#non aligned systems

[nonbinarynow]

What about people who are actually nonbinary men and nonbinary women and are not just saying that so people will understand us better? Not all of us who use binary terms do it to appease binarists or to appear more "normal" in a binarist society.

Nonbinary men and women who are comfortable with binary terminology were not the point of discussion with that post. I moreso meant how as a community, nonbinary people are forced by exorsexism to conform by using binary terms, are isolated when we use non-binary specific language and how non-binary language is generally supressed by an exorsexist, binarist society. Of course, since enbiness is such a vast experience, there will be some who find comfort in these terms, but I am discussing a communal issue stemming from systemic and societal oprression, not on an individual by individual basis. There is a reason generally why nonbinary people do not use our community language and terminology, vocabulary made for us, more often compared to binary communities. This hurts the nonbinary community as a whole, including nonbinary men/women and transmasc/transfems, but more directly affects midbinary, multigender, genderless, xenic and abinary people. I am speaking on a community wide societal issue/analysis with a bit of personal annoyance as a transandrogynous person; I do not speak on every individual enban's experience. I legitimately couldn't if I tried haha. I apologise if I upset you though, that was not my intention at all.

[imoga-pride]

Stellarian woman | Stellarian man

Pride flags requested by anon.

[meme-loving-stuck]

i remember being brought up christian like, almost concerned that i never felt a connection to any of the shit they were talkin about,

and when i was younger i was like "oh no! am i bad for not feeling connected to god?? is it bad i feel like my dead mom doesnt talk to me or watch over me?? am i horrible for pretending?????"

but turns out i just had Autism Powers that made me immune to it and i was able to completely sever myself from the idea of being Christian at the ripe old age of like 13. and it was such a HUGE comfort to see that there were all these other beliefs and spiritual sort of things that other people chose to believe in and didnt necessarily treat their beliefs as COLD HARD UNDENIABLE FACT the way christians treat the existence of god & heaven & hell

like now that i am older i know i was in fact traumatized by the culturally catholic beliefs my family held & forced on us all, but i am really immensely grateful that my child self looked at all the other aspects of christianity that would horrify most other children into behaving/conforming, and basically just went, "okay, source?"

and that was the end of that

[happilyvaliantkitten]

I'm transmasc, but I am not male-aligned. I'm not unaligned either. I'm declining to participate in this framework that tries to sort us all into new categories. Trying to force us all into 3 boxes instead of 2 isn't progress. It's also usually applied to people without their consent.

[bigthingsforeverintheworks]

yea danganronpa i love that series i mean yeah it's the scourge of the earth but it has kyoko kirigiri & like 5 other good characters

[astrologydray]

Ruler of the 2nd through the houses

when you track the ruler of the 2nd house through the houses, you’re looking at how you make money, where your values lie, what you prioritize, and what brings you a sense of security and self-worth.

1st House 🏡:

I am the resource.

Your body, presence, or identity is a source of value. You might attract wealth through personal branding, entrepreneurship, or just being YOU. Confidence = currency. You naturally radiate value, but must learn to own it.

2nd House 🏡:

Born to build.

This is a powerful placement for money, stability, and long-term growth. You naturally know how to build wealth and manage your resources. You’re probably very grounded and value quality over quantity. Shadow side hoarding, fear of change, or stubbornness.

3rd House 🏡:

Money through the mind.

Your voice, ideas, or communication skills are your goldmine. You might make money through writing, teaching, media, or even tech. You value curiosity, mental stimulation, and versatility. Prone to having scattered energy or difficulty monetizing ideas. Your Strength = quick thinking, adaptability, networking = resource magnet.

4th House 🏡:

Home is the foundation of wealth.

You could inherit money, make money through property, or work from home. Emotional security and family support directly affect your money flow. Your values are deeply rooted in your upbringing.

5th House 🏡:

Creative currency.

You attract money through self-expression, creativity, pleasure, or even romance. Think artists, performers, designers — or people who monetize their passions. You value joy, fun, and being seen. Shadow side here = risky money behavior; tying worth to external validation.

6th House 🏡:

Work = worth.

You build wealth slowly and steadily through dedicated effort, skill development, and service. You might work in healing, wellness, administration, or service industries. You value discipline and reliability. Overworking or tying self-worth to productivity may be a problem for you. Relax and give urself grace.

7th House 🏡:

Money through others.

Your values and income may come through partnerships, collaborations, or clients. Business and romantic relationships affect your money deeply. You value harmony, balance, and reciprocity. Be careful of falling into financial dependency or people-pleasing around money.

8th House 🏡:

The wealth alchemist.

