#now I trust you (whether I wanted to or not) with Who I Am

[unhingedangstaddict]

Currently working on my own fix-it fic but man this shit is harder than I thought it'd be- I keep crying and then getting distracted reading other fix-it fics. Thought I'd share this snippet to hopefully motivate myself to keep going???

Hen was starting to wonder if maybe Tommy was out for a run when she heard a faint ‘oh shit’ from inside the house. She banged on the door again. “Come on Kinard! I know you’re in there!” She called out. If Tommy’s neighbors thought she was crazy, oh well, too bad. Hen really didn’t care.

Finally the door was opened by Tommy. His hair was a mess- sticking up as though he’d been running his hands through it far too much-, he had deep dark bags under his eyes from lack of sleep, his eyes were puffy from crying, and frankly, he looked like shit. “What do you want, Hen?” Tommy rasped. Whether his voice was hoarse due to dehydration or yelling and/or crying was unclear.

“To talk about what happened last night.” Hen crossed her arms.

“You mean you’re here to yell at me for what I did?" Tommy guessed. He hadn't forgotten the thinly veiled shovel talk from Hen and Karen months back at the medal ceremony- he wasn't surprised Hen was here now. “Trust me I hate myself for it enough. There’s nothing you can say that I haven’t already thought about myself.”

“No. I’m here to try and understand what even happened. According to Eddie, Buck wasn’t making very much sense last night. Eddie would’ve come himself to check on you but he’s got Buck right now. Eddie’s worried about you and frankly, I am too.”

Tommy sighed deeply and stepped aside to let Hen into the house.

Soon they were sitting at Tommy’s kitchen table with mugs of coffee in hand.

“So are you gonna tell me what happened or are you just gonna keep having that staring contest with your coffee?” Hen questioned.

“He asked me to move in with him.” Tommy admitted quietly.

“Okay,” Hen said slowly, waiting for Tommy to explain further why he was upset by it. Beyond the obvious matter of Buck leasing his loft apartment and Tommy owning his house, Hen wasn’t sure what the issue was.

“For a split second, I thought about saying yes.” Tommy confessed. “Then I returned to reality and realized I had to end it.”

“But why?” Hen questioned.

“Even if it was only for a second, Hen, I was ready to, what? Sell my house and more than half my stuff to move in with him? I’m not even mad about that part- I’m upset with myself for considering it. I’ve been in Evan’s position before, first gay relationship, lovesick, you think it’s gonna last forever. And I’ve been the first for guys before too. Like I told Evan last night, I know how it ends. And I guess I’d rather break my own heart than wait around for Evan to do it.”

“If you’ve been so sure all this time that it could never work, why did it take until now for you to call things off?” Hen questioned.

“I think from the start I knew I was playing with fire. After the last guy I was a first for, I told myself I wasn’t going to do it anymore. Then I met Evan, and he was just so magnetic, I couldn’t stay away even if I wanted to. I couldn't say no to him. I think I always knew my heart would get broken, and I guess I was okay with that all this time, until last night when I realized I love him, and I knew I had to cut myself off before I reached a point of no return.” Tommy explained. “I mean, I’m a fucking a mess right now and I was the one who called it off. I don’t know if I would’ve been able to survive him ending it.”

“Did you really just figure out last night that you love him?” Hen asked.

“I guess I sorta loved him from the start but last night was different, Hen. I’m in love with him, like well and truly love him, in a way I’ve never felt before, about anyone.” Tears filled Tommy’s eyes. “And I’m just his first. And as badly as I want it, I know I don’t get to be his last.”

“What makes you so sure you can’t be his last?” Hen wondered.

“Because I’m not the forever guy." Tommy shrugged slightly as a tear finally escaped and slid down his cheek. "At best I’m the close-to-but-never-quite-enough guy."

[l-in-the-light]

The importance of a haircut

I was pondering whether I should mention it, but seems no one is catching on to that so far, so I might as well stir the pot a bit.

Many women today maintain long hair when they're single, and then cut it shorter when they have kids, due to its impracticality. So in a way, that cutting of hair is a ceremony that mirrors that of an Edo period Samurai: an end to an era of someone's life, and the beginning of another.

(...)

A friend or co-worker might remark, "wow, are you quitting your job or something?" joking that they were making a grand gesture by getting a haircut.

(source: Anime News Network)

The first time I came upon deep analysis of this trope was in Princess Mononoke. Ashitaka cuts off his bun before leaving village, which signifies he might never come back, he is from now on "dead" to them, because topknots and buns were associated with status back in the days. By cutting it he was not only giving up on his current social position, but also cutting ties with the community he belonged to.

Sumo wrestlers will cut off their topknots when they quit their career. If a samurai cut off their topnot it meant they're giving up on their title and becoming a commoner like everyone else. Sometimes it's done because of shame (pressured by others or because of your own conscience, if you're a honorable samurai). For aristocratic women hair was also a symbol of status and pride, and also object of adoration. Might be why even nowadays in fiction when a girl goes through a break-up or gets rejected by her crush, she cuts off her hair to make a "fresh start" (that apparently isn't uncommon not only in Japan). Last time I saw it was probably in XXXholic (I reccommend it to anyone who never read this manga, especially if you like supernatural themes mixed with slice of life :D).

