his dad press against his back and wrap his big arms around them, his nose pushed into his hair.) 

(Because yeah. Yeah, it did hurt. It hurt more than anything else he’s ever felt before. It had torn him apart and sewn him back together again, only to rinse and repeat. The pain was nothing he ever spoke to Sam or Tucker about, and it was something they never brought up. No, that’s not true. If they ever brought it up, Tucker would call it a zap. As if Danny only experienced a mild static shock. Like it was painless. It’s a pretty lie that Danny lets him and Sam believe.)

(His eyes sting and water immediately wobbles into his vision, coming up with such a force that he doesn’t even need to blink before it spills over. “Yeah.” He forces out, voice unexpectedly rough and cracking. “Yeah, it- it hurt. A lot.”)

He tells them about fighting the Lunch Lady a month later. He tells them about finding Jason. It comes spilling out like a waterfall. “I found him, mom.” He says, holding onto her tight while she keeps him tucked under his chin like a little kid. The secret of Jason being Robin stays hidden under his tongue, it is not his secret to tell. Not his identity to expose. He grips her tighter. “I found him, mom. Right there in the Ghost Zone, and he was my Jason. He wasn’t an echo or a— an imprint of him.”

Mom is silent; quiet and attentive, and so is dad, who rubs his large hands up and down Danny’s spine in an attempt to soothe him. It only works a little. Danny breathes in like a gasp as the urge to cry overcomes him again. He always avoids talking about Jason, his grief is like a never-healing scab that can be picked off at any time. It is ingrained into his core. 

“And then I lost him.” He forces out, a sob layering under his words that he chokes on and swallows. The hand on his back stills, and he can feel mom and dad breathe in like a question. He turns his head and pushes it into mom’s shoulder. “He disappeared, mom. Just— just gone.”

“And he didn’t move on.” He says, voice snarling like teeth biting before his mom can ask, because he knows that’s what she was going to ask. It’s what Sam and Tucker asked when he came to them in tears hours after he found Jason gone. It’s what Jazz said when he finally told her about it. It’s what every one of his ghosts asked when he told them about it and begged for their help. 

Danny grits his teeth and tries not to dig his nails into mom’s clothes as a fresh wave of tears run down his face. “His haunt is still there. If Jason really moved on it would have disappeared with him. That’s how it works. But it’s still in the zone, so Jason’s out there I just don’t know where.” 

(Sam once asks him why Danny didn’t just move on from it a year after Jason’s disappearance. She asked him why he didn’t give it up. Danny nearly saw red, and nearly bit her head off for it. It was incomprehensible to him to just stop looking for Jason, to give up. Not when he was out in the zone somewhere. Because he had to be in the zone.)

(Danny once tried to take Jason through the portal with him, and much like what happened to Kitty, it didn’t work. Jason was too tied to the ghost zone to leave.) 

(Some bonds are just unbreakable, he thinks. Bonds forged through blood and time and trust, and when you’re on the streets of Gotham, you hoard what little trust you have in someone like a dragon with its gold. It is scarcely given and fiercely kept.) 

“I’ve been looking for him.” Danny whispers when talking becomes too hard for him, when it runs the risk of him crying. “When- when I’m not fighting ghosts or, or in school or with my friends, I’ve been looking for him.” He has explored the Ghost Zone in every reach he can. He has met so many people. He’s met the ghosts of aliens from planets in every corner of the galaxy. He has met gods or god-like beings and their disciples. 

He’s met famous scholars and writers (he’s gotten the autographs of all of Jason’s favorite writers). He has found entire cities that have so much life in it that it's been permanently etched into the ghost zone, like a mirror version of itself. 

He’s visited the ghostly vision of Gotham so many times, and he avoids the imprint of Wayne Manor like the plague. There are ghostly newspapers that he reads. There are the ghosts of Martha and Thomas Wayne in many of them. 

Jason’s haunt connects to Wayne Manor, but it is also the street they grew up in. It is a small brick building with a door that leads to Jason’s room. A ghost knows when someone enters their haunt, it alerts them like a doorbell in the back of their mind. A foreign ecto-signature in a place drenched in your own. 

Danny visits it every time he goes into the Ghost Zone. It’s always his first stop. 

He tells his parents all of it. He tells them of the ghosts he’s met, of the places he’s seen. And when he feels brave, he tells them about Rath and the terror that his future self brings him. He keeps some details hidden, the ones that he can afford to keep without muddling up the story. 

(Rath is a tall, spindly thing, like a funhouse mirror version of Danny himself. He has arms that are much too long and legs that are much too tall, with skinny fingers that extend into claws.He wears his suit the same as Danny does, with it partially undone and the sleeves wrapped around his waist.)

(There is a black hole in his chest that is much bigger than Danny’s own. It takes up his chest cavity and drips the same, viscous black liquid as the tears falling from his eyes. Danny never forgets his voice; a scraping, quiet thing like he’s screamed himself hoarse. Rath has a voice like goosebumps, and it haunts Danny like a bump in the night.) 

Danny speaks and speaks and speaks until he can’t think of anything else to speak of. He is tired and sad, and it feels like his heart has been ripped out and rubbed raw again. And yet, he also feels so much better. Like a long heavy weight has been taken off his chest. 

Yeah, last summer was hard. His parents walked on eggshells around him, and they forced themselves to unlearn their bias of ghosts. It was more than Danny could have ever dreamed of, and when they felt ready for it, they asked him more about the ghost zone.

He smiles sadly at his dad, “I think fixing the stove can be a priority another time, dad.” He says, watching him wilt and his smile fall. Jack Fenton was always so good at making himself look like a kicked puppy. “I can handle unpacking by myself, I promise.” 

His parents still look so unsure, like they want to argue. Danny watches his mom purse her lips tightly, confliction running across her face like a datastream. She takes dad’s hand, squeezing their fingers together despite the droop in her shoulders. 

“Oh, alright then, I suppose.” She relents, her hand placing on Jack’s arm. “I guess we could go, we’re just going to miss you so much, Danny.” 

Tears seem to have won over his dad, and Jack Fenton sniffs back before he can cry properly. “Our little boy, all grown up.” He says, voice wobbling. It makes Danny laugh, and it makes his heart pang. His smile grows impossibly wider and so much fonder. “You’ve become such a kind, wonderful young man, Danno. We’re so proud of you.” 

Danny laughs again, and it cracks. “You’re gonna make me cry, dad.” (He feels a welling of guilt in his gut that he ignores — he doesn’t feel like a kind man. He doesn’t feel like a good one either. Not with what he plans to do.) 

His father holds out his arms in hopefulness, “One last hug for your old man before we head out?” He asks, mustering up a smile on his face. 

Danny barrels into him, nearly knocking his dad over with an oomph. He’s as tall as him now, but he still feels little in his bear hugs. With arms wrapping around his middle, Danny hugs his father tight and breathes him in one last time. 

“Careful there, Danno.” He laughs, patting Danny’s back roughly. “You’ll break my ribs with that ghostly strength of yours!” But he holds on just as tight.

Out of spite, Danny bends back and lifts him off his feet, laughing when Jack tenses up and nearly scrambles out of surprise. His mom laughs with him, stepping back to give them room for the few seconds that dad is in the air. 

When it’s his mom’s turn, Danny has to hunch to hug her. Something bittersweet to him as she plants a kiss on his forehead and says that he’ll always be her baby. “Even if you do have that horrid smoking habit.” She adds on with a disapproving eyebrow raise. 

Danny turns red in embarrassment, and walks them back to the GAV. Gothamites of all kinds slow to stop and boggle at the monstrous, road-illegal thing that is parallel-parked next to the curbside. In the past, Danny would have died with mortification to be seen with it. Now it just makes him laugh. Before he goes back into the apartment building, he buys a newspaper from a nearby convenience store.  

The first thing he does when he gets back up to his room is one: make a mental note to buy a bicycle chain lock for the door. The locks jiggle and there are splinters along the side that show signs of it being broken into in the past. The second thing he does is pull his cigarettes out of his pocket and light one. 

Danny starts to unpack with a cigarette hanging from his mouth, placing the newspaper he bought onto the counter. He has a cheap loveseat that he pushes off to the side, and he moves the boxes into the kitchen. It’s a matter of organization that Danny has to think about before he does anything. 

It’s as he’s pushing the sofa up against the wall facing the windows that his phone rings a familiar tune: Sam. The phone is fished out before he can think about it and when he stares down at the screen, he realizes it's a facetime call. 

He presses answer and walks over to prop his phone up onto the counter. The smiling faces of Sam and Tucker greet him, rather than just Sam. Immediately, Danny grins. “Hey Danny.” Sam greets, smiling a dark-painted lazy thing. From the background it looks like they’re in Tucker’s room. Sam is in Tucker’s desk chair, and Tucker is behind her, leaning against it. “Have you moved in yet?” 

