#nor does he know it's happening

[alexanderender101]

(Dpxdc)

So to start lets say that jack and Maddie already know about how danny = phantom and so does most of the town, it took awhile but eventually everyone got used to it (danny would be 16)

One day the GIW starts to surround Amity Park in secret by the time anyone realizes whats happening the GIW already had everyone blocked in claiming "they were all infected" and "a danger to everyone else"

It was a long battle to get the GIW to leave Amity alone but they did leave eventually, however during the fight there were some loss, such as Maddie, jack, sam, tucker, vlad, dani and more

A few months later the JL were informed of a big on going blizzard that started somewhere in Illinois and began to spread, the immediate area was already evacuated and now they need to send a team (yj, teen titans, or the batfam it's your call) to find the cause of this unnatural snow storm

When the group eventually gets to the center of the storm they find a mostly abandoned and partially destroyed town, they managed to come across a brown haired teen girl in red winter gear going through an abandoned store

On that note jazz is currently sitting with her brother as he sleeps (for once) and listening to the clatter of pots and pans in the kitchen, she wonders when val will be back with more supplies.

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[tuttle-did-it]

FUCK. THE. TORIES.

They have refused to increase wages whilst forcing the cost of living to skyrocket so high that nearly all of us are counting pennies to pay bills. If we can pay them.

They intentionally and gleefully forced us into a horrible economic (and cultural) depression through Brexit, and not one of them had a single consequence for the constant lies they told to get it passed. This will only get worse.

They have intentionally dismantled the NHS by underfunding it to the point where the NHS staff are all burnt out (having nervous breakdowns, leaving the country for far- better paying jobs or just leaving the field completely) just so they could sell it off to privatised companies worth billions just so they can fill their own pockets. Oh, and the incredible capable staff (medical or support) who were all from Europe have been told they are no longer welcome here and they have returned home because Britain is a cesspool of bigotry and hate

They are dismantling the social care systems for the disabled and elderly, to try to force us back to work even though we are physically and/or mentally incapable of work by stripping away our incomes.

They're doing everything they can to keep us from living by making sure we cannot afford food, housing, utilities, water, and tax.

They are living on taxpayers whilst having millions, even billions in the bank for themselves.

The corrupt politicians fill their bank accounts and buy third and fourth houses across all Europe, another boat— whatever— and they have scandal after scandal with absolutely no consequence, and we can do absolutely nothing.

Their handling of COVID was criminal, and aside from wasting an incredible amount of money, they are responsible for many deaths by not acting fast enough and by forcing people back into the workplace when they knew it was not safe because they wanted to improve the economy they collapsed.

Oh, and don't forget all those lovely parties they had during COVID lockdowns when we were all in our houses and not allowed to see family members who were dying-- or even go to their funerals because of COVID restrictions.

They are intentionally fuelling the hate at queer people-- specifically trans people. This, I assure you, will get so much worse.

They keep sending money from taxpayers over to fund wars in other places-- including genocide-- with no way for us to fight back.

They keep making law after law making it more and more difficult for us to protest against everything they are doing.

Now the Tories expect you to do 12-18 months (+4 reserve years) of mandatory conscripted service in the military so you can go help countries commit war atrocities and genocide. And if you refuse, you are sanctioned. And they are making more and more laws restricting protest and free speech, so if we fight back, we're punished-- criminalised.

Do you understand what is happening right now?

Anyone who can still vote for the Tories after all of this, I have only a deep seeded concern for their sanity, and revulsion at their lack of morals.

FUCK EVERYONE WHO WILL OR HAS EVER VOTED FOR THESE MONSTERS.

FUCK.

THE.

TORIES.

FUCK.

THEM.

ALL.

[hypogryffin]

side-by-side

[rockhousejai]

Animatronic Mickey AU

Okay I've been NEEDING more of dis au so, is there some rare times where Mickey is angry or scary? what would cause it to happen? also funny idea where Oswald spends all day and night looking for Mickey when he lost him only to find mind the next day with his kids who were really excited to show him somethings that they made for him lol

Hello hi!! I’ll gladly answer this ^^

Now yes there are times when Mickey does get angry but I wouldn’t say he gets scary/threatening tho (although he is a bit scared of himself) reason for this anger is identity crisis.

He questions himself often and it makes him frustrated because he FEELS like something in him is missing and he KNOWS that the heart belongs to the “original” Mickey but he doesn’t know why he feels this way because he doesn’t remember what happened.