You’re drawn to shared resources, investments, and transformative wealth. You might make money through occult work, finance, psychology, or sex-related fields. Power, trust, and depth play a big role in your money story.

9th House 🏡:

Expand to receive.

You attract abundance through travel, teaching, spirituality, law, or publishing. You value freedom, knowledge, and growth. Belief systems around wealth are HUGE here — mindset is everything.

10th House 🏡:

Public success = personal wealth.

You may gain money and security through career, status, or reputation. You value ambition, recognition, and doing something that matters. This placement often pushes you toward visible leadership or high positions.

11th House 🏡:

Money through the collective.

You earn through networks, innovation, tech, or social causes. Think online businesses, group work, or digital platforms. You value progress, originality, and future-oriented thinking. Be careful of being overreliance on external validation or digital platforms. Your unique ideas, group alignment, big-picture wealth building is where it’s at.

12th House 🏡:

Mystical money flow.

This is the most non-linear placement. You may make money through spiritual work, healing, art, or behind-the-scenes roles. Money may come and go mysteriously, and your values are more ethereal than material.

[moonlit-tulip]

It's often noted, in discussions of the Death Note anime, that it's much weaker than the manga in its rendition of post-timeskip events partly for pacing reasons: the pre-timeskip parts of the anime adapt ~6.5 manga-volumes in 25 episodes, while the post-timeskip parts adapt ~5.5 in 12 episodes, so a lot more important detail-work is lost and the whole thing ends up feeling kind of perfunctory.

Much less often noted as far as I've seen, but nonetheless also true, is that the Death Note anime removes some important characterization-nuance from Light, starting right near the beginning, whose presence elevates the manga to be substantially better than the anime even before the time-skip.

In particular: the Death Note manga is, at its core, a tragedy in classic "character who has everything falls into ruin due to a fatal personal flaw" style. Light is a brilliant student who, in the future ahead of him, has the potential to do practically whatever he wants. He's driven to ruin by the fatal flaw of unwillingness to admit, either to others or to himself, when he's made a mistake. This flaw is an essential piece of his characterization, in the manga. And the anime pretty much entirely skips over it.

As portrayed in the manga, Light's decision to become Kira—which ultimately leads to his downfall—is made in the following way. First, he finds the Death Note, and is led by morbid curiosity to write a name in it, killing someone. Then, still not really believing it, he kills a second person too. At which point it hits him that he's killed two people. And at that point, after a viscerally-horrified breakdown about what he's done, the inability to admit mistakes kicks in, and he proceeds to rewrite his own value-system such that it yields the result that killing those people was actually okay, and in fact morally good. Because the alternative would be for him to acknowledge himself as having made a terrible mistake, and that, more than anything else, is something he's unwilling to do if he can see any other option at all. And then, having convinced himself that those two murders were good, he proceeds to reason that, if they were good, then doing more like them is good; and thus he becomes Kira, leading eventually, far down the line, to his ruin. The anime, by contrast, substantially deemphasizes this flaw of his, portraying him as much more calmly put-together through that series of events and thus making him come across as having been tempted in becoming-Kira-ward directions all along.

Similarly, in the anime, when Light leaks a bunch of information to L about his identity by using non-public information acquired via police channels, he declares that actually this was deliberate as a means of baiting L out so he can kill him, and the anime presents this declaration pretty uncritically. The manga, by contrast, presents it as an extension of that same character-flaw: Light is unwilling to admit to having actually just straightforwardly messed up, and therefore makes up a new plan to view himself to have been following-all-along, thus leading him to take more risks in his game against L going forward and thus, once again, helping him along the path to ruin.

Et cetera.

Compared with the manga, then, the anime's version of Light's characterization ends up less interesting. And, moreover, it introduces a plot hole, when the Yotsuba arc comes around! It makes it much less clear why an amnesiac Light would be so straightforwardly aligned against Kira. In the manga, this is pretty clear: a Light who never killed anyone wouldn't have rewritten his values to consider killing people to be good, and therefore would look at Kira as straightforwardly evil. And, in fact, his amnesiac self has trouble taking the possibility of his having been Kira previously, even as the evidence starts building up, because becoming Kira would be a mistake according to his value-system of the moment, and this leaves him having a very hard time contemplating the possibility of its having in fact happened! Whereas the anime, by deemphasizing Light's big flaw, makes his amnesiac-self's differences from the way he is for most of the story up to that point come across as much more out-of-nowhere, much less narratively well-founded.