Danny pulls the cigarette from his mouth and huffs, a cloud of smoke following his breath. “Yeah! It’s a shithole.” He grins lopsidedly, and his feet carry him off to the side to allow Sam and Tucker view of his apartment. He lets thirty seconds pass, allowing the both of them to really see the rest of the room. And then he steps back into frame. 

Sam and Tucker both look like they’re trying not to look judgemental, like they’re trying to hide a grimace that Danny sees anyway with the small turns at the corner of their mouths. He grins wider, mirth filling his lungs. “I know, it looks awful doesn’t it?”

“It’s— it’s not so bad.” Sam says with a strain in her voice, a forced smile on her face that tries to be reassuring. Tucker nods along readily, and he looks just as unsure as Sam does. Danny stifles laughter behind his teeth. 

“No, no, it looks bad,” He takes a drag of his cigarette, shaking his head. “You can say it, I won’t get offended. It’s a fucking apartment in crime alley. Of course it looks bad.” 

Sam remains silent, a rearing of her stubbornness showing itself. Tucker takes a different approach, and heaves a dramatic sigh of relief, slumping like a weight. “Okay, you’re right. It looks bad.” He frowns, “Sorry, man.” 

While Danny snorts, Sam sighs. “Yeah, it looks bad. What even are those stains?” She asks, and both she and Tucker lean closer in tandem to the screen, eyes squinting at the floor behind him. Danny glances at the floor, and shrugs. 

“Blood, probably.” He says, and while years in Amity Park have accustomed him to a clean environment, the desensitization of Gotham still remains. Tucker and Sam both make faces and lean away, as if the stain itself was capable of passing through to them. “Yeah, there are bullet holes in the walls.” 

“Are you sure it’s safe to be there?” Tucker asks, a furrow appearing between his brows. He adjusts his glasses and leans against the chair. Sam is frowning heavily, and Danny can already see her thinking up of a new way to fix the problem. 

“Oh, I never said this place was safe.” Danny tells him cheerily, taking a last hit of his cigarette before placing the dead stick onto the counter. He itches for another one. Instead he walks over to the shelf his parents brought in and starts moving it. “It’s Crime Alley, Tuck. Safe isn’t even in its vocabulary.” 

Tucker and Sam look like they’ve both swallowed a lemon.

“But it’s where I want to be right now.” He says, grunting quietly when the shelf is against the wall he wants it to be, near the short hallway leading to the front door. He can push it in front of it if someone tries to break in. “And Crime Alley’s apartments are the only ones I can really afford right now without mooching off my parents, and I’d rather not depend on them.” 

He can hear the disapproving hesitance from where he stands. And he ignores it. 

Danny walks back into frame, lifting up a box onto the counter. He hums lightly, fingers run over the tape keeping it shut. “Why do you even want to be in Gotham, Danny?” Sam asks, and she sounds genuinely perplexed. Danny stills. “I thought this place only had bad memories for you.” 

His blood turns cold, and like a dime being flipped his slow heartbeat fills his ears. “It does.” He replies automatically, before he can think. Shit, shit. He knows that Sam or Tucker would ask that question, and yet he still feels unprepared for it. His heart pulses quickly against his ribcage, knocking, asking him what he’s going to tell them that isn’t the truth. 

Danny stammers, “I mean— I just— I guess I felt nostalgic.” He says, and it sounds like a weak defense. He looks away, finding himself instinctively scratching his jaw. A new tick of his when he’s nervous. From the corner of his eye, he sees Sam and Tucker both narrow their eyes at him. 

He cannot tell them the real reason why he’s moved back to Gotham. He can’t tell them of the little secret and vow he told himself five years ago, the one that’s been left to fester and burn like an open wound close to his core. The one that, if he thinks too much about it, sends a searing hot electricity through him, filling him from crown to toe top-full of direst wrath.  

(Danny was always the angrier one in the duo of Jason and Danny. He was always the one with glass in his mouth, cutting his teeth and tongue so that he could spit blood at the world around them. His knuckles had more blood and bruises on it than skin, once upon a time. All because he couldn’t keep his mouth shut. He has grown from it, that fury has turned to a small simmering candle.) (But sometimes, sometimes it rears its head, and electricity will buzz under Danny’s skin. There is lightning before the thunder, the second before a fist pulled to punch lands, the spark before it becomes a blaze.) 

He stumbles over his words, and then sighs long and low, drooping his head. “I… was thinking that I can’t avoid this place forever.” He says, and the best lies always have the truth in it. Because it’s not a lie, not completely. But it’s not close enough to the truth either. “And that maybe if I came back, I’d be able to do something about those bad memories. Make them better or make it hurt less.” 

Like wool over their eyes, it fools Sam and Tucker. Their narrowed eyes soften, and Danny feels like a snake is in his lungs as they both adopt their own versions of gentleness on their faces. “Oh, Danny.” Sam breathes out, and the snake squeezes, “Of course, we understand.”

Tucker nods, smiling at him. “Yeah, bro, that’s really brave of you. I know it can’t be easy coming back.” He says, “Maybe you can reconnect with the Waynes again, you always thought well of Mister Wayne whenever you came back from visiting.”

Danny smiles weakly, the gesture cutting into his cheeks like a knife. Perhaps he could. He was still upset with Bruce for hiding Jason’s killer from him. But he doesn’t hate him. Maybe five years ago, he did, when the death of Jason was still fresh in his mind and freshly bleeding in his heart. Now he just doesn’t know what to think of him. He was Batman. Jason was Robin, and the Joker killed Robin. 

It would need to be something he’d have to speak to Bruce about in person, he thinks, in order to resolve it. To hear his judgment on it and make an opinion from there. Danny has learned in the last five years, much to Jazz’s smug delight, that talking to people about something he was upset about did make him feel better. 

The conversation slips on from there into something more light, more breathable. And while they talk, Danny unpacks. He sets up his bed in the corner of the room, adjacent to the windows, and unpacks his cheap TV and table stand. It’s directly across from the couch, in front of the windows. He puts up knicks and knacks he’s collected over the years on the shelves.

When he puts up the curtains, he notices that more than one frame jiggles loosely. Sam makes a comment on the musty stains permanently dyed into the glass, and Danny talks about getting something to fix the cracks. Gotham winters can get brutal, and even if he can withstand the cold, doesn’t mean everything else in his apartment can. 

“Oh, watch this.” He says halfway through unpacking, and pulls out a stick of thick white chalk from a box. “This is something I learned from Clockwork a while back; I think he knew I was going to move to Gotham.” He grins sillily, popping into the camera frame to show them. “I wonder how?” 

Sam rolls her eyes, smiling while Tucker huffs. “It’s not like he’s the Master of Time and can see all past, present, and future.” Tucker snarks. 

Danny hums lightly, curt like he isn’t sure he believes Tucker, and walks to a piece of bare wall not yet blocked by furniture. He starts to draw on it. The chalk shimmers with faint ectoplasm on the wall. 

“Uhh…” Tucker’s voice cuts through, “Are you sure you should be doing that? Won’t you get in trouble for that?”

“There are bullet holes in the plaster, Tucker.” Danny retorts dryly, arching his hand to make a big circle. “I don’t think the landlord is gonna care if I get washable chalk on his walls.” Inside the circle, he inscribes the symbols of the Infinite Realms. “I don’t think he’d be able to see it anyways, he was really old.” 

When he is done, Danny steps back to admire his work. It’s not bad, he thinks, for a lack of practice. He tosses the chalk off to the side, it lands on the couch and rolls back into the cushions. Ectoplasm heats under his hand, slowly glowing from his fingertips before stretching down the rest of his palm. 

Danny’s fingers press against the wall, into the center of the circle. The result is immediate, ectoplasm is siphoned off his hand and into the circle. It glows, and then swirls. He steps off to the side for Sam and Tucker to watch its transformation. The circle fills with a swirling pool of ectoplasm, like a smaller version of the basement portal, and then it warps and stretches. 

It fills out a rectangular shape, shifting like taffy being pulled this way and that, before settling into a solid shape. It solidifies, and instead of a wall there is a glowing purple door, warped in nature and seemingly shifting like a trick of the eyes. He can hear the gentle hum of the zone standing next to it, and can see the carving of the circle in the wood. 

He gestures dramatically, grinning from ear to ear. “Ta-da~” He sings, “A door to my haunt! For whenever I feel like visiting it.” He pats the wood, making a strange thunk-thunk sound. “And then watch this.” 

Danny touches the circle again, and the door twists and recedes like water going down a drain. The circle flashes bright green, and then fades into nothing on the wall, invisible to the naked eye. “I can hide it whenever I want! So if I ever invite someone over—” which he doubts, “—I won’t have to worry about them asking, ‘Hey Danny? Why is there a creepy fucking door in your studio apartment?’”

He gets a pair of laughs for his efforts, and Danny grins wider. 

Sam and Tucker have to end the call when Danny is nearly done unpacking, leaving him alone with only his thoughts and the Gotham ambience outside. There were only a few boxes left, and they promise to call him tomorrow. He tells them that they better keep that promise. 

