#not even in a bad way i just did a lot

[that-foul-legacy-lover]

Melusine you all cozied up in Foul Legacy's lap for a quick doze. sometimes your scars and memories hurt you, even on the best of days, and that's when you take refuge in your Abyssal monster's arms. he sits near the water, picking you up and gently settling you in his lap, claws petting over your little antennae and tail. anyone who makes a noise receives a quick glare from him, a talon over his mouth- hush, now. the Creator is resting.

[butchfalin]

the funniest meltdown ive ever had was in college when i got so overstimulated that i could Not speak, including over text. one of my friends was trying to talk me through it but i was solely using emojis because they were easier than trying to come up with words so he started using primarily emojis as well just to make things feel balanced. this was not the Most effective strategy... until. he tried to ask me "you okay?" but the way he chose to do that was by sending "👉🏼👌🏼❓" and i was so shocked by suddenly being asked if i was dtf that i was like WHAT???? WHAT DID YOU JUST SAY TO ME?????????? and thus was verbal again

[poorly-drawn-mdzs]

Burning Rotten Bridges

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[sideblogdotjpeg]

ive been thinking about the red string superstition recently and also sol bufo always and it makes me sick how uncannily caldwell tanner has made sol to perfectly target me personally

(+ cropped versions !)

[skunkes]

[naamahdarling]

.

[backpackingspace]

Okay so I've been thinking about @nonbinarylocalcryptid Astyanax lived/daddy odysseus au. Which is some good shit in general. Yall should check it out. But specifically I'm think about what it would be like for this child to grow up on calypso's island. He would have been what ? 3-10 there??

[ancha-aus]

RealAgeAU Drabble - Haven

I am back with my BS AGAIN :D @spotaus You know the drill friend come over :D I can not be stopped. I have grown too powerful!! (just played dnd. Checked the chapter to upload tomorrow for my main au and i wrote a bit on a new story. I AM POWERFUL!) <- says the woman who will probably crash in under an hour lmao.

First Drabble Prev Drabble Next Drabble

We got no beta and no editing as we just go! maybe that is why these drabbles for going so well. me just kinda going and not worrying too much about the in between bits or mistakes or grammar. I just write and say that is done.. huh... writing lesson i guess. ANYWAY! back to the family :3

*---------------------*

Cross hums as he finishes cutting another wood board in the right size. He puts it with the others on the pile before checking the list he made before hand.

Cross nods as he looks towards the house "Got them all ready for the downstairs!" Cross grins as he takes a moment to just look at the house. Their house!

When Horror had returned with the news their new acquaintances had secured them a house they had all been sceptic at best, Dust had been downright suspicious.

But it was the truth! aparently they had managed to build up a good enough reputation that they had been trying to figure out a solution. An empty and abandoned farm and ground? That was too small for most to do anything with? hidden mostly by a forest?

Perfect for them!

They had gone to check it out and it is amazing! It is secure and easily to defend! Sure it is an old building but Cross and Horror can fix up the house easily enough! Dust had handed Nightmare over to Killer and had started looking around the house to inspect it.

long story short? He thinks he can fix most things.

With a hopeful plan they spend the inspection day also cleaning. That had been yesterday.

today? They took most of the old construction wood Crop and Straw had stored away and they got to work. Dust is cleaning and fixing what he can while Horror and Cross himself did contruction work.

Killer is on Nightmare watching duty. Mostly because Killer doesn't have nay skills in construction. Neither of them mind as they had been exploring their new area and territory together. Hoenstly it was adorable to see Killer walk by with Nightmare on his shoulders.

Horror walks out of the house as he takes the planks "Thanks. Walls?"

Cross grins proudly "All of them. Including the walls and the new banisters for the roof."

Horror blinks before grinning "great. thanks Oreo." nad he chuckles as Cross sputters.

May be because horror isn't wearing a shirt. Which kinda makes sense! Becuase horror is pulling a lot of old wood away and rebuilding stuff. the chances of him ripping his few good shirts is rather high. Still Cross is trying very hard to just focus on his face and skull. it is fine! No one notices!

Cross turns back to the pile he still has. it has been reduced quickly which sucks. He looks through it with a frown.

Crop stops by him with a knowing smile "Hey Cross!" he grins wider "Getting heated?"

Cross glares at him "Well the late autumn sun is rather warm!" and he goes back to shifting through his pile.

