#not lesser just different

[keydekyie]

okay but werebear au tho

[meamiki]

silly comic based on a time i struggled to read live on stream :thumbsup:

context clip compilation below ASDASDFASA

(cw for brief mention of hospitals/strokes)

[uncanny-tranny]

Hey, if you have speech impediments, you are so amazing.

If you stutter or have a lisp or misspeak easily or you have a flat affect or a limited verbal vocabulary or if your voice is AAC or if you just have a difference in your vocality, you are so incredibly important and amazing.

Just know that your voice is yours. Nobody will ever be able to truly take it away. Your voice is part of you, and you deserve to make it as true to you as you deem fit. I hope you have the space to grow with your voice and whatever about it makes it unique.

[artsyaprilmr]

Every self respecting band must have a photo of them sitting on the couch together methinks

(version with Jazzy under the cut)

:^)

[spacecasehobbit]

After seeing yet another popular tumblr post with thousands of reblogs bemoaning the state of comments on fanfics these days - more specifically, the supposed lack of commenting these days, as opposed to The Good Old Days - I have decided that this is in fact a hill I am willing to die on. I'm making a separate post about it rather than reblogging the latest iteration, though. This is hardly the first time I've seen these types of discussions, and my issue is with the mindset in general, not any of the specific people who hold it.

In the most recent version, the entire post with all its various arguments and assertions was plenty frustrating across the board, but it included one line in particular that cut beautifully to the heart of my issue with this type of discussion. The line in question:

"fanfic authors now are treated like content mills, and not like valued members of a creative community who thrive on interaction."

Once I read this bit, I had to stop, take a few deep breaths, and then go make my own post before I imploded over the sheer level of NOPE this line inspired. And okay. The thing is... I want to say this as gently and kindly as I possibly can, but I need to be real blunt for a minute, too.

That line I quoted sounds like a wannabe social media influencer.

It sounds like a person who thinks fandom is - or should be - comprised of fanfiction writers, aka Valued Content Creators, and their respective communities of readers, aka Content Consumers, a strictly distinct group from fic writers, for whom they create fanfiction content and who in turn pay them back with attention and validation in the form of comments and praise.

It does not sound like a fanfiction author who enjoys the creative hobby of writing stories based on characters and worlds from existing stories, engaging in their hobby within a community of other likeminded creators of fan content.

Frankly, fandom has always been worst when it starts obsessing over Big Name Fans who wind up treated like elite fandom social influencers, instead of hobbyists engaging in a fun hobby together based on mutual interests. A shift towards the idea that every fanfic writer should be effectively a social media influencer whose community consists of fans reading the content they oh-so-lovingly create (but only if they get enough positive attention from passive consumers, presumably readers who don't write their own fic or expect comments back from the author in return) sounds like an absolutely awful direction for fandom to take.

I don't want fanfiction and fandom spaces to turn into another social media space full of Our Valued Content Creators, all fighting to build the largest "community" of passive consumers turned devoted followers.

Again, that sounds frankly fucking awful.

The people who only read fanfiction are not your fanfiction community, because they are not engaging in the shared community hobby of writing fanfiction. Your fanfiction community is, perhaps, the other people who are also writing their own fanfiction based on someone else's original work.

So perhaps if comments really are declining on fics these days, instead of asking why passive readers aren't heaping praise on every fic they read and making sure it all happens where the Valued Creator can hear it, you should ask yourself how many other fanfics you've commented on recently, and then go comment on another one if you're still feeling down about your own work.

Or, I dunno, find a fic author you admire and send them a message on tumblr, if you've already commented on all of their fics that you read and enjoyed.

Or start your own discord for likeminded fans, or find a way to set up your own fandom forums centered on your personal fandom interests and invite other fic authors to come join.

Or, like, anything that involves reaching out to the actual community of hobbyists you can reasonably consider to be a community you are actually a part of.

Aka, other fanfiction writers.

