#not really spoilers but a speculation under read more

[juustozzi]

okay I gotta share something I've been thinking about a character from victory road raimon

I won't be sharing images from the gallery but I did take screenshots and edited it so there's some basis, and...

you know the dude with the long sea-like hair and freckles and a big smile? and how you can see just a tiny bit of the first and last letter on the back of his uniform?

I learned that if you cut n paste letters from other raimon players' names on their uniforms, the sea dude's tiny letter bits align pretty perfectly with "tsunami"

cool surfer dad tsunami???

[orcelito]

after this

the chapter then ending on this

has me big time feeling like. this.

[the-clock-of-the-time-dragon]

[Wicked: For Good speculation/predictions]

[obviously spoilers + wild conjecture + musings]

Okay so I have many thoughts about what we might get in the second film, and decided to put them all in one place; so here we are.

1.) I've heard a lot of people mentioning that the movie might choose not to jump straight into Thank Goodness, and instead opt for some sort of buffer opening to establish the time-skip and whatnot. I think it would be amazing to actually see Elphaba flying around Oz saving Animals and being harbored as a fugitive and stuff; maybe we could even get reintroduced to Brrr briefly! He's obviously able to speak, so maybe that implies Fiyero took him to an Animal resistance group or something for safety? The map of Oz shown in Something Bad does imply that there might be such groups around, plus of course Doctor Dillamond mentioning protests. Maybe we'll get to see some of that on-screen; I think that would be fascinating. Maybe as kind of a soft adaptation of Elphaba's domestic terrorist phase in the book. This is possibly all supported as well by the shots we've seen of the Yellow Brick Road under construction; presumably this will be early in the film, since obviously it must predate Dorothy's arrival, so I suspect these might be the opening scenes before we get to see how Oz is reacting to Elphaba's activities at the start of Thank Goodness.

2.) I suspect we'll find out that Madame Morrible is not only the one who brought Dorothy to Oz, but also the Wizard �� and maybe even more interestingly, caused the Great Drought (which I think is quite heavily implied to be the Dust Bowl, based on the time period and a scrawling on one of the chalkboards in the background; which I think is meant to be Dillamond's research). (My current headcanon is that Morrible accidentally caused the formation of the Impassable Desert (since it is also mentioned on the same chalkboard), which caused a ripple effect out into Kansas and started the Dust Bowl.) If we do get more background on Morrible and her earlier magic experimentation (and maybe even the Grimmerie), I suspect we'll learn that her heart's desire was always to be the prophesied magical savior of Oz, and the Grimmerie based on those vibes (since it seems to read the hearts of the ones using it and flip to pages that will give them what they want, like how it heard "birds" and went straight to relevant pages) brought the Wizard (and by extension, Elphaba) and Dorothy into Oz. In a way it feels like the Grimmerie is sort of the dark magical inverse of what the Wizard does: they hear the desires of people's hearts, and "grant" it in a deceptive way. The Wizard "grants" wishes through bullshitery and spectacle (and the people who come to him for help always end up having to get what they wanted themselves), while the Grimmerie "grants" wishes using real magic (and so can actually give things that the wisher didn't already possess) but always in a fucked up way that they'll end up regretting. I've already made a post about the theme of "the heart's desire" and how it's explored in the original Wizard of Oz and in Wicked — and maybe at some point I'll do a longer analysis of that (for instance, the fact the Wizard was in possession of the book and got his heart's desire to be a father in the most catastrophic way imaginable) — but it's really interesting if we consider that Morrible's desire seems to be to essentially be the Witch of Oz, and the answer given by the Grimmerie might basically have been the giant magical backfire that brought all three of the most plot-important characters into Oz in the first place. It's possible this won't actually be explained and will remain in headcanon territory, but with the way they've been focusing more on Madame Morrible I think we'll probably get at least a little something exploring her background and connections with the Wizard (and it would be really interesting if we got more stuff relating to the Grimmerie in the process).

3.) In the frames we've seen of Dorothy, the slippers are still silver! Not ruby! We know from interviews that the production team read the original Wonderful Wizard of Oz and took heavy inspiration from it, so I assume keeping the shoes silver was an executive decision on their part. But it has some really interesting implications about what sort of changes might've been made to Part 2. We already knew that we're getting major alterations to Nessa's narrative — groundwork for that was already laid in the ways they changed her in the first movie, particularly surrounding her relationship to Elphaba and her agency regarding movement, which I think is great — but regarding this I've heard some people asking if this means we might not get Nessarose standing. Marissa Bode who plays her is capable of limited standing and walking, so I doubt that part will have been cut entirely; but I'm really curious about the ways in which Nessa's story might have been rewritten. The point of her independence has been emphasized a lot thus far, so I think we might get some tweaking (or outright cutting) of the "hideous chair with wheels" bit; and with how we got the lines about Nessa wanting to make a new start and Elphaba getting in the way of that, I think it's likely we'll get less of a focus on "why haven't you used your powers to help me walk Elphaba?" and more on "wow, you ruined my life again Elphaba". I am curious about whether Nessa will still be able to read the Grimmerie (which always felt a little like a plot hole/contrivance in the original show, so it would need a proper explanation at the very least), or if perhaps — since I believe it's being set up that the Grimmerie can "read" people around it and give them a fucked up version of what they think they want — Nessarose's dark desire at that moment is to not have a heart (kinda like that line from the 1939 movie: "As for you, my galvanized friend: you want a heart. You don't know how lucky you are not to have one. Hearts will never be practical until they can be made unbreakable") and gets Elphaba to read it: but neither knows what it will actually do until Boq's heart starts shrinking away into nothingness. (Also I'm fairly positive that the still we got of Elphaba below is from the Colwen Grounds scene with Nessa and Boq: I've heard some people presuming it's from No Good Deed, but the background, her expression (which seems to me to be obviously her trying to get Nessa/Boq to calm tf down), and the fact she seems to be in the same costume as in the Yellow Brick Road scene, tells me it's almost certainly from Wicked Witch of the East.)

4.) We're told to expect two new songs from Stephen Schwartz! I'm extremely curious what these might be (and naturally, Gelphie simp as I am, would like at least one one of them to have some more good ol' gay goodness from our girls), but we don't have a whole lot to go on for clues yet other than (as far as I can tell, unconfirmed?) reports that one is an Elphaba solo and the other is a Glinda solo. This is very exciting of course, but until we have more insight it's still too early to make deep predictions. Although as for hopes, I'd obviously like for a new Glinda number to involve her grappling with her feelings more — a much-needed addition — and for Elphaba to perhaps get some of that as well (it would help the lead-up to Wonderful make a bit more narrative sense, if nothing else). And if it turns out they aren't Glinda or Elphaba songs, then I think Fiyero or Boq deserve to get a little bit more to sing. All Schwartz has said thus far is that the new music was made to meet the needs of the story: so (since the two songs DON'T seem to just be reworkings of existing ones, and are actually all-new, film-only material) that further supports the fact we'll be getting fairly major changes to the plot.

5.) The Glinda-Fiyero wedding seems to either happen or very nearly happen??? Extremely interesting expansion on the original material, I can't wait to see what they do with it. I've heard some people saying it might just be a fantasy sequence or something — and I suppose it could be — but I don't think so; the style of filmmaking and writing is deliberately "grounded" to make Oz feel real, and the first film didn't have any imaginary scenes. I think the wedding scene will happen at the same time as (or directly before) Wonderful, and will probably be interrupted: maybe by the release of the flying monkeys, the Wizard rallying the guards after Elphaba, or — scandal! — even by Elphaba herself! (No, I don't think we'll be getting the "I object!" sequence out of Shrek, even though it would be hilariously apropos, lol.) We've seen an image of what looks like Elphaba back in the Emerald City (maybe right before Wonderful, perhaps sneaking into the Wizard's palace to free the Animals; or perhaps just after Wonderful, after finding Doctor Dillamond and deciding to remain the Wizard's enemy?), and judging by when these events would have to line up based on the story of the musical, I think these are almost certainly within the same section. It seems like the wedding sequence might be a decent spot for some of the new music: or maybe a beefed-up version of Glinda's I'm Not That Girl, if she got left at the altar or something.

6.) We've seen this image of Glinda running up a staircase (with the Grimmerie in hand, and in her Bubble Dress): this seems very likely to be immediately after For Good and the Melting — I suspect Glinda is heading up the stairs to see the aftermath, recover Elphie's hat, and receive the green bottle from Chistery. OR, it could also be related to the Wizard — the wood reminds me of the tower in the Emerald City palace where all of Oscar Diggs' old stuff from Omaha was stored at the end of the first film, so I'm wondering if this is Glinda going up to confront him after realizing that he's Elphaba's father, maybe.

EDIT: I realized after reviewing a better quality image with higher contrast and saturation that the latter possibility I suggested is more likely than the former — behind the wooden beams are the emerald blocks we see in the Wizard's palace, so this frame seems almost certainly to be from the scene where Glinda confronts the Wizard in his tower after returning from Kiamo Ko. And what a brilliant way to do that scene, if indeed that's what this is: the Wizard isn't just sitting despondent in his throne room, he went up to wallow in his old mediocrity — and Glinda doesn't just fly up to him, she ascends the same path she once went up with Elphie, processing her grief the whole way up. The painnnnnnn. It makes her ordering him to fly away in the same balloon that he arrived in — and that Glinda and Elphaba NEARLY escaped in before everything — all the more bitter and ironic. Can't wait to see Jeff Goldblum sell the Wizard's descent into the mother of all midlife crises, fiddling with his old sideshow props in the attic as he comes to know the true despair wrought by his hand.

7.) Will the ending be changed?? It seems all but confirmed that the cloaked figure riding away out of Kiamo Ko at the start of Part 1 was Elphaba: this costume concept for the second film looks identical to what we saw the rider wearing. Add to that (as I've talked about in a prior post) the fact the Scarecrow is shown alongside Dorothy on the Yellow Brick Road, implies that at the very least the events of the last few minutes of the musical have been revised. My earlier post listed four different possible alterations (from Elphaba leaving Oz alone, to her still meeting with Fiyero somewhere else after everything, to her somehow letting Glinda and/or Fiyero know she's alive before leaving, or (hope against hope) that she takes Glinda with her), but it's still far too early to tell what they might've gone with. I just hope that at least wrote it better than it was originally. The image of Elphaba riding out of Oz on horseback across the desert would certainly be striking, no matter which option they chose.

[stellas-and-tonitruses]

⚠ SPOILERS FOR CHAPTER 93 AHEAD! ⚠

now that we have finally met demetrius, it seems like a great time to dissect his first scene and proper conversation! :]

his wide, unfocused stare hides ✨unexpected complexity✨, as expected of a desmond

he's impatient (common desmond trait at this point)

he's nonchalantly exceptional, as we expected and have been repeatedly told thus far

...but most importantly, amidst a sea of accomplishments, he is burdened with a lack of people skills and visibly frustrated by it, as evidenced by his conversation with damian in this chapter.

the analysis and speculation continues under the cut!!

so, a breakdown of the main meat of his introduction

similarly to every single time there's an interaction between damian and another desmond, damian is the one who reaches out first by calling out to demetrius, who immediately asks him what he wants. damian tries to begin with small talk, congratulating him on his accomplishments of the day

demetrius is brief and to the point, but it doesn't feel to me like he is annoyed here. perhaps curious, perhaps indifferent, we don't know -- demetrius is a boy of few explanatory thoughts, after all

merely in the next page, demetrius is revealed to have a blank mind for most of this conversation.

i don't believe this is a sign that demetrius was experimented on or anything. obviously, this does not rule out that he has been experimented on, but i don't think his lack of thoughts are indicative of that, nor do i believe anya was too far away (in previous chapters, she has read the thoughts of people at greater distances than this with ease!). i think this has something to do with his upbringing, but also very importantly his state of mind at the moment

his eyes are wide open, but his stare is unfocused. i think this is an intentional choice to hammer in that he's not really here at this moment, listening to what is undoubtedly to him pointless praise. he has likely tuned all of it out completely.