Funny thing is, I also picked up on that trope subconsciously as a child, because I grew up watching animes. I remember my classmates often asking me why am I keeping my hair long (like, what's so strange in liking your hair long? I guess it became trendy back then to have shorter hair). And I always felt like I need a big reason to cut my hair, like I should do it only after a big life event happening, and I even decided when exactly I will do it. Except that I didn't find any meaning in it and decided I won't do it anyway. Lol.

It's interesting that apparently there was once a law in Japan that forced women to keep their hair long! If they need to cut their hair, they had to report it to the officials on paper, stating a good enough reason (for example, a health issue or a religious ritual). And if they fail to report or deliver good enough reason, they have to face some kind of punishment. You can read more about that here: Women in Japan who got haircuts once had to tell government why.

Importance in Japanese culture aside, for more fun examples of this trope used in fiction you should certainly visit the tv tropes page on it: tv tropes/important haircut.

Now back to Robin. She didn't exactly cut her hair short or anything like that, but she did return to her old hairstyle. That might signify she wanted to underline some kind of change in her life. She got a different hair style in the timeskip. Coincidentally, Nami also allowed herself to keep her hair long and be more feminine, because she felt safe doing so, not anymore having to survive on her own, or so I assume. I think it could have been similar for Robin, it was her sign of "now I'm part of this crew wholeheartedly", because before timeskip she kept the previous haircut instead and she was also always alone. So, it was a way of showing the change in her life, but she chose to do it only after learning news about Luffy losing his brother. Perhaps it might have been her way of showing her solidarity, besides the faith and trust in her crew.

Robin returning back to her previous haircut might be a way to celebrate meeting Saul, like she wants him to feel familiar with her looks, like nothing ever changed (just like the Giants suggested in the chapter). Except that we know that a lot has changed since then, she finally found her comrades, her nakama. That's part of the reason why I think it might not be about Saul at all. There was a lot happening with the Vegapunk's broadcast and will of Ohara in Egghead.

And she did look very affected when she listened to the bits of that broadcast. So, whatever her reason is, I'm sure of one thing: that haircut signifies some sort of decision or change in Robin, a new determination or something coming full circle. Towards what? Revealing the truth and carrying the baton passed by Vegapunk? But wasn't Robin already carrying that on her back already, the call to reveal the truth about the history? She didn't need Vegapunk for that.

It could mean Robin has made some important decision that is the opposite of the timeskip one and it relates to events from before that as well. There are some loose ends left from Water 7 arc. There were some never addressed again lies or games of deception. Maybe it's finally time we learn more about Robin, her mission and what she did exactly before she joined the Strawhats.

[johaerys-writes]

Hello! A Snippet Sunday, if you don't mind?

Hello!! I saw this way too late last night so I didn't get a chance to reply until now, sorry! I've been working on the next chapter of baby born blue, which should be up later this week if all goes well, so here's a little snippet of the chaos:

“You’ll stay far away from me right now if you know what’s good for you, Dei,” he hisses menacingly, then glares at her two friends who cower before him. “And don’t you even think of filming any of this!”

"Oh, will you stop being so dramatic." Deidameia rolls her eyes, crossing her arms before her chest. "I only wanted to surprise you! Joke's on me, I suppose, for thinking you'd be happy for us," she adds snidely. 

“You sprang a trap on me!” Achilles yells, outraged, throwing his hands up. “You tried to embarrass me in front of thousands of people!”

“Nonsense,” Deidameia laughs carelessly. “What is there to be embarrassed about? You’re going to be a father!”

“Like hell I am. I want nothing to do with this, do you understand me? It’s over. We’re over.” 

Deidameia blinks and takes in a sharp breath, the only sign that her composure was rattled. It’s gone in an instant; she straightens and meets his gaze levelly with an icy look of her own. “Stop fooling yourself, Achilles,” she says viciously and takes a step closer, lowering her voice. “You and I are far from over. We are having this baby whether you like it or not. And if you try to walk away from this, I will destroy you. I will destroy you both.”

She says those last words directing a heated glare at Patroclus. Achilles’ eyes go wide, his cheeks flushing bright red. His hands gather into fists as he starts visibly shaking with barely contained fury. He takes a step towards her, but he doesn’t quite reach her before Patroclus grabs him by the shoulders. 

“Achilles, come on, let’s go,” he says quietly, pushing him gently towards the doors. There are already a couple security guards watching the exchange, murmuring into their walkie-talkies.

“He’s going nowhere with you!” Deidameia shrieks. “Achilles, come back here, this isn’t finished!” She tries to grab for Achilles’ hand, but Patroclus catches her wrist first.  

“Trust me, you don’t want this,” he tells her, just as the ticking time bomb that is Achilles inevitably explodes behind him. In just a few seconds both Achilles and Deidameia are yelling up a storm in the middle of the crowded airport arrivals, Patroclus and her friends caught in the crossfire, while a few dozen people have stopped to stare at them, some of them already reaching for the phones to film them. Patroclus has to bodily drag Achilles towards the exit, escorted for the second time that week by security guards, and flags down the first taxi he sees while Achilles rages next to his ear. 

