#not that long tho i’d say

[saetoru]

it’s so wild that my first blog was haikyuu centric for 9 months straight. like literally almost a year i was hooked on one fandom and now i cannot stick to a fandom for longer than a week like what happened

[katabay]

”—ah. seems like mother goose has been playing around in your egg salad. if you won’t dance to that tune, I got others.”

honestly, the would you kindly scene is whatever to me*, code yellow is the more interesting violation/betrayal of the body because of how beautifully it escalates the Fontaine reveal/betrayal and shows how ugly some of those ‘locks and keys’ that Tenenbaum mentions are. not only have you been a tool in another man’s hand this entire time, it goes deeper. your body is not your own.

*there used to be a meandering thought here about the would you kindly scene, but it was really just talking around the fact that I spent way too many years seeing people discuss it in the most insufferable and reductive ways possible when it’s a combination of three or four other things that make that moment compelling lmao

collage credits: heart one/heart two

⭐ places I’m at! bsky / pixiv / pillowfort /cohost / cara.app / tip jar!

[fumifooms]

Makima, devils and self-fulfillment

Dumping some Makima and CSM thoughts after a part 1 binge bc I think about her forever and ever. I’m sure I’m forgetting some devil lore, feel free to correct what i get wrong/what’s been confirmed. On the table of contents there’s why & how Makima got fixated on Chainsaw, her revealing liking for the country mouse and discussion of her nature & emotions & desires. Was the scorpion doomed to be a scorpion?

The most of this post was thought of during a conversation with @saccharineomens and I don’t think it makes sense to jump into the spiral it sent me on without first laying down the interesting groundwork theorizing she did:

"Thinking about how makima herself wants to be deified. I wonder whether she recognizes the difference between Love As Worship and the love that Aki, Power, and Denji had. She says she wants to help humanity by having Chainsawman eat the “bad” devils, but why does she want to help humans? Because she was ordered to by the Prime Minister? No, her drive seems much more personal than that, it seems like she teamed up with the PM for contractual reasons. (In the most recent chapters we see governmental members wanting certain devils to be eaten, too. What was Makima’s relationship with them? She’s too independent to just follow THEIR orders, she’s Control.)

So is she wanting to better humanity for the accolades, or out of the goodness of her heart? She sees the big picture. She sees any small sacrifice as worth it for the end result, and she’s ruthless. Perhaps she thinks that a more sedate human race would be easier to control? But Makima doesn’t loathe humanity. She never acts like she sees all humans as lesser. She loves humanity’s creations, like good food and movies. She just wants Good Things all the time

She says she prefers the country mouse BUT adds a story where she helps exterminate country mice like vermin. She likes the simplicity yet rejects the idea of being simple. Makima the complex individual you are"

~

The story itself seems to prefr the country mouse. Well- it strikes a balance, shows that a risk to live good & fully can be very worth it, but still that stability over ambition is preferable, proning having a simple happy life over fame, a simple job instead of a dangerous one, etc etc. And I do find Makima’s answer on this so so interesting, she prefers the country mouse, but this preference isn’t out of affection or sympathy but because of how relaxing it feels to exterminate them when they cause problems.

Order satisfies her. Her order satisfies her. She likes the action of rooting out disorder. Maybe this is the devil part, like how Power especially wants blood and drinking it, I feel there’s an itch to every devil, and for Makima it’s a very rigid world view/morality/standards & making things follow her rules and submit to her order.

And maybe this is why she’s attached to humans too, why she felt it was worth it to stick with the government- because devils are chaotic by nature (it’s a whole plot point that hell is essentially a free-for-all battleground for example), meanwhile humans are the species that universally rule Earth with systems they invented and instilled. They made then enforced rules, complex and intricate webs of them. She feels alienated amongst devils but she understands the humans’ need for an orderly organised society, and now she wants to be part of it. Control and conquest require social dynamics after all, requires civilizations or groups. War is chaotic while peace is, well, peaceful— Makima resents her sisters for being death, famine and war, things that throw the world in such chaos. She wants a world of perfect order, no matter how much collateral damage there will be if the end result is control.

This is even more interesting if you consider that yes, Makima is untouchable of her own design, she deifies herself with her omnipresent amount of control and the sway over others that she seeks and encourages— There is this urge to dehumanize her for it, that yes, she is the devil of control and that means she was never going to be any different, have any more feeling be any less uncanny. And I love part 2 so much for this, because it shows us the war devil and the famine devil and we see how frankly uncharismatic with poor self-discipline they are, Nayuta too, and it helps us realize just how much Makima’s success was self-made.

