#nice color though. love the color scheme

[front-facing-pokemon]

[seumyo]

BAKUGOU KATSUKI ⭑.ᐟ A SERENE CELEBRATION, MERRY CHRISTMAS

A younger Bakugou Katsuki had always been certain of his future. At 26, he’d be a man with it all: a nice house, a career as the undisputed Number One Hero, happily married, and maybe, just maybe, a little brat on the way. That was the dream his teenage self clung to—the vision he worked tirelessly to acheive.

At 26, Bakugou stood in the middle of your shared apartment, arms crossed and staring at the half-decorated Christmas tree with a deep scowl. Strings of golden lights glimmered around the tree’s branches, lengths of ribbons are accompanied by shimmering with faux flowers, and ornaments—carefully chosen by you—hung delicately in place.

The problem? The color scheme.

“What’s wrong with red and gold?”

“It’s boring,” Bakugou grumbled. “We do red and gold every year.”

“It’s classic!” you argued, turning to face him fully. “And it matches the rest of the apartment’s decor!”

He narrowed his eyes. He could not believe that he’s having this conversation with you right now.

“We could try something new for once. Like silver and blue.”

You gasped, clutching an ornament like he’d just insulted you personally—even cursed your entire bloodline and ancestors. “Silver and blue? Are you trying to make our tree look like a corporate lobby?”

“It’d look cooler than this,” he shot back, gesturing vaguely at the warm-toned ornaments. “This looks like something out of a cheesy holiday catalog.”

“And what’s wrong with cheesy?” you challenged.

Bakugou opened his mouth, then closed it. He didn’t actually have anything against cheesy—hell, he secretly loved how excited you got during the holidays. But arguing about it? That was part of the fun, if not a branch of his quality time as a love language.

“Whatever,” he muttered, grabbing a red bauble and hanging it perfectly on the tree. “You’re just scared to try something new.”

You laughed, walking over with another ornament to decorate with. “And you’re just scared because I’m right.”

As Bakugou worked to string the lights around the higher branches, you began unpacking the remaining ornaments from your storage box. You pulled out a small, slightly worn ornament in the shape of a star and held it up with a nostalgic smile.

“Do you remember this?”

He glanced down from the tree, frowning at the star in your hand. “Should I?”

No matter how much he tries to remember, he simply couldn’t recall what made this star so special that you had to ask him if he remembers it.

It’s a star, that’s for sure. A faded one at that.

You sighed, clearly unimpressed by his lack of sentimentality. “It’s the first ornament we bought together. Back when we were... what, eighteen?”

Bakugou paused. It had been a spur-of-the-moment purchase during a rare day off from hero training.

You had somehow convinced him to go with you to wander around a Christmas market, bickering over everything from what food stalls to visit to what decorations looked “cool.” You had insisted on the star, and Bakugou—reluctantly—agreed after a heated argument about which shape of star’s better.

“Are you having a flashback monologue right now?”

That brought out a scoff from him. “Fuck no. Just remembered how you were annoying as hell that day,” he muttered.

“And you were so stubborn, god. You kept saying it was pointless to buy an ornament because I didn’t even have a tree back in my dorm.”

“Yeah, and you said, ‘It's not about the tree; it's about the tradition.’ What kinda cheesy crap was that?”

“It's true, though!” you argued, accepting his hand to place the star gently on the tree’s highest branch. “And now, look. We still have it. And now we can buy all the Christmas trees we could ever want.”

“Yeah, yeah.”

As you continued decorating, the sound of your laughter and playful arguments filled the apartment, giving it a cozy home feel. By the time the tree was finished, Bakugou begrudgingly admitted to himself that it didn’t look half bad—even if it was the same colors as last year, though a decent fortune was spent for it to not be too repetitive.

It’s a good thing his work pays well (you split the cost of decorations equally; he just says that his work pays better even if yours is a lot higher than his).

You stepped back, admiring your work with a satisfied smile. “Perfect. Now, onto the Christmas Eve menu. I was thinking we could do something light this year—maybe roasted chicken and a salad?”

Bakugou groaned, collapsing onto the couch. “Salad? On Christmas Eve? No fucking way.”

“What’s wrong with salad?”

“Is your childhood a bland mess to have salad as one of the main foods? It’s boring,” he said, sticking his tongue out at you when you gave him a pointed look. “We should make something warm and filling.”

“Okay, but you’re helping.”

“Since when did I ever leave all the cookin’ to you?”

Now that he’s 26, standing in the modest yet cozy apartment he shares with you, he realizes that dreams don’t always come in the exact shape you imagine.

Sure, he doesn’t have the massive house he once envisioned, but this apartment—filled with laughter, memories, and the faint scent of your favorite candles—is more of a home than anything his younger self could have dreamed up. The framed photos of your milestones, the shelves of books, and even a few of his hero equipment with the tools scattered on his office—it’s all perfect in a way he didn’t know he needed.

And his career? Well, Dynamight isn’t the Number One Hero yet, but he’s close. Close enough that his younger self would sneer but grudgingly admit it’s not bad.

He’s built a solid name for himself, and he’s done it his way. His rank might not be where he wanted it to be at this age, but he’s learned something more valuable than being the best—he’s learned the importance of balance.

The last part of that dream? The wife? He looks toward the kitchen, where you’re humming some off-tune melody, beginning to prepare what Bakugou’s about to cook with for dinner. The sight of you, so comfortable and almost glowing in your shared space, makes his chest tighten.

He must have a heart problem by this point because it comes at him at the most unexpected times whenever he sees you.

No, he doesn’t have a wife yet. But he’s about to change that.

He’s been thinking about it for weeks now.

He’s got the ring—it’s hidden in the drawer under his socks, where he knows you won’t go snooping.