So, overall, the people who talk about the Death Note manga as superior to the anime specifically post-timeskip strike me as somewhat understating things. The manga is superior to the anime pre-timeskip, too, via that extra layer of characterization and a resulting improvement both in character-interestingness and in plot-coherence. And thus I consider the manga to be very much the definitive version of Death Note from start to finish, despite the anime's relatively-higher popularity.

[bamsara]

Hello! I was wondering what company you use for your sticker sheets? I bough one from your Ko-Fi shop and really like the quality, and the pricing you were able to sell at is waaaaaay more reasonable compared to any of the companies I've seen and used myself. Is it a POD company, or a mass purchase of them to sell on your own?

Thank you for your time if you're able to respond!

I'm really glad you like the quality, because I actually make them by hand at home! (Please forgive the lighting, my bedroom is my office lmao.)

I don't use a company (and Idk what a POD company is sorry!) but making them at home gives a lot more freedom of stock, just be wary it can be very time consuming depending on how many you need to make.

I've had other people ask before, so here's a rundown of how I make my stickers at home: At most you'll need:

Printer

Sticker paper (this is the type that I use)

Laminator and lamination paper (the lamination paper that I use.) You can also use adhesive non-heat lamination paper if you don't have a laminator, gives you the same result, just be careful of bubbles. You will get double your worth out of a pack because we are splitting the pouches to cover two sticker sheets.

Your choice of a sticker cutting machine or just using scissors.

First, I use Cricut's software to print out the sticker sheet with the guidelines around the corners so the machine can read it. If you do NOT have a Cricut machine, open up your art program, make a canvas of 2550x3300 and fill it up with your sticker design with some cutting space between them. This the 8.5x11 size for the sticker page.

I usually have bleed selected so the cut comes out cleaner. Tip for non-Cricut users below: Increase the border around your sticker design to fake the 'bleed' effect for a cleaner cut.

These are the print settings I use for my printer. I use the 'use system dialogue' to make sure I can adjust the settings otherwise it prints out low quality by default. Make sure if you're using the above paper that you have 'matte' selected, and 'best quality' selected, these aren't usually selected by default.

So you have your sticker sheet printed! Next is the lamination part. I use a hot laminator that was gifted to me, but there is no-heat types of lamination you can peel and stick on yourself if that's not an option.

(This is for protection and makes the colors pop, but if you prefer your stickers matte, you can skip to the cutting process.)

Important for Cricut users or those planning to get a Cricut: You're going to cut the lamination page to cover the stickers while also not covering the guidelines in the corners. First, take your lamination page and lay it over the sheet, take marker/pen and mark were the edges of your stickers are, and cut off the excess:

(I save the scrap to use for smaller stickers or bonuses later on)

After you've cut out your lamination rectangle, separate the two layers and lay one down on your sticker sheet over your stickers with matte side down, shiny side up. (Save the other sheet for another sticker page)

The gloss of the lamination will prevent the machine from reading the guidelines, so be careful not to lay it over them. It also helps to cut the corners afterwards to prevent accidentally interfering with the guidelines.

Now put that bad boy in the laminator! (Or self seal if you are using non-heat adhesive lamination)

Congrats! You now have a laminated page full of stickers.

For non-cricut/folks cutting them out by hand: this is the part where you start going ham on the page with scisscors. Have fun~

Cutting machine: I put the page on a cutting mat and keep it aligned in the corner, and feed it into the machine. For laminated pages I go between 'cardstock' and 'poster board' so that it cuts all the way through without any issues, but for non-laminated pages or thinner pages, I stick for 'vinyl' and 'light card stock'. Kinda test around.

Now I smash that go button:

You have a sticker now!

The pros of making stickers at home is that you save some cost, and you have more control of your stock and how soon you can make new designs. (I can't really afford to factory produce my stickers anyway)

However, this can be a very time consuming, tedious process especially if you have to make a lot of them. There is also a LOT chance for some errors (misprints, miscuts, lamination bubbles, ect) that will leave you with B-grade or otherwise not-so-perfect or damaged stickers. (Little note, if you have page mess up in printing and can't be fed into the cricut machine, you can still laminate it and cut it out by hand too.)

I have to do a lot of sticker cutting by hand, so if you don't have a cricut don't stress too much about it. I have an entire drawer filled to the top of miscuts/misprints. I keep them because I don't want to be wasteful, so maybe one day they'll find another home. Sucks for my hand though.

But yeah! This is how I make my stickers at home! Hope this is helpful to anyone curious

[what-even-is-thiss]

I often call my dad an atheist as shorthand but he actually gets kind of annoyed when I use that label because he sees it as anti-religion and he’s not anti-religion. He thinks that spirituality is a natural part of human existence and advocating for the destruction of it is against human nature.