She admires Chainsaw Devil, the Hero of Hell, because he had his own code and his own rules and he made Hell, the chaos pit, submit to them unfailingly. Wherever he goes he decides what he does and what happens to the people he encounters but does so consistently, he has his mechanism and his rules that he always obeys, and he fulfills them every time. It’s still a mystery the why of Chainsaw Devil’s behavior back then and how it works exactly, maybe Pochita left hell because he was tired of these rules he lived by like chains, but still, he was a servant to his code. Makima would have been glad being killed and eaten by Chainsaw Devil because it’d have been becoming part of his design, his conquest, his domination, she’d have been part of that —his— order. Through her death she would be shaping his world and be part of a conqueror’s making history. Like how she appreciates the country mice that die for the sake of order. Like how sacrifices must be made to herself, like listing the name of every person whose life was lost to the Gun Devil— All for the ~greater good~, for her vision for the world. Conquest always thinks its reasons are justified.

And she does mention with the country mice thing that she goes out to a friend’s farm every year! She has a human friend?? That she visits yearly and she genuinely likes it?? Ultimately she lives a busy city life because of her goal and drive and her urge & satisfaction with overseeing shaping the world herself, but part of her, like so many characters including Angel and Aki and Reze, wishes she could live a slow peaceful country life. Moviegoing and dogs and mice in a farm- Wouldn’t it be so much simpler if Makima could find fulfillment and happiness in being a farmer, in keeping control of her own farm, getting satisfaction from exterminating vermin and expertly getting everything right, the right crops grown at the right time on the right soil? Here, too, in a way it’s trying to have full control of an ecosystem, but her goals would be easier to achieve and better, without ceaseless sacrifice or much pressure. But Makima wants grandiosity and her goal does matter to her on a fundamental and moral level, she does think she knows what’s best for the world, and with the power to change it why wouldn’t she strive to? Visiting the farm is just a break, just something she does in fall to help out and just in time to see the vermin extermination. It calms her, then it’s back to actual work.

In capitalism, even the one at the very top of the ladder is ultimately alienated from others and often unsatisfied by their lifestyle, always wanting more and more power because surely that’s the extra edge they must be missing to be content— like how Makima thinks she wants to dominate Chainsaw Devil instead of being his equal. And she says it herself too, she likes humans the way humans like dogs…….. And she keeps so many dogs :( Makima prefers the country mice because they’re calming to root out, maybe because she usually mainly deals with city mice. It’s very easy to equate humans to the mice in this allegory because it’s pretty direct and she’s already likened humans to lesser animals compared to her. She’s self-isolating by design for her design but she still craves relationships and contentment, and the dogs are the embodiment or her want for bonds and occasional simplicity because there is no possible ulterior motive, no way they tie back into her wider plan. They’re her personal life— something that feels so alien when speaking about Makima. Personality and individuality and likes and preferences and friends they visit every year. She likes how easily she can train a dog and how they become putty in her hands, at her beck and call, how much they love her and how much she enjoys their love. How simple and straightforward and easy it is. She keeps them because she likes being loved by them and loving them, and she’s gotten and raised so many. A conqueror always wants more and more and more, is never satisfied.

Devils and agency

Like Power the blood devil wanting blood and having a fixation on drinking it like with Denji’s, or how it was shocking that the violence devil was pretty tame and nice and how he himself theorized it was because he was a fiend and possessing a human body… There’s something to be said about nature vs nurture with the devils. The way they reincarnate and always embody their fear makes it seem categorically like nature, that they always always end up fulfilling the role they were named after and born to fill… Outside influence they’re helpless but to conform with. Like the humans accepting their spot in the social ladder and the shittiness of their living conditions and job under capitalism. Makima craved being equals with someone despite being the control/conquest devil, Angel Devil despite claiming to be a devil who likes to see humans dying was haunted by their deaths and wanted to avoid ones like Aki’s. The Ghost Devil being ironically haunted by Himeno, seemingly helping Aki in her memory out of… Lasting affection? Or maybe it was less about being haunted itself and more about it recognizing how Himeno haunted Aki, and acknowledging that, with the memento, paying her respect to the ghost of her. It’s Angel Devil’s devil nature that makes him like human suffering, so then is it his angel nature too to still care about their deaths? Is there truth to this or is that just personality, just our confirmation bias haunting every part of their identity like it might in their own view of themselves too? We do know different reincarnations of devils do have different personalities after all.

