#no one's gonna dance with me

[plistommy]

When Steve and Eddie start making out, Steve is the first one to make the move and take charge.

He’d happily kiss Eddie with a soft smile on his face as he’d wrap his arms around the older boy and lay on top of him, making Eddie nervously hold his waist.

But as they get closer, more comfortable, Eddie starts to relax and get the confidence he has lacked. And instead of Steve being the one in charge like he has always been, Eddie takes the charge like he has always wanted to.

And oh does Steve love it.

The way Eddie holds him, kisses him - fucks him and takes care of him while whispering soft praises against his red bitten lips makes Steve happier than ever.

[hellspawnmotel]

[arleniansdoodles]

If you don't mind, I would like to ask:

Are there any happy or joyful moments between Noa and Mae?

Such as Mae singing childhood songs, those rhytmic ones? Or dancing around the campfire? Maybe Noa telling humorous tales from his childhood or him having contagious laugh so Mae laughs too?

It's just that they deserve some happy moments too.

I don't mind at all! I agree, they definitely deserve some happy moments :''')

I assume you're asking about my headcanons; I like to imagine Noa would show Mae how to care for the eagles! He'd teach her the clan's songs and the stories behind them; then he finds out she sings pretty well (Freya Allan has a beautiful singing voice btw) and asks about human songs.

So Mae turns to the old children's tunes and nursery rhymes kept alive in the bunker's archives (maybe her mom sang some to her when she was a kid). Maybe Noa finds the meanings funny or confusing, but either way, he's curious about human music XD

I also headcanon that she teaches Noa (plus Soona and Anaya) how to dance! I don't know if Eagle Clan has any dances, but Mae would show them the "swaying side to side" method loll In turn, Noa teaches Mae how to climb better XD

Thanks for the ask! I love thinking about these two <333

[allyougottado]

the scotty and cthylla car crash chronicles

based on this part in the cradles choreography

it surprised me so much when i played it for the first time i wanted to laugh so badly what is she making him do 😭😭😭

[halfratsalready]

Saw this and it made me think of Wander and the Traveler so here we are

[destinywillowleaf]

one of a kind living in a world gone plastic

baby you're so classic

@most-tragic-character-tournament

(all my thoughts in the tags)

[chimerahyperfix]

You are a scientist. You like testing theories, making hypothesis. Working with dangerous materials that get you scolded. You are a scientist, and you are also a writer! You’ve swung at a few things before: sappy poems, work papers, crab, you’ve even attempted a horror short at Mirabelle’s inquiry. You’re favorite thing to write, though, are just basic letters.

You like to write letters. It's easier, to you, to write your thoughts on a piece of paper and hide it somewhere the recipient can find than to tell them what you think face-first. You’ve done it for years, long before you even came to the House to learn about the Change religion. A childhood habit that’s rolled over through your life like a wave on the sea.

So, of course, when time begins to loop, you write. Many, many letters. They all get lost to time when it twists back, and now, many loops in, that leaves a hole in your heart and a spot in your brain you can’t itch, for the words of each letter are mostly forgotten before you fight the King. It’s… fine, you guess? You can word things as many ways as you need to. Anything described can be described some more, after all.

For the first handful of loops, you wrote the same letters. Rather sappy, lovey things, your specialty. The furthest depths of your heart smeared onto a page for eternity, for you love and love and love, and you want those around you to know it.

Though as time trudges on, the same twenty four hours over and over in a nice single circuit built for it to run through, built by wishes and stars and twisted leaf-baring branches, so do your thoughts; therefore your letters move so, too, to adapt. More theoretical things. Questions. Ifs, ands ors buts and whys. Sadder ones after the bad loops, wailing and endlessly upset and mourning those who froze and those who were killed for standing in the King's way.

They get angrier as time goes on. More enraged. Wrath melts into the corners, edges fold and tear and warp under the weight. You stop delivering them, because you're here in this time loop hell to protect the ones you love, and you'd just make it worse if you gave them a letter like that.

