#no guitar is safe

[favemusiclessons]

Greg Koch Demonstrates Clapton-style Vibrato

Here is an video excerpt of GREG KOCH interviewed by Jude Gold on the audio podcast No Guitar Is Safe (which you can stream or subscribe to on iTunes, Soundcloud, etc.) demonstrating his take on Eric Clapton-style vibrato. In this clip, Greg is playing a Fender Custom Shop Telecaster with Fishman Fluency Greg Koch Gristle-Tone pickups into a Gristle King Mk. 3 overdrive into a Fender Vibrolux amp.

[chloesimaginationthings]

FNAF movie Vanessa definitely thought Abby died..

[hivemindscape]

HAPPY BIRTHDAY SHOU!!!

Fluff for the occasion!!! set in 2015; in the current day and age he's turning 25 which is crazy, hope mans nailing adulthood

bonus air kiss to my fellow queers and especially aspecs:

[paulic]

“I am very saddened to hear that my ex-bandmate, Denny Laine, has died. I have many fond memories of my time with Denny: from the early days when The Beatles toured with the Moody Blues. Our two bands had a lot of respect for each other and a lot of fun together. Denny joined Wings at the outset. He was an outstanding vocalist and guitar player. His most famous performance is probably 'Go Now' an old Bessie Banks song which he would sing brilliantly. He and I wrote some songs together the most successful being 'Mull of Kintyre' which was a big hit in the Seventies. We had drifted apart but in recent years managed to reestablish our friendship and share memories of our times together. Denny was a great talent with a fine sense of humour and was always ready to help other people. He will be missed by all his fans and remembered with great fondness by his friends. I send my condolences and best wishes to his wife, Elizabeth and family. Peace and love Denny. It was a pleasure to know you. We are all going to miss you. Love, Paul”

Paul’s post for his former friend and bandmate, Denny Laine, 5th of December 2023

[fobnsfwdoodlesbackup]

Sometimes fall out boy will do some very normal fully-clothed things, but they are like porn to me, do you understand?

[cutiepieautistic]

Caregiver! Spider punk/Hobbie brown stimboard

×/×/× ×/× ×/×/×

He's so cool ^_^

[891movies]

Top 25 films (of the second 250 I watched for this project)

Around two years ago I posted a top 25 list of the first 250 films I watched for this project. Since I have now watched another 250 films and discovered many new favorites, the time has come for a second top 25!

Without further ado, I present them in chronological order (because if I actually had to rank them this list would never get out of the editing stage):

The Adventures of Robin Hood (1938, dir. Michael Curtiz, William Keighley)

This movie is a storybook adventure come to life, charming, entertaining and beautiful to look at (I miss you, technicolor!). Errol Flynn has an unmatched energy as the titular character and Olivia de Havilland is the picture perfect leading lady, with the exact right mixture of grace and fire. This is may not be a particularly complex or groundbreaking film but it does what it does perfectly and taps into that childlike sense of wonder that few films manage so well.

A Matter of Life and Death (1946, dir. Emeric Pressburger, Michael Powell)

One of my most delightful discoveries since starting this project have been the films of Powell and Pressburger - I'm not sure what other directors could boast releasing three of the greatest films of all time in three consecutive years (those being A Matter of Life and Death, Black Narcissus and The Red Shoes). This film mixes a deeply moving love story with a metaphysical court room drama to great success and this strange mixture is mirrored in the film's form, with some experimental but mostly conventional cinematography.

Ace in the Hole (1951, dir. Billy Wilder)

As grim and cynical as it is sharp, this movie plays out like a feverish nightmare. I was honestly shocked at how dark this movie got, considering the time and place in which it was made, but that is absolutely what the story needed and I'm glad Wilder got to tell it this way.

A Star Is Born (1954, dir. George Cukor)

Has there ever been another star to reach the heights of emotional intensity that Judy Garland did in her time? I was lucky enough to see this movie on the big screen and I can't imagine watching it at home, because Garland is so larger than life, I can't see how a smaller screen could contain her. That's not to take anything away from James Mason, who gives a tragic and intense performance for the ages.

Johnny Guitar (1954, dir. Nicholas Ray)

Joan Crawford in your butch black shirt save me! Save me, Joan Crawford in your butch black shirt!

Bigger Than Life (1956, dir. Nicholas Ray)

Surprise, it's another Nicholas Ray melodrama! Ray had this habit of creating highly emotional stories that hid some sharp social commentary, but the commentary is barely hidden this time and it is shockingly subversive. Mason gives another intense performance but here it tilts fully into unhinged territory and he is terrifying to watch. The ending feels a little slapped on but it also feels like the only way Ray could get away with everything that came before.

Mon Oncle (1958, dir. Jacques Tati)

This movie feels like a precursor to Playtime, one of my all-time favorite films (incredibly novel opinion, I know). The sets are meticulously designed and a delight to behold, and Tati's performance as Monsieur Hulot (the titular uncle) is charming as always. I especially adore the contrast between the traditional and modern Paris, as well as the unconventional sound mixing that refuses to privilege dialogue, leaning into cinema's strengths as a visual medium.

