#hm are my strong emotions about kevin and Neil sibling vibes coming through yet

[emry-stars-art]

please can u tell us more of ur thoughts on branding.

can u tell us ALL ur thoughts on branding.

can u tell us all your thoughts.

ANGST ANGST ANGST ANGST

Why yes I CAN tell you my thoughts! but this post will stay pretty much about the branding, even tho there will be other points you can notice below; unfortunately I have limited space and time on these posts. One thing at a time for my brainnn 🙏

Also. This is another “there’s too much going on here for me to cover it all” concept, so this is actually in two parts just to make sure it doesn’t get too ungodly long 😂 and one day there’s a bunch of stuff I want so badly to write about it! For now, I’ll put the link to the second post [here] as well as at the very end for your reading convenience

Find the royal au writing masterpost here 💕

(This was supposed to be for showing the brands; it turned into an explanation of some of the physical effects of things that happened in Evermore and the direct aftermath.)

Ahem. So Riko’s pretty determined to make it as difficult as possible for Abram to sneak away again, blend into other places. The best way to do that, obviously, is to brand him to his court as he had the rest.

Abram expects that. He’s completely prepared to have this done, it’s all but inevitable. He’d been dodging his number III for far too long now. Even Day has the II still on his own cheek - Abram can deal with it. Riko’s too proud not to let it heal nicely. He needs his court to look as neat and uniform as possible.

Still hurts like hell.

But after, when Abram wants nothing more than to be completely alone until he can see properly out of that eye, Riko orders him to strip down. Abram doesn’t - his time in Palmetto and with Prince Andrew took away Abram’s only survival technique. He’s known good people now, he knows how a person is supposed to be treated and he’s learned at least some degree of self-respect. Nathaniel relied on a day-to-day understanding that he could die in any terrible, inhuman way at another’s whim. Abram knows better. (It ruins him.)

Of course, Riko gets his demands met anyway. They have to hold Nathaniel down to get the second brand on him. This one isn’t for show, though perhaps that was a thought in Riko’s mind - branded cattle is hard to steal and easy to identify. Mostly it’s the beginning of pushing onto Abram that he isn’t more than property, he’s a work animal and he’s expected to act like it. And Riko doesn’t care that this one heals as neatly. Since it’s not going to be for the public eye, Riko can let it fester and infect as long as it stays recognizable. As long as Abram can look at it and remember what it is and what it’s there for.

When Abram is brought back, when Day is with him in that cart, it’s another thing he begs for the prince not to see. The muzzle and the brand. At first Day is confused; “The prince will want to see your face, Abram. You know he won’t care. It’s just like mine.”

But Abram shakes his head. Says no. No, the other one. Please don’t let him see.

Maybe Day doesn’t fully realize what that means until he forces that bath on Abram. Abram doesn’t try to hide it; he’s already told Day about it, and if there’s anyone that will take Evermore cruelty in stride it will be Day. (That doesn’t mean Day isn’t enraged to see it. Healed ugly, even still a little inflamed from rough fabrics and no care. He knew Riko was always mad with power; this was something else entirely.)

So Day heeds Abram’s pleas and doesn’t let Andrew see the brand. It’s always covered in bandages. When Andrew begins to help with Abram’s care, Day tells him he shouldn’t remove that bandage. It would cause Abram a lot of pain. Andrew tries to ask about it, but Day gives him the same answer as with the strange little punctures in Abram’s face: he will tell you if and when he wants to. And again, Andrew cannot argue.

By this point I think Andrew and Day have reached an agreement. Abram’s eyesight is getting clearer by the day, and Andrew understands how serious Day is about both his and Abram’s safety. But Day agreed that as long as Abram can confirm he recognizes Andrew, Andrew is allowed to help when Day is unavailable.

So when Andrew is sent for, told that Abram has reopened some wounds or torn some bandages and won’t let any of the medics touch him, Andrew goes.

Abram is calm enough by the time he arrives. He lets the prince check the wounds, nodding allowances between each article of clothing and bandage that Andrew removes. And by then they may as well shower too, while Andrew is there. He’d like to try and do what he can for Abram’s hair.

Even then Andrew doesn’t remove the bandage. It falls off on its own under the stream of water. Andrew feels the slight tensing of Abram’s stomach, the way he pauses. For a second, Andrew can only stare, struck dumb with anger. Then, slowly and very carefully, he pushes the bandage back over the brand. Hardly breathing.

“Abram. What is that.”

And Abram tenses more. He can see enough now to place a good guess as to where Andrew’s eyes would be, himself wide eyed and suddenly fearful. (For a moment, the prince’s apparent calm response made Abram think that he’d somehow already seen the brand, which wasn’t impossible considering the circumstances. But his tone now, the ice in his voice as he confronts Abram on it - it feels like all of Abram’s worst fears have materialized there in front of him. Of course Andrew would be disgusted. Princes deserve better than damaged goods. Andrew deserves better.)

“I’m sorry,” Abram says automatically, which is the last thing Andrew wants to hear. “I’ll - you don’t have to anymore, just get Day -”

“Abram,” Andrew says again sharply, which is not the right thing because Abram flinches and pushes Andrew’s hands from him. He’s up and away from the hole-riddled bucket that serves as the infirmary’s makeshift shower almost immediately and finds his things half by memory and half blurry sight. Andrew wouldn’t want someone like him around, even as a guard. Especially in this state, when he can’t perform his duties at all.

Abram finds his way to Day’s room. Even with Andrew’s voice after him as he leaves the bath and infirmary altogether. Thankfully, it isn’t long before Day has returned from a routine check of the outer walls - Abram cannot handle being seen by the prince again, he’s shaking and slipping further from reality by the minute. Day takes one look at Abram in the hall and brings him into his room, trying to calm Abram enough to tell him what’s happened. Eventually, he pieces it together when Abram apologizes for making Day’s work for naught. You kept it from him this long time and I ruined it. Don’t let him be angry with you, it was my fault, just let him do what he wants and -

But Day won’t hear it. He figures out what it’s about, he tries to reassure Abram that it was a misunderstanding. Day knows for a fact, like any sane person and then as a person that knows Andrew, that the prince is not angry with Abram for having a brand or anything it was supposed to represent. He had been angry like anyone was angry to see it. Like Day had been. Day had just been much better about hiding it.

Abram isn’t in a state for rational thought or explanations. The panic and crying exhausts him, but nothing Day offers can comfort him. He won’t take the bed or couch or even the chair, too far in his head about Andrew finally seeing him for an animal. He ends up curled on the carpet near the fireplace, asleep by the time Andrew manages to find him. (He’d gone looking out by the gate, along any path Abram might have taken to run. It was either good or very bad that he didn’t find him there.)

Day answers the door and Andrew opens his mouth at the same time he scans the room, then stops. He sees Abram and tries to come in, but Day stands firmly in his way.

“Is he all right?” Andrew asks before he can stop himself. He messed up, this is his fault. He needs to be sure he hasn’t caused any real harm.

“Physically, yes,” Day says tersely. “But he’s asleep, and I will not be waking him yet. Out, in the hall. I need to speak with you.”

[part2 here]