#non aligned systems

[nonbinarynow]

What about people who are actually nonbinary men and nonbinary women and are not just saying that so people will understand us better? Not all of us who use binary terms do it to appease binarists or to appear more "normal" in a binarist society.

Nonbinary men and women who are comfortable with binary terminology were not the point of discussion with that post. I moreso meant how as a community, nonbinary people are forced by exorsexism to conform by using binary terms, are isolated when we use non-binary specific language and how non-binary language is generally supressed by an exorsexist, binarist society. Of course, since enbiness is such a vast experience, there will be some who find comfort in these terms, but I am discussing a communal issue stemming from systemic and societal oprression, not on an individual by individual basis. There is a reason generally why nonbinary people do not use our community language and terminology, vocabulary made for us, more often compared to binary communities. This hurts the nonbinary community as a whole, including nonbinary men/women and transmasc/transfems, but more directly affects midbinary, multigender, genderless, xenic and abinary people. I am speaking on a community wide societal issue/analysis with a bit of personal annoyance as a transandrogynous person; I do not speak on every individual enban's experience. I legitimately couldn't if I tried haha. I apologise if I upset you though, that was not my intention at all.

[gaybo-over-yonder]

Gender list category thing I made to allow me to better understand gender

Gender

How much, based on society’s concept of gender, is your gender out of 100% (it can be more than 100): ___%

How much of that total percent are each of these:

Feminine level: ___%

Masculine level: ___%

Neutral/neither level: ___%

Androgynous/both level: ___%

Nothing, lack of gender/agenrine level: ___%

Something else, outside of current terms/outherine level: ___%

Something beyond concept, metaphors must be used/xenic level: ___%

Something possibly maybe its there but like yeah ??? level/questioning and/or vibing level: ___%

Gender of fuck you haha: ___%

Factors of gender:

Care level: ___%

Rejection level: ___%

Acceptance level: ___%

Connection level: ___%

Understanding/certainty level: ___%

Fluidity level: ___%

Impact from internal factors level: ___%

Impact from external factors level: ___%

Impact from trauma level: ___%

Impact from sex characteristics level: ___%

Fuck you level: ___%

Presentation

How much is your gender presentation out of 100% (it can be more than 100): ___%

How much of that total percent are each of these:

Feminine level: ___%

Masculine level: ___%

Neutral/neither level: ___%

Androgynous/both level: ___%

Nothing, lack of gender/agenrine level: ___%

Something else, outside of current terms/outherine level: ___%

Something beyond concept, metaphors must be used/xenic level: ___%

Something possibly maybe its there but like yeah ??? level/questioning and/or vibing level: ___%

Presentation of fuck you haha: ___%

Factors of gender presentation:

Care level: ___%

Rejection level: ___%

Acceptance level: ___%

Connection level: ___%

Understanding/certainty level: ___%

Fluidity level: ___%

Impact from internal factors level: ___%

Impact from external factors level: ___%

Impact from trauma level: ___%

Impact from sex characteristics level: ___%

Fuck you level: ___%

Sex

This is what you want your sex/anatomy to be, or what you view your current sex as.

Feminine level: ___%

Masculine level: ___%

Neutral/neither level: ___%

Androgynous/both level: ___%

Nothing, lack of gender/agenrine level: ___%

Something else, outside of current terms/outherine level: ___%

Something beyond concept, metaphors must be used/xenic level: ___%

Something possibly maybe its there but like yeah ??? level/questioning and/or vibing level: ___%

Sex of fuck you haha: ___%

Factors of sex:

Care level: ___%

Rejection level: ___%

Acceptance level: ___%

Connection level: ___%

Understanding/certainty level: ___%

Fluidity level: ___%

Impact from internal factors level: ___%

Impact from external factors level: ___%

Impact from trauma level: ___%

Impact from sex characteristics level: ___%

Fuck you/ level: ___%

Personhood/human(?)

How much is your personhood/humanity out of 100% (it can be more than 100): ___%

How much of that total percent are each of these:

Feminine level: ___%

Masculine level: ___%

Neutral/neither level: ___%

Androgynous/both level: ___%

Nothing, lack of gender/agenrine level: ___%

Something else, outside of current terms/outherine level: ___%

Something beyond concept, metaphors must be used/xenic level: ___%

Something possibly maybe its there but like yeah ??? level/questioning and/or vibing level: ___%

Personhood/humanity of fuck you haha: ___%

Factors of personhood/humanity:

Care level: ___%

Rejection level: ___%

Acceptance level: ___%

Connection level: ___%

Understanding/certainty level: ___%

Fluidity level: ___%

Impact from internal factors level: ___%

Impact from external factors level: ___%

Impact from trauma level: ___%

Impact from sex characteristics level: ___%

Fuck you level: ___%

Template thing:

[insert]

How much is your [insert] out of 100% (it can be more than 100): ___%

How much of that total percent are each of these, [insert] wise:

Feminine level: ___%

Masculine level: ___%

Neutral/neither level: ___%

Androgynous/both level: ___%

Nothing, lack of gender/agenrine level: ___%

Something else, outside of current terms/outherine level: ___%

Something beyond concept, metaphors must be used/xenic level: ___%

Something possibly maybe its there but like yeah ??? level/questioning and/or vibing level: ___%

[insert] of fuck you haha: ___%

Factors of [insert] attraction:

Care level: ___%

Rejection level: ___%

Acceptance level: ___%

Connection level: ___%

Understanding/certainty level: ___%

Fluidity level: ___%

Impact from internal factors level: ___%

Impact from external factors level: ___%

Impact from trauma level: ___%

Impact from sex characteristics level: ___%

Fuck you level: ___%

[meme-loving-stuck]

i remember being brought up christian like, almost concerned that i never felt a connection to any of the shit they were talkin about,

and when i was younger i was like "oh no! am i bad for not feeling connected to god?? is it bad i feel like my dead mom doesnt talk to me or watch over me?? am i horrible for pretending?????"

