#not main tagging this right now but

[flecks-of-stardust]

wholeheartedly and with as much gentleness as possible, i truly think there needs to be more discussion about downpour in the community as it is now. for a variety of reasons.

[hailsatanacab]

A Persuasive Argument - dpxdc

"Great!" Danny says, clapping his hands together to get everyone's attention. The dinner table falls silent as everyone looks towards him. It's a full house today and, honestly, Danny's a little nervous. "I'm sure you're all wondering why I gathered you here today."

"It's dinnertime. In our house." Duke mutters, while doing a very bad job of concealing his yawn. He holds his fork poised over the braised beef, but, just like everyone else, still looks towards Danny before tucking in. It's intriguing enough to wait.

"Yeah, no one misses Alfie's dinner." Dick says, with a brilliant smile that Danny can't help but return.

"Precisely! What better time to talk to you all than when you're all actually here!"

"Wait, I thought you came round to work on our English essays?" Tim asks, blinking owlishly.

"I'm afraid I've lured you here under false pretences, Tim."

"This is where I live."

"I would still really appreciate help on that essay though, I mean, what the hell is Hamlet even about? I just don't get that old time-y language, like 'Hark! A ghost hath killed me!' - absolute rubbish, what does that even mean?"

"The ghost never kills anyone in Hamlet, he's there to tell Hamlet that he was murdered. Have you actually read it?"

"No, but it sounds like you have. Tim, I want this guy to help me with my essay instead. I know for a fact that you haven't read Hamlet, either."

"So? We don't need Jason, I've read the Sparknotes."

"Hi Jason, I'm Danny, pleasure to meet you, summarise Hamlet in three sentences or less."

"Am I auditioning to help you write your essays? I can't believe you’ve gone through your whole school life without reading it, it’s good!"

"Hamlet, along with a number of other classics, was banned in our house because it portrayed ghosts as intelligent and sympathetic beings rather than evil, animalistic beasts. I didn’t even get to see The Muppet's Christmas Carol until last year with Tim! It was surprisingly good, and I hate Christmas because everyone always argued and it sucked. But we're getting off topic. I—"

"No, no, please go back to that, because what the fu—"

"Boys, please." Bruce interrupts, looking to the world as if he wants to hang his head in his hands. "Danny, you were about to say something?"

"Oh, yeah, Mr. Wayne! Thanks!"

"Please, call me Bruce."

"Well, that very succinctly brings me to my point, because I'd actually really like to call you dad."

Nobody says a word. Nobody even blinks, all as shocked as the other, watching open-mouthed as Danny pulls his laptop out from beside his chair. Bruce can definitely feel a headache coming on.

"Before you say anything, I've prepared a 69 slide PowerPoint presentation on why you, Bruce Wayne, should adopt me, Danny Last-Name-Pending. Please save your questions, comments, and verdict until the end, thank you."

[benevolenterrancy]

~ Extremely Unwilling Magical Protagonists Attempt To Outrun The Plot And Not Fucking Die ~

(@takofukkatsumi this tag is from a while ago but it hasn't left my brain -- L-Space got very weird all of a sudden)

[poorly-drawn-mdzs]

This one is for all my fellow "My gender is 'I have a job and I can't worry about that right now"'. I see you.

(part 1, part 2)

[vaguely-concerned]

fun detail I only put into context after seeing the post-fade jail romance scenes with all the companions: lucanis is the only one where rook is surprised when they realize he's there as he starts talking, because they didn't hear him come in haha. (Bellara and Neve knock before entering, like relatively normal people fhsda. Harding's scene starts in medias res but from the staging my vibe is that she and Rook entered the room together. Taash walks into the room ahead of Rook. Davrin comes in through a door left open for him -- Rook is standing with their back turned but they clearly expected him, they just smile a bit and don't seem surprised. Emmrich of course takes you to the Grand Necropolis for the top goth hookup since Mary Shelly fucked on her parents' graves, the man quite simply never misses.)

lucanis has also closed the door behind him without rook noticing. old assassin habits die hard I suppose lol. he totally still accidentally jumpscares the others without meaning to all the time because he moves around quietly when he doesn't think about it, I know this in my heart. I wonder if he was just... looking at them for a while before he spoke up.

