#no wonder he tries so hard

[mayhaps-a-blog]

Do you ever wonder if Edwin never really escaped, if the demon is still just chasing him, he just managed to get a bit farther this time? If it's always going to be after him, just one step behind, just looking for the crack in the door that lets it catch up? If Edwin followed Charles all the way to heaven, if it would still come after him, one step at a time, if it took a year or ten or a thousand. No matter how far he runs, no matter how fast, no matter how well he hides...

Ghosts might not sleep, but do you think Edwin ever has nightmares?

[sophsun1]

OLIVER STARK as Evan 'Buck' Buckley

9-1-1 – 8.01: Buzzkill

[otaku553]

Procrastination doodles of sabo for the king sabo au :)

[turtleblogatlast]

Mikey and Leo episode centered around Mikey wanting to push Leo and Draxum together since Leo’s the most reluctant to give Draxum any grace (for good reason!) But, thinking on the spot, Leo says he’s gotta go do something for Hueso and “just can’t hang out right now 😔” (yes, he says the emoji out loud.)

Mikey calls his bluff and now the three of them (Mikey having grabbed a weary Draxum along) go to Hueso’s to find that yes, he actually does have a job for him. Said job asks for Leo to go with Hueso to deliver multiple pizzas to this giant yokai quite a distance away, and Hueso figured it would probably go better with Leo’s help (emphasis on probably.)

Well, Mikey decides that this would be a great bonding opportunity for them and basically invites he and Draxum along. Unfortunately for Leo, Hueso doesn’t care enough to wave away more help, though he does side-eye the wanted criminal Baron Draxum coming with them. But who is he to judge? (This choice has consequences.)

The journey goes about as terribly as you’d expect, but at least the pizzas get delivered on time.

[screechingfromthevoid]

nothing (besides everyone ignoring Orym's deal) has made me angrier than watching Dorian keep up this facade. Dorian Storm has always been a type of mask he's worn. At first he called himself a liar because of it. The happy go lucky bard was a way of escaping for him. He was escaping Brontë so he created Dorian. He didn't believe he was Dorian. Until the Crown Keepers made Dorian real. And for a while, he really believed he was Dorian. That he has this new family and new life and he could be who he truly wanted to be.

And then his brother came back and made his problems Dorian's problems. Until he had to put Brontë back on. Because even if the Crown Keepers + Cyrus called him Dorian, he was Brontë. He had to be who his brother thought he was.

When Cyrus dies, the thread to Brontë had snapped. He was going to see Orym, back to the Bells Hells, back to Dorian Storm. But the foundation of Dorian had shattered. Dorian was created in order to run from his place in life, family, Cyrus. Now he was gone. The Crown Keepers had fallen apart. His friends fell through his fingers and he couldn't do anything to stop it. He was once ready to side with a betrayer god for these people and now they're in the wind.

So Dorian shows back up to Bells Hella and he's completely broken. The foundation of both of his lives has been thoroughly rocked. No brother. No Crown Keepers. The two things that forged Dorian Storm. He wears that mask so fucking well. Because he still wants to believe in it. He said it live on stage that he should "believe his own backstory". The one he made up. The one where he was a bard.

He wants to be Dorian so bad. He spends all his money on Orym, he spins the bottle so he can kiss his friends, he flirts, he blushes and giggles at compliments. Exactly how Dorian would, should.

But he wears the gold of the heir. He has a festering animosity inside his chest. He doesn't sleep. He's thinner than he was. He doesn't sleep. He sicks abominations after their creators. He talks to God's without an ounce of self preservation, daring them to strike him down. He does not acknowledge them as they taunt him.

The god of beauty and magic calls him beautiful and he does not smile.