but turns out i just had Autism Powers that made me immune to it and i was able to completely sever myself from the idea of being Christian at the ripe old age of like 13. and it was such a HUGE comfort to see that there were all these other beliefs and spiritual sort of things that other people chose to believe in and didnt necessarily treat their beliefs as COLD HARD UNDENIABLE FACT the way christians treat the existence of god & heaven & hell

like now that i am older i know i was in fact traumatized by the culturally catholic beliefs my family held & forced on us all, but i am really immensely grateful that my child self looked at all the other aspects of christianity that would horrify most other children into behaving/conforming, and basically just went, "okay, source?"

and that was the end of that

[moodr1ng]

i think a lot of my experience being bigender is a lot of like.. sucking it up for the sake of the greater context? like, when it comes to lgbt politics, or gender politics, theres a lot of times where "men" and "women" are used as discrete categories and i deeply feel that what is being said excludes my existence, but its also important enough for it to be said that i kind of just excuse myself from existing for the sake of the point. like, im listening to a video thats discussing issues that concern wlw, and the creator is clearly trying to cast a very wide net by talking about experiences of "people who do not identify as men and are attracted to women". and yet im here as a woman-loving woman who also identifies as a man, and its kind of like.. well, yes, the existence of my experiences is negated in that framework. but also, i get what is being said and its frankly the widest definition you could give that doesnt end up including people youre definitely not talking about, so i just kind of have to say "yeah, im excluded, but, like, i dont really matter in the grand scheme of things". i find that i end up doing that a lot. im not sure what to say about it, its not like this is 'problematic' or like im asking everyone to switch to even more complicated language for my sake - thats kind of the opposite of what im doing. im usually trying to simplify the language used so that its as understandable as possible, even if it has to come with the asterisk that "theres more nuances to this and this definition is incomplete, but this at least gets close". but idk. basically "woman-loving woman" is often defined in terms that are very vast, that try to encompass as many people whose experiences apply as possible, but the line tends to be drawn just before it can include me, at least not unless i erase part of me. i dont have a fix or alternative i just feel sad sometimes ig lol

[happilyvaliantkitten]

I'm transmasc, but I am not male-aligned. I'm not unaligned either. I'm declining to participate in this framework that tries to sort us all into new categories. Trying to force us all into 3 boxes instead of 2 isn't progress. It's also usually applied to people without their consent.

[bigthingsforeverintheworks]

yea danganronpa i love that series i mean yeah it's the scourge of the earth but it has kyoko kirigiri & like 5 other good characters

[astrologydray]

Ruler of the 2nd through the houses

when you track the ruler of the 2nd house through the houses, you’re looking at how you make money, where your values lie, what you prioritize, and what brings you a sense of security and self-worth.

1st House 🏡:

I am the resource.

Your body, presence, or identity is a source of value. You might attract wealth through personal branding, entrepreneurship, or just being YOU. Confidence = currency. You naturally radiate value, but must learn to own it.

2nd House 🏡:

Born to build.

This is a powerful placement for money, stability, and long-term growth. You naturally know how to build wealth and manage your resources. You’re probably very grounded and value quality over quantity. Shadow side hoarding, fear of change, or stubbornness.

3rd House 🏡:

Money through the mind.

Your voice, ideas, or communication skills are your goldmine. You might make money through writing, teaching, media, or even tech. You value curiosity, mental stimulation, and versatility. Prone to having scattered energy or difficulty monetizing ideas. Your Strength = quick thinking, adaptability, networking = resource magnet.

4th House 🏡:

Home is the foundation of wealth.

You could inherit money, make money through property, or work from home. Emotional security and family support directly affect your money flow. Your values are deeply rooted in your upbringing.

5th House 🏡:

Creative currency.

You attract money through self-expression, creativity, pleasure, or even romance. Think artists, performers, designers — or people who monetize their passions. You value joy, fun, and being seen. Shadow side here = risky money behavior; tying worth to external validation.

6th House 🏡:

Work = worth.

You build wealth slowly and steadily through dedicated effort, skill development, and service. You might work in healing, wellness, administration, or service industries. You value discipline and reliability. Overworking or tying self-worth to productivity may be a problem for you. Relax and give urself grace.

7th House 🏡:

Money through others.

Your values and income may come through partnerships, collaborations, or clients. Business and romantic relationships affect your money deeply. You value harmony, balance, and reciprocity. Be careful of falling into financial dependency or people-pleasing around money.

8th House 🏡:

The wealth alchemist.

You’re drawn to shared resources, investments, and transformative wealth. You might make money through occult work, finance, psychology, or sex-related fields. Power, trust, and depth play a big role in your money story.

9th House 🏡:

Expand to receive.

You attract abundance through travel, teaching, spirituality, law, or publishing. You value freedom, knowledge, and growth. Belief systems around wealth are HUGE here — mindset is everything.

10th House 🏡:

Public success = personal wealth.

You may gain money and security through career, status, or reputation. You value ambition, recognition, and doing something that matters. This placement often pushes you toward visible leadership or high positions.

11th House 🏡:

Money through the collective.

You earn through networks, innovation, tech, or social causes. Think online businesses, group work, or digital platforms. You value progress, originality, and future-oriented thinking. Be careful of being overreliance on external validation or digital platforms. Your unique ideas, group alignment, big-picture wealth building is where it’s at.

12th House 🏡:

Mystical money flow.

This is the most non-linear placement. You may make money through spiritual work, healing, art, or behind-the-scenes roles. Money may come and go mysteriously, and your values are more ethereal than material.

[moonlit-tulip]

It's often noted, in discussions of the Death Note anime, that it's much weaker than the manga in its rendition of post-timeskip events partly for pacing reasons: the pre-timeskip parts of the anime adapt ~6.5 manga-volumes in 25 episodes, while the post-timeskip parts adapt ~5.5 in 12 episodes, so a lot more important detail-work is lost and the whole thing ends up feeling kind of perfunctory.

Much less often noted as far as I've seen, but nonetheless also true, is that the Death Note anime removes some important characterization-nuance from Light, starting right near the beginning, whose presence elevates the manga to be substantially better than the anime even before the time-skip.