[sandinmybed]

okay yeah im only 25 and i grew up with so much more queer representation than people even just 5-10 years older than me but GOD what i wouldnt have given to have people like chappell roan or heartstopper and its cast to look up to back then! imagining my 12 year old self watching that show... i would have cried my little heart out tbh idc if its a bit saccharine sometimes. and i can't even imagine what chappell roan would've done to me. im so happy young queers have these things but god imagine

[volitioncheck]

nvm this is still on my brain. kim does not like to watch harry suffer… to say that kim takes satisfaction in harry’s pain is a huge misconstruing of his character.

the “getting thrashed like a schoolboy” line comes from a board game, lol. it’s a tease, not a cruelty. there’s never any line that implies that Kim enjoys seeing Harry taking actual morale damage.

he can be amused if you fail a check, but the check is always relatively inconsequential, and again, Harry isn’t taking damage in these.

Failing to pry the trash bin open:

Failing to shatter Ruby’s lorry window:

(also in both of these examples he only responds smugly if you choose for Harry to stubbornly dig in his heels. if Harry gets huffy, Kim teases. If Harry backs down right away Kim won’t rub it in, which feels significant to me! it reminds me of that recent post goin around about Kim meeting your energy!)

and here’s some reactions to failed checks where he does take damage.

Failing the jump to get your cloak:

Failing to break down Plaisance’s door:

he’s not laughing if Harry’s taking damage because he’s not a dick lol.

aaaaand here’s some other instances of morale/health damage and kim’s reactions.

alternate dialogue for failing the harbor jump:

after the call with precinct 41:

seeing bullet holes in the wall:

most significant examples to argue this point for me come when harry has done something to jeopardize the RCM’s image. which kim goes on and on about the importance of maintaining— and yet even here, he still extends worry and assurance.

telling Billie about her husband and handling it badly:

hardie authority check failure cock carousel:

aaaaand the car. this line is one of the most mask-off kim moments we get in the game in my opinion, honestly.

tying this back to the schoolboy line— that line doesn’t show up if you have a negative reputation with Kim. if you have <1 rep, it gets replaced with him calling it “about four hours of our lives that we'll never get back,” lol.

it’s affectionate ribbing!! twisting it into anything else is bizarre 2 me lmao!

anyways. kim is a foil to every other cop we meet in the game specifically because he doesn’t view harry as a punching bag or a lost cause. gottlieb does nothing but sling jabs and glib jokes about harry’s health. torson+mclaine and the others laugh at harry’s panic attack over the radio. in response to harry’s suicide-by-car attempt(!!!!) jean yells about RCM budget. all kim’s lines in response to harry’s check failures and health-damage are consistent, explicit textual contrast against the callousness of the rest of the RCM. twisting kim’s character here requires a bad faith interpretation of the whole game.

[paradimeart]

prowl has 0 idea what goes on in protoform development these days

(V.S. = vector sigma)

[cluescorner]

I cannot imagine being a Damian stan right now. You've got both Zdarsky's bullshit (where he clearly doesn't give a shit about your boy) and The Boy Wonder (where Juni Ba clearly gives so many shits about your boy) coming out on the same day. The whiplash must be insane. I hope y'all get some nice warm soup for your efforts jfc

[skitskatdacat63]

I know I'm probably bad for saying this, but man it's kinda hilarious how Fernando's been brake-testing people since literally the beginning of his career and seems to never have stopped to think "hm maybe I should stop." I guess his 2003 tactic of saying "that's where I needed to break!" didn't work out ;;;

[nobledragonflying]

I just want to say that I love Esther Finch and she is a great villain but she is sooooooo sinister. I don't think enough people realize how terrible she truly is beacuse we mostly see her as a somewhat campy villain. Which she is but she is also so much more.