Crop nods "It is it is..." then the grin falls and he frowns "You guys already that low?"

Cross shifts through it more "Yeah but it is okay! I can probably use this to make the cabinets for the kitchen still..." still they will need to get more materials for everything else.

Crop frowns and must have made the same conclusion "Hopefully Straw gets back soon with more stuff."

Cross rubs his neck "You guys really didn't need to help this much... we already own you big time..."

Crop shrugs "That is how a community works Cross. We all help each other. We will eventually pay it back with helping them back." he smiles "We are only a tiny town and only have ourselves to count on. You heard how the deal with the repair service from the big city went. People are quick to think off us as dumb or naive. We gotta stuck together."

Cross shoots him a grin "We will try to ffigure something out... eventually." he groans "we don't even know what type of farm to make yet!"

Crop shrugs "You guys will have to test some stuff. See what works for you and your land..." he grins again "I don't think a diary farm fits you guys though."

Cross glares at him "Not funny. I swear Betty knew she freaked me uot."

Crop nods "Oh absolutely! Cows are really smart."

Just makes them more terrifying in Cross's opinion and he has no doubt that thought is clear on his face.

Crop laughs but a honk of a car pulls them out of their conversation. and. That is a giant truck. much bigger than Straw and Crop's truck.

Crop blinks "Dani and Ellie?" he raises to his feet and waves.

The truck stops and Ellie leans out "Hello! Your lovely neighborhood lesbians have brought you." she puts ahand under her chin and wiggles her eye brows "the wood."

Dani chuckles as she jumps out "Straw told everyone around town. Most people are grabbing their stuff but this was all stuff we were planning on giving to the community anyway." she shrugs "tree farmers after all."

Ellie grins as she waves them over "Come! lets see what you need! We have all types of trunks with us. They will still need some work and treatment but Dani is amazing with her magic!"

Dani grins as she gives a thumbs up "figure out how to treat wood with magic instead of the slow treatment. Most still want the traditional work but i figured you guys would be okay with this help."

Cross is unsure how to react. People don't just help them. People hate them and what they do. Tehy hadn't expected this much help and it is overwhelming "I... I... I don't know how to... We don't have money?" he is lost.

Dani shrugs again as Ellie smiles "Hey. We have been where you guys have been... well not exactly but people werent'exactly welcoming of us either... as soon as we graduated we grbabed my old car and just left. we foudn thsi place and people were nice enough to take a chance on us." she grins "We now pay that forwards. We are doing this!" she grins and winks "Will just have to invite us over for a prime tour of the farm once you guys are all done!"

Dani nods as she starts untying the many trunks "What Ellie said. the Danielle's are at your service. Now what do you need?"

Cross is still lost when Horror joins them curiously. no doubt hearing all the noise. He pauses as he takes in the sight before tilting his skull "What?"

Cross just kidna waves at the two "We... euh.. got help? And thinks? Do you know what we need?" his mind is in shambles at the moment.

Hroror sees it and smiles as he walks past. patting his shoulder before going over to the dog and bunny and having a short conversation. Horror hears their whole speech and smiles. he thanks them and explains what they need for what. The two woman listen closely before nodding and starting to organise the brought materials with practised ease.

Horror joins his side again and grabs Cross's lists. He takes a pencil and writes some tree names by a few of the items before handing them back "They will help prepare the materials. They are nice." and he disappears back inside.

Welp!! If Horror says that that means they are nice and most likely trustworthy! They get over to him and Cross explains the system he had and what they had calculated to need for each area. The two monsters nod and ask if they should start on the porch while cross continues preparing stuff for horror. Which Cross thanks them and agrees wiht.

They are hard at work when Killer nad Nightmare return. Killer laughs "Criss Cross! you are not going to believe this! The like east area just has a tiny field at the edge of the forest and part of that forest is still in our little area! better yet that means some of the forest animals are like right there!" then he notices the guests and grows quiet "oh... hello." His hold on Nightmare's leg tightens.

Ngihtmare tilts his tiny skull at the two monsters "Dani and Ellie... right?"

Ellie coos as Dani grins "Good memory. I can't imagine remembering all the new faces you meet only once is easy." and she finishes her spell on a piece of wood which Ellie pulls over to cut.

Nightmare shrugs as he hugs Killer's skull "good memory..."

KIller nods as he glances at Cross "Sooooo... Hello Lovely ladies!" he grins "What brings you here?"

