#not enough people talk about this show

[drrav3nb]

SHIN HA KYUN & KIM YOUNG KWANG in EVILIVE (x)

[poorly-drawn-mdzs]

Kiss Kiss Fallen Tree!

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[thevioletcaptain]

i genuinely don't care how good a piece of ai generated art or writing looks on the surface. i don't care if it emulates brush strokes and metaphor in a way indistinguishable from those created by a person.

it is not the product of thoughtful creation. it offers no insights into the creator's life or viewpoint. it has no connection to a moment in time or a place or an attitude. it has no perspective. it has no value.

it's empty, it's hollow, and it exists only to generate clicks (and by extension, ad revenue.)

it's just another revolting symptom of the disease that is late stage capitalism, and it fucking sucks.

[buggachat]

Sometimes I think about how Adrien, throughout the series, constantly grapples with his fear of abandonment. Gabriel conditioned him to believe that any love he receives is purely transactional, and that to earn affection he has to prove his utility. Adrien is constantly trying to prove his worth to his father for scraps of affection, and Chat Noir infamously crumbles on-screen any time he feels as though he is replaceable to Ladybug. It's a constant insecurity of his, like everyone will just dump him like a sack of potatoes the moment they find out how useless he is.

Meanwhile, all Marinette wants to is ensure that Adrien is happy. Because she loves him. She doesn't give two shits about how """useful""" he is. She holds him and tells him that she will never abandon him (both as Ladynoir and as Adrienette), and her fantasies are about saving him, not about him being "useful" to her. Throughout their relationship, Adrien is forced to disappoint Marinette constantly for reasons outside of his control (amok commands), and yet Marinette is still there for him.

At Adrien's lowest point, when he is forcibly torn away from everyone who had ever showed him genuine care, locked away in an all-white room and at his most "useless", right after disappointing Marinette and unable to even join the final battle or contribute in any way, she still saves him. She still loves him. Because he doesn't have to prove anything to her. Because he is loved and cherished for who he is, not for what he does, and that love is not conditional. Adrien's "happy ending" at the end of the first arc wasn't about him finally proving how useful he can be, because he never actually cared about being useful — he just saw it as the only means to feel loved and needed. Instead, in the end, he found out that he was loved and needed no matter what.

[introspectivememories]

been watching mashle and oh my god, the eugenics???? the way lance's parents were so ready to give up their daughter??? no second thought???? just "why did this child have to be born to us?"???? um everyone talking in mash's face about how non-magic people are inherently worthless???? the triple line dude fucking making dolls out of people and somehow no one??? is??? checking him???? and then when questioned immediately jumping into "well humans are little more than mindless beasts and i will become a creator deity and reshape the world in my liking!"????? the, um, corruption in the government??? the way this story is so clearly "h*rry p*tter if it was actually funny"??? the slytherin coded characters are blood purists???? they took out hufflepuff??? one of the magia lupus' mage's powerset was just big shuriken???? another one is rip off kisame???? lance is a siscon and the first thing mash says is "that doesn't make it better"???? lemon is genuinely so fuckin funny??? dot is incel-coded but like in a funny way??? dot says that lance is playing life on "easy mode" cause lance has a good face??? dot likes tea??? dot has good manners??? everybody only has one spell they can use??? finn ames is like if you transported is regular human into this stupid ass world??? i think the old man and the cop have explored each others bodies.

[the-bitter-ocean]

Hi isat fandom. Points at the sign.

[superhell]

house md is wild because house tells wilson that he’ll sacrifice many things but never himself and then he sacrifices himself for wilson. and then he sacrifices himself for wilson. and then he sacrifices himself for wilson. and then he

[athy-87]

yeah i got motivated again :D

i also watched volume 1 of rwby and fucking loved it

[moeblob]

Capri Sun... I miss you... (it still exists).

[srslylini]

is it just me who finds this anti pregnant shit a lot of people carry in fandom spaces weird?