Yoru, war devil, is the most interesting one when talking about the nature vs nurture debate with devils. There is how through her we see the perhaps the most the consequences of a devil stopping being feared— we see a horseman for a concept as universal and horrifying as war be reduced to some bird who needs a contract with a human to have any power even just on the situation when meeting Asa. And through the story we get to know her better, and it becomes clear that her goal is fueled in good part by simply wanting to be remembered and respected through fear. Liked, validated, seen a powerful. But what is more isolating than war? Or control? We also see Nayuta accepting others’ house rules. If part 1 shows perhaps the futility of running away from the truth, with Denji’s memory, with escapist coping mechanisms, with passivity and denial under a corrupt system and with abusive relationships- running away from your own feelings and from the reality of things and from all that you are, more complex than simply human or devil or both or neither— part 2 builds upon the theme of cult of personalities, the chainsaw church, etc. The apocalypse is coming, but this celebrity superhero might save us all, or doom us all uh, dunno. The hero of hell reliving the cycle of pressure from responsibilities and expectations, maybe the part will end with Denji running away like Pochita did~

But yes, on the reverse, I think Famine is a very interesting example of how a devil’s namesake may be more innate than coerced by circumstances. One would think that a famine devil would only like inflicting famine upon others, not being famished itself, but Famine has a bottomless stomach that can never, ever be satisfied, sated. I struggle to find a psychological explanation for this, except that maybe instead of her being hungry it’s her feeling empty when she’s not eating, tasting and having that high sensory experience that releases serotonin in humans, sort of like drugs? But I do take this as a step towards the compulsion theory overall, feels like a reach in the consistency otherwise. And compulsion does not mean it’s something that they like nor that it’s something that they fight against, pretty neutral, just a nature that nudges you towards one path. Maybe it’s even just their go-to for entertainment. Maybe it’s the only thing that makes them feel right and whole. But still the debate remains, what is it, a compulsion or an urge or an itch or an active desire or a conscious chosen want? Does it change anything in practice?

And because of all of this earlier, devils being self-fulfilling prophecies with their role is not in unsignificant part nurture, because doing their atrocities is how they stay remembered— feared, powerful, known— hell and devils are a very isolating place and breed after all, and we do see devils can want companionship. Existentially, it’s their purpose and how they justify their place in the world, in the terrifyingly vast and unknowable cosmos.

We still know so little of what makes Chainsaw Devil so special, why his carnage is so self-controlled. Despite a chainsaw maybe being possibly one of the most "nature" thing you can be— a tool to cut things, a human tool that can be helpful for many things, something to be wielding by another at their judgement on what they decide, but mainly something to cut, a tool suited for carnage, to hurt and to destroy. A blade with a toothed chain, spinning around and around and around endlessly on the same road at the same pace. Such a…. Innately circular concept. And yet the Chainsaw Devil is his own, not driven by an urge or by chaos but his very own brand of order, his own unique assigned purpose, a "if you call i’ll come running to help" policy equalizing everyone. He chooses to withhold his destruction and interference otherwise, and then he chooses to be used. If it’s a choice, of course.

Maybe this is what inspired Makima so much, that Chainsaw Devil could decide what to make of himself despite expectations or innate role. Because even Hell he decided & managed to subjugate under his will and whim, with a precise vision and process. When Chainsaw Devil acts like Denji or is defeated, Makima clicks her tongue and loses her admiration and respect. Makima admired and liked Chainsaw Devil, but only as long as he matched her great image of him in her mind, as long as he followed he rules for what she thinks he should be like. She admired him for his unrivaled self-made success, but once he stepped out of that to truly embody self-fulfillment and agency, disappearing from hell to live on his own road at the beat of his own drum… Well. Surely that was a mistake she has to correct. However their second battle ends, the better conqueror will have prevailed and she’s happy about that, all in the spirit of domination and subjugation.

