#now does have more context and like. a part in an arc lol. which also gene/joe just doesn't have much of at all in the film; so (an arc)

[unproduciblesmackdown]

also more odds & ends orville info & more not Not orville/phil info as well:

"In Steinkellner’s version of Summer Stock, Jane Falbury (Danielle Wade) and “Pop,” her father (Stephen Lee Anderson), are struggling to hang on to the family farm. Their farm is one of the few in the Connecticut River Valley that hasn’t been absorbed by the Wingates, whose holdings completely surround theirs.

The widow Margaret Wingate (Veanne Cox), whom son Orville (Will Roland) aptly describes as having eyes “as cold as death itself,” plans to absorb the Falbury farm by the simple expedient of having Orville marry Jane. After all the two kids had decided they were engaged in first grade!

Enter the prodigal younger sister Gloria (Arianna Rosario) who has been seduced by the lure of the Great White Way. She returns to the farm bringing along Joe Ross (Corbin Bleu in the Gene Kelly role), the director of the show that will make her a star, its composer Phil Filmore (Gilbert L. Bailey II), and the entire company. She has generously offered the company, which can’t afford rehearsal space in New York, the use of the family farm’s barn. Sister Jane reluctantly agrees to the intrusion with the proviso that the thespians will double as farm hands.

As rehearsals progress, Phil discovers that Orville, a bit of a doormat who has been raised with the understanding that he will never have to work, is a musical wunderkind. He is enlisted to work his magic on the show’s score and begins to blossom.

Widow Wingate takes umbrage with all this and vows to shut the enterprise down. Fortunately, the cold embers in her soul are stirred to renewed life by her encounter with Montgomery Leach (J. Anthony Crane), the has-been ham enlisted to give Ross’s show some cachet, so all might not be lost.

[...]

They make this Summer Stock a veritable feast of nostalgia. I was especially taken by the amusing way Steinkellner used Jackie Gleason’s theme song “Always” to further widow Wingate’s plot to get Jane and Orville hitched.

[...]

Orville, who has found personal liberation in show biz, is accorded a moment that reminded me of a similar scene in the musical version of The Producers. In a triumphant declaration of his emergence from under his mother’s thumb he exults, “I’m in the theatre! And I love it!” The audience loved it, too.

[...]

As director, Feore has elicited some wonderful performances, especially from subsidiary characters. Veanne Cox is splendid as Margaret Wingate as is J. Anthony Crane as Montgomery Leach, the faded matinee idol. Will Roland (Orville) and Gilbert L. Bailey II (Phil) both have wonderful moments and their intense professional friendship is one of the show’s highlights."

INTENSE PROFESSIONAL FRIENDSHIP you say....and also ofc everything about orville and wanting to be a musician and being in the theatre and he loves it sounds so good. i love it

[zeravmeta]

The Value of Rules, The Heart, The Soul, and The End of the World

So as we're entering the final arc of the series i wanna make my own theory on how things will shake out, specifically one question:

What is the Heart?

The final artifact that Luna put in place capable of harming Sol, the Heart is the third Sacred Spirit Treasure alongside Rebellion and Aegis which was never found in any of the past loops and something Fuuko theorizes only drops in the 101st loop.

But now in the final battle, it's still nowhere to be seen. We've seen the other two Sacred Spirit Treasures, but despite being weapons that Luna herself made that are capable of slaying Sol, we've also seen throughout the manga that the game was HEAVILY rigged against humanity with their actual effectiveness in Loop 100 showing them to be kind of weak compared to Sol himself. Loop 101 Union maybe has two of the three already, and yet despite the promise of the Heart dropping through quests, we have long skipped past that opportunity, so now we need to determine how the Heart will come into play.

So, here's what I think: I think the Heart is Apocalypse, or rather the completed form of Apocalypse.

(books are heart shaped lol)

Since I started reading, Apocalypse has always had this weird role in the story to me: It's an Artifact placed by God to add more UMAs and help along the end of the world, but it specifically gives quests for the Negators to complete and gain more advantages for when Ragnarok comes. Moreover, they make sure to specify that Apocalypse is an Artifact instead of an UMA, even though it seems to act so much like the latter. There's even the joke in one of the end pages of Clothy and Apocalypse fighting like small dogs held back by their owners, and one of the only other Artifacts we see with sentience is Rebellion, one of the Sacred Spirit Treasures.

So what's the deal here? If Apocalypse is the Heart, how is it that it was never discovered, how is it that it's never been "properly" activated? What's the true purpose of the Heart? How will it slay Sol?

Well, the true purpose of the Heart is meant to show the value of the rules, not as enemies of humanity but as companions to them.

As much as they deny it, Apocalypse does care about Juiz personally. Even though it's the instrument of humanity's destruction, Apocalypse aligned with Victor's motives in letting Juiz die so that she can reincarnate and have a peaceful, happy life away from this war with god. He's even infuriated with Fuuko for trying to get Juiz in Loop 101 because he doesn't want her to be involved in this anymore. You can't spend 455.4 billion years alongside someone without caring about them at least on some level, and ironically both Victor and Apocalypse shared this mentality in never realizing just how much they cared until she was finally gone. Apocalypse, one of God's instruments to make humanity suffer, is capable of displaying compassion for them.

But that's not the full story. The Heart as a name is also to note, and I think maybe we can look at this manga's tendencies to play around with language as a base. In Japanese, "Heart" is usually said phonetically as "Kokoro" / written as "心" and tends to just mean "heart", but it actually has multiple meanings depending on the context used, specifically mind and spirit.

One's spirit. One's soul.

I think that Soul plays a part in the Heart artifact, not only due to the power he grants humanity but also that of the UMA, as well as his weird parallels with Apocalypse: Soul is the only known UMA made by Luna, whereas Apocalypse is the only known Artifact placed by Sol. Soul is the only UMA shown to be capable of directly controlling Apocalypse, and has been capable of warping it to his needs. Soul is the rule which gathers information and memories from the past and transfers them to the living, and Apocalypse is the book which stores the information of the past loops, the past lives of the world. Juiz in the very beginning of the series even says that "God resides on the other side of Apocalypse", where we know that the Superior 10 Rules are housed inside of the Sun itself.

And critically, one of the goals of the wager between Sol and Luna is to see if humanity is capable of reaching the Gods. Soul and Apocalypse both provide the potential for that above all others.

So, I believe the Heart artifact comes from combining the two, combining Soul and Apocalypse. And how would this theoretical combination come about?

Well, I think Soul is going to be the true final antagonist of Undead Unluck, slaying both Sol and Luna to usher in his own validated world, one that is also free from the whim of the gods and lets the UMA live freely.

A critical point to note is that the UMA, despite the pride many of them take in their purpose in tormenting humanity, are just as much victims of this game between gods as humanity is. They are concepts given form and made specifically to torment humanity for the goal of "finding the greatest life", but we see that this mentality is still a choice in and of itself. UMA have distinct developed personalities and can clash, as seen with Seal and Spoil when they interact with other UMA.

Clothy, Spring, Blood, Shadow, Move, UMA have also showcased that they can peacefully interact and coexist with humans, even care about and love them. If anything, from how Seal talks, the main point of contention UMA seem to have with humans and Negators is that humanity is somehow seen as "worthier" than they are to garner so much personal attention from the gods. Most UMA seem to mainly just be interested in expressing their rule's function over anything, and humanity just happens to be the target they're pointed at to put those rules into action. Seal himself even has the aspirations to be the "King of UMA" just because he feels like he's special for the scraps of attention that Sol gives him. The parallels with Ruin are Not subtle whatsoever in this department, especially as Ruin's abusive parent is depicted as just a black void that burned him (how sunshine burns his skin), eerily similar to the way Sol appears as an avatar.

If humans are dolls that the gods play with, then the UMA might as well just be the stage which the gods use, a mere backdrop item for the Negators to break as necessary for their development.

Negators being "vessels" for these rules has also always stuck out to me, because we see that the UMA and the corresponding Negator can be two separate beings; they're not really possessed in the conventional sense. Fuuko even points out during the Beast fight at Beast's mention of "UnBeast" that there are far fewer Negators than UMA and their rules, further pointing to a discrepancy in the advantages given to each side. It may seem like it's the UMA who are winning, but it's actually humanity; Ragnarok necessitates Sol himself to come down and destroy the planet, meaning that the UMA themselves aren't actually capable of defeating humanity. Juiz alone was able to hold off the Superior 10 Master Rules by her own ability, and it was only to hide her trump card, no less.

To add to this, when I thought of what vessel could mean, what immediately came to mind was not only how the souls of previous Negators are carried over to each new one, but how Rebellion could possess Victor.

Perhaps Soul will have Apocalypse possess him (or vice versa), and this will create the Heart artifact? It should be capable of slaying Sol as Luna said, but it's just as likely that Soul could point this weapon at her too, and given that Luna's domain is in the spiritual as stated by Language, if anyone would know how to exploit her weaknesses, it would undoubtedly be Soul.

Apocalypse being the Heart would also work with Undead Unluck's meta-narrative aspects as well: From Me, To You was a manga which prophesied the events which would take place in both a narrative (Anno Un) and meta-narrative (shoujo manga romance that Udul uses for inspiration) sense, much like how Apocalypse is a book which prophesies the end of the world. Perhaps it prophesies Ragnarok, the physical literal end of the world at Sol's hand, but it could also prophesy the end of the manga itself by way of slaying its final antagonists.

And this would all be Soul's ambition to free them from the gods. At this point, we don't fully know what Soul's feelings on humanity are, given that he does hold them in high esteem while also being willing to exterminate them, but perhaps he would care more about saving the UMA from the gods instead of further tormenting humanity.

A goal that Fuuko Izumo would agree with because it will free both of them from this endless blood feud.

Mutual understanding. A Heart.

The Negator powers which cause tragedy and invalidate the rules will disappear, the UMA as avatars to make humans suffer will disappear, but all the rules which the UMA embody will apply in a completely validated world, not made by either of the gods, but by both humans and the rules themselves.

I think Undead Unluck will end not with the Negators or UMA winning one over the other in the conventional sense, but coexisting and ending the gods as a collective.

Soul's ideal world. The character who understands even more than Sol or Luna the power of both Humanity and the Rules. The power of the Soul, the Heart.

small tinfoil hat subsection but tangentially related to this I also think Ruin's comeback as a good guy (lets be real its gonna happen) will come from him gathering the UMA as a force to work with the Negators against the gods because he refers to all the UMA as his friends, and I think an interesting comeback here will actually be UMA Galaxy.

Fuuko's strength as a character lies in her acceptance and understanding of others, even the people she dislikes. It's why Andy himself says that Unluck is "the world's cruelest ability within the world's kindest person" because it specifically targets the people she loves the most, leaving her alone. The imagery of the round table Ark (Apo on it makes it look like a sundial lol) compared to Luna's own table on the moon is intentional: Luna (and perhaps even Sol) have a profoundly lonely existence. They've set themselves up in this wager where they torment everyone for a potentially unreachable goal. Luna created Soul but she doesn't understand humans the same way she doesn't understand rules, and the UMA who have souls as well are also something she does not see the value in. Neither Sol or Luna understand anyone nor have anyone who understands them, and it's Fuuko's Unluck, which necessitates understanding, which CAN reach them.

UMA Galaxy itself was the Master Rule added after Loop 100, as well as being the first proper UMA we see in the series AS WELL as being the UMA most tied to Sol and Luna in general by concept alone (outside of Soul), so I think it'll be interesting if maybe UMA Galaxy comes back as a critical supportive ally to stop both Sol and Luna from destroying the Earth/ending humanity or UMAkind, and that the way the UMA help in stopping the gods is by using their rules in tandem with the Negators against the gods, especially UMA Galaxy using their literal cosmic scale to let Earth escape the gods grasps. All in gratitude for the one Negator who dreamed of them existing in a validated world.

[marley-manson]

Xena Episode Guide

Xena is an episodic show with a few ongoing arcs, both plot and character, so some episodes are very standalone, others are part of ongoing continuity. This guide will have four categories, denoted by symbol: * must-watch for plot or character development reasons + not essential but very good and/or gay, I recommend these ^ average non-essential episode, not notably amazing or awful, watch if you want more xena, skip if you want to get to the good parts faster # episodes I actively recommend skipping, not too many of these because I'm easy for this show lol.

I'm also going to link this site which has a lot of info and resources, including very thorough episode synopses under "episode guide," if you want more info before deciding whether or not to watch an episode.

It's also worth noting that it's a spinoff of Hercules: The Legendary Journeys, a show I've seen exactly one episode of. You don't need to watch it to watch Xena, but occasionally it can add some context, and it's worth knowing that some plot elements are developed in Hercules rather than Xena, particularly parts of the Dahak arc in season 3. They'll have the characters explain the plot relevant stuff briefly, eg why Callisto is immortal now, but yeah if you feel like you're missing things, that's why, and it's not a big deal.

So without further ado, here we go, starting with Xena's introductory episodes in Hercules.

Hercules: 1x09 The Warrior Princess, 1x12 The Gauntlet, 1x13 Unchained Heart# I haven't seen these, it's not necessary, and afaik some of the characterization and general vibes are incompatible with the Xena we know and love in her own show. But feel free to watch them if you want to see her introduction as a character.