[trans-axolotl2]

In my last residential treatment stay, I did have one psychiatrist who I trusted and had a positive relationship with. Her name was Dr. R, and when I came in on the first day of treatment and told her that I would not take any psych meds and that I had a lot of past psych trauma, she validated me and told me that she would not bring up meds unless I did. Throughout my stay there, she was empathetic, listened to my concerns, helped advocate for me, and generally made me feel heard. At the same time, when management took away our doors-she did nothing. When I needed to get a feeding tube--she lied to me about how long it would be in, and what I needed to do to get it out. She enforced policies about restricting outside breaks, restrictions on items, and contributed to treatment plans that my friends felt were unfair and damaging.

She was a good person and I liked her, but she was choosing to work within a system where she could not control the dozens of things happening there that harmed us every single day. This is what I mean when I say there is no such thing as a good psychiatrist in inpatient units--she was a progressive, validating, nice person --but her very job description made it impossible for a “good provider” to exist. To be a provider who wasn’t a part of the harm that was occurring on that unit, she would have had to quit, because the very requirements of her job required committing ethical violations, restricting peoples autonomy, and perpetrating iatrogenic harm. If she had stopped enforcing harmful policies and challenged her coworkers publically, she probably would have gotten fired. And that really is the problem--causing iatrogenic harm has essentially become a job requirement on inpatient units, and being a “good provider” by the metrics of the system require you to participate in that harm. 

I think Dr. R did a better job than most inpatient psychs in mitigating the harms she participated in, and finding ways to resist shitty systems when possible. I was glad she was there and I think she made my treatment better, but the two of us had a lot of conversations together where she acknowledged the fucked up things happening in the treatment center, acknowledged her role in them, and also stated that she did not have any power to change them. She could not fix the system by working within the system. 

I get a lot of questions by people who are interested in careers in the mental health system, and asking me on whether I think it’s okay for them to work there. My first response is usually if you’re asking because you’re feeling guilty after seeing what psych survivors say, I’m not someone who’s going to give you permission to ignore that guilt. The second thing I usually say is this: you need to go into this job aware with the fact that you will cause people harm, you will get into ethical dilemmas, and there will be times where you will either have to betray your personal values or quit. There isn’t one right answer on how to engage with mental healthcare as a provider, with the reality that until we build up alternative systems of care, the current structures still exist and have people who need support inside of them.  If that’s something that you think you can navigate in a way that lets you create the least harm possible, then that’s something you need to decide for yourself, and to think really deeply about if the reality of the psych system matches up with your goals.

[esleep]

I'm speaking as someone who had a really bad burnout a handful of years ago. You need to give your brain a break. Usually for adhd folks more asleep helps a ton with the brain fog. Adding stimulants will just have your body draw from an already empty well. If you're having trouble with rest or other forms of self-care doctors can help and so can some of the online resources out there. Supplements are wonderful too. Take care of yourself and good luck. You can do it.

thanks so much you sweet anon <3 creating my prior post actually did prompt me to call my doc about upping the wellbutrin because i'm on a low dose rn and i think i need some more mental stability at the moment. but i think you are right about the exhaustion, which increasing the adderall would probably make worse. im gonna see if the doc also has any input on how to help me sleep better because i think that's also a big factor. thank you angel 💕💕💕💕

[crossbackpoke-check]

nosy anon again making a return because i think what my brain did was read that i helped find some kind of writing and then did not fully process what the writing was?? but upon rereading i am very intrigued if you ever get the urge to share i will be all eyes/ears/senses required to enjoy things!!

I GET TO DO WIP WEDNESDAYYYYYY!!! the writing exists mostly in the form of a tag (fantastic! 'verse) and also a thirty-two page doc of snippets and planning, so the sense you will be using most is imagination:

don't think i have ever actually formally written out anything about fantastic! 'verse but! the tl;dr of it is that it's a semi-college au: joel is still a hockey player for the lv phantoms, but morgan is a college student-athlete. it's incredibly relevant to the plot that joel falls in love with morgan in the check-out line of a wegman's, lies a little bit, and ends up going back to get his degree.

most of it is just good fun about college kids growing up, but i think there's a lot of parallels between making your way through a development system where traditional "success" isn't always guaranteed (ahl -> nhl, completion of higher education -> pursuit of a career) because that development system isn't always designed for you to "succeed" or have opportunities. heavy quotation marks around success because part of that struggle is learning what you want in life and how you define success. are your dreams achievable? are they still the same dreams you always used to have? it's infinite branching universes of would you still love me if i was a worm (ahl player forever) (a college dropout) (a college graduate) (older) (realizing the fallibility of your body) (uncertain of the future) (human).

silly little snippet:

[grandtheftpoptart]

My grandmother gets mad when i hear her "private" conversations about me, but she speaks so fuckign loud?? Shes talking to my grandfather on speaker in the other room and i heard her say "if she lost 30-50 pounds, she's still going to be a bigger girl, or fat, because of her structure of her hips, legs, and thighs. I dont know how much she weighs now. She's extremely tall for a girl. She towers over guys her age and these things bother guys. There are guys interested in a heavy set girl, but other guys don't want to take the time to get to know someone, they judge based on looks" to which my grandfather replied "thats from society. she's still beautiful"

Stop talking about my weight and my height. I wish I were fuckign shorter, and I've already lost 50 pounds within the past year. I'm so insecure about these things and to imply I won't find someone to love based on my appearance not being accepted by society rly hurts. Like ??? This is why I can't stand my family. I'm the topic of every conversation and it's always negative or "oh I wish she was skinnier and shorter so she could actually find a man to love her"

[mastoi123]

✨ **Rise and Shine Beautiful Souls!** ✨

[insanechayne]

~ ~ ~

[off-brand-orpheus]

Am I still the person you loved two months ago?