Do not get me wrong I get it to an extend. Making a person end up pregnant in media who has, throughout the entire time, expressed the want to not get pregnant is weird and there is definetly a lot of media that... does it wrong. I'm not dumb. I see it, too.

but a character getting pregnant in general is... not bad? It doesn't take away from a character (especially not if written right) and why shouldn't it happen?

This is mostly in general but I'm also again thinking about when a lot of people thought Mel will be pregnant. At first I was also like "no way, no way are they doing that trope".

but the more I think about it the more I'm like

"Why ever not?"

Mel never expressed NOT wanting to be pregnant, getting pregnant wouldn't go against her character and it would've been sweet had it happened. At times a lot of people take this stuff so far that they bite themselves into their asses and hurt the cause they try to stand up for. A person being pregnant does not destroy them, it doesn't have to take away from their character if done right, it can even ADD a lot of things to them as a person. And it makes for a good, engaging story, (again if done right) do not even try to say it doesn't.

I also do not wish to become pregnant and that's fine. Just as it is for people to want that. At this point it is just getting weird. You are not advocating for a strong character anymore you are advocating for a lonely shell of one.

[oneday-yourside]

Harry's world/Bad end

Inspired by Christina's world by Andrew Wyeth

[onthemerits]

no one told me that the simone-karl plot from why women kill would rip my heart out and stomp it into little itty bitty pieces

[poorly-drawn-mdzs]

Do you like sci-fi and indie animation? Check out Monkey Wrench!

[secriden]

*cracks knuckles* Okay lets talk about the elephant in the room: Style going to the support group for those who've suffered loss and telling what appears to be a fake story about losing his pet dog.

I'm going to point out a few things that I think provide a framework for Style's actions here. Not because I think it excuses what he did, but because I think a nuanced read is what the character deserves.

Point 1: An irresistible opportunity

The subs put the "Support Group for Loss" on the image in the notebook, but I'm not sure there's anything to suggest that Style would've known that was what this image represents until he showed up and saw the sign on top of the door.

In episode 2, Bison says, "He plans everything down from years, months, weeks to days" and then tells Kant:

So Style is literally just going to addresses/locations at given days and times, potentially not knowing what to expect. And as much as Fadel is certainly attending this meeting as a response to having that heartbreaking flashback (😭), this is also something he attends regularly and has planned to attend way in advance. So Style has no reason to think Fadel is attending this meeting because of a recent resurfacing of his pain.

What we, the audience, and what the characters know are very different things.

Now, should Style have turned his cute ass right around once he realised what this meeting was? Of course he should. But that wouldn't have been true to Style's character. We've been told by his best friend that he is "crazy" and been shown repeatedly that he lives right up to that description.

Style is impulsive. He's all base instinct and he acts on his desires without thought or contemplation. And by this point he is desperate for a deeper connection with Fadel. He's fascinated, captivated by the mystery that is Fadel and this is an excellent opportunity to finally see behind the wall Fadel so carefully maintains.

When Style sees the sign above the door, Style looks at the notebook (which, again, shows nothing but people sitting in a circle with the words RISE UP) like he's just realising what it means. He then gets this amused, almost rueful look on his face (like he's thinking "am I really going to do this?") before it shifts to determination and he walks through the door.

(My soul for the ability to once again gif something because FUCK Dunk is doing SO MUCH in this show!!)

To Style, this is just too good of an opportunity to give up.

Because let's be real, Fadel is so clearly lying and hiding something:

Fadel is shady as FUCK. He is simultaneously actually a really good cook (Style finally tries his burger so he knows, now), and also has the skills to work at a strip host club, and also can take on 3 guys in a fight, and also can break a man's arm with his thighs. Can you honestly blame Style for losing his mind just a little bit about wanting to get his hands on something, anything, to figure this man out?