Though functionally his worldview and belief system mostly aligns with atheism so I find that shorthand to be useful when talking about him to others rather than take the time required to explain humanism and non-religious zen Buddhism to people

He also believes that ghosts are real but they’re actually not dead people but are other universes leaking into our own and that most things people think are supernatural can be explained by realities crashing into each other but I’m not sure how to categorize that tbh I don’t think there’s any scientific basis for that belief.

I’m not asserting that he’s wrong or anything. Like I’m personally quite religious so I’m not one to tell people their beliefs are stupid as long as they’re not hurting anybody. I’m just unsure how to categorize that.

[empyrealoasis]

🪷 Unspoken Facts About the Void State 🍃

1. The Void State and Neuroplasticity

While many people focus on the metaphysical aspects, the void state may have a direct link to neuroplasticity—the brain's ability to rewire itself. The deep focus and detachment from external stimuli in the void can enhance your brain's capacity to form new neural pathways. This means that being in the void isn’t just about manifesting; it’s literally reshaping your mind to align with your desires on a neurological level (and even on a molecular/genetic level).

2. The Void’s Connection to Deep Sleep and Healing

The void state shares similarities with the brain activity observed during non-REM sleep, particularly in stages of deep rest. In this state, your body undergoes repair, and your brain consolidates memories. This suggests that entering the void might accelerate healing processes, as the state mimics the restorative effects of deep sleep while maintaining conscious awareness. Similar to meditation and hypnagogic states.

3. Time Perception in the Void

While in the void, many report losing track of time, but this isn't just a mental trick—it’s tied to how your brain processes sensory input. The void eliminates external stimuli like light, sound, and touch, which are essential for your brain’s internal clock. Without these cues, your sense of time becomes fluid, making hours feel like minutes or vice versa.

4. The Void and Quantum Coherence

The void state aligns intriguingly with concepts in quantum physics, particularly quantum coherence. In quantum systems, coherence describes a state where particles exist in a superposition of possibilities. Similarly, the void state places your mind in a "superposition," where you are simultaneously detached from reality yet capable of accessing infinite possibilities.

5. Entering the Void and Brainwave Frequencies

The void state is strongly associated with theta and delta brainwave states. Theta waves are linked to creativity, intuition, and deep meditation, while delta waves are tied to deep sleep and healing. The unique blend of these brainwaves during the void allows for heightened subconscious access and profound stillness simultaneously. Which is why it is recommended to use these frequencies!

6. Sensory Deprivation and the Void

The void state mirrors the effects of sensory deprivation. When external stimuli are lost, the brain compensates by enhancing internal awareness. This is why many people experience heightened clarity, vivid imagery/mental images, or even sensations of "oneness" while in the void. Essentially, your mind becomes the primary sensory environment and why you lose all of your senses.

7. The Void’s Link to Embryonic Consciousness

Some spiritual theorists compare the void state to the consciousness experienced in the womb. This hypothesis suggests that the void may feel so “pure” because it reflects the state of pre-birth awareness—where one exists in complete with nothingness and infinite potential. This also refers to pure consciousness being your home that you always return to.

8. The Void and Ego Dissolution

A lesser-discussed aspect of the void is its role in ego dissolution. In the void, your sense of self—the “I”—disappears. This detachment from ego allows you to manifest without the usual doubts, fears, or biases that come with personal identity, creating a direct connection between intention and reality. Hence the affirmation "I am" as there's nothing to become, only to "be".

[sweetheartspence]

planetary alignment - s.r

spencer was expecting a day of solitude researching in the library during his day off, not... whatever that was.

pairings: spencer reid x librarian!reader

genre: fluff? i think

cw: swearing, fem reader, not proofread

word count: 1.4k

a/n: this is my first spencer fic! constructive criticism is welcome, please feel free to share your thoughts! this one is third person but i'd like to try out second as well :) dividers by @cafekitsune ! thank you!

Spencer Reid does not believe in love at first sight.

Lust, sure. Infatuation, perhaps. But love?

Love was a whole other problem, an equation he knew by heart and yet had never been able to pinpoint.

It had fascinated him for years, and still did, if he was being quite honest. He's got sticky notes pressed into romance novels, quotes of descriptions underlined and highlighted, Jane Austen and Emily Bronte lining his shelves. He'd long learnt to stop asking about it. Even though it was out of pure fascination, of the drive for learning, people tended to see it as pathetic, as him grasping towards something he would never have. One too many times, he asked, "How do you know if you're in love?" And one too many times, he was met with a fond, exasperated, somewhat condescending smile.

"You just know."