In particular: the Death Note manga is, at its core, a tragedy in classic "character who has everything falls into ruin due to a fatal personal flaw" style. Light is a brilliant student who, in the future ahead of him, has the potential to do practically whatever he wants. He's driven to ruin by the fatal flaw of unwillingness to admit, either to others or to himself, when he's made a mistake. This flaw is an essential piece of his characterization, in the manga. And the anime pretty much entirely skips over it.

As portrayed in the manga, Light's decision to become Kira—which ultimately leads to his downfall—is made in the following way. First, he finds the Death Note, and is led by morbid curiosity to write a name in it, killing someone. Then, still not really believing it, he kills a second person too. At which point it hits him that he's killed two people. And at that point, after a viscerally-horrified breakdown about what he's done, the inability to admit mistakes kicks in, and he proceeds to rewrite his own value-system such that it yields the result that killing those people was actually okay, and in fact morally good. Because the alternative would be for him to acknowledge himself as having made a terrible mistake, and that, more than anything else, is something he's unwilling to do if he can see any other option at all. And then, having convinced himself that those two murders were good, he proceeds to reason that, if they were good, then doing more like them is good; and thus he becomes Kira, leading eventually, far down the line, to his ruin. The anime, by contrast, substantially deemphasizes this flaw of his, portraying him as much more calmly put-together through that series of events and thus making him come across as having been tempted in becoming-Kira-ward directions all along.

Similarly, in the anime, when Light leaks a bunch of information to L about his identity by using non-public information acquired via police channels, he declares that actually this was deliberate as a means of baiting L out so he can kill him, and the anime presents this declaration pretty uncritically. The manga, by contrast, presents it as an extension of that same character-flaw: Light is unwilling to admit to having actually just straightforwardly messed up, and therefore makes up a new plan to view himself to have been following-all-along, thus leading him to take more risks in his game against L going forward and thus, once again, helping him along the path to ruin.

Et cetera.

Compared with the manga, then, the anime's version of Light's characterization ends up less interesting. And, moreover, it introduces a plot hole, when the Yotsuba arc comes around! It makes it much less clear why an amnesiac Light would be so straightforwardly aligned against Kira. In the manga, this is pretty clear: a Light who never killed anyone wouldn't have rewritten his values to consider killing people to be good, and therefore would look at Kira as straightforwardly evil. And, in fact, his amnesiac self has trouble taking the possibility of his having been Kira previously, even as the evidence starts building up, because becoming Kira would be a mistake according to his value-system of the moment, and this leaves him having a very hard time contemplating the possibility of its having in fact happened! Whereas the anime, by deemphasizing Light's big flaw, makes his amnesiac-self's differences from the way he is for most of the story up to that point come across as much more out-of-nowhere, much less narratively well-founded.

So, overall, the people who talk about the Death Note manga as superior to the anime specifically post-timeskip strike me as somewhat understating things. The manga is superior to the anime pre-timeskip, too, via that extra layer of characterization and a resulting improvement both in character-interestingness and in plot-coherence. And thus I consider the manga to be very much the definitive version of Death Note from start to finish, despite the anime's relatively-higher popularity.

[astra-ravana]

The Anatomy Of Baphomet

Baphomet is one of the most complex and misunderstood figures in occult and esoteric history. Over centuries, it has evolved from a mysterious name whispered during the Crusades to a symbol deeply embedded in modern occultism, especially within Satanism, Thelema, and Left-Hand Path traditions.

History Of Baphomet

Origins in the Templar Trials (14th Century):

• The earliest known use of the name Baphomet was during the Inquisition of the Knights Templar in 1307.

• The Templars were accused of heresy and idolatry, including worship of an idol called "Baphomet". The exact nature of this idol remains unclear—some described it as a human head, a bearded man, or a demon.

• Most modern historians believe the name Baphomet may have been a corruption of Mahomet (an old form of Muhammad), reflecting the Crusaders' exposure to Islam.

19th Century Revival; Eliphas Lévi:

• In 1856, Éliphas Lévi, a French occultist, radically redefined Baphomet in his book Dogme et Rituel de la Haute Magie.

• Lévi depicted Baphomet as a winged hermaphroditic figure with the head of a goat, a torch between the horns, female breasts and androgynous features, one arm pointing up and one down, with the words Solve (dissolve) and Coagula (combine) on each forearm. This became the iconic image associated with Baphomet today and symbolized the unity of opposites: light and dark, male and female, human and beast, matter and spirit.

20th Century and Beyond (Satanism and the Occult):

• The Church of Satan, founded by Anton LaVey in 1966, adopted Baphomet as a symbol of Satanic philosophy—not as a literal being, but as a representation of rebellion, knowledge, and liberation from religious dogma.

• The Sigil of Baphomet—a goat’s head within an inverted pentagram surrounded by Hebrew letters spelling “Leviathan”—became the official insignia of the Church.

Symbolism Of Baphomet

Baphomet represents balance and integration of opposites. It is a philosophical and alchemical emblem rather than a deity to be worshipped.

Key Symbolic Elements:

• Goat Head- Instinct, primal nature, and untamed energy (possibly derived from the god Pan).

• Torch Between Horns- Divine illumination; the light of intellect and truth.

• Androgyny (Breasts and Caduceus Phallus)- Union of male and female, symbolizing wholeness.

• Wings and Hooves- Duality of spiritual ascent and earthly grounding.

• Arms Pointing Up and Down- The Hermetic axiom “As above, so below”, expressing the correspondence between planes.

• Solve et Coagula- Alchemical principle of breaking down and reforming—transformation and enlightenment.

Baphomet In Magick And Occult Practice

Baphomet is not commonly invoked as a deity but is used as a symbol of occult mastery, personal transformation, and spiritual rebellion.

In Thelema (Aleister Crowley’s System):

• Crowley saw Baphomet as a mystical androgen, a symbol of spiritual initiation and the reconciler of opposites.