[gods-perfect-idiots]

something something blood-soaked hands cradling your face something something

anyway here's the post btw

[natelia-aldelliz]

1 : Soap never had any idea that woman wanted him carnally, he's not the most observant on that front (he never noticed Ghost flirting with him and thought his love was one-sided for the longest time, but tbf Ghost was also very discreet about it)

2 : He sewed the hat, eyepatch and hook himself, because he's the best uncle and then got distracted as he was wrapping it up, so now he's watching a tutorial on youtube about how to build a voice box. Honestly how hard could it be, he builds explosive devices as a hobby (listen, Price doesn't have to know)

3 : He is out to his family, but doesn't want his mum to know he has a boyfriend because he knows she'll insist on meeting him and welcoming him to the family and making a big deal out of this, and he knows that Ghost isn't ready for that.

4 : Christmas is obviously a very hard time for Ghost, but he is very very in love with Soap and some days still can't believe that it's mutual, but then his Johnny does something like that and his head gets quieter while he's melting a bit.

5 : For the people that didn't see my other post : the bird is a Caique parrot, and they're supposedly very energetic, a bit loud, medium sized, unintelligible, very friendly to what they consider their family, adventurous and danger prone, with an explosive personality and a hate of boredom, so basically the adhd bird.

[dykedvonte]

The second fic idea is a what-if scenerio where Jimmy dies in the crash due to and altercation with Curly and how Curly would navigate being Captain once he has to notice the little things and how he and Anya's relationship develop as he adopts an identical view point to hers rather than just keeping the peace.

And maybe i will write it but only time will tell tbh but it's stuck in my brain dome for the time being.

[psychotic-nonsense]

Not sure if this is anything, and feel free to critique or add on or clarify and all that, but...

A few weeks post-Starcourt Steve, absolutely wrecked by the Russians and Billy. He's healing, little by little, but he knows he needs to put his pain aside to help out The Party. Especially Robin, who has not been coping with the trauma well. She's taken to spending the night at Steve's most of the time, and they help each other manage. She's not the best with physical comfort, nor is Steve with verbal comfort, but they're managing.

Yet despite the constant offers of help, Steve always refuses to "ask for too much" and often downplays his pain, forcing a smile to keep anyone from worrying. He's bottling up everything - probably handling it worse than Robin, even though he insists he's used to it and knows how to fix himself. Every day he gets a little worse, and every night he brushes off help.

It's during one of these late nights that disaster finds them again. It's Steve and Robin in his living room, and they're just about falling asleep on the couch when the ground begins rumbling, hard. An earthquake, shaking Hawkins and getting the entire Party in a frenzy. The radios are blaring with the kids' voices and Steve's trying to get Robin to stop screaming into the walkie, when suddenly there's a hole opening up in Steve's living room, and the earthquake stops. Steve and Robin go quiet, and the kids are urging for a response as they all rush to meet up at Steve's.

But he and Robin can't speak, too busy staring at the hole. One that looks way too similar to the Gates... but it glows blue instead of the usual red. Steve, ever the protector, is carefully stepping around the hole to grab a fire poker for defense. The second he does, the Party bursts in, just in time to watch the hole suddenly crack open further, sucking Steve in and closing itself behind him-

As Steve Harrington lands in the bedroom of Post-ST3-release 2019 Eddie Munson.

Eddie's living rough, bunking in his childhood friend Ronnie's basement. An orphan, can't hold a job, in his second senior year of high school purely because he knows he has nothing else to do after it. His only source of comfort so far has been DnD - either the DM hosting he does at the local library for the other poor lost suckers, or the one Netflix show with its elements that has captured his heart.

Eddie's a pretty big Stranger Things fan - it has its faults but is otherwise a really fun and interesting show - but ever since ST2, he's especially been a Steve Harrington fan. He feels like he goes mad just thinking about the implications of what that man has gone through, what all those kids have been through, and how Steve has put aside himself to focus on the kids. How much Steve has changed, and how under appreciated he is.

Since binging all of ST3 the day it released, Eddie's had a field day on breaking down this newest reformation of Steve. He adores Robin - clocked her as a lesbian from episode 1 - and loves that Dustin and Erica have been bringing out his bitchy side, while still keeping him in check. The Russian torture and strange parallels with Billy have made him cry on more than one occasion, and Steve's half-high speech in the bathroom legitimately felt like Steve finally acknowledging his change, even if for but a moment.