The silence that follows after they leave feels somberly, as if the reality of moving in has finally set in and filled the air with its loneliness. With its change. Finally, Danny lets the strangeness of moving back to Gotham hit him when he reaches the last box, and he stops to take another smoke break to let it settle. 

It feels so strange to be back in Gotham, he thinks. He’s all grown up, or almost grown up. He can vote and pay taxes, but he doesn’t feel much older than he was at fourteen. There’s a disconnect that makes him feel sad. 

There are cars running outside, driving by. He can only catch glimpses of them, his apartment faces an alleyway. There are dogs barking in the distance, strays he bets. It’s already dark out, and he wonders if he looks out the window he would see the bat-signal shining through the night and staining the permanent cloud that hangs over Gotham. 

Bruce would be so disappointed if he learned the reason for Danny’s return to Gotham. But Danny’s not here for him. He’s here for someone far more important. And like that, the simmering anger that has tucked itself into the furthest corners of his heart starts slipping through. His heart has teeth, ready to strike and snarl and bite. 

He crushes the cigarette in his hand and throws it away. When he opens the last box, it is with hands that tremble and with a face of stone. With a delicateness he does not feel, he reaches in and pulls a corkboard from the box. On the corner frame is a small, near inconspicuous carving of another ghost rune. 

Danny hangs it up on an empty space on the wall, out of sight from the window. It’s plain, and he has nothing to pin to it. He presses the small rune on the corner, pushing ectoplasm into it. Unlike the door, it does not twist and warp and shape itself into something new. Instead it bursts into green flame, eating away at the board and revealing the same thing underneath it, just in dark blue-black-purple. 

Now this board, this board Danny has something to pin to it. The newspaper he bought earlier sits abandoned on the counter, and Danny unrolls it with something like viciousness in his chest. On the front page is an image of a damaged street, and above it is titled: “JOKER STRIKES AGAIN, 3 DEAD AND 27 INJURED”

Danny rips out the first page, he rips out every mention of him. His hands shake and threaten to crumple the paper as he turns back to the board, there is hot blood pounding in his ears. There is an impending sense of finally in his chest, like a setting sun giving the stage to a starless night. There is a stern set in his jaw, five years of festering rage rushing forth like a tidal wave, threatening to make his vision swim. 

It would be so easy, he thinks, to go out as Phantom right now and hunt the clown down. It would only take a night. All it would take is a night, and then he could sink his hands into the Joker’s chest and rip out his heart where he stood. It would be so easy. 

The thought alone forces Danny to stop as he is hit with another rush of fury, really making his head and vision swim. Thorny vines wrap around his throat, making it hard to breathe. He stares at a spot on the wall until the shaking passes. 

If he wants to be discreet about this, then he can’t do it now. Even if he wants to. He doesn’t want witnesses. He doesn’t want an audience. He made a mistake, telling Red Hood about his plan. He wasn’t sure what he was thinking. Perhaps he wasn’t thinking at all. But he can only hope that the Hood hasn’t mentioned it to Bruce. He knows it hasn’t been long since they started working together. He hopes that the Hood has already forgotten about it. 

He pins the newspaper clippings onto the black-blue-board, and stands back. It’s bare now, but it won’t be forever. 

He presses the circle again, and the pinboard reverts back to its original blank state. 

-----

Was I expecting to make a third part?? No. No I was not. I was also not expecting to make an entire google doc filled with summaries for short story ideas about this au that all tie into each other so that way if i DO continue this i have a skeleton pathway to follow rather than making everything up from scratch and potentially cornering myself

you can find this on ao3 or on tumblr 1 2 :)

[legoliomanikas]

"Rather than collecting jewels that have already been shaped... I'm more fascinated by the process of turning an unrefined stone into a precious gem"

[Instagram]

(bonus images under the cut)

If you can't read my handwriting:

"Had a headcanon that some of Aventurine's most-used jewelery were gifts from Jade during the early days of him joining the IPC...

(...since his continued retaining of material objects serve as an extension of his character, representing different eras in his life:

Still holding onto items from his family (child era)

Wearing multiple rings on one hand + a watch in his main outfit (post-slavery era; emulating the style of his old slaveowner)

Ratio's note being a physical reminder to continue living (post 2.1 era; ratio being a 'supporting role' to aventurine's own mental health reflection + representing a bond he has in the current day, despite all his past losses).

Given Jade's importance in him becoming Aventurine a Stoneheart, it would make sense if he has something from her as well to represent that significant life transition.)

...so it was very funny that after I started drawing this it was confirmed that she does gift her proteges stuff LOL.

(And then it sat on my computer for a bajillion years until I posted it now RIP.)"

[thelordofgifs]

the fairest stars: post vii

Yet more of the "Beren and Lúthien steal two Silmarils" AU! Masterpost with links to all previous parts on tumblr and AO3 here.

Part 35: on stories, and the ways they repeat themselves.

Finrod goes to Mandos' throne room, and kneels – such as it is – in supplication before the Vala.

"Son of Arafinwë," says Mandos. "Having turned down our boon, have you come to ask another?"

"Not for myself," says Finrod. "But for my cousin."

"Whatever vow you have made," says Mandos, "Turkafinwë Fëanárion is not ready to be released from my Halls, even were he willing."

"Not – not Celegorm," says Finrod, "but Amrod his brother. Has no judgement been passed on him? It is many centuries now since he burned to death at his father's hands."

"The judgement was passed," says Mandos, "when he swore his Oath, and bound himself to violence. No one compelled by such a force can be released into the peace of Aman."

"But he regretted it," Finrod argues. "He meant to turn back as my own father did, and beg pardon of the Valar. He would be free of it, if he could."

"But he is not," says Mandos, implacable.

Finrod is good, and pious, and faithful. Finrod is not going to lose his temper with a Vala.

"Is there no pity in these Halls?" he asks. "Is there no way to set him free of a bond he does not want?"

"Lúthien your cousin asked a similar thing when she came before me," Mandos says. "And I will tell you what I told her: it is beyond my power to undo an Oath sworn in the name of the All-father. The Valar are not gaolers, child. Telufinwë's chains were of his own making."

"It wasn't his fault," Finrod says tightly, "it was his father who bound him—"

"I cannot give you what you want," Mandos says, interrupting him.

"Then pass the boon you have given me onto him," Finrod says; "transfer it away from me, I do not want it. Grant him his release, he has lingered here long enough."

"That is not how it works," Mandos says. "You are free to leave these Halls whenever you desire. It is not my way to retract mercy once it has been offered."

Do you call this mercy? Finrod does not say. He takes his leave instead.

“You did not need to do that,” Amrod says, when he returns.

Finrod is in no mood for Fëanorian self-pity. “Do you want to rot here forever, then?” he asks sharply.

“So it was decreed,” Amrod says, “and I told you already that I never expected any mercy for myself.”

“Yet you would have me extend it to your brother,” Finrod says.

“That,” says Amrod, “is not precisely what I said.” He makes some spirit-approximation of a shrug. “You know Tyelko as he is now better than I do. Is he past saving? Perhaps. But it is for your own sake that you are trying anyway, I think.”

“But if even you are condemned to remain here forever—” Finrod says, unable to keep himself from bitterness.

“I’ve killed people, Ingoldo,” Amrod reminds him. “Three of them, in fact.” He shudders briefly. “Why me? Why Tyelko, for that matter? There are many worthier souls in these Halls to demand your attention. After the Dagor Bragollach the Exiles came pouring in here in their thousands, and every one of them lies under the Doom of Mandos �� all except for you. You could be pleading for any one of them, instead of your Kinslaying cousins, who are anyway bound by a greater chain.”

“Because,” Finrod says, irritable, “chains can be broken. And I cannot bear to see you deny that, again and again – you as well as your brother! Forever need not always mean forever. There are brighter things in store for you, for all of us, than to mourn here for eternity in the dark. Valar help me, I did not fully realise it, until Lúthien showed me it was so – and yet—” He stops suddenly.

Amrod looks at him with sympathy. "It is not only us you are angry with," he says.

"I do not want to be angry at all," Finrod says wearily. "I want to find a way out, I want to believe that there is hope for all of us – for you and me and your brother and my Ten and those we lost on the Ice and all the doomed and damned and grieving Noldor – can it be so? Or is it always the same story over and over again, all of us trapped in our roles until the end of the time? The Ainulindalë had space in it for new themes, did it not? So why must we condemn ourselves over-hastily, name these chains unbreakable for ever?"

"Perhaps they are," says Amrod, "for the rest of us, if not for you."

"I do not believe that any more," says Finrod. "And I am going to speak to my brother."

Back in Middle-earth:

Finduilas and Celebrimbor have ridden swiftly, their journey uneventful. They are coming now to the borders of the Girdle of Melian.

Finduilas smiles at Celebrimbor, more bravely than she really feels. "This is where we part ways."