(as a side note, if we wanna involve anya in this situation more, we could assume that he is intentionally cloaking his thoughts from anya or any other potential mind-readers, but while i do think donovan is very likely involved in project apple, i severely doubt the financial benefactors of project apple would spend likely a lot of money to figure out a way to shield the thoughts of a middle schooler, regardless of who his dad is, from potential telepaths. as far as we know, anya is the only one with this specific power and demetrius is unlikely to have any information that would incriminate the operation. if that was an issue, i don't see why they wouldn't spend their money to protect melinda's mind, since she likely has way more info than demetrius ever could.)

moving on from that side note though,

we do not see demetrius' face as he says this! this is important to me

we are left unaware to whether or not he is disappointed or just trying to abscond to take a nap (he really needs one)

but then, he says this:

this, to me, is a direct attempt at connecting!! he's trying to reciprocate the small talk, the praise, trying to continue the conversation. his thought, "i don't understand him," may feel contradictory but to me, it only underlines his frustration about this, because he knows what damian is going to say next:

even though it was expected, this is not what demetrius was hoping to get out of this. his downturned eyebrows give a feeling of discontent. he is not blank, he is visibly frustrated, visibly annoyed.

and we are thus made aware of a boundary demetrius and melinda both share:

never mention donovan.

for one reason or another, this is the boundary damian has overstepped with both his mother AND his brother now, without ever being informed that it IS a boundary in the first place

so demetrius, upset, turns around to leave and throws this at damian:

this is important, because damian has shared a very similar sentiment to anya before, albeit in a mournful tone.

demetrius likely feels similarly neglected by his parents, but is long past feeling sad about it. he has moved straight to anger, understandably!

but the bigger reason for his frustration, imo, relates to a problem damian once again ALSO has: people treating them as a gateway to their father and nothing more.

demetrius has more than likely also been treated like this, and probably still is unless his peers have learned not to engage because of his brief, snippy responses, so he is familiar with the feeling of being used.

...and damian unknowingly treated him the exact same way, even though he's also grown to hate it.

of course, he's 6 years old and he meant no harm by this -- he's just a lonely boy trying to be noticed by his neglectful parents, after all, what else could he possibly do?

but for demetrius, this is the end of the conversation. he is not his father's manager, he's not even that close to him, so why does his brother only ever talk to him when it relates to their father?

as he said before: he doesn't understand him, and why he keeps doing this. does he not know there is little info to be gained?

he doesn't understand their father either, with his impossibly high expectations, never pleased, never happy, never available

and lastly, as ewen and emile try to introduce themselves

demetrius has one final thought.

and he casts aside this entire conversation, leaving the scene as empty as he entered it.

of course, the chapter doesn't end here, but this is where demetrius' involvement in it does, leaving us with a newfound understanding that while to damian, demetrius represents everything he can only strive to become... to demetrius? his accomplishments ring hollow in the face of everything he wishes he could understand.

we do get an extra flashback that hearkens back to a better yesterday, but while donovan is lacking some very important details (those scars, that dead disinterest that follows his every move -- he seems mirthful somehow here), we don't know if this scene represents a time when they were closer or if it's simply evidence that as far back as everyone can remember, demetrius has been doing nothing but studying all the time

could this be evidence of something nefarious relating to project apple? eh, not particularly, not to me. the boy's just studying hard, any relation to project apple would have to be more recent in the timeline imo

TL;DR:

demetrius has been built up throughout the past 92 chapters as a figure larger-than-life, and this has been thanks to most of our knowledge of him being directly affected by damian's perception of him, as the younger brother living under his shadow

however, he has now been humanized by his flaws: a short temper and a lack of social skills that comes paired with a clear want to connect, to understand, to converse. he seems to be a very lonely kid, everyone around him either jealous, putting him on a pedestal or actively seeking to use him under the false impression that he has important connections, and although he doesn't mean to, damian has unknowingly been treating demetrius in the same way, only seeking him out when he wants to know something about donovan.

interestingly, him and melinda share the same trigger, that being donovan himself, though we do not yet know if their reason for this is also shared.

CLOSING THOUGHTSSS

it has been so exciting finally meeting this little goober-- i thought i might never see the day 😭😭😭

thank you to whoever read this far, i literally made this blog just now so! HOPE I DID WELL!

💖

[redxx95]

Exploring Kurosawa's internalized homophobia and compulsive heteronormativity

oh yea baby we bustin out the Big Words for this one 😎

This was supposed to be posted at the end of pride month but Life happened and it got delayed a lot 😩 So yea happy pride month (and happy birthday Kurosawa I guess 😂)

(btw I think I've never mentioned this on any of my other posts but english is not my first language, so if anything I write ever sounds awkward, that's probably why 😅) (also I had to merge a bunch of images to get around the image limit, this post is really long, the word count is at 1930 words 💀)

Hope you guys enjoy the read! 💞

Spoilers for anything up to vol 11

Let me start this by saying that there's no actual textual evidence of Kurosawa being gay (rather than bi/pan), so this interpretation is definitely veering towards headcanon territory. I'm also not trying to establish this as the only Correct opinion and anyone is of course allowed to have their own sexuality headcanons, this is very healthy and valid 👍

Kurosawa's internalized homophobia

The first scene I want to put under a magnifying glass is this one.

Let's examine what's going on here: Kurosawa has just tried to kiss Adachi, whose hesitation he perceived as disgust. Then he pretends it was disgusting for him too, because he thinks that is the average reaction anyone would have, extending this to Adachi as well. The way he says "who'd be into that?" is already lowkey homophobic, but the japanese line makes it even more evident: "普通嫌だよな" (= "Normally, you'd dislike that right?"). Keyword here being "普通" = "normal, ordinary", implying that anyone who would like that is abnormal. So what does that say about him then, who was so happy to get the chance to kiss another man? This is pretty much textbook internalized homophobia, where he has accepted what he perceives to be the general opinion on gay people and has made those values his own, hating himself for it (albeit only briefly here), which is why he internally apologizes to Adachi.

This is not the only instance of him feeling like that, although this next part is slightly more speculative than the more obvious example above.

So we all know that Kurosawa is a jealous, jealous man. It's one of his defining character traits and it's often the source of conflict and comedy alike. But he does not express his jealousy equally across genders. With men he has this strong rivalry where he needs to prove himself better and more worthy of Adachi's attention.

But with women he has a different approach: gently coaxing them away from him, lest they realize what a catch Adachi really is.

So, why this difference? The answer I have is that he doesn't actually believe he can compete with a woman. If Adachi wants to be close with a man, Kurosawa thinks it might as well be him, he's the best option after all. But if Adachi wants a woman, he cannot offer anything and is therefore the inferior option. He believes this even after he found out Adachi's not completely repulsed at the idea of being with a man. Even if Adachi's okay with men, he'll always prefer a woman.

And whenever he imagines anyone else with Adachi, it's always a woman, specifically Fujisaki, which he believes is "his type".

And he at least thinks he's very far away from that ideal. (He's not but that's a topic for a different essay.) If anyone's wondering why he even bothers at all then if he's so sure that a woman will out-compete him, I think the lyrics from the anime opening actually put it best, specifically the last verse:

I have these impatient feelings I doubt this love will come to fruition But still I can't give up this happiness There's a feeling here I can't resist A love like a castle in the sky

So basically, his plan is that he might as well ride the high of his first ever crush as far as it will go, intercepting where he can to prolong it just that little bit further, until it all inevitably comes to an end. (a castle in the sky = an unreachable dream) This plan kind of fluctuates throughout volumes 1-3 as Adachi gives him a bunch of mixed signals, but it holds true most of the time.

Adachi's side

Now I'd like to highlight the way Adachi actually thinks about their relationship, because it serves as a great contrast to Kurosawa's assumptions about him.

Throughout the first three volumes we see him grapple with his newfound feelings for Kurosawa, but he (almost) never puts his gender at the forefront of his musings. The manga makes it very clear that it's his lack of romantic experience and low self esteem that make it hard for him to accept Kurosawa's affections, and not the fact that he's a man.

This second page here being his own little gay awakening, where he realizes that he is not, in fact, disgusted by intimacy with a man.

It's also worth mentioning that when he later introduces Kurosawa to his parents (ch 41), they are immediately welcoming of him, suggesting he grew up in a very tolerant environment.

And it's not like he's completely unaware of heteronormativity/homophobia either, especially after he does his research in vol 8, but he is slightly more defiant in responding to it.

(I love how he just buys that bag he probably doesn't need that's supposed to come with all the wedding magazines, just as this very tiny act of rebellion.)

So now that we can see how different Kurosawa's thought patterns are compared to Adachi's, the next question we should ask ourselves is: Why is he like that?

Heteronormativity in Kurosawa's life

(yes we're finally getting to the comphet part of the essay 😂)

First let's look at the environment he grew up in. There are not many scenes with his family, but from those that we do have, we can at least make some assumptions about how he must've been raised.

His mother is clearly the authority figure in his life, judging by how she's described as "strong" and how terrified he is at her merely setting down a teacup (while Adachi has a more mild reaction). Her reaction to the news of them dating and Kurosawa expecting his parents to go as far as disowning him for it would suggest that she might just be generally homophobic.

But when they actually go meet her we see this slightly more nuanced perspective.

She's not entirely against it, but she does believe they are making a mistake by choosing to be together, hence why she thinks they might "regret it". There's many hardships that gay couples in Japan face, some of which we even see discussed in the manga, so it's not hard to see why she would be concerned for her son. The way she talks about Kurosawa never causing any problems, but "changing" ever since he fell for Adachi further supports that conformity is what she believes will ultimately lead to a successful, happy life. And that's also why she accepts Adachi later, when he's made it abundantly clear in his speech that they are happier in this non-conforming relationship than they were without it.

To contrast, her other child Mari is shown to have a very progressive stance (see: her pep talk in ch 47) and it would not surprise me if that is the reason she's rarely in japan and is never seen together with her family, save for the one time they're all at the wedding. She might find the conforming environment too restrictive and preferring to keep her distance. (shoutout to naina for this bit 🙏)

So that's Kurosawa's family situation. Now let's check how his social circle holds up.

From what we see of his friends, they never even seem to consider him possibly being with a man.

And his work environment seems rather toxic to say the least.

It clearly dictates traditional gender roles as the ideal. Nobody except Fujisaki even clocks any of Kurosawa's advances on Adachi as romantic in nature, even though he seems to be quite obvious about it (see: ch 34.5). And it's not like dating in general is discouraged at Toyokawa either, as we can see from all the women constantly vying for Kurosawa's attention.

From all this we can conclude that Kurosawa's upbringing and social/work environment is painfully heteronormative and until he falls for Adachi it seems he never questioned the status quo either.

The famous onsen scene, while funny, also reveals the sad truth that Kurosawa, in his 30 years of life, probably never even had the chance to explore his sexual orientation, rather focusing on being "perfect" in his straight relationships.

Speaking of those relationships...

He apparently had a bunch of girlfriends, who all seem to have dumped him pretty early on. His mother's surprise at him expressing a willingness to commit also makes me think he's never brought anyone home either. He also only seems to have a surface level understanding of what a proper relationship is supposed to entail, if his idea of an ideal date is just "what the average person" thinks is romantic. So why were all of his relationships so short-lived? Before I answer that...