Jules and Jim (1962, dir. François Truffaut)

This is by far my most recent watch on this list and it's still kind of percolating in my head but I loved it when I watched it and my fondness for it has been growing daily. It has that charming, youthful irreverence that the French New Wave is so known for, as well as one of the most complex depictions of a female character I've seen in french cinema.

What Ever Happened to Baby Jane? (1962, dir. Robert Aldrich)

Bette Davis is one of my all time favorite actresses and this is one of my all time favorite performances. She puts everything into this role and the rest of the film compliments her perfectly; it's funny and dark, tragic and absolutely unhinged. And Joan Crawford is good too, I guess.

Tokyo Olympiad (1965, dir. Kon Ichikawa)

This blew my mind when I first watched it, seeing what incredible feats documentary filmmakers were capable of so early on in the genre's history. It is also the perfect counterpoint to Riefenstahl's earlier documentaries about the Olympic games; where she emphasized nationalism and feats of strength, Tokyo Olympiad focuses on the humanity of it and the power this event has to bring us together. Probably my favorite section of the film focuses on an athlete who was the sole representative of his newly independent country and who did not qualify for the finals in his field (unfortunately I don't remember the country or the sport). But just the fact that he made it to the Olympics, that he got to represent his country on the world stage, is an incredible feat in and of itself, and the film recognizes this.

The Wild Bunch (1969, dir. Sam Peckinpah)

This movie is everything a western should be - exciting, violent, and deeply critical of the ugly history it is depicting. The characters are not good people but they are compelling and incredibly fun to watch.

Woodstock (1970, dir. Michael Wadleigh)

Another mindblowing documentary that pushes the ability of the medium to its limits. It captures a unique moment in time, a spirit of rebellion and hope for the future that unfortunately feels worlds away from our current cultural landscape. It is also an incredible display of the emotional power of music. I cried during Janis Joplin's performance and it felt impossible to match, but then it is immediately followed by Jimi Hendrix and I could feel my soul descend to a higher plane of existence. It is my life's goal to see this film in the theater.

In the Realm of the Senses (1976, dir. Nagisa Ōshima)

Everything is sex, except sex, which is love and beauty and death all intertwined and impossible to separate.

Atlantic City (1980, dir. Louis Malle)

Rarely has a setting felt so integral to a film. Everything from the story, to themes, to the characters revolves around and is subservient to the setting of a declining Atlantic City whose glory days are far behind it. It is also a microcosm of American society at large, at least as people were experiencing it in 1980 (although it's pretty relevant today, I would say).

Gallipoli (1981, dir. Peter Weir)

This is the movie that definitively convinced me that anti-war films are indeed possible to make, just not in Hollywood (Come and See had me thinking this, but Gallipoli proved to me that it wasn't a unique feat of just one film). We barely see the war in this movie but it is all about the incredible tragedy of it.

Koyaanisqatsi (1982, dir. Godfrey Reggio)

I was completely expecting this movie to put me to sleep and instead, it was one of the most viscerally intense and haunting viewing experiences of my life. It is hypnotic in the very best way and somehow captures the ennui of modern life without a single word being spoken.

Paris, Texas (1984, dir. Wim Wenders)

This film is an intoxicating mixture of tenderness and brutality, and a deeply moving depiction of our longing to reach out and connect to one another. This is the other film on the list I got to see in the theater and the cinematography was absolutely breathtaking on the big screen.

Trust (1990, dir. Hal Hartley)

This is such a delightfully strange film, almost but not quite set in our reality. The strangeness makes the gentleness of the love story all the more touching; this is one of those movies that makes me happy to be alive.

Safe (1995, dir. Todd Haynes)

I have been kind of obsessed with this movie since I saw it, so much so that it will actually be a focal point in my master's thesis. Everything in the film, from the cinematography to the soundtrack to, especially, Julianne Moore's performance, builds to this overwhelming sense of anxiety and dread, and Haynes' refusal to give an easy answer (or any answers at all) makes it all the more unsettling.

Scream (1996, dir. Wes Craven)

I do like scary movies, yes. I especially like movies that are scary, funny, and feature a bloody final girl and (more than) a touch of homoeroticism.

The Blair Witch Project (1999, dir. Daniel Myrick, Eduardo Sánchez)

Look at that, another scary movie! I am probably more susceptible to this movie's attempts at scares than most viewers, because I've only very recently started to build any kind of tolerance for horror, but it got me so good. The simplicity just makes it better; it may only do one thing but it does it very, very well.

Dancer in the Dark (2000, dir. Lars von Trier)

I'm always kind of hoping when I watch a new Lars von Trier movie that maybe I won't like this one, because I don't know what it says about me that I enjoy his films so much but I know that it can't be good. But this movie belongs just as much to Björk, who gives an incredible acting performance and an all-time great vocal performance. I was left a sobbing wreck; to this day, just humming 'The next to last song' to myself brings a tear to my eye.

Volver (2006, dir. Pedro Almodóvar)

Penélope Cruz is a revolution in this movie, my god. She brings the emotional sincerity that the film needs to keep its elaborate plot grounded. As always, I appreciate Almodóvar's clear love for strong and complicated women, as well as the often messy relationships between them.