You just know. What a stupid response. That's the kind of response you get from people who aren't educated enough to articulate themselves properly, Spencer thought. Or maybe they thought it was funny, to leave him in the dark. One thing that they understood that he never would. Something that they could have a leg up on, something that they could hold over his head when he had rattled off one too many statistics.

Or maybe it was him, who was too stupid to understand.

And Spencer has learned to be okay with that. It's not like he doesn't have enough to worry about, enough interests to pore over and obsess about and keep him occupied. And that's exactly what he intended to spend his weekend off on: the conceptual mathematics of the planetary system, developed by 16th and 17th century astronomer Johannes Kepler.

Now, Spencer doesn't consider this an obscure topic, per se, but it certainly isn't one that people were tripping over themselves to check books out about at the library. Which means that he's once again found himself in an abandoned aisle of the non-fiction section of the city library, leafing through a somewhat untouched biography. There's a thick layer of dust adorning the cover, and his long, thin fingers run down the pages, marking his progress through the book. And that's when he hears it.

A sneeze, followed by a loud bang, a soft curse, and some unintelligible muttering.

Spencer's curiosity is instantly piqued. A sneeze is nothing to be concerned about in the dusty shelves of the library, but the crash that had followed certainly was. He tentatively makes his way to the end of the aisle, poking his head around the corner.

Sitting on the ground, surrounded by a pile of books, is a woman. Her hair is pushed off her face with a pair of glasses, and she is haphazardly stacking the books, muttering something about how the government needed to reallocate resources and funds. Next to her lays a broken stepstool. Spencer's heart immediately starts to beat faster. She's pretty, even if her eyebrows are currently pinched in a frown.

She looks up at the noise of Spencer's footsteps, and her cheeks instantly color with embarrassment. She hops up from the ground, dusting off her hands on her pants, and offers him an apologetic smile. "I'm so sorry. The stepstool broke right under me. It was a faulty hinge, I think, or the screw might have been rusted..." She trails off, crouching down again to examine the stepstool.

Spencer isn't quite sure why he's still standing here. He's found the source of the noise, determined that no one was hurt, and that no one needs his help. So why can't he force his feet to move? Or his mouth to form words?

The woman looks up again, her cheeks still colored at the realization that he hasn't moved. "Uh- I'm sorry. Am I in your way, or...?" She trails off again, looking adorably confused.

Spencer snaps out of his daze. "No! No, I just- I heard the noise, and I wanted to- to make sure no one was hurt, or needed help, and honestly, I hadn't even realized that anyone else was in this section, considering it's at the back of the library and no one even really comes back here, unless they're looking for something specific, or-"

She cuts him off with a soft laugh. The most beautiful sound he's ever heard, he thinks, and quickly snaps his mouth shut. Now it's his turn to blush.

"Were you, then?" She asks, quirking an eyebrow. She's looking at him with a certain look in her eye, interest, maybe, or fascination, or maybe amusement. He can't quite tell. But she's looking at him, her full attention on his face, her gaze fixed to his eyes. There's a small smile playing at her lips. He finds that he doesn't care what she's looking at him with, as long as she keeps looking at him.

"Was I... was I what?" Spencer asks, a bit stupidly. His brain feels a bit like mush.

"Looking for something specific," she clarifies, tilting her head, flashing him a real smile. Spencer finds he can't breathe for a moment. He holds up the book he had been reading.

"Oh! Uh, yeah," he manages, nodding. "Kepler. Applied mathematics in the planetary system. This one is more of a biography, but I was hoping to find something that includes more of his conceptual work..."

She brightens, straightening up again. "I might be able to help with that, actually," she tells him, and his stomach does some kind of weird flip.

"You... know Kepler?" Spencer asks, unable to contain his excitement. His voice comes out more high pitched than he would have liked.

She laughs, her nose wrinkling. "No, no. I'm- I'm not that smart. I know the system, the organizing system? For the books." She's grinning, and Spencer can't bring himself to tell her that he has the system memorized too, of course.

"Oh, wow," he says instead, giving her a smile that he hopes doesn't look too lopsided. "That would be great."

She nods, abandoning the pile of books in the middle of the aisle, and gestures for him to follow. She walks like she's on a mission, leading him a few aisles down, and running her fingers along the spines of the books. Her hands are much smaller than his. Her nails are painted brown, Spencer notices. Understated, yet well taken care of. They match the aesthetic of the library, and he can't help but wonder what her hands would look like wrapped around his own-

"Here we are!" She says brightly, tugging a book off of the shelf. "I think the whole shelf here is on conceptual mathematics, but this one looks like it's on planetary alignment specifically. Um-" Her brow furrows for a second, and she pulls a second book from the shelf. "I recognize this author, I know he gets a lot of circulation..." She looks over at Spencer quizzically, and Spencer realizes he hasn't said a word.