You write a scathing letter, once. You write it after an absolutely abysmal loop, ending with blood and tears and probably the loudest you've ever screamed. It flows onto the page easily, and you leave it out on your desk, because you were hungry and hadn't eaten that loop with how beside yourself stressed you were.

Mirabelle finds it. Asks you, quite worried, if you're okay. You must've said something, and it had to be bad, because she flinched away from you like you'd tried to light her ablaze.

You panicked. Time looped.

Never again.

You hide them, after that. Shoved in your pillowcases or in piles of books, stacks of other papers. In the barrels. When you write only one or two you shove them in a bottle and push them to the back of your potions.

You're a shedding snake, a leopard changing its spots. Time is your prisoner and you are it's, and that melts into you as a human being until you are flesh and blood and twenty four hours that shouldn't continue.

Words spill from you, your mind, onto the page. You don't read them anymore. Just write and write and write, and tuck them away and pray no one finds them. You long for the days you could sit and write sappy love letters-- and sometimes, you still do them, but they're tinged with something, regret or rage or the absolute despair you feel, they're wrong, so they're tucked away as well. Letters just wrong, noticeably so. You’d be asked what’s wrong. Cornered. You can hear it now, “What’s wrong? What does this mean?” And all you can think of is the horrors you’ve seen.

One of these loops, whenever you get out, you expect to have a pile of ramblings with time-burnt letters and tear-stained edges. Whenever you get out, if there are any, you'll burn them. As a rite of passage, or something. A Change. Because time changed you, and the less people have to know about it the better. You can't get rid of your rotten voice or the tiredness in your bones or the way your brain has twisted to think, but you CAN get rid of letters.

You like to write. The horrors you write, of twisted time and dying and what being frozen in time is like— it can go. No one needs to know. No one WILL know. It’ll all fall on you, like every other crabbing thing in the time loops. And that’s okay, it’s enough.

[jtl-fics]

Fluent Freshman - Part 19

PREVIOUS

There’s a couple things about FF that might be good to know at this point.

1. There are few things in the world he hates doing more than asking for clarification or admitting he doesn’t understand / know something. The thought of going up to someone and admitting that he hasn’t perfectly comprehended the situation upon the first explanation is something makes his stomach twist like he’d just eaten Mango-Habanero ice cream.

He has figured out his own math theorems in the pursuit of not having to ask the math teacher to explain he doesn’t understand. He got lost in an Ikea once for over 6 grueling hours where he considered making a home there and living among the display rooms until his grandma grabbed him by the ear and dragged him to safety (the food court) and let him regain his strength (eat Swedish meatballs). He, to this day, is not sure about one of his foreign language friend’s names (how embarrassing he just keeps waiting for someone else to say it but they go by some insane nickname).

So he has become a master of piecing shit together on his own. He sometimes gets it wrong (Andrew, god how embarrassing) but for the most part 8 times out of 10 he can get to the right answer if he just has a couple pieces to work with. No one had ever actually explained to him how Exy works and he was too embarrassed to ask after the third week of practice in middle school so he just pieced together what he was and was not allowed to do through the art of trial and error. He’s even mostly pieced out the rules for the other positions.

So with the information he has gotten through people being bound and determined to talk in foreign languages in front of him he has an idea about the tenuous situation some of the older Foxes find themselves in.

He’s heard Kevin Day and Jean Moreau talk in French.

He’s heard that the anxiety in both of their voices as they talked about their futures and owing 80% of their salaries to the ‘Moriyamas’ and how nervous they were about getting on professional teams or else they’d be killed.

Captain Neil and Andrew are not always using Russian to talk dirty.

He’s heard Andrew soothe Captain Neil’s worries about playing for a professional team. He’s heard Captain Neil mention that at least ‘Ichirou’ would likely just kill him and not make a game out of it like his father did.

Organized Crime might have more to do with Exy than FF had originally thought.

(He had thought it. Plenty of times he had thought it but his Gran had warned him that he was overthinking things. That he wasn’t playing a sport invented by the Mafia. That he had caffeinated coffee instead of decaf. “It’s going to be okay sweetie. Just take a deep breath.”)

