#no no I just. talked too much

[star--anon]

How do you tell when you talk about traditionally romantic things in a platonic context way too much?

Are there any ways to tell that I talk too much about platonic relationships?

Because I just got kicked out of a server for “fetishizing friendships and aromantics” and I’m wondering if maybe that could be a sign?

[kendyroy]

“They gave me runway in this film. There’s one monologue in there. I can’t tell you the details of it. I say more words in that monologue than I said in an entire movie once as Wolverine. But there are sides of the character that I’ve been scratching at for 24 years […] There is stuff in this movie where I was like, ‘This is the thing I’ve been trying to get out’ and I feel so excited about it.”

— Hugh Jackman talking about Logan in Deadpool & Wolverine (x)

[mynnthia]

was talking with a friend about how some of dunmeshi fаndom misunderstands kabru's initial feelings towards laios.

to sum up kabru's situation via a self-contained modernized metaphor:

kabru is like a guy who lost his entire family in a highly traumatic car accident. years later he joins a discord server and takes note of laios, another server member who seems interesting, so they start chatting. then laios reveals his special interest and favorite movie of all time is David Cronenberg's Crash (1996), and invites kabru to go watch a demolition derby with him

[captainkirkk]

Concept: Peter actually got bitten by a totally normal spider. It's just a coincidence that his mutant powers were awakened around the same time

[artkaninchenbau]

A h-heartfelt reunion..?

Bonus

[lemongogo]

life of regret

[mamawasatesttube]

BTW... PSA.... even if we arent mutuals if youre in my notes regularly theres a Very high chance i am still fond of you. yes im vaguing someones tags on the compliment the person u rbed this from post. but like. positive vaguing? THE POINT IS im weird abt following ppl but IM STILL SENDING U FOND VIBES...

[chimchiri]

gideon & harrow OR rd and sf as cowboys please please please

It's the cowgirl necro and her gunslinger cav! Who is so damn extra she's got three guns: one left, one right, and one in pole position! (She swears the ladies love it!)

[faradaykay]

sometimes you will spend 30 minutes thinking about a character and you will expect to have something coherent to say by the end of that time but the best you can come up with is "they are sooooooo shaped they are so silly i love my blorbo"

[turtleblogatlast]

Leo learns something about himself 🏳️‍⚧️

Based roughly on this old post.

Bonus:

[Leo is taking the fact that he was born biologically female simultaneously very well and also not so well but overall he’s mostly coping with the fact that it was Draxum that just essentially gave him the turtle equivalent of ‘The Talk’.]

[hinamie]

corvidae

[razzafrazzle]

enough strong bads... time for strong sads (theres still a strong bad here)

[image description: a page of drawings of a human design of strong sad from homestar runner, where she is depicted as a fat, tan-skinned trans woman with gray and brown hair pulled into a bun and multiple piercings. she is wearing a gray sweatshirt, jeans, and steel-toed combat boots, and next to her is a note stating that she is trans and bisexual and that her pronouns are she/they. next to that is a drawing of her smiling and wearing a sloshy t-shirt, and above that is a comic of strong bad poking her in the stomach and saying "even her gender is my hand-me-downs", to which she stays silently angry at him. end id]

[abstractfrog]

Happy 1 year anniversary to Mr Sherlock Holmes! Here's a litttleee celebratory comic from me

[whetstonefires]

You know what I realize that people underestimate with Pride & Prejudice is the strategic importance of Jane.

Because like, I recently saw Charlotte and Elizabeth contrasted as the former being pragmatic and the latter holding out for a love match, because she's younger and prettier and thinks she can afford it, and that is very much not what's happening.

The Charlotte take is correct, but the Elizabeth is all wrong. Lizzie doesn't insist on a love match. That's serendipitous and rather unexpected. She wants, exactly as Mr. Bennet says, someone she can respect. Contempt won't do. Mr. Bennet puts it in weirdly sexist terms like he's trying to avoid acknowledging what he did to himself by marrying a self-absorbed idiot, but it's still true. That's what Elizabeth is shooting for: a marriage that won't make her unhappy.

She's grown up watching how miserable her parents make one another; she's not willing to sign up for a lifetime of being bitter and lonely in her own home.

I think she is very aware, in refusing Mr. Collins, that it's reasonably unlikely that anyone she actually respects is going to want her, with her few accomplishments and her lack of property. That she is turning down security and the chance keep the house she grew up in, and all she gets in return may be spinsterhood.

But, crucially, she has absolute faith in Jane.

The bit about teaching Jane's daughters to embroider badly? That's a joke, but it's also a serious potential life plan. Jane is the best creature in the world, and a beauty; there's no chance at all she won't get married to someone worthwhile.

(Bingley mucks this up by breaking Jane's heart, but her prospects remain reasonable if their mother would lay off!)

And if Elizabeth can't replicate that feat, then there's also no doubt in her mind that Jane will let her live in her house as a dependent as long as she likes, and never let it be made shameful or awful to be that impoverished spinster aunt. It will be okay never to be married at all, because she has her sister, whom she trusts absolutely to succeed and to protect her.