1x01 Sins of the Past* 1x02 Chariots of War^ One minor highlight of this episode is that Xena and Gabrielle's respective flirtations with a man of the week each mirror their new relationship with each other - Xena and some peaceful village dude, Gabrielle and a wannabe warlord. Otherwise basic and uninteresting. 1x03 Dreamworker* 1x04 Cradle of Hope^ 1x05 The Path Not Taken* 1x06 The Reckoning* 1x07 The Titans^ 1x08 Prometheus^ Hercules and Iolaus appear if you skipped Xena's Hercules intro and want to meet them, but there's not much to recommend it 1x09 Death In Chains^ 1x10 Hooves and Harlots* 1x11 The Black Wolf+ I don't remember it too well but I remember enjoying it, and there's some cute baby les Gab stuff 1x12 Beware Greeks Bearing Gifts+ Idk if it's quite essential, but a character in this ep recurs later and this episode is referenced. It's a pretty great episode though iirc, I'd rec it. 1x13 Athens City Academy of Performing Bards^ It's a clipshow so not much of substance, but this episode is referenced in a lot of fic as a path not taken for Gabrielle 1x14 A Fistful of Dinars^ Apparently Xena's former fiance is in it but frankly I had no memory of that so I don't think it's important enough to be considered essential 1x15 Warrior... Princess^ It introduces a recurring character (and trope) so worth watching for continuity purposes but p inconsequential otherwise iirc. 1x16 Mortal Beloved+ Controversial categorization because it's het, but what can I say, I like it 1x17 The Royal Couple of Thieves^ Pretty fun and introduces another recurring character, but otherwise not especially important 1x18 The Prodigal+ Solid episode for Gabrielle's character development, not essential but worth watching. 1x19 Altared States+ Gets a plus sign for blatantly gay Gabrielle <3 1x20 Ties that Bind# I personally hate this ep, but it does have somewhat significant character exploration, and I wouldn't necessarily say it's bad so much as not to my taste. Up to you whether you watch. 1x21 The Greater Good* Most of the ep isn't essential but it leads directly into the next one which is, plus it's pretty good. 1x22 Callisto* 1x23 Death Mask^ Gets into Xena's past and surviving brother, but not in a way that really has much of an impact? Might be worth watching for that, but I don't think skipping it will affect much 1x24 Is There a Doctor in the House+ Gay, good, and establishes one detail that recurs later on but not a particularly important detail.

2x01 Orphan of War* 2x02 Remember Nothing+ Arguably essential viewing for character stuff, but I don't think skipping it would hurt your understanding of anything. Solid episode though. 2x03 The Giant Killer^ Referenced in a later episode so worth watching for thoroughness, not bad but not stand-out. 2x04 Girls Just Wanna Have Fun+ Gay 2x05 Return of Callisto* 2x06 Warrior... Princess... Tramp^ Introduces another occasionally recurring character, fun, not essential otherwise 2x07 Intimate Stranger+ 2x08 Ten Little Warlords+ These are direct sequel episodes and I really enjoy both, but they're not immediately relevant. The latter is arguably somewhat essential for Ares character stuff, but ymmv on how important that is to you. 2x09 A Solstice Carol# 2x10 The Xena Scrolls+ Clipshow, not essential, but please watch it bc it's an absolute delight. Basically a canon role reversal AU, and it's one of the episodes that spawned a thousand lesbian romance novels in the form of published Xena AU fic. 2x11 Here She Comes... Miss Amphipolis^ 2x12 Destiny* 2x13 The Quest* 2x14 A Necessary Evil* 2x15 A Day In The Life+ Not technically essential but widely considered one of the best episodes of the show, wildly gay, don't skip it. 2x16 For Him The Bell Tolls^ Joxer heavy, Xena light. Most would probably categorize it as # but I'm easy for the comedy episodes 2x17 The Execution^ 2x18 Blind Faith+ 2x19 Ulysses^ Warning for dumb het, skip if your tolerance is low. After this though it's pretty clear sailing in terms of male love interests of the week, thankfully. 2x20 The Price* Amazing episode overall, imo essential for character exploration, but warning for v prominent racist tribal stereotypes 2x21 Lost Mariner+ 2x22 Comedy of Eros* It's not really essential for the most part, but it establishes a certain character beat that lasts for the next 3 seasons, and imo it's fun. Skippable if you're not in the mood for a mostly het comedy ep tho.

3x01 The Furies* Explores some of Xena's family history and introduces us to how the Furies work, since they show up in a few other episodes, but not huuugely important? Waffled between * and ^ for the record. 3x02 Been There, Done That+ One of my personal faves, not stand-out gay, but incredibly fun imo 3x03 The Dirty Half Dozen^ Basically the show's lone aware statement on feminism and it sucks lmao. Aside from that it can be fun, so I didn't mark it as a recommended skip, but it's on the cusp. 3x04 The Deliverer* 3x05 Gabrielle's Hope* 3x06/7 The Debt* 3x08 The King of Assassins# Very dude-centric and forgettable imo, but has Gina Torres as Cleopatra and introduces Joxer's siblings as a thing, so ymmv 3x09 Warrior... Priestess... Tramp^ 3x10 The Quill Is Mightier^ Fun episode for Ares and/or Aphrodite fans, not important and not notably good or gay tho (though at this point we have a relative base level of gay established so yk, p much every episode is gonna have some vibes) 3x11 Maternal Instincts* 3x12 The Bitter Suite* 3x13 One Against an Army+ 3x14 Forgiven# I skipped it my first watch and didn't regret that after watching it this time around, but fyi it does implicitly touch on the emotional fall-out of the last few episodes a little bit 3x15 King Con# 3x16 When In Rome...* 3x17 Forget Me Not* It's a clipshow, but the framing device establishes some surprisingly significant character and plot stuff 3x18 Fins, Femmes, and Gems+ A fan favourite for a lot of people, it's silly and fun with some great gay moments. 3x19 Tsunami^ 3x20 Vanishing Act^ 3x21/22 The Sacrifice*

BONUS: Hercules 4x13/14 Armageddon Now This is the sole episode of Hercules I watched, because Part 2 features the inspiration for an entire subgenre of Xena fic that I love - Conqueror fic. An AU where Hercules was never born, featuring a subplot in which Xena never turned good and went on to conquer Greece. You don't need to watch it to understand the conceit, and most fics don't follow the strict events of the episode but rather the general premise of Xena ruling a nation, but it is fun, and it has some bonus Callisto character stuff too. I've put it here because it aired alongside Xena season 3 and broadly fits into it continuity-wise.

4x01/2 Adventures in the Sin Trade* 4x03 A Family Affair* 4x04 In Sickness and In Hell^ A divisive episode, some find it funny, some find it obnoxious. I came down in the middle. 4x05 A Good Day* 4x06 A Tale of Two Muses^ 4x07 Locked Up and Tied Down^ Has some character backstory and thematically relevant stuff, but nothing super significant. 4x08 Crusader+ Features the ongoing arc of Xena's future vision and good character stuff, so somewhat relevant, but not quite enough to be essential imo. But it's extremely gay and one of my faves. 4x09 Past Imperfect^ Flashback episode to Solan's birth and Borias' death, but we don't learn anything particularly essential afaik, and it's not a super strong or gay episode. Worth watching if you enjoy learning about Xena's past though. 4x10 Key to the Kingdom^ Meg, Joxer, and Autolycus heavy comedy, great for Meg's character 4x11 Daughter of Pomira^ Sort of a sequel to The Price, same racist depictions of a native american coded people, tries to be progressive and manages to be, like, a step above The Searchers lol. 4x12 If the Shoe Fits^ 4x13 Paradise Found* Essential for character stuff but also fantastic in general. 4x14 Devi* We're in the India episodes, so expect stereotypes and cavalier treatment of Hinduism that caused enough controversy back in the day to necessitate a disclaimer. But they're important episodes plot and character-wise. 4x15 Between The Lines* The other episode that launched a thousand lesbian romance novels. 4x16 The Way* 4x17 The Play's The Thing^ 4x18 The Convert^ Najara's return, a big downgrade from Crusader though imo. Introduces another character who returns later, and Joxer gets some drama, but I still wouldn't say it's necessary. 4x19 Takes One to Know One^ 4x20 Endgame* 4x21 The Ides of March* 4x22 Deja Vu All Over Again+ Canonizes Xena/Gab in a censored, network-friendly way that may have you cheering or booing depending on your perspective, but it's worth noting that it was the best the crew could get away with. The characters return in a s6 episode but one I haven't seen lol so I can't say it's essential, but I like it.

A note on season 5: widely considered the worst season, esp for Xena/Gab shippers, but if you're a fan of Xena/Ares at all you might enjoy it more. There was some behind the scenes upheaval with the writing team I believe, and a plotline originally intended for Hercules got shunted here, where it's not a great fit. So it can feel a little "off." (Season 6 is generally considered a return to form, ftr.)

Focuses a lot on the unrequited het with Xena and Gabrielle's relationship somewhat sidelined in terms of dramatic focus. But it's very arc-heavy so many episodes are relevant, and tbf Xena and Gab still have a v strong married couple vibe. My advice is to either power through, or skip freely while reading a synopsis.

5x01 Fallen Angel* Silly but v important plot-wise, also pretty gay. 5x02 Chakram* Categorized as essential for some character-statement and thematic stuff, and some minor continuity re chakram, buuuut you could probably get away with skipping it. 5x03 Succession^ 5x04 Animal Attraction* 5x05 Them Bones, Them Bones^ It's arguably essential for a secondary character's storyline, so watch if you care about Amarice, but otherwise not missing much here. 5x06/7 Purity/Back in the Bottle^ I don't thiiiink there's anything super important here, and it's not super amazing, but it's a bit of a sequel to The Debt if that interests you. 5x08 Little Problems^ 5x09 Seeds of Faith* 5x10 Lyre Lyre Hearts on Fire# I found this painful to sit through. Others enjoy it so ymmv, but it adds nothing but bad vibes imo. 5x11 Punch Lines^ Good if you're a fan of Gabrielle/Aphrodite, but otherwise pretty mediocre. 5x12 God Fearing Child* 5x13 Eternal Bonds* 5x14 Amphipolis Under Siege* 5x15 Married with Fishsticks# Widely considered the worst episode, with good reason. 5x16 Lifeblood^ Basically just a way to recycle some portal fantasy pilot that didn't get picked up, mostly a waste of time but inoffensive 5x17 Kindred Spirits^ Not really that great, often annoying, but Xena and Gabrielle are emphatically married so it gets some gay points 5x18 Antony and Cleopatra^ I don't thiiiink there's anything super necessary here, skip to avoid het in the form of plot-induced manipulative seduction 5x19 Looking Death in the Eye* 5x20 Livia* 5x21 Eve* 5x22 Motherhood*

6x01 Coming Home* 6x02 The Haunting of Amphipolis* 6x03 Heart of Darkness* Only necessary in that it concludes the cliffhanger of the last episode. 6x04 Who's Gurkhan?* 6x05 Legacy* So, season 6 is more character heavy than arc heavy. All the above episodes are important for the characters dealing with the time skip and character development in general, but there's no arc they're contributing to, so feel free to make your own judgement calls. 6x06 The Abyss+ Racist stereotype cannibals unforch, but v gay. 6x07/8/9 The Rheingold/The Ring/Return of the Valkyrie+ Gay romance straight up. 6x10 Old Ares Had a Farm^ Great if you love mortal Ares episodes 6x11 Dangerous Prey^ I believe this is the sole mortal dude who poses a challenge to Xena, and they really aped the Callisto format for it lol. 6x12 The God You Know* Only mildly essential in that it explains why Aphrodite is mortal now, but while I think it's somewhat divisive, it's an episode I enjoy personally so I'd recommend it. 6x13 You Are There* 6x14 Path of Vengeance* 6x15 To Helicon and Back* 6x16 Send in the Clones^ Imo probably the worst clipshow, but it's still pretty fun. 6x17 The Last of the Centaurs^ 6x18 When Fates Collide+ Not essential but unskippable, iconic gay romance. 6x19 Many Happy Returns+ GAY GAY GAY GAY GAY 6x20 Soul Possession^ Almost a # but it does have canon reincarnated Xena/Gabrielle. 6x21/22 A Friend in Need* Very controversial finale, many hate it, but it is the finale so it's essential. Many recommend watching When Fates Collide after this and pretending it's the real finale lol.

[bleue-flora]

Hate to intervene on the discussion about the genuine finale, but Tommy did apologize previously to the nuke going off and he did it before Dream even killed him, Im not sure if it was intended for him to say the apology so early on if at all but it did make me a little confused when the reaction to the apology was dream focusing on tommy dismissing the revival book and then killing him. Its not that out of character or anything, it made sense for Dream to be paranoid and lash out especially considering Tommy accused him of being the same person the whole time within his apology, but it did make me feel bad for tommy, as well as the fact he didn't get a sorry in return but then again had the nuke not dropped and no reset, Dream probably would of apologized for his own actions once he really processed what was going on which is rlly the only issues i had with that final convo

Regardless on my opinion on that part of the stream, you've definietly highlighted why many dislike it and I completely agree. Dream and Tommy had closure, while pretty much no one else in the server really did, not sure if punz even did, many character arcs didn't rlly end, stuff was left ambigious, ranboo had their ending on twitter, we got nothing about dreamxd. killing staged duo off is just a repeat of everything before and it just makes the moral that violence is the answer to trauma and multiple characters in dsmp use violence as revenge and the ending having that would just be like saying that was okay. But the fact it instead took this understanding morally grey approach and ended that destructive cycle gave it a much better moral. Solid essay btw.

[context]

Always feel free to intervene, just know you’ll probably get an essay in response lol. ;D <3

In regards, to Tommy’s apology [clip] I am of the opinion that anything Tommy said before he died was not really genuine because he was stalling for time. He only asks Dream what his point of view is the server because he needed to stall. And even when Dream is explaining his side [clip], instead of really understanding it or even having remorse he mutes and says “Come on, Tubbo.” He’s not really listening, and his apology shortly after isn’t really sincere. He keeps repeating how Dream was always like this, so if he was apologizing it wasn’t because he realizes he actually hurt Dream. He even questions how Dream can be upset about burning down George’s house “it wasn’t even your house.” Language like “you could’ve got over that” tells me he isn’t seeing the point. He does not see how he might be in the wrong nor how much he hurt Dream.

