#no the director did not tell the audience to tell everyone you know to go see it if its good

[maxe-murderer]

btw babes if you get the chance to go see purlie victorious on broadway go see it HOLY SHIT it was amazing. i wanna kiss everything abt this show. i wanna kiss the concept of this show. wanna kiss the set. the set got applause listen the set got applause. everyone was fucking amazing and the cast was so sweet afterward and just HOLY SHIT its a great show

[the-acid-pear]

Btw if you're a fan of the movie and you saw any of my criticism OR NOT I deeply encourage you to tell me why you love this movie and maybe counterpoint my takes. I'm so into getting a new perspective thru the eyes of a lover.

That said the fact that around 8 people saw me asking if I'd watch this movie and Fargo and everyone voted Fargo (of that group, like 2 went for nope) gives me such hope about the fans in the crowd. True lulyheads knew I was gonna hate it before I knew that. Wild.

[ghouldump]

I want to be lestats make up artist and stylist so baddddd after that trailer.

Imagine touring with him while he constantly tries to woo you.

And the fans just seeing him being flirty toward reader

SOMEBODY TAKE MY PHONE AWAY I AM NOT WELLLLLLLLLLL

Diva | Lestat De Lioncourt x Reader

ෆ lestat is a handful to tour with but he's also incredibly handsome and charismatic.

lmfaooo same, more rockstar lestat coming soon!

Touring with Lestat De Lioncourt was not the easiest, at least not at first. The number of makeup artists and stylists who accepted the job, before quitting was ridiculous. Everyone was terrified of him, or of making him angry, walking on eggshells around him.

You were a well-known makeup influencer, starting with tutorials, but with your renowned success, you began working with celebrities, doing makeup, or simply styling them. When you were contacted by his manager, offering twice as much as others, explaining he couldn't keep a stylist or makeup artist, you accepted. You had dealt with plenty of other celebrities in the past, with even more diva tendencies, so you weren't going to let some rockstar ruin your coins.

Meeting him, you immediately realized two things, one, he was even more handsome off-screen, and two, he acted as if everyone was insufferable, like he was gracing their presence, doing them a favor.

“Can we get some makeup on him,” the director told you, picking up the pallet and brush, moving to his cheek, he scoffed.

“Does it look like I need makeup?” he asked you, while you rolled your eyes.

“Actually, yes, you could use some lipgloss and highlight,” you said, matching his tone. Everyone grew quiet, watching the interaction. He turned his head, looking at you, before smirking.

“You may,” he said, letting you lift his head, and apply the highlight, before taking a thinner brush and dabbing the tinted lipgloss onto his lips.

“Better?” he asked you.

“Much better,” you grinned, walking away.

“I like her,” he said, adjusting in the chair.

Instantly after, you were offered a contract, the first in nearly twenty artists to be able to lift a brush to his skin, they needed you. As the tour began, he continued with the shenanigans seducing the audience, while managing to keep them terrified.

“Sit still, I hope you don't frown at your fans like that,” you told him, as you clamped the necklace around his neck.

“And who did your hair?”

“He did,” his assistant mumbled.

“I can tell”

“Is something wrong with my hair?” he stared at you through the mirror.

“Nope, it fits you, wild and untamed,” you snickered, as you moved in front of him, using a brush to apply glitter to his face. Using your finger, you rubbed a bit on his chest.

“You know I enjoy when you touch me there, ma chérie,” he said.

“Whatever,” you laughed, finishing his look.

Over the last few months, Lestat became increasingly bold with his flirtation with you. Hell, besides his manager, you're the only person on his team that he talked to, with eye contact.

“They're ready for you,” His assistant said, reading a text from her phone. Standing, Lestat kept his eyes set on you.

“Come, we haven't finished our conversation,” he held out his hand, stopping you as you were about to put away the makeup.

Taking his hand, he led you out of the trailer, his arm going around your neck to pull you closer.

“What is it?” you asked him, biting back your smile.

“Have you thought about my offer?”

After touring the States, he was set to go on a world tour, and he insisted that you renew your contract to come along.

“I don't know, that's a long time, Les,” you said lowly, intertwining your fingers with the hand over your shoulder.

“I’ll need my makeup done and only the best clothing”

“I thought you didn't need makeup?”

“I don't, but only you could do the task so beautifully, I wouldn't dare let one of those amateurs near me,” he frowned.

“Oh my god, there he goes,” a fan screamed, causing an uproar. Lestat remained unfazed, his arm still around you, his eyes unmoving from your face.

“Is that his girlfriend?”

“He has a girlfriend? I thought he was gay”

“No girl, he's bi”

“Then I still have a chance!”

“They're so cute together”

“You’re going to have us in blogs in the morning,” you told him.

“All publicity is good publicity,” he shrugged.

“We’ll talk more later,” you told him, rubbing your lips together, when you realized he was staring at them.

“Hopefully about you staying with me, and not wanting to go home”

“You need to focus on your concert right now, and we can talk later,” you laughed.

“Fine, make sure to scream extra loud for me, ma chérie,” he said, blowing a kiss to you, before walking up the steps, the loud music starting up.

Crossing your arms, you watched as he performed, his aura exuding sex appeal. After all these months of working with him, you could see why he acted as if he was gracing people with his presence. He was more handsome than most, the attention falling on him wherever he went, and here he was, openly desiring you.

Late nights, after he'd come back from doing whatever, he'd come to your hotel rooms. You eventually realized that on the inside of this beautiful man, was a lonely soul. He craved companionship and being around him, you didn't know how much more you could take before you gave into temptation.

[geotjwrs]

Tall Male!R (preferably around 6'6"/198cm or more) playfully teasing Jenna Ortega for being short ;P

shorty

Pairings ; Jenna Ortega x Male!Reader

Warning/s ; none

Jenna and Y/N sat side by side on the plush couch, facing a lively audience and the charismatic talk show host, Emily. The interview had been going well, with both stars sharing insights about their latest project. The chemistry between them was palpable, drawing smiles and laughs from everyone present.

Emily leaned forward, her eyes twinkling with curiosity. "So, Jenna, Y/N, you two have become quite the talk of the town—not just for your amazing performances, but also for your adorable relationship. How do you manage to keep things light and fun on set?"

Jenna exchanged a quick, knowing glance with Y/N. "Well," she started, a playful grin spreading across her face, "it helps that we don't take ourselves too seriously. Especially when someone here," she nudged Y/N with her elbow, "loves to tease me about my height."

Y/N chuckled, his deep voice resonating through the studio. "What can I say? When you're 6'6" and your girlfriend is just over 5'1", it's hard to resist."

The audience laughed, and Emily raised an eyebrow, intrigued. "Do tell, Y/N. How do you go about teasing her?"

Y/N leaned back, his smile widening. "Oh, it's all in good fun. Like the other day, Jenna was trying to reach something on the top shelf in the kitchen. I offered to help, but she was determined to get it herself."

Jenna chimed in, rolling her eyes but smiling. "I was almost there, and then he comes up behind me, pretending to use me as an armrest. I was like, 'Really? Right now?'"

Emily laughed along with the audience. "That must make for some interesting moments."

"Oh, definitely," Jenna agreed. "But it's not just him. I get my fair share of teasing in, too."

Y/N nodded, mock-serious. "She's got a wicked sense of humor. Like, she'll hide my stuff where only she can find it. I once spent an hour looking for my phone, only to find it in one of her tiny shoes."

The audience erupted in laughter, and Jenna grinned proudly. "Hey, you have to get creative when you're the short one."

Emily's eyes sparkled with amusement. "It sounds like you two balance each other out perfectly. Any more funny stories?"

Jenna thought for a moment. "Oh, there was this one time we were filming a scene, and Y/N had to pick me up. He lifted me so high that I almost bumped my head on one of the stage lights. The director had to remind him to keep it grounded."

Y/N shrugged, laughing. "What can I say? I forget my own strength sometimes."

Emily leaned in, her tone conspiratorial. "Okay, but seriously, what's the sweetest thing about being with each other, despite the height difference?"

Y/N's expression softened as he looked at Jenna. "Honestly, it's the little things. Like when Jenna stands on her tiptoes to kiss me, or when she snuggles into me perfectly because of our height difference. It's those moments that make it special."

Jenna's eyes glistened as she smiled up at him. "And for me, it's feeling protected and cherished. Plus, I get to have the best hugs."

Emily sighed dramatically, her hand over her heart. "You two are just too sweet. Any plans for future projects together?"

Y/N nodded. "We're looking at a couple of scripts. We really enjoy working together, so we're hoping to find something that lets us continue doing that."

"Well, we can't wait to see what you two do next," Emily said, beaming. "Thank you so much for joining us today and sharing your delightful stories."

As the interview wrapped up, Jenna and Y/N stood, their height difference once again evident as Y/N helped Jenna down from the couch. The audience applauded, clearly charmed by the couple's dynamic.

Walking off stage, Jenna glanced up at Y/N, her eyes twinkling. "You know, I think we aced that."

Y/N grinned, wrapping an arm around her shoulders. "Of course we did. We're a perfect team."

Backstage, the couple found a quiet corner to relax. Jenna nestled comfortably under Y/N's arm, feeling the comforting weight of his presence. Their public appearances were always fun, but it was these quiet moments together that Jenna cherished the most.

"You know," Y/N said, breaking the silence, "one of my favorite things about these interviews is how they always make us reflect on all the fun we have."

Jenna nodded, smiling. "Yeah, and it's nice to share those moments with everyone. Plus, it gives us a chance to tease each other publicly."

Y/N laughed, his eyes twinkling with mischief. "True. And speaking of teasing, remember when you tried to scare me on set by hiding behind a door? I heard you giggling before you even jumped out."

Jenna burst into laughter. "I couldn't help it! Your reactions are just too funny."

Y/N shook his head, smiling fondly. "Well, you definitely keep me on my toes."

Just then, a production assistant approached them. "Great interview, you two. There's a press conference in an hour, and then you're free for the rest of the day."

"Thanks," Jenna said, glancing up at Y/N. "You ready for round two?"

"Always," Y/N replied, giving her a quick squeeze. "But after that, how about we grab some lunch? I'm thinking of a place with chairs that don't make me feel like I'm sitting in kindergarten."

Jenna laughed. "Sounds perfect. And maybe a place where I don't have to ask for a booster seat."

Y/N chuckled, standing up and offering his hand to Jenna. "Deal. Let's get through this press conference, then it's lunch date time."

As they walked hand in hand towards the next part of their day, Jenna felt a warm glow in her heart. Despite the public scrutiny and their busy schedules, she knew they always made time for each other, balancing their playful teasing with deep affection. And as long as they had that, she knew they could handle anything together.

[teamfreewill2pointo]

Tumblr won't let me share the audio clip of Misha answering the last question from Crossroads, so here's a transcript.

[Fan] Um, it's kind of about Destiel so - [Misha] Perfect last question really

[Fan]So there's a show called 911 and - It's about firefighters and it's been going on for about seven seasons now. And recently in seven seasons it moved networks from Fox to ABC. And um, one of the main characters, he's a man named Buck and- he kissed another man and it's been said that by the actor who plays Buck on the previous network Fox, they wouldn't have been able to do that. So when they moved, they thought, okay, we can do it now because it's on a different network. So my question is, do you think if Supernatural had a new networks earlier on, or if the show was made later something like this could have happened between Dean and Cas? [Misha] If think that if the CW- [Fan 2] Fuck them! [Misha] had not been- Had not been so homophobic- [Audience cheers] [Misha] Dean and Cas would have been balls deep. [Audience cheers] [Rob] I think you just made a headline. [Audience cheers and laughs]

[Misha] I will tell you- I will answer that question um- in- in part earnest. I, I think that there's been a sea change in culture um broadly. When I joined Supernatural and- and- Destiel became this very like hush-hush thing on the internet that we weren't even supposed to talk about. Um, there was no way on God's green earth that anything like it, uh, a consummation of that kind of relationship would make it to the screen on our show. And by the end of the series, we had lasted for so long that the culture had changed and there had become an acceptance of the possibility that that kind of, like, Declaration of Love could happen. Um, I- I- I mean... When I was growing up, um, we used the word f*g as a filler all the time. It was like, just want to insult one another, and f*g, homo, like, that's what everyone was saying in elementary school. My kids see two dads or two moms dropping their peers off at school and it does not faze them at all. And there's none of that language in their schools. Now, I know that [Audience claps and I can't understand a few words due to clapping] we're decades away from eliminating homophobia in our society. But we've come so far and so I think the answer to your question is, yes, like had to show happened later on and had another 10 years to evolve who- who knows what could've happened. Um, I think that there would have been a lot more representation on the show, in general. We would have had more female directors. We would have had more female leads on the show. We would have had more people of color. A lot of things would have been different on the show, um, if it had just been 10 years later. Um, and there- and of course, like you know, the pendulum always swings. There's always a reaction to Evolution and, you know, in our country, we have the far right emerging and Neo-Nazis like, honestly taking, you know, like, seats of power and potentially, you know, for a second time, the presidency. It's- It's a pretty scary time.