Intermission: Kurosawa's smiles

It has come to my attention that this is not common knowledge, so let me explain: There's a way to tell apart Kurosawa's fake smiles from his real ones, without any context clues, just purely visually.

Real smiles: (ch 23, 24, 37)

Fake smiles: (ch 5, 13, 32)

The difference being very simple: Blush = real, no blush = fake 👍 And before anyone mentions it: No he doesn't just blush when he's around Adachi, that last fake smile is actually directed at him. (ch 32)

Edit from the future: This holds true like 90% of the time, but as Toyota's art style becomes more detailed, this doesn't apply as much in the newer volumes. I think there's also new details added that I haven't quite figured out yet so take this bit with a grain of salt. (The images below are still from her early art style though.)

So now that we have this additional knowledge, let's take a look at every instance Kurosawa is paired with a woman.

He's smiling in all of these. Not a single one has a real smile in it though.

I think he's never actually had his heart in any of his relationships, and the girls probably noticed it and that's why they dumped him.

And, of course, the first time he actually falls in love...

... just so happens to be with a man.

Even his friends comment on this, who have known him since high school.

It's almost funny how perfectly this aligns with real life gay people. Having numerous, short-lived relationships with people of the "wrong" gender is one of the more common traits of compulsive heteronormativity. (source: me oof) (but also shoutout to the "Am I a lesbian?" masterdoc, google it if you don't know, it's truly eye-opening)

After dating Adachi

So we have already established that he's far happier when he does finally get to date Adachi, but do any of his other thought patterns change?

Honestly it seems like he throws every single reservation about being seen as gay out the window.

He starts bragging like crazy about his new relationship to anyone willing (and unwilling) to listen, he has no qualms about PDA, he marks Adachi up and down so everyone knows he's taken and the only thing stopping him from proclaiming his love for Adachi to the whole world is the still very much existing societal homophobia. But he is a lot more easy-going about it now than he ever was before.

And I think the best way to describe this mental shift is, hear me out, the date song from volume 4...

... specifically the last 2 verses as a whole, and this section in particular:

"I won't let anyone divide our fraction! You couldn't pry this thrill from my hands when they're cold and dead!"

Horrible lyrics aside, this perfectly encapsulates how Kurosawa simply couldn't care less anymore now that he finally has what he's wanted for more than a year, maybe even his whole life. All the societal pressure pales in comparison to the sheer euphoria he feels at finally having someone that he loves and who loves him back just as strongly, feeling cared for and seen like no one else ever did.

And, you know, just happens to be a man. 🏳️‍🌈

[phantomyre]

An eerie connection... (Ever Crisis Spoilers under 'read more')

I don't think this is a coincidental parallel. The wording, setting, everything. This is yet another Dirge of Cerberus connection. But what's interesting is how Lucrecia is being used in Ever Crisis. Speculations below.

Lucrecia is the center of both Vincent and Sephiroth's world, but with a dual nature. Lucrecia is a representation of reality vs illusion, purity vs corruption, light vs dark. When the ff7 dev team say that Vincent and Sephiroth have a connection, I think this is what they mean-- Lucrecia is the mold that binds them. But it's not just her. It's what she represents to each of them. At the same time, both Vincent and Sephiroth are disconnected from Lucrecia. Vincent's love for Lucrecia was unrequited, yet he was still drawn to her even if she never reciprocated that same affection towards him. Similarly, Sephiroth loves his mother-- but it's not Lucrecia, it's Jenova, in the form of Lucrecia. Jenova robs that affection that should have been directed to Lucrecia herself. Should Sephiroth ever meet his real mother, I doubt he would see her as the real her because he's already latched onto an illusion. If anything, I think First Soldier is setting the stage to make Lucrecia's role more prominent in part 3, particularly with regards to Sephiroth. Hopefully we get some First Soldier story in part 3, but it really makes a point to show how far gone Sephiroth is when it comes to his illusions of his mother. Whenever Sephiroth sees Jenova, a hideous monster, this is the face he sees-- Lucrecia. The connection between Lucrecia and Jenova is becoming way more intriguing outside of Lucrecia just having Jenova cells. It seems Lucrecia represents something much more complex. When it comes to Alissa (Ever Crisis FS SPOILERS), she exudes a lot of 'Lucrecia energy'. We know very little about Lucrecia's personality outside of the flashbacks in DoC. But what we have witnessed thus far shows that Alissa and Lucrecia have the same personality. She's playful, witty, charismatic and self-abasing (mostly). Now granted, this is Jenova being manipulative. And one could argue this is just Sephiroth's perception of what his mother's personality to be. But we do have to keep in mind that Jenova uses mimicry, plus her cells are inside Lucrecia (who is still alive). So I don't think it's far fetched to say Jenova has learned Lucrecia's personality down to a T. So when we see Alissa interact with Sephiroth, her words, personality, etc., I think it's safe to say we are largely witnessing Lucrecia's character as well. It's a bit weird to think that we're learning more of Lucrecia's personality through Alissa. Whatever Square has in store for Sephiroth's backstory involving Lucrecia, it's getting hella intriguing.

[glow-worms-are-believers]

Heya so this is Damian's pov in the chapter 16 of my fic Hostage situations and other romantic activities based on @iguessthisisanewobsession's prompt! I had it written out and though it doesn't fit in with the main storyline, I figured I'd post it here and link it in case anyone was curious. Feel free to ignore this if you haven't read the fic <3

Hope you guys enjoy:) (Spoilers ahead)

Damian’s head hurt. Zsasz had managed to get in a good hit before Damian had managed to knock him out, or at least what he thought had been a knock-out. He’d been sloppy and now the teen’s head was throbbing. At least, he had seen no injuries on Danny though the other boy had been very pale and looked unwell. 

That was another thing. Danny.

Gotham wasn’t a safe place for civilians, and metas had it even worse. That was true everywhere but in Gotham even more so; discrimination, increased risk of violence, even human experimentation. 

It wasn’t surprising that Danny would want to keep his abilities a secret. But something about the blast, how despite clearly having been instinct, the shot had been so very precise that Damian who had been pinned under Zsasz hadn’t felt more than a cold blast of wind made it seem as if there was more to it than that.

And right now, as he was perched up in the tree waiting for law enforcement, there was nothing to do but to speculate.

No, that was untrue, he thought as he took his phone out of his pocket. He could do more than that. 

He could research. And so he did. 

And found nothing.

Oh sure, there was a blurry picture here, an oblique mention there but no proof of existence beyond a social security number, a high school diploma, and one measly article.

No birth certificate, no social media, no medical file, not even a driver’s license.

It wasn’t that Danny Fenton was a ghost. It was more like he was a half-finished person.

Damian breathed out slowly. 

It wasn’t Danny’s powers that made him suspicious. It was everything else.

An hour later, Damian slid down into the now dark forest and started walking.

Damian looked up to see Danny coming down carefully. Damian steeled his expression into a neutral one, unwilling to let his thoughts play on his face.

“Daniel,” Damian started formally. “You went back to the school.”

That was a point in the boy’s favour; at least, he had not ran.

“Yeah,” Danny answered, too casually. “thanks again for saving my butt back there.”

Damian nodded, but abstained from saying anything further in favour of studying Danny’s expression. He didn’t seem any different but Damian knew appearances could be deceiving.

“So-“ Danny started but Damian wasn’t interested in small talk.

“I could not find a picture of you before your fourteenth birthday,” Damian stated clearly.

“Uh,” Danny stumbled. “Ok?”

“Nor could I find a birth certificate in your name.” Damian continued expecting a twitch, a frown, something.

“Yeah,” Danny answered calmly, waving. “Mom and Dad are terrible at paperwork.”

Alright. If that was how Danny would play it. Flimsy excuses could only go so far. 

“No social media, no bank account. Not even a tax return in twenty years.”

“IRS have given up long before I was born,” Danny answered airily. “And Amity’s not the safest place for technology.”

Damian studied the boy in front of him. He looked relaxed and mostly at ease. A bit confused, a bit tired if anything. And Damian wanted to believe it. 

Yet, both his instinct and his experience were telling him not to, and so Damian forged on.

“Why did you come to Gotham?” Damian asked.

“What?” Danny answered, once again frowning in confusion. “Uh, I’m here for school? I think I told you that.”

This was getting insulting.

“Do not lie to me,” Damian said, feeling something brewing.

“I’m not,” Daniel persisted in a stupid simplistic excuse. “I’m really here for school.”

Damian clenched his jaw, keeping his eyes peeled on the deceptive face in front of him. Damian had come for the truth and he was going to get it. 

“You truly had me fooled,” Damian stated as he slowly started to circle the other teen. “I did not suspect you for a moment.”

“What are you even talking about?” Danny said, but Damian wasn’t listening to more lies.

“Why did you approach me?” Damian asked asking from Danny’s side. Because that was the most logical explanation, no matter what Damian wanted to believe. It wouldn’t be the first time mother or another one of his enemies had sent someone to kill him. He had to consider the possibility. Danny turned to keep himself facing Damian.

“I didn’t,” Danny stressed, his voice almost snarling. Good. More likely to let something slip.

“Maybe so, but you did not turn down the opportunity to do so either.” Damian allowed, because it truly would’ve been a convoluted plan to manipulate Damian into choosing Danny.

“What,” Danny’s voice biting. “Like you left me any choice?”

Damian stopped short at that. He knew he could be forceful and overbearing but he would never force anyone to do anything like that. He was nothing like her.

“Damian,” Danny’s voice rose again, kinder, softer. “Im not sure what this is, and we can talk about it, I-”.

No. This wouldn’t work. Damian wouldn’t let himself be pacified like a child. “You have deceived me,” Damian reminded himself and Danny

“I haven’t,” Danny protested but Damian wasn't listening. 

“You are not who you say you are.” That was the truth. And no matter what he said, Daniel knew it too.

“Yes, I am,” Danny refuted strongly and Damian had had enough. There was one thing Daniel could no longer lie about.

 “Are you?” Damian asked clearly. “Tell me Danny, are you human?”

Danny flinched and Damian’s heart sank even as it confirmed what Damian already knew.

“That’s what I thought,” said Damian, more calmly than he felt.

“What does that mean?” Danny asked, still trying to pretend but Damian wouldn’t let him.

“It means, I am ashamed I let you get so close.”

It means I know, Damian thought. It mean there’s no use pretending. It means, please do not try. 

There was a moment of silence where Damian held his breath. For Danny to finally give it up and admit it.

Daniel took a deep breath before letting it out slowly. And Damian held himself straighter. Daniel opened his mouth but closed it again.

And then finally-

“Please leave,” Danny’s voice came and what was left of Damian’s hope froze over.

So this was it then. 

“Fine,” Damain said dispassionately. “I’ll send you the severance pay before the end of the week.”

“I don’t want it,” Daniel bit out and Damian could feel something ugly within him rear its head, and Damian let it take the place of the coldness.

“Waynes believe in tying up loose ends,” Damian said silkily. “It does not do to for past indiscretions crop up at importunate times.”

“Ok no. I’m done with this.” Danny stalked off, and it welled up again, poisonous and mean.

“I would be happy to give a recommendation to any new employer of yours,” Damian shouted. 

He knew he was supposed to be better than this, but he couldn’t help it.

“Screw you!” Danny yelled back and Damian snarled, stopping himself from punching at a tree or something equally stupid and emotional.

Whatever. He turned away and started walking.

It wasn’t like it had been a real relationship. It wasn’t like it had meant anything. Damian started running.

It had done what it was supposed to do, and really, Damian had gotten out of it exactly what he wanted. 

The thought did nothing to appease the empty feeling in his chest as he made his way back home.