• He took the name “Baphomet” as a magical name when he became head of the O.T.O. (Ordo Templi Orientis), aligning it with sexual magick and Gnostic symbolism.

In Satanism (LaVeyan, Theological, Etc.):

• Baphomet is used as a symbol of rational self-interest, rejection of traditional religious authority, and the embrace of carnal existence.

• The Sigil of Baphomet is used in rituals, meditations, and symbolic expressions of personal empowerment.

In Witchcraft and Modern Paganism:

Some non-theistic witches or Left-Hand Path practitioners view Baphomet as:

• An archetype of sacred balance

• A symbol of hidden knowledge

• A guardian of the threshold—facing and integrating one’s shadow

Magickal Uses Of Baphomet

Rituals and Practices:

• Invocation or Meditation- To balance opposing forces within oneself—gender, emotion and reason, higher and lower self.

• Shadow Work- Baphomet can be invoked as a symbol during introspective work, especially when dealing with repressed desires or fears.

• Alchemy and Transformation- In rituals seeking internal transformation, Baphomet represents the alchemical process of spiritual rebirth.

• Sigil Magick- The Sigil of Baphomet is used for protection, empowerment, and banishing fear or dogma.

Altars and Tools:

• Practitioners may use statues, medallions, or artwork of Baphomet to create a liminal sacred space, serve as a focal point for meditation, and represent the divine within and without—a mirror for the seeker.

The Nature Of Baphomet

Baphomet is not a devil, not a god, and not a literal being—it is a metaphysical symbol. Its purpose is to challenge, to enlighten, and to reveal the wholeness hidden in duality. Baphomet asks the seeker to transcend dogma, embrace the totality of existence, and find spiritual freedom through inner synthesis.

[elexuscal]

I watchrd the murder bot show. I heard some book fans think it’s nonbinary and some argue it likes it pronouns. Why? Isn’t it dehumanizing? And is the guy who forced it to Murderbot to make eye contact, via orders ableist? I can see why book readers think it is autistic coded. I feel weird calling a nonbinary-coded, autistic-coded lifeform it. Does it really prefer those pronouns? I read on tumblr thay apparently it does. I personally don’t prefer it/it’s pronouns, but not all enbies are the same.

Hiya!

I suppose it's not surprising that an ask like this would show up, if not in my inbox, than somebody's! Murderbot's pronouns are something I've consistently seen lots of questions about over the years, and with an influx of new folks being introduced due to the show, there's going to be more than ever.

First of all: thanks for asking these questions. I think when first being introduced to a new idea, such as a set of pronouns you're unfamiliar with, asking open and honest questions shows great intellectual curiosity and interest in understanding others.

There's a few different questions in this ask, so I'm going to try and break this down into sections, and to tackle them one by one. (And for the record, most of my answers here will be in reference to the books, not the TV show, because a) I haven't seen the show [yet] and b) there's only 2 episodes of it out right now anyway. I have no idea how closely the two texts are going to align, but I certainly hope it doesn't take away the book series' queer themes and representation.)

1. What's Murderbot's gender, and what pronouns does it use?

Murderbot is agender/non-gendered, and uses it/its pronouns.

For the record, I don't think this is just a reading or an interpretation. Rather, this is canonical, and on the same level as saying, "Bruce Wayne is a man who uses he/him pronouns."

Admittedly, there's never a place where the character says "My name is Murderbot, I'm non-binary, and I use it/its pronouns." In my opinion, one of the the strengths of the books is that it has much more subtle worldbuilding than that, both in general and in regards to casual queerness. However, throughout its first-person narration, Murderbot consistently uses "it" to refer to itself, and shows a general alienation and distaste for gender stuff in general. Its friends/allies, even after long acquaintance, continue using it/its.

Textual examples include:

Book 1: Yes, talk to Murderbot about its feelings. The idea was so painful I dropped to 97 percent efficiency. Book 2: To initiate the meeting, I’d had to make an entry on the social feed, too. The system was extremely vulnerable to hacking, so I had backdated my entry to look like I had come in on an earlier passenger transport, listed my job as “security consultant,” and my gender as indeterminate. Book 5: "No, it says it's fine," I heard her relaying to others on the comm. "Well, yes, it's furious." Book 6: I posted a feed ID with the name SecUnit, gender = not applicable, and no other information. Book 7: I was as indifferent to human gender as it was possible to be without being unconscious.

And while I think it's unnecessary, given the textual evidence, we can bring in Word of God too, courtesy of the book's author Martha Wells:

So, okay, Murderbot uses it/its pronouns! Which leads into the next question...

Why does Murderbot use 'It/Its' pronouns? Isn't that dehumanizing?

Yes, and that's just the way Murderbot likes it!

I think the reason this is often a stumbling block for folks is that a main focus of the early series-- especially book 1, or as the case may be, first episodes of the new adaptation-- is establishing that Murderbot Is A Person. From there, it's an easy leap to go: Therefore, Murderbot Is Human. After all, it has a human face.

But the second part of the central theme is: Murderbot is a person, but not a human person.

It is half-bot, half-human, all SecUnit. It has things in common with both of those halves, and emergent properties unique to itself. More than that, Murderbot is deeply alienated from the human experience. It spent the majority of its life being treated like an object, and appliance, and a weapon.

Murderbot chooses to embrace those aspects of its identity by continuing to use it/its pronouns. And yeah, it's clear that this often makes other folks feel uncomfortable. But that's a big part of it too. Murderbot's arc is about learning how to exist, as itself, unapologetically. It doesn't need to sand off those uncomfortable parts of its existence that make the humans around it uncomfortable. They just have to deal.

Okay, but that's Murderbot, a fictional character. What about actual real people?

That's a great point! And indeed, I don't care so much about Murderbot's pronouns for its own sake. It's a fictional character, it can't and doesn't care what real world people call it. But I think respecting its pronouns is an extension of respecting real living folks who DO use it/its pronouns, so let's talk about it!