"Yeah, these are perfect," he tells her earnestly, taking the books from her hands. Their fingers brush for a fraction of a second, and Spencer can't help the blush that creeps up his neck. "I'm Spencer, by the way. Spencer Reid."

He's rewarded with a name. Her name. He rolls it around in his mind, and decides he likes the way it fits into his brain.

"It's nice to meet you," she says, extending a hand for him to shake. He opens his mouth to give his usual spiel about pathogens, but his words die in his throat. Would that be weird to say? He wonders. I don't want her to think that I'm odd. I could just suck it up this once, and besides, there was a bathroom on the way in. I could just shake her hand, and go find the bathroom, and wash my hands-

Spencer's thoughts are interrupted by her smile faltering, and her hand dropping. He curses in his mind. Way to go, idiot. Now she thinks you're weird regardless, and she's not going to want to talk to you anymore, and-

A pager buzzes where it's clipped to her waistband, and she clicks a button on the side of it. She gives him yet another apologetic smile, but this time, it doesn't quite reach her eyes. "Sorry. Duty calls. It was nice to meet you, Mr. Reid." And then she's breezing past him, her hips swaying as she walks away, without looking back.

It's doctor, actually. The words are on the tip of his tongue as he watches her leave, but they never come to fruition. She's out of earshot before he can get his bearings.

Spencer sighs, leaning against one of the bookshelves. He's suddenly not as interested in reading about Kepler.

[despazito]

My take on a fan hawkdog because i love @jayrockin's spec guys (bc if you make spec domestics i will try to make one as cursed as possible)

An extreme toy hawkdog, the breed is called turaco since they were allegedly bred to resemble one by humans. malocclusion is a disqualifying fault in conformation but extreme deformities of the skull make crossbills much more common than in the general population. early training to tolerate beak trims is an absolute must, even individuals with seemingly aligned bites can develop a crossbill later in life. non-centaur aliens who are not familiar with the lineage's respiratory system will try to breed for bigger excurrent nostrils to offset the small and obstructed intake nostrils, however barometric plethysmography shows no statistically significant improvements in breathing. the one pictured is a neglected rescue, her name is officially Mushy Peas.

[helenaeaganenjoyer]

Helly rebels against a tyrannical system not only because she has an innate sense of justice, but because she has nothing to lose. Born into oppression without indoctrination. She is a clear-cut victim. She doesn’t have to unlearn anything to act on her gut feeling without internal collapse. It's easy and natural for the audience to love her.

Helena was born into a gilded prison. She is trauma bonded to a cult and cannot conceptualize what a normal life looks like. She survives by aligning herself with the abuser (her father, the board, the mythos of Kier). At Lumon, she's a paper tiger, clinging to the illusion of power to justify sacrificing everything that makes her a person. Because power has been used against her for her entire life, it's the only thing she believes can keep her safe.

At surface level, for a good portion of the audience, it's easy to see Helena as the oppressive force, directly antagonistic to the obvious hero, Helly. It's easy for them to ignore the context clues that show Helena as the latest cog in a never-ending cycle of generational trauma, because we empathize with Helly so strongly. It's easier to blame our parents for raising us poorly than to face the reality that they are deeply flawed, broken people too.

So when Helena does morally dubious things like stealing Helly's identity and calling the innies animals, it's easy for the audience to write her off as an evil wench who should be banished to non-existence, giving her body to the person who actually deserves it. But how long until Helly gets broken down by life? How long until Helly decides she has something to lose (MARK) and is forced to compromise her morals and actions to protect herself? We've already seen a glimpse of this during the season 2 finale and people are so allergic to the idea that they're convinced she must actually be Helena.

Helena didn't choose Lumon any more than Helly did. Helly is morally lucky because she's free of the psychological chains Helena was born into. I have a feeling those chains are coming for her soon.

[astra-ravana]

Types Of Witchcraft

Note: These are general/basic explanations of different classes of magick/witchcraft. Practitioners can fall into multiple or none of these categories. Ultimately, only an individual can choose their labels.

Green: Utilizing greenery/plants/herbs/flowers in herbal/nature magick, such as creating blends of different plants or primarily using herbs in spellwork. May keep a garden and take great pride in their workings/connection to the earth and nature.