So honestly, I think this apology is really just manipulation, trying to get Dream to stay. And honestly, that makes sense, because if you want someone to stay you’re not going to keep pissing then off, or at least he learned this because that was his first strategy. But that was only making them want to leave or kill him, so he changes tactics, getting Dream to talk [clip] “take as long as you need.” So yea, it doesn’t really count in my mind, just as Dream’s “I’m sorry” in prison doesn’t necessarily count.

If however the nuke hadn’t happened, and Tommy had actually apologized, now beginning to understand Dream more, then perhaps Dream would also. But to be honest that would be pretty out of character for both. Character growth can only go so far in one stream.

And I think Dream doesn’t feel sorry, not really. I think he regrets things getting out of hand and going further than they should have, but I think he’s so hurt by Tommy that he feels justified in his lashing out. And unless, Tommy were to express actual remorse for his actions and see them as wrong vs the “that was just me having fun with my friends” we got, then I don’t think Dream would apologize.

If the nuke hadn’t happened, I don’t necessarily see Tommy changing his behavior, only his view of Dream. I see him still being Tommy and pissing Dream off, just not viewing Dream as this evil devil out to get him. So honestly the reset was probably good because might as well go out on this nice moment when they understand where the audience can be optimistic about what could’ve happened vs seeing what the actual aftermath would have been. Certainly better and different but I don’t think things would change as much as we’d like to think.

Certainly Dream and Tommy had a satisfying wrap up where some other characters did not, but I would say it is pretty fitting that they would have a more dramatic actual resolution considering they have been the center of a lot of conflicts from the very start.

I do think though Punz did complete his character arc, perhaps not as satisfying as we’d like but still. Throughout the whole thing he has been in the background and more secretly Dream’s ally, but finally he was able to stand beside Dream and speak his truth, and be openly his friend, openly defend him and have his back. That was a good ending for him. Instead of being a bystander like in the disc confrontation this time he got to speak up and be heard. He finally got to die alongside Dream, instead of watching Dream die for him. He finally got to be included. It’s not perfect or as well thought out, but it works.

Have another essay I guess lol, glad you liked the other. <3 <3 and yea for sure sending a good message to the audience is super important (again something that Supernatural failed at) and to say let’s talk it out and try and see each others point of views instead of just continuing the cycle of violence is certainly a very important message to highlight. :)

[lunabug2004]

You said that according to you there is a way to make Mileven stay together and have all the characters have a good arc at the end of the show. Could you develop that? cause in my opinion if Mike's arc is about falling in love , changing his personality after meeting a girl and at the end being the protective paladin to "fix" his bad behaviour then it's really bad writing (coming from a straight person)

I'm going to be completely honest here, which I hope is what you want lol, I do think I say this (sans the "good arcs" part bc I don't think I've ever said that there's a way to make Mileven happen where all the characters have good arcs) to more-or-less make myself feel better bc I have so much Byler doubt (& Mike love) so yeah, take this as you will, this is just what my brain has come up with as an arc(?) I could mostly cope with. I mean, there's a reason I put "(mostly) happy" but yes, I'll try to expand.

I love Mike and I have a feeling I will continue to love Mike whether Mileven or Byler is endgame. This is purely because I do not believe Mike is a bad person or bad character just bc he's made some bad decisions/said some things he (canonically) regrets. I don't think Mike would be a protective paladin to simply "fix" his "bad behavior". While I do agree that this wouldn't be the best writing choice, I think, in-context, he would be trying his best to keep everyone he loves alive. He is an extremely traumatized teenage boy whose biggest fear is losing those he loves. He has been smack-dab in the middle of the action until s4. Finn Wolfhard himself has said Mike is depressed and pushing everyone away bc of it.

Anyways, all of this to say that I don't think it'd be too farfetched to say all of his "bad behavior" is simply untreated trauma symptoms. And yes, you could say something about other characters being traumatized and them not acting like Mike, but trauma, and this is a fact, effects everyone differently. One person may lean into their life before going through said trauma, like Will in s3, while another may block it out, like it's shown with El in s4, and another may completely change themselves while being stuck in a loop of wanting those he loves close to him but also wanting to keep them at a distance bc he is so terrified of losing them. Dr. Owens even says in s2 that a sign of PTSD is change in personality and lashing out, which we see both in Mike. Plus all the parallels bt him and Max in s4, it's safe to say this boy is struggling mentally.

I do think it would make sense, when we finally get Mike's POV in s5, for a lot of his controversial moments to be fueled by his mental health struggle. Now, do I think this is an excuse? Not necessarily, but it does make sense, and as far as I know, anytime Mike's actively made anyone upset he's apologetic (like I said earlier, lashing out). I believe that if the show solely focuses on Mike's mental health issues, then Mileven wouldn't be out of the question.

I do want to add that this is not how I want the story to go, I would much rather his story go the Byler route, but I've said before that his character is not solely dependent on either Byler or Mileven, and I still stand by that. He should not simply be seen as a 'romantic interest' character bc he is more than that and he has his own problems (that we aren't necessarily shown) that have nothing to do with who he's in a romantic relationship with.

Now, again, this is probably mostly just something I've convinced myself I'd be alright with, but I am aware that this in and of itself would be boring and not very good writing. I also do not know, in this case, what would happen on the Byler side of things, this why I say "(mostly)". I am fully a Byler shipper and would prefer Byler endgame to anything really, but I'm a Mike-stan first and foremost.

Sorry if this wasn't too clear, I feel like I just rambled and repeated myself a lot. Thanks for the ask, though! And pls if you or anyone else has questions about anything I said, pls ask me! Trust me, I know this isn't foolproof and I'm probably just dumb 😂

TLDR: I think it's possible they could go more towards untreated PTSD and trauma/mental health related route for Mike in a way that would make Mileven possible. Doesn't mean I'd think it's necessarily good writing, but I could see it going that way.

[yuseirra]

Thanks for keeping quiet about the spoilers if you've been aware of them~ it (being spoiled)had been happening for me over and over for the past month and it had been getting painful, I'd have blocked people who sent that to me at this rate. I was able to.. see it for myself in peace this time hehe

I've seen the full...spoilers (like the whole ch 162)

here's my raw thoughts on that.

I'm honestly not amused... not so surprised either though...

I do hope there's something more to this because there are things that I feel are SO left unexplored, there's a lot I don't like, but if this is all there is to it, it could be, I guess.

I still think.. Fatal is Kamiki's song. That song's vibes IS TRULY what he does feel about Ai, but in a pretty obsessive way I guess... it's not what Aqua would hold towards Ai (or others, like Ruby), that much is made clear in this chapter I feel? and?? Mephisto too?? That HAS to be his song? because it's about wanting to reach out to someone and wanting to meet that person who's already deceased, rather than drifting further apart by sacrificing for their sake. Ruby is alive, and Aqua's in this for her sake, right? And if Kamiki wants to do something about Ai, it should be about him trying to "feel her" or "get closer to her". Aqua and Kamiki's doing the opposite thing here and I feel what Kamiki's doing matches that song more.

at least, that's how I feel about it.

The rest is in the read more:

(I jotted this down as soon as I saw the chapter, in another language~)

I saw spoilers, and seriously???

How do you even "help" someone like this…

I don’t really understand this kind of thought structure or logic…

Wouldn't it be better without the movie arc? If so, I wouldn’t have been so confused either…

If it’s any comfort, I was right about Aqua’s emotions—Aqua really does live for Ruby. I wrote that in an analysis I made earlier(JUST A SINGLE DAY AGO)

(I wrote: Back to the title topic—It’s really obvious that Fatal is Kamiki’s song because,

Though Ai is someone very special and important to Aqua, I think at this point, Ruby is even more precious to him. Aqua still has people around him who are alive, and he has to live for them. Living for the dead is exhausting and hard. There’s so much for him to look forward to (which is, in a way, the essence of what Kamiki says to Aqua in chapter 161). Aqua has Ruby. Ruby is incredibly important to him. He also has Kana and Akane. He’s not at the point where he lives solely for Ai, nor should he be.

Kamiki doesn’t have people like that. Ai is his only reason. To die, to live- whatever he's doing, I feel he's in it for what he THINKS is for her sake.)

I got this part EXACTLY right, didn't I?

For Aqua, Ruby is definitely the most precious person. It’s true that the balance of his life has shifted from Ai to Ruby…

But this is kind of funny… even though it’s a pretty common trope!! I seriously already drew a scene just like this??? The context is different, but still.

In this comic!

What the heck? LOL, so now I feel weird.

THOSE ARE HANDS. IT'S SKETCHY, BUT THAT'S EXACTLY WHAT I WAS GOING FOR WHEN I DREW HIM BEING DRAGGED AWAY

I was honestly surprised. I drew this back in September 21st? LOL.

Right now, the story feels a bit disconnected,

Because it makes me feel like Ai’s video or her request… wasn’t really necessary.

If the twins’ reincarnation was really just for Ruby, then Ai was just… there to play the role of the mother? To carry Aqua and Ruby as a vessel..?;

Did it really need to be Ai’s child?

Also, does that mean Aqua’s mission was just to die in Ruby’s place?;;?

It could’ve been phrased like 'Take down Kamiki who's grown evil.' It seems like he’s really deteriorated. How does someone end up like that…

Doesn’t Kamiki need some sort of exorcism at this point? The way he talks, it’s like he’s possessed by an evil spirit.

If in this chapter, there was a scene where he says he wants to see or feel Ai and then manipulates people and kills them, I would’ve accepted it immediately, like, 'Yeah, this guy has to die here.' But there’s still nothing about what happened with Yura or if he killed anyone… there’s no clear image. It's about him saying he can’t die yet, and it’s still just about him wanting to see Ai forever. (And that phrase—doesn’t it overlap with the song IDOL, TV VER, where someone in the chorus goes:

(You're my savior)

(My true savior)

(My saving grace)

(I'm with you forever)

(By your side, forever)?

He's the guy who talks about forever when it comes to Ai, I guess?

The glitch effect and the white star turning into a black star… It really looks like he’s the black star. Or maybe a corrupted white star.

So, what’s he been doing all this time?

If he’s this wicked, why don’t they show us any evidence to back it up? Even as background material, wouldn’t that make sense? It feels like it’s not just laziness in drawing… we should be shown what he’s been up to during this time.

I guess it’s true he tried to kill Ruby oh my god…what kind of guy did Ai date.. I can't believe it. If he dies here, he won’t be able to go to the same place as Ai, but he should at least get smacked by her in hell for what he’s done. What was that even supposed to be…

The story is hard to understand because, when he looked at Ruby and his eyes lit up, why was it a white star? Does killing Ruby mean he can see Ai forever?

Honestly… I still don’t really understand the whole 'shine forever' thing, so it doesn’t emotionally resonate with me.

It feels like this isn’t everything.

Is he really just split between two personalities? What is this guy’s deal? If he’s broken this badly, when did it start? Did he deteriorate right after they broke up and then turn into this person obsessed with Ai being the most important thing in the world?

Aqua won’t die.

If Ai’s will has even the slightest meaning, Kamiki shouldn’t end here, either.

If he’s truly irredeemable, then sure, it makes sense for him to die now. But if the songs are some kind of foreshadowing in ANY way, something might have driven him to become this twisted.

I just don’t see the point of turning him into a completely senseless madman…;;

He really seems to have fallen, but shouldn’t there be more to him having become this way than just having been dumped? Being dumped can turn a "noble" soul into this mess? I don't think so.

I feel like something's gotten him to become this way but who knows? If the author wants to explore it, they will, if they want to wrap it up like this, they would..

well, for Kamiki fans, I bet this will be the LOWEST point he'll ever be (or maybe that we find more dead bodies he hid on the news and go 'wow.. so he DID that' and it'd get even worse) so on the bright side, there's only something..you'll feel you can look forward to. Ai's wish is our only hope, why IS that thrown in there? They didn't have to make her say that, so I'm still bothered because i feel that arc somehow.. is a buildup that's led us to recognize saving him is what Ai's wanted.

It's not too long ago since that was addressed, so would they really make it go to waste, I wonder. Because if this guy isn't helped, it's not just about Kamiki as a character but; it's about leaving what Ai wanted as a lost cause.

That guy has seriously gone nuts though, I'm kind of worried not for the manga's sake but for his... what made him like that?? Is it really only him that's brought that upon himself because, I feel he used to be a really kind soul? Or did I just misinterpret him all along? He doesn't seem sane now... I wonder if I'll be able to pity him or not, it'll really depend - whether if he's what he's chosen to be or was possessed/against his will that he became like this.

is it hiatus next week? I hope not, right?

I guess I can.. just sit down and watch whatever they throw at me now. The art was pretty good! I don't like the chapter! but I also feel like regardless of where the story heads (may this chapter be all there is to it or having more twists to it later), this chapter WAS something that was planned. That's why I'm not that surprised.

[clownprince]

Joker's motivations in Joker War

Now idk if I was the only one initially confused by wtf Joker's actual intentions were in Joker War. Maybe I'm just a bit schewpid and everyone else got it but regardless here's my attempt to piece together what's going on in his weird little mind.

Imho, the first lines we get about Joker's underlying intentions are here:

It's extremely important that he was aware of Bruce's intentions to redesign the city. That was definitely the catalyst for the whole thing.

Speaking of Bruce's plans to redesign the city:

He mentions multiple times that his goal is to build a city that doesn't need a Batman.

Regardless of whether he actually mentioned something like this at a press conference or something, I'm sure Joker would be able to pick up on it anyway.

And it's very well-established that Joker needs Batman. The Best Man arc has this whole beautiful monologue about it:

Joker NEEDS Batman. A city without Batman is a city with no place for Joker.

The whole Best Man arc takes during the same year (year 17) as Joker War (prior to it, obviously).

The Batcat engagement took place in year 16. (In which Batman also had Joker locked up in his basement. And he deliberately tracked down amnesiac!Joker and made him Normal Joker again so he could get information. Yowza! Not cool, Bats.)

Additionally, the events of Endgame took place on year 15 and Death of the Family in year 14.