Keep in mind Animatronic Mickey doesn’t really have any memories of the original Mickey who died. Just his heart and a few facts that Oswald told him. This was also Oswald way of keeping the memories of his brother alive in some way while also preserving his heart, the heart that Mickey left behind.

A few other things that may also upset him is whenever Oswald gets a bit too protective of Mickey because (which you know makes sense because his heart is literally exposed) or when he’s compared to the original Mickey. However, that second thing doesn’t really happen often.

But other then that, Mickey is pretty much the same Mouse you know and love just…different. But hopefully that answers your question. ^^

 Also, I really like your idea of Oswald trying to find Mickey since Mickey in this AU just happens to wonder off on his own so I took it upon myself and drew it 

[just-an-enby-lemon]

I was relistening to the "Carter in a pit with a spike in his leg" episode because I remember finding Carter deeply annoying at the time and wanted to see if he would annoy me the same way now that I have actual feelings towards him (he did not, less annoying than some of Wilde's antics actually) and Wilde just stoled a fancy pen for like no reason at all wich is extra funny to me because it means that Wilde got more loot that Howard in the "Howard Carter tries to comit a robbery" episode.

[blujayonthewing]

SUPREMELY frustrating that we found something actually really cool and intriguing and plot relevant in tonight's session but I'm still so constantly preoccupied with whether the DM is going to 100% kill us with sheer poor game design that I barely have enough brainspace left over to even enjoy it

[compacflt]

hey! i was just going through your blog, and i saw a post about ice&carole and mav&goose. i looked a bit more but i couldn't find a post about your take on mav and goose's relationship, so i wanted to ask what it was. if you have answered this, i'm sorry about asking you again. imo i think what they had was wayy deeper than friendship but complex and probably not romantic, but again, i just wanted to know your thoughts on it.

thank you! and this blog has probably been one of the best finds i have ever come across on tumblr, i'll be sad to see you go.

yeah, i was really trying to be suave and subtle and mysterious about it with this parallel

like, you should be able to figure it out for yourself.

but luckily for you i looooove beating dead horses. to a problematic degree.

the full story of my vision of mavgoose (moose?) is in the completed draft of the extras that are coming out on Saturday. about halfway through. But i want to bring it back to the internal craft-of-writing debate i brought up yesterday—my inability to summarize, or to cut superfluous sections that don’t really matter.

I’ll stick it under the cut for spoiler reasons, but i wanna show the simple first draft of this scene versus the complicated, heavier final draft. And I want to ask any of you, if you’re interested—as a reader, which is more impactful? which should i end up publishing?

the simple first draft:

then i kept turning it in my head thinking of different ways to edit it to say something slightly different, to get a little more specific, coming up with things to add, and ended up adding like five extra paragraphs. which is this:

about 1/4 of the final draft (by which i mean, this is about 1/4 of the whole final discussion scene, but the goosemav-specific content only goes on for about another graf [omitted bc spoilers]):

(so to answer your ask explicitly, i actually don’t think they were anything deeper than good friends. imo there’s no evidence that they were anything deeper than good friends, especially with maverick blowing goose/goose’s wishes off soooo many times [‘she’s lost that lovin feelin;’ volleyball; refusing to do the responsible thing at least twice even after goose tells him it puts his & his family’s livelihoods at risk…bro all he does is blow off goose]. see me bitching in the tags for more on this)

obviously in my head the complicated in-depth version ⬆️ is the True version, the version of events that really Happened. i think the writing is in some spots much more compelling. But it just doesn’t make for a particularly good reading experience when it’s surrounded by like 3/4 pages of other discussion of history! sometimes too much of (what i think is) a good thing turns that good thing bad! & this is a major keystone dynamic of my whole series so i just want to get it right, for my own peace of mind. I guess im asking you to be the harsh editor i wish i had sometimes, if ur interested in doing so—this is genuinely a major major problem i have with my writing, i can’t ever just leave well enough alone 😭 please let me know if simpler is better/less is more in this case! do i publish the short vague “the reader fills in the blanks” version or the long boring “here’s EXACTLY how i see it” version?

[horsechestnut]

My biggest comic pet peeve might be whenever they try to insinuate that Barbara being Batgirl had any bearing on the events of The Killing Joke.