[cursedmagician]

so. let's talk about that episode shall we?

major ii 17 spoilers under the cut, and lots of theories. read at your own risk.

divider by strangergraphics ✮⋆˙

I have no idea what to even think about that episode. I watched this at about 8 in the morning my time, and now I am in shambles and have been for the last several hours. I'm going to dump all my theories in this one blog post.

my first topic, and the elephant in the room - THIS IS NOT THE LAST ACT. NO WAY.

I've seen people asking if this is the last act and therefore the last ever episode in the series, and to that I say... obviously not. there's still so many plot points to be resolved.

like, for example, why would they add in a scene of the prime shimmers going to the contestant grounds if they weren't going to do something for it later?

yes I know that they were already used as merely a small plot device to allow the episode to progress, but when you think of it in the grand scheme of things there must be something more to it.

also, and - I may be going crazy here - but there might possibly be some sort of parallel of when cobs tells mephone to go "home" with him. we now know that all those previous theories of mephone being made with the shimmer egg are correct, because of fan. since that is the case, I feel like it would make sense for mephone's true home to be with the prime shimmer, right?

I feel like this could be a plot point in the next act. mephone feels more at home with the prime shimmer than he does with cobs (obviously). he would meet them and realise he feels strangely connected to them, and then he figures everything out which leads up to him discovering his true family. and I hope cobs rots and dies FOREVERRR

another point to add onto this is that remember how soap and mic took that photo together in the last episode?

well, soap was going through her recently deleted.

on apple (and I'm assuming meeple as well) devices, it takes 30 days for photos in the recently deleted photo to be fully erased from the device. before that, you can restore and fully erase as many photos as you like.

at the end of this episode when everything created by melife has been erased, baxter is seen walking up to soap's phone here.

in a scene where everything is gone, don't you think this is weirdly symbolic? they didn't have any other reason to show this which leads up to the next theory.

mephone is most likely going to find a way to bring everyone back through some way, and it might be through this system. I'm not saying I know how he's gonna do it, but this will totally be some sort of factor in the next act. hopefully.

second topic - what about bow and bot?

and I know what you all are thinking. I know that bow is definitely not gone, since she obviously isn't supported by melife anymore. (I'm a little curious, bow mentioned that she can't escape the confines of purgatory mansion, but since now that's been deleted, would she be able to roam free? just a thought...)

the same could be said for bot, since they were made by fan and test tube and not by melife. but there's been some speculation going around saying that since bot was made out of materials from test tube's lab, they would be deleted too right?

I actually think that's not necessarily the case.

we have no idea if test tube's materials or her lab was made out of things generated by melife. for all we know, she could have ordered the mechanical parts from overseas. she could have dug up the space she needed for the lab herself.

all we know is that the locations made for the game itself are generated by melife. however, test tube's lab has really nothing to do with the contest because it is its own thing.

so I think this entire theory is genuinely plausible. bot might still be out there somewhere, and I'm not going to say on the invitational island because we don't know if that entire thing was deleted too or just the floor's face. they genuinely might be making their way over to the season 2 grounds right now, wondering what is going on.

which could possibly make way for a bow and bot meeting, AND they might team up too to save the day!! that definitely feels like a direction that adam would be going for, and I personally would totally stand for it.

third topic - can mephone X be avoided or stopped somehow?

here's what I'm thinking.

lightbulb actually managed to dodge mephone X here, and even though yes she did get got in the end, you can at least delay the process or maybe even outrun them altogether.

there must be a reason as to why only the person who is being targeted can see mephone X, but that's a theory for another day.

now, this part is less of a theory and more of an idea - that is supported by numerous twitter posts - but what if you are able to see mephone X with another me device thingy?

think about it, what if taking a picture or just going through the camera app enables others to see them, therefore allowing the contestants to potentially disable mephone X for good?

assuming my theory is correct and they do come back somehow, I doubt that adam forgot about this plothole completely. there must be more significance to this in the future.

we all know how the main writing team writes. they think of everything, down to the small details, and the reference previous things that were thought to be insignificant before!! reminds me of bfdi in a way.

fourth topic - misc stuff/yapping

and well of course I had to dedicate an entire section to just my yapping alone. I know I'm still pretty new to blogging, I don't have many posts yet, but I think it's worth it to just leave my thoughts out here for people to cry over also.

firstly... OJ and paper's last conversation was an argument. lol!! XD!! also it was so funny as to how paper got so ticked off after salt said OJ is her boyfriend. I understand that he might have still felt pretty heated after everything that had been going on, + the argument they had earlier. and I know that OJ is very important to paper. but I still think it was really hilarious. some could say jealous. "he's not your boyfriend he was MINE!!"

ALSO!!! also also also THIS fucking scene...

this is gonna haunt me for the rest of my life man. what the fuck. imagine if slasher movies were like this... like jigsaw or something. if I saw this in a slasher movie I would be terrified for my LIFE (something these contestants don't have).

I really really liked the scene where paintbrush was crying over lightbulb btw. jazzy did an amazing job at that, and they said that they didn't even cry to be able to voice it!! she's a very talented va, I aspire to be like her someday...

another thing I wanted to mention is this tweet made by brian a while ago (screenshot I nabbed from me_phone4 on twitter) yes this is absolutely going to be for inanimate insanity. no questions asked. hope is on the horizon guys.

ok I think that is the end of this post. likes and reblogs are appreciated, and also reblog if you want to add onto my theories later!

for now, signing off!! - CURSED MAGICIAN

[bobbile-blog]

Okay so I've finally gotten to Jessicalter's Oprec and now feel qualified to talk about Come Catastrophes or Wakes of Vultures. holy shit. This went straight into my list of top Arknights events. Fantastic event, spoilers will be under the cut so I HIGHLY RECOMMEND reading the event first. It's really good and worth your while.

Anyway, what follows is a scattered mess of thoughts about this event and things that stuck out to me.

First off, plot stuff! I'll probably cover this when I do my next plotline recap post, but what I took away from the end is that Clip Cliff seems to want to make Blacksteel independent, or at least more self-determining than it is now. He seems to be gathering resources and assets like mobile city plates and investing in long-term infrastructure like merc training, so he definitely has a long game he's pushing for. I don't think we know enough go speculate about his goals, but we'll definitely be coming back here again. After all, Tila has an infection monitor in her art, which probably means she's going to be playable at some point in the future.

Next, having looked into this a little on my own, I was interested in some of the previous places Raythean has shown up. Specifically, the ones that stood out were the drones in the Kazimierz Major and arming Silverash's forces in Kjerag, which might be referring to the Tschäggättä. It's not just notable for their apparent level of technology, but also as a faint connecting thread between three separate capitalism plotlines. I don't know if that's going to be meaningful in the future, but I found it interesting enough that I thought I'd bring it up.

Now on to more narrative things. While I love Liskarm and Franka, I do think it was the right choice to give them less screen time in this event. They're both (for the most part) fully-realized characters who understand their own motivations and morals. This is above all else an event about Jessica learning to stand on her own as an adult, so it makes sense that they're more here to support her than they are to play their own roles in the story.

Speaking of said roles, I liked the event's commentary on cops. It pointed out an interesting distinction that I wouldn't really have ever thought of, that between mercenaries and cops. To start: cops exist to protect property, not people. The police exist to protect things and do not have an obligation to err on the side of people over things, and in fact are supposed to do the opposite. This event understands that, and that role os the core of how the bank treats the Blacksteel mercs. CV, however, raises an interesting point that mercenaries are bound by the letter of a contract and not the larger obligation to property cops are, so they can actually raise moral objections and point to their contracts, sort of a Lawful Evil/Lawful Neutral to cops' Neutral Evil. The independence of their position with respect to cops allows for more of an independent morality than you'd get in a cop story and I like that, I think it's a really smart direction to take your writing in.

On a (mostly) separate note, holy shit Arknights is really good at writing cowboy stories. Between this and chapter 9 (and I would argue An Obscure Wanderer), Arknights has repeatedly made it clear that they Do Not Fuck Around with their cowboy stories and I'm surprised I haven't heard more people talking about it. It kinda has everything:

- It takes place in a rural, working-class setting undergoing a larger imminent societal shift that can inform the larger narrative, and deals with a semi-mythologized past that is rapidly disappearing.

- It has a protagonist and an antagonist that serve as foils, both very heavily affected and defined by the (same) violence in their past that they've both had different reactions to. Our protagonist has come to terms with the violence as a tool to maintain order, while our antagonist has used it for personal gain and in some ways lost control of it.

- It's a story about community, and heavily emphasizes local and personal community over larger artificial corporate "community". That's my reading of the recurring motif of the cold btw, warmth represents the close, personal community Davistown used to have and the cold that now pervades it comes from how the bank has systematically dismantled that community.

- And, I'd argue most importantly, it understands the narrative power of a bullet. The Showdown at the end of a cowboy story is powerful because we've spent the entire runtime of our story with these characters, and they are now facing each other down with the intent to end one of their collective two stories. The entire weight of the narrative so far comes to rest on a single moment of tension. It's really hard to gather up the kind of narrative momentum you need to make that hit like it does in CV. For example, it requires a really light hand with actual action in the story, so that it really does feel like it's an even standoff between our protagonist and antagonist. On the other hand, though, you do actually have to establish the relative skill of both parties and actually sell the danger of the moment to the audience. It's really hard to toe the line between tension and actual action in a way that makes for a satisfying resolution, and CV does it extremely well.

Honestly, Arknights just seems really good at getting the vibes of American media right. This is something I noticed in DV and Lonetrail too, and I haven't really been able to put my finger on what it is about them, but the vibes are just really on-point. I want to write more about this at a later point once I actually figure out what it is that I'm feeling, but maybe it's the setting, maybe it's the cast, maybe it's the plot points, maybe it's something in between — it just seems to understand the spirit of period cowboy stories in a way that I can't describe. Good shit.

Finally, I wanna end this with where Jessica is now. The events of CV take place In between the events of Loneterail and Ideal City, so the current "now" of the story is a few months ahead. Jessica left for the frontier along with Woody, Helena, and Miles. They live together in a small new settlement, building the place from the ground up with Woody and Jessica acting as town sherrifs. At the point we're at now, rhe town is fairly well-established and Woody has temporarily left on other business, leaving Jessica the sole sherrif of their new settlement. However, she's risen to her new station, and is growing into a stronger person than she ever was before.

[brettanomycroft]

Signals from Somewhere Else

After episode 22 of Protocol, there’s one thing (okay, maybe two things) that everyone is going to be talking about. But I don’t want to talk about that thing (yet. Okay, I lied, it might come up). Instead, I want to dive into some of the implications of this week’s case and how they might relate FR3-D1 [Error], and even Isaac Newton.

Spoilers for TMAGP episodes 21 and 22 below the cut. CW: we’re gonna talk about the brain stuff; probably overuse of the words “fleshy” and “wet” by I blame AJN for that.

Our case in this episode, graciously recounted by Peepaw Augustus, focuses on real-life German psychiatrist and neurologist Hans Berger, whose work led to the invention of the EEG and furthered our understanding of how brainwaves work. The experiment described in the case mirrors actual experiments that Berger completed while working at the University of Jena, including experimentation on a subject with a deformity that allowed easy access to the brain and the placement of silver wires under the scalp to measure electrical activity. Even Berger’s disappointing initial results seem to be in line with history.

Like in real life, the cosmic horrors of this case begin when Berger takes a little depression nap.

The description of “an ocean, deep and unforgiving… full of dark secrets” creates a striking image to be sure, but what’s more interesting to me here is what he recalls next: the ���radio signals, invisible and unknowable.” Berger laments that it’s a “shame these two things would never meet,” and then proceeds to enable such a thing to happen, whether he realizes it or not.