Joker reveals more of his motivations in the final fight scene between him and Batman:

Very interesting that Joker initially chooses to stab Batman in the back. Hmm I wonder if that has any deeper meaning or reveals anything about Joker's own feelings in this situation /sar.

Also very, very, very significant that Joker chooses to battle Batman in that particular suit, after he essentially desecrates it:

So, by now, it's apparent that Joker's direct intention with Joker War was to essentially destroy the possibility of Bruce's vision of Gotham:

He even directly says that all of this was about them.

Hm... I don't think he's just talking about the city, here...

And then we have this:

There's been a recurring theme since Death of the Family, that Bruce isn't being the Batman that Joker wants him to be.

To me, this line feels like "okay, Batman is ruined irreparably, let's just destroy him and start over from scratch."

Then we have this panel. Whew. I think this might be one of the most revealing panels in the entirety of Joker War, largely because of how Joker is depicted in it.

He doesn't look angry, he looks genuinely distraught.

And I didn't notice this until someone else pointed it out but if you zoom in, it definitely looks like he's crying.

I don't think this is just an artistic thing, largely because of this panel from a few issues back:

So those are definitely tears of laughter. But it looks roughly the same. Except based on the context and his expression, I don't think those are tears of laughter in Joker War. At the very least, he's hysterical.

Somewhat of a tangent but it's important to tie everything together: Joker War reminds me very much of DOTF and Endgame in that Joker is depicted (or tries to portray himself) as this terrifying, ruthless, inhuman thing, but if you actually look into his motivations, he's being driven by his emotions, particularly his feelings about Batman, which are almost inarguably the most human part of him.

In DOTF he talks about how Batman isn't being the Batman he wants him to be and yadda yadda, but then in the tie-ins, we have this section, which I think does a beautiful job of explaining his real motivations:

It's jealousy. Jealousy and fear. He's terrified of losing Batman.

And then there's a similar thing in Endgame.

Initially, he says this:

"Haha yeah I'm just bored of you lol."

But then in the final scene we get this:

He's not bored, he's heartbroken. He's genuinely hurt by Batman (in his perception) rejecting him, and he's lashing out in a major way.

I think it's definitely similar in Joker War, except he's not as afraid of losing Batman to the Batfam, more so he's afraid that Bruce's new design for the city will eliminate the need for a Batman, although the Batcat almost-wedding and Bruce's growing family definitely play a role in his motivations.

I think that might be where his whole idea of making Batman start over with nothing came from. Because when Bruce started, he didn't really have anyone except for Alfred, and later Dick.

I think that Joker could tolerate him having a few allies but he can't handle the idea of Batman having an actual family. Both because he doesn't want to share Batman's attention, and because he doesn't have a family, so why does Batman get to have one? Why does Batman get to connect with people when the only person he's truly connected to is Batman? He wants Bats to be as dependent on him as he is on Bats.

So, that's just my Hot Take (read: mediocre interpretation) of Joker War. I wasn't too fond of the storyline until I kinda pieced everything together and it's still not my favorite arc but I definitely like it better than I did initially.

[edai-crplpnk]

2.- was sasuke right? || 3.- were naruto's intentions with sasuke selfish? || 8.- show a screenshot of your latest draft with no context ((always gonna pick the excuse to see sneak peeks lol)) || 14.-openings or endings?

For the Controversial Naruto Take Ask

2 - was sasuke right?

I'd like to preface this by saying I find it utterly insane how everyone (in canon and also a bit in the fandom tbh) says stuff about sasuke needing to atone for his crimes and whatnot when he literally has never killed anyone in the whole series. Even Naruto has, and he hasn't. And it's explicitly said that he has gone out of his way not to, and that he has asked Taka not to either while they were working for him. So, of course, the whole barging in at the gokage summit thing was not very cordial, but compared to what most of the characters have done, he's pretty fine. (Kakashi kills a child in the very first arc, may I remind everyone.)

Anyway. If the question is "Was Sasuke right about wanting a revolution and to take down Konoha's government?" I mean. Yes, I think that genocide is bad and that states that have been built in a way that allows and, furthermore, have flourished on them, should be undermined. I don't know if he was going to have a plan for that that would have led to something more functional to be built, I'll give you that, but yes Homura and Koharu should have died in a jail cell decades ago.

The part where he went full "I am going to become an eternal god hated by all and ruling by fear" was probably ill-advised though.

3 - were naruto's intentions with sasuke selfish?

That's an interesting question because I've never thought about it like that? I think that one thing happening in their dynamic is that they have very similar problems and trauma, but very different ways to react to it. And so they can relate to the other's motivation, but tend to think "but you are being mistaken about the solution because I know how to solve this and it's not that". But the truth is they are both traumatised teenagers willing to literally die for attention and a feeling of accomplishment and purpose, so I don't think either of them really has it figured out 😭

I don't think that Naruto's intentions with Sasuke were selfish, in the sense that I think he genuinely was doing what he was doing with the belief that it was the right way and that it would help and save him (which, for a part at least, it did). But maybe it was selfish in that he wasn't able to consider that because just he is seeing one path out of his problems and pain, then that path has to be right for Sasuke as well. To consider that he was a different person who maybe needed to make different choices and that's okay.

Not to do my self-promo but actually yesdo this authors, it's good: this is part of what I wanted to explore in Take You Heart Above The Water. Sasuke cannot (and as a matter of fact, in canon, does not) come back to Konoha and integrate into it the way Naruto does. And it's not necessarily a good goal for him to have. They have different relationships with the village, the people, different needs, or maybe similar ones but different ways to meet them. Helping people grow and feel happy and loved doesn't always mean helping them have the same life as you do.

8 - show a screenshot of your latest draft with no context

The last thing I worked I just posted it, so I'm going to take sneak peek of the last WIP I've worked on. It's All Bones and a Beating Heart, my ShikaChou modern AU.

The breaks in his voice takes him by surprise like a tide rising while one’s looking away, only catching back their attention when the cold water reaches their feet. The admission he’s about to make has been building in the back of his mind for weeks, unspeakable but unshakable too, feeding on him like a parasite that will now gush out through his throat after having overgrown his guts, and there’s nothing he can do to stop it. His lashes stick with tears when he blinks and his lips are dry when they part. “I don’t want anything in me anymore.”

Fun times 👍

14 - openings or endings?

I'm gonna say endings just for Nakushita Kotoba.

Thank you for asking!!

[whinlatter]

author's note | chapter 7: caged 🪽

thank you for reading chapter seven of Beasts! this chapter, we see the fallout from the controversial punch, watch harry and ginny go through about ninety bottles of ink writing precisely one bazillion letters to one another (my loves), and fret as the residents of grimmauld place fight a losing battle with pixies that may or may not be a metaphor for our characters’ own multiplying traumas, chasing everyone around and refusing to be contained. pray for our babies, for no-one is thriving - let's chat chapter seven! (plus a sneak peek of chapter eight, which includes a letter from a character yet to make his Beasts debut...) 👀

✨ spoilers for this chapter below the cut  ✨

writing notes and headcanons:

vibes: this chapter, i wanted the vibes to be claustrophobic, tedium, all hogwarts, real focus on ginny and her restlessness and over-it-ness, her starting to write a lot, both to harry and to others, and her starting to push the boundaries and rebel now she's lost her sense of purpose in returning. (@pocket-lilacs brought up pandemic-era uni vibes of 'what is the point of studying when all this is going on' and that is exactly the energy here). the politics is more a backdrop to ginny's arc in this chapter, though the thicknesse trial has uncomfortable echoes for gin's own set of experiences, and i'm having so much fun but also banging my head up against the wall/grappling with turning up/turning down the volume on the different macro/micro plots in different chapters to try and get different effects and to follow ginny's own engagement with the Big Questions of the postwar wizarding world. scale is hard, who knew!

quidditch: by far the hardest part of this chapter to write was the quidditch scene. it was 3000 words long originally, and i had to go at it with a sledgehammer to bash it into bits, dump most of it, and then just keep the most important parts to fold into this much quicker, punchier scene. the worst part of writing is spending days crafting a section and in doing so learn that you don't need it lmao. so yeah that's why this chapter was a week late. this one was a nightmare but we got there in the end lmao

the forest detention: our first flashback to the war year at hogwarts! why haven't we had more? answers on a postcard, all will be revealed, including the context for the silver trio's forest detention, but for now will just say the fact that snape sent the gang into the forest with hagrid for detention after stealing the sword has a) always had me in a chokehold because all of the endless ginny/forest foreshadowing but also because i've never been satisfied with the explanation that the detention was just an obvious easy option. can't wait to share more !!!

harry and ginny: all i want to do is write more letters for those two. 'sneaking out of grounds, booze, leather gangs' - that was how @madammalkins23 summed it up beautifully, getting at the vibes i keep coming back to with both of these characters: the sirius-black-shaped elephant in the room, basically. escaping from hogwarts with buckbeak? the risk being what makes it all fun? harry fixing up the motorbike? fighting a war against grimmauld place and getting on the whiskey? the looming shadow of molly weasley? it's truly giving padfoot. the idea of harry and ginny in cahoots, as partners in crime, really kept me going when writing this chapter - like, what if harry for the first time did have another person in his life who was of the 'fuck it' school of thought? (i even went back and read that jkr short story of sirius and james on the motorbike lol). basically, the sirius echoes just sort of ended up writing themselves, as they always seem to do in this fic. when it comes to the letters, it's striking to me that in canon harry is very preoccupied with who does or doesn’t write to him - at the dursleys', but also after sirius' death ('It’s just hard,' Harry said finally, in a low voice, 'to realise he won’t write to me again.' - HBP). i've never really got fics that have harry as a non-loquacious letter writer in the post-war period, especially to ginny - harry seeks huge comfort and reassurance in getting letters from people who care about him, and channels his worries about people he's close to into letters, especially people he views as family (sirius, ginny). that harry and ginny would become a bit emotionally codependent through letters seemed in some sense a natural choice, basically, and although they're still being very avoidant, in some ways, i think they're building a foundation towards becoming each other's person in ways that's important. (i am putting together a sirius and ginny parallels meta playing with these ideas and character-trait overlap that i'll share hopefully soon, so stay tuned on that one)

why won’t ginny open up? by far the question i've been asked most this week! i am really really excited and happy about the arc i’ve got in store for ginny on this question, so don't want to reveal too much, but there have been some beautiful insightful guesses in the comments section about why ginny is struggling to come clean with harry or her family. here we see harry begin to see through gin's defences, a little bit, but also show his own blindspots that come from him not having asked the right questions or always probed about her interior life before now. i'm always so grateful and blown away by the trust readers have put in me to deliver on all these protracted question marks but this week especially i felt v glad for readers' compassion towards these characters and especially for ginny and hermione, as they fuck up and get it wrong and struggle yet still get grace in the comment section. both are on a journey, but i know more impatient readers could be sick of waiting for them to get there, so just to say i am really glad everyone is getting it and seeing where both characters are at with empathy and kindness, because ofc what they’re both doing is frustrating (and, when it comes to gin, harry is beginning to think so, too)

plus thicknesse: had a long chat with @saintsenara about ol thicknesse, because he's kind of a baffling figure - ex-auror who gets successfully imperiused, becomes minister and then goes on to actively commit horrific war crimes while under yaxley's control. what's fun about the trials, though, is that you can use them as a conduit to raise these big moral questions for postwar wizarding society - in thicknesse's case, it's questions about agency, free will, and culpability, in ways that has real implications for ginny's reflections on her own experiences. so cheers pius love u

harry's patronus: i am salivating at all of your theories for this one - obviously i'm saying nothing for now, but keep them guesses coming, i live for em! and if you guess right, i'll come up with some kind of prize lmao

detention, career advice (and graves' apathy): back in the site of former detentions, ginny shows her remarkably sparse knowledge of wizarding careers in a scene that i hope shows her trying on for size different role models/authority figures and seeing which ones she feels most like. (i like the idea that ginny would actually be a bit interested in being an auror, if only she'd been in of age and able to benefit from kingsley's hiring amesty after the battle). having ginny hover over the idea of being an unspeakable was particularly important for me, because i like the idea of the dept of mysteries being quite a formative space for her (i feel like all i do is say 'wait and see!' but... i have things to do and say with this dimension i swear!) graves is like, do what you want, babe, i don't care. i'm here for the pension, frankly

michael corner: 'surprise bitch!' - michael corner, probably. do i think michael and ginny were mates after the breakup end of ootp? no i do not. but i have always been so struck that ginny and michael must have actually spent a lot of very intense time together during DH as die-hards in the DA (michael is the only character we hear whose torture by the carrows after attempting to rescue a younger student is described as particularly severe, which i think suggests his level of commitment to the cause). readers will recall my open disdain for michael corner up til this point - i have described him as the jack berger of hogwarts quidditch, for my satc fans - but i'm afraid to say i have now decided i quite like him and am excited for him to rock up in person real soon. i think he's a know it all softboi but with a goodie core. also as a writer there's something quite refreshing about bringing in a character who is an ex who probably can see through some of ginny's shit by virtue of having spent a lot of time with her but no longer needing to/caring about impressing her, placating her or keeping her on side lol

hermione: alaskanastro left a comment that summed this up: 'Man, Hermione is really just doubling down on the whole "I'm going to try desperately to control something in life to feel like I'm in control even if it's my friend's life" isn't she? Or at least trying to'. yep, that's what she's doing! we still don't know all that hermione's going through, but this hit the nail on the head fr. i feel bad that this fic is ginny pov at this stage in its arc, because i think ginny sees hermione in a particular way rn (their final conversation in this chapter really speaking to these tensions - ginny does not want to feel mothered, at least not by hermione...), but these two have a long way to go to get to a point of mutual understanding. wanna write a meta on their friendship soon, hopefully will get chance to before i finish chapter 8. but anyway - wonder what's going on with her and ron... hope we find out soon... hope someone tells us... :) :) :)

everything but the ghoul: the dumbest pun, but had to use this joke in a chapter where ginny skips school (everything but the girl's most famous song is called 'missing'... get it)

songs from the playlist for this chapter:

girls getting grouchy and teenage in their feelings is the big ol mood this week:

the middle of the world - nicholas brittell | sidelines by phoebe bridgers | difficult by gracie abrams | simulation swarm by big thief | crisis by elizabeth m. drummond | delete forever - grimes | chinese satellite (copycat killer version) by phoebe bridgers

i did promise a sneak peek didn't i...