To her eyes the Girdle is clearly visible, a sharply demarcated shimmering in the air, whereas all Celebrimbor can make out is a blurred sort of wrongness, as though the world itself is bending around Doriath's border.

"It isn't too late to change your mind," Celebrimbor tells her. "We can go back to Nargothrond, we can tell your father we only got lost in the mists—"

"It has been too late for that for a long time," Finduilas says, decisive. She smiles again. "Don't fret, Tyelpë! The worst Thingol can do to me is speak harshly. I am not the one in danger."

"I will be fine," Celebrimbor tells her. "It is the northern stretch of the Girdle where danger lies thick." He thinks of the desperate flight from Himlad after the Dagor Bragollach, and shivers a little. "You had better not tell Thingol that I am here, not after what my – my father tried."

"You aren't your father, Tyelpë," Finduilas says softly. She leans over to kiss his cheek. "Take heart! With any luck my errand will not be a long one, and we will have an escort of Iathren marchwardens to take us home."

Celebrimbor thinks that is overly optimistic, but he only says, "I will be here when you return – and good luck, coz."

He watches as she rides away from him, through the Girdle and then into the darkness of whatever lies beyond it.

It is a perfectly nice clearing they have chosen for their meeting-place, and he spends some time the next day setting up camp; then he gets bored, and invents a better mechanism for collecting rainwater for drinking, and then makes himself a makeshift chemistry lab out of the weird plants growing near the Girdle; and then he carves every fallen stick in a mile's radius into a miniature wooden animal, and ends up with a host of Eagles and an army of bears and No Dogs At All; and then and then and then

He's really bored tbh.

In Barad Eithel:

One thing about Maglor is that he needs a Job or he will go a little mad.

He is like Maedhros in that, Fingon reflects, and tries not to indulge the stab of the thought.

Unfair, to blame unhappy Maglor for not being his brother, for not having Maedhros' smile and Maedhros' bright thoughtful eyes and Maedhros' commanding presence—

Anyway: usually this does not pose much of an issue, because Maglor has made Maedhros his Job and attends to him both capably and contentedly.

Now, on the other hand, he is restless, and when Maglor is restless he hovers.

Fingon does not mind this most of the time. He likes his cousin's company, despite everything, and also Maglor is a better and more sensible advisor than most would give him credit for.

But there is really not that much for him to do today, and he is maybe driving Fingon a little crazy.

"Makalaurë," he says, "you might go down to the armoury."

Maglor smiles drily at him. "Trying to get rid of me?"

"No," Fingon lies, "only it occurred to me that you are certainly the most skilled person here at testing the metal for minute flaws – the same way you use its resonance in swordplay. And it would be good to make sure everything is in good shape while Morgoth seems to be unwiling to attack again."

“You are trying to get rid of me,” says Maglor, not really offended.

An hour later finds him in the armoury, sorting swords that need mending from those whose metal sings cleanly; he is so absorbed in the work that he does not at first notice there is someone else in the room, until Maeglin comes to stand before him.

“I did not know you had any interest in metalwork,” Maeglin says, in lieu of any other greeting.

“Not particularly,” Maglor says mildly, “but my father was the greatest smith of the Noldor, even so.”

Maeglin’s expression seems to imply that he intends to change that.

Maglor decides he might as well try to be friendly. “We have spoken little since you came to Barad Eithel,” he says; “forgive me, I have been too absorbed in my own affairs to greet you with the courtesy due so close a kinsman. But I am glad to meet Írissë’s son at last.”

Maeglin says, “Were you close to my mother?”

“Not as much as my younger brothers,” Maglor admits, “but even so I thought her fearless, and kind, and never reluctant to speak her own mind.”

“She was different,” Maeglin says in a low voice, “when I knew her.”

Maybe it would be good to change the subject.

"How well do you like Barad Eithel?" Maglor asks. "You have made friends among the lords of the Noldor already, I am glad to see."

Maeglin is looking at him guardedly. "Everyone has been very kind," he says, his voice neutral. "Although my uncle has had less time for me than I hoped."

Maglor bites his lip. "He has much to trouble him at present, too," he says, as evenly as he can. "But you should know he speaks highly of you."

"I am glad to hear it," Maeglin says. He looks at Maglor in silence for a little while, and then says, "You are close in his counsel, I think."

Maglor is kind of regretting his decision to be friendly.

"We have been friends for a long time," is all he says.

"But not as close as he was to your brother," Maeglin says, watching Maglor very carefully as he speaks.

"You were on the field after the battle," Maglor says, trying to keep his patience. "I think you already know the answer to that."

"Forgive me," Maeglin says then, and flashes Maglor a quick rueful smile. "You are all names I have only ever heard in half-complete stories. There is a great deal I must learn. And nobody had ever told me that the High King was wed to his cousin."

"They are not wed," Maglor says automatically, Maedhros' customary rebuttal; then he wonders why he is still making Maedhros' arguments for him, still playing the lieutenant when the war is long since over, and the weight of his loss seizes him around the throat anew.

Belatedly he realises Maeglin is speaking. "Turgon my uncle was not happy to learn of it," he says. "But perhaps it does not matter so much now, since your brother is – well." He has the grace to look vaguely sympathetic, at least. "Some of the other lords are beginning to say that it would be wise for the King to take a wife, now that he is free of any other attachment. But that seems to me unkind."

"Unkind," Maglor asks, "or just contrary to your own hopes, which rather depend on his remaining unwed and heirless?" He raises an eyebrow.

Maeglin tenses. Maglor's eyes rest on him the way Idril's used to, as though seeing some ugly nub inside him, invisible to Maeglin himself.

Maeglin does not want to think about Idril.

"I have told them it would be cruel," he says, "to raise the matter to him while he has so many troubles."

"I see," Maglor says, and some of the pressure of his gaze relents. "Since they seem to listen to you, you might tell them that Fingon loves my brother, and is not so faithless as to waver in his affection now." He manages the flicker of a smile. "Or perhaps it would be wisest if you do not say that: they might like you less, then, after all."

"You are determined to mistrust me, I see," Maeglin says stiffly. "Strange, when half the court thinks you a spy for the Enemy, and your brother his puppet."

"Those accusations," Maglor says, "are older than you by many centuries, and have lost much of their sting. I am not a spy, and Fingon knows that. But you mistake me, Maeglin. I am not determined to mistrust you. I am only worried – for you, not just because of you." He looks directly at Maeglin again. "You are very lonely, I think."

Maeglin lifts his chin. "I am perfectly content," he says, his voice clipped, "and have very little need for your concern, thank you."

Maglor decides to take a risk. "You are not the only one," he says softly, "who knows what it is to drag the weight of a father's madness behind you. I too understand a little of that grief – it is a heavy thing, and solitary. But I am here if you wish to share some of the burden."

But Maeglin bristles. "What do you know of my burdens and my griefs?" he asks, scornful. "Spare me your pity, please. I do not need it – least of all from one cast so low as you. What now is the House of Fëanor but a set of traitors and invalids, clinging to glory they have long-since lost? In truth I think you envy me – envy that the High King trusts me, and gives me duties the likes of which you cannot imagine."

Maglor cannot stifle a laugh at this speech. "Yes," he says, "that must be it."

Maeglin glares at him and then storms out.

"At least you tried," Fingon says later, when Maglor relates the story.

(Some of it, at least. He does not think Fingon will take kindly to hearing about the speculation on his taking a wife; and Fingon is already rather too prone to lashing out at his lords at the moment.)

"You ought to spend more time with him," is all he says. "For your sake as much as his. He is rather too invested in who shall be named your heir, I think."

Fingon smiles drily. "Well, at least someone is looking to the matter of the succession," he says; and when Maglor gives him a Look, he throws his hands in the air and adds, "he's barely out of childhood, Makalaurë! Do you really think he's sneaking about plotting to poison me in my bed? My brother trusted him, clearly."

"Everyone trusted Curvo, too," Maglor mutters, "and look where that got us."

But when Fingon glances sharply at him he subsides. He does not have the appetite to argue with Fingon.

Fingon changes the subject. "I have not heard you speak so of your father before," he says quietly.

Maglor's ears twitch uncomfortably. "How unthinkingly we bound ourselves," he says, "gave up our freedom and our will and our innocence because he asked it of us – and how could we ever do otherwise? He was our father and we would have done anything for him." He draws a shaky breath.

Fingon has his own complicated feelings about his father, but he is simply Not Engaging With Them. "He has been dead a long time, Makalaurë," he says after a moment.

"I know!" Maglor says, bitterly. "I know: and we are still not free. I am tired of it."

Maedhros' name hovers in the air between them. Neither of them speaks it.

"You know my thoughts on your Oath," Fingon murmurs instead. "Chains can be broken, Makalaurë. Just because you have done evil before does not mean you are obliged to do it again." He gives Maglor a sympathetic look. "I am a Kinslayer too, you know."

"Did you tell Nelyo that?" Maglor asks, breaking their unspoken pact, and Fingon flinches.