[Rob] Book burning happening, you know? [Misha] What's that? [Rob] And book burning happening. [Misha] Yeah [Rob] You know, watching the show too- watching the rewatch podcast that I do with Rich, like- [Cheers] You see how much things have changed. There are certain things in the show where like, oh, then you wouldn't do that now. You know? [Rob] Like they use the word bitch all the time in the show and it's like- eugh- a little cringy, right? You know. [Misha] Yeah. Um, a lot of- there were a lot of things that we did that I don't think would stand the test of time at all now. But, um, we try to be better. [Rob] Also, I would just say, like, one thing I love about these rooms that this- this, um, family that we're here, in the Supernatural family, is like everybody is welcome and everybody's okay whoever you are, whatever you are, however you are- like, it's this is a safe space.

ETA: so it turns out that the enforcement at Starfury is different than the rules at jibcon or CE and I will not be sharing the audio clip. Jibcon officially has a no recording rule, which almost everyone in fandom ignores. Starfury is different.

[caapsiizzereads]

I got your heart skippin' when I'm gone

Jamie Tartt x f!reader

Words: 2,3k

Warnings: language, author’s first attempt at writing🥴

A/n: yes, the title is, indeed, a Taylor reference.

A glass of champagne in your hand, you are standing in the company of Frank, your boss, and a few other of your colleagues, chatting about how good of a job they did at setting up today’s event. A bunch of compliments are also directed at you and Frank for all of the work you’ve done leading up to this. You know you’re great at your job, but moments like this really make you feel fucking good about yourself. At 26, you can proudly say that you are the Assistant Creative Director for one of the biggest jewelry brands in England. And today your company is celebrating the launch of their latest collection that you’ve been working really hard on. The past couple of months have been terribly busy, Frank and you practically living at work and surviving purely on caffeine. But now it’s finally over, and you can just relax, look pretty (“absolutely stunning,” actually, to quote Frank), and sip champagne, while people are singing you well-deserved praises.

The company’s event team really knew what they were doing too. Natalie, your friend from PR, had been very pumped for the night, rambling about all the famous people coming. You briefly went through the guest list, of course, but, honestly, you were more excited about the open bar. But if one of those guests just so happened to be lovely enough, you wouldn't mind indulging in some of that either.

An hour into the party, you were done with all the formalities, and you could switch from your neat glass of champagne to a drink more worthy of a Saturday night. You’re standing by the bar, looking at your phone, when you hear a question, seemingly directed at you.

“Can I get you a drink?” Looking at you, there’s a guy, around your age, dyed blonde hair, pretty face, really nice bone structure. His face looks familiar, but you just can’t remember why.

You give him an amused smile, “You know that they are free, right?”

“And how am I supposed to be chivalrous in these conditions?” he says theatrically.

“If buying a girl a drink is your definition of chivalrous, maybe you shouldn’t even try,” you say, your voice full of sarcasm, but still a smile on your face.

He chuckles lightly and smiles at you, “I’m Jamie.” Really pretty smile too.

“Y/n,” as a force of habit you offer him your hand to shake. The gesture seems to surprise him a little bit, but he goes with it anyway, shaking your hand lightly.

The two of you settle next to each other by the bar with an easygoing chatter. You’ve been talking for about 10 minutes, when Jamie says that he’s a football player, and it finally clicks for you.

“Oh my God.” You tilt your head down and cover your eyes with your hand in embarrassment. “You’re Jamie Tartt. You were in our campaign a few months ago. Fuck, I’m so sorry. My memory, like, resets once the campaign is done and it’s not my problem anymore.”

Jamie smiles almost shyly at your realization. “No, no, it’s fine! I’m sure you go through a lot of those, can’t remember everyone.” He definitely remembered you, though. Not that he’s gonna tell you that. And a part of him is even kinda relieved that you didn’t because–

“On second thought, I do remember you. You were, like, 40 fucking minutes late.” Yeah, that. You didn’t speak to him directly that day, but the look on your face was the most passive-aggressive thing he’d ever seen. Honestly, could give Roy a run for his money. Except that your version also looked kinda hot. But he still would rather not be at the receiving end of that glare ever again.

“I’m sorry! I underestimated the traffic,” he says awkwardly. And to think that this has been going well…

You take a sip of your drink, giving him an unimpressed look.

“I’m not getting invited again, am I?”

“Well, you are on my naughty list, but I wouldn't write you off that fast. You attract a nice audience of sports fans and sportsmen fans.” Jamie can swear you have just checked him out. “And you have a nice neck, you know, makes the necklaces look good. But that’s just my professional opinion.”

You said it in the most nonchalant way, but you might have just become the first person to make Jamie Tartt flustered. He decides to push his luck some more.

“And your personal opinion?”

“That you were 40 fucking minutes late,” you deadpan.

No luck, then.

“So,” Jamie perks up again at your attempt to keep the conversation going, “did you have a match earlier today? Or is it tomorrow?”

“Yeah, it was today.”

“How was it?”

A smug smile appears on his face, “We won, 3-1.”

“Well,” you raise your glass, “cheers to that.”

Jamie clinks his glass to yours, “Cheers.” You both take a sip of your drinks.

“So you’re not into football then?” Jamie asks, once you put down your glasses.

“Nope,” with a dramatic ‘p’. “Don’t take it personally. I’m not really into any sports,” you say blithely.

The conversation keeps flowing easily between you two. 30 minutes later, you are pretty sure that you are taking this man home with you tonight. Jamie seems genuine, in a cute kind of way, (mostly unintentionally) funny, attractive, obviously, and there’s something about him that you just know that he would be such a good time. 40 minutes later, you even consider letting him stay for breakfast. 45 minutes later, however, you start feeling a slight headache, but fuck if you will let it ruin your night, so you decide to just ignore it and hope it will take a hint and go away.

No such luck. The universe must truly hate you, because about an hour and a half into your conversation with Jamie you feel like someone is kicking your skull from the inside. You’ve tried to ignore it to the best of your ability, but this party suddenly isn’t any fun anymore. Fuck. Your. Life. You are aware that Jamie is saying something, his voice being a steady background noise, but you don’t have a clue what he just said because all you can focus on is a throbbing pain in your head. That’s when you know that you should just give up and go home.

Jamie notices your attention slipping away and your smile faltering as he speaks. Then you look away for a moment before looking back at him with a smile, saying that it was nice talking to him and wishing him a good night. You get up from your seat and start walking away before he can even process what has just happened.

You’re putting on your coat when you see Jamie quickly walking up to you with a concerned expression on his face. “Did I say something wrong? I’m sorry, I didn’t mean–”

You don’t let him finish, “No, no, no! You’re good.” Jamie keeps looking at you with an obvious question on his face. “It’s just–,” you gesture at your head with a circling motion, “my head is fucking killing me. So I'm gonna go home, take some Ibuprofen and pray it goes away.”

Jamie’s face changes from concern to understanding. You think that this is it, so you turn to leave, but then he speaks up again. “I can give you a ride?” It was more of a question than a statement.

“No, it’s fine. Really. I’ll just get an uber.”

“It really is no problem. Come on,” he’s looking at you expectantly.

You think on it for a moment and give him an evaluating look. “I’m not inviting you in.”

“Oh. No! I didn’t mean it like that! I was really just–”

“Relax. I was just making sure you don’t have any false hopes.”

“Nope, no false hopes here.”

“Good,” you nod at him.

You walk to his car and Jamie opens the door for you. He sees you smiling at him approvingly.

“What?”

“See, now you’re being chivalrous,” you say playfully before getting in the car. Jamie closes the door after you and gives himself a moment to blush in privacy. After starting the car, he turns the volume on the radio all the way down and opens a window a little bit for you. You lean back in your seat and give him a small smile, “Thanks.”

Your talk on the way home consists mostly of you giving Jamie the directions and his attempts on small talk.

“Do you get them a lot?”

“No, not really. Only when it’s the least convenient apparently.”

“Maybe it’s because you–“

“If you’re about to say that it’s because I don't drink enough water, I'm jumping out of this car at full speed.”

Jamie’s mouth opens, closes, and opens again. “Actually, I was going to say…” he pauses again.

You raise your eyebrows at him, prompting him to go on.

“I was going to say… that it’s probably because of your hard work schedule, yeah. You know, having to deal with people being 40 minutes late and everything.” He throws a glance at you, checking if he’s managed to save the situation.

That makes you chuckle, despite the pain it causes. “You know what, I think you might be right.”

Soon, you’re parked by your building. “Thanks for the ride. It was really nice to meet you,” you say, before opening the car’s door.

“Yeah, you too,” he smiles at you.

Jamie spends another minute parked by your building. It’s only after you disappear from his view that he realizes that he hasn’t even gotten your number. He sighs and bumps his head against the steering wheel.

Meanwhile, you’re just glad to finally get your hands on some painkillers and flop on the couch, waiting for your head to stop throbbing. But an hour later, when you feel like a person again, your mind goes back to Jamie. You really liked him, huh. Hypothetically, you can look up the paperwork for the campaign he did, and his contact information should be there. Realistically, you should probably just let it go.

On Monday everything goes back to normal. After the workload that you had to deal with before the launch, the lack of a hundred points on your to-do list and constant burning deadlines almost feels like a vacation. And judging by the laid-back atmosphere at the office, you’re not the only one who feels this way.

You go out for lunch with Natalie, and after she’s done catching you up on all the fresh gossip, she can’t help but ask about your chat with Jamie Tartt. You tell her that’s exactly what it was, just a chat at the party.

She looks at you like she knows something you don’t. “That’s interesting. Because Keeley Jones, you know, from KBPR, called me earlier today to ask for your number.”

You give her a look that says “is this supposed to mean anything to me?”

Natalie dramatically rolls her eyes like it couldn’t be more obvious, “KBPR represents Jamie Tartt!”

Now it’s your turn to roll your eyes.

“Excuse me, have you seen yourself in that dress? I totally would ask for your number too.”

You smirk at her, “You have my number.”

“And now so does Keeley Jones. All I’m saying is, if you’re not interested, let him down easily. ‘Cause I'm totally planning on using him for more campaigns. Have you seen those hands?! They were meant to put rings on them. I’m sure he wouldn’t mind if you–”

You start cackling before she can even finish.

It’s just after 6pm and you’re getting in your car when your phone rings, you don’t recognize the number.

“Hello?”

“Hi! (Y/n) (Y/l/n)?”

“That’s me.”

“Hi! It’s Keeley Jones, from KBPR. Natalie gave me your number.”

“Right, she mentioned. How can I help you?”

“It’s more of a social call, actually. Jamie asked me to ask for your number. You know, Jamie Tartt, the footballer? He said you met at the brand party the other night.”

You smile to yourself, “Yeah, no, I remember him.”

“I was just gonna check if it’s okay with you?”

“Yeah, it’s fine. Thanks for asking me first, though.”

“Of course!”

Keeley then congratulates you on your launch, and you tell her that she should totally come to the next one.

Not even an hour later, another call, another unknown number.

“Yes?”

“Hi. It’s Jamie. Tartt. We met–”

“I know. Did you ask Keeley to ask Natalie for my number?” you ask teasingly.

“Maybe…? The alternative was to wait for you outside your building, but that would be creepy.”

“Yeah, better not do that.“

“Right. Uh, how’s your head?”