This leads into the second thing you should know at this point.

2.  Before he had signed with Wymack he had known the broad strokes of Captain Neil’s life. There had been a lot of news articles about it and Gran (bless her) loved trashy gossip magazines.

After he had signed with the Foxes he had done a bit of a deep dive on as many of their controversies as he could find. There’d been things from brawls on the court (worrying), player overdoses (concerning), a straight up MURDER (Oh god), and the very public breaking of the King of Exy’s arm resulting in his suicide (Warranted, that wacko was going to take off Captain Neil’s HEAD.)

But the thing that had made him actually a little bit, dare he admit, excited to go to Palmetto was the fact that Captain Neil was there.

For someone who froze for almost a decade, who just took it and didn’t have the balls to even react? Neil Josten is an inspiration.

This is someone who got away, who lived a life completely unlike FF’s, someone who knew how to run and more impressively someone who learned how to FIGHT. Captain Neil was being hunted but he still ripped people to shreds in interviews. Captain Neil was probably more scared of the Butcher than FF had been of anything in his entire life but Captain Neil was way braver than FF could ever hope to be.

Captain Neil was taken and tortured but he still fought. FF had seen the scars and Captain Neil is right to wear them proudly (though based on some conversations he has unfortunately overheard he is sure Andrew may have a role in Neil’s positive feelings about them).

FF had thought that he was being lead to his death down in a basement of a club (Don’t cringe. Don’t cringe. Don’t cringe. Don’t-) and he just trailed right behind the two of them without even an illusion of a fight.

Neil Abram Josten was a bit of a personal hero.

He’s proud to call him Captain Neil. He wishes Andrew hadn’t been there when Greg had mentioned wanting autographs because FF wants an autograph from Captain Neil but now Andrew has probably mentioned it to Neil.

Long story short, FF had looked into a lot of details on Captain Neil’s case.

Including two of the Butcher’s top men who were still on the loose.

Romero Malcolm and Jackson Plank.

He keeps his presence low but no matter how many times he blinks the man grumbling in Italian next to him continues to be Romero Malcolm.

Moreover Romero Malcolm continues to grumble about the fact that he is having a hard time finding ‘Nathaniel’ and that he’ll have to grab one of ‘The Wesninski brat’s friends’ to draw him out.

FF is a recently confirmed friend of Captain Neil.

FF who is standing next to this man, with his dick out, and trying to remain as invisible as possible.

After two shakes (Yes he was watching but only because he had to! He wonders briefly if he goes to the FBI if they would accept a description of Romero Malcolm’s penis for the wanted poster? Probably not but it is BURNED into his retinas.)

He watches as Romero tucks, zips, and then bypasses the sink entirely.

FF shivers at how unhygienic that is. Who RAISED him?

The door shuts and FF needs to get out of here ASAP but his hands are shaking with the sudden adrenaline of ’One of the FBI’s Most Wanted just took a piss next to me and is looking for me friend’. He pulls his phone from his pocket and ducks into one of the stalls. Even if there’s no door it’ll at least FEEL a little safer, a little more private. He needs to warn Neil, Warn Andrew, and warn-

The door to the bathroom SLAMS open and music blares in (palms are sweaty, knees weak, arms are heavy-) and his phone slips out of his hands and into the toilet. There are footsteps coming towards him and FF digs deep.

He’s in ultra stealth mode. He is the wall behind the wallpaper. Mantis shrimp can only dream of the color he becomes, the United States military have the CIA on the look out for him because he’s fallen off all conventional forms of radar and tracking.

He is a bargain fruit platter on a dessert table at a kid’s birthday party.

He is ULTRA stealth.

Romero’s gaze glides over him.

Then the man leaves (STILL DID NOT WASH HIS HANDS).

His heart is hammering in his chest but he manages to reach down and grab his phone. Well, Coach Wymack had gotten the extended warranty at least. (“Do you know what these fuckers do to phones? Josten crushed his last year in a fight with the Baseball team captain.”)

His phone’s extended dip into the toilet water had not done it any favors in working properly.