[this is known as failing the Maedhros Bechdel Test]

After a moment, Maglor says, "I used to think – to hope, even – that maybe you were right, that Lúthien was right to tell me I need not lament forever. But here we are! Five hundred years have passed and the Oath still binds us tightly as ever it did, and he is gone, it has taken him from me once more – must it always be the same story over and over again? Shall I never be singing anything but the Noldolantë – must its themes echo through time for ever? I am tired, Finno."

"I know," says Fingon, "I know," and he puts his arms around Maglor, and Maglor leans shivering into the embrace, but it is not enough.

In Doriath:

Finduilas' entry into Menegroth has gone smoothly, and she is privately beginning to believe that Celebrimbor's fearmongering was just that.

Nobody has stopped her on recognising her (for she came here often, with her father, in the peaceful days of her youth before the Sudden Flame).

Nor does Thingol turn her away when she goes formally to her knees before him in his great throne room, and says, "I have come as an ambassador from Nargothrond, in the name of Orodreth my father."

"Little niece," says Thingol, with a flicker of humour at the corners of his mouth, "strange are the days when you whom I dandled on my knee not so many years ago now come to treat with me as a foreign king. But you will always be welcome in Menegroth, child."

Finduilas beams at him, and feels her confidence wax – until she hears footsteps behind her, which halt abruptly.

"What's this?" Lúthien asks sharply.

Finduilas spins around to face her.

Lúthien looks – good. Flourishing, even. Mortality suits her, adds some shimmering quality of transience to her loveliness, as if some light beyond the circles of this world is already shining through her skin.

A far cry from how she was when Finduilas last saw her, her face blotchy with tears, her nails ragged and torn – help me, cousin, please, let me out—

"Cousin," Finduilas says, summoning up a smile. "I am glad to see you again."

Lúthien ignores the greeting, looking past her to Thingol. "What is the meaning of this, Father?" she demands. "Why have you allowed her past the Girdle?"

Thingol looks troubled. He does not think he has ever seen Lúthien speak with such untempered anger. "The kin of Olwë my brother have always been welcome here, Lúthien," he says.

"Kin," Lúthien repeats. She looks at Finduilas now, her eyes hard. "That is one word for the way they treated me, certainly."

"I am sorry, cousin," Finduilas breathes. "I did not look to find you here, or else I would have come prepared with some gift of apology for you: but it is for that reason that I have come to plead Nargothrond's case with your father, because I am ashamed of how things happened, we are all ashamed – and my father has cast the sons of Fëanor out of the city—"

"I know that," says Lúthien, "they tried to kill me after he did so, you know."

Finduilas bites her lip. This is not going at all how she pictured it.

Lúthien makes a disgusted sound. "I can't do this," she says, and turns to her father again. "Either she leaves or I do," she says; "you know ultimatums are not my habit, Father, but I will not dwell under the same roof as she again."

She walks out.

Once she is gone Finduilas falls to her knees again. "Uncle," she says, "uncle, please. I have come for the sake of both our realms – please, give me another chance."

Thingol's eyes are colder now. "It is not my intention," he says, "to go against my daughter's wishes again."

"Let me make it right with her," Finduilas pleads, "she has every right to be angry, but I would see our old friendship renewed, if I can."

Thingol hesitates a moment, and Finduilas holds her breath. If he turns her away now, it will all have been in vain—

But at last he nods, and Finduilas is directed to Lúthien's favourite haunt, a clearing aboveground (for Lúthien above all other Elves cannot bear to be caged out of sight of the sky).

She stiffens when Finduilas comes across her. "Still here?"

"I know you are angry," Finduilas says, in a low voice, "and I have come to apologise. I should have protested harder when Celegorm sought to imprison you – I should have found some way to set you free – forgive me, cousin. It was not what I wanted: and I was not brave enough to speak against them."

Lúthien makes no indication that she accepts the apology. "Why have you come here, Finduilas?" she asks. "You were never the sort to pay much attention to politics."

Finduilas chews at her lip. "Nargothrond is weakened," she admits. "My father does his best, but after what the sons of Fëanor did – our unity is failing. Nor is he willing to ally with the High King in the north. I would not have us lose all the friends we once had."

"The friends you had," Lúthien says casually, "when Finrod was your King."

Finduilas does not want to agree, does not want to acknowledge that her father is not the king his brother was. But perhaps her silence is agreement enough.

"So you are here to win back Doriath's might," Lúthien muses, "afraid, perhaps, of the prospect of it mustered against you."

Finduilas feels hot with embarassment. "No – no, you mistake me, cousin," she says. "I want to make things right. Nargothrond grieves what was done to you."

"Nargothrond," Lúthien says, her voice now very sharp, "was complicit in it, every single one of you who were too afraid to do what you knew you be right, too cowed by the sons of Fëanor of all people – two cowards who were bested by Beren and a dog, a dog who had more courage in his heart than your whole rotten city put together—" She draws a furious breath.

Finduilas blinks back tears. "I am ashamed of it," she says unhappily.

"But you still do not think you are really to blame," Lúthien says. "Dear little Finduilas, o best-loved niece and least-noticed daughter, the last princess of the Noldor: who could ever fault you for anything? Why do you think my father allowed you to stay? He too holds you blameless in all Nargothrond's failings, naught but a pretty spectator." She looks coldly at Finduilas. "I do not. You should have done better. You should have helped me." She pauses, as if gathering her strength for the blow, and then adds, "Finrod would have lived, had you helped me."

Finduilas draws a breath.

"I was only hours too late for him," Lúthien says, very softly, her eyes distant. "Had I come sooner, he would have been saved." She shudders, and then looks at Finduilas again. "So do not speak to me now of Nargothrond's troubles. They are of their own making."

Finduilas' eyes are stinging again. "Tales are told of your friendship with the eldest sons of Fëanor," she says angrily, "and yet you will not spare so much as a sliver of pity for your own kin?"

Lúthien shrugs, undeterred by the barb. "Call it selfishness, perhaps," she says. "Darling little cousin, did you think to take me for your model, to come here and win my father's quarter with your smile, and carry home some great boon? Give it up. You are not me."

"Does it mean nothing that I am sorry?" Finduilas cries. "Perhaps I am not brave like you, or clever like you, or so well-favoured by the Valar: but I grieve what was done to you! Does that not count for anything?"

"Not really," says Lúthien; "not until you are willing to realise the part you played in it." She looks at Finduilas then and manages a smile, a real one. "You are part of this world too, coz, a strand of the Great Music just as much as all these great lords and princes. Own it: and once you have done so perhaps we might reach some sort of understanding. But for now there is little I can say to you."

Finduilas walks away at that, and Lúthien manages to exhale.

She was harsh, she knows. Unfair, to blame Finduilas for all Nargothrond's crimes, to think of the blood underneath Lúthien's own ragged fingernails as she clawed desperately at the door and pin it all on her little cousin as though she was Lúthien's sole gaoler.

It was Sauron, Lúthien reminds herself, who killed Finrod.

Still she cannot keep the hot tears of guilt from her eyes.

Back outside the Girdle:

Celebrimbor is still Bored.

He is also quite worried about how angry Orodreth is going to be with him for absconding to Doriath with Finduilas.

It would have been easier, he thinks sometimes, had he left Nargothrond with his father and uncle.

Not better. Not right. But easier, maybe.

If Finrod had lived, if he had been the king Celebrimbor had thrown his allegiance behind, it would have been better received, he is sure.

But he could not have gone with his father either, he reasons to himself. Look what became of Curufin! Nobody even knows where he is; but the stain of his deeds marks all Beleriand yet.

Perhaps Celebrimbor might have stopped him and Celegorm from attacking Beren and Lúthien, had he been there.

Perhaps Huan would have stayed – would have lived, if Celebrimbor had been there.

Easy to fantasise. But Celebrimbor did nothing when he had the chance, did not speak against his father and Celegorm until it was too late to mean anything, left Lúthien sobbing in her lonely gaol instead of working to free her.

Lost in these unhappy musings, he does not at first notice how quiet the forest has grown: but there are no birds singing, suddenly, and the rustle of small mammals through the undergrowth has stilled.

It might be the Girdle, and the strange effects of Melian's magic, Celebrimbor reasons to himself.

Then he hears the growl.

The problem is – for just one crucial moment – his traitorous heart stills – and he thinks, Huan is here, he is come back for me as he always did—

The wolf-pack is lining the clearing by the time he realises his mistake, cutting off his chance of running.

Ah.

Celebrimbor has seen true wolves before, as a child in Valinor.

Once his father took him on a hunting-trip in the wilds near Formenos, just the two of them, and bade him be very quiet when they came to the sparse northern plains; and then he whispered in Celebrimbor's ear, Look! and, looking, Celebrimbor caught sight of an animal nearly bigger than Huan and snow-white all over, with a fine thick tail and a proud snout.

Typical, he thinks now, that Sauron could have perverted even so noble a beast: for the werewolves surrounding him now are mangy and thin, their frames twisted in the same painful way orcs are built, their eyes like dull hungry flames flickering in their heads.