You chuckle at the question, “It’s fine.”

“Good, that’s good.”

“Mhm,” an amused smile is growing on your face.

“So… I was gonna ask, do you want to, I mean, if you’re not busy, maybe we could go out for dinner?” You can easily tell that he’s nervous, it’s quite cute actually.

“Alright,” the easiest yes you have ever said.

“Yeah?” Jamie wants to smack himself in the face for how hopeful that came out.

You chuckle again, “Yeah.”

“Cool. Uh, are you free tomorrow?”

“I can do tomorrow.”

“Fucking mint. I will pick you up? At seven?” You can hear the excitmenet in his voice.

“Okay.”

“Okay,” he grins.

“See you tomorrow then,” and if you’re smiling then there’s no witnesses and no one will prove anything.

“Yeah, see you,” and if he’s grinning like an idiot then it’s no one’s business.

“Oh, and Jamie?”

“Yeah?”

“Don’t be fucking late.”

[lelliefant]

If you want to know why the Loki fandom has drifted away, just look at what Disney/Marvel did to him.

He was incredibly powerful—they made him weak and helpless.

He was smarter than everyone else—they made him a fool.

He was a prince—they made him a corporate office drone. They literally put him in a cubicle.

Loki was an alien—they made him an ordinary guy.

He was flamboyant and colorful—they put him in beige. They actually made him act as if he was excited to wear a beige uniform.

The real Loki would never have tolerated a uniform of any sort, much less something so bland. He was never a soldier or a cog in the wheel. Loki is the piston.

Loki was a deeply wounded, angst-driven son with complex motivations—Disney made him an uncaring narcissist who suddenly sees the error of his ways (in one episode) and has a total personality swipe.

Loki was iconoclastic—they made him ordinary.

They took the most interesting and volatile character in the MCU and warped him into an Everyman role, and somehow everyone bought it. Apparently because they used the same actor with the same face—?

Really think about it. If another actor had started playing Loki for the series, they couldn’t have pulled it off. Series Loki is not the same character as Loki from Thor 1, Avengers 1, and Thor 2. He’s as different as the moviemakers in charge of the productions are. (The directors of Avengers 1 and Thor 2, Joss Whedon and Alan Taylor, simply had the grace and humility to take their cue from the original vision of Kenneth Branagh.)

If you don’t actually pay attention to Loki’s character, motivations, logical action, or his history, and you’re only interested in being entertained, I guess it doesn’t matter. This is just a superhero movie character, so who cares if they turned him inside out to conform with a simpler, less challenging archetype?

He’s their property, after all. They can use him however they want to. If they want to chew him up and spit him out as a naive, lovelorn mensch because that’s the Disney protagonist formula, they can and will. If they want to put him into a buddy-cop procedural, as if he were an ordinary human person whose shtick is a magic kit, they can.

A lot of you who are constantly defending the Loki Series are not really thinking about it. Maybe you’re just happy he has a show to his name. Maybe you don’t care; you just want more “content.” Maybe you don’t want someone spoiling your fun.

Maybe you think you’re being the loyal crowd by “defending” Loki. You’re not seeing that Disney did worse than kill him off—they unmade him. They put the God of Mischief into a blender with the Disney formula, audience response data, standard storytelling tropes, a limited range of plot lines, and a great deal of money, and out came this golem with Loki’s face on it.

You might revile me for saying all this because that’s easier than facing the truth or questioning the Powers That Be. There will always be people who can’t tolerate having their beliefs challenged.

I have seen nastiness on this hellsite toward people who question and protest what the majority accepts—but that’s just a reflection of the real world. It’s never going to work out well for those of us who see things differently and who don’t shut up about it. So, why do we keep annoying everyone with our dissenting opinions?

In my case it’s because I actually do care about Loki. I care enough to tell the unpopular truth, as I see it. Because, to me, Loki isn’t just an MCU character. He is representation.

He was a survivor of abuse and scapegoating by his own family. He was an outsider who defied convention and took on great challenges, despite everyone in his world trying to push him down. He shirked the role he was forced to play and chose to define himself instead. He saw the hate and scorn directed at him from all sides and laughed.

He struck out on his own into the unknown—which is incredibly hard to do, even if you had been given the support to believe in yourself.

The Loki Series did get one thing right: Loki is a survivor. He’s survived misinterpretations before, and he will survive Disneyfication. Maybe the public will tolerate a warped mischaracterization of him for a while before they lose interest, but the God of Mischief prevails. Thor1 Loki will always be there, smirking triumphantly from the shadows.

[pain-in-the-butler]

How was the rest of the Kuroshitsuji panel? I'm curious lol

I'm so glad you asked! I was actually planning to make a post on this regardless of interest, so it's convenient that someone will actually already be curious to hear lol. Here is the long version of what happened at the panel:

Before CDawgVA, the directors, and Daisuke Ono came out onstage, they had a hype man going around and interviewing cosplayers in the audience/giving them random Crunchyroll prizes. He would ask the cosplayers to tell him something about their costume. My favorites were the Sebastian who cut their wig just that morning and the Ciel who left their neck bow at home, so they improvised one out of tissues and it actually looked pretty good. Here's my picture of it on the big screen:

I guess I'm an outlier who never watched a CDawgVA video, so seeing him in person was actually my first time seeing him ever. He seemed like a nice guy and happy to be there, I can see why people like him. He did a pretty good job inviting the guests onstage and asking them questions -

Producer Yoshito Ito and director Kenjirou Okada both received applause when they came out, but the crowd fuckin exploded for Daisuke Ono. He clearly has a lot of experience in working a room, he did a little theatrical bow when he walked out, and I think he said "yes, my lord" or something like that, I don't remember exactly. I'm actually not much of a fan of his, but I still joined everyone else in cheering loudly for him -

All the guests spoke Japanese and as far as I could tell the translator did a really good job up there, he was quick on the draw every time. I could tell the fan next to me spoke some Japanese and he seemed to think it was accurate -

To break the ice, CDawg asked the three panelists about what they thought of Los Angeles. I can't remember what the director and producer said, but Ono went to see a Lakers game and had a good time even though they lost -

Then CDawg (do people call him that or Connor? I actually don't know, sorry if I sound like a pleb) said that because Sebastian likes cats so much, he wonders if any of the panelists would like to have a cat. I believe it was Okada who said he had a cat two years ago when he lived with his parents, but when he moved out, his mother told him "The cat is staying here." Ito said he would rather have a dog, and Ono said he would also prefer a dog, but he would definitely name the dog "Sebastian" -

The panel was scheduled to be under an hour, so I was kind of glad when CDawg moved on from the goofy questions and asked about the anime. Ito and Okada talked about location scouting a little bit in England. They said the oddest thing for them was how there weren't mountains and that they could see the horizon even when they weren't near water. They said if they hadn't actually visited England, they probably would have put mountains around Weston...... -

CDawg also asked them about the food (and apologized for its taste before they could answer lol). Ito and Okada said that they enjoyed the fish and chips, but were surprised that afternoon tea did not live up to the hype. They didn't like the scones with clotted cream, which surprised CDawg, who said "clotted cream is the only good food we have" lmao -

Ito and Okada also talked about how they initially turned down an offer to make a new season, supposedly because they didn't think they could hold a candle to the earlier seasons. They said they later changed their minds when they realized that there were still fans of the series who wanted to see what came next. I personally don't buy that answer, but not for any reason other than it sounds fake. Maybe there's some truth to it (maybe) -

They also talked about how they really went into the Public School arc hoping to create something that felt different from the previous seasons. That was interesting to me, because it didn't really feel like that's what they were going for when I watched it, but okay I guess they were -

Ono said the most exciting thing for him about working on the Public School arc was that he was granted permission to give a more emotional performance this time. He believes that Ciel and Sebastian's experience fighting Undertaker on the Campania was a turning point in their relationship and that it changed the way he voiced Sebastian. He really did seem pleased with this fact, though it seemed to me that he could not remember Book of Atlantic very well lol—but that could have simply been due to the way the translator referred to it as "that cruise ship" -

I think that was when they took another little break to play a game CDawg came up with where the panelists had to guess what a few words in British slang meant. The first was the Welsh word "cwtch". We weren't supposed to take pictures but your girl took one anyway

"Cwtch" is pronounced "cootch" and CDawg said "Here's a hint: when you see Ciel, you want to give him a cwtch." Through no fault of the Welsh, CDawg clearly picked this word to sound like an innuendo, and some people in the audience were shouting "Kiss? Kiss?" I can't remember who, but either Ito or Okada's guess was something the translator apparently "Couldn't say out loud" with the impression that their guess was sexually inappropriate? Ono and the remaining director/producer guessed the word "hug" which was close: "cwtch" means "cuddle." It was such a bizarre moment, I stg when will we stop making sexual jokes about this child character. That includes you, Yana 🫵 -

The next word CDawg had everyone guess was "chuffed", with a picture of young Vincent celebrating his cricket victory. The hint was "you feel this after you win a cricket match." Both Ito and Okada correctly guessed "happy" and Ono guessed "like you want to drink a beer." CDawg said that that was truly in the spirit of English culture -

After that we got the Green Witch trailer, which was another bizarre moment, this time for the reason that we saw no new animation and we basically knew it was coming. Still, the audience went wild and it was fun to experience it together. We also got the 2025 release date so I guess that's cool -

Next, Ito and Okada talked about the upcoming season a little bit. The only thing of note that I can recall is that they said they weren't going location scouting this time because Sieglinde's village wasn't a real place. However, they said they planned to take a lot of inspiration from the manga itself. These points struck me as disheartening and obvious in turn, but I guess at least they were honest -

Ono said he was excited to give a darker performance this time around. He also said, mostly likely to drum up the crowd, that he was a little nervous but that he could do anything with "Ciel" (Maaya Sakamoto) by his side, and yes the audience did eat it up with more applause -

After that, CDawg raffled off what looked to be a drawing of Sebastian, possibly by Yumi Shimizu, signed by Daisuke Ono. They had given us these tickets before the panel started and the person with the winning number got the prize. Shockingly, I did not win -

Next someone came and took a picture of the panelists and the audience in the background, then Daisuke Ono did this thing where he waved at everyone and got us to wave with him, and finally the panel ended after roughly fifty minutes

Overall, I give the event a 6/10. We didn't have a lot of time, so I understood that they couldn't go too in-depth and that they wanted to keep it lighthearted too, but I personally would have appreciated some more interesting information on season 4 or something juicy about season 5. As it was, it felt like a lot of what we learned was entirely unsurprising. But it was nice of everyone to come all the way from Japan and the UK, and I guess it's kind of cool to say I've seen Daisuke Ono live now, even though he's only my third favorite Sebastian. My expectations were low, I went just to say I was there, and what I mainly gained was a bit of whimsical joy at being in a room full of Kuro fans, which is no bad prize at all.

[herbgerblin]

ipre theater thots

loosely based off of this poll. sorry, this got away from me. i was a theater kid for years (i still am, i literally made a bunch of friends larp as wizards two weeks ago)

Davenport: Producer and Stage Manager. Personally more experienced in opera than musicals, but answers the call when the need for a manager arises. Keeps everyone focused and on schedule. Has final word on what choices the art department gets to make. Sometimes does solo performances on his own time.

Merle: Choreographer and Director. Leads the ensemble into meditation every rehearsal before warming up. Talks with each member of the cast one-on-one. Sometimes leaves the script open to interpretation. His artistic vision sounds bonkers in concept, but illuminating in execution. Why are there so many plants? Don't worry about it.

Magnus: Lead Actor and Set Builder. He brings the energy every single night. He doesn't need to be micc'ed up because his natural voice projects well enough. It takes a bit of time for him to memorize the script, but he devotes his heart and soul to it. He claps loudly for the ensemble when he's in the wings. He cries at the emotional numbers. Built all the sets by hand.

Lucretia: Co-stage Manager and Supporting Actor (not for lack of chops, only because she spreads herself very thin.) Knows the script like a second language. Mainly reserves her Director Voice for backstage when things get chaotic. Enjoys performing the musical numbers because no one knows she can belt, until she does. Standing ovation girlie, but bashful about it.