Well fuck.

He wipes his phone down the best he can. He wipes his phone down with some toilet paper before cramming it into his pocket (Sorry Nicky, he’ll wash the toilet water pants if they survive).

He sees a flyer on the wall of the bathroom and starts to think of a plan.

He rushes out of the bathroom (he still washes his hands because he will not have something in common with a man on the FBI’s most wanted list and he just dipped his hand into a CLUB TOILET) and clocks Nicky’s wild arm movements and WORSE clocks Romero just 10 clubbers away.

He sees Romero’s eyes lock onto Nicky and a smile that terrifies him.

He’s out of Ultra Stealth Mode even if every atom in his body wants to run.

He is so stressed and panicked that he has gone beyond his body’s ability to process that so all that is left is determination. He’s got a head full of a half-baked plan, a hand going to his pocket, a second hand on the only ‘weapon’ he has on him, and a stomach full of acid.

He’s pulling his phone out of his pocket before he can really let himself think about it and walking up next to where Romero is standing. He holds his toilet water phone up to his ear and does the one weird social anxiety thing that he had never done before.

He pretends to be on a phone call.

“Hey Captain Neil,” he says and in the corner of his eye he can see Romero’s gaze shift from Nicky (surrounded by an adoring public, covered in sweat and therefore difficult to grab - a difficult target) to himself (alone, shorter, and probably looking like he’s about to pass out). “Yeah I think I’m going to take a break outside after I grab quick drink and then a water at the bar.” He says because he has to be the easier target and he has to go to the bar. “Yeah, yeah, okay I’ll mention it to that bartender guy.” He says and pretends to hang up.

He turns and he walks towards the bar and feels his pulse in his throat go to the beat of the music (success is my only motherfucking option, failure’s not).

He only knows about the alley because in the car ride to Sweetie’s Nicky had mentioned that he wouldn’t let FF’s first time be out there. He had been embarrassed but it was the only way he knew to get Romero out of the club and away from where he could hurt Captain Neil or anyone else in the pursuit of that.

He spots the bartender who had gotten the drinks for their table and his mind completely blanks on the name but the bartender sees him and smiles. “Oh you’re Neil and Andrew’s new friend! What can I help you with? I thought you were-“

“Hi, yes I am Captain Neil and Andrew’s friend.” He says a little loudly because he can feel Romero behind him and he does NOT want the man to know anything about where Captain Neil was.

“Captain Neil? Oh wow that’s adorable.” The man gushes. “What can I help you with? I won’t ask for ID for one of their friends.” He winks.

“I’d like to order the uh…” he tries to remember the exact drink name from the flyer, “…the deluxe chocolate martini?” He asks and knows he got it right when the bartender’s expression shifts ever so slightly.

“Oh yeah, how do Andrew and Neil feel about that?” He asks and oh great a coded conversation. It’s nice to actually be having a real one of these for once instead of just perceiving normal conversations to have hidden meanings.

“They don’t know. They probably prefer that I order it instead of Nicky or Aaron.” He lets his eyes dart to the wide where he believes Romero is watching him.

“I don’t know if that’s true.” The bartender says, “Nicky knows how to handle a drink and Aaron’s not a lightweight either.” He adds.

FF struggles to find a coded way to say ‘It’s not that someone’s hitting on me too hard like the flyer mentioned. It’s that there’s a mafia hitman in your club.’

Finally after a moment, “It’s not the usual kind of drink they get.” He tries and the bartender looks confused by the statement, dammit. He struggles to find a different way to say it before the bartender smiles.

“Y’know you’re really cute.” He reaches under the bar top and grabs a piece of paper and a pen. “How about you write down your number for me cutie? We can meet up sometime.” He says. “I’ll get started on that chocolate martini for you.” He says.

HE COULD KISS THIS MAN.

“I’d like that.” He says.

He writes out a quick message on the small note paper.

‘Armed. After Neil. Looked at Nicky. I’m going to the back alley. Phone is dead.’