It is not fair, a childish part of him wants to cry out, Tol-in-Gaurhoth was cast down, there should be no wolves roaming these lands now—

But Celebrimbor is a Scientist. He knows better than to trust what he believes over what he sees.

He scales a tree.

The wolves close in around its base, snarling up at him.

No Carcharoths, these, only relics of Sauron's experiments: but that will not matter, when their teeth sink into him.

Everything about you is derivative, some ugly voice seems to whisper to Celebrimbor, its sibilance woven into the wolves' growls; Celegorm your uncle was slain by a greater beast than these poor prototypes, and Finrod Felagund whom you loved at least saved another before they killed him, but you are going to die here, alone and forgotten and unmourned—

Celebrimbor grits his teeth, and ignores it.

He is not going to jump out of the tree to some foolish death. He is going to live forever, and leave a greater mark on the world than that of his father the traitor – he will not end like this—

Besides, Finduilas is expecting him to wait for her.

He leans against the trunk of the tree and settles in for a long night.

By the morning things are rather more dire.

The wolves have not tired; Celebrimbor, on the other hand, is very thirsty, and also growing worried for a new reason.

Finduilas is expecting him to wait for her.

If she comes back to the clearing where she left him, and the wolves decide she is an easier target—

She could perhaps run back to the safety of the Girdle in time – but the wolves are fast, and hungry.

Celebrimbor briefly imagines riding alone back to Nargothrond to inform Orodreth that his daughter is dead.

No: he will have to find a way to drive the wolves away, and quickly, for he does not know how much longer his cousin will be.

He grips his sword-hilt and then hesitates.

There is a pressure on the back of his neck, an oddly disapproving one, as though to say, Don't even think about it, child.

"I am not a child," Celebrimbor says aloud, and the wolves look up at him, snarling as though in agreement.

Finduilas is in danger, Celebrimbor reminds himself, and then he draws his sword and jumps down from his branch.

The wolves are upon him almost instantly. There are many of them, but Celebrimbor is quick, and moreover learned to fight wrestling with Huan long before he was ever given a sword.

He ducks and weaves and rolls, slashing with his sword as best as he can; but then one wolf lands a lucky blow with his claws on his thigh, and another collides with him from behind, sending him sprawling onto the ground—

Celebrimbor closes his eyes, and does not bother to cry out, for nobody will hear him.

Then he has the brief muddled impression of a thud, and sudden pressure on his chest, and then before he can catch his breath or work out what is going on the weight on his legs is lifted, and someone is snapping at him, "Get up, Tyelpë!" and his sword is suddenly back in his hand—

Celebrimbor knows that voice. He scrambles to his feet.

Standing before him, currently locked in a struggle with one of the last few wolves, dishevelled and bloodied but very much alive, is his father.

(to be continued)

[designernishiki]

it’s kinda funny to me how that dumb scene in kiwami 1 of majima getting shot and left for dead in the harbor was basically just added as a half-assed way to explain majima not being around for a bit of the plot, but they accidentally(?) just made it seem like start of a chain reaction where majima ended up feeling slighted and heartbroken after being abandoned like that and then lashed out about it via smashing a big truck into the building kiryu was in. and yeah that isn’t inherently a romantic thing as-is but then they go and add the part where majima grabs a hostess and performatively hits on her as in-kiryu’s-face as possible, she says she’s already in love with someone, and majima lets her go immediately, no questions asked, making a big fucking point of it just to say see THAT kiryu? I appreciate when people are HONEST about their FEELINGS. people who won’t just BACKSTAB someone who CARES about them to save themselves. is that so crazy kiryu?? huh??? anyway make it up to me get down here and fight me right fucking now

[one-bunny-a-day]

10/12/2023

[wexhappyxfew]

Hihihi!!!

I am absolutely floored by these prompts, seriously. So to start it off, I humbly request:

“this isn’t up for discussion. i know you’re used to looking out for yourself, but i need you to understand that you don’t have to live like that anymore. i’m here. for as long as i’m around, i’m going to come between you and anything that wants to hurt you.”

For Kennedy and Bucky if you feel so inclined. They are one of my fav couples (although it is so close let me tell you), but obviously only write if it speaks to you!

Can’t wait to see these pieces, Shannon!

-☀️

HI SUNSHINE ANON!!!! (enthusiastically waves) thank you so much for sending this in (plus your others, thank you so so much)! i got so excited seeing this kennedy x bucky request as i was already half-way through writing and realized how well things lined up when i got this request and decided to use it! thank you for the kennedy x bucky love truly!! they are seriously so fun to write and craft and getting to look at a more intimate, raw and emotional side of them here (with that lovely dose of angst and whump and comfort) was exactly what we needed with them! so i humbly present kennedy x bucky in the Stalag :) thank you so so much again! TRULY!! <33333

she'd fight a war herself

(a/n): HELLO FRIENDS!!!! if you recognize any of the few lines here and there from things i've posted related to kennedy and bucky here in the past few days, this is the piece! and the request really lined up with what i was going for here, so i combined the original kennedy x bucky piece i was working on with this one! and here we are! and im sobbing! okay! please enjoy! :)

"Knock, knock."

Kennedy's bruised knuckles tapped against the wooden door to the small library in their bunkhouse, where Bucky Egan was currently sat with one of those older wooden chairs pulled up against the window, staring out into the hazy afternoon. His large overcoat was wrapped around his body, hands shoved deep into the pockets, his hair a little more unruly than normal, and a sour look on his face.

Kennedy had been looking for him for at least an hour since she had left the group which had shifted outside - Annie and Buck's idea of 'getting some sunshine' into the group now that it was finally out.

Gray skies and storm clouds had been their friend for the past few weeks, with muddy pathways and cold winds. Now, with the sun out and a warm breeze in the air, there also seemed to be hope floating about.

Bucky, however, was here, sat inside, closed off, and completely alone. Bucky's eyes slowly shifted from the dusted window, his look both stern and far-off all at once, and his shoulders stood tall. She watched his eyes trail to her hand there on the door - the bruises, the ones she had earned herself, along with the one underneath her eye - and offered nothing but a small smile.

Ever since the kiss, in this very room, Bucky Egan had suddenly become everything.

At breakfast or dinner, where she tried to get herself by his side, or out when they managed to get outside, she'd find a way for just the two of them, to talk, to work through whatever the other was feeling, to take hold of the other's hand. Sometimes, when the nights were long and cold, she'd find herself in his bunk, soft kisses being shared back and forth between the two, his warm hands roaming her body underneath her overcoat and button-up and blanket, keeping her both sane and alive all at once. Things were different. And she tried to hold onto every bit of that in every way. The bruises though were different now. And Bucky had been a pistol about them ever since.

"Whatcha doing in here all alone?" Kennedy said, some of the voices outside coming through the walls, the sunshine coming in through the hazy window, half-reflecting off of Bucky's face in a way that made his skin glow in a way it hadn't in a whole, "I was looking for you." At those words, the corner of Bucky's lips curled upwards a bit. She always seemed to get him to grin.

"Just doing some thinking." Bucky said slowly, a nod to follow, "In my thinking spot." Kennedy chuckled and stepped into the room more, shoving her hands in the pockets of her poor, tattered A2.

"In your thinking spot, huh?" Kennedy said, tilting her head to the side, a small smile on her face, "What's bouncing around in your brain?"

Bucky watched her deeply for a moment, it felt like he was looking at her as intently as he could, as if memorizing her face, her dimples, her freckles, her hair the way it was (and it wasn't pretty). He seemed distracted, off-guard, on the low. Her smile fell and instead, worry began to consume her. Bucky was usually far from the person sitting in front of her now. Her heart pounded a bit.

Moving closer, Bucky looked up at her as she came to stand beside him - she offered an attempt at another smile - before reaching forward and running her fingers over those few loose, wild curls of hair against his forehead.

"What's going on?" she asked quietly, a bit more urgency to her voice, retracting her hand, the touch having been, evidently, both gentle and welcome, "You're never this quiet, Bucky, you're worrying me."

"C'mere." Bucky said, voice low and gruff as he reached out his hands and spread his knees a bit. Kennedy watched him for a moment, the desperation in his eyes, making her heart hurt a bit, as she stepped forward and settled between his lap and leg, wrapping her arm around the back of his neck and reaching up her other hand to cup his cheek.

Softly, she guided his face to her own and watched his eyes again, her thumb brushing gently on his stubbled skin. His hand found her waist, thumb brushing back and forth against her jacket as his other hand came to her knee, the warmth of his hand tingling her skin underneath her pants. It felt so natural to be like this, so close and intimate. If it weren't for the war and their circumstances, she would've said it felt like home.

But with Bucky, she was home.

No matter where they were.

"What's going on?" she asked quietly again, her voice soft as he continued to watch her, gripping her like his life depended on it.