(And for the record, I am not nonbinary. I'm also not not nonbinary? But I'm a sapphic butch with an often masc gender presentation, so it's like, an Overlap. My point being I'll do my best to speak to this perspective, but really, you're best seeking out the perspectives of actual it/its users and nonbinary folks.)

Various non-binary, agender, and other gender queer folks use it/its pronouns. The reasons vary hugely. Explanations I've seen are:

Generally feeling alienated from the human experience

Feeling a greater connection to non-human identities, like animals or robots

Connection to the many beautiful things exist in the world which (in English) have it/its pronouns applied to them-- think the ocean, or food, or celestial bodies.

A gender neutral pronoun that doesn't introduce the plural ambiguity of 'they/them' and isn't a neopronoun set folks need to learn.

Reclamation of insults they've received

and idk, they just sort of like it? Sometimes things aren't that deep.

And probably a whole bunch more reasons!

And really, at the end of the day, it doesn't matter what I think of it. While we can get deep into the theory of pronouns, at the end of the day, using the pronouns people prefer is just common courtesy. You can personally find it weird and uncomfortable, and you can work through it in your own time... But if someone asks, just use the pronouns they want!

Was the guy who forced it to Murderbot to make eye contact via orders ableist?

Okay, again, I haven't seen the show yet, so I don't have full context. But was the guy Gurathin? I bet it was Gurathin. While he didn't do that specifically in the book, he did pull some similar stunts.

In short, yeah, probably. It's a dick move regardless.

In long, I don't think he was being deliberately ableist. The guy is viewing the situation through a very different framework, namely, 'this SecUnit is a threat and a danger, and I am trying to control the situation'. Very likely, if he met a human colleague or acquaintance who asked not to make eye-contact, or just very clearly didn't like it, he probably would be chill and accommodating.

But the thing is, plenty of folks are ableist in day-to-day life without meaning to be ableist! You'll see folks be like "this person is so annoying because they do 'X thing', and it's not like they have an autism diagnosis or anything", as if the formal diagnosis is a magic wand to make certain behaviours okay. In general, things would be better if we just got better at accommodating benign behaviours that exist outside the norm without explanation.

[And frankly, my bigger concern here is less "ableism", and more "using his social power to force somebody who is a slave to follow his orders", but that's neither here nor there.]

Is it ableist to call a non-binary coded, autistic coded lifeform it/its?

Well, I mean, context matters?

A lot of shitty people will use it/its in a cruel way to various neurodivergent and queer people. They are deliberately intending to demean and dehumanize. That's shitty. Whether that's ableist or queerphobic would depend on the context, but it would be deliberately shitty.

And indeed, if you were to take another similar character... say Data from Star Trek, or Peridot from Steven Universe, and call either of them 'it', then again, depending on the context, I might call that shitty too! Their canonical pronouns are he/him and she/her respectively, and refusing to use those pronouns because "they're not really people" or "it's not a man/woman" would be a deliberately provoking move.

But if someone-- be it a fictional character, and even more so, a real person-- asks to be called "it"? That's their choice. The context has changed. It's not ableist, it's not queerphobic. That's just respecting them.

[bamsara]

Hello! I was wondering what company you use for your sticker sheets? I bough one from your Ko-Fi shop and really like the quality, and the pricing you were able to sell at is waaaaaay more reasonable compared to any of the companies I've seen and used myself. Is it a POD company, or a mass purchase of them to sell on your own?

Thank you for your time if you're able to respond!

I'm really glad you like the quality, because I actually make them by hand at home! (Please forgive the lighting, my bedroom is my office lmao.)

I don't use a company (and Idk what a POD company is sorry!) but making them at home gives a lot more freedom of stock, just be wary it can be very time consuming depending on how many you need to make.

I've had other people ask before, so here's a rundown of how I make my stickers at home: At most you'll need:

Printer

Sticker paper (this is the type that I use)

Laminator and lamination paper (the lamination paper that I use.) You can also use adhesive non-heat lamination paper if you don't have a laminator, gives you the same result, just be careful of bubbles. You will get double your worth out of a pack because we are splitting the pouches to cover two sticker sheets.

Your choice of a sticker cutting machine or just using scissors.

First, I use Cricut's software to print out the sticker sheet with the guidelines around the corners so the machine can read it. If you do NOT have a Cricut machine, open up your art program, make a canvas of 2550x3300 and fill it up with your sticker design with some cutting space between them. This the 8.5x11 size for the sticker page.

I usually have bleed selected so the cut comes out cleaner. Tip for non-Cricut users below: Increase the border around your sticker design to fake the 'bleed' effect for a cleaner cut.

These are the print settings I use for my printer. I use the 'use system dialogue' to make sure I can adjust the settings otherwise it prints out low quality by default. Make sure if you're using the above paper that you have 'matte' selected, and 'best quality' selected, these aren't usually selected by default.

So you have your sticker sheet printed! Next is the lamination part. I use a hot laminator that was gifted to me, but there is no-heat types of lamination you can peel and stick on yourself if that's not an option.

(This is for protection and makes the colors pop, but if you prefer your stickers matte, you can skip to the cutting process.)

Important for Cricut users or those planning to get a Cricut: You're going to cut the lamination page to cover the stickers while also not covering the guidelines in the corners. First, take your lamination page and lay it over the sheet, take marker/pen and mark were the edges of your stickers are, and cut off the excess:

(I save the scrap to use for smaller stickers or bonuses later on)

After you've cut out your lamination rectangle, separate the two layers and lay one down on your sticker sheet over your stickers with matte side down, shiny side up. (Save the other sheet for another sticker page)

The gloss of the lamination will prevent the machine from reading the guidelines, so be careful not to lay it over them. It also helps to cut the corners afterwards to prevent accidentally interfering with the guidelines.

Now put that bad boy in the laminator! (Or self seal if you are using non-heat adhesive lamination)

Congrats! You now have a laminated page full of stickers.

