how fucked up would it be if shen yuan transmigrated into shen qingqiu because bing-ge had an errant thought of ‘i wish he was kind to me’ in the woodshed literally nanoseconds before the switch?
the system couldn’t figure out how to give shen yuan to bing-ge, or it simply didn’t care enough to figure out the logistics of setting up such a divergence. as long as the possibility was explored in an alternate simulation-type setting, it would be satisfied.
he inadvertently created a better life for himself, but not one he’d ever get to live.
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[ cw: homophobia mention / transphobia mention / ]
Hate being mad on main but since apparently some people wanna be homophobic and transphobic in this fandom, on this website, in this year, I gotta say boy howdy I sure do love how literally none of the characters in Rise are cishet! Not a one!
Pride month? More like pride year, yeah?
(But yeah if there’s any homophobes or transphobes following me I heavily suggest you leave now, please.)
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Happy EDS awareness month!
I'm a webcomic artist with EDS. be aware.
EDS affects many parts of my life. I have chronic fatigue, chronic pain, and I need to use a cane! I often find myself ruminating on themes of chronic illness in my work, whether or not I am intending to include them.
I already can't paint anymore, it hurts my hands too much... Anything that requires small details or precise motions will hurt me for days. I have a lot of grief around it. But working digitally allows me to still create!
I animate, I illustrate, I get to tell my stories. I have to go slow, take huge breaks (often against my will) and recover slowly. But, working in this space allows me the grace to do this.
So, I just wanted to share a bit of my experience with my audience, and say thank you for reading my work and supporting me! It means the world to me, and I hope maybe someone in my audience feels a little more seen through me sharing this. It causes me pain, but I love myself; and that includes my disability.
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I think my most toxic trait as a Zenos enjoyer is wanting to 1v1 everyone who says that Zenos actively wants to kill his opponents
Like, completely disregarding that it is actively ignoring the text even in StB there (and that he consistently wants the WoL especially to live), he, uh, is written as having a desire for more the opposite to happen. Very, very consistently. His drive to live is solely linked to brief moments of pleasure-from-struggle and when that drops he explicitly wants to die so he can preserve the moment (and like. *looks at the end of 6.0* if he wanted to kill the WoL he would not be disappointed when they fall before the game allows it, nor would they have lived after given his will was strong enough to bring them back if they bite it). He wants struggle and lacks the ability to give enough of a shit to hold back if someone walks up and says they're going to go for his head.
Like, death is a side effect of what he's after, it's not the goal and he explicitly considers it a waste of life. Even fighting isn't the goal, the goal is to struggle, to need to put effort in. The WoL is just the only person to put him in that state as he currently is, hence his obsession.
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melyzard replied to this post:
You know, given that P&P was published in 1813 before the 1696 window tax was repealed, she might just be admiring both the outdoors AND the expansive and numerous windows themselves. I mean, good windows really were a big sign of wealth and consequence until 1851 when the tax was finally repealed.
But yeah,also,yeah, she's definitely more interested in the outdoors than the Great Chimney Places of the Wealthy
It's true that windows were a major status symbol at the time and long before, but I don't think Elizabeth much cares about that, in all honesty! That is the relevant historical context for Mr Collins's rhapsodies over Rosings' windows, for instance:
she could not be in such raptures as Mr Collins expected the scene to inspire, and was but slightly affected by his enumeration of the windows in front of the house, and his relation of what the glazing altogether had originally cost Sir Lewis de Bourgh
He's silly but he's not mistaken in identifying the windows as a significant status symbol (which without that cultural context can seem like just another Mr Collins absurdity). But Elizabeth specifically, as a person, is consistently not very interested in these kinds of status symbols (though she knows they're there and understands what they signify). She is attracted to natural beauty and unassuming elegance, which is the overwhelming note at Pemberley:
She had never seen a place for which nature had done more, or where natural beauty had been so little counteracted by an awkward taste.
Even when it does come to Pemberley's expensive interior, she focuses on the aesthetic dissimilarity to Rosings and, even more, about what is suggested about Darcy's relationships to other people dependent on him (Elizabeth's takeaway from the pretty interior decorating project for Georgiana is "He is certainly a good brother" and not how much disposable income this represents, say).
The fuller quote when she first approaches the window is pretty clear about what Elizabeth is focusing on, IMO:
Elizabeth, after slightly surveying it, went to a window to enjoy its prospect. The hill, crowned with wood, from which they had descended, receiving increased abruptness from the distance, was a beautiful object. Every disposition of the ground was good; and she looked on the whole scene, the river, the trees scattered on its banks, and the winding of the valley, as far as she could trace it, with delight. As they passed into other rooms, these objects were taking different positions; but from every window there were beauties to be seen.
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