Dani raises a piece of wood "Neighborhoodly friendliness." and she continues with her task.

Killer stares at him and Cross grins "They brough over some wood" he ignores the eye brow wigglign "after they heard from STraw that we are getting the house fixed up. aparently it is a community thing that everyone helps everyone." he shrugs at the doubting look "Don't look at me. it is new for me too. Horror said it is fine though."

Killer blinks "I mean... if Horror said it is fine..." he looks at Nightmare "What do you think tiny boss?"

Nightamre shrugs and hugs his skull.

Killer nods "notion accepted. Got it." he grins at them "We are going to look at some of the other stuff Straw and Crop brought along. See what is in there."

Cross nods "Good idea!" and he watches Killer walk off with Nightmare.

Dani chuckles and looks over "Not good at construction?"

Cross groans loudly "Killer is good at a lot of things... not construction." he shrugs "It is fine. We don't want Nightmare near this stuff anyway." he is too small to lift everything and could too easily get hurt. it doesn't matter he is technically a god he is not going to have to work. They don't agree with child labor.

Dani nods "I get that. best to have a child safe corner for them to sit in." she turns back to the next trunk and gets to work as Ellie cuts pieces.

They work for a long time and the sun is well past midday when more people come by. They deliver some older looking furniture and more tools and items for them to use.

Most don't stay for long aside from dropping things off or asking if they needed anything specific. Some brought over some premade food for them and other snacks because aparently 'breaks are important!'.

Crop and Straw, when he returned, work on clearing the road betweent eh main road and the farm and getting some clear markers on where to go.

Dani and Ellie leave later in the afternoon and by the end of the day their group of skeletons looks back at their progress. They aren't done yet but it starts to look more like a house than an actual falling apart piece of junk.

Dust is covered in ashes and when they look at him he just says 'fireplace' which probably means he found a challenge of somekind. Then again Cross thinks he spotted Dust on the roof once or twice but each time he had looked back to check he hadn't been there.

They are packing up when Killer and Nightmare return. Killer looking very proud and Ngihtmare looking a bit more nervous as he fidgets.

Horror and him share alook as Horror looks at them, now once again fully dressed "yes?"

Killer grins "Remember how we were told most farms have a name?"

Cross give shim a look "We are aware. we also agreed we would take time to think about it."

Killer grins "True. But! Nightmare thought of one and I figured it was perfect and fine!" Ngihtmare shoots him a glare and crosses his tiny arms.

Dust tils his skull "fact. Waht is the name?"

Cross wants to disagree but also if nightamre wants to clal it something specific he is fine with it. Nightmare never complains about them deciding stuff so why would they complain about this.

Nightmare mutters something but when he sees everyone looking and waiting he speaks louder "It was just an idea... Killer got excited..." still staring and he rubs his arm looking embarresed "It is silly... I thought... I figured Haven would fit. Haven Farm."

Cross stares at Nightmare and feels a bit of tears try to form as the meaning sinks in and what it implies and means. He can't stop it as he picks nightmar eup and hugs him close. Purring much too loud as he speaks "I agree it is perfect!" their home. their safe place. their hide out. their haven.

Killer grins wider and nods "Which i agreed with. So!" he pulls out a board from behind his back.

It is a name plate. It spells Haven but the letters are a bit croaked and nailed to the backboard. it are all different sizes and different colours nad Cross fucking loves it!

Killer grins "We made it together." he rolls his eye lights "don't worry i did the cutting and nailed it all together. Ngihtmare was my supervisor."

Dust looks appeased as he nods "Seems good."

Horror nods as he takes the plate and puts it by the door, too hang later "Will need a bigger one for the gate at the enterance."

Cross grins as he feels ngihtamre relax at the approval and start to purr himself. Cros sjust nuzzles the babybones.

They still have a lot of work ahead of them but that is fine. It will be all so very much worth it once it is done and they have their house to finally just be them.