Style is being absolutely consistent in his persistence to understand Fadel. This isn't about the car or about finally 'winning' the fight (thank you @airenyah for giving such a detailed framework to understand what Style's been doing until this point) anymore. This is about Style wanting to know Fadel himself.

Point 2: The potential implications of the setting

Now, what might give us a bit of insight as to why Style is this way? I have a theory (albeit one that could prove to be very wrong, but hear me out). I think this whole entire show is set in what could potentially be quite a small town/suburb.

There's a few things that make this theory plausible:

(1) Fadel and Bison are in hiding after Bison blew their previous cover. They're probably on the run from some section of the authorities and so it makes sense to settle in a quiet/out of the way place.

(2) Style seems to be really familiar with the people in the area. Like he grew up there and its the kind of small town where everyone knows everyone and everyone is in everyone else's business.

(3) Style is clearly the darling of the market aunties and uncles.

Style just lost her a sale and potentially a loyal customer, and she's still rooting for him? In episode 2, when Style asks the uncle to let him borrow his cart, it takes nothing but his word for the uncle to give Style his entire cart of produce for his ridiculous scheme.

Style is so clearly someone they all know well and have great affection for, and a very plausible explanation for this is that they all watched him grow up and the entire market (town/village) is fond of him.

And honestly?? Yeah, we see the way Style is actually quite sweet in that careless, guileless, thoughtless way. He goes the extra mile to fix his mistake with Fadel by replacing his car parts for free in episode 1. He helps out by taking orders in episode 2 without being asked and takes it seriously. In episode 3, he tries to drive more business to Fadel's store (bless him, he so clearly does NOT understand how restaurants work, but he MEANS well!!), and can we all acknowledge that it works?? He understands how to appeal to potential customers in the area because he knows the people there. It's not (entirely) his fault that Fadel wasn't remotely prepared for an actual rush crowd and Bison was off getting kinky with Kant and not doing his (fake) job. He is so clear about not judging Fadel's host job and tries his hardest to help him (to absolutely NO effect, but still) when the 3 guys gang up on Fadel.

Style is so loved and more importantly so very loveable.

Point 3: What this could mean for Style's character

So, potentially, Style is someone who grew up in a small town, who has been well loved, potentially spoiled and coddled, but also very much kept within the confines of the narrow viewpoint that a quiet, country town places on you.

It's in the way his dad scolds him as if he was still a child when he's at least in his mid to late 20s. It's in the way Style was so mad at Fadel for scolding him ("thanks for the lecture, dad"), like that hit a sore point for Style. It's in the way no one in the market takes him seriously; they're fond, but he's still a kid in their eyes. It's in the way he has an abundance of free time like he doesn't REALLY need to work at his dad's shop. It's in the way he sees Fadel beat 3 guys up with ease, starts wondering if Fadel is an assassin or a hitman, and is completely unfazed like he doesn't quite have a handle on reality.

It's in the way his best friend is a man who has no qualms about lying to him and putting his life in danger, and how Style seems to have no other friends or people (aside from his dad) in his life.

@wuxian-vs-wangji made a comment to me about Style being desperate for a meaningful connection, and I think she hit the nail on the head. Because along comes Fadel, a mysterious stranger with a suspiciously versatile set of skills who is also very hot and keeps giving Style these wonderfully complex reactions? Who sometimes wants nothing to do with Style, but at other times seems to be at war within himself about desperately wanting him? Who treats Style with anything but apathy?

This is catnip to Style; he never had any hope of resisting this.

Breaking news: Style is a complex and imperfect character...

Here's the thing, though: he was never going to try. The show has been incredibly upfront about who Style is as a person. Regardless of whether I'm correct about why he is this way (ie. that he is very much the product of the environment that didn't know how to handle a kid with Style's personality), episode 3 shouldn't have surprised anyone about Style. He's been incredibly consistent and true to himself.

He wants Fadel and he's "crazy" enough to go all in, no holds barred about it, and the Support Group was the biggest doorway to finally discovering something REAL about Fadel.