[morosluvbug]

osamu miya who falls in love with a picky eater

osamu miya who learns from a very young age that you’re not willing to touch most foods. he (not so) secretly watches at lunch everyday to see what parts of you lunch you end up neglecting.

osamu miya who never teases you about being picky, after all that’s what makes cooking for you more rewarding right? nailing the flavors that you love and hiding the ones that you have no taste for.

osamu miya who attempts (and succeeds) at wowing you through bringing you lunches that he knows you’ll enjoy.

osamu miya who spends the rest of lunch trying not to grin ear to ear while watching you happily eat the lunch he brought you.

osamu miya who knows it’s now his life’s mission to make sure you enjoy food as much as possible.

osamu miya who loves the way your face lights up when he finds a place with lots of options for foods you like. whether its due to dietary restrictions, allergies, or a distace for certain foods, he will make sure there’s many options for you everytime you eat out.

osamu miya who cooks for you as often as you like. if you're ever feeling unmotivated and unwilling to cook he will show up and help you.

osamu miya will reach out to your parents for childhood recipes and loved dishes you may not have told him about. he wants to have your comfort foods at the ready whenever you're craving them.

osamu miya who never fails to wow you with how well he remembers your favorite foods. craving a certain cuisine but don’t know what you want? trust me, he knows way before you do and politely suggests it.

osamu miya loves seeing your reactions to new foods you discover. he’s always so proud when you try something new, and is even happier when he watches your face light up from the flavors.

osamu miya will order for you if you need to sub out items on a dish but are to embarrassed! food is meant to be enjoyed! not picked apart to avoid certain aspects of it.

osamu miya who will do anything to make sure you’re happy, healthy, and not hungy!!

A/N: projecting so hard onto this fic i am so picky about foods!! trying to be better but i fear i am doomed for life :( osamu save me

[starry-bi-sky]

don't you want to be a cult leader? - danyal al ghul au

this is mostly a joke post but i thought it was funny and had to share so--

his first mistake was, obviously, inheriting his father's inability to see an injustice and stand still. -- actually, danyal's first mistake was his lair being so big. a mountainous island with a large temple in the center resembling his old home in Nanda Parbat? With sprawling foliage and rivers and streams and waterfalls galore? What was he going to do with all that space? Let it go to waste? He had plants there! Native trees of the ghost zone growing from the soil! He couldn't let it all be left unchecked!

So naturally after helping a fellow teenage assassin ghost -- who he later learns is named Akihiko, -- from Walker of all people, he sent them over to hang low at his lair until it was safe enough for them to wander around the Zone. Walker couldn't get through Danyal's astrofield if his life depended on it, and trust him -- he's tried. Danny was clearing out debris from his stupid transport vans for weeks.

Honestly it wasn't so bad, he and Aki really quickly became fast friends and Danny loves having a sparring partner close to his level again -- he hasn't had this much fun fighting since he left the League. Aki was very dedicated and levelheaded, the both of them clicked really well because of it.

Nonono, the real trouble began after Danyal met some long-passed League members and allowed them to come join his island as well. Apparently they had made a few enemies of the zone, and maybe Danyal still felt some loyalty to the League. He couldn't just let them be left to rot. Their zealotry could be overlooked so long as they kept it contained and helped him take care of his island.

And it.. snowballs from there? He meets a teen squire aptly calling himself Ambroise -- whether that was his living name or not is yet to be seen -- who died during feudal france, who is just about as dramatic and passionate as every french stereotype makes them out to be. He calls Danyal "my moon and great muse" -- which is both flattering and little uncomfortable, but Danyal's grown up in the League as the Grandson of the Demon Head, he is used to mild worship. he passes it off as nothing more, nothing less. -- and while his energy is overwhelming on the worst of days, he helps Danny draw out of his shell more in ways that Sam and Tucker still struggle with.

Him and Aki butt heads a lot, but the two seem to hold the other in at least some positive regard, so Danny doesn't worry too much about them fighting while he's gone. It only becomes a mild issue when Aki also begins calling Danny "my moon". It's a little sweet, so Danyal brushes it off.

Then he takes in a troupe of ghosts some time after he defeats Pariah Dark and they begin calling him "great one" just as the yetis do in the far frozen. This is where he meets the twins -- a pair of sibling ghosts who call themselves Trixie and Missy (short for Trick and Mislead) -- who aren't quite as passionate as Ambroise but more energetic than Aki. Eventually they also start calling Danyal "my moon" and attach themselves to his hip, even within the living. They like to hide in his shadow and cause trouble for the rest of the students. He makes sure they don't hurt anyone.

He's pretty sure Aki is jealous, same with Ambroise, but he can't be too certain other than the fact that they become much more lingering (re: clingy) whenever he visits the island.. Something he's trying to do much more often these days due to the increasing amount of people living there now. Since when did he become so popular?