From the desk of the MINISTER OF MAGIC Whitehall, London Dear Ginny,  I hope you’re well. I’d like to meet with you on Saturday the 12th of December at 11 o’clock. It’s important that we’re discreet. Please vanish this letter after reading. Sincerely, Kingsley

[seaistea]

post fe rarepair week flora ramblings

I've never really talked about Flora much or why I love her (partially because I am very bad at explaining anything), but after rarepair week, I thought it would be nice to at least attempt to write about Flora in the context of ships, after drawing 5 of them lol.

so: 5 Flora ships I like + 1 I don't. (This is actually really long...)

Rinkah I will admit the ✨aesthetics✨ of the ship does come into play alot here. Heirs of the Ice and Fire Tribe lol. Also, I only really started actually liking this ship after reading this fic years ago. With the way Flora chose to go in BR, obviously there's symbolism in it, but then in the context of this ship, it just evokes a lot of feelingsTM. I like the idea that the fire Flora used being unable to be extinguished was solely due to her own guilt and suffering and determination..but I also do like the idea that it was literally special and something possibly from the fire tribe, and perhaps Rinkah could have known how to stop it. (both is good). Going into some parallels(?). Obviously they both feel a sense of responsibility to their family/tribe. Rinkah is very proud of her tribe, and generally can get heated up and act without thinking (although not always). On the other hand, I feel that Flora feels much more burdened by her responsibilities, and tends to hold herself back and hide how she's feeling. I'm not saying she hates her tribe or isn't proud of it, but their tribe's situations are really different, so it wouldn't be so straightforward for Flora. I never really got the vibe that Flora wants to be the heir of her tribe, but just accepts it as her reality so never considers anything else (beyond fantasies). I definitely think these two together would be really nice. They probably would clash over the different ways they handle themselves and their tribes, but eventually I think they would have a lot to learn from each other and can grow together :)

Kaze This is something in common with Rinkah, but I have kind of a vague mini AU idea of how when Corrin and co let Kaze and Rinkah go, they still ran into Flora on the way out. Flora let them go as well, and where things go from there is up in the air. Anyways, yes. I did initially ship these two due to their (possible) BR story deaths. I love tragic stories. Yes, they never would have met in BR, but that's why I have that mini AU idea lol. I like the ship in both flavors: they still end up as in BR, or they end up happy (somehow. after going through alot. or in some other AU. lol) Now more about their parallels. (I like my parallels....this won't be the last time I mention them....) Guilt is a large part of both their character arcs. And it leads both to their death. Kaze felt guilt over being unable to stop Corrin's kidnapping. How this "leads" to his death? Because he can be saved by reaching A support with Corrin. He is saved by becoming closer with Corrin, and choosing to be loyal to Corrin, not out of guilt, but because he wants to. So, by not reaching this conclusion (not reaching A), he is still feeling alot of guilt over Corrin's kidnapping, and doesn't entertain the idea that his life is worth trying to preserve, and just saves Corrin. It's not like he wanted to die, but in my interpretation, by no longer being weighed with guilt, he puts more value on not only his life but his friendship with Corrin, which is why he takes the time to think of a way to save them both (which I think was more risky than just saving Corrin). (how did this become about Kaze) (anyways) Flora's is way more obvious. She's guilty over betraying Corrin's trust (and her sister's and Jacob's). But she also can't stop. Her family and tribe is being threatened. So in her mind, by dying, she can both free herself of guilt (and probably still protect her remaining tribe (not that there was any guarantee Garon would have kept them alive anyway, but guilt and grief can really affect someone's thoughts/actions)). Kaze after the A support, and Flora by the time she joins in CQ and Rev, have both chosen to follow Corrin, not from guilt or with resentment, but because they truly want to. So anyways--I just think they would be really sweet together (past the tragedy lol). Helping each other learn to value themselves would be such a good dynamic.

Saizo So I actually started shipping Flora and Saizo after reading a Felicia/Kaze fic lmao. Yeah typical "woo twins cool" but really. To a lesser extent but similar to with Rinkah, Flora and Saizo have the ice/fire thing going on. Plus the responsibility to tribe/clan. The whole, being an older twin and trying to look after their sibling, is also a fun angle for them to bond over eventually lol. Personality-wise, I would be all like "opposites attract" and all that, but I actually don't think their personality is that different. I feel like they both don't outwardly show much personal emotion (well, kinda.), but really are pretty intense. Both Saizo and Flora can be opposed to their twin in the games (since Kaze and Felicia stick with Corrin on every route). They both try to take on things by themselves to a probably detrimental degree. I have less to say about this ship, because its kind of really similar to why I like Rinkah and Flora. These two would probably start out on an even worse foot than Rinkah and Flora though. I feel like Saizo would definitely not trust Flora considering Corrin fights Flora on all routes, but at the same time Flora was doing it to protect her tribe, so that could be the start to them slowly getting along. Makes the relationship improving over time satisfying :) lol

Azura I have so many feelings about these two. Truly a goldmine of parallels. (also ✨aesthetics✨ again with water&ice) While Azura was taken into an arguably better situation and environment and Flora wasn't, they were both technically taken as hostages. They both have someone in the same boat (Corrin for Azura, and Felicia for Flora) who is ignorant about the situation, and who they feel is more loved/favored than them. While Azura is treated relatively well in Hoshido, obviously not everyone is happy with her presence there and she still doesn't truly "belong," and is very aware of originally only being there as a way to try to retrieve Corrin. With Corrin, Azura pushes them as the one who is supposed to be there, and witnesses both royal families try to bring Corrin home, while she is relatively forgotten. Flora on the other hand has Felicia with her, but Felicia doesn't know about their situation. Flora feels a sense of responsibility to protect her sister, but that definitely also does lead to a sense of being "less" in my opinion. They were kids when they were sent away from their tribe, and I understand why Flora and not Felicia was told the situation (one of them *should* know, but might as well protect the other) but still. They were little, and since they're twins, they are the same age so the only reason Flora was the one told is that she is "older" and the heir. But to Flora, it could feel like Felicia is more important to keep safe/happy rather than having them both share the burden (while also wanting to keep Felicia safe. Conflicting feelings are a thing.) They both have (in my opinion) self-worth issues (related to the above lol). (I have a hard time articulating this but I'll try) Azura, in BR and CQ, essentially chooses to sacrifice herself. She takes on the burden of stopping Anankos (I suppose inherited knowledge from her mother) without really letting anyone know (partially due to the curse but still). Maybe there wasn't any other way she could see to move forward, but that doesn't change the fact that she felt it was fine to sacrifice herself, and not try to find some way to tell Corrin what she is doing. Flora's self-worth issues come a lot from her relationship with her family/tribe. Since she was little, Felicia was always better at fighting than her, so Flora was never praised for it by their father (which also contributes to feeling less loved). As the heir, it would make her feel inadequate (and she herself admits she is jealous of Felicia). So uh yeah. I think having these two with their bundle of issues grow closer would be so so good. They could totally!! learn to love themselves!! together!! and learn to share their burdens/ask for help!! ahhh ...and a bit off topic but I have an Azura and Flora-centric AU (not necessarily a relationship with them) where Garon somehow found out the plot to kidnap Azura to try to get Corrin back, so he switches Flora in her place, so Flora gets kidnapped to Hoshido...the possibilities with Azura growing up with the Nohrian royals. And Flora somehow having to live in Hoshido alone, while Felicia is left behind in Nohr. (sorry i just love this AU idea)

F!Corrin Yes, specifically F! and not M! Corrin. Mostly because of why I originally started shipping them + F!Corrin is more associated with Nohr, which I prefer. Anyways; Flora and Corrin was my first Flora ship, and is still my preferred one if I *had* to pick. (no one asked, but Azura is my second pick) So I started shipping these two because of their support conversation. I just immediately loved how sweet it is. I mean!!?? Flora secretly going to wish for Corrin's wish to be granted, and Corrin's wish is for Flora to find happiness!?!?! It's so so good. Anyways, with Corrin, I want to talk about Flora's life and feelings growing up as a hostage in Nohr. Unlike Felicia and Jakob, Flora obviously wasn't entirely loyal to Corrin. She is entirely aware she is a hostage. I think Flora, while living as a servant in Nohr, initially feels resentment towards Corrin (and the other Nohr royals). With Corrin, it's a bit different though. I'm actually not sure that Flora knew that Corrin was kidnapped from Hoshido, but under the assumption she does know, I think Flora would feel more personal resentment as a result of Corrin also being essentially a hostage, but being treated so well while being ignorant. It's not really a rational reason, but feelings are feelings. Over time, I feel Flora would come to care about Corrin in her own way, but would try to ignore/forget it/pretend to herself she doesn't, considering her status as a hostage and loyalty to her tribe. By the time she joins Corrin in game, she has chosen to follow Corrin herself. No outside coercion. She finally decides to be loyal to Corrin after witnessing her character (and being able to ensure her tribe is safe). After Flora finally can stop being weighed down by her situation, it opens up the possibility of...opening up. She definitely wouldn't open up right away though. The effect of years of living as a hostage doesn't just go away. And as she (and her sister) choose to continue to serve Corrin, there is still the master/retainer distance. But eventually they can get closer (and with Corrin being Corrin) be more on the level of equals. And obviously they care about each other (i am still screaming about the support conversation). I just love them.

Jakob OK, after all that, here is the one ship I want to talk about that I don't actually ship, and how I choose to interpret it. I don't care if others ship Flora and Jakob, but just I personally don't. But I wanted to talk about it because of Flora's canonical crush on him. (preface with: this is my chosen interpretation, you can disagree) I don't think Flora could have been really happy with Jakob. Perhaps if they had met in some other way than canon. But as it is, they were servants to the Nohrian royal family, and Jakob specifically is incredibly devoted to Corrin. On the other hand (regardless of how she ultimately ended up feeling), Flora was a hostage, and aware of it (already went into this with my explanation of my Flora and Corrin ship). To me, their relationship is too entwined with being in service to Corrin, because that is their life as they know each other. They don't really have a "work life" and separate "home life." If they got together and were no longer servants, I feel like it would be a constant reminder of the past (in addition to the fact that Jakob I'm sure would still be devoted to Corrin) (Why I think this isn't a problem with Corrin: if Flora and Corrin were together, they'd be together as equals, decidedly different from the past where Flora was a servant) (Why I think this isn't a problem with Kaze and Saizo: an important part of this is that Jakob and Flora serve Corrin together for years. and it's during the years of Flora being a hostage, which once again, I already talked about. with Kaze and Saizo, there isn't really that baggage, and at the time they would have really met, Flora would have been choosing to be there.) A ship dynamic where both characters mutually agree/know (verbally or not) that one or both of them put someone else over their SO can work, and in fact I think is very interesting! I just don't think it works with these two. And I don't think Jakob could never put his SO over Corrin. It's just specifically with Flora, as I mentioned, their life is so entwined with doing just that. And for Flora, I don't think she could ever be completely happy with that (due to insecurities and such that I also went into with Flora and Azura). As for Flora's crush on Jakob; it can be taken at face value. She likes him. People have crushes. the end. lol. But, for why (I think/interpret) she likes him. I think a part of why she likes him is for a sense of normalcy. I think this is subconscious, I don't think she's like "I'm going to like Jakob to feel normal" lmao. But like, since she was young, she's been made to be a servant as a hostage. There isn't really any respite from this. She's there, in the castle. Not like she can say she's going on vacation and take off for a break from being a hostage. So just simply liking someone, was something of her own. That couldn't be taken from her, couldn't be forced. Does this mean she doesn't actually like Jakob? No. I do believe she does. In a way, I feel she ironically put him on a pedestal, and made him unreachable for herself (so that even Corrin was more "in reach" than him).

Anyways. That concludes my ramblings on Flora through the lens of shipping, though I don't think I actually talked about the ships that much, rather than parallels. lol. I hope it at least made some sense. Sorry if there were some inaccuracies(?), this is all my interpretations based mostly on my memory of things.

also happy new year! 🎉 :P

[canmom]

NieR Automata Anime episode 13-14

previously: [e1], [e2-3], [e4-5], [e6], [e7-8], [e9], [e10-12]

After a long hiatus to get the production back into some semblance of order, NieR Automata ver 1.1a came back a couple months ago! And a new cour means new OP/ED.

For the OP we have Black Box by LiSA:

The video does more for me than the song here, a cool montage of scenes from Route C. Kinda huge spoilers if you haven't played the game but maybe it's less so without context lol. We have images of the Tower, of 9S and A2 fighting (really cool sequence; Shinichi Kurita animated the flashiest shot), and a few other significant images from across the game.

The real highlight for me though is the ED, Hai to Inori by Gems Company arranged by Keiichi Okabe, which features some really cool multipart harmonies and distorted vocals. The ED itself is a nice sequence with some of the flower imagery the series is known for, but they also made a music video for the full song which involves a lot of stylish robes, ominous architecture, and glitch effects as a group of hooded women perform a mysterious ritual involving candles. It's DoD3 as hell and I'm so here for it...

What's the deal with Gems Company? They're actually a virtual idol group consisting of nine vtubers, produced by Squeenix. I believe this is their first time appearing in an anime ED, and the music style definitely seems like a departure from their other work. I suppose it makes sense, given NieR Automata began as an idol group (the original YoRHa, assembled to make the soundtrack to DoD3), to come back around this way!