He wakes up and is immediately “inspired” to alter the setup he is using to record Herr Schmidt’s brain activity. While Berger is unable to explain how he came up with the idea (we could tell him: it was The Horrors, bud), he transforms his recording device (an early version of an EEG) into a two-way wireless telegraph, using poor Herr Schmidt’s brain as the receiver for the very radio waves that, perhaps, were never meant to make contact with the world below. Berger sent a politely phrased request into the void, and the void screamed back.

Who or what was on the other side can only be guessed at. Was it John/Martin/Jonah, individually or Frankensteined into some horrid chimerical conscience (please read this great post and have your heart broken like me)? Was it The Fears of the Archives-verse, recombined and tossed about like naughty pears in a pear wiggler? Or was it something or someone else entirely? I’m leaning towards JMJ, in parts or as a whole, specifically because I suspect that Hans Berger’s strange (and wetly explosive, thanks Alexander J. Newell) discovery provides a clue to how [Error] and possibly FR3-D1 operate.

Let’s start with [Error]. Here’s what we know about them so far:

They were locked up in tunnels or a basement space under the Archivist’s office at the Manchester Magnus Institute

Something about them causes people, dead and alive, to recount their fears or horrible things that have happened to them (I am not using the word compel here, even though it is used in the transcript for episode 21, and that is on purpose)

They seem very invested in getting the entire story out (this is, admittedly, speculation, as it’s unclear as to whether “THERE IS MORE” is in reference to more victims or more of Gwen’s story)

They have some really weird dogs

I’ve seen a lot of folks speculate that [Error] is or was the Head Archivist in the Protocol universe, and I’ve also seen a lot of folks speculate that [Error] is or was John (and therefore also The Archivist). I think either of these could be true, but more than anything, I think [Error] is a high-powered antenna with the ability to turn the people around them into speakers. Or maybe Speakers? I do love a good capitalization.

What if the “esteemed brethren” of The Magnus Institute were all too aware of the unusual results of Berger’s experimentation, and hoped to tap into the unusual consciousness(es) floating around in the radio waves and ether of the universe by creating their own version? Perhaps they thought they could create a direct conduit (think almost like a psychic medium) through a person, someone who might be able to communicate with whatever is out there and be able to relay its/their esoteric knowledge to help further the Institute’s goals of “Universal Transmutation.” We know already that the Institute was interested in doppelgangers and perhaps alternate universes and that they had a lot of irons in the fire (the Millenium Dome, the gifted child programme, Welling’s Mutare Materia research program, the various outreach centres), so it would hardly be surprising if they were also experimenting in communicating with “the beyond” to try and gain more knowledge.

And maybe it worked. Maybe they were able to create or transmute someone into an antenna, capable of receiving these strange signals, except these mixed signals were too powerful and ultimately took over. Perhaps [Error] is the natural consequence of who or whatever was speaking to Berger finally getting “OUT.” And if who or whatever was speaking to Berger happened to include the fractured consciousness of a hungry Archivist, well then, we have an interesting case for [Error]. [Error], whether or not they were an/The Archivist in this universe, could now be directed by the desires of The Archivist, channeling The Archivist’s thoughts and abilities but with a power greater than that we ever saw in John (or, perhaps, the same power but completely unrestrained by his remaining humanity). Or [Error] could be channeling The Fears themselves, bringing parts of them through not unlike they were brought through in The Magnus Archives.

Either way, I doubt that creating a connection between whatever was out there and the physical world led to the results the Institute was hoping for.

[Error] is receiving the signal to feed, but the signal coming through is so loud and so powerful that instead of politely asking to snack on some horror stories, coming into contact with them instead allows them to pick up on a person’s horrible experience and forces them to broadcast it to the world. It’s possible that, upon creating [Error] or losing control of [Error], those at The Magnus Institute locked them up and cut them off from the dangerous signal they were receiving… Sam accidentally poking a big hole in the floor (and the alchemical signals inscribed in it) could have reestablished the connection between [Error] and the force guiding them.

Now let’s talk about FR3-D1. We know that FR3-D1so far is that it

Is a “bespoke” internet software developed sometime in the mid-90s, apparently designed to search the internet for spooky stuff

Has German source code

Crashes, constantly, much to Colin’s dismay (? Or maybe he’s helping those crashes along to stop it from listening in… but that’s a theory for another time)

Has, within the last year or so of Sam joining the O.I.A.R., started running a text-to-speech program that reads certain cases out in one of three voices, two of which are familiar to anyone who has listened to The Magnus Archives

Occasionally has some unusual .JMJ errors

Seems to be “targeting” Sam with specific cases related to The Magnus Institute

Is believed to be “listening in” by Colin, Alice, and Sam (which is supported by what we know as the audience)

Has been working “better” since Colin has been on mandatory mental health leave

May have some connection to the Stasi, the secret police force of Communist East Germany before the fall of the USSR

Is assumed (by us as the audience) to have some kind of sentience

There are some other items (notably the spreadsheets found in the ARG that appear to be from or connected to FR3-D1and the emails Sam and Gwen have received) that could be connected to FR3-D1 but have not yet been confirmed. Yet aspects of FR3-D1 do seem to share some commonality with [Error], namely a level of sentience and the ability to locate the stories of people who have had horrifying supernatural encounters.

My speculation here is that FR3-D1 and [Error] were both constructed using the same premise or with the same goal in mind: to receive and channel the signals of entities or consciousnesses existing in or coming from “Somewhere Else”: FR3-D1 through a supernaturally or alchemically conceived software program, and [Error] through a supernaturally or alchemically conceived transmutation on a living human.

If this proves to be the case, then the results seem… distinct, albeit with the potential to be equally dangerous. FR3-D1 is more “controllable” and could potentially be better able to separate out the signals being received, manifesting as “Augustus,” “Chester,” and “Norris.” Now these “three” could still be part of homunculus-esque JohnMartinJonah consciousness, but perhaps the computer program is a little more stable and delineated than the fleshy wet mess of the human brain, and therefore what remains of each individual consciousness is able to act more distinctly and independently. In contrast, [Error] (and their fleshy wet mess of human brain) is receiving the signals all mixed and jumbled together, with no failsafes to keep them from “overloading” or being entirely taken over by The Horrors or JMJ or The JMJ Horrors. Given their spectral descriptions, it’s possible that fleshy human brain and body couldn’t take it anymore and, pun intended, gave up the ghost.  

[Error] could be, in some ways, a bodiless, mindless soul acting on a confused mess of instinct and hunger; FR3-D1 is then, perhaps, the elevated mind, in (more) control but disconnected from a body and perhaps from a soul. Given the heavy influence of alchemy in The Magnus Protocol and the importance in alchemy of the number three, the Tria Prima, and the balance of mind, body, and soul, there may be a third entity we have yet to meet who, like FR3-D1 and [Error], are tuned into these signals from beyond and is eager to reunite with the rest… or perhaps FR3-D1 and [Error] are looking for a body of their own to inhabit and find balance (Sam, anyone?).

I feel like I myself am beginning to mix the signals I started with, but before I attempt to wrap this up, I do briefly want to throw one more piece of spaghetti on the wall, because I think it’ll wind up being something: the mention, specifically, of the silver wire the Berger used in his experiment.

It was Dr. Caton who recommended that Berger use the silver wire, as silver is known for being an effective conductor of electricity. Silver also holds importance as one of the seven metals of alchemy and as a possible base metal in the creation of a Philosopher’s Stone. Perhaps equally important here is that the Diana’s Tree, also known as the Arbor Philosophorum, is created using a solution including silver (or more accurately, silver nitrate) and mercury (one of the elements in the Tria Prima)… yep, the (sort of) same spooky tree created by Newton in TMAGP 19, where Newton gave his dog an existential crisis and Robert Hooke was like “burn it all down.” The conclusion we could draw here is that silver is used in both TMAGP 19 and TMAGP 22 to connect organic life to the unseeable Knowledge of some other plane… with potentially disastrous effects.

Whether it ends up being the case that FR3-D1 and [Error] are big antennas wirelessly receiving The Horrors or I’m totally off base, it seems pretty clear that Hans Berger “tuned in” to an unusual—and dangerous—signal, and what’s more, enabled that signal to connect with the Protocol world in a way that likely never should have happened.

[perfectwitchcrown]

Allusions in Make the Exorcist Fall in Love

So far in Make the Exorcist Fall in Love there’s been a lot of allusions to various texts. I thought it might be fun to compile all the ones people have noticed so far as far as I've seen. Some of these are more speculative than others and I will update as I go along. Also, I read Ekuoto as free first read chapters on Mangaplus so unfortunately I can’t go back and check much so this is largely through memory, so if anyone has anything else to add I would greatly appreciate it! All I’ve got is a few screenshots and a dream. If I get anything wrong feel free to correct me! I’ve organized this in order of allusions I’m confident about to allusions I’m less so confident about.

CW: reference to sexual violence

Dante's Divine Comedy and Vita Nuova: Dante Alighieri

This one is pretty obvious since there are characters directly named after the characters figured in Dante’s Inferno. It’s been a long time since I read it, but other details are also taken from the text, such as the frozen center of hell where Satan is located.

Lmao Leah from the Bible (who is probably Leah’s namesake) also shows up in Dante’s Divine Comedy apparently in Purgatorio.

Ok also super important to Dante retellings r Beatrice, who’s used as a symbol of divine love and is instrumental to Dante's journey through hell, purgatory, and paradise, so of course Ekuoto Dante advises Priest to fall in love lmao. So far though there hasn’t been a direct Beatrice in narrative (which there might never be one since the text has already made the Dante-Virgil connection an active choice of Virgilius's to reference the Divine Comedy rather than just an allusion by the author).

To be so real though I figure that Vergilius is probably also intended to be the Beatrice in this narrative.

The points I would draw attention in support of this would be these: 1. Beatrice is the woman who Dante has been in love with since early childhood but unable to ever be with because they both married others. Ekuoto Virgilius and Dante have known each other since childhood, and have something going on. 2. Beatrice is, like Virgil, one of Dante’s guides (through part of purgatorio and paradiso) 3. We still don’t know what Virgilius’s name was before he took that one on. Beatrice does not have a masculine form in current use and I tried finding some sort of nickname that would work and was unable to do so. However. Beatrice’s name is rendered in Japanese as ベアトリーチェ, and Beato is at least a surname. Then again, I’m not sure anyone has both a first name and last name except for Imuri so far???

"Book of Tobit"

I wasn’t familiar w this one so I didn’t notice it until I saw posts pointing it out, but the Asmodeus flashback was a retelling of the book of Tobit. Other people have already done analysis of this so I’d recommend checking other’s out. Unfortunately I failed to save the link to any of them so I can’t pass any along :’) Belfagor arcidiavolo: Machiavelli

Another one that I wasn’t familiar with but have seen people referencing. As above, I recommend checking out other’s analysis. "Those Who Walk Away from Omelas": Ursula K. Le Guin

The Brothers Karamazov: Fyodor Dostoevsky

Ok major spoilers and I also highly recommend this book, but also, its super long so I don’t blame anyone who chooses not to read. This book is about the most disgusting father alive and his three, maybe four, sons: Dimitri, Ivan, Alyosha, and maybe Smerdyakov (rumored to be an illegitimate son). Most of the action follows Alyosha, who is the youngest and probably the most idealistic character in the novel, at least in the beginning. Alyosha starts out as a novice in the local Russian Orthodox monastery under the purview of Father Zossima, an elder who really emphasizes love in religious practice. There's a series of chapters that cover a theological debate between Ivan and Alyosha.