Slowly, her leaned forward and pressed a kiss to her lips - soft, sweet and slightly desperate, but longing enough that her stomach flipped - she was still getting used to this between them. After everything they said to each other, that moment they shared. Pulling back, he watched her again. She offered a small smile.

"We can't just stay here forever." he said quietly, "This place. Now with the SS showing up." Bucky continued to hold her gaze, the look in his eyes both stern and persistent. He looked crazed deep-down inside. "After hearing what the British did…..those holes. We gotta find a way to do something. To get out. Or even just try….." Bucky whispered, his voice dropping, "There's so much more than this place, Kenny. I know that." Kennedy watched him, cheeks warmed from his touch and his presence and him. She slowly nodded.

"I know." she said softly back, "And we will. But for now, it has to be kept on the low. Nothing crazy. You don't want yourself hurt or killed."

"Just like they did to you?" Bucky said back to her, reaching up to take her hand on his face and gently hold it out beside him, fingers tracing the delicate, broken skin on her knuckles before looking back at her, "I don't want them touching you again." Her insides twisted warmly at his words, that protective bite to his voice that made her warm all over.

"I know, baby," she whispered quietly, leaning forward to press a kiss to his forehead, a sigh escaping his lips as he leaned his head back against the wall behind the chair, "we'll get through this. You know that." Bucky watched her, the corner of his mouth lifting upwards.

"How many more times do we have to say that before it's true?" he asked her quietly, his words almost hollow, like he was fighting to believe it, "I wish I was more like you with that." Kennedy watched him with a small smile and shrugged.

"Ask Annie Bradshaw and maybe she'd know. She's got quite the effect on a person." Kennedy said and Bucky managed to smile a bit at that.

"You've got quite the effect on me." he said, as she felt her cheeks warm at his words - something she was always trying to fight away - since when did she blush? Bucky continued to watch her and she let him; watching as his eyes explored her face, his hand coming up a few times to wipe back the ginger hair falling from the poorly done braids behind her head. His eyes rested a few times on her own eyes, before they'd fall to her lips or freckled cheeks and then back to her eyes. It seemed to calm him. Keeping him steady. She wanted that for him.

"I've never wanted to get out of a place more," Bucky whispered quietly, a catch almost in his voice, "you know that?" The thoughts just seemed to cycle and he seemed to spiral.

"I know." Kennedy whispered, reaching up to drag her fingers gently through his hair, his grip tightening on her waist, "We all do." Bucky watched her and leaned closer.

"Do you want kids?" he asked her, catching her the slightest bit off guard there - suddenly she felt every part of him touching her, his eyes on her face and she felt her body warm. Watching him for a moment, she nodded.

"Yeah," she said, "always have." Bucky suddenly seemed to grin at her, genuinely grin and she watched as he reached up and ran his fingers over the end of her braid.

"Bet they'd have your hair color. Bright red hair." Bucky said with a small chuckle, "Our kids." Kennedy watched her, her heart hammering in her chest, her eyes fighting to well with tears.

The thought of being a mother had always been a dream of hers - she had a girl in middle school tell her before that she didn't seem like someone who could be a mom. And Kennedy carried that quote with her everywhere she went. Even when she was dating boys from the country club and they'd tell her about the fortunes and promise rings of her future and the chances of what their kids would inherit. Even when she was home, broken-hearted over that loser from her father's business who had told her 'she was too much'. Kennedy always wanted to be a mother, always.

It was something inherent to her very being, to her entire make-up as a woman. To her.

"Your eyes." Kennedy said, testing the waters right back, her voice sounding strained and choked as she spoke, silently hoping Bucky didn't realize too much, "Definitely your eyes." Bucky met her gaze and smiled at her.

"Nah, nah," he said, "your eyes, my ears. Probably." At that, Kennedy let out a snort of laughter and sniffled a bit, looking towards him again.

"I don't want this to sound dumb, but I promised I'd never try to hide things from you…but, you want to have kids? With me?" she asked him quietly, watching as worry and concern built up in his eyes, straightening his shoulders a bit as he did so. She tried a joke. "But I'm a Red Sox fan." Bucky watched her, jaw set, eyes on her.

"I do." he said quietly, entirely serious, "I hope you know this-" gesturing between them, "isn't just nothing to me. You know that. I'm serious about you, Kenny. Why do you think I want to get out so bad? I sit here, day after day, knowing what we could have outside of this shit hole. I'm real serious about this. About us." Bucky continued to watch her. "You know that." Kennedy melted against him a bit, leaning closer, cupping his cheek as she tilted her head to match his.

"I know, I just…." she started, "I didn't know if I'd ever get the chance to be a mother in a world like this so….hearing you say that. It just, ya know, made me want it more. With you." Kennedy's big eyes trailed up to Bucky's and she watched him watch her back.

"Why'd you say it that way, Kenny?" Kennedy stared at him, those words from middle school ringing in her head. Over and over. Like a bell toll in the church, an echo off a never-ending cave wall.

"Someone, who clearly was very upset with their life, once told me I wouldn't make a good mother." Kennedy whispered quietly, "And I took it to heart and believed it. For a period of time. For a while." Bucky's eyes grew dark and his grip tightened on her.

"You still believe that shit?" Bucky asked her, voice louder than he seemed to want it to be.

"No." Kennedy said, "I used to let it get to me, but….not anymore. Not after being with this group. With you." Bucky watched her, his gaze softening a bit more as he watched her grin.

"Good." he said quietly, a silence falling between them as they watched each other, these small, shy smiles on their lips in a way Kennedy had never seen Bucky even be before. It was honestly enough to make her giddy inside.

"I just know our kids would be Red Sox fans." she whispered and she watched a wild grin appear on his face as he shook his head.

"No! Nah, nah, you've gone too far there," Bucky said, his face starting to glow, "the second they're able to walk, I'm taking them to a game, Yankees, alright? They're getting the playing cards, all that happy horseshit, okay?" Kennedy let out a laugh as Bucky held her closer.

"But what happens if they choose Red Sox, huh, what would you do?" she said, holding her chin high as Bucky smirked and shook his head.

"Wouldn't you like to know." he said softly back and Kennedy nodded with a grin, "Either way, you'd be the best mom those kiddos would ever have, I know that." Just hearing words like that, some deep and genuine and truthful from someone like Bucky made her heart race and her emotion take hold.

"I don't usually go soft on Red Sox fans anyway, but you might've gotten me, Kenny." Bucky whispered softly, catching her gaze as she stared at him. She brushed her thumb across his cheek again and leaned forward to press a kiss to his lips.

With how close they were, she couldn't help but feel him deepen the kiss there, this cracked-open rush of feelings enough for her to feel starved for him as his tongue swiped her bottom lip and a sigh left her lips.

She pulled herself as close as possible to him, wrapping her arms around his neck, her hands exploring his hair as she tilted her head to get more of him to her.

Breaking apart, slightly gasping for breaths of air, his lips danced across her jawline, dotting along her neck before he was there, sucking gently on a spot near her collarbone. It made her giddy, sitting here, despite the situation, with a man, tall, brooding, and a little goofy, kissing her neck and her of all people, like it was life itself.

It made her a little crazy inside - that he wanted her? He wanted a future, a life, kids…with her? Maybe it made her a little crazy, but it was true. Kennedy let out a giggle leave her lips and Bucky pulled back, eyes soft as he looked to her and grinned lazily.

"What are you laughing about?" he asked her, his voice making her insides twist again.

"Us." she whispered back, "You and me." Bucky watched her with a smirk.

"What about us?"

"Our futures." she said quietly, "God, imagine what our lives could be like."

"You see why I'm pushing the get-the-fuck out narrative now, right?" he said and Kennedy cackled at his words and nodded. Bucky watched her fondly and grinned.

"Well, since the door has been shoved wide open, no longer just a foot in the door, you gotta hit me with those baby names, Kenny, let me have 'em." he said, winking at her and grinning effortlessly, like some cool guy in a movie, "I gotta know what little Egans we'll have."

"You're leaving the naming to me?" she asked him with a laugh and Bucky grinned.

"Hell yeah I am," he said with a wider smile, "seriously, what are they." Kennedy softened and then smiled.

"I always thought Florence was a pretty name. For a girl - Flo for short. Margaret - Maggie for short. Charlotte - Charlie for short." Kennedy said and Bucky grinned, "For boys, well…..Gregory for sure. I've always loved Clark or James, Jimmy for short. Robert….Bobby for short."

"You sure are a nicknames type of girl aren't you?" Bucky said and Kennedy grinned.

"What can I say?" she said, "I thought your name was actually Bucky before I found out that was only a nickname and your name was actually Major John Egan. I was convinced, I'll tell ya." Bucky chuckled at that and smiled at her, reaching up to run some strands of hair back away from her face. He watched her in that sickeningly sweet way that made every part of her body melt in a way she couldn't describe.

"What'd they do to you?" Bucky whispered, reaching up to brush his calloused thumb near the tender part of her bruise, his touch gentle on her skin and her body inviting his touch; she felt in every lifetime, she'd invite his touch like a warm spark, a match with a flame waiting to blow.