[hephaestuscrew]

I was just minding my own business listening to the latest episode of World Gone Wrong podcast and thinking to myself "I'm getting big Empty Man vibes from these random bizarre but ominous messages, sent from a powerful source of authority, warning about the coming of a mysterious threat. I bet the writers were influenced by Wolf 359, it's fun how you can spot little influences like that..." And then I get to the end of the episode and only then do I learn it was written by Gabriel Urbina the man himself. I feel like I've fallen for some kind of trick. He's hiding in plain sight. He's The-Empty-Man-ed me in two separate podcasts. The empty man is coming for me and apparently his name is Leonard...

[markscherz]

tumblrs being transphobic, with the ceo himself starting an actual harassment campaign against a transfem & also banning transfems who post abt it.

Oh shit, I had not heard about that.

I would like to say I don’t understand why this shit keeps happening, but I actually do understand it way too well. It just makes me so sad and angry. Especially on a site where people find and make their communities.

So much of this is about ego, and the people with power wielding that power to protect themselves and failing to protect others with it. A mere hint of negative sentiment towards them is harassment that is dealt with immediately and harshly, but a dozen complaints about discrimination or threats or bullying take ages to process and frequently come to unsatisfactory moderation decisions.

Whatever the sentiments of the people running this hellsite, you are always welcome in my corner of the internet, wherever you find it. You are all wonderful, and we all deserve to feel that part of this space belongs to us and those to whom we can connect.

Transphobia has no place on tumblr, period. Or anywhere else in society for that matter. It is that which should be being rooted out.

[arolegos]

im way too scared to say this on main but icl i love lloyrumi n' i love ur lloyrumi art ... can u draw them more for me ... maybe dr harumi meeting sora and jordana like 'damn lloyd they js like us fr fr ???'

i love when the relationship dynamic is "kiss marry kill? all of the above"

[cassandragemini]

love lies bleeding inspired me to draw more huge lesbians so heres misha and her pocket sized butch

[hollowwish]

Can we as a fandom start appreciating fanfic authors more

[smalltimidbean]

Blast of Many Little Guys Upon You;

[twipsai]

"silver needs to be protected from the world" hes the one protecting the world. pretending like he cant stand on his own is completely disregarding everything about his character since he was created.

[greatgoddyke]

time to make your choice only you can be the one

[inthehouseoffinwe]

Aite, female character and general inclusivity rant incoming. Hate it and want to make a post? Sure. But give me the respect I gave those who inspired this and don’t tag me in it:

People immediately bringing the ‘female character’ argument into things drives me insane. Like we know she’s a female character, but trust me, that’s got very little to do with why people dislike her.

Are some people misogynistic? Absolutely!

Are most people misogynistic? No.

When we talk about Galadriel, and Luthien, and Elwing, and Aredhel, and Nimloth, and Melian, and Nerdanel, and Ahsoka, and Padme, and *insert literally any female character from any fandom here*, being female has nothing to do with it. It barely crosses our minds.

So for the love of all that is good, stop bringing ‘but she’s a female character! Anyone who sees her as anything but perfect, or thinks the male characters made better choices than her is obviously horrible and misogynistic and would never do this to a man :(‘ Into arguments.

I don’t care how few there are in the work. You can explain why you like her without blaming people for hating on the fact she’s female when 95% don’t. There are very literally hundreds of other reasons people interpret fictional events which portray the fem char negatively.

Especially in work like the Silm which is written by a canonical in-universe historian with basic backstory. We have every right to see him as unreliable and play with what that could mean. Doesn’t make it misogynistic if we want to see female characters as more shifty than they’re outwardly portrayed. Many of us often do the same with male characters, and even if we don’t, you have no right to judge someone so harshly when you barely know a thing about them outside an online persona. 99.9% of people don’t even consider male vs female when they write these things. And it’s not because of some weird subconscious misogyny either.

This is mainly aimed at those who bring this up over. And over. And over again in some weird attempt at guilt tripping people into ‘liking’ characters.

On the topic of things people do that make no sense, if characters are stated as being white, and an artist draws them all white. You have no right to say they’re being racist or whatever else you want to come up with.