Then there's Pēnelópeia from the Greater Athens, who ran away from home and joined his Island after he ran into her while she was being chased by Skulker -- and he's pretty sure the reason was because of her chimeric appearance. Her strange eyes and mismatched wings and lion's tail and talons. She assimilates into his friend group very easily, she gets along well with Ambroise and Trixie and Danny usually finds the three of them climbing the trees to pluck the most fruit from the top. They can fly and he knows it, but they prefer to climb.

Then finally there's silent poet Akkara who comes from ancient mesopotamia, who gets along most with Aki -- which is no surprise there considering their similar personality dispositions. he watches Aki and Danyal fight each other and leaves comments on this or that that he notices. He writes Danyal poems on clay tablets and leaves them by his room.

They're one big mismatched group of outcasts, and Danny's got the other ghosts on his island to tend to, because they're living on his island and he wants to be hospitable even if he struggles with that. But he spends the most of his time with them.

Sam and Tucker are making fun of him. Tucker jokingly tells him 'careful Danny, at this rate you're gonna start a cult'. Danny really wishes he had taken that joke more seriously.

He just. keeps. collecting people. Wayward souls lost in the zone, looking for shelter or refuge from something or other -- whether that be another hostile ghost, or a past afterlife, or just a purpose. Danyal finds them, he takes them in, offers them a place on his island until they are ready to leave. Many seldom do. He's not complaining -- he has the space, and it feels like it's only ever growing.

His close friends, his "inner circle" as he's heard the others call them, keep insistently calling him "my moon". He starts calling them his stars, because then it only feels fair. They're his stars, this is his constellation. It becomes a thing; little star halos begin forming behind their heads, picking them out from the rest. He loves them so much, it's hard to place. Sam and Tucker are also his stars, but they reside in the living realm, they're his tie to Life. Meanwhile, his friends here know what it's like to be dead, and sometimes its nice to relate.

Those living on his island keep calling him "Great One" and he's beginning to notice zealotry in their care for his island. He really, deeply appreciates it. His close friends gain nicknames -- as his stars, it's only natural for him to pick them out from the cluster in the skies. Akihiko, his Sirius and bright star. Trix and Missy, Castor and Pollux, the twins and troublemakers. Ambroise, his zealous Antares and close friend. Penelopeia, chimeric and loyal Vega. And Akkara, his Arcturus and strength.

It's ridiculous how long it takes for him to notice; he is, of course, a deadly trained assassin. He is meant to be observant -- and normally he is! But somehow this becomes a blind spot. One that becomes too big to be dealt with by the time he realizes it.

He should've noticed when Aki, his Sirius, stood beside him one day while Danyal looked over his island and saw the sprawling spirits carrying on about their afterlife and bowing to him as they saw him, and said: "I looked down into the depths when I met you; I couldn't measure it." They aren't one for flowing prose, it took him so off guard he was silent for over a minute before he finally spoke.

Danyal should've recognized devotion for what it is, and yet he didn't. He should've recognized it when Antares began spouting praises about him, crowing about his radiance and resplendence to the heavens. He just brushed it off as Ambroise being Ambroise. He should've recognized it when Trix and Missy nearly broke Dash's leg after he knocked Danyal's books out of his hands, he excused it as them being protective. Of them coming from times where such violence may have been customary -- after all, that's what he used to be like. What he was still like, sometimes, when his emotions nearly got the better of him.

He should've noticed it when the people living on his island followed his word like gospel, looked at him like he hung the stars in the sky. When his friends gifted him a shawl with the moon phases delicately embroidered into it, with silver, shimmering thread and moving stars lovingly stitched into it. Their constellations seen clear as day in the dark fabric. When he found small shrines dedicated to him -- but they lacked any image of him beyond stones carved to look like moons, so he ignored it. When the religious imagery began popping up.

He really, really should've noticed it when a bunch of cultists accidentally summoned Antares, and Antares had turned to him when he arrived and called them heretics. But he was so centered on the fact that they had kidnapped one of his stars, that he hadn't paid much attention to what Ambroise had said.

Sages say that faith is blind, they should also say faith in you is even blinder.

It really only hits him one afternoon while he's sitting in Sam's room studying with Tucker, Missy and Trixie lounging at his feet, Aki sat on his right, Penelopeia braiding his hair, Ambroise draped against him, and Akkara lurking over him. Its one of the rare few times they're all in one room together.

It hits him like a bolt of lightning. He looks up from his textbook. "Oh Ancients," he says in no amounting shock. Everyone looks up to him.

"I've become my grandfather."

[artist-issues]

If you haven’t seen Wish yet and you love Disney, do not go see it. I am telling you now. It is ripping out the hearts of the Disney movies you love and then waving their corpses around as if celebrating those hearts.

I’ll explain why, again: the message of Wish? Awful. Anti-Disney.

But they've been doing this for a long time. Saying one thing with their movies, and saying another with their PR and Disney Parks Soundtracks.

I'll explain.

Main Idea of Disney's Wish (and the You Are the Magic theme park song and merch): "The power to make your wishes come true is in you."

≠

Most Disney Movies' Idea on How to Have Wishes: "Do what's right, (trust a higher power) and something even more wonderful than what you wished will happen."

Don't try to argue with me about this. You have to look underneath the slogans and the sweater designs and the song titles to what the stories actually support to acknowledge this.