[so-called-quail]

'Trapped in the end!' said Sam bitterly, his anger rising again above weariness and despair. 'Gnats in a net. May the curse of Faramir bite that Gollum and bite him quick!' 'That would not help us now,' said Frodo.

Sword in hand Sam went after him. For the moment he had forgotten everything else but the red fury in his brain and the desire to kill Gollum. But before he could overtake him, Gollum was gone. Then as the dark hole stood before him and the stench came out to meet him, like a clap of thunder the thought of Frodo and the monster smote upon Sam's mind.

Now he tried to find strength to tear himself away and go on a lonely journey – for vengeance. If once he could go, his anger would bear him down all the roads of the world, pursuing, until he had him at last: Gollum. Then Gollum would die in a corner. But that was not what he had set out to do. It would not be worth while to leave his master for that. It would not bring him back. Nothing would.

Sam and vengeance in today's entry

[skrunksthatwunk]

household enemy to the yyh watchthrough number one is the olympics. it's taken us a week to get two episodes into the gamemaster fight

[ctl-yuejie]

i think - especially after the last episode - the audience will generally agree that chueam is also just a 22 year old making mistakes and having her own vices etc.

at the moment, I am not sure how deliberate the writing is for her character because p'jojo is tweeting a bunch about lesbians being the best and saving the gays (which I appreciate in a lot of ways) and it makes me wonder how intentional it is that besides the messiness of everyone around her - which she has also contributed to - her friends do burden her with cleaning up the mess. she is the leader of the gang and yes - mew had the role of table saver and collecting everyone after a drunk night out - but she also is the spokesperson for the group in a lot of sitations and currently i am pondering the fact that mewray decided to throw a party but then got too drunk and high to be awake so she had to represent the group, talk to the police and coordinate with top to solve the situation.

she does try and micro-manage her friend group based on her own image she has of everyone (and even what her ideal friend group is supposed to be like) and maybe tries but mostly fails to actually run fruitful interventions for ray so her outburst at him is a bit misplaced, but i cannot help but think that the stress of suddenly being the one person (plus april having to step in) in charge of the party made her explode.

there are a lot of instances where the others do take on the role of caregivers, but I am curious whether the gendered roles the group sometimes falls into is sth the show wants to comment on.

[specialshinytrinkets]

Okay, so I wanted to send my mutual an episode of KikoRiki to familiarise him with Pin — a character I really like (one episode isn't enough to say EVERYTHING about him, but dear god, he's the best, I love the kid robot's German mechanic dad :> )

Which meant I had to watch one episode to see what his name is, since some were changed in the English dub

And holy hell........

(English dub)

(Original)

The difference is driving me insane. Literally

I know that dubs aren't always good at conveying the original's intent, look no further than Gumball's Russian dub with its censorship of "harsh" words like "butt", but THEY STRAIGHT UP CHANGE LINES TO SOMETHING THAT BARELY MAKES THE DIALOGUE FLOW AND THE VOICES ARE KILLING ME

so yeah i found another thing to be mad at

[epickiya722]

People depicting Tanjiro as "super nice" is so funny as if this isn't the same boy who will headbutt the crap out of you no matter who you are or tell you to your face he doesn't like you.

[smidgen-of-hotboy]

@one-joe-spoopy you asked a few days ago about Miasma in my monster hunter au. It has taken me two days, but I've reached a point where I'm content enough to share my thoughts finally (and @esquemeencanta I haven't forgotten you Jove <3)

This is the tale behind Juno losing his original eye to Miasma. Sometime after this encounter he gets a new enchanted magical eye from Ramses O'Flaherty, finds out he's a changeling actually named Jack Takano, and after that shit storm, Juno gouges the magical eye out himself (almost dies trying). The continuation picking up with Hunter Steel and Hunter Glass is in the back of my mind. I've been fried trying to think of how Juno fights a monster he knows next to nothing about, and how he's supposed to do it alone (because ya know- he's stubborn like that)

! Obligatory guts, gore, blood, and violence and angst warning !

Juno works for the Hyperion Monster Hunter Association. He's brought Rita along with him and together they've been doing pretty well. Falco reached out a handful of times but after enough missed calls caught on that Juno wasn't going to come back to HCPD. By then, Juno had made a name for himself as a hunter in Hyperion. He was seeked out for personal jobs often enough that he didn't need to rely on the job postings from the HMHA. Sometimes though he still takes a posting.