Nor do you have the right to slander anyone who casually points out the character is white if others draw them as anything else. If we can call out whitewashing, we can talk about the opposite too. As long as the person isn’t being outright rude, have a conversation.

And don’t get me started on tagging pieces of fanart and fics specifically created platonic with a ship. Like the work? Great! Now respect the intentions of the person who created it.

No one in a fandom space, especially artists and writers, owes inclusivity of any kind when running off canon source material. You want to blame someone for a boring cast, blame the author! But even in general? You don’t get to force or guilt others to create content - original work included - that fits your ideal.

Yes I’m a writer and artist of original and fan content. Yes I’ve experienced all of these directly or indirectly.

Sincerely, a young brown woman tired of all the double standards.

[sadie-wolfdawn]

not sso positive, not sso negative, but a secret third thing (adult w a job)

[pjsk-story-summaries]

Where Does This Path of Thorns Lead To? Event Story Summary

TL;DR: After watching Mafuyu begin to move forward, Mizuki resolves to finally tell the others their secret. Still, they're incredibly nervous to do so, and struggle to actually send a message to Ena.

The Kamikou Cultural Festival is soon approaching. After realizing Ena will be attending this year, Mizuki decides to tell her then. MEIKO and KAITO both notice hesitation and anxiety within them, though. KAITO wants to force them to do something, but MEIKO begins to argue with him. The two end up visiting Mizuki together- KAITO to say that Mizuki needs to make a choice, and MEIKO that she'll always be watching over them no matter what happens.

Mizuki runs into Rui after they finish setting up for the festival the next day. Rui can tell something is bothering them, so the two chat. Mizuki reveals that they want to tell the others, but they're scared things will change if they do. They don't want to lose what they currently have. Rui sympathizes with them, and though he can't do much to help, wishes for Mizuki's happiness. With the courage from MEIKO, KAITO, and Rui, Mizuki tells Ena she wants to talk about their secret after the festival.

Mafuyu and Kanade join Ena and Mizuki for the daytime festival. They visit many of the stalls, including the escape room Mizuki and Toya created. During the escape room, they try solving the final puzzle by thinking about where Mizuki would have hidden the key. Though they ultimately failed, Mizuki was impressed and touched. The spot they chose was where they had initially hidden the key- Toya made the last minute change.

Mafuyu and Kanade go home after the festival, so Ena and Mizuki go up to the rooftop. On the way, though, a classmate asks for Mizuki's help with something, so Ena decides to meet them up there. Two of Mizuki's bullies end up going up to the roof, too, recognizing Ena as Mizuki's friend. They ask her if she's "actually a boy", too. Their comments lead Ena to realize Mizuki's secret is that they are transgender. They turn to find a terrified Mizuki staring in horror. Mizuki runs away.

Ena chases after Mizuki. When she catches them, though, she's at a loss for words. Mizuki apologizes for not being able to say anything. They know Ena and the others would accept them, and that they'd try and make it so nothing would change, but they can't bring themself to accept that kindness. Mizuki apologizes again for not being able to say it and runs away. Ena cries out in self-frustration for not being able to say anything back.

Fan translation (Puroeng) / Song (Ghost Flower) 2DMV

Chapter 1: After Mafuyu was finally able to tell her father her true feelings, Mizuki resolves to move forward themself and finally tell their secret. With shaking hands, they go to message Ena, but flashbacks of others calling them "weird" and "doing it for attention" make them freeze. Mizuki knows the others won't reject them, but still can't send the message.

A few days later, Nightcord all meet in the SEKAI to discuss the current demo. They end up talking about the upcoming Kamikou Cultural Festival. Ena's class is going to do a squid grill (though she's unsure if she'll actually go or not), and Mizuki's class an escape room. KAITO and MEIKO notice something change in Mizuki when they realize Ena could be coming to the festival. Mizuki's scared Ena will hear rumors about them, but decides, no matter what, they'll tell Ena during the cultural festival.

Chapter 2: MEIKO realizes Mizuki might be about to share their secret and move forward. KAITO approaches and demands information on Mizuki. He wants Mizuki to be okay because Mizuku can help Mafuyu. MEIKO tells him about Mizuki wanting to stop running away, but refuses to tell what the secret may be. The two fight about whether or not to interfere, and KAITO storms off.