*--------------------*

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[hella1975]

would you like to talk about how bad the mha ending was hella

as much as i would love to give like. a comprehensive response i genuinely dont think i can get my words together just yet without it being a constant unintelligble stream of 'AND ANOTHER THING-' and bc it's become quite torn in the fandom on if the chapter was good or bad i want like. an actual coherent response here. so i will reblog this if/when i can word it but know IM NOT FUCKING HAPPY

[aq2003]

if anyone is a fan of dt's voice work/audio dramas like i am and wants to listen to something random they've likely never heard before (or if you're coming down from the tony-baddingham-rivals high and want to see (hear) him play an entirely different yet equally complicated guy) i recommend murder in samarkand! it's quite good :)

cw: explicit mentions of SA/police brutality, islamophobia, and suicidal ideation

(youtube link)

(official site: mp3 download/soundcloud link)

[nebulouscoffee]

The thing about Kai Winn's storyline ultimately being a tragedy is, it's not only a tragedy because her fate (in the eyes of the non-linear Prophets) was already known and nothing she did or said was ever going to make them acknowledge her- not only because she wanted so badly to have a big role to play in the grand, historic story of the newly independent Bajor and just couldn't handle the fact that she was never meant to- not only because the Prophets spoke to Sisko and Bareil and Kira and literally even Quark but not her- not only because she was deceived and raped and killed in the end- but most of all because, it was partly her love of Bajor that killed her.

Think about it- her whole regression during that final arc with Dukat is so tragic precisely because she was THIS close to redemption! Throughout the show, we see that her brain processes information in very rigid, binary ways: if you are not my ally, then you are my enemy. If you disagree with even one of my opinions, you are my enemy. If you refuse to endorse and support me in this mission, you are my enemy. That's part of why she's so easily swayed by fascist rhetoric, I think- she's just unable to cope with nuance. (This is foreshadowed in 'Shakaar', where she puts the whole of Bajor under martial law just because Shakaar disagreed with her over how she was handling soil reclamators.) Her personal narrative is I am the one who will save Bajor -> anyone who gets in my way is my enemy and therefore an enemy of Bajor -> I must stop them using any force necessary for the good of Bajor because I am after all the one who will save Bajor.

But when Sisko discovers the city of B'hala in 'Rapture', she is for the first time forced to accept the truth that he really hasn't been faking this whole "talks to the Prophets" thing- he's the real deal. We learn later on (when she tells "Anjohl" about how she honestly felt nothing the first time she saw the wormhole open) that a small, small part of her actually always doubted the existence of the Prophets. Now, she is faced with definitive proof that they are not only very real, but they also really do have a bond with Sisko. And for a while, she even comes to terms with this! In fact, at the end of the episode, she and Kira have possibly their first completely honest exchange:

KIRA: Maybe we're the ones who need to trust the Prophets. For all we know, this is part of their plan. Maybe they've told Captain Sisko everything they want him to know.  WINN: Perhaps. I suppose you heard that Bajor will not join the Federation today. The Council of Ministers has voted to delay acceptance of Federation membership.  KIRA: You must be very pleased.  WINN: I wish I were. But things are not that simple. Not anymore. Before Captain Sisko found B'hala, my path was clear. I knew who my enemies were. But now? Now nothing is certain.  KIRA: Makes life interesting, doesn't it?

Like, YASS babygirl- you too can learn to handle nuance!! I believe in you!!💪💪

And later on, at the onset of the Dominion War, she comes to Sisko for advice herself. She doesn't want to see her planet colonised again, and she's even willing to put aside her desire to be the main character to ensure it doesn't happen. Driven by pride and the need for power as she is, she is also driven by the desire save Bajor (and preferably be the one saving Bajor, which is the subsection of this desire that ultimately ends up being her downfall) - and she does briefly decide that cooperating with the Emissary is the best way to do this! I think about this scene from 'In The Cards' so much:

WINN: ... I have asked the Prophets to guide me, but they have not answered my prayers. I even consulted the Orb of Wisdom before coming here and it has told me nothing. So I come to you, Emissary. You have heard the voice of the Prophets. You were sent here to guide us through troubled times. Tell me what to do and I will do it. How can I save Bajor?  SISKO: You want my advice? Then this is it. Stall. Tell Weyoun you have to consult with the Council of Ministers, or that you have to meditate on your response. Anything you want, but you have to stall for time.  WINN: Time for what?  SISKO: I don't know. But I do know the moment of crisis isn't here yet, and until that moment arrives we have to keep Bajor's options open. I'm aware that this is difficult for you, given our past, but this time you have to trust me.  (Winn holds Sisko's left ear.)  WINN: Very well, Emissary. We put ourselves in your hands. May we all walk with the Prophets.