There had been a few postings for a series of disruptions in the valleys down south of Hyperion City for a few months. Other Hunters had taken up the jobs and died trying to hunt down whatever monster was out there. Reports from the Cerberus Province were coming in:

Puddles of black gunk have been forming overnight. Anything that steps in it immediately sinks to the bottom. It is unclear if there even is a bottom to these pools.

Vehicles are being broken into and stripped for parts.

Earthquakes are being recorded, rumbling every few hours like clock work. This area is not known for experiencing earthquakes.

Other monsters have been found dead, disembowled and drained of their blood.

Juno takes the latest job request and gets Rita to look over some survey maps taken of the area. She finds that where the monster carcasses are turning up, there was a puddle of gunk there previously. She says she may be able to find out more if Juno can collect a sample. He obliges and returns to her a day later with a small jar full of gunk. His hands smell like burnt tar.

Rita runs a few tests on the jar of gunk and she finds that it has a mostly liquid state, but when disturbed it solidifies. A non-newtonian liquid. Like water mixed with cornstarch. It oozes slowly but seizes up when jostled. Rita makes a comment that she can't stand the smell, "it must taste pretty bad too. Don't know why any monsters would be getting so close to it." Juno unscrews the jar and sticks his finger in it. Rita watches horrified from her computer at their office as Juno proceeds to sniff the gunk (bad idea), and lick it (super disgusting idea).

Juno finds that even though the gunk smells bad, it tastes... okay. Little bit of a burnt wood taste to it, but nothing awful. It's almost sweet. Kind of savory. He goes around asking other hunters at the HMHA to try it and many refuse. The ones that do all come to the same conclusion as him: a little burnt, kind of sweet and savory.

One Hunter boldly takes the jar from Juno and spills it out over a table. Nothing happens at first as it slowly spreads out, but soon enough it's like the gunk has a mind of its own. It begins to almost crawl. It "oozes" across the table. Juno slams the jar back over it, the other hunter tries to frantically scoop it back into one mass. They eventually get it in a cup and back into the glass jar. Rita is not impressed when she hears about their sheer stupidity.

Juno brings the jar home and shows it to Ben. This whole time Ben has been hearing about the ooze from Juno and listening to his calls with Rita, but hasn't actually seen it. He looks at it in the jar and takes a good whiff ("Juno what the hell... you licked this? Gross... will I lick it? Yeah sure- when I'm dead! Put that lid back on or so help me.") Ben asks Juno what happens when it's introduced to heat. He says he isn't sure but according to Rita,

"In theory, it should just solidify. Non-Newtonian fluids cannot withstand extreme heat. The liquidity part evaporates. Just leaving the solid-ity part."

"I'm impressed. You listened to her."

Juno frowns. "I always listen to Rita."

"That's not what I meant. I meant: you listened to her, and you even sound like her now."

"... haha, very funny Benten... do you want to help me find out what happens when you introduce this stuff to fire or not though?"

Ben and Juno are both extremely smart in their own ways. They are also both extremely dumb in the same way. Ben lights the stove, Juno holds the jar with a pair of tongs, and they watch with bated breath as the gunk tries to hop out of the jar as it gets hotter. Eventually it stops moving altogether. And sure enough, when Juno removes it from the stove and lets it cool, it's solid.

Ben asks Juno what he's going to do and Juno simply says he's going on a Hunt.

"You can't be serious? Juno- this is dangerous. You're going to literally be playing with fire."

"I can handle it."

"Juno- I'm serious. Take this seriously."

"I am."

"Then you'll listen to me when I say, it'll make me feel a whole lot better if you take someone with you."

"You know that's not how this works Benten-"

"A Kanagawa hunter would be more than willing to work with you. Hell- what's her name Big Eyes would probably kill to work with you again."

"BENZAITEN! Enough! This is my job alright? I don't tell you how your recitals should be going or what stretches you need to be doing! You don't get to boss me around about how my Hunts go. End of discussion."

"Juno-"

"No. We're done. I'm going to bed, and tomorrow, I'm going on my hunt."

Juno goes to bed without saying goodnight. He wakes up and leaves for the office without eating or saying good morning. Ben calls but he doesn't answer. He calls Rita and Rita relays the message "just tell him I'll be waiting at home and- good luck."