In this theological debate, Ivan is arguing not that God doesn’t exist, but that the foundation of the world as understood by Christianity is something he fundamentally rejects.

Quotations from the Signet Classics edition:

“I don’t accept this world of God’s. Although I know it exists, I don’t accept it at all. It’s not that I don’t accept God, you must understand, it’s the world created by Him I don’t and cannot accept” (Dostoevsky 266) - “If all must suffer to pay for eternal harmony, what have children to do with it?....I understand solidarity in sin among men. I understand solidarity in retribution too; but there can be no such solidarity with children. And if it is really true that they must share responsibility for all their father’s crimes, such a truth is not of this world and is beyond my comprehension” (Dostoevsky 276)

“Imagine that you are creating a fabric of human destiny with the object of making men happy in the end, giving them peace and rest at last. Imagine you are doing this but that it is essential and inevitable to torture to death only one tiny creature—that child beating its breast with its fist, for instance—in order to found that edifice on its unavenged tears. Would you consent to be the architect on those conditions?” (This quotation, although from a different translation, is the one that inspired Omelas - I think the bowling alley theological discussion between Virgilius and Priest bears some similarities to this conversation. Its not a debate about the existence of god, but rather a debate whether or not the world envisioned by Christianity is inherently unjust or not. Demian: Hermann Hesse

“The bird fights its way out of the egg. The egg is the world. Who would be born must first destroy a world. The bird flies to God. That God's name is Abraxas”

Potential references but tbh they’re a bit of a stretch:

“Book of Martha”: Octavia Butler

"Book of Martha" is an Octavia Butler short story in the Bloodchild collection about an ordinary woman who is visited by god one day who tells her to choose one thing to change about people to try and make the world a better place. It’s a very short read and I’d recommend reading it before you read the next sentence where I’ll spoil the end.

She eventually decides that the thing to focus on is people’s dreams. Specifically, to give them the things they desire most within their dreams, in the hope that people will be less violent to each other in real life. A stretch, but Octavia Butler comes from similar recommendation circles as Ursula K. Le Guin (feminist science fiction authors with overlapping periods of activity) so I don’t think it’s impossible for the most recent chapters' use of dreams to hold some sort of inspiration from this short story. Again, this one is a pretty big stretch, as the idea of dreams to escape reality is pretty common.

The Monk: Matthew Lewis

Ok! So! Demon seduces a person is like not at all an original story (The Daemon Lover, Cazotte’s The Devil in Love, etc etc). BUT! The Monk is specifically a story that’s like. What if there was this extremely virtuous young man who has never lived in the outside world ever because he was raised in the church as an orphan and then the devil sent a demon girl to seduce him.

I have not finished the book yet so I can’t comment in depth on it other than to say the concept is similar but the execution so far is very different (It's a fairly misogynistic text. Ambrosio turns evil in ways that I doubt Priest will because thematically they’d go completely against the story. Also, The Monk is veryyy lurid in terms of Lust is Evil!!! And will turn you into a murdering maniac!!!! Because evil women are out there seducing you!!! Whereas so far sexual desire in Ekuoto has been handled as a perfectly natural thing, but complicated by religion, patriarchy, trauma, etc.)

This is all I have so far but I'd be interested to see if anyone else has any other ideas!

[junpei-iori-ace-defective]

Thoughts about Hades 2 as a tech test player

Everything is under a read more bc. 1. Long post. 2. Spoilers for Hades 2.

1. The game is fucking s m o o t h. Loads quicker and everything feels more stream lined.

2. It’s somewhat harder than Hades 1. Idk if it’s bc of not having a super buffed character but I am definitely finding it a little more challenging. Not a bad thing though!

3. Melinoë plays a little different from Zag which is to be expected! We now have a sprint, spells, and new weapons. Already loving how regular casts and specials don’t have a cast limit. Also love the twin blades. Fast weapon go brrrrrrr.

4. I’m definitely interested in seeing what they do with gathering, farming, ect. Great way to add more stuff to do in and after runs.

5. This ties into 4 but, I love how there’s a bunch of stuff to do in Crossroads! In Hades 1, I never spent too much time in the house. I was always dashing through to do another run when not stopping to talk to people. The Crossroads is definitely a nice cool down area for after runs!

6. THE ART. Man everyone looks so good!!!! I can tell some of the sprites are still being worked on but everything still looks so damn clean. I love how everyone has backgrounds in their portraits!

7. APOLLO, HEPHAESTUS, HESTIA, SELENE. All of them look and sound so cool. Really looking forward to seeing their full boon lists and how they play with different weapons ect.

8. I’m really happy to see some of the OG gods returning. All of them look so sick and every time I see a boon from the first game I go “YOOOOOO”. Also Artemis physically appearing is sick as hell.

9. Really excited to get to know the new crew better! They’re all really compelling already!

10. The areas seem to be shorter. Like, I’m going through less rooms to hit the boss room. Idk if it’s bc it’s a tech test or if it’s intentional.

Speculation and questions

1. WHAT DID CHRONOS DO. ARE THEY DEAD? WHERE ARE THEY? Istg if Zag is dead I am going to c r y.

2. WHERE IS THAN, MEG, ACHILLES, NYX, EVERYONE FROM THE FIRST GAME? WHERE ARE THEY?

3. Hecate said something about Hermes trying to find a way to get from the underworld to Olympus. There was also some stairs going blocked by a ward in the weapon/training room. I wonder if there’s gonna be more areas to go through. Like. Erebus, Elysium, Asphodel, Tartarus, House, then Olympus? Maybe Olympus is gonna have its own areas completely. This would make sense for why the areas are shorter. Really interested to see what they do.

4. If the game looks like this already in its tech test stage….. this might be my game of the year if it gets a full release this year. (I love you P3RE but holy shit Hades 2).

There’s a lot more I could talk about, but I am tired and this is a long post lmao.

[dunmeshistash]

Dungeon Meshi FAQ

Before you send an ask consider checking this FAQ! I'm trying to compile some of the most common questions I see in my notes and inbox. Feel free to send me an ask anyway if you find anything confusing!

But first just some things about asks... I read all of them and feel kinda bad when I don't respond but I can't really respond to everything so:

Most likely will respond:

Requests for sources/images

Requests for links to other posts

Questions about the story or characters (as long as they haven't been repeated in a short while)

Questions about my opinion on canon content/speculation based on canon

Most likely won't respond: (usually cause idk what to say to it)

Headcanons/Shipping

Jokes

Discourse/Rants

Questions that have been repeated in a short time

FAQ under the cut (there's spoilers)

FAQ

First of all just a disclaimer that I don't actually know everything I try to put sources on the posts but if you see anything wrong here please let me know!

Q: Where is this extra/information from?

A: Dungeon Meshi has several worldbuilding details and extra comics in different publications. You can check this post with the places where the extras/information sources

If you wanna know the source for a specific extra don't be afraid to ask!

Q: Have you ever posted about [subject]

A: I haven't posted about everything related to dungeon meshi but please check my pinned post! I have a list of tags there, if you don't find specifically what you were looking try to search for it on my blog, I do my best to tag stuff so it can be found. If you still have trouble just send me an ask and I can link you the tag!

Q: How old is Thistle?

A: Who knows! Mostly likely he's under 80 (16 in tallmen years) my best guess is that he's 14.

Q: Is there a post Canon Melini Map?

A: Not really (Spoilers)

Q: Isn't Izutsumi a cat that was transformed into a human?

A: That's not a very accurate description, Izutsumi is a beastkin who was created using ancient magic by fusing the soul of a 6 year old child with the soul of a cat monster known as a greater cat. She's not "A cat that was turned into a human" nor a "human that was turned into a cat" as my understanding goes she was both and now she's still both, spoilers but the plot twist of the Lycion extra is that she can never be fully human again (there's more monster than human so she can't transform between the forms like Lycion)

I made a few posts about it

Q: Are fairies made of Jizz? How do females make them? How come Mithrun's doesn't look like him? Can other races make them?

A: Yes. They probably borrow some. Another person feeds it blood. Probably? For better answers please check the fairy tag LOL

Q: Are there monsters outside dungeons?

A: All points to yes, dungeons just seem to have a higher density of mana which allows more monsters to survive in a higher population.

Q: Is resurrection possibly in any dungeons or only in The Island?

A: According to the adventurer's bibles most man-made dungeons have the revival magic active. Here's a post all about resurrection and healing magic:

Q: Why did Fleki get brain damage when her Familiar got destroyed and Marcille didn't?

A: Probably has something to do with the complexity of the familiar and the strength of the connection, lots of people sent some theories pleas check the familiars tag if you wanna read up.

Q: What does the tattoos mean? What do Magic Tattoos do? Only beastmen have tattoos?

A: Those are Magic Tattoos, they work as a supplement for magic, I assume similar to magic circles or magic runes they use in other places in the anime, they aren't necessarily only for beastmen

Q: How does Mana/The Winged Lion/Dungeons work? (and related questions)

A: I made a post about dungeons you might wanna check, haven't done specific posts for the greater demon/winged lion but you can check the tags for some theories/other asks!

I think that's it for now? I'll add more things later if I see more common questions

Mini FAQ about the person running this blog (cause I get a couple of questions sometimes)

Q: Whats your pronouns? Are you brazilian? What do I call you?

A: There's a tiny about me section at the end of my pinned post I'd rather you use she/her or he/him, but they/them is fine, I'm very brazilian and you can call me whatever, Cyan is just a suggestion. You can also check this side blog, it's me

Q: What do you think about [headcanon]/[ship]

A: I probably think it's neat but cant elaborate cause either I'm being socially anxious or I'm afraid of saying something that will generate discourse on my notes LOL

Q: Could you tag [thing]

A: Yes! Please tell me if you'd like me to tag something, both cws or just something you think would be useful to search for. I'm very unaware of what can be upsetting ngl so I often forget to tag 'obvious' triggers, I'm also forgetful and have trouble expressing myself, so feel free to tell me if I said something weird but be nice pwease

[scribeofmorpheus]

Qunari Origins and the Forgotten Ones[?]

I'm making a rough-thoughts-about-Qunari-dogma-and-origins post because I must store the thoughts somewhere before I can dissect them further but...

I'm very interested in the phrasing of this codex entry in DA2 (especially after the confirmations/revelations of the ancient elves' origins in dav):

[Not really] spoilers [but lore speculations] below!

note: this is definitely me putting too much emphasis on the extent of foreshadowing a series can be accredited with, and absolutely stretches the written intention too far for what could possibly be considered "traditional analysis". There's every chance this codex is written this way stylistically, but alas, I want to work on something constructive and interesting in the dragon age lore to find that joy again!

Qunari view themselves as a part of a "whole"--similar to how dwarves are part of a larger whole as well (the Titans). You could accredit this reading to being one of a "pack" mentality. Or how dragons can often "conjure/call" their wyverns/dragonlings to come to their aid or follow an instruction.

They also have a spirit outside of their "body"--their military. So, like the ancient elves that built themselves from lyrium they are a duality of solid with spiritual essence "hidden" from the face of southern Thedas.

We know the Qunari came from across the Boeric Ocean, Par Vollen is not their native homeland. There's lore about them having horns because of dragon blood (supposedly mages back in the day trying to make more powerful warriors)--this leads way to my thought process of the Qunari being bound to a genesis that is, essentially: military experiment (the way Tevinter breeds Altus mages, they would endeavour to make a race of unmatched conquering power).

However, that's too reductive and too cheap (i feel) an explanation for how that origin could also explain their dogmatic religion and their culture's "iron-grip" on expressions of individuality outside the Qun. There's too much precision in their structure to simply bind it under the tagline of: "we're like this to tame the dragon blood and keep the fires in check--lest they consume us like they do the talvaashoth or the deserters".