In the earlier seasons, Winn would often casually make claims that the Prophets had "told her" something, or that she was just "doing what the Prophets asked"- and her political position as Kai always allowed her to just lie about being in contact with them all the time. Now, you can see the sheer humility- the embarrassment, even- on her face as she (for the first time) openly admits to Sisko that she has never actually heard them speak before; and that they clearly "prefer" him. Yes, there's some (understandable imo) bitterness here- but not at him, at THEM. And when she tries to read his pagh at the end- something she probably does to dozens of people every day, most of whom would unquestioningly believe anything she declares afterwards- she doesn't even try to pretend she felt anything there. It's one of her most genuine moments in the whole show, you can just SEE the redemption arc in reach and it's so heartbreaking!!

I think 'The Reckoning' is a huge episode for her too, for many reasons- but let's talk about how it sets up this fascinating parallel between her and Kira (who Odo describes in this episode as having "both faith and humility"). The Prophets choose Kira as their "vessel" because she was "willing"- meanwhile, Winn was right there just begging to be a part of this! Here she is, with a Prophet right in front of her face- and she prays and postures and begs and prays some more, all just to get ignored. Kira's brand of faith is very, "I am ultimately insignificant and I surrender my power and my body and pagh to the Prophets"- Winn's is more, "if I do all the right things, then I will be able to prove to the Prophets that I am worthy of their attention, worthier than everyone else, and maybe then they'll appoint me the saviour of Bajor! It's My Destiny, You See!! (Why Isn't This Happening For Me??)" And the events of this episode are kind of a big slap in the face to her honestly, because they sort of prove beyond a shadow of a doubt that the Prophets have no interest in her. Maybe stopping the battle was also an attempt at regaining some kind of agency with them- I DID THIS, I pulled a switch and it had a direct effect on the Prophets, so there!! (Whatever that effect entails). She does care about Bajor. Of course she does. But her ideal configuration of Bajor involves her being a major player in its salvation, which she was just never meant to be. And this is why she's so tragically susceptible to Dukat's manipulation- he was the first person ever to tell her everything she always wanted to hear.

And the intriguing thing about Dukat's deception is, it doesn't all fall apart at one go. It falls apart in layers. And this makes for some excellent, excellent Winn characterisation imo.

First, she thinks the pah wraiths are the Prophets- and they tell her, hey, The Sisko has faltered, Bajor needs you, and only you can fix this. Good lord, imagine finally getting to hear those words after a lifetime of silence! And it's very telling that her first reaction isn't to gloat like she would've in the earlier seasons, but instead to humbly- even anxiously- pray. Bajor needs her, the "Prophets" have asked her to do something, this is her moment! Then, this random lovely Bajoran farmer comes in and tells her even more things she has always wanted to hear- that her activism during the Occupation (ignored by Kira and Sisko alike) saved lives, that he always wondered why the Prophets would choose an alien as their Emissary, that surely Sisko and his followers were mistaken- and finally, "our world will be reborn- with YOU as its leader". Sounds good, right? But THEN she finds out she's been speaking to the pah wraiths and the lovely farmer is a devil worshipper actually. And she tries the "wash away my sins" approach- she wants some kind of quick fix ritual that will "purify" her, so she can continue to be Kai the right way. She even admits to Kira that she's always been power hungry and she wants to change- and I believe her! Unfortunately, Kira then tells her something she doesn't want to hear- that she has to step down as Kai. And surely that can't be, right? She's the saviour of Bajor! She's so complex... it's not simply her love of power that this scene reveals imo, but more significantly, her inability to see herself as not a vital part of Bajor's history; of this whole larger narrative. Like-

WINN: I'm a patient woman. But I have run out of patience. I will no longer serve gods who give me nothing in return. "GIVE ME"!! ADAMI MY BESTIE MY GIRL MY BUDDY THEREIN LIES THE PROBLEM!!!

So, okay, fine, now she's swayed over to the side that maybe the Prophets aren't that great, and maybe the pah wraiths are the true gods of Bajor (because they were willing to talk to her), and maybe she's okay working with the devil worshipper. But then it turns out he's DUKAT- and at this point, she's literally murdered someone, she's ready to stop this, to go back to Sisko and set things right- but then the book of the Kosst Amojan lights up because of the blood she spilled. She did that. It happened as a direct result of her actions. She's just so desperate to be acknowledged... to have a role to play in all this, no matter who offers it to her. So the pah wraiths actually giving her a reaction isn't something she can resist. And here's where things get even more tragic.