Imo Makima’s biggest tool, similarly capitalism’s most helpful effect for its own purposes, is complacency. Resignation and passivity helps uphold the system and go along the flow of the will of the people in power. Aki and Reze go along with orders even when knowing their job is trash, etc. In Angel Devil especially we see him go along with the flow uncaring about anyhing, and we discover it was in part due to Makima taking away memories that motivated him. If every devil decides this is just how things are and how things should be that’s what they’ll continue to be and do mindlessly, not pursuing a better life like Chainsaw Devil and Denj and not seeking to change the world like Makima. I think even Makima veils herself to a lot of things, she doesn’t like to think deeply about some things, like her desire for connection, or how making bad movies disappear is strenuous and unsustainable and requiring sacrifices at best— how her judgement is as subjective as anyone else. How liking the country mouse and her friend back at the farm and her dogs could be not devoid of sentimality. Wanting bad movies erased is her one biggest show of selfishness, of pettiness and individuality, it’s about her tastes, simple as. About how she can have tastes, and cry seeing a scene of people hug, and want things that aren’t logical, her ideology and mind twisted into a pretzel to avoid acknowledging that she doesn’t live and breathe purely for the mission she’s made a single-minded robot out of herself to accomplish. Nayuta is assertive and selfish and loud, Makima is manipulative and strategically both for her goals and for coping hollow.

Everything in her plans and goals she says is for the greater good, necessary evil, manufactured happiness the way she’ll have decided for people— and that’s the thing isn’t it, like with War, it’s the crack that shows it was all truly about herself after all. Her self-made deification still had the flaw that a self made it. Makima is not omniscient, and it’s not Chainsaw Devil the not-so-fellow-kindred-soul conqueror who gets the best of her, but a city mouse, a dog, someone she would have never thought to respect, Denji.

[musicalmoritz]

Hi, we’re going to see this scene animated in January

I’m going to scream

[tenaciouslyobsessed]

Chat, I crave violence

[emry-stars-art]

please can u tell us more of ur thoughts on branding.

can u tell us ALL ur thoughts on branding.

can u tell us all your thoughts.

ANGST ANGST ANGST ANGST

Why yes I CAN tell you my thoughts! but this post will stay pretty much about the branding, even tho there will be other points you can notice below; unfortunately I have limited space and time on these posts. One thing at a time for my brainnn 🙏

Also. This is another “there’s too much going on here for me to cover it all” concept, so this is actually in two parts just to make sure it doesn’t get too ungodly long 😂 and one day there’s a bunch of stuff I want so badly to write about it! For now, I’ll put the link to the second post [here] as well as at the very end for your reading convenience

Find the royal au writing masterpost here 💕

(This was supposed to be for showing the brands; it turned into an explanation of some of the physical effects of things that happened in Evermore and the direct aftermath.)

Ahem. So Riko’s pretty determined to make it as difficult as possible for Abram to sneak away again, blend into other places. The best way to do that, obviously, is to brand him to his court as he had the rest.

Abram expects that. He’s completely prepared to have this done, it’s all but inevitable. He’d been dodging his number III for far too long now. Even Day has the II still on his own cheek - Abram can deal with it. Riko’s too proud not to let it heal nicely. He needs his court to look as neat and uniform as possible.

Still hurts like hell.

But after, when Abram wants nothing more than to be completely alone until he can see properly out of that eye, Riko orders him to strip down. Abram doesn’t - his time in Palmetto and with Prince Andrew took away Abram’s only survival technique. He’s known good people now, he knows how a person is supposed to be treated and he’s learned at least some degree of self-respect. Nathaniel relied on a day-to-day understanding that he could die in any terrible, inhuman way at another’s whim. Abram knows better. (It ruins him.)

Of course, Riko gets his demands met anyway. They have to hold Nathaniel down to get the second brand on him. This one isn’t for show, though perhaps that was a thought in Riko’s mind - branded cattle is hard to steal and easy to identify. Mostly it’s the beginning of pushing onto Abram that he isn’t more than property, he’s a work animal and he’s expected to act like it. And Riko doesn’t care that this one heals as neatly. Since it’s not going to be for the public eye, Riko can let it fester and infect as long as it stays recognizable. As long as Abram can look at it and remember what it is and what it’s there for.

When Abram is brought back, when Day is with him in that cart, it’s another thing he begs for the prince not to see. The muzzle and the brand. At first Day is confused; “The prince will want to see your face, Abram. You know he won’t care. It’s just like mine.”

But Abram shakes his head. Says no. No, the other one. Please don’t let him see.