For non-cricut/folks cutting them out by hand: this is the part where you start going ham on the page with scisscors. Have fun~

Cutting machine: I put the page on a cutting mat and keep it aligned in the corner, and feed it into the machine. For laminated pages I go between 'cardstock' and 'poster board' so that it cuts all the way through without any issues, but for non-laminated pages or thinner pages, I stick for 'vinyl' and 'light card stock'. Kinda test around.

Now I smash that go button:

You have a sticker now!

The pros of making stickers at home is that you save some cost, and you have more control of your stock and how soon you can make new designs. (I can't really afford to factory produce my stickers anyway)

However, this can be a very time consuming, tedious process especially if you have to make a lot of them. There is also a LOT chance for some errors (misprints, miscuts, lamination bubbles, ect) that will leave you with B-grade or otherwise not-so-perfect or damaged stickers. (Little note, if you have page mess up in printing and can't be fed into the cricut machine, you can still laminate it and cut it out by hand too.)

I have to do a lot of sticker cutting by hand, so if you don't have a cricut don't stress too much about it. I have an entire drawer filled to the top of miscuts/misprints. I keep them because I don't want to be wasteful, so maybe one day they'll find another home. Sucks for my hand though.

But yeah! This is how I make my stickers at home! Hope this is helpful to anyone curious

[what-even-is-thiss]

I often call my dad an atheist as shorthand but he actually gets kind of annoyed when I use that label because he sees it as anti-religion and he’s not anti-religion. He thinks that spirituality is a natural part of human existence and advocating for the destruction of it is against human nature.

Though functionally his worldview and belief system mostly aligns with atheism so I find that shorthand to be useful when talking about him to others rather than take the time required to explain humanism and non-religious zen Buddhism to people

He also believes that ghosts are real but they’re actually not dead people but are other universes leaking into our own and that most things people think are supernatural can be explained by realities crashing into each other but I’m not sure how to categorize that tbh I don’t think there’s any scientific basis for that belief.

I’m not asserting that he’s wrong or anything. Like I’m personally quite religious so I’m not one to tell people their beliefs are stupid as long as they’re not hurting anybody. I’m just unsure how to categorize that.

[cloverapple]

You never had a failed shifting attempt.

It’s impossible.

It’s an illusion. You never in your life intended to shift (maybe did a method, maybe used a law of assumption, maybe lucid dreaming, whatever it is you usually do, doesn’t matter), and didn’t shift to your DR.

It never happened. It’s impossible. You cannot intend to shift and then not shift. You can shift whenever you want. You have the ability to shift whenever you want. The fact that you have since ‘woken up in your CR’, so to speak, is an illusion. You never woke up in your CR if you intended to shift to your DR. Never.

The only possible reason you would perceive ‘failure’ after a shifting attempt is because you are continuing to observe a timeline that aligns with the illusion of failure.

If the reality you INSIST on observing through logic is that cause and effect cannot be violated, then you have already shifted by intending—and the continued experience of ‘not having shifted’ is either a temporary appearance within your new DR that resembles your CR for transitional purposes (illusion), or your attention is entertaining the illusion by continuing to identify with the ‘not shifted’ identity.

By the things you understand about reality, it’s impossible for you not to shift.

You do shift the moment you intend. Your effort, scripting, attempts, and intention to shift are cause. In a cause-effect system, the effect must occur: you did shift.

Don’t want to use law of assumption? Fine. Don’t want to take on non-duality? Fine. Keep your same old story that shifting takes effort if you want. But know that your logic, by those standards, is skewed.

If shifting takes effort, you did the effort. So now you’re in your DR/you’re a master shifter. It’s impossible for you not to be done.

In what world do you, as the creator, the awareness which all flows from, intend to do something, and then it doesn’t happen? It’s impossible.

There are no limitations. There’s nothing blocking you other than the illusion that you are blocked. There’s nothing you need. You just need to realize what you are and how obvious it is that it’s done.

Maybe the only thing that’s been blocking you, so to speak, is proof. That’s fine! So you observe/assume a reality where every action has an outcome.

The proof is that you intended. The proof is the actions you took. If you spent, like, a year or more trying to shift, I cannot even begin to imagine the amount of power you hold.

Truly, it is insane. Because the more you marinate your awareness in an observation/assumption—you being a reality shifter, a person who knows other realities exist, who knows shifting is possible, who has maybe mini-shifted, who has attempted numerous times, who has scripted, who has done this, done that—it’s so much proof that you’re ignoring. It’s insane.

You’ve layered intention over intention, reality-bending awareness over reality-bending awareness, to the point where it’s laughable to say, ‘I can’t shift.’ You’ve already shifted. You’re so deep in the vibration, assumption, mindset, observation, and identity of a shifter that the only thing left is to acknowledge what you’ve done.

You think your failed attempts are failures, when they are evidence:

You have the desire to shift? Proof. You know about shifting? Proof. You believe it’s possible? Proof. You tried? Proof. You tried again? More proof. You spent months or years thinking about it, scripting it, intending it, dreaming about it? Do you know how much awareness currency that is?

You have no idea how powerful that makes you. You’re living, breathing evidence of your identity as a master shifter because you claimed it, you marinated in it, you obsessed over it—and that obsession is the hammer that breaks open your limitations.

Your shifting attempt is proof of the action (intention) you took. The outcome is that you shifted to your DR. You cannot take action (intend) without producing an outcome. You already shifted. It’s done. Creation is finished.

[empyrealoasis]

🪷 Unspoken Facts About the Void State 🍃

1. The Void State and Neuroplasticity

While many people focus on the metaphysical aspects, the void state may have a direct link to neuroplasticity—the brain's ability to rewire itself. The deep focus and detachment from external stimuli in the void can enhance your brain's capacity to form new neural pathways. This means that being in the void isn’t just about manifesting; it’s literally reshaping your mind to align with your desires on a neurological level (and even on a molecular/genetic level).

2. The Void’s Connection to Deep Sleep and Healing

The void state shares similarities with the brain activity observed during non-REM sleep, particularly in stages of deep rest. In this state, your body undergoes repair, and your brain consolidates memories. This suggests that entering the void might accelerate healing processes, as the state mimics the restorative effects of deep sleep while maintaining conscious awareness. Similar to meditation and hypnagogic states.