Lup: Co-lead Lead Actor and Costumer. Only willing to do the role if Davenport lets her include cold sparks and fog machines in the set budget (he finds a way.) No one knows when she took measurements for the costumes, but they're ready by dress rehearsal and they fit perfectly. Helps the other actors figure out their groove. Great at engaging the audience.

Angus (special edition): Child lead and stagehand. The sweetest little singing voice you ever did hear. Everyone is going to rue the day his voice starts cracking. A heartbreaker of a performer and a speedy backstage assistant.

Taako: A MYSTERY. He's wearing a fancy scarf and roaming all over the place. He's talking about the Art of the Theatre. He's listed on the billing of lead actors and NO ONE knows what his role is. He remembers all the little things that everyone forgets: clothes pins, a hot glue gun, and electrolytes. He's got a walkie-talkie. Only the managers and tech are supposed to have walkie-talkies. Hello, this is Taako speaking, over.

Barry: Usually Tech. He's got a beautifully choreographed queue of lighting designs and stage effects. He's got an immaculately labeled pad controller and a ready-to-go Excel spreadsheet. But on opening night, Lucretia informs him he's in the orchestra pit.

Barry: ...But I'm lighting tonight.

Lucretia (via walkie-talkie): And our percussionist twisted his ankle tripping over a stage light. You're in the orchestra now, compadre.

Barry: (with increasing emphasis, decreasing conviction) But. I'm. Light. Tech.

Taako: E N T E R T H E P I T B A R O L D

Davenport: Taako, get off this line.

During intermission, Magnus asks him to help lift the ensemble dancers onto the set scaffolding, and hold it steady. Barry agrees, thinking he's in the clear after that. But the second the music number ends, Merle tells him that one of the support roles had to leave, so now he's the understudy.

Barry (longsuffering): I am just. the light guy.

Merle (gesturing to Taako in the balcony, having a ballgame playing with the lightboard): well, in two minutes you're the showstopper guy, so you need to go out there and stop the show

Lup (emerging from nowhere, slapping a red, hooded robe on Barold's shoulders): Knock 'em dead!

Barry: D:

[seaweedstarshine]

Late to the game as I’ve kinda been kinda non-here for a minute but I scrolled through the Dot and Bubble tag, and thought I wanted to write this post into existence.

There's this part in Doctor Who Unleashed where RTD says this:

“What we can’t tell is how many people will have worked that out before the ending. Because they’ve seen white person after white person after white person, and television these days is very diverse. I wonder, will you be ten minutes into it, will you be fifteen, will you be twenty, before you start to think, everyone in this community is white. And if you don’t think that — why didn’t you? So, that’s gonna be interesting. I hope it’s one of those pieces of television you see, and always remember.”

And I'm like. Yeah. But the reason this works even as well as it does is largely thanks to the work of the previous showrunner with the previous creative team, which was notably the first era to have any writers of color (amongst other firsts in terms of inclusivity in directors, composer, actors). While Chibnall fumbled whenever he tried to write about race himself, he did have the self-awareness to have Black and South Asian writers writing the episodes where race is the focus (and a female writer for the episode where sexism is a focus; my point is, he seemed to know his shortcomings).

I wonder what the current creative team looks like? (not really, but I wasn't 100% sure for all of them)

To quote RTD:

“...before you start to think, everyone in this community is white.”

This is pretty non-self-aware, right? It's pretty “It is said, and I understand this, there was a history of racism with the original Toymaker, the Celestial Toymaker, who had ‘celestial,’ and I did not know this, but ‘celestial’ can mean of Chinese origin, but in a derogatory way,” right? (from The Giggle Unleashed) It's pretty “and I had problems with that, and a lot of us on the production team had problems with that: associating disability with evil,” right? (from Destination Skaro Unleashed)

—none of which are issues that should be overlooked, but think how much exponentially better they might’ve been addressed if he’d consulted with Chinese writers and wheelchair-using writers before going straight to giving the Toymaker weird fake accents and making Davros walk?

How many Black or non-white people do we think saw the Dot and Bubble script before it landed in Ncuti’s hands?

And this just keeps happening.

And like, from some of the shocked responses I've seen from white viewers to the ending of Dot and Bubble, maybe the episode's unsubtlety was needed? From the way RTD talks about it in Unleashed, the episode was written with a white audience in mind, Baby's First Microaggressions (where of course the microaggressions come from people who are pretty self-admittedly white supremacists). Ricky September, a more seemingly normal depiction of someone in the racist bubble of Finetime, seemed like an interesting element, up until the way he died.

The ending worked for me, because I do think the Doctor's reaction is true to how the Doctor would react. I just keep thinking of how much better the core themes could've been handled by someone with actual lived experience on the subject matter.

[firthbetterorfirthworse]

2005 Pride & Prejudice

oh boy. I realize I am about to tread on dangerous ground here

I will say that I fully recognize that my prejudice (snort giggle) has influenced when I've seen this in the past. Colin Firth was my first Darcy and that's a hard thing to let go of, even setting aside my obsession preference for him.

That being said, this movie is visually GORGEOUS. Beautiful shots, sets, music, etc. I just...don't love the characterizations of the main characters. Most of the secondary characters I love! Explaining Charlotte's viewpoint for a modern audience and making her warmer, an awkward Collins (I could make a whole post about how if P&P were written today we would consider Collins autistic-coded), they did great! Also, Caroline gives the sassiest, bitchiest curtsies, which I adore.

I appreciate Lady Catherine, not just because I love Dame Judi Dench but because they clearly paint a picture of someone holding onto the past. Not that the costumes in this adaptation are particularly, you know....accurate. in any way. BUT she's got a style that more closely aligns with 1790s than 1810s. (Although maybe that was intentional? Cursory googling suggests the director wanted to bring it back in time but then why isn't everyon- you know what it's fine, it's fine I'm not gonna get into it here, but basically be hyper-accurate or throw all realism out the window, there shouldn't be an in between it just feels lazy)

I very much appreciate the heat in the proposal. It is a FIGHT. I think modern audiences can easily lose that feeling when they're reading the dated text on the page, but they are saying VERY impassioned things and making accusations and I really appreciate the energy this adaptation brings! And the almost kiss, it's hot I get it it's not true to the book but it's fine it's not fair of me to care so much for inaccuracy in this adaptation but not others. still gonna tho I miss the intimacy of her admitting the tragedy of Lydia only to Mr. Darcy, I understand that having the Gardiners there saves time and is more appropriate, but I have strong feelings about that scene where Elizabeth returns Mr. Darcy's trust when she doesn't have to and how it really speaks to her feelings.

Speaking of Lydia, LOVE that she's clearly so so young. Sometimes it's not as obvious.

And my dear Mr. Darcy, bold of you of all people to help Mr. Bingley practice a proposal

but oh dear if that scene isn't just absolutely adorable. I appreciate that this Bingley found some fortitude and requested a private audience with Jane. On second thought, maybe it's for the best that Darcy is the one to help him so he can be like "here's what not to say"

(I'm sorry, she even tells Mr. Bennet about what Darcy did for the family and they STILL didn't include the line about "I'll offer to pay him back, he'll rant and rave about his love for you, and that will be an end to the matter"?? How rude) (But I do adore Donald Sutherland, good scene for him)

The little epilogue scene is sweet, it's cute. I understand why people love this movie. It just doesn't hit me the same way please don't hate me

[haee-elia]

spence-tober: day 18 - archaeologist

pairing: archaeologist!spencer reid x fem!actress!reader

summary: in which you open up during an interview to promote your movie about your boyfriend, whom you met on set.

word count: 1950

warnings: fluff, not much if any dialogue between you and spencer, mostly story telling through descriptive narratives

spence-tober masterlist

From where you’re sitting on the famous Graham Norton’s couch, you can’t really see the stage audience, not with all the bright studio lights surrounding you on the set. But you don’t mind, it wasn’t like it was your first rodeo being on a talk show.

After all, you were a highly decorated actress having made your start when you were just a teen in indie films and then graduating to a TV show that ran for several seasons and then starring in blockbuster after blockbuster. 

You’ve loved acting ever since your first theater class in high school and decided to try your shot right after you graduated. Since then, you’ve starred and dabbled in a lot of shows, movies, and other. It was only a few years ago when you had decided to accept a lot less roles than you usually would and be more picky, wanting to get an online degree and enjoy your young adult life. 

Since your small break from acting, you’ve completed an online degree, learned some new hobbies, and did some small renovations on your house. You were already well off from box office backpoints, residuals, and contractual salaries and under your belt already you had a Tony, an Oscar, and two Emmy’s. You cooled down your ambition and worked on yourself.

Until that is, you got an interesting email in your inbox one day coming from one of the first directors that gave you a chance in the industry. In the indie film you had worked on together, both the director and you had risen to a small level of stardom and had been able to take on a lot more work after the film had released. You had bumped into each other a few times in the rest of your careers, but this time, they was reaching out for a role they thought you were perfect for and might be interested in.

It was a role to play an archaeologist in a historical film loosely based on a true story. You accepted the role and officially ended your small break in your acting career. Although you had taken on a few more roles here and there since finishing the shooting for the film, this was your first time back on a talk show to promote something you worked on.

“How is everyone feeling tonight?” Graham said, greeting all of you on the couch.

It was the director, yourself, and a few of your castmates. In your small break from acting, you found yourself valuing comfort over fashion more and more and so you sit dressed in a comfortable lose fit dress. It’s still designer and very expensive, but you’ve paired it with a sensible pair of black wedge heels and simple jewelry from your own personal collection.

The rest of the couch gives their answers first before Graham looks to you, “I’m really good, thanks.” You say. 

To you, it seems like a generic answer and in fact, if it was anyone other than you, Graham would move on, but he gets a sly playful smile on his face and you just know what he’s going to do.

“Really good?” Graham repeats, “That wouldn’t have to do with who’s here tonight with you, would it?”

You blush under the teasing gazes of your castmates and Graham.

“I’m not sure I know what you mean.” You say unconvincingly.

He grins and then gestures his hand to behind him, pointing at a random wall of the set, “Are you sure? Because I could have sworn there was someone waiting for you back in the green room.” 

You smile and shake your head, you just knew Graham was going to pull something like this. How could he not? It was the leading story of gossip sites, twitter, and tumblr for days on end when the news broke.

“Oh, do you mean my boyfriend?” A cheshire-like grin grows on your face and your face burns even more when the studio audience cheers at your last word.

Graham nods, loving the applause and cheers, “Didn’t you meet him on set?”

Before you can answer, your director/friend decides to pipe in, “I hired him to work on set and then I come to find out he’s actually slacking off with her!” He jokes, pointing your way.

You scoff with a smile on your face, “Oh please, you played matchmaker all the time!” Your castmates nod in agreement.

What Graham has decided to bring up is your newly public relationship which bloomed when you were filming on set for the movie. Because of the large historical and archaeological background of many of the characters and how it caters to the main plot of the movie, several consultants were hired to bring some validity and realism.

One of those was Dr. Spencer Reid, a professor on a short sabbatical from teaching archaeology. His job was to consult on the actions of the characters and help teach some of the actors and actresses who’s characters have a background in archaeology some tips and how to be more natural in the motions. 

Your character has a large archaeological background and had the most scenes where you were seemingly handling fossils or excavating them. 

That’s how you met Spencer and after spending months together, working together, seeing each other every single day on location, crushes on both sides formed.

“Guilty!” Your director exclaimed, holding his hands up as if he was caught.

The room laughs again. “But you admit you were distracting him from his job?” Graham prods, playfully.

You shrug, a smirk on your face, “You could say he was distracting me from mine.” You counter.

“Okay, okay.” Graham says, jokingly backing down.

He moves onto your other classmates with fun anecdotes about them for most of the rest of the interview. But then, as the interview goes to close out and nothing too eventful has happened, you knew he was saving that Graham Norton mischief just for you.

“Circling back,” Graham says, making direct eye contact with you.

You groan in fake annoyance, a knowing smile on your lips. 

“Oh come on,” Graham replies with a chuckle, “You didn’t think I was going to let you off that easily, did you?”

Shaking your head, you wait for Graham to go on. 

“Well, I thought that we shouldn’t waste this opportunity, so I asked your dear boyfriend to join us during the break.”