Maybe Day doesn’t fully realize what that means until he forces that bath on Abram. Abram doesn’t try to hide it; he’s already told Day about it, and if there’s anyone that will take Evermore cruelty in stride it will be Day. (That doesn’t mean Day isn’t enraged to see it. Healed ugly, even still a little inflamed from rough fabrics and no care. He knew Riko was always mad with power; this was something else entirely.)

So Day heeds Abram’s pleas and doesn’t let Andrew see the brand. It’s always covered in bandages. When Andrew begins to help with Abram’s care, Day tells him he shouldn’t remove that bandage. It would cause Abram a lot of pain. Andrew tries to ask about it, but Day gives him the same answer as with the strange little punctures in Abram’s face: he will tell you if and when he wants to. And again, Andrew cannot argue.

By this point I think Andrew and Day have reached an agreement. Abram’s eyesight is getting clearer by the day, and Andrew understands how serious Day is about both his and Abram’s safety. But Day agreed that as long as Abram can confirm he recognizes Andrew, Andrew is allowed to help when Day is unavailable.

So when Andrew is sent for, told that Abram has reopened some wounds or torn some bandages and won’t let any of the medics touch him, Andrew goes.

Abram is calm enough by the time he arrives. He lets the prince check the wounds, nodding allowances between each article of clothing and bandage that Andrew removes. And by then they may as well shower too, while Andrew is there. He’d like to try and do what he can for Abram’s hair.

Even then Andrew doesn’t remove the bandage. It falls off on its own under the stream of water. Andrew feels the slight tensing of Abram’s stomach, the way he pauses. For a second, Andrew can only stare, struck dumb with anger. Then, slowly and very carefully, he pushes the bandage back over the brand. Hardly breathing.

“Abram. What is that.”

And Abram tenses more. He can see enough now to place a good guess as to where Andrew’s eyes would be, himself wide eyed and suddenly fearful. (For a moment, the prince’s apparent calm response made Abram think that he’d somehow already seen the brand, which wasn’t impossible considering the circumstances. But his tone now, the ice in his voice as he confronts Abram on it - it feels like all of Abram’s worst fears have materialized there in front of him. Of course Andrew would be disgusted. Princes deserve better than damaged goods. Andrew deserves better.)

“I’m sorry,” Abram says automatically, which is the last thing Andrew wants to hear. “I’ll - you don’t have to anymore, just get Day -”

“Abram,” Andrew says again sharply, which is not the right thing because Abram flinches and pushes Andrew’s hands from him. He’s up and away from the hole-riddled bucket that serves as the infirmary’s makeshift shower almost immediately and finds his things half by memory and half blurry sight. Andrew wouldn’t want someone like him around, even as a guard. Especially in this state, when he can’t perform his duties at all.

Abram finds his way to Day’s room. Even with Andrew’s voice after him as he leaves the bath and infirmary altogether. Thankfully, it isn’t long before Day has returned from a routine check of the outer walls - Abram cannot handle being seen by the prince again, he’s shaking and slipping further from reality by the minute. Day takes one look at Abram in the hall and brings him into his room, trying to calm Abram enough to tell him what’s happened. Eventually, he pieces it together when Abram apologizes for making Day’s work for naught. You kept it from him this long time and I ruined it. Don’t let him be angry with you, it was my fault, just let him do what he wants and -

But Day won’t hear it. He figures out what it’s about, he tries to reassure Abram that it was a misunderstanding. Day knows for a fact, like any sane person and then as a person that knows Andrew, that the prince is not angry with Abram for having a brand or anything it was supposed to represent. He had been angry like anyone was angry to see it. Like Day had been. Day had just been much better about hiding it.

Abram isn’t in a state for rational thought or explanations. The panic and crying exhausts him, but nothing Day offers can comfort him. He won’t take the bed or couch or even the chair, too far in his head about Andrew finally seeing him for an animal. He ends up curled on the carpet near the fireplace, asleep by the time Andrew manages to find him. (He’d gone looking out by the gate, along any path Abram might have taken to run. It was either good or very bad that he didn’t find him there.)

Day answers the door and Andrew opens his mouth at the same time he scans the room, then stops. He sees Abram and tries to come in, but Day stands firmly in his way.

“Is he all right?” Andrew asks before he can stop himself. He messed up, this is his fault. He needs to be sure he hasn’t caused any real harm.