Ronnie's teased Eddie way too much about his "obvious crush on Joe Keery" but this feels way too personal for him to just be crushing on an actor. This is Eddie falling for the Fallen King of Hawkins himself, and it's much more embarrassing. Steve Harrington becomes his muse in every form of art; drawing, writing, character inspiration and improvisation. The Duffer brothers aren't the greatest at the rest of the show, but they've damn well got this guy down.

Hell, Eddie was halfway to crossing the last personal barrier to outright obsession (x Reader fanfiction) when the earthquake hit. In hindsight it wasn't the worst thing in the world, but Eddie had never experienced one before. He immediately dove right under his bed, covering his ears and curling up in a ball like a coward ("Nancy Wheeler would be ashamed," his weird ass brain supplies). He hears rumbling, things falling over, wood splintering and the world seemingly cracking apart all around him-

When a body suddenly lands hard on his bed with a loud scream of fear, cutting off as the whatever it is rolls straight off to the floor, and the world gives one final strain before going completely silent.

Terrified, Eddie's eyes are shut tight, cowering as the body on the floor just a foot away from him groans and gasps for air. It takes a sudden hiss of pain for Eddie to finally, carefully, crack one eye open.

Only to come eye to eye, through the gaps of his bedsheets, with the very muse he'd just been thinking of. Steve Harrington.

There's an immediate scramble of panic; Eddie bashing his skull into his bed frame trying to get out and away from the obvious hallucination, while Steve wobbles on his feet to defend himself against this strange humanoid Upside Down monster.

"What are you?! Where am I?!"

"What am- Are- You- No, you're not real- JESUS H. CHRIST MAN, GET THAT AWAY FROM ME!"

"I don't know what you're talking about, but you're gonna see how real this is if you don't tell me what's going on!"

"You think I know?! You fell into my room!!"

"Yeah, from your Gate!!"

"WHAT FUCKING GATE- WHAT THE HELL ARE YOU TALKING ABOUT!?"

"I DON'T FUCKING KNOW!!"

That gets them both to shut up, just staring at each other. Eddie pressed up against the wall in fear with his hands up and out wide, Steve with the fire poker pointed straight at his neck and his hand held up cautiously. Eddie sees it, smells blood in the air, and ignoring everything, reaches out for it. Steve jabs at the air with the poker, but it's halfhearted, his energy clearly draining, too exhausted with the whole situation to try much further. Finally his arm drops, but Eddie doesn't move, watching Steve's face crumple in a way that aches everything inside his heart.

"Where am I...?" Steve pleas, tone just as desperate as the one from the Russian bunker, even when lacking its power.

Eddie fumbles for the words, but eventually just sighs. "Somewhere you wouldn't believe, my friend."

High and complacent on adrenaline and shock, Steve and Eddie just move in silence. Eddie grabs a wet cloth to clean the blood, Steve cutting off a bit of his sweatpants to use as gauze. It's just a gash from falling with the fire poker, nothing drastic, but the two stare at the cut in Steve's palm, easier to see than the one who's hand is on theirs.

Introductions are exchanged when they can finally stop shaking, and Eddie somehow drops the bomb on where and when Steve is, and what his entire existence is to this reality. Steve has a very brief existential panic attack about it, but is strangely comforted by Eddie's confidence about it all - "Even without El's powers, those kids are smart as hell. They'll figure out a way to make their own Gate and get you back home."

Then Steve just spends the next week or two in a reality almost 40 years in the future, where he and his entire existence is a sci-fi TV show. Some funny exchanges I've been thinking of:

Steve: Wait, so we're characters in a show, right? That means we have actors.

Eddie: Oh, uh, yeah, you do...

Steve: ...Think I could see them?

Eddie: Uh- Sure, I guess? Not sure what you're expecting, it's a live action thing, they look just like you.