WINN: But the prophecies! They warn that the release of the Pah wraiths will mean the end of Bajor.  DUKAT: The old Bajor, perhaps. But from its ashes a new Bajor will arise and the Restoration will begin.  WINN: Who will be left to see it?  DUKAT: Those the gods find worthy. It will be the dawn of paradise. And you, Adami, are destined to rule it.  WINN: You're sure of that?  DUKAT: It is meant to be.

Again with the ease at which she's swayed by fascist rhetoric! Let's be clear, she was (and is) absolutely against the Cardassian Occupation. But her worldview is built on the pursuit of being "worthier" than everyone else, of being "closer to god" than everyone else- her expectation of faith is that it's some sort of determiner of who's doing it The Most Effectively, rather than it being a practice- and she just completely misses that any sort of plan that executes masses and spares whoever is deemed "worthy" is... literally exactly what people like Dukat did to her planet. Something something faith as competition, faith as determiner of inherent superiority, faith as a way to gain power via proximity to god… never faith as submission. And the worst part is she’s self-aware. It’s heartbreaking.

And it's about to get even more heartbreaking, because she truly believes she has arrived at her girlboss moment in the finale (I think the tragedy of her being a rape victim and knowing this and having to hide the body of the one (1) person who was looking out for her while being stuck with her rapist speaks for itself.) After kicking Dukat out on the street (lol), she studies the eeevil texts and realises that to set the pah wraiths free, you need to make a sacrifice. So now she gets to deceive him in return. And she does! The look of shock on his face when he discovers she poisoned him is priceless imo, and her triumph as she taunts his dead body, the sheer joy on her face as she casts off her Kai robes, when she recites those incantations and something actually happens- and that too such a large pyrotechnic spectacle- is so sad knowing what's coming. Because ultimately, the pah wraiths want to destroy Bajor, right? And Winn just doesn't. Of course they don't choose her. Of course they choose Dukat over her! She really thought that by tricking and murdering him, she'd made him the unimportant piece of the puzzle, that she was stealing back his thunder- but tragically, it turns out even the pah wraiths see her as disposable. Of course they resurrect Dukat (a man who's proved time and time again that he wants to see Bajor & Bajorans destroyed) and turn her into the sacrifice. The way she screams "NO!" here breaks my heart- she's betrayed her planet, and it was all for nothing. (Dukat's "are you still here?" is particularly devastating.) I think it's very significant that her final words are "Emissary, the book!"- it shows that in her last moments, she's owning her mistakes- she's stepping away from power and putting Bajor first, and leaving her own fate in the hands of the Prophets. Who, of course, once again ignore her, and choose to save Sisko instead. God.

The utter tragedy that even in the pah wraiths' plan, she was just a pawn. That she died at the hands of the gods she thought chose her, but used her, all while the gods she'd coveted her whole life stood by and did nothing. The Prophets chose Sisko because they believed he would put Bajor's interests over even his own- and now they ensure he will be back one day to see the new Bajor. She never will.

Yes, it was her pride that got her here. Her mean streak. Her inability to cope with nuance. Her inability to see herself as ultimately insignificant. Her inability to surrender to a higher power in any way that didn't involve becoming more powerful herself; more relevant, more "close to god". But it was also her love of Bajor. Because if she'd cared about Bajor less, then maybe the pah wraiths might have chosen her- or at least spared her, or taken her to their realm after she burned, the way they did with Dukat. Now, she ends up being the one thing she never wanted to be: insignificant.

Honestly if I had to summarise the tragedy of her arc in one sentence, it would probably be Kai Winn: Too Evil For The Prophets, Not Evil Enough For The Pah Wraiths. She and Dukat are not the same! She is a perfectly pathetic, sad and wet blorbo and I am holding her gently in my hands while apologising for her crimes <3

[artsycooky13]

top 3 fave bbys in the burrito show (bonus SUPER LONG tags on how i feel bout the characters)

[sukibenders]

"Penelope has insecurities!" As an excuse for her harming others because of those said insecurities falls very flat when it puts the character's, who live during a time of few options especially if you were a women, at risk. And even with her insecurities, her lashing out and hurting people should be held in the same regard as how some view Cressida, who didn't get the luxury of a view into her home life until s3, unlike Penelope, and while it still has people calling out this behavior, although rightfully so, it often still includes denying that Penelope needs to take accountability as well.

