"haha, are you an art gay, a science gay, or a math gay"
Actually, I find the division between art, science, and math to be a very nebulous idea and useless when you actually interact with the universe. The more you learn about the world, the more you surround yourself with art and science and math, and you'll never be able to see it any other way and it will be beautiful. When I take your hand, it won't be the science of our atoms closing the distance between us that we will experience, but the math of our fingers interlocking and the art of our bodies that we will experience. You are math and you are science and you are art, and nothing will make you any lesser💛
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Overall I do think things would've gone significantly better for Martha if Donna had accepted the first offer she got from The Doctor and been in season 3. Donna would absolutely be the Number One member of the Martha defense club and would've constantly been like "SHE'S SO FUCKING COOL AND BRILLIANT AND SMART AND BEAUTIFUL AND IF YOU DON'T CHEER AND CLAP FOR HER I'M BLOWING UP THIS BUILDING" like Donna IS her living breathing hypeman. Also I think Donna would've killed the master so that whole year that wasn't? Never happened.
That being said. Rip to Martha Jones because I think she would've had a disaster bisexual moment where on either side of her is an incredibly attractive person that is ruthlessly teasing her for her crush on the other. Neither of them have figured out she has a crush on them. She is not subtle about it.
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If OC x canon has 0 fans i am being dissolved into a vat of acid they are going to get me for this theyre gonna get me they're already here oh god please somebody
The lore I have crafted for them in the span of like a week is absolutely ridiculous. Feel free to ask me questions about them *Giggles*!! TURBO AND SID TURBO AND SID TURBO AND SID FROTHS AT THE MOUTH
EDIT: This is slightly outdated now btw; ive changed my mind about some of their traits and how they interact. it was just like an exercise to help me get a better idea of who they both are :-] doesn't help that a lot of these are very context dependent LOL (like PDA for example)
edit: original tem plate 🥸
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Jessamine's design has always intrigued me. the stark, full black suit and tall collar are pretty obvious status symbols. black was for the longest time an incredibly expensive colour of fabric due to how difficult it was to achieve proper rich blackness during the dyeing process and the collar, while most likely just a trend in Dunwall fashion inspired by the 1890s high collars can be read as lace, especially in some concept art, which is hard to care for and needs to be starched to hell and back to keep nice and stiff for a collar like that
but what I find a lot more curious about this is that the clothes appear very much inspired by Spanish renaissance fashion
which, honestly, would make sense with the real world inspiration. 19th century was obsessed with the past, with the romanticized medieval and renaissance times, and it was quite common to see fashion inspired by times long past (I mean, just look at Worth. the man invented haute couture and there is so much influence of medieval and Elisabethan fashion in his designs). it was also a thing for rich families to just kinda... invest in recreations of historical pieces of clothing and LARP in them.
Jessamine's clothes, in particular, reminded me of Spanish court dresses. especially of the portraits of Anne of Austria and Elisabeth of Valois
obsessed with those slit sleeves. too bad Jessamine didn't go the extra mile to have the sleeves hang long and heavy around her arms but they were more form fitting
there is also something to be said about the tall white (possibly starched lace) collar and the style of clasps used on her clothes
the mini cape thing she has on top is more similar to the style of capes worn by men in renaissance, but yeah, of course she reminded me of a Spanish princess when this is one of the most given example portraits for this style
I wonder if this was an intentional choice on the designer's side or if they were just inspired by the revivalism present in 19th century fashion. what really makes me consider that though is that one of her earlier designs has those sleeves much, Much more pronounced and obvious
oh the things that could have been...
still, it makes me wonder: if this was intentional, what does this tell us about Jessamine, and the history of the Isles themselves?
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