Episode 13: reckless bra[V]ery

The first episode of the new season starts with an extended flashback episode, in which we get the reveal that 2B is actually 2E an Execution type unit, designed to destroy 9S every time he knows too much. In the game this is one of the final reveals, which you learn in the Tower sequence. But it's a subject so thoroughly covered by the side material (e.g. Memory Cage/Memory Thorn) that I guess they figured it was worth exploring now.

The frame story starts with one of the sidequests in the game, where you encounter an E type unit suffering a kind of guilt-induced breakdown. 9S figures out what 2E's deal is, and almost escapes his fate, only to be betrayed by his own Pod.

Notably, some of the action in this episode takes place in a location from the original NieR (Gestalt/Replicant), the temple near Façade where you have to do a bunch of 'clear the room without taking a certain action' puzzles. This doesn't really have bearing on the plot, but it's cool to see paintings of these zones.

It's all a setup for 2B to kill 9S, but she hesitates this time, allowing us to get a long delayed scene where they discover Emil inside a machine lifeform in the ruined department store. Emil is really adorably animated, scooting off in a very cartoony way.

Squash and stretch.

So, the 2E cat is out of the bag. Cutting to the present, we see Commander White declaring it's all finally over: she no longer has to order 2E to kill 9S, because it's time to end the war!

She's right, but not in the way she thinks.

Overall, good episode and a strong start to the new season. It may seem a little abrupt to reveal all this right after ending A, but it does a good job of rearranging material from the game and the side stories/concert dramas into a coherent arc, finally lets us see Emil, and sets up for the descent operation. There's also some really nice fight animation in the opening part of the episode, in which we see 2B and 9S really pulling out some moves to cut up the Machine Lifeforms together.

The puppet show is a skit about how 2B is finally saying 'Nines' now. I think they have some new sets as well.

Episode 14: Mission [F]ailed

We knew it was coming.

Commander White commits the whole of YoRHa into one massive attack on the machines. The Council of Humanity, for their own inscrutable reasons, let her hand out the YoRHa superweapons like candy and call in orbital strikes on the machine factories. The YoRHa put on their fashiest uniforms and line up.

The 3DCG on the flight units is massively improved in this episode: they're now using a cel-shaded style similar to the way the machines are rendered and it makes a world of difference. The descent scenes, compared to the first episode, are night and day. They even add a new variant of extra wings on top of the flight unit, in case this wasn't matryoshka enough.

Compared to the game, the anime increases the scale of the final descent operation, showing us 9S commanding the scanners in a complicated hacking operation as the Resistance use big YoRHa lasers to blow up a huge army of Engelses in a scene that is, well, very Nausicaa...

A magnificent mushroom cloud in the sky... No Anno to animate the explosions but they do a creditable job.

It definitely does a stronger job of selling the idea that this really is a planetary-scale battle with WMDs going to and fro; there's a bit of dialogue to explain why they didn't do this before (the machines would evolve to resist the weapons, but now they're trying for all out extermination).

But of course, it's going to follow the same arc as the game. There's some neat foreshadowing with 21O receiving visions of a red butterfly (also! we get to see 21O in battle! turns out the Operator units really have some moves!) before the Red Girls install the logic virus through the secret backdoor and all hell breaks loose.

If there's one thing this anime does rather well, it's evil grins. They really are doing the whole 'switch to a deeper voice to be evil' thing a lot now, pretty much every time the Red Girls are on screen.

To really drive home the 'YoRHa going berserk' angle, they have a subplot in this episode on the relationship between Scanner and Battler units. Early on, we're introduced to a series of scanners, whose Battler companions are being rather... affectionate:

The childish design of the Scanners is also underlined...

The lore is that there were originally male units of all types, but after the M02 trial unit all went berserk and killed each other, they decided male YoRHa would only be Scanner types (except in the alternate genderflipped universe anyway... look it's a deep well). Why they're all like, teenagers? Well you see, shotacons are 2% more efficient in battle... idk it's just part of the doll imagery right? boys represent a kind of vulnerability, and for the story to do its work, yorha have to be kind of have a certain naive affect. (we do see an adult member of the resistance get mercy killed by Lily)

Anyway, the point of all this is (apart from underlining 9S's feelings towards 2B, which are perhaps most explicitly romantic in this iteration) to set up the logic virus scenes where they all start murdering each other! This is NieR, after all. We start pulling on the imagery of lovers' suicides, a recurring motif in JP fiction, as the dialogue takes on a possessive turn...

Death death death! It definitely adds a dimension, even knowing the logic virus scenes are going to happen; another aspect is that 9S's scanner network is back-hacked and used to compromise the YoRHa, so we can add that to the stack of things that will drive 9S off the deep end.

More lore: the original prototype YoRHa No. 9 was the architect of the secret backdoor in YoRHa, after he discovered that the YoRHa androids are based on machine cores. He modified the plan so that the YoRHa would eventually be destroyed, to keep the secret that the humans are dead. So it really is all 9S's fault... sorta :p

All in all: a cool treatment. Next episode we'll presumably see how 2B dies. In the game this is an absolutely brutal sequence where you try to walk across the map as your systems slowly shut down and the screen glitches out harder and harder. Fascinated to see how they treat that in the anime!

The puppet show in this one is cute: it's based on the easter egg in the DLC where you fight the CEOs of Square Enix and Platinum Games in the arena.

This is what it looks like ingame:

Cute to see that acknowledged.

Next up, despair!

[raayllum]

In preparation for season 5 coming out in July, could I be directed to one or multiple (however many is fine with me lol) of your analysis on Callum's arc being shown and not told in season 4? I remember back when that season came out that you were planning on writing an analysis about that but I think I missed it in the grand scheme of things, though I'm still curious all these months later! Thank you in advance! (And also my apologies if you have like, a specific tag for this already that would have been easy to me to look up and I just didn't know about it)

I know I for sure had something like that planned, but it might've been part 2 of my "Why S4 is Good, Actually" series that would've focused on both Callum (individually) and Rayla (as a couple) and we'll see if I get around to it. Part 1 about Rayla here.

But there's basically three layers stacked on top of each other when it comes to Callum's arc being shown > spelled out. Not that prior seasons do spell things out (or that spelling things out is bad) but that S4 definitely, understandably, relies on the fact that we have characterization context and therefore contrast with the previous three seasons to help us along. So let's talk about it

1) Previous characterization

In previous seasons, Callum hardly ever has to be prodded to open up. If anything, he gives heartfelt speeches or talks about how he's feeling quite often with very little prompting or even sometimes segue. He's goofy and more excited and deeply curious. Now, some of his changes in S4 is due to age and maturity (re: how much more mellowed out he is in Xadia compared to the googly-eyed amazement in most of S3, even in the new regions they travel to in S4). We also see that he's far less impatient, far more irritable regarding a lack of answers (1x06 with Rayla in a high stakes situation vs 4x01 with Soren in a possibly high stakes situation) and that a lack of answers is specifically triggering to him (4x02's book outburst). Callum's triggers - being unable to speak (1x02) / breathe (2x08-2x09) / choking (3x09) - are also important to keep in mind as to why the possession scene, which leaves him gasping for breath like he's being choked and then being literally deprived of his voice, affects him quite so deeply (beyond the obvious).

He is also, as previously noted, a lot more emotionally shut down about Rayla, but also just in general. He's still feeling like an awkward fit in his position at court, but this time it's as high mage rather than as prince ( "All that high mage stuff is so stuffy-" "Let's go talk about it in the high mage's office, that is, my office"). All of this is compounded particularly in the way he cannot say either Viren or Rayla's names until, well, she shows up:

2) Viren parallels

Now, I think there are two layers to the Viren parallels (many of which I am still dissecting and wanting to dissect). There are the more overt ones when it comes to magic and their dynamics with Aaravos: being obsessed with the mirror, Viren asking to be allowed to let go / die while Callum asks for Rayla to kill him, with both Claudia and Rayla refusing. (More on that hot mess of a squad's dynamic in S4 here.)

Then there are their more personality / dynamic parallels. Viren and Callum both asking someone to kill Callum (and Ezran in S1) while knowing it's the last thing they'd want to do. The aforementioned Claudia and Rayla parallel. However, it goes deeper than that, I think, with Viren showing what Callum could become if Rayla hadn't shown back up, and to a certain degree, what Callum has become in order to try and cope.

But Rayla does come back (literally pulling him away from Aaravos) and so Callum is forced to confront what he's feeling or not feeling ("I know it's silly, but I'm not sure how to feel about Rayla, either").

Yet the Callum-Viren parallels persist until the very final moments of the season, and seemingly even into S5.

Why?

S4 emphasizes quite heavily the lengths Claudia and Viren are willing to go to for their family, and to save/protect them. Viren fears being unable to protect Claudia from Aaravos and his own failures (4x01, 4x07) and Claudia is desperate to save her father. They are two instruments (4x04) of Aaravos' Song of Love and Loss (4x03). Thus, Callum is quite overtly the third. Rayla's "Dear Callum" letter also specifically highlights protection as a key undercurrent of the show's dark and light theme:

They said that, sometimes, we make sacrifices so that the ones we love don’t have to. It’s part of protecting them—part of protecting you. Taking on hard choices and going to dark places is an act of love. It’s a gift. So, please let me give you this gift, Callum. Stay safe, and stay in the light.

This would already be noteworthy even if the show didn't take the, until S4, subtle light and darkness theme with Rayla and Callum and make it into an overt part of Callum's (and her adjacent) arc to the max. In darkness, gaze upon a fallen star. What if I'm on a path of darkness? and she shows up haloed in moonlight? Come on.

Basically: I think the Callum and Viren parallels are there to help get the audience on the page of being horrified/saddened, maybe, but not surprised at Callum doing something risky and batshit in the next couple of seasons to protect the people he loves. "However vile, however dangerous," Viren says. "In the name of love..." With S5 looking like this point for Viren will be emphasized further in his history with Soren, and Callum and Terry both poised to see what they're willing to do to protect Rayla and Claudia as they attempt to save their loved ones (Viren and Callum as mages; Viren and Runaan and co. as parents/fathers) and what they're not.

But yeah, I think the Viren-Callum stuff is definitely a show not tell, continually highlighting their growing list of similarities (and differences) in more overt ways than prior seasons, because the thematic reasoning for that foil dynamic is going to steadily come more and more to a head. To me, it's a great example of "show don't tell" in regards to both the ways Viren could get better, and Callum could get worse, tbh.

3) Magic crutch

Callum uses magical objects as a crutch in which to avoid looking at (aka confronting his feelings for) Rayla throughout the season.

It's widely implied that Callum has only thrown himself into magic so heavily in show because he needed a distraction from Rayla, and he continues using magic as a distraction even once she's returned. He uses the staff to literally look away when he lets her walk away from him (again) in 4x05 even though he's also clearly upset by it, and can't bring himself to even watch her leave. Then we have it being his gift of sacrifice in 4x08 - "It was given to me, in spite of everything wrong humans have done with magic. It means a lot" - only for him to drop it an episode later in order to pick up her sword, because his walls are crumbling at the possibility of her being dead. So he abandons the staff, cradles her sword to his chest like it's precious to him (and it is, as his last piece of her), and then tosses that away too in order to run to her. More on this scene and its importance specifically here <3

There is also Callum's (and the show's in general, but specifically his and specifically in S4) looking away motif, which I do have a tag but have not written a proper meta for, so hopefully sometime within the next couple of weeks I'll finally get to that <3

And I think that's the bulk of it, at least for now! Thank you for asking & I hope you enjoy all the messy Callum thoughts

[burinazar]

(idk who will care about this post but i think long schpiels on extremely specific Thoughts About Media is a major use case for tumblr so you’re getting it anyway) i think i wouldn’t at all have my feeling of disconnect re the rest of fandom’s* interest in Bondord if he had been a woman. this isnt a bizarre critique of some sort its just a funny thought about me and what i like. twisted inversion of motherhood with a mad scientist character feels like, the concept has More For Me than the same with fatherhood and would create more intrinsic interest in the character

*especially ‘my cohort’ — the contingent who seems to have similar predilections like fic/shipping activity and also much of the portion of the fandom that’s, like, adult women — largely those folks are big Bondrode fans and enjoy Guebon and i’m like, i relate to your habits guys but have very little interest in your man. (for those who haven’t heard me bitch about this before: i dont hate him but i have littlr interest in seeking out art or fic of him or anything and I’m kinda sad that he’s the only adult character who ever got like figures and nendo and stuff.)

hopefully no one takes this personally lol. hell, i don’t care if Bon fans think Belaf is boring! that is in fact vastly preferable to people who are randomly mean about my ships. please feel free to just ignore my favorite characters’ existence instead.

anyway like

if he’d shown up as A Horrible Science Woman and then the movie recast her into Also A Loving (But Still Horrible) Mother i’d probably like this chara much more. it’s not like because Ooh Evil Woman Hot or something. actually i think i still wouldn’t find her hot the way most of the aforementioned Bondord Enjoyers do. i pick up a new ‘character i think is actually hot’ very rarely and then they stay forever. i have very limited slots for that tbh. (also this is just me complaining now and no longer relevant but such characters tend to be pretty unpopular lol and have very little r18 content/fic available and generally this drives me to despair. i drew a picture about the top offenders once.)

it’s more..i think the fucked up inversion of motherhood is more intrinsically interesting to me than with fatherhood. it’s just a personal interest thing. i think that sort of thing is neat. if i ever bother to go watch chainsaw man it’ll be because i know that’s a thing that it gets into and many people like what it does there. also there’s how much i dig mapping parts of this show onto other parts (in fact this is already the context in which i do manage to find him interesting sometimes — the Riko Waz Bondird sliding scale of what lines you’ll cross is the one context in which i have a brain cell to focus on this guy lol.) and in that regard motherhood is part of the premise of the show and all and ways it can be inverted and fucked up is a big deal in my favorite arc even if this isn’t *why* it’s my favorite arc. so i think i’d also enjoy being able to make more parallels with it. even though the general parallel of ‘versions of parenthood’ is still available, i think bad mad scientist fathers are just a less intrinsically Oh Cool concept to me than ‘bad mad scientist mother.’ (Yes I Do Like Prospera Btw)

related: even though I love love love Waz and you guys know this, it also took a while for that to click into place after meeting him. but one time I saw Oriole’s girlWaz tenderly cradling one of the Irukos and i instantly realized that if he had been a woman and the visual of him with the baby and a knife had thus inevitably channeled inverted motherhood and dovetailed with the existing examinations of motherhood in the arc and in abyss as a whole, i would have loved him instantly instead of having to let my thoughts on him percolate.