To start with she goes after Becky Aspen, a little black girl, and, well, Becky is a very vulnerable person because of it. The police and even other (white) people will be less likely to look for her because she is black. I wouldn't be surprised that the police did very little to look into her disappearance. And Esther isn't a stupid woman, she most likely went after Becky because she uses the systemic issues in place that make it easier for her to go after vulnerable girls, such as Becky Aspen.

Not to mention that the police wouldn't have gone after her anyways because she is friendly with them and they are friendly with her. She talks to them like a friend and the police treat her like one. And it's easy for Esther to do because she is a wealthy white woman, why would she be the cause of such a horrible tragedy? She is trust worthy and our friend so of course this wealthy white woman is not the kidnapper/killer. Because she is a wealthy white woman.

More under the cut

The police also show their incompetence/bias in the show by dismissing Crystal and Niko during the Lighthouse Leapers, because they are 1) outsiders in this town 2) are renting at Jenny's so they must be poor 3) not at school so they must be high/on drugs and 4) woman of color, while not mentioned, is something that most likely played a factor in the cops decision to not believe them.

The cop also immediately runs into Esther, who further turns the cop against Crystal and Niko. Esther takes advantage of her position in society, especially to those who are beneath her, to have power and control over them.

And the police will not side with her victims because it is her words over theirs and her word carries far more weight than those of her victims.

After all, Esther Finch is such a poor wealthy white woman and she is so sinister because it reflects our reality of how we (western) society view wealthy white woman.

[476b]

if i were to start a weekly movie night on discord who would join. purpose being to expand our horizons and watch movies we haven't seen before

[uncanny-tranny]

Piggybacking off this post I made last night, but I think two things can be true at once:

Being diagnosed or undiagnosed can both be disadvantages. Neither a state of diagnosis nor undiagnosis can be more "beneficial" because both can be harmful dependent on the situation. We need to be open to the possibility that a diagnosis can be helpful, harmful, a mix, or neither, and not having a diagnosis can also be helpful, harmful, a mix, or neither.

Basically, disability is complex. We live in an ableist world that simultaneously demands disabled people adhere to strict standards but also just not exist in the first place. It's hard enough to navigate diagnosis, and making it harder is only going to harm us, not abled people. They don't care about the intricacies of disability, more often than not.

[moondomain]

Thinking about the fact that the reason why Crowley changes styles so much, as opposed to Aziraphale, is because he loves everything humans do. He is so full of love that every new thing excites him. And while Aziraphale might perceive that as his nature being fickle, that he can move on faster, it is anything but that. Crowley is so devoted to humanity that she tries to blend in with every era shes in, to find love in every new thing humanity has to offer her. Crowley doesnt love too little; she loves in abundance in a world that has rarely ever loved her back the same way.

[ryssabrin]

Solas: I do not understand you, Sera. You have no end goal for your organization.

Sera: Nobles get rattled, and people get payback. I play in the middle.

Solas: Why not go all the way? You see injustice, and you have organized a group to fight it. Don't you want to replace it with something better?

Sera: What, just lop off the top? What's that do, except make a new top to frig it all up?

Solas: I...forgive me. You are right. You are fine as you are.

Sera: You hurt my head sometimes, Solas.

Solas: Yes, I have been known to do that.

this series of banters between sera and solas is in fact very funny once you know his history. like this man is a legit revolutionary. a radical who waged bloody rebellion against immortal mage king tyrants and when trying to engage with someone he sees as being at least a little bit similar to that she shuts him down entirely. you really hear him die inside on that "i...forgive me." like you don't want to change things at all? yes right of course how silly of me to even suggest that changing things could possibly be your goal when you're the pseudo leader of a disruptive anti-nobility populist faction.

[silusvesuius]

n*loth not being able to bag anyone over the (human term) age of 25-30 at most is the only logical and real conclusion to me because it can be just explained away as him wanting to prove and control everything and anyone (Cus he's a man!) but being stuck in that demographic because his unbearable and vile personality is a force that nobody can look past once they've outgrown the possible fear and idolization period of anyone but also n*loth in particular.