Because you can’t say “do what’s right” has power unless you answer the question “who gets to decide ‘what’s right?’” (Which, coincidentally, is a question Wish brings up and then doesn’t answer.)

Audiences of Disney used to accept that wishing on a star was much like prayer; there’s something you long for, and it’s out of your hands, but you wish for it and you do what you know is right in the meantime. And you’re not crushed, you’re not downhearted, because somewhere in your mind you trust that the combo of those two things—wishing on a higher power and diligence to do what’s good—will be what makes your wish come true.

Trust in a higher power—COMBINED WITH:

—diligence to do what’s good.

The Blue Fairy (higher power) gave Geppetto his wish specifically because he had demonstrated commitment to do good, whether he got what he wanted or not. The Fairy Godmother (higher power) gave Cinderella her wish specifically because she kept on being kind and good to low creatures like mice and wicked stepsisters, whether she got what she wanted or not.

Do you know why that combo (higher power + diligence to do good) is impactful? Timeless? Important?

Because it’s selfless. You want something, but you’re not going to sacrifice doing the right thing to get it. You’re not going to focus so hard on making what you want a reality, on your own, that you miss out on things that could be more important than what you want. And, you’re not so self-focused as to believe that if you don’t do it, it won’t get done.

Jeez, that’s the whole point of The Princess and the Frog!

Tiana wishes to have her own restaurant, and she believes that only her own hard work will grant that wish. She misunderstands her dad’s advice before he dies. She isn’t willing to trust a higher power combined with her own diligence to do good—she only trusts her own ability.

It’s not until she realizes that Ray, the character of faith, was right all along that she learns—what she wished for was too self-focused. It wasn’t complete without love. Something bigger than herself. And getting that was never going to happen just based on her own hard work.

But you know what? It was never going to happen just by a “higher-power” flavored shortcut, either. Because Facilier offers her her wish if she’ll just trust him, no hard work needed. But what does she say?

Trust in a higher power + diligence to do what’s right = selflessness, and getting more than you could have ever wished for. And if your wish is selfish, doing those two things will change your wish into something selfless.

More examples? Get ‘em while they’re hot, in case Wish made you forget, just like the current #NotMyDisney executives have forgotten, what real Disney wishes are for.

Belle wishes to have adventures in the great wide somewhere--but when she's imprisoned and that chance is taken from her it's not reversed because she worked hard to make her wish come true. It's granted because she gave up her wish for her father: she just did the right thing, regardless of her wish. And in the end, she does get what she wished for, which is adventure in an enchanted castle...and much more, because she gets true love, a throne, and a castle full of friends.

How about the One Who Started It All? The one Wish is failing to pay genuine tribute to?

Snow White wishes for someone to love her, and he does--but when they're separated, she does not exercise power to make The Prince come back to her. Instead, she loves who she can where she’s at—the Dwarfs. In the meantime, she has faith that he will keep his promise, and that pure trust in a higher power outside of her control is a big contributing factor to why the Dwarfs come to love her, and learn from her...and in the end, even more than she could've wished happens. He does take her to his castle, but she also has seven new friends who also love her, and the Queen is dead. And she didn’t need to use “the power in her” to work harder and get it done. She just needed to not focus so much on herself at all.

How about a male main character? One who’s wish starts out selfish, but after learning to wish on a higher power and be diligent to do the right thing, gets more than he could wish for?

Aladdin wishes to be somebody different (somebody he believes Jasmine could love, somebody who lives in a palace and is respected and “never has any troubles at all.”)—but doing everything in his own power for that wish proves that it was selfish all along; so he switches to doing the right thing, regardless of if his wish comes true, and he gets even more than he could’ve wished. He gets real love with Jasmine, he gets his friend Genie, and he gets to be free from feeling “trapped” because he doesn’t have to hide who he is anymore.

Or Simba?

Simba wishes to get to do whatever he wants as King—but when Mufasa dies and he’s convinced it’s his fault, it isn’t for that wish that he goes back to Pride Rock to confront his past and his Uncle. It’s because he had an encounter with a higher power—his father—that helped him to realize his wish was selfish all along. He gives up the selfish wish, and he goes back to take his place as king, not so he can do whatever he wants, but so that he can take self-sacrificial responsibility that comes with ruling. And because he just does the right thing, finally, he gets more than what he wished for.

How about something more recent? Zootopia.

Judy wishes to make the world a better place by proving she can be what she wants to be and catching bad guys—but when she tries to make her wish happen on her own, in her own abilities, she fails and is forced to realize that she should’ve been looking for help by understanding “bad guys,” like Nick. It’s only after she humbled herself, admits she’s wrong, and changes her wish from “proving I can be what I want and catching bad guys” to “proving that understanding each other makes the world a better place” (much less self-focused) that her wish comes true—and so much more. She does make the world a better place, and she does get to catch bad guys, but she also gets to befriend one who was a good guy all along, and become all-around more effective at her dream job.

This is how Disney always has been. Because it’s at the heart of good storytelling, and even life (not to get too dramatic.)

The power is not in you. Because it’s not about you. Self-sacrifice, faith, and doing the next right thing regardless of if you get your heart’s fondest desire is what makes more than just your wishes come true. And there has to be belief in a higher power to make that message powerful.

But Wish?

Not only is it bad at showing instead of telling. Not only is it lazy and soulless.