Steve: Never getting used to your future phone... Huh, Joe Keery? Looks like a cool guy- woah, is that what my hair looks like short??

Eddie: Yup, again, literally just you.

Steve: Funny how we both have the most basic names too. Steve and Joe? Like, look at Dustin's actor, what kind of name is Gaten?

Eddie: Rude, the guy plays your little brother.

Steve: Quit bringing your fake show theories into my actual life.

Eddie: It's true though.

Steve: ...Yeah.

----------------

(Steve goes crazy after a few days of being locked in, and begs Eddie to take him out to "see the future." While they're walking around town, a group of girls suddenly freak out and rush them)

"It's Joe Keery! Guys, look it's Steve Harrington, from Stranger Things!!"

(Eddie's halfway to panicking, but Steve immediately handles the situation)

Steve: Sorry to disappoint, ladies, not him. Don't worry though, I've been getting that a lot since the show came out.

"Oh God, I'm so sorry! Hope we didn't make you uncomfortable, mister..."

Steve: Mark, and not at all! I get asked this a lot too, but do you girls want a picture? For bragging rights, getting to meet "The Steve Harrington?"

(They agree, Eddie takes it for them, the girls go on their way)

Eddie whispering: That's gonna be everywhere in 5 seconds, I hope you know.

Steve whispering: Eh, it's a crowd my actor didn't have to deal with. Besides, felt pretty good.

Eddie: Familiar experience?

Steve: For a better reason.

-------------

Steve, showing Eddie's laptop screen open to the FunkoPop website and the Scoops Duo, halfway to tears: They make figurines of me and Robin?

Eddie: Yeah, of all you guys. I've got a little Dustin on my desk.

Steve, beginning to cry from how adorable he finds it: YOU DO?

---------------

(Ronnie comes back from work early while Steve and Eddie are talking in the living room. Eddie freezes as Steve makes eye contact, and Ronnie just stares)

Ronnie: Um, hi?

Steve: Oh, hey! You must be Eddie's roommate, nice to finally meet you! I'm Mark.

(That allows a breath to finally enter and escape Eddie's throat in a bit of a laugh. Steve's really leaning into this Mark persona)

Ronnie: Ronnie, and likewise... Sorry if I'm acting weird, you're just a really good cosplayer. Thought you were actually Steve for a second.

Steve hesitantly: Nah, just a doppleganger.

Ronnie, shrugging and walking away: Well okay then, I'm way too tired to talk much more. Eds, just keep your nerd shit out of the sink-

Eddie: And stay quiet, yeah yeah, go rest, breadwinner.

(Ronnie goes upstairs, out of earshot)

Steve whispering: What's a cosplayer?

Eddie, suddenly also very tired: Tell you later.

I'm thinking that Eddie had sketchbooks, notebooks, and Word Docs absolutely stuffed full of ST character evaluation, which he immediately hid upon Steve's arrival. Maybe Steve gets bored when Eddie's out for whatever reason, and snoops around. That's when he finds it all crammed at the back of Eddie's closet. The kids, Nancy, Jonathan, Robin, Joyce, Hopper, hell Billy and Murray are in the pile. Drawings of them in their adventures, active and mundane alike. Pages upon pages of character description, Eddie's handwriting gushing about the parts of the show and characters he loves, hates, wishes was fixed, all of it.

But the part that gets Steve is one specific sketchbook and notebook, both dubbed the Steven Soliloquy. It's the same type of information as before, but only about him, and it's filled to the brim. Eddie talking about his development, his change of heart, the complete shift that Nancy and the Upside Down and the kids allowed him to have. The affects of his trauma, and how much he stuffed it down in favor of everyone else. Talked about his relationships, ones he cherishes, loathes, never thought of or never got the chance to make. Talked about "AUs," alternative realities where he got everything he ever wanted. Eddie's words, his sketches, devolve into adoration-fueled envy, wishing he could be near such an amazing man, that he was strong enough to be such an amazing man. How much his heart aches for Steve.