He turns to the camera, “Ladies and gentlemen, let’s make some room on the couch for Spencer Reid!”

You can’t help but correct him, “Dr. Spencer Reid.”

“Dr. Spencer Reid!” He remedies.

With this cue, your cute professor boyfriend walks out on the stage. He’s squinting because of the bright lights and even brings up a hand to block some of the blinding studio spotlights. 

He isn’t wearing anything too fancy, though he would argue that he was wearing his good slacks and a new button up. To be honest, any clothes that didn’t have any dirt or various sediment on it was good enough for you. 

Spencer’s eyes, framed by his glasses, quickly find you on the couch and you’ve already scooted down to make some room for him. His hands hang awkwardly by his side and you know he’s fighting the urge to wipe his sweaty, anxious palms on his pants.

When he reaches you on the couch, you guide him down with your hands taking his. You also give his hands a small squeeze of assurance and comfort.

Frankly, you’re not sure why he’s agreed to such a situation in the first place. 

Spencer didn’t naturally get nervous by famous people like you thought he did when you first met him. In that particular situation, Spencer was really just nervous because his massive crush on you was growing each and every day. If only he knew it was the same for you.

Spencer, however, did get nervous in situations with lots of people or when the attention would primarily be on him. This made being a professor as a first career quite confusing for you to wrap your head around, but Spencer relaxed a lot when he was talking about something he’s passionate about.

“So, Dr. Reid-” 

Spencer interrupts Graham, “Please, just call me Spencer.”

Graham smiles at him, “Alright,” He continues on, “So, Spencer, have the two of you realized how viral you’ve gone?” He asks first.

You and Spencer exchange a look.

How could you have not realized? When you had accidentally leaked your relationship on an actress-friend’s podcast, you first panicked. But was assured by your friend that it could be edited out if wanted. After a long discussion between you and Spencer, you decided it was time to soft-launch your relationship and was prepared for the news to break.

What you didn’t expect was how the world freaked out. You knew a few sites would report on the announcement, after all, you were a well known actress who’s fans were often loyal and you hadn’t been in a serious or noteworthy relationship in a while.

A few days after you went public, edits were being made of your boyfriend’s interviews, people not even in the major were signing up for his upcoming classes, and the world fell in love with him as did you. You two were proclaimed the new ‘it’ couple and the flame was fanned with pictures you two shared to your social medias. 

You had once asked Spencer if it was bothering him that he was getting so much attention, but he answered with a peck on your temple, then nose, then lips and a sweet phrase on how the only attention that mattered to him was yours.

He remedied with a followup to say he also hopes his students pay attention to him. At which you laughed and kissed him back.

“No, at least, not at first,” Spencer answers honestly, “It has calmed down from that initial wave and we’ve learned to deal with it for the most part.”

You look at him by his profile and smile, proud of him. He has done interviews, but none with the main focus being your relationship.

“And how would you say did your relationship progress off set and when filming wrapped?” 

“Well, it was a lot less sand.” Spencer jokes, making the crowd laugh. “That and we grew to know each other beyond our jobs. There’s more to both of us than our occupations and that was an important step in dating for us.”

“No sand certainly is a bonus.” Graham confirms, gaining a laugh as well. 

“Now, Spencer, you’re a professor in archaeology?” 

With the short remainder of the interview, Spencer’s anxiousness and tense body language melts as he gets to talk about what he knows best. The audience, and Graham, love him and eat up his responses. You already know your castmates love him as well judging by the way when they extend an invite out to you, they ask you to bring Spencer if he’s available. 

Although you’re rather proud of your boyfriend being so comfortable in the spotlight, you do ask out of curiosity how he was able to overcome his anxiousness later that night after you had gone back to your shared hotel room to unwind for the night.

With you leaning against his frame, both propped up in a sitting position in the bed, he would simply smile down on you and ask if you didn’t remember.

He’s able to relax when he talks about something he’s passionate about.

When you ask him what he means, Spencer simply presses a quick kiss to the top of your head and answer.

“You, of course.”

a/n: i didn't mean for this one to be so long but i got carried away... i can definitely see myself writing more about this pairing because i think so much can be expanded upon it. i also really like the style i did this one as writing domestic fluff or meet cutes over and over can be a little draining, especially doing it everyday

[hide-in-imagination]

Paris & a Promise | Simbar Oneshot

The studio was pristine and cozy, with bright colors on the walls, white leather chairs, one in front of the other, and a big screen between them on the far wall so that the people in the audience, and of course, the host and guest occupying the two chairs, could see pictures and videos of the topic that was being discussed.

Behind the three cameras pointing at the studio (one on the guest, one on the host, and one holding a general view of everything), the floor manager, a woman in her thirties with a headset to hear and communicate the director’s orders, made a signal to the host, a charismatic man on his forties with black hair, wearing a suit and tie. In the guest chair in front of him, the blonde young woman, wearing a tasteful long-sleeve blouse and a mini skirt, listened to the countdown overhead until the ‘On Air’ sign lighted up anew, followed by a short rendition of the show’s theme song, and applause from the audience on their seats.

“Welcome back, ladies and gentlemen! We are here live with Ámbar Smith,” the host resumed the show with a big smile, facing the camera and then focusing on his guest. “Ámbar, once again, thank you so much for coming to our show. I hope you’re having as good a time as we are, but if not, do not worry, your torment is almost over now.”

Ámbar laughed along with the audience.

“Noo, don’t say that, of course I’m having a good time, I’m always happy to be here.”

“I’m so glad to hear that. Now,” the host leaned forward, “I’m sorry for deviating from your achievements but, we simply can not let you leave without talking about—” he pointed at her with his hand, “that huge rock weighing on your finger right now.” The audience started screaming. “Poor thing, she can’t even move her hand— Look how she keeps it on the armrest! Unbelievable!”

The audience whooped and laughed while Ámbar giggled, her right hand coming up to try and hide her grin and blushing cheeks.

“Ámbar, my sincerest congratulations on your engagement,” the host said now in earnest as the audience quieted down.

“Thank you so much.” The audience cheered again, stealing another giddy smile from her.

“Now, I know everyone already knows this, but in case anyone’s been living under a rock these last few years, you’ve been dating the Roller Band’s guitarist and vocalist Simón Álvarez for quite a few years now.” A picture of the couple posing together at a red carpet appeared on the big screen of the studio.

“Six years, yeah,” Ámbar said with a smile.  

“Six whole years, and he finally proposed two weeks ago, as we can see in this picture you two posted on Instagram, showing off the ring.”

A screenshot of their Instagram post showed on the screen. The photo depicted their hands together, Ámbar’s hand over Simón’s turned-up palm, the thick diamond ring front and center, shining on her finger, while the background showed an orange and red sky, with the Eiffel Tower blurry but visible in the distance. 

The audience cheered and a warm smile curled Ámbar’s lips at the photo.

The host looked at her again. “Tell me, Ámbar, did you see it coming? Did you know he was going to do it or did it take you by surprise?”

Ámbar made a complicated face. “Um, I kind of saw it coming, but no, not really,” she broke off with a laugh.

The host looked at her with intrigue. “What do you mean? Like, you did and then you didn’t? What’s the story?”

“Well. We were in Europe because the Roller Band was touring there, and they had stops in different cities, and Simón was like ‘You should come with me, you could visit Paris’ blah blah blah, so I joined them. He knows that Paris is my favorite city in the world, I’ve always loved it— In fact, I spent some months there when I was in university, as part of an exchange program for six months, and I just have very good memories of the city in general. So anyway, that got me thinking, you know… We’re going to be in Paris…” She started hinting. “He invited me to join… We’ve been dating for 6 years… So, on that front, I did have my suspicions, but I just— The timing didn’t make sense to me,” she said. “That was the problem, that’s what threw me off.” 

“How so?”

“Because we were only staying in Paris for one day,” she emphasized. “The guys were scheduled to arrive in the morning at the hotel, then they had their soundcheck in the afternoon, and then their concert, and that same night we had to go to Italy because they had their concert there the next day. So I was like… Yeah, no. No way.” She laughed. “Like, it was a lot in less than 24 hours. How could he even find the time for it? It’s insane.”

“He totally got you then.”

“He did. It took me completely by surprise, it was so sweet.”  

“It was like in some sort of balcony, right?” The host checked. “I mean, I remember from the photos you two posted— Those ones.”

New photos appeared on the screen. It was two selfies of the two of them standing close together on a black iron balcony with a view of the sunset, the city of Paris, and the Eiffel Tower. They were taken by Simón, one of his arms around Ámbar while the other extended beyond the frame, holding the phone. In one of them, they were both grinning brightly at the camera, Ámbar showing off the ring, her eyes glistening with emotion. The second was very similar to the first, probably taken seconds apart from each other, except in that one Simón wasn’t looking at the camera but kissing Ámbar’s cheek with his eyes closed. Ámbar was still grinning and showing off the ring like in the first picture, but she had her eyes closed in that one too, basking in the love. 

“Yeah, that’s the balcony of the hotel room we were staying at,” Ámbar answered, pointing at the screen. “Simón specifically looked for one that had a view of the Eiffel Tower for us.”

“He had it all planned out,” the host said, impressed.

“Everything,” Ámbar confirmed. “From the very first second. Cause— Look. This is how it all went down.” She leaned forward in her seat, entering story-telling mode, and the host leaned forward as well, giving her all of his attention. “We arrived at around 11 am in Spain. The first thing we did was sleep because we were all dead on our feet, and then around two, Simón asked me if I wanted to go out to eat, and I was like ‘Yeah, sure’, so we went to this restaurant I recommended to him, I knew it from my many trips to Paris, and we just, you know, had our meal, talked, walked around the city for a little bit after— Very normal stuff. Then, Simón had to go to his soundcheck, so he left, and I just kept walking around ‘cause, you know, I was like ‘I don’t know when I’ll be able to come back, better make the best of it now.’”

“Of course.”

“And that was all I was planning to do for the rest of the day really, but then, like an hour or so later, I get a call from Simón like ‘Hey, I’m done with the soundcheck, I’m going back to the hotel now, let’s meet up there’, and I was like… Why didn’t he just stay in the arena?” She said, bemused. “His concert was like in two hours, it would’ve made more sense. But anyway. I got back to the hotel, and I asked him how the soundcheck went, and he was like ‘Well, very well, everything good’— Which was a complete and total lie, by the way,” she pointed out, looking at the audience.

“What do you mean ‘lie’?” The host asked with surprise.

“He never went to the soundcheck,” Ámbar said. “I only found out about it later. The guys went to the soundcheck by themselves, Simón never joined them.”

“Then what was he doing?”

“I’m getting there,” she said. “So, we met at the hotel, and Simón was like ‘Hey, so, I only have like an hour and a half before I need to leave but, what do say if we order room service and eat a little something before I leave?’ and I was like, ‘Yeah, that sounds nice.’ So we sat at a little table there on the balcony, and we were just, you know, having like a regular dinner, when suddenly he says: ‘My love. I didn’t want to tell you before, but I have a surprise for you.’ And I was like.” Ámbar made a face of curiosity. “‘What?’ And the very instant— I have this so ingrained in my mind— the very instant the sun started setting, he got down on one knee.”

“Oh my god.” The audience cheered and clapped, joining the host’s excitement. “That’s crazy! So, he had it all timed down to the second.”

“He did! He totally did. I couldn’t believe it. And then he, you know, started saying all these beautifulthings, and once the shock wore off, I just started crying,” she laughed a little bit. “And just, you know, I said yes, obviously.”

The audience screamed. Ámbar laughed, radiantly happy, the camera capturing the emotion in her eyes. “Then we hugged and it was very sweet. I really couldn’t have imagined it a better way; it was perfect.”

“And then you two went to celebrate, right? We’ve got some pictures of you on a rooftop.”

“Yeah! That was the craziest part! We had just gotten engaged and Simón was like ‘I’ve got another surprise for you’ and he led me to the hotel’s rooftop, and the whole time I’m thinking, ‘What now?!’ Like, what else had this guy planned? Fireworks? I genuinely couldn’t put it past him by this point. And then we got to the rooftop, and my whole family was there.” The audience went aww. “With our closest friends too; it was like fifteen people up there. And I was like— ‘What are you all doing here?!’” The audience laughed. “‘When did you get here?!’ It was insane!”