But it’s characters rip the Star out of the sky and say “don’t wish on this. Wish on yourself, to get what you wish for. You don’t need a higher power. You don’t even need to sacrifice to do what’s good—whatever you do is good, because you are the one doing it.”

That is wrong. That is not true, and it is not powerful. There’s no sacrifice in focusing on or placing your trust totally in yourself, and it undoes every good thing Disney has done up until now.

And it undoes it on the 100th anniversary, and it flaunts Easter eggs of the very things it’s undoing.

[inkskinned]

so while i was writing the book, i became violently suicidal.

this was mostly due to the fact that i had a very bad reaction to some meds and my brain stopped producing any serotonin. also i was in the last semester of grad school where it's actually illegal to feel anything but dread. so it wasn't going well.

somewhere in the fog of it i became aware i needed help. nobody was taking clients or my insurance. i didn't want to do inpatient care - it wasn't right for my needs. there's not really an "in between" stage between "inpatient" and "no care," but i was trying to do the right thing. i was trying to activate the chain of command that was my emergency plan. i knew i needed help now.

i used betterhelp.

i know, i know. i'm a straight-A student and so smart and so clever, how could i ever use something so blatantly bad. to be honest with you, i didn't feel particularly keen on it from the getgo - things that seem too good to be true usually are. also, if something online is free, the price is usually your privacy.

the thing is that there was kind of a global pandemic happening at the time and i worked 5 jobs alongside of being a fulltime student and also like writing a book on the side. it is a miracle that i even thought about getting help. i would love to tell you i had the mental wherewithal to like, process whether this was the right choice for me. mostly i was desperate. i was so suicidal that i was trying to find a reason to stay inside of fortune cookies. i was the kind of suicidal that looks like splatterpaint. i hadn't been that bad in an entire decade.

they took my data. i gave them it freely. somewhere out there, they have a dossier on me. on everything i survived. my story in little datapoints, scattergraphed beautifully.

the first woman told me that really i should be grateful, because (and this is a direct quote): "at least you're not anne frank." i said that i felt that statement was antisemitic, as anne frank's life and experience shouldn't be compared to like, a nonbinary lesbian in western massachusetts. the therapist said that i should try to use lucid dreaming to try to picture myself in an actually scary situation, like running from nazis.

i applied for another therapist. i was willing to accept the possibility that there was a bad apple in the bunch. the next therapist and i even laughed about how inappropriate that statement was. and then, in our next session: the new therapist said if i was struggling with body image issues, i should just work harder on my appearance. she spent 3 sessions in a row talking about how she was grieving, and made me memorize facts about her grandmother so "she can live on through my clients."

i am a three's-a-charm kind of person. okay, so what if the last person made me uncomfortable. i figured it was just a misunderstanding of priorities - she had felt she was sharing with me, i had felt like i had to take care of her. i applied for another therapist.

the last woman asked me to help her pray. she bowed her head. i stared at her, frozen, while she said: lord, i beg you: cure her. take the pain of being gay away from her.

i spent somewhere between 2.5 and 3 months on betterhelp. in that whole time, i was not getting the professional help i so desperately needed, even though i was fucking trying.

in the end, i survived this because i finally could get off the meds that were literally killing me. a request for a real therapist finally went through. i survived because my friends saved my life. because nick let me sob myself dry in his arms. because maddie took the razors out of my room when i asked them to. because grace slept over in my bed for like 3 weeks in a row since nobody trusted me not to hurt myself when i was alone. i survived because i got fucking lucky. because even when i was desperately suicidal, i was too old and too self-aware to take "you need to be prettier" as good advice.

the thing is that there's a 19 year old me who isn't like that. who would have heard "just think about how grateful you should be" and said - oh, i see. i would have assumed that is what it means to be in therapy: the same thing my abusers used to tell me. that i am just pretending and lazy. that i am ugly and unworthy.

betterhelp positioned itself to take advantage of an incredibly vulnerable community. it preys on desperation. it knows it is serving people who are not doing well mentally. it saw that there is a huge need for real, immediate, compassionate mental health care: and then it fucking takes your money and privacy.

i still get their ads on instagram. last night i watched as a woman in a pool pretends to talk to a different woman. they discuss her anxiety.

there's a 19 year old version of me, and she didn't survive this. she was too tired, and drowning. i almost fucking died. this thing almost fucking killed me.

in the ad, the woman playing the therapist takes a note on a clipboard and then nods once, sagely.

i have to admit it's a pretty scene. the steam and light coming off the pool water lands on the actresses. like this, it almost looks baptismal, holy.