KAITO goes to talk to Mizuki, but is interrupted by MEIKO. KAITO ends up telling Mizuki to stop hesitating and make a choice for survival. MEIKO promises to keep watching over Mizuki, no matter what happens.

Chapter 3: It's the day before the cultural festival, and Mizuki still hasn't been able to send the message. They had been helping Toya create the puzzle challenge, so the two finished setting it all up. Mizuki is clearly nervous about telling Ena, but tries to hide it.

Rui ends up running into Mizuki in the hall. He sees through their facade and asks to talk. Mizuki reveals their decision to tell the others the truth, but they're scared. They know the others will accept them for who they are, but their relationship will still most likely change. They don't want the others to think any differently of them, even if it's well-intentioned. Rui sympathizes with their fear of change; though he can't help alleviate it, he wishes for their happiness.

Mizuki thinks of KAITO, MEIKO, and Rui's support. They get a message from Ena saying she'd decided to attend the festival tomorrow. Mizuki finally asks if they can talk, tomorrow after the festival.

Chapter 4: Mizuki greets Kanade and Mafuyu at the school gate. Ena runs over from her class's stall, having just finished up her shift. Ena hates the T-shirt she has to wear. Kanade tries to cheer her up, which flusters her. The group decides to wander around and see the stalls. Ena notices that Mizuki seems off, but resolves to wait.

An, Akito, and Nene's class put on a photo booth, and Rui and Tsukasa's put on a play about reaching the moon. They decide to visit Mizuki's class next.

Chapter 5: Mizuki is nervous about what might happen with whatever classmate is on reception, but it ends up just being Toya. Mizuki acts as the guide for the escape room, since they helped create the puzzle. Kanade, Mafuyu, and Ena breeze through most of the puzzle.

They only have a few minutes to find the key with the last clue, so rather than actually solve the riddle, they try and think of where Mizuki would hide the key. Rather than something simple like under a desk, they check something surprising, like the pile of stuffed animals. One has a zipper on its back. They use the remaining time to open the zipper, but it ends up being a decoy. Mizuki reveals the true key was hidden in a stuffed animal hanging on the ceiling. (Still, they're shocked. That was the original place they were going to hide it- Toya was the one to make the last minute change.) They're happy, to be known so well.

Chapter 6: After the festival, Kanade and Mafuyu head home. Before they leave, Mizuki asks to tell them something later. Mizuki then asks Ena if they can go up to the rooftop to talk (even though they're so anxious it makes them nauseous). Ena chats about music video ideas to help calm down Mizuki, something they greatly appreciate.

Suddenly, a classmate runs up to Mizuki, asking for help. Apparently, another student had gotten hurt, but they need help finding the school nurse. Ena offers to meet Mizuki on the roof when they're done.

Chapter 7: Two students end up walking up to the rooftop while Ena waits. They recognize her as Mizuki's friend and ask if she's "also a guy". Ena doesn't know what they mean. The guy apologizes, knowing Ena's "a normal girl". Ena presses, and the two realize Ena doesn't know "his" secret. Ena realizes that Mizuki is transgender. She turns to find Mizuki staring at her, terrified.

Chapter 8: Flashbacks of Mizuki's memories with Nightcord flash by the screen. They can't say anything and sprint away. Ena chases after them.

When Ena finally catches up, she's at a loss for words. Through shaking breaths, Mizuki apologizes for not being able to say anything sooner. They know Ena was just surprised, not hurt, but can't find it in themself to accept it. They know they'll try and make it so nothing will change, and they'll all accept them for who they are and keep making videos. They know it's from all their kindness, and they want to accept it so badly, but they can't help but hate it.

Ena tries to reassure Mizuki, but she still can't find the words. Mizuki turns their back to her, apologizes for not being able to face her, and runs away. Ena starts crying.

The chapter ends with a monologue from Mizuki. "You reap what you sow, huh? Running, and running, always running away. I had hoped that someone would just say it for me. Guess it turned out just as I hoped. Ah... I want to disappear."

After reading the final chapter of this event, Mizuki's menu lines and live2D model are changed to a hollow, lightless version of themself, similar to Mafuyu when not masking. They also will only appear in the Empty SEKAI for area conversations, if at all.