“Simón got them all there without you knowing?” The host expressed with awe.  

“No one told me anything! I genuinely don’t know how they managed to keep it from me,” Ámbar said with disbelief. “And the rooftop was decorated with balloons, flowers, there was food— Well, you’ve got the photos there.” She pointed to the screen where the pictures from her Instagram were displaying. “So, like, it was amazing. It was truly amazing, and so beautiful. And our friends started hugging us and giving us their congratulations, and… What got to me the most was that, well, my mom couldn’t go,” she started explaining. “I don’t speak about her a lot publicly but, basically, she’s got a certain degree of blindness, so it’s complicated for her to move around on her own, she has to be accompanied— And honestly, good for her that she didn’t go, I would’ve felt terrible if she had made that huge trip just for me. But she did send me a video congratulating me. I watched it on a tablet. And I just… Well, if I had already cried, that was the moment I finished ruining my makeup.” The audience laughed with her. “But it was sweet. It was all very sweet and moving and just amazing. I had a very good time there with my friends and family until we had to leave.” 

“Sounds wonderful.” The host had a sweet smile on his face. “I bet it was a very treasured moment for you two, for your family, your friends—I have a question though,” he said, more serious now, “that I imagine all of us are wondering as well— What about the concert?”

Ámbar nodded like she knew exactly what he meant. “Yeah, you see, that’s the funniest part! Cause like— Just imagine: Simón organized this whole thing— When he was supposed to be at the soundcheck, by the way; he never did that, he was on the rooftop with everyone else getting everything ready— and in the end, he just like, stayed for half an hour and then he left.” The audience laughed. “Because he had his concert! You know?” She said over the noise. “So like. It was crazy. It was really crazy, he totally rushed to the arena. He must’ve put on his outfit and the microphone in record time, the poor thing. But he always tells me that it was worth it. So.” Ámbar shrugged with a little smile.

The audience went aww again.

A mischievous glint appeared in the host’s eyes. “Yeah, he looked very excited the night of the concert. There was even this video that went viral— You saw it, right?”

“I’ve seen many,” she deadpanned, nodding her head.

“Well, here we’ve got the one that made the most headlines on the internet; a little video posted by a fan.” A video of Simón taking the stage started playing on the studio’s big screen on mute. It was a vertical video, filmed from up close, maybe from the fifth row, or maybe using a lot of zoom. “This is the same night you were telling us about, when the Roller Band was playing at the arena.”

The volume went up and the screams of the crowd could be heard as Simón walked up to the front of the stage where a microphone stand was waiting. He had his guitar hanging from his shoulder, ready to play. For everyone watching at home, the video took the whole screen of the TV, replacing the image of the studio. 

“Paris, how are you doing tonight?!”

The crowd went wild in response to Simón.

Simón laughed a little and started talking again, so the crowd went quiet to be able to hear him. “You know, I’m the exact same way as you, guys, like, exactly. Because this next song,” he started leisurely playing the guitar as he talked, not a melody but just a simple, soft up and down of his hand on the strings, “is one I wrote about a very special someone to me, many years ago now. And since then, I’ve had the fortune, the pleasure, the utter privilege of having this gorgeous, amazing woman by my side. And this night is very special, Paris, because… This very, very night…” He started laughing and had to take a step back, unable to contain his joy. The crowd was screaming. Simón walked up to the microphone again and yelled out ecstatically.

“SHE SAID ‘YES’!!!!”

Simón began strumming the guitar as the rest of the band joined in, playing together the intro of ‘Tiempo de Amor.’

The studio came back on screen and the video continued rolling in a lower volume as Simón started singing the song, eventually going mute, and then pausing altogether. The audience in the studio was screaming excitedly.

“You do realize that because of this 15 thousand people knew about it before many of our relatives and acquaintances, right?” Ámbar told the host, making everyone laugh again.

“I can just picture them seeing this on Twitter or Tiktok and calling you up like ‘WHAT DO YOU MEAN YOU’RE GETTING MARRIED?’” The host acted out.

“It happened with more than one person,” Ámbar declared. The audience laughed.

“Alright but, putting all of that aside, the important thing is that you two had this magical moment and now you’re going to take this next step together,” the host moved the narrative along. “Tell me, have you set a date yet for the ceremony?”

“We don’t have an exact date yet, but the idea is to have a Spring wedding next year.”  

“Love that. So, that means you’ve got plenty of time to plan for the event then. I imagine you’ll need it. Are you planning for a big party?”  

“We’ll see,” Ámbar replied. “We’re still deciding whether we wanna do this biiig, over the top wedding or just a small ceremony with our closest friends and family. But, whatever we end up choosing, I think the most important thing is just, our promise to always be together. So,” a serene smile graced her lips, “the rest is just a complement to that and we’ll figure it out as we go.”

“That’s beautiful,” the host said. “Seriously, I’m so happy for you two, congratulations— Give it up for Ámbar Smith, ladies and gentlemen!”

The audience went wild.

“Thank you so much for being here with us today, Ámbar,” the host told her, starting to wrap up.

“Thank you for having me, it was lovely,” she replied with a smile.

The host turned to face the camera and the shot focused on him. “And to everyone watching us at home, you’ll want to stick around because our next guest is an artist who’s been trending all over social media, not only in Spain but in all parts of the world. We’ll be right back!”

…

..

.

. * ⋆ . · 　.╰──────༺♡༻──────╯. * * . 　 *

Okay so, originally, I had this idea in the context of my Actress!Ámbar x Musician!Simón AU. It was going to be, like, a second chapter where I mixed different interviews, some of Simón, some of Ámbar, as a way to tell how their relationship developed after the ending of chapter one. But then I thought—Why limit it to just that one context? I really loved the idea I came up with for this proposal, so I wanted it to fit as many different worlds as possible, especially canon for those who aren’t such big fans of AUs, so— Here it is! I really hope you liked it. It’s very different from everything I’ve written before in terms of format, but that’s precisely why it was so much fun to write. What would you even call this type of POV? Second Person or something? Sdfkjn. I don’t know, I don’t remember much of my high school lessons; it’s been too many years.

And speaking of years. It's been 6 years now since the show ended and this proposal took place 6 years into their relationship, so I think it would be sweet to imagine that Simón and Ámbar are engaged right now as we speak and that they’ll be getting married next year in 2025 <3

Our babies have grown up, and so have we.

See you all next time. – C

[pinkpastels113]

my thoughts/comments/highlights on anna kendrick's call her daddy podcast episode

love that she is obsessed with bart's bees pomegranate chapstick

i want to see her naturally curly hair!! :(( im glad she's more comfortable with it now and loving it

kendrick is insecure about not having gone to college :((. i agree with cooper that if you know what you want to do and have the resources and pathway in mind to do it, you don't have to go to college but it is totally valid to be insecure about it bc of societal norms

she's been in the industry since she was 10, and she talked about her journey that is further explained in her book scrappy little nobody

her parents thought and realized that she would be okay/"she made it" when she bought her first home in her 20s and brought them to it

brittany texts her "i know you're not gonna replyy but-" a lot

"brittany brings the party, i bring the grumpiness" "please call brittany if you need help with party invitations"

pp4

she has no idea if it's happening

if rebel is adamant about it she would do it

everyone is so busy and successful that it's impossible though to get everyone in the same room but the best reason for her to do a pp4 would be to have and be with everyone in the same room again

HAHAHAH HER GAY/joking PANIC ABOUT KRISTEN STEWART

she didn't tell anyone that she was doing alice darling when filming and even for a while when it came out bc she didn't want anyone to tell her to not do it. bc she just got out of an abusive relationship herself

she literally went to couples' therapy with the abusive ex and thought she was crazy in front of the licensed professional omg

she doesn't have a clear answer for "what are the universal signs of a red flag in a toxic relationship" bc how are you supposed to get into the mind of someone who is trying their best to hide them and emotionally manipulating you? you also don't spend your life looking for those red flags, they just happen like bear traps in a forest (lmao pp2) sooo it's really hard. also sometimes, people question their own memory and sense of reality and have "did this really happen" moments afterwards

she thinks her ex truly believed that he was doing nothing wrong and that she was the crazy one. bc he is not an actor or performer

cooper: it's so hard being with someone that you love for so long and then it suddenly turns abusive or manipulative, like you can't just leave when someone says "why don't you just leave"

cooper: i think it would be weird to not be affected by someone that manipulated you in a way (even years later) bc it distorts your reality

it felt like jumping a cliff suddenly pitching herself to be in charge of the woman of the hour movie. she's terrified that she's "the most experienced person there"

the camera angles in the parking lot scene truly portrayed the dead silence and terror and anticipation of a woman walking alone in the dark in a parking lot with nobody else around

there were a bunch of scenes in the movie where she was glad/noticed how being a woman director made a difference to how it would be portrayed and understood by female audiences about what exactly is happening. she is okay with the 20% of male audiences who prob wouldn't understand

kendrick is very avoidant and not in the mood for dating right now; she knows she has prospects though

she will not even go into a conversation with a man romantically if he has not been or currently in therapy. if they do start something she wants them to do couples therapy despite her previous experiences with it. it is not a guarantee of anything tho!!

what do you bring to a relationship?

anna: i will be the bodyguard and tell the waiter that they got the wrong order. i feel like i'm compensating for my short height

she feels like her humor is so dry sometimes that people mistook it as she being dead serious when she was not.

[angellic-critique]

Honestly my biggest fear is to end up writing my characters the same way vivzie does, I feel like she doesn't even try on certain characters(female characters and literally any other that isn't her "uwu baby boi must be protected at all costs" characters like stolas, angel dust). Like imagine completely missing the point of your own character/srs

to everyone pre-release worries and anxieties just as much as I have-- Please take this time to read or explore different interests of books or authors of subjects and genres you like ! In the era of internet where the golden age of information is rusting into brainrot, the less time online anymore the better. I've been taking javascript/python tutorials for myself attempting to make a dating simulator for literal years at this point and its bounced around to the point of where I branched off to develop my own murder mystery 2-d sidescroller !

I wish for this to be a farewell letter to the crushed hopes and dreams I had for the original hazbin pilot and crew has moved on to other things whereas viv attempted to spitefully keep a story she clearly doesn't have any passion over- it is very evident over her lack of care for her own characters purely for the monetary gains of attempting and sadly wriggling her way into industry the way she did is so abhorrent to the world of genuine art and animation I grew up with.

Has Vivzie ever read a Felix the Cat comic strip or Dilbert even Hägar The Horrible? Does she even know about the history and strive of depth that animation has been at for hundreds of years? Does she even like comics, clearly not if she doesn't even have the patience to write her own and horribly rush whichever story she's interested in that day. I've never seen a careless writer be this selfishly unashamed to write literal garbage and surface level 'intrigue' of design and then falling flat face first at EVERY step. Hope she becomes as unbearable of a director as John K. is because honestly even though I'm cringing making that comparison, it's pretty fair in my book considering the outright ABUSE she has always trying to talk or hoard artists into her 'pet project' I recommend above anything else to watch Dan Stamanolous' 'Moral Orel' if you want an actually funny dark comedy or Christy Karacas' fast paced dark horror comic-come-to-life Superjail! for good animattion that doesn't belittle its audience... *[Trigger Warnings for Adult Swim-esque outdated 2007 humor and light transphobia, read for your own triggers if you dont want to though, please!]

The fact that Stollitz is written so flimsily like a wattpad fanficiton of tropes rolled into one is astounding to me, I used to like the dynamic pre-season 2 as I've mentioned on here and @tired-hellowl so I really don't want to get a headache going into how I USED to like it-Realizing the problematic consent issues all of STOLASS is, I physically cannot watch another Helluva or Hazbin promo anymore without rolling my eyes into the back of my head.

To the anons and people who used to also enjoy vivs work, there are other artists and there are other stories to tell. If you wish to be inspired from Dante's Inferno/Hell or WESTERN CHRISTIAN BASED RELIGION keep in mind what source material you're doing because I don't even think vivzie has picked up the bible once in her life.... And I say this as a drifter in the world who believes in reincarnation I don't really vibe with the athiest stereotypes however, I don't believe in most religion but more power to people that do get hope and love from their teachings and cultures.