[diamondcitydarlin]

Just fair warning- I said on my personal post about this that I wasn't going to talk about Neil Gaiman anymore, but as it's becoming clear that him and his publishers and anyone else who makes money off of him is circling the wagons and trying to bury these allegations, as well as some fans still defending and trying to 'rationalize' this information, I feel like, actually, we need to keep talking about him (as much as I cannot stand him and feel physically disgusted now when I so much as see his face somewhere). Specifically, the fact that he's a liar, master manipulator and should not, under any circumstances, be given access to his fans like he has in the past. At the very least. (And if you need to blacklist his name or even unfollow me so as to not be triggered, I completely understand, but I will always try to tag these posts accordingly and I think it's crucial right now that the truth be put where people can see)

This post specifically is in response to those 'rationalizations' I've seen, some that have gone as far as to blame the young fans/groupies that hooked up with him for being 'golddiggers' or just making a mountain out of a molehill for something they now regret. It's not that simple, yall. (And, again, this requires some amount of completely ignoring the story about him extorting his tenant for sex under threat of eviction of her and her three young children, I'm not sure how you 'rationalize' that under the best of circumstances)

So let's be clear here. What we know is that NG has routinely, for possibly an upwards of 30 years, pulled sexual 'partners' from his fan groups, most of whom are 18-22 year old young women (though possibly younger, accounts are coming forward of 16 year olds having allegedly been inappropriately touched/flirted/propositioned by him, which ig is the age of consent in the UK but still?? 16 year olds!!). This wasn't one or two times in the course of three decades, this was a constant pattern of behavior for him and for a very insidious reason.

This isn't to try to infantilize those fans or young women/young people in general or try to suggest that they couldn't have consented to sex with an older person or famous person. In fact, the onus isn't on them at all. This is about an older guy with a lot of fame, power and wealth choosing to sleep with people that he had already conditioned to idolize him and using that power imbalance to coerce them into doing things they didn't want to.

Regardless of one's age or gender identity, it can be difficult to impossible to say 'no' to someone like that. After all, you've been 'chosen' by the chosen one, you're special and not like everyone else, and if you don't do what the popular person everyone trusts is telling you to do you could end up ostracized. Alienated. Or worse. And you know what? Gaiman knew that! He knew it when he was crafting his 'approachable dad' persona on tumblr. He knew it when he was cultivating a fandom of personality. He knew it when he was having huge meetups to try to ensnare more victims. I hate to even think it, but I'm starting to believe he knew it when he was writing children's books too.

It's been talked about again and again in separate issues, but needless to say something not being strictly illegal does not make it inherently, morally okay. It does not erase the fact that this man has been essentially grooming his fandom to feel safe meeting/speaking with him so he can coerce those he can snare into sexual acts they're not comfortable with. That is predator behavior, whether strictly 'illegal' in the eyes of a court or not (but ofc I think he should be criminally punished even if I'm not naive enough to think he actually will be, because this IS rape and rape should be criminally punished)

I'm not personally advocating for anyone to give up being in his related fandoms, but what I am personally advocating for is that people don't forget who he is and what he's capable of, especially when he tries to crawl back to where he was (I'm almost certain he will eventually, as I've said).

Again, at the very least, we need to use what little influence we do have to keep him from infiltrating fan spaces again. He should not be on tumblr yukking it up with young people, he should not be at public appearances hitting on teenagers, he should not be given the unrestricted access to fans that he's 'enjoyed' for the past 30+ years because he is not a safe person. While I wish there was more in the way of restorative justice that could be done, I think at very, very least we should do what we can to limit his proximity to people he could hurt in the future. Make sure no one forgets, because sweeping this under the rug means Gaiman gets to hurt more people.

Lastly, no one is the wrong for having been manipulated by him. Let's make that very clear. What we're NOT gonna do is blame ourselves, each other, the victims, etc, for evil acts that Gaiman chose to do himself, time and time and time again. It doesn't help the situation and it certainly doesn't protect future potential victims. We were all duped because we're human and we attach and a lot of us want to believe there are good people out there, particularly those who make art that means so much to us.

And there are. But let's also use this a teaching/learning tool about how much faith we place in famous people in the future, regardless of how 'approachable' and 'safe' they might seem. Let's remember to have a healthy suspicion of creators/famous people that are oddly immersed in fandom spaces- yes, even the ones you still currently like that seem fine, as difficult as that may seem.

At the end of the day, we don't know them or what they're capable of doing or what they might be plotting to do to us. Support victims. Amplify their voices. Don't forget.

[dalla-mia-isola-strana]

Neil Gaiman is accused of sexual assault, sexual coercion and rape

A third woman came forward a couple of days ago.

None of the problems people had with the other podcast (and to be honest, I think those arguments mostly just represent the denial and bargaining phases of grief) apply to this one. This woman says she only came forward because the Tortoise podcast made her aware she wasn't alone. Until then she'd believed him when he told her it was just her. Good Omens fans, I'm sorry if you're hearing this from me (although unfortunately it does matter that you hear it from someone). If you had heard but tried to look the other way -- listen, I know this is shocking and heartbreaking. It is of course up to you how you participate in fandom from here. But please stop tagging your fandom posts "Neil Gaiman". You are ensuring that anyone searching for information is going be swamped with Good Omens fanart and S3 countdown posts and pictures of socks(?) and photos of actors who have nothing to do with this. They might then conclude that there's nothing to these allegations. And that matters: at present, aside from Rolling Stone and the two podcasts, this story hasn't received much press attention. The latest survivor says that she tried reaching out to reporters and was told her story "wasn't enough." So at least for now, social media sites do matter as a record on this. When you drown out this story with your fandom feelings, you are helping, whether or not you realise it, to cover it up. And considering that he seems to have targeted fans who trusted him... I don't even want to finish that thought. So please, stop. Do what you want in the other, more relevant tags. But you're likely to have a better experience if you start trying to separate it from him, anyway.

UPDATE, 01/08/2024: Two more women have come forward, bringing the current total to five. The very grim details are here.