[youkaigakkou-tl]

Chapter 102 Translator's Notes Thoughts

You know what, I sort of thought I wouldn’t have much to say about this chapter, considering I’d already pored over all the details from Makuragaeshi arc and Yoseito, and in comes Tanaka Mai with a metal bat!

Summary:

Stuff about the color page

Actual translation note about the divine magic stuff

Stuff about the time travel

That theory I have about Haruaki’s exorcism power

(future op after writing the whole thing: jesus christ this is 3000 words. somebody stop me before i come out with a 70 page peer reviewed thesis one of these days)

Color page

The one with purple hair is Akira LOL I think everyone got got by it for at least a second because we’ve been seeing Douman so much, especially with that half the face blacked out, but look at the hair part. Also I only realised because of this art that Kurai and Akira have a mole by the mouth in the exact same spot, makes sense why he wants to cover it up now. (Irrelevant but I also have a mole in that same spot)

Also, the red string of fate…

Hey remember what happens in Makuragaeshi arc. yeahhhhh hahaha just stab that knife right into me hahaha sensei you would do this to them? to me?

A lot of the original folklore for the red string of fate is pretty mean, but the important common thread (heh) is that the two people meet long ago briefly and part ways, until they eventually get married while not remembering that first encounter, then they find out they knew each other from that first encounter. (Hey why does this sound like almost all the things that happen pre-main story in yohaji. Who is making spiderwebs with the threads of fate up there.)

Red string… Hatanaka’s red scarf, which Ibara knitted for him… His scarf, which isn’t present in the Makuragaeshi world… Tanaka Mai you are fucked up and evil for this. I am going to lie in the sand now.

The scarf… which she knitted for him maybe because she saw him with it 100 years ago…

Divine Magic

Ok I’ll be real I hate translating it as “divine magic” because it’s so vague but translating it as the actual Buddhism term is too specific and technical, when the word in Japanese and Chinese uses very common characters so it’s vague enough while still being the actual Buddhism term.

This chapter specifically calls back to chapter 22, and I totally didn’t recall any mention of anything divine so I had to double check with the JP. Sure enough, it’s used here, translated as “divine youkai magic”. But the thing is, in this situation “divine” just sounded like an adjective for “youkai magic”, rather than the whole phrase being a proper noun which is obvious in JP. (This is sort of why I’m going with “divine magic” instead, and that there’s nothing in the JP word that says “youkai” anyway) (By the way, it’s also on the blackboard in Miki’s class in chapter 96. I translated it as “divine power” then because there was no context)

The word is “神通力 jin-tsuu-riki”, and the Buddhism concept it’s referring to is Abhijñā, or the “six types of higher knowledge”.

Breaking down the word,

神 jin: god/divine

通 tsuu: connection/understanding/knowledge

力 riki: power

Exactly as Hatanaka explains it, in the most literal sense, it means “power that has connection to the gods”. “Jintsuuriki” is also another word for psychic powers in general, but it’s definitely this Buddhism concept because of the names of the six types.

Hatanaka just summarized it, so I think it’s safe to assume there’s more to all of them, and also I want to explain what each of them does anyway, even if they definitely won’t end up being the exact same in the manga.

^ Putting this here so it’s easy to refer to.

1. 神足通 Jin-soku-tsuu (Divine step)

Literally translated, it is “god step connection” (all of them end in “tsuu”). The specific name for it is Iddhi, and is generally called “higher powers”, or “powers of transformation”? I went with a name that’s almost a literal translation of the JP.

The specific abilities attributed to it include:

Replicating and projecting images of oneself

Becoming invisible

Passing through solid objects

Going through solid ground

Walking on water

Flying

Touching the sun and moon

Chinese and Japanese descriptions of it also mention “teleportation” or “being anywhere at will”, though strangely English descriptions of it almost never have this part.

The principal uses this one, and Hatanaka thinks Tamao used it (spoiler: he was wrong).

2. 天耳通 Ten-ni-tsuu (Clairaudience)

Literally translated, it is “divine ear connection”. Fairly self explanatory. Also described as “god-like hearing”, it’s the ability to “hear gods or humans, near or far”.

Interestingly, Hatanaka uses “地獄耳 jigoku-mimi” to describe “having sharp ears”, which itself is a fun phrase. It means “hell’s ears”, referring to King Enma, who hears of everything you’ve done in life and judges you accordingly. Though, in everyday speech it just means “someone who hears all the gossip”, but rarely it also means “someone who remembers everything they’ve heard”.

3. 他心通 Ta-shin-tsuu (Telepathy)

Literally translated, it is “others’ hearts connection”. Also fairly straightforward. The concept of “reading minds” in English is “reading hearts” in Japanese and Chinese. There’s probably a separate essay here about the West’s scientific and medical advancements and how with it, the core of what defined a human was shifted from the heart to the brain, changing the sort of words people use with it. Oh hey wait there IS a video essay about this. (ah shit this is getting off topic)

Anyway. It’s also described as being able to “understand others’ minds/hearts as if they were your own”. I feel this is the one the karasu tengu troupe used in chapter 21/22 to conjure up the illusions of Miki, Sano and Haru’s fears. (But the “conjuring illusions” part could also be the first one.)

4. 宿命通 Shuku-myou-tsuu (Memory of abodes)

Literally translated, it is “abode lives connection”, which… means what exactly? So, “宿命 shuku-mei” together means “karma” or “fate”, and it’s described as the “knowledge of oneself and others’ past existence”, referring to memory of past lives, but also refers to knowledge of karma, cause and effect and the past in general.

(Honestly I don’t like my name for it, but every other name for it I’ve seen is too long and unrepresentative, I’ll probably come up with a new translation if it comes up again and there’s more info given about it. Also I almost went with “remembrance”, which tbh is a better sounding name but I would be exposing that I’ve been playing too much honkai star rail)

I think this is the one Tamao actually used, and I’ve seen some CN comments come to the same conclusion. By the way, remember Yoseito chapter 1?

Unbelievable! Everything really is “haha jk…unless” with this manga!

5. 天眼通 Ten-gen-tsuu (Clairvoyance)

Literally translated, it is “divine eye connection”. Also pretty self explanatory. It is described as seeing the karmic destinations of others, and knowing how they’ll be reborn. It’s also called “死生通”, or “knowledge of life and death”. Sort of a set with the previous one, knowing cause vs knowing effect.

This is the one Haruaki thinks Seimei has, and he’s probably right (somewhat). I’ll elaborate in a sec.

6. 漏尽通 Ro-jin-tsuu (Affliction riddance)

Literally translated, it is… honestly idk this name itself means nothing. But translations have put it as “extinction of mental intoxicants” or “knowing the end of suffering”. Tbh this is also one that I’m not super happy with and would retranslate if it comes up again. Hatanaka couldn’t be bothered to actually summarize it LMAO it’s probably because this is a very VERY Buddhist concept. It’s described as “knowing the four truths; suffering, the cause of suffering, the end of suffering, and the way to end suffering”.

The thing you have to know about Buddhism is it’s really obsessed with suffering, the idea of reincarnation and that it comes from worldly impurities (including suffering), and getting out of the cycle of reincarnation by getting rid of worldly impurities. Like, that’s the thesis statement of Buddhism. Reincarnation exists but the world sucks so you want to get out of it. (gets torn to shreds by my Buddhist relatives for badmouthing it) (so far from all my reading and personal experience with my Buddhist grandparents there is nothing forbidding you from tearing someone to shreds) Anyway. This has been my bitching about Buddhism tangent.

These last three are sometimes considered as a set, and collectively called the “three wisdoms/knowledges”

Hey did you fall asleep (throws chalk at you) wake up!

If you’ve been paying attention to both this essay and the manga itself, you may have noticed that Seimei has demonstrated almost all of these to some degree. Whether this is intentionally something the story is implying and wants the reader to figure out or if it’s pure coincidence, I’m not sure, but it’s something to think about. Also, the “seeing the future” one could totally be applied to Kurahashi. Eyebrow raise?

Also, here’s this ask I answered about the ramifications of Seimei having divine magic.

Intermission

This is something I’ve only come to realise with Yohaji, it’s really so fascinating to see the author in a work (in moderation of course). When viewing a piece of work, especially something framed as lighthearted like a manga, it’s so easy to forget the author behind it and treat the work as if it came into existence by itself. Perhaps because Yohaji contains so many references to real-life mythologies and stories, or perhaps because I’ve been poring over every detail, reading about every reference, reading sensei’s tweets and experiences, that what sorts of topics Tanaka Mai is interested in has become apparent and Yohaji is all the more fascinating for it.

Every one of her previous oneshot/short-serialization works before Yohaji has either made mention of Buddhist terms, or is entirely based on it.

Karma Karma, a 3-shot from 2014 (a year before the start of Yohaji), is about the Buddhist concept of hell and a king of hell who accidentally brought sinners from hell back to the living world.

Gokuraku Joudou no Hotoke-san, a oneshot from 2013, besides obviously referencing the Buddhist pure land in the title has wisdom king Acala and Yakushi Nyorai be its protagonists.

Unfortunately, I don’t think I’ll ever get to read any of these, since they’re from 10 years ago and I’d have to contact a collector about it or something.

In any case, this is clearly something she’s interested in and knows a lot about, and it’s always so interesting to see. It’s always been present in Yohaji too, from the early drafts being more Buddhism-themed, to Sano’s magic circles featuring sanskrit and resembling a mandala in early chapters, to busting out a sutra excerpt in chapter 85.

Maybe it’s a fiction faux pas to pull back the curtain and look at the inner workings of a work like this, but I think I get to decide how I interact with a work.

Time Travel

YEAHHHH I CALLED IT IVE BEEN WAITING FOR THIS!! ITS SO OBVIOUS IT WOULD HAPPEN ITS BEEN SO OBVIOUS FOR A YEAR I SHOULDN’T HAVE LET PEOPLE TALK AUGUST 2022 ME INTO THINKING ITS STUPID!! ITS SO REAL!!! IM A GENIUSSS yeah anyway had to get that out of my system

First of all, we get a good look at the schoolhouse. This is probably the old schoolhouse, or at least in the location of the old schoolhouse. Architecturally it does look different from both times we’ve seen it, in volume 5 and Yoseito’s Izuna flashback arc. It’s entirely possible that the principal had it rebuilt and more floors added in the 100 years he was using it. By the way, based on the turtle map and being able to see the mountain behind the school, it’s likely that this is where it is.

The beam of light on the mountain opposite the school is almost certainly because the gang ended up at the location of the current schoolhouse, which is still just forest at that point. And there is not a single doubt in my mind that the teacher is Ranmaru.

Ok tbh I don’t have that much to say about the time travel half of the chapter mostly because it was just establishing the premise for what’s about to happen for the rest of the arc, so here’s some disjointed thoughts.

First off, even if it’s not obvious, Haruaki does indirectly cause this to happen. Besides nudging the world into the situation at the start of the chapter in a million cumulative little ways, he’s the one who brings up whether Tamao can use any other type of magic.

Also, this chapter made me realise something about Yoseito chapter 28. It makes sense that Yamazaki wouldn’t have recognized Hatanaka before that moment when he made the connection, because for all intents and purposes he knew Hatanaka as just this delinquent kid who even dyed his hair. Even the name “Hatanaka” doesn’t help, mind you, since he’s got dozens of siblings and extended family whose surnames are all “Hatanaka”. Unless they specifically told the Meiji trio the exact situation, and even then, this is probably just “that weird story from when we were in school” to Takahashi and Yamazaki. (a la teacher trio not making the connection that they met years ago until it was specifically pointed out) It was only at that moment that he started to resemble the version of him a year from then, when the time travel would happen.

Anyway, what in the world could possibly happen to Takahashi that he ends up like he does on the color page and looking so shaken in chapter 98… I sure hope the stuff on his face is actually just shading and not blood…. We do have precedent of that half of the face being covered in blood….

And one last thing that might be addressed, something in this arc will probably cause Ranmaru to quit being a teacher (based on makuragaeshi arc), though like the Takahashi thing, I couldn’t even begin to guess what. I can’t see the future, after all! (I feel like I've made this joke before)

The True Nature of Haruaki/Seimei’s Exorcism Power

(sounds like a clickbait title lol)

This is something I realised while answering this ask, but it’s a realisation that could have come way sooner because it doesn’t really hinge on info from chapter 102.

Here’s the parts to this theory: (anything that’s directly quoted has been double checked against the Japanese in case the nuance is slightly different)

Youkai magic is powered by spirit energy (no shit sherlock)

Clarification addendum: spirit energy is called “you-ryoku 妖力” and youkai magic is “you-jutsu 妖術”. both use the same “you” as in “youkai”, and the word on its own kinda means magic-y creature-y things (its usually used with another word to clarify what exactly is magic-y). Literally translated, “you-ryoku” is “youkai energy/power”, and “you-jutsu” is “youkai technique”. its very no shit sherlock.

This exorcism power exorcises spirit energy, and also works on gods to a lesser degree.

This implies the exorcism power has broader spanning effects than is stated, or “spirit energy” isn’t as specific of a concept as previously thought.

Spirit energy is basically interchangeable with “human life force” which is also interchangeable with “human souls”

In chapter 76, Takahashi reveals that if the mother is human, the spirit energy a half-youkai baby needs will be substituted by her life force. Also of note, he reveals that youkai can produce spirit energy and humans can’t.

