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#not the motivation itself
symphonyofsilence · 1 year
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Normalize people not wanting to be miserable anymore as a solid motivation, and not an immoral, dishonorable, weak one.
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sunlitsoil · 6 months
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there is always tomorrow
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blondie-drawings · 17 days
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I recently got a bunch of TNG novels at a charity shop and this passage from the FIRST BOOK is making me feel craaaaazy
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hiekka · 3 months
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fuck everything else i just drew him with semi-consistent features also this is the immediate aftermath of the last sketch i posted
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morkshark · 11 months
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Who are you, really?
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bunnieswithknives · 26 days
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GET HIS ASS FLOWERS! GET HIS ASS!!
Did Flowers target Dale specifically because of him shooting his own son?
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Yes! Sort of. But don't mistake anything Flowers does to be out of genuine good will
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sarahsupastar · 3 months
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no background version
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intotheelliwoods · 2 months
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Did Poptart know about fusion stuff before Toast happened the first time?? Like did he hear about Avocado beforehand or was it just 'wtf just happened' the moment they unfused?
The thing all happened by accident that first time, Poptart didnt know at all beforehand!
Comic below is a follow up to this btw
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shizunitis · 2 months
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how fucked up would it be if shen yuan transmigrated into shen qingqiu because bing-ge had an errant thought of ‘i wish he was kind to me’ in the woodshed literally nanoseconds before the switch?
the system couldn’t figure out how to give shen yuan to bing-ge, or it simply didn’t care enough to figure out the logistics of setting up such a divergence. as long as the possibility was explored in an alternate simulation-type setting, it would be satisfied.
he inadvertently created a better life for himself, but not one he’d ever get to live.
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turtleblogatlast · 3 months
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[ cw: homophobia mention / transphobia mention / ]
Hate being mad on main but since apparently some people wanna be homophobic and transphobic in this fandom, on this website, in this year, I gotta say boy howdy I sure do love how literally none of the characters in Rise are cishet! Not a one!
Pride month? More like pride year, yeah?
(But yeah if there’s any homophobes or transphobes following me I heavily suggest you leave now, please.)
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artsy-1diot · 2 months
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drawing kudos managers as I beat them part 7 (+satellite investors)
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IM FINALLY FREE FROM THIS DRAWING OH MY GOD i had to learn how to draw skelecogs just for this drawing and it took like four days to make.
also fun fact one of my besties is named nix :3
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ganondoodle · 14 days
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(zelda comic rough draft)
im still unable to draw anything ... except for really slowly getting the chapter 2 rough draft further for some reason, another screenshot from page 59
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sammygender · 3 months
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i’ve never been as angry on behalf of a character as i am for sam winchester
#currently thinking about season four and five. absolutely fuckibg mental#the world literally reshapes itself around him to prove him wrong#its all framed as God. Sam was so stupid and selfish and reckless for drinking demon blood. He just liked the power of it and he chose a#DEMON over DEAN.#but. that’s not the story they tell in s4.#like even aside from every single other complexity. Sam is literally right. he has ZERO WAY of knowing that killing lilith is the final seal#AND DEAN DOESNT KNOW TJAT EITHER. like sam is literally right he can kill lilith and he does kill lilith. dean wants lilith dead just as#much. sam’s cardinal sin is disobeying dean and then the world flips around on him and plot twist sam and dean were both wrong all along and#killing lilith is what will bring back lucifer :)#but. it’s not framed like that either. it’s framed like SAM BROUGHT BACK LUCIFER BY KILLING LILITH WHILE HIGH ON DEMON BLOOD#dean you wanted to kill lilith too?????????#but. doesn’t matter dean despite being mostly motivated by jealous anger is retroactively proven to be Right#and sam is retroactively proven to be Wrong. he is bad#i just. jesus. sam’s not evil ever. he’s hardly even that fucking morally grey#and he still thinks there’s something wrong with him that he’s a freak that he’s inherently evil and needs to be purified#why?? cause of something fucked up that happened to him when he was a baby#and because he’s disobeyed his father and his brother and been angry at awful things that have happened to him#makes me feel fucking insane actually#no wonder narrative frames sam as evil no wonder he’s inherently marked as Bad by the forces in supernatural like even on a meta level#in supernatural gods just another shitty father. embodiment of the familial patriarch. and from sam’s very first moment on the show he’s in#opposition to that he’s ran away from john and he argues with dean. therefore he is evil#i don’t think my words r really making sense right now but. fucking hell#and sam is so swamped in guilt all of season five and he just fucking accepts that everything bad is his fault#and he gets tortured in the cage to save the fucking world and it’s STILL not enough. not to appease his own guilt and not to appease deans#anger at him. dean is still throwing his perceived violations back at him in like season nine!!#and whenever he tries to get out it’s treated as yet another Sin. narrative acts like sam thinking dean was dead and having a life outside#of hunting is The Worst Thing He Ever Did#worst sin sam ever commits in the eyes of the show is disobedience. Absolutely awful actually#spn#sam winchester
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deoidesign · 5 months
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Happy EDS awareness month!