Hedge/Shamanic: A type of magick that's more oriented towards spirit work, Otherworld and astral travel, dream work, spiritual power and healing. May work with psychedelic/psychotropic/toxic plants and fungi as spiritual tools (ie: flying ointments/teas made from amanita muscaria or datura)

Sea: A type of magick derived from materials/abstract ideas involving the ocean world. Sea magick is worked using various items from as well as one's own connection to the sea and its creatures.

Storm: Magick that is worked by combining one's own energy with the energy of the weather, most commonly storms. Storm witches may have practices such as collecting storm water or snow, "whistling up" or manipulating winds, or performing rituals during severe weather.

Hearth/Kitchen: Magick performed through kitchen craft and/or mundane tasks/crafts around the home or for loved ones. Typically worked daily through food, herbal mixtures, crafting, decorating, and hobbies. May also work with the Fae/elements/nature.

Tea: Those who drink tea, make their own tea mixtures, or enjoy blending herbal remedies and often use reading tea leaves as their form of divination.

Urban: For those who live in or prefer an urban setting/lifestyle. Magick that is worked in densely populated areas and big cities, without some of the seemingly "traditional" aspects of witchcraft.

Tech: Magick that is skillfully worked through technology. A tech witch might cast spells/do divinatory readings on the internet, use magick based apps/programs, or keep a digital grimoire/library.

Elemental: Magick that is worked by honoring/acknowledging all 4/5 elements (Fire, Air, Water, Earth, and/or Spirit). Elementalists may dedicate part of their alter to each element and call upon them during rituals/spells. Conversely, they may choose to focus on only one element changing the designation to either fire, air, water or earth witchcraft.

Fae/Faerie: The magick of those who work and commune with the Fae. Faerie witches may do rituals/spells around the Fae, ask favors of them, have regular communication sessions, and leave them offerings. The Fae are very unpredictable and strong but, with time and respect, they share their magick with special individuals.

Infernal: A system of spirit work/magick that revolves around Infernal spirits/entities, such as demons, djinn, or other spirits of a chaotic alignment. This practice requires a surprising amount of shadow work and dismantling of oppressive religious systems. They may summon demons, perform rituals/spells with them, make deals, or take them up as magickal familiars.

Necromancy: The practice of seeking the assistance of, summoning, communication, and diving through the dead. Practitioners may frequent cemetaries/burial grounds/haunted locations and perform magick and spiritual/divinatory readings there. Often employ the use of pendulums, dowsing rods, talking boards, black mirrors, grave dirt, and bones.

Draconian: Draconian magick is a practice that involves engaging with dragons as powerful forces and allies in spiritual practice. It can include rituals, symbolism, and techniques to connect with dragons, and may be used for empowerment, healing, and spiritual growth.

Chaos: A type of magick utilizing new, non-traditional, and unorthodox methods. It is a highly individualistic practice that draws from many magickal disciplines (eclecticism).

Blood/Sanguine: A very potent class of magick that includes the use of one's own blood or that of another in powerful rituals/spells.

Sigil/Art: The use of sigils, symbols, glyphs, runes, or artwork infused with will and intention. This practice is vast, versatile, and diverse with each practioner producing truly unique results.

Lunar: Lunar magick is the practice of performing rituals during the different phases of the Moon to bring about physical or psychological change. They may honor/worship the Moon, do moonlight rituals, or make moon waters. Conversely, one could work with the Sun in much the same fashion.

Cosmic/Celestial: Magick that incorporates the stars and planets. Astrology is a dominant force in their lives and witchcraft and they consider the placement of celestial bodies before doing a working.

Crystal: Incorporation of crystals/stones in one's magickal practice. May make crystal grids, include them in their spells, use them in energy work, meditation, or for Reiki healing.

Glamour: Glamour magick is an enchantment type that adjusts or changes your outward appearance, or people's perception of your outward appearance and can include the enchanting of jewelry, clothing, and even makeup for magickal purposes.

Shadow: Magick with a focus on the elements of darkness and shadow. May practice umbrakinesis (shadow manipulation), magickal subterfuge and illusion, and feel at peace, and even practice, in pitch black darkness

Are there any you feel I should have included? Please let me know! I'd love to expand this list. :)

[vixensdungeon]

Alright, time to talk about one of the hot button issues in D&D today: skills, and how they've evolved over the 50-year lifespan of the game. We'll start, of course, from the beginning.

Dungeons & Dragons (1974)

So there actually isn't a skill system here. But the primordial origins are there, in the various neat little procedures of adventuring. Firstly there are languages. Humans know the "common tongue," which at this point isn't a single language, it just refers to the local Lingua Franca. I think all non-human player characters are assumed to be in 20% of other creatures who speak the language along with their own one. You also know an alignment language (Lawful, Chaotic, or Neutral), and one additional creature language for every point of Intelligence above 10.