And if something eventually happens to Jane's family and they can't keep her anymore, she can throw herself upon the mercy of the Gardeners, who have money and like her very much, and are likewise good people. She has a support network--not a perfect or impregnable one, but it exists. It gives her realistic options.

Spinsterhood was a very dangerous choice; there are reasons you would go to considerable lengths not to risk it.

But Elizabeth has Jane, and her pride, and an understanding of what marrying someone who will make you miserable costs.

That's part of the thesis of the book, I would say! Recurring Austen thought. How important it is not to marry someone who will make you, specifically, unhappy.

She would rather be a dependent of people she likes and trusts than of someone she doesn't, even if the latter is formally considered more secure; she would rather live in a happy, reasonable household as an extra than be the mistress of her own home, but that home is full of Mr. Collins and her mother.

This is a calculation she's making consciously! She's not counting on a better marriage coming along. She just feels the most likely bad outcome from refusing Mr. Collins is still much better than the certain outcome of accepting him. Which is being stuck with Mr. Collins forever.

Elizabeth is also being pragmatic. Austen also endorses her choice, for the person she is and the concerns she has. She's just picking different trade-offs than Charlotte.

Elizabeth's flaw is not in her own priorities; she doesn't make a reckless choice and get lucky. But in being unable to accept that Charlotte's are different, and it doesn't mean there's anything wrong with Charlotte.

Because realistically, when your marriage is your whole family and career forever, and you only get to pick the ones that offer themselves to you, when you are legally bound to the status of dependent, you're always going to be making some trade-offs.

😂 Even the unrealistically ideal dream scenario of wealthy handsome clever ethical Mr. Darcy still asks you to undergo personal growth, accommodate someone else's communication style, and eat a little crow.

[jakeperalta]

love how season 1 of 911 was like we have 10 episodes and we WILL make them count. episode 1 pipe baby into episode 2 character falls to their death during unsuccessful rescue into episode 3 main character has a rebar through the head into episode 4 major devastating plane crash. and the hits just keep coming. one character announces he's a sex addict. another character reveals he accidentally killed his wife and kids and 145 other people. another character cheats on her wife. another character starts dating a toyboy and then her mother dies. another character's husband comes out as gay and daughter attempts suicide. also meanwhile there's collapsing buildings and a murderer and tracheotomy performed on a first date and the most horrific motorbike accident you could imagine. literally who is doing it like them!!!!

[inkskinned]

the thing is there's like, a point of oversaturation for everything, and it's why so many things get dropped after a few minutes. and we act like millennials or gen z kids "have short attention spans" but... that's not quite it. it's more like - we did like it. you just ruined it.

capitalism sees product A having moderate success, and then everything has to come out with their "own version" of product A (which is often exactly the same). and they dump extreme amounts of money and environmental waste into each horrible simulacrum they trot out each season.

now it's not just tiktokkers making videos; it's that instagram and even fucking tumblr both think you want live feeds and video-first programming. and it helps them, because videos are easier to sneak native ads into. the books coming out all have to have 78 buzzwords in them for SEO, or otherwise they don't get published. they are making a live-action remake of moana. i haven't googled it, but there's probably another marvel or starwars something coming out, no matter when you're reading this post.

and we are like "hi, this clone of project A completely misses the point of the original. it is soulless and colorless and miserable." and the company nods and says "yes totally. here is a different clone, but special." and we look at clone 2 and we say "nope, this one is still flat and bad, y'all" and they're like "no, totally, we hear you," and then they make another clone but this time it's, like, a joyless prequel. and by the time they've successfully rolled out "clone 89", the market is incredibly oversaturated, and the consumer is blamed because the company isn't turning a profit.

and like - take even something digital like the tumblr "live streaming" function i just mentioned. that has to take up server space and some amount of carbon footprint; just so this brokenass blue hellsite can roll out a feature that literally none of its userbase actually wants. the thing that's the kicker here: even something that doesn't have a physical production plant still impacts the environment.

and it all just feels like it's rolling out of control because like, you watch companies pour hundreds of thousands of dollars into a remake of a remake of something nobody wants anymore and you're like, not able to afford eggs anymore. and you tell the company that really what you want is a good story about survival and they say "okay so you mean a YA white protagonist has some kind of 'spicy' love triangle" and you're like - hey man i think you're misunderstanding the point of storytelling but they've already printed 76 versions of "city of blood and magic" and "queen of diamond rule" and spent literally millions of dollars on the movie "Candy Crush Killer: Coming to Eat You".

it's like being stuck in a room with a clown that keeps telling the same joke over and over but it's worse every time. and that would be fine but he keeps fucking charging you 6.99. and you keep being like "no, i know it made me laugh the first time, but that's because it was different and new" and the clown is just aggressively sitting there saying "well! plenty of people like my jokes! the reason you're bored of this is because maybe there's something wrong with you!"