Juno takes with him his pistol, shotgun, a flask of vodka, canisters of gasoline, a box of matches (Ben's brand), and an empty glass milk jar. He drives out to the valleys between HC and the CP to the largest black pool and starts pouring gasoline into and around it. He brought five of them with him. Rita said that his plan was dangerous. ("maybe we can get a hold of Ms. Cassandra and find out if-" "I'm not bringing Cass into this. This is my hunt. I'm doing it my way.") She made him agree that if she didnt hear back from Juno in an hour, she would call Juno, and if he failed to pick up she'd ask for assistance ("I ain't takin no as an answer Mista Steel." "You and Benzaiten worry too much." "Sorry Boss, but you're important to us.")

Juno stands back as he strikes a match and tosses it into the gas. He watches the pool erupt in flame. The ground trembles underneath him. Juno falls backwards. Something rises out of the pool... a monster.

Covered in black gunk, reeking of burnt tar, a monster on fire towers over him. She hisses and squeals. She would be beautiful if half her face wasn't torn off and the other half on fire. Black tentacles rise with her. She has a maw full of razor sharp teeth that go around and around in rings. In that moment, Juno knew he was fucked and would likely die. But if theres one thing being a Steel had prepared him for, its to not go down without a fight.

Juno brings around his shotgun and fires. He lands two bullets that lodge themselves in the monster. She hisses and growls, lunging at him. Her hands are sharp talons. They dig into his shoulders and drag him through the ground. Forgotten is the flask and jar. She rises again towering over him. He takes aim and fires another shot that embeds itself in her shoulder. She howls, a tentacle comes slicing through the air. He rolls out of the way in time and continues rolling as more trail after him.

He remembers the flask when it falls out of his coat. He takes hold of it and unscrews the cap, gulping a mouthful and holding it in his cheeks. With shaking hands he reaches for another match and lights it. He turns and spits the vodka into the flame, lighting a trail of flames that follows a tentacle of black tar. It spreads and the monster catches fire, screeching, leaving Juno time to unholster his pistol. He takes aim and fires off a few more rounds at her, slowly limping his way back where he dropped his shotgun and the milk jar. Finally, one of his bullets lands at her core. The monsters screeching turns to silent wailing.

Her size has shrunk as most of her body has caught fire, the rest is riddled with silver bullets. She clutches two appendages over her chest where the last bullet struck. Frantically trying to dig it out. She slowly tries to slip away as Juno grabs his jar and makes the dumbest decision he could've ever done: he runs towards her. He holsters his pistol, unscrews the jar and keeps the lid in one hand. The monster musters what remaining strength she has as both of the appendages over her chest shoot out. Two things happen at once:

One. Everything comes down to a singular point of pain. Juno feels it as his eye gets scooped out and he just about blacks out.

Two. He successfully scoops the monsters core inside the jar. The lid comes down on it, and monster screams as she shrinks to fit inside her small prison.

Juno has just enough strength left in him to screw the lid on. He blacks out shortly after.

(Ben calls Juno and then calls Rita when he can't reach him. He insist she call him right then and there because "something is wrong. I know it. Rita- listen to me. Call it' call it twin intuition, alright." Intrigued by this Rita calls Juno and when he doesn't answer her she calls in Cassandra.

Cass says she isn't in the mood to save Steel’s sorry ass. Ben takes Rita's comms from her to speak to Cass directly, "You owe me Kanagawa. I'm calling in your favor to me. And if you don't uphold our deal Cassandra, I will make your family's life hell." Rita has always liked Benten. That day she understood what Juno means by "Ben strikes the fear of Benzaiten into you".

Cass rides out to the valleys on her motorbike and finds a giant gaping hole in the ground. Beside it- Juno Steel. Cass turns him over carefully removing the milk jar. She sees his fucked up face and hauls him inside his truck. She tosses his shotgun in the backseat and straps the jar in next to her as she floors it back to Hyperion City. When Ben meets her at the hospital she apologizes and says she still owes Ben his favor, she shouldn't have brushed Rita off so quickly. All Ben does is tell her to leave. Rita promises to give her a call when Juno comes around.)

Juno wakes up in the hospital. He panics unable to see out of one eye. He tries to sit up and falls back groaning and grunting in pain. Something shifts next to him and he turns his head. It's Benzaiten. Bathed in golden light.

"Do you remember what Ma used to say, whenever she found us fighting? Fighting over the Andromeda costumes and Turbo toys?"

"Benten-" Juno wheezes and coughs. Ben turns and fills a glass with water. He carefully hands it over to Juno without a word.