And if this were a normal situation, Steve would be uncomfortable, creeped out. But knowing the context of it all, Steve can't help but be enamored. That his family's journey, his entire story of survival - even when fictional to Eddie - is so valued makes it all feel a little more worth it. That there was someone out there during all of their terror, rooting for their victory, crying with their pain, screaming with their fears, understanding them because he lived through it all right beside them.

Eddie finds Steve in his room later that day, surrounded by those books. Staring at what Eddie considers his WIP magnum opus; a half-finished colored pencil recreation of the Last Supper with the entire Party, including all of the people they lost, happy and healthy. Eddie's two seconds from apologizing for how creepy it all must be - seeing how many of those books are open - but then he sees the tears in Steve's eyes. Gratitude and adoration and care, all bundled up and very suddenly staring right at him with the widest smile he's seen.

They talk about it. Eddie finally admits his minor obsession with the show, and how much they've helped him come to terms with being a self-dubbed loser. He honestly gushes way too much about what he owes to them about his life, but Steve listens to it all with complete adoration. At the end of it, Steve asks Eddie about the possibility that they've been adamantly ignoring for Steve's entire stay: actually watching Stranger Things.

And that's how they spend their last week. Starting from season 1, they sit in the living room and binge the entire thing. Steve learns an entirely new perspective about his family's adventures, not only from the show's canon, but from Eddie's theories and rants in between monumental moments. Eddie holds his hand during the scenes that focus on his worst nightmares; the Demogorgan in the Byler home, the breakup, his fight with Billy, the Russians. Steve provides his perspective on how he felt during it all, finally admitting to the pain he's gone through instead of just focusing on the others hoping it'll all go away.

Not sure where exactly it goes from here. Maybe some codependency grows between them. Maybe Steve falls a little in love. Maybe they just stay friends, the only ones who understand each other aside from their Platonic Soulmates.

Maybe, when another earthquake finally hits, opening up a Gate in Ronnie's backyard, Steve and Eddie finally must go their separate ways. Eddie promising to keep watching over them from across the realm, Steve promising to make a happy ending for their story.

Or maybe, Steve can't help but see what little Eddie has, how special Eddie actually is, and offer to bring him along. Into the very show he loves so much. Maybe Eddie convinces Ronnie that he'll be okay, swearing to be entertaining should he join the show in an important way, and making her swear that if he doesn't survive to bring him back in as much fanfiction as she can write. Maybe Eddie enters Hawkins, Indiana, and becomes a bit self aware about being in a TV show. It takes a while for everyone to warm up to the future man - and for Eddie to get used to Midwestern US in the 80s - but he becomes a close member of the Party quite easily. Maybe his involvement in season 4, his death, is avoided, and maybe it's not.

But his adoration for Steve Harrington never goes away. Not in canon, or in fiction.

[aroanthy]

kiryuu sibling stasis post-32 is so interesting to me. nanami tries to leave and is (temporarily but also, crucially, violently) prevented from doing so by touga and akio. after this experience she puts distance between herself and them: she leaves touga’s phone in the car, she resigns from the student council (though she dons her old uniform still), she repeatedly dismisses and undermines the authority of the rose code, of end of the world, of akio, of touga. but she’s still in ohtori, isn’t she? uncomfortable with the idea of leaving, uncertain if it’s really possible. she tried before, and it hurt her. deeply. it’s so interesting to me, nanami’s agency and how she limits her exertion of it after 32, when she realises it for what it is. contrast that with touga, who accepts this weird stalemate between them, who is, really, uninterested in having any relationship of any kind with nanami if he can’t gain something from her. he’s very passive with her after 32, compared to the passivity he’d always feigned towards her before in order to stoke reactions from her and then exploit them. i was thinking about how touga has always been able to sever his relationship with nanami, but chosen not to; first out of a sense of obligation (‘we should live to help each other’) then a realisation of how that could be exploited. i was thinking about how nanami has never realised her ability to leave, in part because it is limited by touga and the harm he does her. i was thinking about the desperation and confusion akio calls out to anthy with as she leaves. i was thinking about how different that is to the kiryuus’ strange semi-breakdown; touga doesn’t want or need nanami, and nanami might love her brother but she cannot trust him or feel safe around him, doesn’t want to see him anymore; she’s itching to leave, and just a little scared (you know, because last time she tried that her brother assaulted her), and he’s not doing anything because ignoring her means he doesn’t have to deal with the emotions of her leaving or staying. something something gendered power dynamics something something tragic siblings