When talking about youkai that eat spirit energy, “souls” are almost always brought up alongside it. Miki’s mom is said to eat both spirit energy and souls, the makuragaeshi eats both spirit energy and souls. The kasha did throw out the pure youkai Takahashi, Hatanaka and Marshmallow to leave only those with non-youkai blood or souls, but it also didn’t seem to be against attacking them.

In chapter 74, Takahashi says he sensed spirit energy in the hospital, but he examines the gashadokuro and finds it’s formed from human souls. Also in chapter 70, the ability to see spirit energy and souls is lumped together.

And now, one of the loose ends from Kyoto arc: Suzaku saying that “humans shouldn’t overuse powers like that” and was about to say something about life force.

Do you see what I’m getting at here? It sounds likely that “spirit energy” and “life force” are the same thing but in different forms, and assuming there’s not an entirely separate power system that has nothing to do with spirit energy, there’s a possibility that Haruaki/Seimei’s exorcism power runs off life force instead.

This has a few fucked up implications, namely there’s a possibility that Seimei was going to die anyway even without being (debatably) murdered, and also obviously Haruaki… um….

“Souls are equivalent to life force” and “exorcism power runs off life force” would also help explain why his intelligence soul piece could also use it: it just happened to be the biggest piece of his soul (also explaining why it’s physically bigger than the other 4), and it could be that all the pieces had the ability, just that the biggest piece had the “battery” to actually use it.

(I have Many Thoughts about the soul pieces btw, that may never get elaborated on in the story. No not just that white hair Haru is hot! I feel like there’s something more to it than just being 5 parts of his personality. Like, they say there’s a piece that’s the manifestation of his desires, but the athletic piece is into sailor uniforms too? That’s a conclusion the students came up with, after all, and it’s not like anyone present was an expert on this stuff, and anyone who might have known more aren’t saying anything (Ranmaru, Douman, SEIMEI???). Do you get this feeling? That there’s something purposely left unexplained there…)

He also calls out the similarity between his powers and the students’ powers often (off the top of my head, there’s at least a few times with Sano, also with Nyuudou, and now with Tamao). It’s probably his efforts to show he relates to them, but also… yknow…

Of course, there’s details that this theory doesn’t fully address. Both times Miki’s mom ate Haruaki’s soul, she immediately noted it tasted bad, so it’s probably not because of Seimei taking control and actively fighting his way out, rather something inherent about his soul that makes it different from regular human souls or even youkai souls.

This is all pretty fucked up and I don’t necessarily think Tanaka Mai would actually go this route….? I hope…..? But there’s nothing definitive right now that says it DOESN’T work like this, and there’s enough of these little details littered throughout the whole series that if it’s true, this would be the biggest long con sensei has pulled yet.

Haruaki’s exorcism power could also be one of those “lol he can just do this, don’t question it” things, but that’s also what I thought about Seimei’s ability to see the future, and GUESS WHAT.

Anyway that’s all, I think I haven’t forgotten anything I wanted to talk about (probably did though, this took an entire day and thats WITH having taken notes while I was translating), gonna spend a couple days combing through all the previous mentions of the time travel to see if the new concrete details about it would surface any new info.

[tarisilmarwen]

Rebels Rewatch: “Droids In Distress”

Wacky droid hijinks and nostalgia abound, let’s get into it.

Now, this is an episode that for a different show would have been used as the pilot.  It’s got all the earmarks of a weekly serial testing out its tone and character dynamics, while acting with confidence like those are already established.

Note that this isn’t a bad thing.  It reminds me most of Teen Titans’s early Season One, there’s a certain kind of charm and innocence and an earnest attempt at convincing you, “Don’t worry, this will be a FUN show! :D”

Frankly starting off lighter eases you better into the world and characters so when things do get more serious and dramatic later you’re more invested because you’ve had more time to get endeared to the characters.

See also, Star Trek: Lower Decks, which had the audacity to end its Season Two on a cliffhanger, YOU WERE SUPPOSED TO BE MY SILLY COMFORT SHOW, YOU’RE NOT SUPPOSED TO HAVE STAKES!

Anyway we open rather appropriately In Media Res with the notes of the TIE Fighter Attack track from A New Hope, which auditorily puts us right into that OT headspace. :)

Once again the tight writing very quickly establishes the situation: The Ghost is on the run from the Empire, in need of cash flow and supplies, they have to occasionally run weapons for someone shady, Ezra is Force Sensitive, and--perhaps most importantly for the later story arc--Kanan has been avoiding training him.

Boy I miss concise exposition like this.  So much story is already set up in some densely-worded dialogue.  (Not just Kanan’s reluctance to teach Ezra but also Zeb’s misgivings with working for Vizago given the uncertain nature of the weapons he deals in.)

Also don’t think I missed Ezra being most concerned with the fact that they are running out of food.

RIGHT SO I CANNOT TELL YOU HOW GIDDY I WAS THE FIRST TIME I WATCHED THIS BECAUSE ICKLE MINI TARI LOVED THE STAR TOURS RIDE AT DISNEYWORLD.  Seriously it was one of my top favorites.  Never rode the updated version (haven’t been back to DW in years) but the classic version was iconic for me.

And this is a cameo/Easter Egg that actually works in context because you don’t need to know anything about this droid pilot, he works organically in the story as he is without any background knowledge required.

Unlike many of the other cameos we could name in certain other Star Wars shows *COUGH*.

Threepio and Artoo on the flipside... Okay, I’m not quite sure how to articulate that it still works better than in aforementioned other shows but it does.  Again Imma chalk it up to, they just fit more organically into the plot and around these characters and also advance the bigger plot by introducing a thread that suggests the crew is going to be connected to the larger Rebellion, which pays off this Season Finale... instead of being a sideshow diversion disconnected from the main characters that may or may not make another appearance down the line sometime.  Maybe.

Side note of appreciation for Chopper gleefully taking right to his role of Public Nuisance Annoying Everyone (But Especially Ezra).  I don’t think there was much acting involved for either of them lol.

XD

Still love how bouncy and dynamic the character animation was these early episodes.

Has that fun kid-friendly feel that lures you into a false sense of security lol.

Our first hint at Sabine’s backstory, cleverly hidden as part of her cover story.

I kinda like that Garel is close enough to Lothal that a very small shuttle is able to just ferry people back and forth in like twenty minutes.

Lol Zeb whapping Sabine because she’s laying it on too much.

One of the nice things about having low-stakes plots in the beginning is it allows room for lovely little breathing scenes like this one with Ezra leaping across the rooftops.  It’s not plot necessary, we could have easily just cut to him arriving at the other hanger, but it’s just... pleasant.

There’s some nice mood music (a very slowed down mellow Main Titles theme), some very mild action, and we feel a satisfied little thrill along with Ezra seeing just what he’s capable of already just knowing that he’s Force Sensitive.  This is the first time he’s consciously tapped into the Force and it’s just a little bit exciting.

Just look at his face gkjhgkjh I’m so proud of him and all he did was some parkour.

Subtle animation detail appreciation: Zeb visibly shudders backing away from the crates.

I love Threepio throwing some indignant shade Sabine’s way with his “[...] if she is an amateur.” line.

We know Zeb is the muscle  of the group, that’s already established, but it’s still obvious in the voice acting and Zeb’s intense tossing of the Stormtroopers that he’s more agitated than normal.

Threepio being oblivious and fussy as per usual.

Please enjoy the Fridge Horror of knowing that the Empire was planning to mass-produce T7 ion disruptors and probably not for their starship-crippling properties. :)

Ezra immediately backing off the hostility once he knows why Zeb’s upset. <333  He’s such an empath I love him.

See this is why I don’t understand people who hate Ezra.  Was he a little bratty this episode?  Sure, but also see how he lets that drop out of compassion once he understands the situation.

Also Ahsoka came onto the stage waaaaaaaaay brattier and a smug know-it-all to boot, just admit y��all hate the kid-appeal characters and refuse to let them be stupid and dumb in order to have some character growth.

Hera’s frustration when she hears that Kanan hasn’t been training Ezra. <333

Lol and love how there’s an immediate follow-up in the next scene.  I want to see the beginning of that conversation.

Pryce gets name-dropped here for the first time.  Predictably Threepio is making a muck of things.  See, this is why no one tells you anything or trusts you with the mission Threepio.

Ezra has clearly dealt with underworld figures like Vizago before lol.

I do wonder if all of this is just a massive Batman Gambit by Artoo, because he seems to be completely unfazed by anything that’s happening.

The AT-DPs get quite a bit of focus in this series and I think their ubiquitous presence in the first season preps us mentally for the heavy upgrade that is the AT-ATs.

Love this shot tracking Hera as she shoots at the AT-DP, very frenetic with the blocking and the camera movements.

The duel between Kallus and Zeb is honestly better than some of the lightsaber fights don’t @ me you know it’s true.

This music cue when they launch the disruptors is a unique one, particular to only this moment I think, but I like it.

Aaaaaaand the first of many times Kallus gets yeeted with the Force.  Lol.

See Sequel Trilogy, this is the general powerset of someone who only just learned they were Force Sensitive and hasn’t had any training. /salt

Kanan seems very surprised and amazed by what Ezra can already do without any formal guidance.  This’ll play into his insecurities later, his whole thing about how Ezra’s powers are growing faster than he can teach.

I think it’s safe to assume Ezra had a lot of latent natural talent that he’d been unconsciously using this whole time that just needed a tiny push to begin manifesting in earnest.

Again, though, Sequel Trilogy, all we unlock is basic shit like Force Sense, Force Jump, and Force Push.

Not surprising Kanan went to fetch Zeb, he’s about the only one even close to Zeb’s height lol.

Kanan looks so proud of Ezra, aww.

More lovely work with the subtle expressions; Kanan’s smile fades and his eyes drop a bit.  Like he realizes, “Oh boy, now I gotta face all my inadequacies and problems.”  Love it.  Love that it’s episode two and we’ve already established so many of the upcoming character arcs.

Hi Bail!

Luke’s theme closing us out once again, apropos given where we are and who we’re with.

For our first “official” non-pilot episode, this is a solid entry.  As I said, establishes a whole bunch about the characters and their relationship dynamics and upcoming arcs and plot points.  It’s also very fun, sets the general early tone of “Adventure and excitement but not too much... yet.” and the animation continues to impress in small ways, mostly the dynamic shot choices, camera angles and movements and the subtlety of emotion displayed on faces.

Coming back to this one always just leaves me with a warm feeling like, “Aahhh yes, back when everything was innocent.”  It definitely plays up the nostalgic feeling of the OT, which was always one of Rebels’ strengths as a show.

Next time, one of the many “filler” episodes that come back in an important and unexpected way in the finale.  You’d think, given the number of Avatar: The Last Airbender alums on the project, fandom would know better than to discount the seemingly light-hearted low-stakes disconnected episodes. XD

[soul-dwelling-not]

Ignorant ranting about Tales of the TMNT, the latest addition to the Mutant Mayhem iteration of Ninja Turtles, an iteration I never got into, and based on just rushing through parts of the series:

What's the point of stunt casting if all they are going to do is make pigeon noises? The payoff does not help.

If you're going to cast Jackie Chan for the film but not the TV series, or a voice double like James Sei, what is the point of now having him speak vermin? Are you trying to say something meaningful about assimilation, or did you just really not want to cast a Chinese actor and thereby erase Chinese representation in the cast or any

I really hate how much talking this series has: it's animation, focus on animation.

I know this is Titmouse, I know I enjoy recent Beavis and Butthead, but why do the humans have to look so much like Beavis designs? I can appreciate leaning into the Motorcity action and aesthetic--but that show at least knew when to have characters shut up for a minute and let the animation do its job.

We really needed to do stupid "pigeon poop" jokes over and over and over again?

I hate when characters do something foolish for the sake of an unfunny gag: that Leo didn't figure out the gentrified restaurant was indeed not Bishop's lair is a dumb gag.

"You're not paranoid--" I am admittedly entering into that joke out of context, but it didn't work for me: either really lean into April being the one to believe every single conspiracy theory, or just don't have her use that line.

I am so tired of the insult "Nerd!" as a punchline, especially to undermine anything heartfelt Leo says at the end of one arc. Just let a moment of sincerity stand, not every last moment has to be destroyed by, "LOL, you love to hear yourself talk, huh?"

The same nerd insult applies when talking about Don, to keep reducing Don to just "nerd" or just "anime nerd." I should be grateful that this is a step up from Jellystone levels of "LOL, body pillows, shut-ins, friendless losers" representations of animation fans (especially as none of this feels like the animators being self-deprecating: instead of "we are nerds, we can joke about ourselves," it's the same tired level of "nerds are losers, geeks are losers, fans are losers, how pathetic they must be").

Stop making Bishop anti-mutant. Please get back to 2003 Bishop in terms of motivation. I appreciated 2003 Bishop's entire attitude pretty much being, "Mutants? I don't care about mutants! I want aliens!" I would have so preferred that characterization: have her be someone fixated on one task, then have her just get annoyed that, instead of aliens, it's mutants. Think Dandadan levels of trying to one-up which is more engaging, the sci-fi or the mystical.

Also, all of this applies to the Earth Protection Force. Maybe additional stories will surprise me, seeing as it will resonate with an audience that an organization looks at native-born people--and still thinks they are "foreign," "other," someone to get rid of.

Acknowledging that Leo was on a shaggy dog hunt does not change that the story is stretching out the plot for the sake of the streaming era.

Bringing back the proto-Rat King intended for the film as a gangster is kind of boring. Granted, TMNT adaptations keep struggling to make the character work or have some core qualities beyond "sway over rats": Mirage was a force of nature but vague enough that you can read him a number of ways; IDW leans too much into godlike power; 1987 was just a guy; 2003 was just an extension of Bishop; 2012 should work with Combs in the role but still takes too long and keeps abusing the Kraang mutagen as a plot device to get whatever result you want for the sake of the story.