The bartender comes back and looks at his note. “We’re out of chocolate martini mix, can I get you something-“ He hopes the club lighting obscures how pale the man got, “something else?” He asks and FF can SEE his pulse.

“Can I just get some water then?” He asks.

The bartender nods and pulls up his phone and hopefully is dialing the police and hands FF a water. His hand grabs hold of FF’s “You don’t need to go out into the alley. You could hang in the backroom with me?” He offers.

There really are some kind people in the world.

“I think it’s better if I’m not in here for a bit.” He says back and honestly he needs this kindness and he has a spare bit of courage, “What’s your name by the way? Sorry I missed it.” He says.

The bartender swallows, “It’s Roland.” He says.

“Thanks Roland.” He twists the cap off of the water bottle and takes a sip.

He turns and pretends not to notice how Romero is trying to be inconspicuous pretending to be on his phone.

He makes his way over to the alley door and notices that Romero is tracking his movements but is not following him like he did to the bar.

His heart is pounding and he can’t BELIEVE he’s doing this. He wants to run, wants to hide somewhere, wants to become imperceptible but…but…

He opens the door to the alley as the bass of the remixed song finishes.

(You can do anything you set your mind to, man)

He lets the door slam behind him and he is alone in the alley.

He was not expecting a van to come to a screeching halt in front of the entrance and for a different face to appear climbing out of the car.

Jackson Plank.

FF looks at the ugly smile on the man as he walks towards him with a knife in hand.

Okay now what genius?

MASTERPOST FOR ALL PARTS OF FLUENT FRESHMAN AU

NEXT

5/26/23: EDITED. Can’t believe I forgot to put the Captain in front of Neil’s name on the meme. I’m blaming the accidental early awakening.

Per your requests:

@i-have-three-feelings​ @blep-23​ @dreamerking27​ @andreilsmyreligion​ @belodensetdust​ @rainbowpineapplebottle @yarn-ace​ @iwouldlikesometea @lily-s-world​ @obscureshipsandchips​ @booklover242​ @whataboutmyfries​ @sahturnos​ @pluto-pepsi​ @dreamerthinker​ @passinhosdetartaruga​ @leftunknownheart​ @aro-manita-muscaria @hologramsaredead​ @Chaoticgremlinswishtheycouldbeme @tntwme​ @tayspots @nick-scar​ @crazy-fangirl2524​ @blue-jos10​ @stabbyfoxandrew​ @splishsplashyouropinionistrash​ @sammichly​ @the-broken-pen​ @bitchesdoweknowu​ @very-small-flower​ @ghostlyboiii​ @its-a-paxycab​ @bisexual-genderfluid-fan​ @cheesecookie​ @theoneandonlylostsock​ @foxsoulcourt​ @blueleys @adverbialstarlight​ @elia-nna​ @can-i-just-stay-in-the-corner​ @nikodiangel​ @foxandcrow-inatrenchcoat​ @hallucinatedjosten​ @satanic-foxhole-court​ @vexingcosmos​ @chalilodimun​ @insectsgetcooked​ @angry-kid-with-no-money​ @queer-crows​ @lillyndra​ @themugglemudperson​ @readertodeath​ @apileofpillows​ @mortalsbowbeforeme​ @hellomynameismoo​ @next-level-mess @youreonlylow​ @interstellarfig​ @notprocrastinatingatalltoday​ @percyjacksonfan3​ @queenofcrazy27​ @bsmr261 @ghostlyscares​ @spencellio​ @adinthedarkroom​ @harpymoth​ @sufferingjustalilbit​ @anxietymoss​ @oddgreyhound​ @ohno-myhyperfixation-itsbroken​ @ken22789​ @atiredvampire​ @isoldescorner​ @not--a--pipedream​ @azure-wing​ @bushbees​  @roonilwazlib-main​ @crumplelush​ @foldedaces-paperbirds​ @thesenseinnonsense​ @let-tyrants-fear​ @ketchupfriesandallthingsnice​ @legowerewolf​ @deadlydodos​ @but-we-respect-his-craft​ @cariniqe​ @zanypersonapricotbiscuit​

The requests to be added to the tag list keep being spread out across a few different areas. If I missed you please just ask again in the replies I promise I just missed you.