[dirty-droid]

So I played through some more dbh last night and woke up thinking, God, there is a good reason Markus and Kara, and their respective companions never got as popular as Connor and Hank. Literally The Bridge is surrounded by the most *do everything for absolutely no reason* chapters, and there's no comparison.

First the Kara chapter wastes your time, she barely gets any small talk in with Luther, then the car breaks down, then you're just doing tiny tasks, doing a shitty sum up of her story so far when Alice asks you to make one up- they could have done something interesting with that story but they chose not to, literally anything specific anything that would function as a parallel to their journey would have actually had some value. Then you barely start a conversation with Luther, where are you maybe get a hint of his personality before we're back to just talking about the plot and Alice, but then it's over again and you meet the Jerries and you learn almost nothing about them.

It is a chapter where you do nothing interesting, and you learn almost nothing about the main characters, for a downtime chapter, I expect character development and get barely a sneeze of it. There is so much room and so much time for you to really push and question your main characters but it just doesn't get used.

Honestly I think the protagonists all could have probably really benefited from the audience getting to hear their internal monologues if they weren't actually going to talk to their companion characters, but even that would just be a substitute for decent writing.

Either way, after that, we come back to Connor and Hank, who do almost no tasks in this chapter, *but spend the entire time TALKING.* They talk to each other in a constant volley back and forth for the entire length of the chapter and it's probably one of the best chapters in the game, it's certainly one of the most important in their story. You spend the entire bridge scene learning more about Hank and Connor's inner worlds, and how they think, and how they feel, you spend the whole chapter learning so much about their perspectives, this chapter is all about asking the hard questions about both of their individual characters, and the tension is high, it's a straightforward chapter to play, and it really fucking feels like your choices matter here, there will be immediate consequences, not just walking through your environment trying to find the right answer, or being dragged through an interaction. It's just plain good.

And then Markus infiltrates the Stratford Tower, and you get the most boring and useless and frustrating chapter in the game that doesn't seem to serve any purpose beyond looking cool. If Kara's last chapter was only to gain sympathy and create some soft and fuzzy feelings, this chapter is only about looking cinematic. This is probably my least favorite chapter in the game, honestly I've just gotten lost on that yellow ass office floor building too many times, even though I'm very familiar with the game now I still managed to get lost again last night.

I will admit that eventually it does become an opportunity to decide between pacifism and violence but that seems to be the only real development for Markus, and it wouldn't have been hard to make that kind of opportunity in another setting. Because we get next to nothing watching him get past the front desk, or from walking around that floor, just some outfit changes and pretending to be a machine and a little more Android hate in the background, Markus is almost completely silent yet again, there is almost no talking with North once she appears. We actually get more about North's personality here than Markus', she just feels like she has more lines somehow, because sometimes she just talks without it being connected to the plot and Markus never does.

This bit is more speculative, but my fiance and I were going off last night about whyyyy did they have to break into the tower? We're never given any reason for what the steps are and why they are important, just usually pretty important in these mission impossible type scenes, they're usually explaining in a voice-over why they are taking the steps that they are taking. But we get no explanation for why he needs to go to the 47th floor or whatever, No explanation for why he needs to change into a maintenance Android uniform, why North was in the stairwell, how Josh and Simon got in, it's all just handwaved, and whyyyyyy they couldn't have just?? Made a recording and then hacked the station's broadcast remotely and basically just posted the speech? I don't know, it's just a particularly frustrating chapter to play, personally, but it isn't strong.