I'm a webcomic artist with EDS. be aware.
EDS affects many parts of my life. I have chronic fatigue, chronic pain, and I need to use a cane! I often find myself ruminating on themes of chronic illness in my work, whether or not I am intending to include them.
I already can't paint anymore, it hurts my hands too much... Anything that requires small details or precise motions will hurt me for days. I have a lot of grief around it. But working digitally allows me to still create!
I animate, I illustrate, I get to tell my stories. I have to go slow, take huge breaks (often against my will) and recover slowly. But, working in this space allows me the grace to do this.
So, I just wanted to share a bit of my experience with my audience, and say thank you for reading my work and supporting me! It means the world to me, and I hope maybe someone in my audience feels a little more seen through me sharing this. It causes me pain, but I love myself; and that includes my disability.
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I think my most toxic trait as a Zenos enjoyer is wanting to 1v1 everyone who says that Zenos actively wants to kill his opponents
Like, completely disregarding that it is actively ignoring the text even in StB there (and that he consistently wants the WoL especially to live), he, uh, is written as having a desire for more the opposite to happen. Very, very consistently. His drive to live is solely linked to brief moments of pleasure-from-struggle and when that drops he explicitly wants to die so he can preserve the moment (and like. *looks at the end of 6.0* if he wanted to kill the WoL he would not be disappointed when they fall before the game allows it, nor would they have lived after given his will was strong enough to bring them back if they bite it). He wants struggle and lacks the ability to give enough of a shit to hold back if someone walks up and says they're going to go for his head.
Like, death is a side effect of what he's after, it's not the goal and he explicitly considers it a waste of life. Even fighting isn't the goal, the goal is to struggle, to need to put effort in. The WoL is just the only person to put him in that state as he currently is, hence his obsession.
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anghraine · 1 month
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melyzard replied to this post:
You know, given that P&P was published in 1813 before the 1696 window tax was repealed, she might just be admiring both the outdoors AND the expansive and numerous windows themselves. I mean, good windows really were a big sign of wealth and consequence until 1851 when the tax was finally repealed. But yeah,also,yeah, she's definitely more interested in the outdoors than the Great Chimney Places of the Wealthy
It's true that windows were a major status symbol at the time and long before, but I don't think Elizabeth much cares about that, in all honesty! That is the relevant historical context for Mr Collins's rhapsodies over Rosings' windows, for instance:
she could not be in such raptures as Mr Collins expected the scene to inspire, and was but slightly affected by his enumeration of the windows in front of the house, and his relation of what the glazing altogether had originally cost Sir Lewis de Bourgh
He's silly but he's not mistaken in identifying the windows as a significant status symbol (which without that cultural context can seem like just another Mr Collins absurdity). But Elizabeth specifically, as a person, is consistently not very interested in these kinds of status symbols (though she knows they're there and understands what they signify). She is attracted to natural beauty and unassuming elegance, which is the overwhelming note at Pemberley:
She had never seen a place for which nature had done more, or where natural beauty had been so little counteracted by an awkward taste.
Even when it does come to Pemberley's expensive interior, she focuses on the aesthetic dissimilarity to Rosings and, even more, about what is suggested about Darcy's relationships to other people dependent on him (Elizabeth's takeaway from the pretty interior decorating project for Georgiana is "He is certainly a good brother" and not how much disposable income this represents, say).
The fuller quote when she first approaches the window is pretty clear about what Elizabeth is focusing on, IMO:
Elizabeth, after slightly surveying it, went to a window to enjoy its prospect. The hill, crowned with wood, from which they had descended, receiving increased abruptness from the distance, was a beautiful object. Every disposition of the ground was good; and she looked on the whole scene, the river, the trees scattered on its banks, and the winding of the valley, as far as she could trace it, with delight. As they passed into other rooms, these objects were taking different positions; but from every window there were beauties to be seen.
#it's sort of like her recognizing the darcy family livery when his curricle shows up in lambton#before making out darcy and georgiana themselves - she knows what an omnipresent livery signifies#and can instantly identify darcy's which suggests she's seen and noticed it many times#but we hear about it exactly once because she doesn't actually care#and also all these other concrete signs of prestige really flow outwards from the land in their socioeconomic system as well#it's often said that the only difference between the bennets and darcys in social status is that darcy has more money but this is very wron#the difference is that he has vastly more (inherited) LAND and thus power and prestige#the money generated by that land and what it can buy are part of that prestige but only part - so for elizabeth (a member of the gentry)#it makes sense even in socioeconomic terms that she's very focused on the land; even her joke to jane about mercenary motives#doesn't mention his money—only his land#(we're told that pemberley itself generates the full ten thousand a-year so we're not dealing w/ a norland + other inheritances situation#i'd argue that the main significance of his wealth for elizabeth is what it says about his property and not the other way around#even in her first conversation with wickham she describes darcy as 'a man of very large property in derbyshire' rather than by income)#melyzard#respuestas#elizabeth bennet#fitzwilliam darcy#austen blogging#pride and prejudice#jane austen
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