As stated before if you’re up here and I spelled it  right but you didn’t  get a notification there might be something  switched around in  your settings that won’t let me tag you properly?

Lillyndra it worked this time!!!

[shima-draws]

It’s literally like 500 episodes away but people keep WARNING me about it and I’m Scared

[brainrotcharacters]

I Wanna Dance With Somebody playing at the radio rn and I think I just found a good enough substitute to You're The One That I Want

[jq37]

Descendants: The Rise of Red is kind of a bizarre movie to talk about critically because, imo, it almost doesn't make sense to talk about it in the usual terms of good vs bad or enjoyable vs not enjoyable when the way more obvious tension is finished vs unfinished.

Because, more than any other movie I've ever seen, it does *not* read as a full movie. And I don't mean in a "this movie has a cliffhanger" kind of way. The Empire Strikes Back and Across the Spiderverse fit that description. They end on big dramatic cliffhangers that point to a resolution in the third installment.

But Rise of Red just sets all this stuff up and then...ends without concluding anything. It doesn't feel like the first movie in a trilogy (or duology). It feels like the first act of a two-act musical. It very specifically reminds me of the end of the first act of Into the Woods where all the main characters sing the song Ever After about how they all fixed their problems with magic and nothing bad will ever happen to them again and then the narrator ominously says "To be continued" before the curtain drops. But in Into the Woods you know there's a second act and this movie wasn't sold as the first act of a bigger story. Like sure, it has the, "You didn't think this was the end" tag at the end like all the other movies, but those movies were complete, self-contained stories even though they had sequels. This was NOT a full story. It's half of one story.

Like, if we're supposed to take this as a full story, there are so many bizarre choices:

Why did they make sure to mention that Cinderella and Charming fell in love at the ball at the top if it wasn't meant to set up Back to the Future style, "Oh no, I accidentally got my mom banned from the ball so she's not gonna fall in love with Dad and I won't be born" shenanigans?

Why did Maddox very pointedly have that bit about "you could lose your mom completely" if that was never going to come into play? Red never did anything to endanger Bridget or endanger her own birth so it doesn't make sense as a warning in that way.

Why was there all this focus on this Carrie on prom night moment for Bridget if we LITERALLY NEVER SAW CASTLECOMING? Why dance around this moment and talk about it all cloak and dagger with no specificity if they weren't building up to some big reveal that it wasn't as straightforward as it seemed? And like, they leaned in HARD with making Bridget the nicest, sweetest, cotton candy princess as a teen so I need WAY more than, "She got pranked by known bullies she's been enduring with a smile very handily up to this point" to buy that she went from that to "murderous dictator". And even if she did become murderous, I find it insanely hard to believe that she'd include her best and only friend on the list of people she wants to suffer unless there was a betrayal. I find it INSANE that there wasn't a falling out scene at any point in this movie with how thickly they were laying on the admiration and camaraderie.

(Note: And adult Cinderella def has guilty vibes re: the Queen at orientation. Which I know I'm not imagining because it's literally spelled out in the Jr Novelization!)

Before the time travel element of the movie started, I thought they were going for something like they go to the past and realize that Bridget was bullied not by the VKs but by the spoiled royals, and Ella ends up joining in the bullying once she gets with Charming, betraying Bridget and justifying her whole "Love Ain't It" philosophy. Or Ella ditching her at the last minute to be with Charming meaning she has to deal with the monster prank alone and it was the being alone rather than the prank itself that hurt her (though that is NOT a good enough reason to go all off with their heads on your subjects). The fact that, as far as we know right now, it literally was just a relatively mild and reversible prank that caused all of this is just, such flat storytelling, you know?