She entirely missed the mark for several years, nearly a decade. Viv has had time and time again chance and opportunity to give a chance of storytelling with demons and what does she do? Adult Cartoon that has the demons scream 'FUCK SHIT DAMNIT DAMNIT LOOK IM SO HORNY AND SILLY AND WACKY WOAHH THE SCREEN IS CONSTANTLY MOVING YOU CAN NEVER HAVE A SECOND TO BREATH IN ANY AMOUNT OF WORLBUILDING OR SETTING BECAUSE FUCK. YOU.'--

I have said this time and time again- there is no substance or worth about Helluva Bosses or Hazbins writing, even without the show not being released because Amazon seems ashamed about it, I know it'll be a shitshow.

Honestly at this point I agree with the redesign community, take any character you used to like and rewrite them until it's unrecognizable from the original source material, let those fuckers in space fight alien pirates or hell take them out of the heaven and hell trope and just flip it on it's head entirely out of earth or wherever you want to set your story! I'm personally redesigning angel to be a slight aid to my addiction help via rewriting him into my murder mystery heheh while keeping the sexual abuse and recovery in mind because woah that shit happened to me too man !!!

I wish the best to any future writers, animators, programmers, lovers of animation or art, you can do what you put your mind and hands to! Spread more positivity and love then hate in this world please guys, this'll be the last time I pop in I promise I'm trying to get a better job and hopefully get accepted in a community college that i've been on the fence over trying to do more online coding ! The sky is the limit!<3

[letmeridethatstaff]

The Truman and (Y/N) Show

Chapter 4: Travelers Beware

Word count: 4.3 K

Relationship: Truman Burbank x Reader

Disclaimer: this is all parody. I do not own the Truman show nor do I claim it. Do not repost. Do not translate and repost.

Warnings:

- baby talk of course

- lies

- their life is a television show from birth so ya know

- water aka ocean and fire

- uhhhh idk if I miss some tell me

Not edited and written like weeks apart.

———————

Truman and (Y/N) ended up sleeping in for the day. They made coffee and put their plan into action. After Angela left they did their normal routine, with a small difference. If they really were being watched then the running water of a shower would drown out their whispers. In the shower they planned. Pack a suitcase in the morning and rush to the travel agency after breakfast.

Going into the agency they both noticed posters of multiple disasters: TRAVELERS BEWARE! TERRORISTS, DISEASE, etc. another with lightning shooting through a plane mid flight- IT COULD HAPPEN TO YOU!

Truman and (Y/N) sat down in front of the desk. Eventually a lady comes out with a napkin around her neck. “I’m sorry to keep you!” Truman stands up as a gentleman would do- as he was raised to do.

“Oh it’s okay!” Truman quells her.

“How can I help?” She sits down and removes the napkin.

“We would like to book a flight to Fiji, please.” (Y/N) chimed. The lady starts typing away at the computer.

“When would you like to leave?” Truman picks up his suitcase tapping the side.

“Today.” She nods and goes back to typing. The computer beeps a few times, and Truman perches his arms onto the desk. His chin resting on his hand. She starts shaking her head.

“I’m sorry I don’t have anything for at least a month.” She turns to the both of them.

“A month?!” (Y/N) exasperated.

“I’m afraid it’s the busy season.” Truman scoffs.

“Do you want to book the flight?” She points to the computer.

“It doesn’t matter. We’ll make other arrangements. ‘Kay?” (Y/n) smiles to the lady. Truman and her get up to leave.

~

Their backup: the bus station.

The conductor yells: “LAST CALL FOR CHICAGO! ALL ABOARD!” As Truman was getting the tickets she waved down the bus conductor. The bus director blows his whistle. Truman finally got the tickets,”Thank you!”, and they raced off to the bus.

“Windy City, here we come!” Truman tells the bus conductor as he hands him their tickets. They get aboard. As they get aboard a little girl peeks out behind a seat.

“Mom isn’t that-“

“Shhh sweetie face the front.”

(Y/N) and Truman make it to their seats. The bus starts to sound horrendously loud with gears grinding onto one another. After a few attempts of starting the bus a loud hissing sound comes from the engine along with smoke of some sort.

“Everybody off. We’ve got a problem.” The bus director climbs aboard to tell them. Immediately everyone gets up. Either for their luggage or to leave. No one complains. Everyone files off the bus while Truman and (Y/N) stay.

“I’m sorry you two.” The bus driver seemed put down by the events. He then gets off the bus.

~

The scene cuts to audience members.

AM 1: “Why are they trying to go to Chicago?”

AM 2: “Well you see Truman’s dad was from Chicago, wasn’t he?”

AM 1: “No. his dentist was from Pensacola. His father was from Des Moines.”

AM 2: “B-but how come they want to go to Chicago?”

AM 3: “Their not going to Chicago. Their not going anywhere.” She shakes her head, “They won’t let them.”

~

The scene changes to the next morning. (Y/N) heads outside to see Truman still sitting in his car after not going to work.

“Truman?” She asks hesitant, “you okay?” Their neighbor and Pluto the Dalmatian was staring at them- as if they were also concerned.

“Get in.” He gestures with his fingers. She climbs into the passenger seat.

“What is it?”

“Look-“ he shows the rear view mirror. They wait, “I predict in just a moment we will see a lady on a red bike, then a man with flowers, and then a Volkswagen Beetle with a dented fender.” She waits and watches with him. It happens- a lady on a red bike, a man with flowers, the beetle with a dented fender.

“M-maybe it’s just an uh routine?” She was nervous and worried trying to call herself, picking her cuticles. Truman gently grasps her hands to stop her.

“Maybe OR- their walking the block. They just go around and around and around.” Truman started acting funny. She had it.

“Get out-“ she quipped.

“What-“ he was shocked. They never had a tongue with one another.

“Switch seats with me- now.” She started to climb into the drivers seat.

“Okay okay- OW!” A muffled sorry came through.

“Let’s go- now- let’s go to Fiji.” He starts laughing and so does she. His more hysterical and hers more nervous. She buckles up and so does he. She slams the gas and they back out. She starts driving in circles around the round about.

“Let’s forget Fiji!” Truman yells. “Can’t drive to Fiji!”

“ATLANTIC CITY!!!” She spins out towards a random road. Suddenly multiple cars and a truck stop them.

“Blocked at every turn.” She taps her thumb on the steering wheel.

“Beautifully synchronized, don’t you agree?” They look at each other- they know.

“Ya know what we should head home.”

“Agreed.” She speeds backwards towards to round about. “ACTUALLY-“ Truman pips up, “let go to New Orleans, party c’tay!” Truman sticks out his tongue and shakes his head back and forth- a goof- she smiles. Turning down the same road and the traffic is completely cleared.

“Like magic, wouldn’t you agree dear?”

“Absolutely, my love.”

~

Fuck. Why did they have to live on an island.

“We can turn back.” Truman tells her. The bridge loomed in front of them. The windows were rolled down, making the sound of the lapping waves all the more present.

“Absolutely not. My fears not as bad as yours…” they looked at each other. “Close your eyes.” She asks Truman. She starts speeding over the bridge, swerving slightly- “WE’RE OVER THE BRIDGE!” She exclaims happily. Truman laughs cheering with excitement and relief.

A warning sign on the road: FOREST FIRE WARNING

“Truman what about the sign!”

“Pull over I’ll drive! Don’t worry, I think it’s just an exaggeration!” She pulls over and they switch seats. As they keep racing down the road- a fire wall appears.

“Exaggerating?! That’s a literal wall of fire!!” He keeps pushing the gas and drives through the wall. Smoke fills the cabin of the car.

“Shit! Truman we have to be on fire!”

“It’s okay! It’s okay! It’s just smoke!” The smoke starts to disapate, “You okay?”

“Yes!” She coughs out.

“Wanna do it again?!” He laughs.

“No!” She laughs and smacks his arm.

~

A while later down the road.

“How do you think everyone will take this?” (Y/N) asks knowing that if this really was real life and not a show- her family (and Angela) would be worried sick.

“I don’t know but I do know I’m glad we don’t have a pet- let alone a kid.”

“Agreed.” A siren started to blare.

“What now?” Truman sighed. (Y/N) started biting her nails. He grasped her hand with one of his and kissed the back of it. She took a breath. They arrived at a scene of a nuclear plant being blockaded by the police.

Truman has the windows rolled down, “Back up! Back up!” An officer yelled at them. A speaker blared about a Red Alert, “There’s been a leakage at the power plant.”

“Is there anyway around?”

“Whole areas being evacuated.”

“Well good luck and thanks for the help.” (Y/N) pipped up.

“You’re welcome, (Y/N)!” The officer saluted and walked away.

She nor Truman said their names.

“(Y/N).” Truman whispers to himself with a dawning realization. He swiftly, discreetly unbuckles himself and (Y/N). They rush out of the car and into the woods.

“Hold my hand!” Truman shouts, they grasp each other's hand. Almost as if to say they have each other. That they aren’t crazy.

People in hazmat suites started to chase them in the woods. The perfect woods, in perfect rows. Truman found a stick and started swinging it at the people. Truman was tackled to the ground. “Truman!”

~

“Thank you for bringing them back officers.” Sam, (Y/N)’s mother, had been called to watch them. Unknown who called them- the police most likely- or…others.

“Next time, we’ll have to file charges.”

“I understand.” She nods to them, “Thanks again, good night.” She closes the front door. She stocks her way over to Truman and (Y/N) in the kitchen. (Y/N) was holding an ice pack to Truman’s head from where he was tackled.

“I swear I’m fine.” He whispers. She shakes her head at him.

“Fine,” she whispers, shaking her head. She reached up and kisses his forehead. Sam walks over to the counter and stands in front of them both.

“Let me get you some help,” Sam gently whispered. “You are not well.” A moment passed before (Y/N) asks.

“Mom, why do you want me to have kids? You can’t stand Truman.” She’s exhausted, he knows, everyone knows their in-laws hate their spouses.

“That’s not true!” Sam exclaims almost offended. She turns around briefly. Turning back to them with a cocoa tin in hand and a large smile. “Why don’t you let me fix you some of this new Mococoa drink? All natural cocoa beans from the upper slopes of Mount Nicaragua- no artificial sweeteners!”

“What the hell are you talking about?” (Y/N) exasperated, she looks around. “Who you talking to?!”

“I’ve tasted other cocoas. This is the best!” Her mother was nervous- for some reason. She never really acted like a mom growing up. More like…a playmate. Babysitter almost.

(Y/N) stands up, “What the hell does this have to do with anything?” She’s walking towards Sam. “Tell me what’s happening!” She shouts. Truman stands up.

“You’re having a nervous breakdown, that's what!” (Y/N) scoffs as her mom backs up from her approaching form.

“What the hell mom!”

“(Y/N) you’re scaring me!” Sam grabs the dicer that can peel, dice, and chop.

“Hey hey! Don’t point that thing at her.” Truman stands in front of (Y/N).

“Alright enough you need to leave!”

“Fine! But don’t come crawling back to me when you need a babysitter!” Sam states. But ever so faintly just barely at a whisper, such unprofessional conditions.

That was the final straw. She broke. Sobbing Truman held her- her whole life a lie- or maybe she was lying to herself. But if that’s the case how did Truman experience the same things?

~

A few moments later Marlon showed up at the door. He had heard what happened and wanted to check on them both. (Y/N) was curled up against Truman with her puffy eyes. They had talked about their childhood with one another. How Marlon got pneumonia because (Y/N) wanted to play North Pole and camp outside. How Truman and him would cheat off each others tests- right together and wrong together.

The scene on the tv cuts to Cristoff- “…but, well, the point is I’d gladly walk in front of traffic for you two.”

The scene changes back to Marlon and the Burbanks. “…well the point is I’d gladly walk into traffic for you two.”

Back to Cristoff: “And the last thing I’d ever do is lie to you. Either of you.”

Marlon’s back on screen, “And the last thing that I would ever do…is lie to you. I mean think about it, if everybody is in on it.” He starts to get choked up. “I’d have to be in on it too.” He takes a sip of the beers he brought. “I’m not in on it because…there is no “it”…You both were right about something though.”