“Physically, yes,” Day says tersely. “But he’s asleep, and I will not be waking him yet. Out, in the hall. I need to speak with you.”

[part2 here]

[esta-elavaris]

Had a moment today that exemplifies how my family thinks but like, in a way that’s just very sad and makes me glad I don’t think that way.

Showed a relative the amazing painting that friend did for me, and her first response was “you’d be able to sell that for some good money!!!”

Like. No????

For months I’ve discussed this creative trade with this friend, we’ve talked about what the other wants, we’ve gotten excited about it and traded progress pics as we work on it for each other, gotten stoked over making plans to get to the post office and seeing the other finally get it, and it’s just been a very wholesome and very fun project. It took six weeks for us to complete these projects, and now I have something on display in my room that makes me very happy, that’s objectively beautiful, and that I know a friend put a lot of effort into making for me and was THRILLED when I adored it.

And my family’s immediate line of thinking is “make a few quid from it lol”.

I can’t imagine the headspace it must take to go through life like that.

[deepseawave]

obsessed w the tags on ur last reblog

Omgg, thank you haha, it was a quality post so I just had to appreciate it in full force 😂❤️

Can‘t believe someone would actually enjoy my yapping :,D

[pzyii]

what if I was a banshee and you got captured by magic cowboys and forgotten by everyone but I brought you back (or something I haven’t rewatched it in a while)

[honeyvenommusic]

❗️NEWGLASSANIMALSGLASSANIMALSGLASSANIMALSGLASSANIMALSGLASSANIMALSGLASSAN-

[gio-cosmo]

Guess who just bought a keychain of the Jin-eating-burger photo that I won’t stfu about!!!

[ablednt]

Granted I have the overall geographical and cultural knowledge of a 4th grader but from what I can tell the nuclear family model really does seem to be a white colonial invention

Different cultures have different approaches but I mainly hear about either large family units where multiple generations support each other and raise their children and grandchildren together or an "it takes a village" approach where children are raised somewhat communally

And I can't really speak on it much or claim that these families were free of abuse or that children aren't often an oppressed group basically everywhere I know of but the way ownership of your children is so engrained into white society is so bizarre

Like once you notice it you can't unnotice it even the most loving well meaning parents don't know what to do about it because everyone is so isolated from their own families and their own communities so you wind up with 1-2 parents who have full legal ownership of their child and are raised in a culture where you don't have personhood until you're 18 and all attempts at self actualization before them are seen as clueless rebellion. Like our culture is so divorced from the concept that a parent is someone who is helping mentor and care for their child so they can thrive as a fellow human being and it's actually so alarming

And ik this problem isn't unique to white and colonized people but it's honestly really soothing to hear about how other cultures approach and view parenting and community as a whole and to internalize it doesn't have to be this way

[overcaffeinated-aro]

I got an email from my grandpa today and all the draft responses I’ve been working on in my head sound like an 18th century letter that’s going to have to travel for months to reach him.

pandemic year 5 really has me feeling like me and a very small handful of people I know are living on an entirely different plane of existence than everyone else

[theborzoiarebackintown]

Me: oh let me put this ottoman at the foot of my bed so my precious giant children don’t need to jump on and off

Meanwhile outside:

[shima-draws]

I’m really torn with what I want to see happen in the epilogue miniseries…on one hand getting a timeskip and seeing Ash grown up would be really interesting. On the other hand sometimes timeskips are cheesy and if they confirm any Ash-centric ships as canon I will riot. Yes I know I’m all about shipping but HONESTLY I would much rather them leave that aspect of Ash’s life ambiguous;; I really like the idea of Ash’s story arc being a “never-ending journey” kind of thing. So that viewers can just…interpret what happens to him in their own way rather than having it be outright stated. And this kid can go on adventures forever because there’s not a solid ending to his storyline

[starlooove]

I hate when side characters get more attention that main characters in batfam specifically when it’s vs poc like it’s so sick how dukes place is constantly questioned by like. Anarchy fans or whatever or cass is consistently mischaracterized by ppl who go the extra mile to get Helena’s backstory straight - not to say these characters suck or whatever like I enjoy them but the double standards is crazy and until it’s fixed a part of me just cant love ppl like Harper row - what? How do I feel about Terry McGinnis? Well. Uhm. Well. UR DODGING THE FUCKING POINT