"Ma used to say that we shouldn't fight. She didn't want us to fight because when it came down to it, there was only us in the world. She said- if we wanted to get flattened, we go and lie down in the road, but we aren't supposed to do that to each other." Ben smiles. At least Juno thinks he sees him smile. The sun glares behind him creating the perfect halo. An angel. Juno's angel.

"Ma said that when she was gone, we would have to rely on each other, and that meant we couldn't fight. We need someone else so that when we're not tough enough, they can be." He takes a shaking breath. Juno sips his water and parts his lips. Ben shakes his head and holds a hand up. "Save it, I'm not done.

"Ma said a lot of things before she died. She wanted nothing but the best for us Juno. She wanted us to look out for each other, wanted us to fight the big mean world together, and she wanted us to live. I know you never believed her. I know you don't believe her now- but she was ours. She was- Ma. And you're my brother. Ma is gone. Annie is gone. Oldtown is dying. Sasha left. Mick can hardly take care of himself. And you're all I have left Juno... I need you Juno. I need you to be alive for me because I can't be tough enough for this world. I want you alive... why can't you want that for yourself."

Benzaiten stands from the chair he's in and walks around Junos hospital bed. In proper light Juno can see the bags under his eyes and the tears streaking down his cheeks. He takes the glass from Juno's shaking hands and sets it aside. He pulls Juno against him and half folds his body over, half shields his twin.

The same mouth. Same hands. Juno broke his nose when they were still kids. Ben broke his ankle a year ago. Their noses are different. The way they walk has changed. But the one thing that no one could take away was their matching gaze. Their matching eyes.

(Ben leaves the hospital to visit Rita. She welcomed him inside her home without a second thought. She opens a window and sits down at her breakfast table while Ben takes a cigarette from his pocket and lights it. He takes a long draw and holds the smoke in his lungs for a long moment. He exhales slowly. His tears have long since dried. He thought he cried himself out at Ma's funeral. He was wrong.)

Juno goes back out to the site in the valleys a few weeks later with Cass. She took the jar and kept it to herself. When she saw Juno in the hospital she asked about it. He just said to turn it over to Rita and she'd take care of it from there (to this day Rita still has it in her personal office at home. The monster watches her work. She finds it easier to work when she has something to explain her thought process to and the monster is frequently subjected to that. When she's not home Rita keeps it locked up inside a safe next to emergency bac up shrimp crunchies.)

Cass and Juno explore the gaping hole together. (Cass pulled her weight as a Kanagawa and had the site quarantined off from other hunters and the public). They find a whole underground network of chambers and lab equipment. Journals and notes. Juno flips through a few pages and together this is what they piece together:

Doctor Miasma was a human doctor. She learned about fae medicine and was desperate to get her hands on it by any means possible. In order to get any though she needed to cross over. So. She did. She forcibly opened her own portals and exchanged parts of herself, constantly replacing whatever she lost. Her arms, her legs, half her face. Eventually she gave up the last thing she had to offer: her humanity.

Miasma awoke a monster in the fae wilds. She used intimidation to force them to open a portal for her to cross back home. She created her underground lab and stocked it with soup. She ran experiments on herself. With practice she honed her hunting skills and had her first taste of fae blood.

Shortly thereafter Miasma lost more than her body and humanity. She lost her memories. She lost her name. She forgot her title, forgot her research, and simply became a monster that consumed.

Some part of her must have remembered something though. She broke cars and stole parts from them trying to build a machine to harness magic and open portals. Even after giving up everything, Miasma was still trying to get back to the fae realm

Cass finds the rotting corpses of dead monsters. Their blood not yet drained.

Juno's seen enough and with Cass' help climbs out of the hole.

"Cass- you write the report."

"Huh? Why? This was your Hunt. I don't need the credit or the money."

"And I don't want the attention it's going to bring. Write it. If you have questions call Rita."

(Cass swears this will be the last nice thing she does for Juno. She writes the report and hands it over to the HMHA. The senior hunters of the association are confused why she's handing in the paperwork. She shrugs and tells them "Steel doesn't want to handle the guts." The Kanagawas come in and clean everything out. Cecil does a live stream special walking through "the lab of a monster". Juno reads the newspaper in the kitchen while Ben makes them breakfast. Life carries on.)

[calamitydarcy]

kinito doesn't even know what saltie was originally from... he is not going to know how to fix this...