3. Time Perception in the Void

While in the void, many report losing track of time, but this isn't just a mental trick—it’s tied to how your brain processes sensory input. The void eliminates external stimuli like light, sound, and touch, which are essential for your brain’s internal clock. Without these cues, your sense of time becomes fluid, making hours feel like minutes or vice versa.

4. The Void and Quantum Coherence

The void state aligns intriguingly with concepts in quantum physics, particularly quantum coherence. In quantum systems, coherence describes a state where particles exist in a superposition of possibilities. Similarly, the void state places your mind in a "superposition," where you are simultaneously detached from reality yet capable of accessing infinite possibilities.

5. Entering the Void and Brainwave Frequencies

The void state is strongly associated with theta and delta brainwave states. Theta waves are linked to creativity, intuition, and deep meditation, while delta waves are tied to deep sleep and healing. The unique blend of these brainwaves during the void allows for heightened subconscious access and profound stillness simultaneously. Which is why it is recommended to use these frequencies!

6. Sensory Deprivation and the Void

The void state mirrors the effects of sensory deprivation. When external stimuli are lost, the brain compensates by enhancing internal awareness. This is why many people experience heightened clarity, vivid imagery/mental images, or even sensations of "oneness" while in the void. Essentially, your mind becomes the primary sensory environment and why you lose all of your senses.

7. The Void’s Link to Embryonic Consciousness

Some spiritual theorists compare the void state to the consciousness experienced in the womb. This hypothesis suggests that the void may feel so “pure” because it reflects the state of pre-birth awareness—where one exists in complete with nothingness and infinite potential. This also refers to pure consciousness being your home that you always return to.

8. The Void and Ego Dissolution

A lesser-discussed aspect of the void is its role in ego dissolution. In the void, your sense of self—the “I”—disappears. This detachment from ego allows you to manifest without the usual doubts, fears, or biases that come with personal identity, creating a direct connection between intention and reality. Hence the affirmation "I am" as there's nothing to become, only to "be".

[sweetheartspence]

planetary alignment - s.r

spencer was expecting a day of solitude researching in the library during his day off, not... whatever that was.

pairings: spencer reid x librarian!reader

genre: fluff? i think

cw: swearing, fem reader, not proofread

word count: 1.4k

a/n: this is my first spencer fic! constructive criticism is welcome, please feel free to share your thoughts! this one is third person but i'd like to try out second as well :) dividers by @cafekitsune ! thank you!

Spencer Reid does not believe in love at first sight.

Lust, sure. Infatuation, perhaps. But love?

Love was a whole other problem, an equation he knew by heart and yet had never been able to pinpoint.

It had fascinated him for years, and still did, if he was being quite honest. He's got sticky notes pressed into romance novels, quotes of descriptions underlined and highlighted, Jane Austen and Emily Bronte lining his shelves. He'd long learnt to stop asking about it. Even though it was out of pure fascination, of the drive for learning, people tended to see it as pathetic, as him grasping towards something he would never have. One too many times, he asked, "How do you know if you're in love?" And one too many times, he was met with a fond, exasperated, somewhat condescending smile.

"You just know."

You just know. What a stupid response. That's the kind of response you get from people who aren't educated enough to articulate themselves properly, Spencer thought. Or maybe they thought it was funny, to leave him in the dark. One thing that they understood that he never would. Something that they could have a leg up on, something that they could hold over his head when he had rattled off one too many statistics.

Or maybe it was him, who was too stupid to understand.

And Spencer has learned to be okay with that. It's not like he doesn't have enough to worry about, enough interests to pore over and obsess about and keep him occupied. And that's exactly what he intended to spend his weekend off on: the conceptual mathematics of the planetary system, developed by 16th and 17th century astronomer Johannes Kepler.

Now, Spencer doesn't consider this an obscure topic, per se, but it certainly isn't one that people were tripping over themselves to check books out about at the library. Which means that he's once again found himself in an abandoned aisle of the non-fiction section of the city library, leafing through a somewhat untouched biography. There's a thick layer of dust adorning the cover, and his long, thin fingers run down the pages, marking his progress through the book. And that's when he hears it.

A sneeze, followed by a loud bang, a soft curse, and some unintelligible muttering.

Spencer's curiosity is instantly piqued. A sneeze is nothing to be concerned about in the dusty shelves of the library, but the crash that had followed certainly was. He tentatively makes his way to the end of the aisle, poking his head around the corner.

Sitting on the ground, surrounded by a pile of books, is a woman. Her hair is pushed off her face with a pair of glasses, and she is haphazardly stacking the books, muttering something about how the government needed to reallocate resources and funds. Next to her lays a broken stepstool. Spencer's heart immediately starts to beat faster. She's pretty, even if her eyebrows are currently pinched in a frown.

She looks up at the noise of Spencer's footsteps, and her cheeks instantly color with embarrassment. She hops up from the ground, dusting off her hands on her pants, and offers him an apologetic smile. "I'm so sorry. The stepstool broke right under me. It was a faulty hinge, I think, or the screw might have been rusted..." She trails off, crouching down again to examine the stepstool.

Spencer isn't quite sure why he's still standing here. He's found the source of the noise, determined that no one was hurt, and that no one needs his help. So why can't he force his feet to move? Or his mouth to form words?

The woman looks up again, her cheeks still colored at the realization that he hasn't moved. "Uh- I'm sorry. Am I in your way, or...?" She trails off again, looking adorably confused.

Spencer snaps out of his daze. "No! No, I just- I heard the noise, and I wanted to- to make sure no one was hurt, or needed help, and honestly, I hadn't even realized that anyone else was in this section, considering it's at the back of the library and no one even really comes back here, unless they're looking for something specific, or-"

She cuts him off with a soft laugh. The most beautiful sound he's ever heard, he thinks, and quickly snaps his mouth shut. Now it's his turn to blush.