Either way, you've got two chapters with next to no character development, that just have a lot of empty space and time where the characters could have been talking or could have been doing something else, but didn't because the vibes were more important, sandwiching a simple scene with ten pounds of character development and it just feels weird. And once I noticed it, it just made the Kara and Markus chapters look incredibly weak and poorly written... And conversely, make the Connor and Hank chapter look much, much stronger in comparison.

It's like Detroit become human almost needs it's own type of Bechdel Test, just to show how much they fail Markus and Kara. "Do they talk about something that isn't the plot?"

"Do Kara and Luther talk about something that isn't Alice or getting to Canada?" "Does Markus talk about anything besides his speech for this chapter?" "Does Alice talk at all beyond basic communication with Kara?" "Does Markus or his buddies talk about anything that's not the revolution or just Markus himself?"

... They don't pass a lot.

It's just hard to take these characters above simply *likeable* when they just, don't, ever, talk. There's little to no development for Markus or Kara, and because they've just become deviants, there's hardly any character establishment in the first place, they barely even get the chance to just be flat, because if they don't really know who they are, we don't really know who they are.

Connor and Hank's friendship is more functionally the main plot, more so than the deviant investigation, and for Markus and the team, and Kara with Alice, that's simply just not the case, there is hardly any relationship, they're just in the same boat. This is why Connor got astronomically more popular, and why he and Hank have the staying power that they do.

Markus and Kara just don't ever talk, and Connor does. And I'm fucking mad about it. The amount of time that was just wasted in their stories, I could probably take a damn stopwatch to all the moments where there could have been a little something-something, and nothing was put there. It's not to say Connor doesn't get some quiet moments too but he always gets the chance to make up for it.

Even at the beginning of the Stratford Tower chapter, I noticed that they could have had Simon and North talking about something maybe unrelated when Markus walks up, but there's nothing, only silence until Markus comes in with a plan. And of course we know about every time Luther tries to bring up the fact that Alice is an android, only to be shut down and walked away from. It fucking kills me how much time Mark is has the focus of the camera but it's only so he could look cool for a minute, and share no thoughts of his own, none of his new feelings, everything is only implied and then followed by the action where he is only allowed to be the leader of the revolution and never just Markus. There's a tragedy in that, but they could have driven it home harder by *pointing that out.*

[bruhstation]

of fucking course the best, most harrowing, most gut-wrenching tugs character only appeared in one episode (a bit of ramble in the tags)

[megamindsupremacy]

love the idea that stan, pre-realisation, would just put any “my brother-“ thoughts that popped up into the ‘shermie’ category into his head

my brother… the genius … always won the spelling bee… we were so close… i learnt to fight because i was uh. protecting my…. (much??) older brother? damn was he a wimp or something

stan, calling shermie up post everything: do you happen to remember like. a flying dinosaur from our childhood or is this another ‘wrong brother’ situation

shermie, who was very much not there: what.

aksdjfhsd yeah!! also I imagine there being a ton of angst potential because Stan remembers ("remembers" my ass, he doesn't remember shit) himself and Shermie as being fairly close as kids, because everything involving "my brother" is conflated with Shermie, until the Mystery Incident got him kicked out. But Shermie wasn't super close with either of his brothers because of the age difference, and also because I hc him as not being home very often and getting the hell outta dodge as soon as he was old enough. So poor Stan has an imagined closer brotherly dynamic with Shermie, who isn't maintaining this dynamic into adulthood because to him Stan is his younger brother who dropped off the face of the earth (sad) at age 17, popped up a few times in newspapers to get arrested and/or scam people, and then dropped off the face of the earth again at 27.

[rosemarytales]

he's so tired of being betrayed

look at him, he's so heartbroken 😭😭😭

[musubiki]

potential clarinette design?

(the girl lime dated for a short time during the timeskip to try and get over mochi. shes currently trying to get him to go out with her again)

[ofthecaravel]

Hey so like what if one of the boys turned into a ghost or something

what if 3 of them turned into a ghost or something