[skunkes]

,

[tethrras]

deciding to headcanon that the lighthouse makes people feel Calm and Docile and Relaxed to excuse the fact that more of the companions aren't as mad as lucanis that ANY of this is happening

[lupins-hehim-pussy]

I wanna know ur Fontaine msq criticisms 👁️👁️👂I’m all ears

I'm not sure if you wanted me to talk about this secretly or publicly but! Here I go!

The TLDR: Fontaine MSQ aestheticised prison, poverty, child abuse, the justice system/court and didn't properly address any of it.

More:

Focalors/Furina has way too much of a sympathetic angle for a dictator who's lets people drown with her inaction.

Neuvillette feels Bad for sentencing some people to death/prison, but that's it. He's one of the most powerful people in Fontaine. If he felt like there are systemic injustices, I.E sending an abused Child to prison, he should be the first person to DO something about it, not just cry and be sad so the audience can be like aw, that's complex character writing isn't it? No it's not! And guilt doesn't absolve you!!!!!!! (These are stuff we deal with in OTCOJ read my fic now /j)

Meropide has children in it, both Sentenced there (Wriothesley) and BORN THERE (Lanoire), and this is just a quirk of the place. Not only that, Meropide accepts prisoners of all genders and crimes. There are abusers and abuse victims in one place. Do you know how bad that is? How much potential for crimes to happen in a place like that— oh wait, Meropide isn't under Fontaine's jurisdiction. If you are assaulted as an inmate it literally means nothing to the court.

Wriothesley had no qualifications when he took over. Depending on how long he lived on the streets, how old he was when he killed his parents, how old he was when he was first taken in by the orphanage, etc, the man might never have more than 4–5 years of formal education. Sigewinne probably had to teach him how to write reports. And do Meropide's spreadsheets. Edit because I forgot to elaborate on this one: This isn't a point brought up anywhere, which is bad, because when poverty and incarceration robs you of a proper education (and the rights to vote in many places too, too, by the way), it reduces your prospects for jobs, reduces many people's ability to get a home etc etc. Wriothesley was just, narratively, Given his position.

Meropide is an industrialized prison, and they portray this as a good thing. Prisoners are paid in coupons for their labour, and this is also portrayed as a good thing.

The One-Meal-A-Day reform was something Paimon gushed about being so great of a perk, that people might want to go to jail for food (could be interesting and reflective of systemic poverty if MHY had brains, but they don't, so I was just Pissed because essentially all Paimon wanted to say was "Prison isn't so bad, but still don't go to prison guys! Prison labour is really hard!"). By the way, in most real-world prisons they are obligated to feed you three meals a day. Because that's how much food a human needs. MHY went with one meal just so they can say "if you want to eat more, you have to work." And then the welfare meal is a goddamn gacha. So imagine you're a starving child who's too weak to work in the fucking robot assembly line, and you wander up for your first meal in 24 hours, only to luck in with a shit one. I'd kill myself.

They wrote Wriothesley, who's a victim of the system, into a guy who's say shit like "I'm the Duke I can do whatever I want" for a cool moment where he choke-slams an inmate (I know he was a bad guy. But also, in copaganda when cops are violent/disregarding protocols, they are always only portrayed to do that against bad guys, so what does our critical thinking tells us about this one?) They wrote Wriothesley, who was an inmate of a prison so bad, so notorious that it is the literal boogeyman of Fontaine, that has a legal (???) fighting pit, with an administrator who abuses his position to be unreasonable, to willingly stay in the place and become an Administrator who would choke-slam an inmate while saying a cool line about how he has the power to do whatever he wants. They wrote him, the guy who had to be fed on the streets by melusines, to think one-meal-a-day was a good enough reform (while he spends god-knows how much on his boat). This wasn't a victim-turns-into-abuser narrative either, they want all this to be seen as positive character growth.

And then, the final kicker is, they gloss over his entire abuse. You can only read about these shit in his profile, which most people don't because they don't Have Him or doesn't care to unlock it/read it online, and they jammed his entire backstory into a flaccid info-dump at the end of his character story quest. This man isn't Allowed to feel abused and neglected and show any reaction to it within the narrative of Fontaine itself, because if they actually Gave Weight to what happened to him, they'd have to confront THE FUCKING JUSTICE SYSTEM they had NO PLANS on criticising. I don't think they ever explicitly said the fucking Crime-Theatre nonsense was Bad either.

I could go on, but this is already so long. But yeah, I hope this gave you an idea.