And its not just about sex or to prove his superiority anymore. Because if it was just that, then Style would have reacted very differently to their first time.

In this scene, Style is pleased and evidently enjoying himself, but he isn't exuberant. He isn't overcome with joy. If anything, he was more happy and excited when Fadel let him help out in the diner (I mentioned this in the tags in this post too) than he was when Fadel is literally fucking him. He lets Fadel set the pace; barely moves to touch Fadel except to hold him close. Almost like he doesn't want to accidentally mess this up, like he's worried he'll take too much, so he'll take what Fadel gives him and no more (please appreciate @braceletofteeth's amazing tags on this post). For a character that has been so aggressively on the offensive, this is shocking until you realise that sleeping with Fadel - while it's a step in the right direction - isn't Style's end goal anymore.

And he makes that abundantly clear in this episode:

Does Style even fully realise the weight of this desire? I doubt it. But I do believe that Style is in earnest. He doesn't fully understand his own feelings, but he also doesn't really care to either. All he knows is that he wants Fadel, wants his attention and his passion and his focus and his heart.

...but Style is also kind of, sort of, perfect.

Because he's exactly, precisely, breathtakingly exactly what Fadel needs.

Because Fadel is hurt and broken and bleeding inside. Because Fadel is barely holding it all together for Bison's sake, but has already given up hope for any true happiness for himself. Because Fadel can't trust anyone or anything in his life, when he's been used and used and used by the family who should've loved and cared and protected him.

Because it's going to take nothing short of this kind of unwavering, unshakable, uncomplicated determination to give Fadel even a chance of healing and opening his heart to love again.

[buggachat]

i do just have to say though.................... i feel like people who really really loved the movie's portrayals of the characters are adding aspects of the show characters onto them? you know what i mean? like i see people say that adrien and marinette were more likeable in the movie than the show, when movie adrien didn't perform a single act of kindness in the entire 2 hours despite kindness being a core trait of adrien in the show? marinette was normal and not particularly weird at all and just kind of a generic protagonist? were adrien and marinette actually more interesting in the movie than the show, or are you just cherrypicking the aspects of them you like the from the show and putting them on the movie characters to make your favorite amalgamation?

marinette fell for adrien not because he showed vulnerability and forgiveness and kindness and opened his heart up to her.... but because he awkwardly tried to help her up after being kind of weirded out by her? so like i guess she thought he was hot and that was basically it? chat noir fell for ladybug not because she was strong and confident and showed determination in the face of fear... but because she begrudgingly helped him up in the middle of a battle? so like i guess he thought she was hot and that was basically it? they fell for each other over just the bare minimum interactions? most of their relationship was a montage? like, did the movie do the work to convince you of lovesquare's romantic potential, or did you go into the movie already shipping them because the show had already convinced you?

thats totally a valid way to enjoy the movie ftr! i'm just saying.... idk it's weird to see people praising the movie for being "better" when i feel like a lot of the enjoyment of the movie actually hinges on watching the show as context for their characters. and i guess im just a cringe slow-burn enjoyer but i find it weird that people are using "faster" as a synonym for "better"

[neunhofferart]

what is the age gap between the Broker and Brooklynn? I’m just curious how old the broker is and how long she’s been doing this dinosaur trading venture

Mmhm, of course hehe.

This is a very funny question to me because I remember having this discussion about Santos' age with some of the other storyboard artists back when there was talk about leaning into more of a Killing Eve angle with her and Brooklynn (the final decision on how far we leaned into that was not our decision to make, I will note), and whether or not fans would find an age gap between them 'problematic' if we did lean into it too far LOL.

Because Dichen Lachman was TECHNICALLY around 39 or 40 when Dominion was filmed and took place... but I honestly have no idea if SANTOS is supposed to be that age, as well. Dichen's just got that really ageless look. If you told me Santos was in her late 20s to mid 30s I'd believe it just as easily.