“What’s that?” Truman’s whispers.

“The thing that started all this…” he gets up and goes outside. They follow him. In the fog there stands a figure. A familiar one.

“Yep. I found him for you, Truman. That’s why I came by tonight.” He tsked, “I’m sure he’s got quite a story to tell.” The camera pans closer to Truman’s face. “Go to him.” Marion whispers placing his hand on Truman’s shoulder. The figure walks closer to them.

The scene goes back to Cristoff. “Easy on the fog. Stand-by light post cam.” A second passes, “Post cam.”

The scene changes to Truman. Marlon has wrapped his arm around (Y/N)’s shoulder as they watch Truman. He gets closer to his father.

Back to Cristoff. “Button cam three.” The scene is now through a button cam hidden on the cardigan. It’s Truman.

The tv shows audience members holding one another.

“I never stopped believing.” Truman tells his father.

More audience members are shown: this time a pair of older ladies. With a Truman pillow and (Y/N) mugs.

Christof returns on screen, “And wide curb cam eight.” The scene is now from the curb- a fully body wide shot from the side of Truman and Kirk.

“My son! Oh!” His father embraces him. (Y/N) is shown leaning on Marlon’s shoulder and sniffling.

Christof and a crew member appear on screen. “Move in for a close-up?” They suggest.

“N-n-no no…” his hand is raised while the other holds a pen. “Move back and…fade up music.” The music swells from the live piano player. “And now go in close!”

Truman’s father speaks, “All those years wasted! I’ll make it up to you son. I swear it.” Their still in an embrace. The camera zooms in to Truman’s smiling face above his fathers shoulder.

“Dad.” Truman cries. The crew starts to cheer. So does everyone else- the rest of the world- the audience members.

“Bravo!” Cries a crew member.

“That was a really great experience.” Everyone gives congratulations to Cristoff.

The scene changes to Sylvia. Sitting in the floor before her television. She watches Truman and (Y/N) share a cup of Mococoa- an ad plays below it as they drink. Sylvia’s face contorts with anger. More anger for the way he— Christoff— manipulates them.

The scene then shows a sort of replay or recap of The Truman and (Y/N) show- how it came to be. The picture of the two of them drinking coco is put in the upper right part of the screen.

Announcer: 1.7 billion were there for his birth, and later 2.3 billion for hers. “A star is born” flashes on the screen across baby photos. Over 200+ countries tuned in for their first steps. The world stood still as (Y/N) had her first kiss. As they grew so did the technology. An entire human life recorded on an intricate network of hidden cameras. A clip of Truman and (Y/N) through their neighbors trash can is shown. Broadcasted live and unedited 24 hours a day, 7 days a week to an audience around the globe. Coming to you now form Seahaven Island enclosed in the largest studio ever constructed- the scene zooms out to show the scale of the dome as it lives right above the Hollywood sign in LA- along with the Great Wall of China, one of only two man made structures visible from space. Now in its 30th great year it’s The Truman and (Y/N) Show!

~

Interviewer: “What a week it’s been. I don’t know about you— I was on pins and needles the entire time.”

The scene shows someone taking a bath with the television set up right next to it. The scene then changes back to the interviewer, Mike.

Interviewer: “Hello and good evening. I’m your host Mike Michaelson and welcome to Tru-(Y/N)-Talk our forum for issues growing out of the show a rare and exclusive interview with the shows conceived and creator. So, come with us now as we go live to the lunar room. On the 221st floor of the Omni Cam Echosphere. This is where we’ll find the world’s greatest Televisionary-“ the camera zooms into the moon to show Cristoff. “The designer and architect of the world within a world that is Seahaven Island—Christof.”

Mike: “Before we begin, I’d like to thank you on behalf of our audience for granting this exclusive interview. We know how demanding your schedule is- and we know how jealously you guard your privacy. This, sir, is indeed an honor.”

Christof: “Don’t mention it.” He sits down.

Mike: “Well, the catalyst for the recent dramatic events on the show has been Truman’s father. Kirk— and his attempts to infiltrate the show, but before we get into that. I think it’s worth noting that this is not the first time someone from the outside has attempted to reach both (Y/N) and Truman, is it?”

The scene changes to show (Y/N) and Truman spending the holidays together. Both of their families gathered watching the young (Y/N) and young Truman open presents.

Christof: “We have had close calls in the past…” A man pops out of a large present. Shouting: “(Y/N)! Truman! It’s television! Yes!” Their mothers pick them up and carry them out and their fathers wrestle the intruder. “I did it! I’m on the Truman and (Y/N) show!”

The scene changed once again, this time it shows Truman at the newsstand. A parachuter is coming down behind him in the background.

Mike: “But there’s never been anything to compare with this most recent breach in security— the first intruder to be a former cast member…” the parachuter has a sign taped to the front of his chest: TRUMAN YOU ARE ON TV! The scene changes back to Christof.

Christof: “A dead one at that.”

Mike: “Gotta say, writing Kirk back in— Masterstroke.”

Christof: “Since Kirk started this crisis in Truman’s life— and by association (Y/N)’s — I came to the conclusion that only he could end it.”

The scene shows (Y/N) and Truman as toddlers—about 5– at the beach. Their family started to shout at them as they reached the top of the rocky seashore. Kirk and her father- Neil- were yelling at them: “Truman! Truman! (Y/N)! No!” Neil hopped the fence and started racing for them.

“That’s off limits sweetheart.”, of course this peeked both of the young minds.

“Why dad what’s over there?” (Y/N) questioned. Everyone at the beach was staring at them— it was their normal.

“Nothing. It’s dangerous. That’s all.” Kirk chimed in. Kirk started climbing the rocks to get them down. “You’ve got to know your limitations you two.” He picked them both up and brought them down.

Mike: “But let’s remind viewers exactly why dad—Kirk— was written out in the first place.” The scene shows young Truman and (Y/N) staring out into the ocean.

Christof: “As Truman and (Y/N) grew up, we were forced to manufacture ways to keep them on the island.”

The scene shows a pre-teen Truman. “I’d like to be an explorer like the Great Magellan!” Informed the teacher. The teacher pulled down a map.

“Oh you’re too late. There’s really nothing left to explore.”

Christof: “For (Y/N) it was easier to dissuade her from wanting to leave. She didn’t want to be an explorer like Truman— she wanted to be an artists.”

The scene shows pre-teen (Y/N) and Truman at a pier. (Y/N) with her painting supplies and Truman with his binoculars. A dog was snarling and barking at them making them pause and leave.

Christof: “Finally, I came up with Kirk’s drowning.”

Mike: “Most effective.” He praised.

Christof: “Truman— and by association— (Y/N) as well have been terrified of the water ever since.” The scene shows pre-teen Truman and (Y/N) watch Kirk “drown” in front of them. Truman was bawling his eyes out— (Y/N) going numb but holding onto Truman like a lifeline. “When Kirk read the synopsis for the Death at the Sea episode he was disappointed to say the least.” What the kids don’t see is Kirk being rescued by a scuba diver and given oxygen. “I’m sure that’s what caused him to break back on to the set.” The scene returns to Christof and Mike.

Mike: “But how do you intend to explain his 22-year absence?”

Christof: “Amnesia.” Mike scoffs slightly.

Mike: “Brilliant. Let’s take some viewer phone calls: Charlotte, North Carolina, you’re on with Christof.”

Caller: “Uh, yeah, hi, Christof. I was wondering how many cameras you got in that town?”

Christof: “Somewhere in the vicinity of 5,000.”

Caller: “Woah, that’s a lot of cameras.” The scene zooms in on Christof’s face.

Christof: “Remember, we started with just two.” The image shows two ultrasound cameras— one of Truman and the other (Y/N). “They were curious from birth. Truman was premature by two weeks— (Y/N) was late by a week— Truman acted as if he couldn’t wait to get started.”

Mike: “and of course his eagerness to leave his mother’s womb was the very reason why he was one of the multiple baby boys chosen.”

Christof: “Yes, in competition with five other unwanted pregnancies. The casting of a show determined by an air date. Truman was the baby boy who arrived on cue.”

Mike: “(Y/N) of course was late, as she is in life.” Christof slightly chuckes.

Christof: “Ah yes, as for (Y/N) we didn’t want to add her until a year later once we knew that the general public would take well to seeing a show like this.”

Mike: “and incidentally, I believe both were the very first babies ever to be adopted by a corporation?”

Christof: “That’s correct.”

Mike: “The show, uh, has generated enormous revenues now equivalent to the gross national product of a small country.”

Christof: “People forget it takes the population of an entire country to keep the show running.”

Mike: “mhmm. Since the show on 24- hours a day without commercial interruption, uh- all those staggering revenues are generated by product placement or (Y/N)’s paintings.”

Christof: “That’s partially true. (Y/N) generates her own income. When she sells a painting she keeps that money, not the studio. However, everything on the show is for sale. From the actor’s wardrobe, food products, to the very homes they live in.”

Mike: “Uh and all of it available in the Truman and (Y/N) catalog. Operators are standing by. Christof, let me ask you: why do you think Truman and (Y/N) have never come close to discovering the true nature of their world until now?”

Christof: “We accept the reality of the world with which we are presented. It’s as simple as that”

Mike: “The Hague for Christof. Hello? The Hague?” There’s static and The Hague hangs up. “All right, we’ve lost that call. Let’s go to Hollywood, California. You’re on Tru-(Y/N) Talk.”

Caller: “Hi, Christof. I’d just like to say one thing: you’re a liar and a manipulator and what you’ve done to them is sick!”

Christof: “Well, we remember this voice, don’t we? How could we forget?” The scene shows that the caller is actually Sylvia.

Mike: “uh let’s go to another call.” Christof interrupts him, “No, no no. It’s fine Mike. I love to reminisce with former members of the cast. Sylvia…as you announced so melodramatically to the world you think because you persuaded (Y/N) to find Truman once— that you know what’s right for her? For him? You really think you’re in a position to judge them?”

Sylvia: “what right do you have to take a baby— two babies— a-a-and to turn their lives into some sort of mockery? Don’t you ever feel guilty?” Christof shakes his head.

Christof: “I have given them a chance to live normal lives. The world… the place you live in is the sick place. Seahaven’s the way the world should be.”

Sylvia: “They're not performers. Their prisoners. Look at them! Look at what you’ve done to them!”

Christof: “They can leave at any time. If his was more than just a vague ambition. If he— and she— were absolutely determined to discover the truth there’s no way we could prevent them. I think what distresses you really, caller, is that ultimately they prefer— as you call it— their cell. Mostly (Y/N) prefers it.”

Sylvia: “That’s where your wrong. You’re so wrong! She’ll prove you wrong.” Sylvia hangs up the call.

Mike: “Well, aside from the heated comments of a very vocal minority it’s been an overwhelmingly positive experience.”

Christof: “Yes. For Truman’s and (Y/N) and for the viewing of the public.”

Mike: “Well, Christof, I can’t thank you enough for giving so generously of your time tonight. I think it’s safe to say now that this crisis is behind us and that Truman and (Y/N) are back to their old selves. We can look forward to some exciting new developments?”

Christof: “Well, Mike, the big news is that Sam— (Y/N)’s mom, will be leaving Neil. A possible new love interest for Neil may be introduced. (Y/N) as an adult will have to navigate what it’s like to be a step-daughter as an adult.�� The scene shows Sylvia staring at the little video picture in the top right corner. Showing (Y/N) and Truman eating cereal. She gently touches the picture of the two of them.

Christof: “I am also determined that the first ever live on television, conception will take place. Whether that be (Y/N)’s doctors having to fib a little about her needing to get off birth control o-or setting the mood who knows.” Mike chuckles.

Mike: “Well, another television milestone straight ahead. You heard it here first. It has been a singular honor and pleasure, sir. Christof, thank you.”

Christof: “Thank you, Mike.”

The scene shows an audience memeber has fallen asleep in their tub.

Then it shows both Truman and (Y/N) cuddled together sleeping. A large screen is showing this into the studio of Christof’s. Christof gently touches the screen. As if he was patting their heads to say goodnight.