NPC reactions. This is rolled on a simple 2d6 table for recruiting hirelings. Another 2d6 table is for monster reactions.

Surprise rolls. There are no stealth or perception skills, and adventurers are simply assumed to be sneaking around while in dungeons, with surprise rolled when monsters are encountered.

Doors can be listened at and secret doors found, with simple d6 rolls.

There's also a chance of getting lost in the wilderness, which sort of implies a general ability to not do so in most situations.

And that's basically it! You can already see several different skills we know today forming in the primordial soup.

But you feel like something is missing, right? Ah, of course! We must take a little detour to

Greyhawk (1975)

Did you know that in the original game, the only classes were fighting man, magic-user, and cleric? That's right, the now classic thief would not be introduced until the first supplement! And with them came for the first time actual named skills.

Thieves could open locks, remove traps, listen for noise, move silently, pick pockets, and hide in shadows. Additionally they could read languages, treasure maps, and even magical scrolls at higher levels.

Now, these skills are only for thieves, so what are other characters to do? Well for most of them, nothing. It simply is not a fighter's job to pick pockets, or a cleric's job to open a lock. Certainly an item can be forcefully taken from an NPC, and a door bashed open, so they are not completely helpless in these tasks. But the thief simply excels at doing such things with superior ability and grace. And of course any character can hear noises behind doors, thieves are simply better at it. Moving silently and hiding are two slightly odd skills, as they overlap with surprise rolls but don't interact with them. It can be assumed that a thief moving silently can scout ahead and report back without actually encountering the monsters they find, and a hiding thief can let wandering monsters pass by even when there isn't sufficient cover (as only shadows are needed, other characters can obviously still hide behind cover if they are aware of the need to do so). Other characters can also climb using ropes and other tools, but won't be able to climb sheer surfaces unaided like thieves can, so again the thief can simply do something general in a superior manner.

There are many classes with their own skills to be found in various magazines, but I'm not going to dig through them. So let the totality of original D&D skills be the above.

Next time: we get Advanced

[aventurineswife]

👀 how about we do sahsrau again, but this is different, this is something normal like the acolyte not obsessed with creator! Reader.

I wonder what amphoreus character's reaction will be, when we came to their planet, start with the scene when phainon appear and slash dan heng's spear into two. At first phainon didn't know that we are a creator but when dan heng and caelus always calling us 'your grace' he is curious and start ask both astral express crew about it and boom! He know that we are a creator and maybe apologize for not calling us 'your grace' and then after for a few days they spent at amphoreus planet, there's a rumor there's a creator in their planet. I heard that Anaxa is not believe in creator but, will his belief change or not after he meet us 🤔? .

I guess I can't escape this au...

Anyways! 💖

This is a really interesting idea! A non-obsessive "Creator!Reader" dynamic in SAHSRAU sounds refreshing, especially since Amphoreus is already a fascinating place with its own belief systems.

So, if we start with Phainon slashing Dan Heng's spear in two, that already sets the tone—he's not here to play around. He probably sees the Astral Express crew as intruders or at least as people who shouldn't be interfering. But then, when he keeps hearing Dan Heng and Caelus refer to you as "Your Grace," he gets curious. I imagine Phainon as someone who doesn’t blindly believe things, so at first, he might think it’s just some fancy title or a strange custom.

Once he realizes they’re serious, and that they genuinely believe you are the Creator, he probably takes a moment to process it. Maybe he even scoffs a little at first, like, "You expect me to believe this?" But after watching you, the way the Astral Express crew defers to you, the way things seem to subtly shift around you—maybe he starts to reconsider. Not in an obsessive way, but in a logical way. Like, "There’s something different about you."

Now, as for Anaxa? That’s tricky. We know he’s a skeptic, which means even if rumors start spreading, he’s not going to just accept them. If he does meet you, I think he’d be polite but firm in his beliefs. He might even challenge you a bit, ask for proof, or question why a "Creator" would travel with the Express instead of ruling over worlds. Maybe he’d see you as just another powerful being, not a divine one.

But would his belief change? I think it depends on what happens. If something undeniable happens—something that aligns with the legends or something he can’t explain—he might start doubting his disbelief. Not a complete turnaround, but maybe he’d consider the possibility. And that could be an interesting dynamic: someone who doesn’t want to believe but slowly realizes they might not have a choice.

Again this might be ooc since I have never played HSR and have no knowledge about the Amphoreus quest... I'm too lazy to watch hours of a yt video so yeah 🧍‍♀️