So now I'm thinking, there must have been a trigger that forced their society to rely so heavily on the dogmatic rigidity of the Qun--a set way of being, of having a role and understanding of where you stand in the larger scheme of things. Which had me wondering about what the Forgotten Ones did that was so bad that the Evanuris themselves took time off the Titan War to war with them! (presumably, the timeline is insane--and the Evanuris war lasted at LEAST 1000 years according to Solas).

So here's my very flimsy, very-not-at-all possible interpretation. Anaris and the Forgotten Ones could have done many things to brand them "worst of the worst" but only one idea seems to track with the possible theme of a "perfect vessel" that is strewn across their stories:

Formless One's first appearance as a dragon, one they feel is limited and not a true representation of their essence--and the haunting narrative of seeking a true body

Anaris, obviously, everything with his arc linked in Bellara's story, wearing a mask, and then turning to dramatic goop on the floor.

Gaxkang (arcane horror demon) having "Unbound" in their name, if we consider spirits in bodily vessels "bound", this could be a "refutation" kind of title. Like if John Snow's title was John the Wise (in jest).

Imshael, he can shift "between the forms of fear, rage and pride demons" [and in the concept art Imshael had a female persona, so I do think having an 'identity'/'prime body' is intertwined in his/hers/their ethos too].

all except maybe Xebenkeck have a loose thread to this "perfect vessel" tapestry my brain is weaving--but she was first, I think, and she is also a desire demon, whom Qunari share a resemblance with horns-wise [Mythal too, but that's more because of "dragon" effigies in her statues and headpiece]. Xeb is possibly their most 'shallow' entry to the Forgotten One's lore--or equally the most cohesive, since desires are changing, and make of people malleable subjects--deals with the ability to mould or cause chaos.

Loose note: Xenon the Antiquarian, I know it's probably the "X" of it all, and they're probably named after the gas "Xenon", but their wanting of "immortality" and then the collection of rare and powerful tomes/trinkets, being tricked by Yavana or another Witch of the Wilds to be a withered, frail thing in a husk? He's definitely related to the Executors--at least! And they're most likely the lingering influence of the Forgotten Ones (possibly).

[Imshael's letter in the Fade; datv]

From the wiki on Xebenkeck (sidenote: girl how do you pronounce your name? is it like Xoloitzcuintle?! is it Ch-eben-kek? or is it a mandrin X like SH-eben-kek?):

"“The first of the magus cast themselves deep in the Fade in search of answers and power, always power. They found the forbidden ones—Xebenkeck, Imshael, Gaxkang the Unbound, and The Formless One. Many conversations were had and much of the fabric of the world revealed. And thus the magic of blood was born.” ―unknown mage[1]"

the dao codex entry makes it sound like the Forbidden/Forgotten Ones discovered blood magic, but I don't think that's right, considering ancient elves used blood magic neutrally (it's only seen as an 'evil' art in modern thedas--because of the side-effect of having mages be oppressed and locked away in religious tower blocks). I think they possibly taught modern humans/elves/mages about blood magic again, and modern humans were to blame for it being used mostly in a negative/desperate light.

Now binding a spirit is usually what turns them into a demon. It corrupts their purpose and is also a great theft of autonomy from the spirit's side. Dragons are ancient, possibly the oldest "physical flesh" form besides Titans. Considering the ancient elves were losing the war with the titans because they were possibly few in number and not nearly as strong physically, I'm inclined to believe that maybe the Forbidden One's became twisted into the versions we know today because they committed great sacrilege against the Elvhen, the dragons and the Titans in one big gesture: creating the qunari as a form of making the ultimate form.

In my head, I can see them as researchers, which leads well to them toying with humans mainly out of interest to see the results unfold: to orchestrate chaos (this will play in the rigid qun structure later).

To make the ultimate form, they'd need spirits, lyrium and dragon's blood--and I'm willing to bet none of the participants in this "research" were entirely willing.

And then what if red lyrium is like a cyst from these experiments? Dragon's blood from the experiments that tainted the Titans somehow, gave them that "fire"; that "rage"; that "inflammation"? Which could also explain how Imshael knew how to cure red lyrium poisoning.

So they forcibly pull other spirits out of the Fade (maybe luring them out with the "unbound" of them, or with desire?--or the illusion of choice or fear or rage), binding them to a lyrium body instilled or infused with dragon's blood (maybe creating red lyrium as we know it) and then forging the qunari (but they were possibly defective? possibly hunted down by "mythal/another dragon effigy-linked woman" that made them flee their home the first time?).

So if the Forbidden Ones represent chaos, it makes sense that the surviving twisted spirits left confused in their new bodies would crave structure, and why their minds would build a dogma that leashed their chaotic structures with enforced rigidity, and it would also explain the Qun's inbuilt fear of "unchecked" power; of magic and the Fade.

As Solas said "Chaos breeds a desire for simplicity." Or something like that.

Also the firebreathing, heightened sense of smell, but also Bull's odd reaction to the Fade in Trespasser (we know he sees it differently than both elves and humans--but it's discordant, confused, almost like how trauma warps/frames understanding).

Very on the nose also: Taash. From Ataashi. A Little Dragon from Dragons. That's all for now folks.

TLDR: Forgotten Ones possibly wanted to make an "ultimate weapon form" for themselves by using unwilling spirits (mind and soul) to fill the lyrium flesh (to make arms, legs, ears...) but the blood is sourced from dragons (fire).

[rooniper]

The inevitable Ralph Lore Masterpost

Here it comes. After my second re-read and a week of talking about this fictional cringefail tragic girl dad to anyone who would listen, here it finally is, because I felt a need to write all of this down for future reference and also because I am very close to exploding at any given second of the day.

Also: do keep in mind some of this is my personal speculation/theories/ramblings and probably not canon, but I did try to stick to just the book as much as possible. This is not a coherent essay. Really, it’s a word vomit because I can’t stop thinking about the funny Phone Man. I still probably missed some things, feel free to chime in in the replies, might make a Part 2 unpacking some of the lore/non-Ralph related bits in the future who knows.

Anyways, in no particular order (AND OBVIOUSLY; SPOILERS UNDER THE CUT):

Pre-Freddy’s Era Details I Couldn’t Fit Anywhere Else (Or: Upbringing, College and some Coppelia’s Mom Speculation)

There’s not much info about Ralph’s childhood from what I could gather, except two things: he was bullied in school to the point where he had to hide in a locked bathroom stall to get away from his classmates, and his father was a major a-hole who had extremely high expectations for him and also used to scare him out of wanting to play hide-and-seek with him which. Goddamn. The quote “all your life you’ve gotten used to not pushing buttons” really, really doesn’t help the horrible parents allegations. So yeah the man has daddy issues, jot that down.

Expanding on the previous point: a lot of his parenting of Coppelia seems to be directly influenced by his own upbringing. The paragraph-long tangent about how he’s purposefully awful at hide-and-seek because he never wants Pel to feel as scared as he did is an obvious example, but he also brings her gifts from work pretty much constantly (and sidenote: he thinks of taking things from his job that he never breaks the rules at to bring to her all the goddamn time, while being actively hunted by murderous animatronics. That’s so goddamn wholesome I’m sorry even when he’s scared out of his mind he’s constantly thinking of her). He never puts her down the way it’s implied he was put down as a child, he seems really supportive of her hobbies by the way he talks about her reading. I have more to say about his parenting skills, but the fact that he’s terrified of becoming like his own father/parents seems to be a giant part of them.

He’s a college dropout who majored in psychology, aiming to specialize in child psychology, which makes so much sense but also I find incredibly ironic considering he later exhibits very VERY obvious signs of what’s probably PTSD and doesn’t clock it at all. But that is also going to be its separate point, put a pin in that.

It’s not just implied, but pretty explicitly stated by Ralph himself that he’s a massive overachiever. He was probably pretty academically successful in college, considering he mentions it was a surprise to most people that he’d drop out to get into security work. It’s pretty strongly implied this was mostly because he was pressured into succeeding by his parents. My man has that helicopter parents burnout syndrome, and escaped it by going into a job where he could still interact with kids like he wanted to as a psychologist but actually be happy, and that means a lot to me actually.

(Very important sidenote, because I don’t know where else to put this: the fact that his real dream job is to make children’s toys is just so real to me, especially as someone who’s also experienced academic burnout. It makes so much sense for him to want to do something with his hands where he can create something tangible after being pushed into being traditionally ‘successful’ in academia by his environment. Also put a pin in this as well because I have another point to make about the whole toymaker thing)

He seems to be at least low-contact with his family, which is understandable from what we know about his father - I’d say it’s likely he even cut contact completely after dropping out of college. The fact that he never mentions his parents as a possibility when he talks about babysitting options, or the fact that he doesn’t even consider them taking care of Coppelia when he is literally about to die seems pretty telling to me. I mean, alternatively, they could both be dead, depending on how old Ralph is, but since Coppelia’s only eleven that seems a bit unlikely.

Coppelia’s mom is a mystery. There is exactly one mention of her in this entire book and it doesn’t come from Ralph, but from Pel, so we know she does in fact exist but that’s about it. When Ralph talks about parenting Coppelia he never mentions her mom, even as far back as when Coppelia was one year old. They probably divorced when Coppelia was really young, and Ralph likely has full custody, since he never mentions Coppelia going to her mother’s for the weekend or anything like that. And that’s all we know.

Freddy’s and Related Tidbits (Or: I Stuffed Everything Related to his Relationship to Fazbear Entertainment in this Section)

He’s worked at Freddy’s for at least eleven years, because he mentions Coppelia being a month old when he already had the job and recorded his first training tape. If FNAF 1 indeed takes place in 1993, that means he was already working at Freddy’s by 1982 and likely earlier. Which, side-tangent, would imply that either Fredbear’s Family Diner was removed enough from Fazbear Entertainment by then for him not to know anything beyond the vague existence about the bite of ‘83, or that FNAF 1 takes place after 1993. But at this point the timeline is confusing enough that who knows.

He’s never moved up to management despite being there for more than a decade, also doesn’t appear to know Henry or William (especially if you believe the whole Dave-is-probably-William theory).

He was employee of the month 22 times. He also likely competed against his murderer ex-boss in disguise for the longest employee of the month award streak which is the best goddamn thing I’ve ever heard.

He’s written some of the rules at Freddy’s. Because of course he has.

He leaves passive-agressive notes to the dayshift guard and also thinks about shoving a ballpoint pen in the cleaning staff’s faces. And also talks about reporting people for slacking off. What I’m trying to say that he’s probably not the most popular of people with the rest of the staff, and doesn’t appear to realize why that could possibly be. Worst enemy of folks who don’t want to take their shitty minimum wage job extremely seriously.

On a related note, he takes his job so seriously oh my god. He does like twenty other jobs each night while the animatronics are trying to kill him. He’s probably the only person still doing reports. Management is very much implied to never read them. He writes them anyway. The fact that he was genuinely called ‘the Phone Guy’ and also was in training videos is also amazing (and also pushes the Trans Phone Guy agenda for anyone who considers Kim from the FNAF movie to be a stand-in for him).

This is specifically night-shift related: While it’s true that his survival instincts are absolutely shot, he is, when pushed, demonstrated to be capable of extreme violence against animatronics, which actually good for him. He kicks Bonnie’s head off. He beats Chica to death with a mop. He shoots Foxy with a watergun and also throws a lightbulb at him. This is not particularly important to anything but it’s extremely important to me.