Kennedy's smile fell as she watched him - the memories raw, it all seemed fresh in her mind and usually nightmares chased reality away. Instead this time, it was both a mix of reality and nightmares that were her everyday waking truth.

"I knew those Kraut doctors would have something for Bessie's cough." Kennedy whispered, pretty mater-of-factly to him softly - she liked this, whispering with him like things were a secret and that for once it was just the two of them - and she liked hearing his voice whispered back, so low and quiet and soft on her ears. She loved his voice. Bucky watched her, thumb brushing on her bruised cheek gently as he did so. She wanted him to look at her like that forever, however long forever could be if it were him.

"I would've done it for you," Bucky said quietly with a nod, "scrounged it for you-"

"No." Kennedy whispered softly, her eyes flashing to his, "You've already done enough for me, Bucky-"

"You got hurt, Kennedy." Bucky said, his voice thick with emotion, choked somewhere in his throat, "They hurt you." Bucky's eyes flashed with pain and Kennedy shut her mouth slowly.

"I know that." Kennedy whispered, "I've gotten hurt before. All the time. Even when I was a kid. And for a friend, for someone like Bessie, I'd do it again." Bucky watched her still.

"They hurt you." Bucky repeated, this time his voice firmer, but shaky, like he was standing out on a balance beam, waiting for the wind to take him and tip him towards the abyss.

Silence fell between them and suddenly Kennedy felt more emotional than she had in days. He cares, her mind seemed to scream, he's saying this because he cares! But her mind couldn't seem to make sense of it, she couldn't seem to get that picture in her mind. She was still in that flightless mode, that build-up-your-walls-and-you-are-fine mode.

"I know." Kennedy whispered her voice shaky, "But I'm okay." Bucky's eyes moved back and forth frantically between hers for a second before focusing on the bruise on her cheek again.

Being this close to him, staring into his gaze, his eyes, knowing that if felt like he could see the deepest parts of her, scared her. In so many ways. In ways she didn't want to have to think about.

Sitting in this silence with him wasn't something she was entirely used to - and she couldn't get her mind to work, to get words formed on her lips. Instead, all she could do was stare right back at him. Convince him with a look that she was okay.

"I don't want you to have to worry about me." Kennedy said quietly, looking up slowly at Bucky with a shy look, "You shouldn't have to worry." Bucky's face moved with a near-grimace, a pained expression flourishing on his features in a way that made Kennedy want to eat her words.

"But I will." Bucky said, his voice louder this time, "Kennedy, look, I…." Bucky's eyes trailed towards the window again, before pulling back to her, "You know, me worrying about you. It….it isn't up for discussion. In my eyes. I know you're used to looking out for yourself, but I need you to understanding that you don't have to live like that anymore." Kennedy's eyes watered.

"I'm here," Bucky said, cupped her cheek firmer this time, looking right into her eyes, desperation flooding his own, "for as long as I'm around, I'm going to come between you and anything that wants to hurt you. Okay?"

"Bucky…." she whispered, but he shook his head and adjusted his grip on her before leaning closer to her.

"They hurt you, Kennedy," Bucky whispered, "and the thought of them laying a single fucking hand on you makes me wanna lose my mind. Touching you. Because you were doing something for a crew member-"

"I don't want you hurt because of me." Kennedy told him quietly, watching as his eyes flicked to hers, pausing mid-sentence.

"Kennedy, I'd taking a fucking bullet for you," Bucky said, watching her with a steady gaze, "I'd do anything for you." Bucky grew quiet. Kennedy watched him back with big eyes.

"Fuck, Kennedy, I love you, I'm in love with you," Bucky whispered, looking up into her eyes, with the purest form of grief and pain and love swirling in his vision, "you worry about the people you love. I'm always gonna worry. Even if you're right beside me."

Kennedy's heart slammed against her chest as she sat wrapped in his arms, breathing the same air he breathed, watching those eyes, memorizing each freckle on his face, every time the muscles moved in his face to make him smile or frown.

Love was a word that had physically hurt her to even say in the past - to her mom, her dad, her brother, to those few guys she had dated and sworn promises and lives with.

Love had never been a word she used well or even understood well.

With Bucky though, she felt she understood love in every which way. In ways that were still to be explored. And no one had ever looked at her with a love like he had - even when she had come to the Stalag, dried blood up half her face, dirt and mud caking her form, starving for life and food and touch, barely being able to acknowledge anything but a bed for a few days, craving everything that was both human and not.

Scorning the world and the place they were in, and every single person.

And Bucky had been by her side and fed her soup and told her stories and held her in the dark as the nightmares and reality seemed to clash in her mind, wrapping her in calming words and blankets made of nothing but thin wool and telling her everything that came to his mind.

It had been Bucky. It'd always be Bucky.

"I'm so in love with you Bucky, you don't even know," Kennedy managed out in a sped up version of what her mind had managed to come up with, "I love you so much. And I don't want you hurt." A tear squeaked out down her face as he watched her.

Slowly, their foreheads met in the small center of space between them, inches between them as Bucky pulled her as close as he physically could to him, the clothes on their very bodies almost too much between them even now.

Slowly and almost achingly, Bucky pressed his lips to hers and she let herself go in that moment. Her arms were wrapped around his neck, hands mused into his hair, his own hands pushed up underneath her shirt and warming her cold skin, dancing near her bra strap and holding her in such a delicate manner, she was sure she could cry about it 10 years in the future.

Bucky's lips were soft, but hungry and by the time his tongue had slipped inside, she couldn't think about anything else. His soft sighs into her mouth, her own mind going a thousand miles a minute with him there so close to her, Kennedy was sure she had entered a world she never wanted to leave.

They came apart gasping for breaths of air before his lips were trailing her jawline, before settling on her neck, and she giggled, curling into his own neck - his jacket nearly smelled like home.

Like Thorpe Abbotts - that hug they'd shared that long night when bombs were going off overhead and Bucky couldn't seem to contain his words or his alcohol.

And God, she had stared at him and sworn she would never think of him again, but here she was, the two of them holding each other in a way she'd never been held before and was thinking of every outcome of their lives past this very point in time.

Bucky's teeth grazed a bit at that soft spot on her neck, before he softly pulled back and kissed her skin gently, peppering that same spot with soft kisses that made her grin into him.

Then, she couldn't help it - giddy with the feel of him there with her and the way he had kissed her, so desperately and hungry, she let out a laugh into his neck and he seemed to feel much of the same of whatever energy she was feeling, because he laughed, too. A low rumble that she felt against her cheek, from his throat, which made her hold onto him so tightly that she never wanted to let go.

"Bucky?" Kennedy whispered against his neck, listening to his heart pulsate - she loved the feel of him right here beneath here - every inch.

"Kenny?" Kennedy pressed a soft kiss to his neck and watched goosebumps appear and a shiver run over his entire body.

"I've never loved someone more than you." she whispered quietly. Bucky tilted his head back and watched her and seeing his eyes so big and soft and there, right in front of her, made her suddenly feel like everything was worth it.

"I love you," he whispered, pressing a peck to her lips before pulling back and smiling at her, "the thinking spot has never let a person down now, has it?"

And then, she was laughing again, clasping a hand over her mouth as she launched her head back.

Laughing with Bucky, God, she'd fight a war herself just to live in this moment with him every night there was in her life.

[xxplastic-cubexx]

what is your favorite thing about charles and your favorite thing about erik? separately, as in what you like most about their characters :]

a devious question this one is, my friend!!! it's hard enough for me to explain my thoughts cohesively, but having to pick ONE thing i particularly love is difficult. with characters like charles and erik, theres been so much done with their characters over the decades and so they have so many components to them that make them so interesting and fun to observe. BUT I TRY FOR YOU TODAY. under the cut i kinda ramble and the size of this text box makin me anxious

i think if i were to be simple and broad, what i enjoy most about charles is his determination to help others, even if he isn't really thanked and/or if people don't even like him. ofc, this isn't to say he hasn't done wrong- to be honest, the fact he does wrong/questionable things at times is another aspect of him i really enjoy, maybe because- broadly speaking- he's meant to be altruistic (intent vs outcome and all that). i don't know if that's super exciting to most people, but it is for me

as for erik, my reason for liking him is easier to explain tbh. To Be Simple And Broad, his progression from villain to antihero over the decades has been fun to observe (as much as i have so far anyhow) and analyze. i think to be a bit more specific, him using his rage and pain as justifications for his villainous actions is definitely what compels me the most: hurt people hurt and the sort, an idea i've always found interesting (something something vicious cycles and the like). yet now, he recognizes this wasn't really. A Just Thing To Do and is beginning to change that, which i enjoy

[uukipi]

no new art just posting my propaganda of the week

i think everyone in the acotar series should fight over lucien bc hes so cool hot sexy cute and deserves all the love in the world and ik everone wants him!!!!!! *mwuah* <- das him getting a big fat wet kiss!!!!!!!!