Phantom Thread (2017, dir. Paul Thomas Anderson)

I love a good twisted love story and it is beautifully told here. Form also compliments function to a tee; a story about an obsessive compulsion to create perfect art is mirrored in the absolutely meticulous cinematography and costuming. Daniel Day-Lewis gives the performance of a lifetime here and while I do miss seeing him in the theater, what a film to end on!

Roma (2018, dir. Alfonso Cuarón)

This is one of those movies where nothing happens, in that there isn't a traditional plot (events still take place, obviously), because it's about life, man. It's a type of film that needs a deft hand and a filmmaker with something to say, and Cuarón has both in spades. Funnily enough, this movie reminds me a lot of Paris, Texas; it has that same mix of tenderness and harshness that compliment each other.

[loverboyplural]

— YOU from Ribbit inspired stimboard ^◡◡^ requested by cool loser @funfloodatsquishys

🎸 | 🌀 | 🛑 🌿 | 🐸 | 🌿 🌃 | 🐛 | 🌃

[prxshipping]

req: dad montgomery gator stimboard

[majorshatterandhare]

[Answer options in order are:

1. Yes, guitar, mandolin

2. Yes, piano/keyboard

3. Yes, violin, viola, cello, bass (inc. electric bass)

4. Yes, percussion

5. Yes, a woodwind

6. Yes, a brass instrument

7. Yes, multiple

8. Yes, something not mentioned here

9. No, I do not currently play an instrument but I sing

10. No, I do not currently play an instrument and I do not sing.

End Options]

Please specify in the comments or tags!

I’m sorry there aren’t more options, I only had 10 spaces or I would’ve included more. I tried to go with the most common and obviously with groups!

What counts for singing is up to you. I think most people sing some amount, but you can decide if yours counts or not. The reason for this is because you can teach yourself an instrument, so not requiring lessons or anything for either instruments or singing.

If you want to learn an instrument, especially if you don’t currently play any, I would love to know if you shared!

Please reblog! I wanna know how many of us play instuments ourselves and what that distribution is.

If you don’t listen to the Mechanisms don’t respond to this poll! I’m sure your answer is very interesting, but it will skew the results!

[nebuleeart]

🎸⚡️

[theguardianace]

new luka design = new color practice

[ID: A digital drawing of Megurine Luka. Her pose and outfit are referenced from her School Sekai's 3rd Anniversary redesign. She is only drawn in purple, pink, and yellow. /end ID]

[sawbrain]

☆ ) FICTROSYMGENDER — fic - tro - sim - gender

a gender related to fictional media, tropes, symbolism, being a fictional character, feeling like you're not real / feeling like you're a fictional character, feeling like you aren't real. this gender is related to having issues with derealization and dissociation.

( >﹏☆) —  ᶻ𝘇𐰁  ˎˊ-

[beachyserasims]

Geneva Island Legacy┃Chapter five┃Saw Something

~ Transcript ~

Loft build by therichantsim (Gallery ID)

Beginning / Previous / Next

[choccorin]

what was i on about two years ago ( random 1 am miro lore )

TWO DIFFERENT PEOPLE BTW !!! since i love talking about thing that happened in the past, i'll talk about this. ( i have to ramble about memories every year or else i'll go insane )

the first one is uhm. let's call him guitar boy since he plays the guitar ... and the second one is teddy ( y'know the male lead from little women? yeah that one.)

guitar boy asking me that on a random school night was crazy, like imagine just chatting your friends and having fun the boom! this message pops up. i was freaking out on our gc while i was calmly rating them ... oh yeah, he didn't even ask if it was okay for me to rate them .. he just told me to ... never got to ask him why he did this and what he gained from it. and i was crying while messaging him (never told him that i cried).

teddy was the boy i was talking to after guitar guy ... i accidentally made him a rebound, only realized it after my friends told me ... and this is me begging him to leave me ... IT'S CROPPED BUT I TOLD HIM THAT I'LL LEAVE ! which i actually did but he was so persistent about me ? not to talk shit because he was a genuinely nice guy, but he wouldn't leave me alone :'3 he kept making his friends pass his gifts to me, and he kept texting me even if i told him to stop </3 when i blocked him, he just kept pestering my best friend about me <//3 my best friend started getting mad so i had no choice but to unblock him ... went on for about two weeks before he finally stopped. we're acquaintances now.

after a year of being friends, he randomly texted me months ago. i think it was a month before school ? it was so random too. he gave me a copy of volume 1 and 2 of the fragrant flower blooms with dignity manga ... and started asking me if i want a necklace or this or that. i eventually found out that he only talked to me again because he was lonely and develop “feelings” for me again ... so i was basically just to pass time until school starts. 🙏 never talked again after that ...

ALSOOOO !! guitar guy was my very first situationship. went on for about a year, on and off every month ... ended it before another school year starts.

p.s these screenshots are from two years ago, randomly found them in my gallery :3 i think i deleted both the convos herd right after the situationship ended </3

[keo6323]

IM SCREAMING OKAY IM SCRENAIMGIIAN