Anyways, he’s really, really loyal to this company. Like, too loyal. Like, he was very much responsible and instrumental in shutting down rumors and speculation among staff after the bite of ‘87 and likely after the MCI as well too loyal. He’s management’s mouthpiece for their dirty work and that makes me feel a certain way because it’s so obvious he cares a lot about this shitty kids’ restaurant, enough that he’d defend it at all cost even when there’s so much evidence against it. This will come up again when I talk about him gaslighting himself.

This is mostly me speculating on the previous point, but I’m pretty certain a lot of his defending of the company is also a coping mechanism that he uses to grapple with the trauma brought to him by the fact that he’s spent a huge chunk of his life working for a conglomerate that’s gotten people killed. He genuinely insinuates Jeremy was responsible for getting chomped, because he must’ve done something wrong, the animatronics would never attack anyone without reason (right?). When he talks about how the media blew children going missing out of proportion, it seems less like he believes it and more like he doesn’t want to believe it - especially considering he’s only brought Coppelia to Freddy’s once in her life. He never lets her near it. He shuts her down immediately when she talks about working at it. Which, at least to me, demonstrates that on a subconscious level, he knows what he’s saying isn’t true. It’s just easier to say it than face the facts.

And lastly, he’s so clearly and passionately loyal to the Fazbear’s franchize. This fucker genuinely loves working here and is sad to go, even though management treats him like shit. We already knew that, but still, dear god those people could not care less if he lived or died and he STILL takes his night guard duties so goddamn seriously. He’s so clearly really invested in it, he talks about what a magical place Freddy’s used to be for kids, he talks about how much the job means to him, all the while it’s actively trying to kill him, he defends it to the point that it’s actively ridiculous, and in multiple endings he still gets blackmailed, disappeared or worse by the people he’s defending. And- I don’t know. It just makes me really sad. Again, I do believe his over-the-top enthusiasm for his job is probably him compensating for the fact that he doesn’t want to face the incredibly traumatic stuff happening to him, especially because as the week goes on, he gets less and less enthusiastic with every night, and just- Yeah. Fazbear Entertainment doesn’t deserve him.

Characterization, Diction and Things Like That (Or: Everything Else)

Let’s get the more positive stuff in this section out of the way first: we already knew this from the phone calls, but the way this man talks just sends me. “Time to make the donuts” when walking into a shift my favorite of his Phone-Guy-isms, but also unironically saying “oh boy!” and “what rotten luck!” right when you’re about to die is equally important to me.

Kind of related but not really: this man truly is a dad through and through because MY GOD the amount of bad puns and/or stupid references he makes is criminal. The fact that they get him actually killed in some of the endings because he keeps laughing at his own terrible jokes is also great. My favorite examples include thinking “my, what large ears you have” immediately before Foxy mauls him, the Irony Curtain, the how many night watchmen does it take to change a lightbulb, and so on. The fact that he also finds all of this absolutely hilarious means so much to me. Ralph truly is a cringefail girl dad, RIP to him he would’ve loved those awful shirts with puns that were popular with dads going to Disneyland in the 2000s.

Not gonna lie, and I’m not sure if this is just me reading too much into it, but he also reads as at least slightly neurodivergent to me. And I am ready to die on that hill. He doesn’t really seem to be the best at social interaction or with figuring people out, from the way he talks about not being able to tell if his coworkers are only laughing at his jokes to be polite or not and how he doesn’t seem to understand why they would be upset with him shoving minimal errors in their faces. He notices a single hat out of place in one of the Party Rooms and immediately goes to correct it. He makes a point about how much he hates messes and the whole “you need order, you crave order in your life” quote resonated so deeply with me that it’s uncanny. He’s a “stickler for rules”. The fact that he worked at one place for eleven plus years also makes me think he’s probably not the best with change. I could go on. I don’t know, I wouldn’t be able to tell you why, but I just can’t see him as fully neurotypical.

He’s also just a really curious dude, to the point of his curiosity overriding his survival instincts. Which is a horror protagonist trope if I’ve ever seen one. The scene where he lifts up a strange robot cupcake he just found directly to his face with zero hesitation is just. Yeah.

He loves Foxy, which we already knew, but also the fact that he explicitly states that he’s still scared of him and Pirate Cove by association makes me kinda sad. Also, related point, he’s a self-proclaimed fan of pirate stories, so I’m pretty sure that’s where Coppelia gets her taste in books from, but that’s besides the point.

In general, he just really loves the animatronics, too? Like he waves at them after his shift. Like I already mentioned, he talks about how much they mean to him, and how much he loves the fact that they brought joy to kids. It’s kinda sweet.

The most questionable thing about him is the way he. Uh. Talks about guns/cops in a way that kind of makes me remember he was raised in Utah around the 1960s. There are a few specific passages that make me extremely concerned about what his opinion on the second amendment is. But that is luckily left unspoken so I’ll be moving along.

The job stresses him out so much he consumes a packet of raw poptarts because he’s so hungry by the end of it. Which, while iconic, is also very deeply concerning. Which brings me to my biggest point

My god this man has Trauma. So much Trauma. He represses so much. The entirety of the beginning of Night 3 is just him describing that he forgets details about his shifts as soon as he leaves them. He gaslights himself constantly that nothing bad is happening (after Night 1, for example, he calls the entire shift the night before a bad dream and convinces himself he’s just “misinterpreting” events, which is goddamn concerning), but he’s also actively wasting away despite telling himself he’s not (my man looks into the mirror and his only and first comment is that he looks terrible). Not to mention the dissociation. He spaces out when he comes home on two seperate occassions, and loses and entire hour each time without realizing it. God I hope in the endings where he survives he eventually gets therapy.

Coppelia and Life Outside of Work (Or: This Section is Concerningly Short)

This man loves his daughter so goddamn much. So, so much.

No but seriously the interactions between him and Coppelia are so pure and well written and they were my favorite part of the book, somehow, even though I wasn’t originally sold on the concept. The “with what?” “excellent point, I’ve got nothing” kills me still. The scene where Coppelia curls up next to him after he comes home from his shift makes me want to sob. He makes her pancakes and they banter and she test limits but it’s obvious she also loves her dad, and that is- AAAAAA

Back to my bullshit, though: Ralph does kinda read as the type of parent who’d spoil a kid rotten if given the opportunity to do so. At some point Coppelia directly says that he “gets her everything she wants”, and- yeah. This is similar to the point I made previously about him bringing her gifts all the time. She does seem like a good kid, though. He’s just a girl dad to the extent that he’d probably wear a shirt with girl dad written on it, you know?

He’s also really protective of her. And worries. A lot. Not just when he calls home or rushes home to check on her, but also when he talks about being a security guard at her school and whenever he forbids her from ever ever going near Freddy’s. Say what you will about him defending a company to a possibly unethical extent, but he’s not about to endanger his daugher over it, and I respect that.

The only concering thing about him and Coppelia is the fact that Coppelia apparently drew herself stabbing him when she was little. Which is. Well. Not ideal. The fact that he finds this completely normal is very in character, though.

On Coppelia by herself, though: the fact that she ‘tinkers with stuff in the basement’ concerns me. I wouldn’t at all be surprised if after the canon ending, she ends up to be a technician at Freddy’s at some point. Also, the fact that she’s a gamer warms my heart.

Now, on other outside-work activities: I love the implication that my man not only bowls and always pays for dinner, but that he bowls and pays for dinner while dining with his serial killer ex-boss. God, that’s awesome, I love that so much.

Tying back to a point I made previously and also to a point I saw some people make that I really, really resonated with: there are actually a lot of parallels between Henry/William and Ralph, especially concering parenting. I don’t think the fact that his dream to be a toymaker is accidental, either, or the fact that he goes out of his way to point out that he wants to make toys that aren’t at all mechanical. Because even though he’s also a dad trying to make his kid happy with his creations, unlike William and/or Henry, he doesn’t want to make anything bigger than himself, or anything innovative; just wants to make simple things and make a kid’s day better. I don’t know man keeps me up at night, you know?

And, because this is only important to me: he owns a Kit-Cat Clock. This is somehow the most fitting thing I could’ve read about his taste in home decor.

And because I don’t know how else to end this: that’s a wrap! Was this book perfect? Hell no. The Bronwen plotline makes my brain hurt. But was it incredibly fun? Oh hell yes. And now I have a reference point for any future writings I do where Ralph is an active character, so that’s a major bonus. I have many thoughts but not enough time to put all of them down so I’m stopping here, major thanks to @graceandtheidiotsquad for pushing me over the edge and making me actually finish this with a reply lmao. And that’s all! Phone Man please get out of my head now before I go insane.

[redxx95]

Tachibana & Kurosawa parallels that are making me go insane

Hey guys so I had some Thoughts that are not letting me go so I did some digging and now I'm gonna present yall with my findings. They are horrible. (Spoilers for volume 14)

So how this all started is me wondering if Kurosawa ever feels a little guilty about entering a relationship with Adachi, since things could've been a lot easier for him if he'd simply gone out with a woman (to him it would've been Fujisaki) instead. He often mentions Adachi could've been happy without him, after all.

Then I remembered this bit from the end of volume 14 about how Adachi doesn't know how to deal with advances because Kurosawa was always intercepting them for him and decided to properly translate all of it.

"Adachi felt guilty, but him not understanding the tactics of love or how to evade invitations is my fault. I don't want anyone to take him away, but I also don't want him to ever learn any of this. Of course I can't tell him that though."

Tactics of love, huh. You mean like...

Giving little compliments... (The phrasing here is almost the same in japanese except Tachibana is using polite speech)

Offering favors...

Invading personal space...

Going "hey you like this thing, why don't we do this thing together?" ...

Helping out when they're weak and vulnerable...

You mean tactics like that? Man it sure is convenient that Adachi remains blissfully unaware of any of this huh. Okay So. Before you raise your pitchforks at me, yes there's obviously some nuance in all of this. Kurosawa is doing all of this to befriend Adachi, first and foremost. He wants to be closer to him because he loves him. Tachibana (as far as I can tell) just wants to get in his pants lmao Also Adachi's a Grown Ass Man and can definitely make his own decisions, and it's not like he got really manipulated either, since he could read Kurosawa's thoughts and intentions the whole time. I could still see Kurosawa having some self-doubts about their relationship though, if he ever realizes that he might have "manipulated" Adachi into a relationship that is objectively worse for him, considering the alternative of being with a woman and completely evading all the problems they've had with homophobia. Not to mention that Adachi is clearly good with kids and might want some of his own, which is something he can't have with Kurosawa, since adoption requires couples to be married in Japan and gay marriage is illegal, as we know. What if Kurosawa ruined Adachi's chances to lead a happy life, for his own selfish reasons?

...

Now, here come my truly insane speculations about vol 15 and how this could tie in with drama around Matsuura :)

So on that last page she's clearly approaching Tachibana, who, as we can read pages before, wants to get black-out drunk to forget all his romantic woes. Which means he will be very talkative to a nosy Matsuura. There's no doubt in my mind that he'll reveal literally everything to her, how he wanted to go for this cute, inexperienced coworker named Adachi and how he got told to back off by his big scary boyfriend named Kurosawa. "Oh yea they work together at Toyokawa. I even told him it's really risky to date coworkers, can you believe it?!" Matsuura just goes "Oh that is Interesting."

She might even try to get under Kurosawa's skin by drawing parallels to his harassment in vol 1 and him pursuing Adachi, since Kurosawa has a higher position in their company and earns more, and Adachi being inexperienced. One could easily construe this as a power imbalance between them. Throw into the mix the issue of being "forced into a relationship that's looked down upon by society" and the looming threat of their relationship being revealed to their workplace and Kurosawa might truly spiral, maybe even breaking up with Adachi, just to fulfill yet another parallel to Tachibana.

Man would that be fucked up or what haha