"Were you, then?" She asks, quirking an eyebrow. She's looking at him with a certain look in her eye, interest, maybe, or fascination, or maybe amusement. He can't quite tell. But she's looking at him, her full attention on his face, her gaze fixed to his eyes. There's a small smile playing at her lips. He finds that he doesn't care what she's looking at him with, as long as she keeps looking at him.

"Was I... was I what?" Spencer asks, a bit stupidly. His brain feels a bit like mush.

"Looking for something specific," she clarifies, tilting her head, flashing him a real smile. Spencer finds he can't breathe for a moment. He holds up the book he had been reading.

"Oh! Uh, yeah," he manages, nodding. "Kepler. Applied mathematics in the planetary system. This one is more of a biography, but I was hoping to find something that includes more of his conceptual work..."

She brightens, straightening up again. "I might be able to help with that, actually," she tells him, and his stomach does some kind of weird flip.

"You... know Kepler?" Spencer asks, unable to contain his excitement. His voice comes out more high pitched than he would have liked.

She laughs, her nose wrinkling. "No, no. I'm- I'm not that smart. I know the system, the organizing system? For the books." She's grinning, and Spencer can't bring himself to tell her that he has the system memorized too, of course.

"Oh, wow," he says instead, giving her a smile that he hopes doesn't look too lopsided. "That would be great."

She nods, abandoning the pile of books in the middle of the aisle, and gestures for him to follow. She walks like she's on a mission, leading him a few aisles down, and running her fingers along the spines of the books. Her hands are much smaller than his. Her nails are painted brown, Spencer notices. Understated, yet well taken care of. They match the aesthetic of the library, and he can't help but wonder what her hands would look like wrapped around his own-

"Here we are!" She says brightly, tugging a book off of the shelf. "I think the whole shelf here is on conceptual mathematics, but this one looks like it's on planetary alignment specifically. Um-" Her brow furrows for a second, and she pulls a second book from the shelf. "I recognize this author, I know he gets a lot of circulation..." She looks over at Spencer quizzically, and Spencer realizes he hasn't said a word.

"Yeah, these are perfect," he tells her earnestly, taking the books from her hands. Their fingers brush for a fraction of a second, and Spencer can't help the blush that creeps up his neck. "I'm Spencer, by the way. Spencer Reid."

He's rewarded with a name. Her name. He rolls it around in his mind, and decides he likes the way it fits into his brain.

"It's nice to meet you," she says, extending a hand for him to shake. He opens his mouth to give his usual spiel about pathogens, but his words die in his throat. Would that be weird to say? He wonders. I don't want her to think that I'm odd. I could just suck it up this once, and besides, there was a bathroom on the way in. I could just shake her hand, and go find the bathroom, and wash my hands-

Spencer's thoughts are interrupted by her smile faltering, and her hand dropping. He curses in his mind. Way to go, idiot. Now she thinks you're weird regardless, and she's not going to want to talk to you anymore, and-

A pager buzzes where it's clipped to her waistband, and she clicks a button on the side of it. She gives him yet another apologetic smile, but this time, it doesn't quite reach her eyes. "Sorry. Duty calls. It was nice to meet you, Mr. Reid." And then she's breezing past him, her hips swaying as she walks away, without looking back.

It's doctor, actually. The words are on the tip of his tongue as he watches her leave, but they never come to fruition. She's out of earshot before he can get his bearings.

Spencer sighs, leaning against one of the bookshelves. He's suddenly not as interested in reading about Kepler.

[astroxrion]

Align with your Emotions__ overcome Codependency | Astrology 🫐

Moon in 1st House

You absorb others' emotions too easily. To align, name your feelings before anyone else's. Self-reflection is non-negotiable. Own your mood. Stop shape-shifting. Lead with your truth. Your presence is enough without emotional approval.

Moon in 2nd House

You tie worth to emotional validation. You align by building a steady inner value system. Choose stability over emotional reward. Create routines that regulate your nervous system. Don't seek safety through others' praise. Know you are already enough.

Moon in 3rd House

You over-communicate to feel connected. You align by pausing before reacting. Observe your thoughts instead of rushing to explain them. You don't need to prove your feelings to earn love. Listen to yourself louder than you listen to others.

Moon in 4th House

You cling to emotional familiarity. You align by healing childhood wounds without recreating them. You are not responsible for holding everyone's pain. Build emotional independence by choosing peace over comfort. You don't need chaos to feel at home.

Moon in 5th House

You seek love through performance. You align when you express emotions without needing a response. You are enough without applause. Validate your joy privately. Don't wait to be adored to feel worthy. Choose love that lets you feel, not just shine.

Moon in 6th House

You over-function to earn closeness. You align by honoring your needs as equal to your duties. Stop fixing others to avoid feeling your own emotions. Your worth is not in how useful you are. You are allowed to rest without guilt.

Moon in 7th House

You mirror others to avoid being alone. You align by building emotional solitude. Know who you are when no one's around. Relationships should enhance you, not complete you. You don't need to be chosen to validate your existence.

Moon in 8th House

You attach through emotional control. You align by letting people have their own emotions without absorbing or managing them. Intimacy is not ownership. You don't have to lose yourself to merge. Trust requires release, not constant depth.

Moon in 9th House

You chase emotional freedom through others' beliefs. You align by trusting your own experience. Stop escaping hard feelings with philosophies. Explore, but come home to what's real inside you. Meaning must come from within, not borrowed ideals.

Moon in 10th House

You crave approval through success. You align by separating public image from emotional truth. Don't perform feelings for validation. Be honest. Your reputation doesn't define your worth. Feel first. Then act. Not the other way around.

Moon in 11th House

You lose yourself in community expectations. You align by letting go of needing to belong to feel safe. Be in group spaces that honor individuality. You don't have to blend in to be loved. Lead from emotional honesty, not social survival.

Moon in 12th House

You bury emotions to avoid vulnerability. You align by naming what's been hidden. Feel without shame. Stop disappearing when things get intense. Your emotions are sacred, not burdensome. Let your inner world have space to exist outside your mind.