But! All of this makes way more sense if this is meant to be the first act of a single contained story. And I don't wanna be all "Pepe Silvia, secret good 4th episode of Sherlock" about this but I did see this picture:

Which seems to indicate that this was written as a Part One. Which, if so, idk why they wouldn't advertise it that way but whatever. The point is, if that's the case then it means that we're potentially in bad pacing territory rather than straight up bad storytelling territory. Because this isn't a bad place to be halfway through your story:

The heroes, warned that time travel is dangerous, have gone back in time to change the heart of a brutal tyrant before she can stage a coup. They seemingly succeed in their mission and when they come home, everything is great! But then, the side effects of time travel start to catch up with them. Chloe realizes that, in breaking the vase, she prevented her mother from going to the ball and falling in love with her dad (who was conspicuously absent from the final scene btw) which means she's starting to be forgotten and erased from the timeline. And Red realizes that though this new version of her mom is as sweet and kind as the teen she once met, she's a complete stranger to her (fulfilling the Hatter's warning that she could lose her mom completely). So they have to go back in time once more to make sure the Ella and Charming fall in love again, perhaps at the cost of whatever bad thing that happened to Bridget happening again and bringing back the original version of her future self. But, now with more context of how her mom became that way, Red can now talk to her mother and persuade her to give people another chance.

Boom, that gives us time to go back and hit everything we haven't yet hit. We can pay off the time travel tropes that were set up but not explored. We can go to Castlecoming which feels so obviously set up to be the centerpiece of this story (like, come on, Back to the Future literally does the school dance thing. This is Time Travel Storytelling 101). We can actually get info about what the prank was and why it affected Bridget so completely.

(Note: This is a side thing but it really strikes me as so crazy that Bridget would so SUCH a big 180 here. Like, I know the Queen of Hearts is a silly, goofy, campy villain, but she straight up murders people and there's no way to get around that if we're taking her out of the surreal story she comes from and putting her in a (comparatively) grounded story. If I wasn't doing a betrayal plot, I would make the twist that the spell that turned Bridget into a "monster" didn't just have a physical effect, it had a mental effect and it magically twisted her personality to be the way it is now. So they broke the physical half of the curse, but neglected the other half and it's been festering the whole time, turning her as evil as she was sweet. Because like, a simple physical transformation isn't that big of a deal to have such heavy security--Bridget made cupcakes with a transformative effect and that was totally fine. I'm not saying that that's what's gonna be the case. I just think it would be an explanation that makes sense for why she changed so crazy much that makes more sense than a simple prank or even a betrayal. Her mom wasn't even evil! How did she go from zero to murder without even an evil mom to push her onto the path? But I'm super digressing right now.)

(Note #2: OK, one last thing. The trap on the book presumably would have hit the VK's and trapped them in Merlin's office regardless of what Chloe and Red did, right? That's like, net zero influence on the timeline. I genuinely can't tell if that's a straight up plot hole or set up to be like, "Oh no. Actually when she said that she was turned into a monster in front of everyone it was meant in a less literal way." Like she was just made to look bad and that was the real thing that pushed her over the edge. Like idk. It really feels like the only thing they really did that would change the timeline was get Ella banned from the dance and presumably out of the way where she couldn't hurt Bridget. OK NOW I'm done.)

Anyway, my point is that this is not how I would have structured my movie and I think this was a super weird way to go into the second era of Descendants movies, but they can still tell a complete story if that's their plan. I'm genuinely really curious to see if this pans out to be a fairly competently told story that just happens to be split over two movies or a complete fumbling of the narrative bag because it could really be either at this point and it's fascinating to me.

[vaggieslefteye]

HELL'S GREATEST DAD ↳ from Hazbin Hotel Season One (2024): 1x05 - "Dad Beat Dad"

[hella1975]

born to write fanfiction forced to go to pilates

[stardustasincocaine]

Not dead, just working on the piece I hope to give Rainbow in LA.

Middle finger is a paid actor.

[marcmorrigan]

its @wh0rehound 's birthday and since he is the gaymer to my mafia slut obvs i had to draw our boys 🍫💕🎮 everyone say hbd sam!!! 😤🎉🎂

[novadragoness]

A builder who totally understands where X is coming from, collecting all those shinies for Coco, because she also likes shiny things, and has been secretly leaving pretty rocks on Unsuur's porch for weeks now.