He knows you’ll say yes, but he would be damned if he didn’t admit that it made him a bit nervous. He knows because you look at him the same way he looks at you: like the world would become lighter and easier to conquer as long as you have the other.

But still, he waits.

Not because he’s unsure, but because he wants the timing to be perfect. Not rushed, not forced. He’s learned to be patient over the years.

“Kats, help with cutting the onions, please!”

“Yeah, yeah. Comin’!”

Soon, he’ll drop the question. He’s not in a rush. This is your life together, and it’s not perfect, but it is just right—chaotic, loud, and full of love. And when the time comes, he’ll make sure you know just how much you mean to him.

But you already know that, don’t you?

SEUMYO © 2024, PLEASE DO NOT REPOST, PLAGIARIZE, MODIFY OR TRANSLATE.

[deconstructthesoup]

One thing I absolutely adore about Dead Boy Detectives is the immaculate costume design. Specifically, how it perfectly encapsulates who the characters are, both as a whole and who they are in the moment.

From the very first scene of the show, we know immediately that Edwin is a bookish, somewhat stuffy guy from the Edwardian era who attended a boarding school, and Charles is a punk from the 1980's who's most likely the wildcard between the two of them, just going off of the way that they're dressed. Both of them have distinct color schemes and different styles, but the general shape of their outfits is actually relatively similar---both of them have collared shirts (Edwin's dress shirt, Charles's polo), something over those shirts (Edwin's vest, Charles's suspenders), a jacket of some kind (Edwin's suit jacket, Charles's flannel thing), a longer overcoat (Edwin's traveling coat, Charles's peacoat), something around the neck (Edwin's bowtie, Charles's necklace), slacks, and nice shoes. They're distinct, yet matching, two clearly defined separate characters yet part of a set.

Edwin's prim, proper, buttoned-up personality lends itself to the way he dresses throughout the season---in the first episode, he only dresses down when he's in the office with Charles, aka his safe place and his safe person, and he doesn't really dress down like that again for a good long while after getting stuck in Port Townsend (though, if my memory serves me correctly, he does take off the suit jacket while watching TV with Niko). But in episode six, he's changed up his usual look for a cozier, casual-looking sweater and a little bit of collarbone, and in episode seven... well, he's in his nightclothes, and he's about as open, raw, and vulnerable as you can get. Edwin's color scheme is also predominately blue, which lines up nicely with his logical and practical, yet deeply sad and closed off personality, and the only time he really wears anything other than his normal blue-and-brown outfit (willingly, that is) is when he's in that green sweater in episode six. And, uh... all I can say is that it's quite telling how blue and green---or, well, teal---are the main colors of the gay/mlm flag.

Charles, by contrast, dresses down a lot, and that makes a lot of sense when you consider the fact that unlike Edwin, he feels comfortable pretty much anywhere. On any given episode, he goes from wearing his peacoat to just wearing his flannel to ditching the flannel to not even wearing the freaking polo---though, again, the latter is something that only happens when he's in the office with Edwin. Safe space, safe person. And, well, plenty of people have analyzed Charles's polo shirt going from red to burgundy to black over the course of the series, and there being a little bit of red under the collar of his coat that's only visible when Edwin fixes it, and then it goes back to burgundy, and then it's red again when Edwin's out of Hell... for good reason! It's color symbolism at its finest! Not to mention, the red and black not only perfectly contrasts Edwin's color scheme, but it also lines up with Charles's personality---he's a rebel, he's hotheaded, he's bold and brash and loud... and yes, he's angry, but he's also so, so loving.

When we first meet Crystal after she loses her memories, her outfit choices feel very deliberate. They're stylish and vaguely trendy, they're arty and a little bit witchy---pretty fitting for a psychic who's also a showbiz kid, even if she doesn't know that last part. But all of her clothes appear thrifted, or at the very least vintage, and the patterns and the general vibe all feel natural and comforting. Her makeup's always fairly simple, her hair's either down or up in a couple of cute space buns... overall, this Crystal looks like the kind of person who'd make you tea when you're in a bad mood, who'll listen when you just need to vent, and who may not always know the right thing to say but will understand what you're going through. But when we see her in the flashbacks, her clothing's flashy and prioritizes high-end trends over comfort, she's either got her hair up or has it straightened, and she not only has dramatic makeup, but acrylics. This is a girl who talks shit about you behind your back, who's bitter and cynical and wants everyone to feel the same way, who makes up for the lack of love and stability in her life via material things. It's also worth noting that Crystal's color scheme has a lot of purple, which is a color that connects to wealth and luxury, but also creativity and magic---which, yeah, fits her two conflicting sides pretty damn well.

You cannot talk about Niko Sasaki without talking about her outfits, and the meaning behind each of them has already been talked about at length. However, one thing that really stands out to me is that the reason they're so iconic isn't just because of the monochrome color schemes, but because they're out there. They're weird, they're eclectic, they're a little mismatched in style sometimes, and they're so unapologetically her. Niko wears heart-shaped sunglasses, unironically. Everything about the way she dresses speaks to how, even though she's a recovering shut-in who initially doesn't want to be perceived, she's still very sure of who she is.

Jenny's design, like Charles and Edwin's, is a design that gives you the key information you need the minute she first appears onscreen. The dark makeup, the silver jewelry, the leather apron, and the hairstyle all point to a person who's tough, doesn't take anyone's shit, and has long since given up on caring what other people think---in other words, she's a badass. But the butterfly tattoo hints at a softer side, a side that we see time and time again throughout the series as she shows that she cares about Crystal and Niko, and even the boys... eventually. Also, Jenny's design is perhaps one of the most clearly queer-coded in the series, to the point where her being a confirmed lesbian is pretty much a no-brainer.

Esther's design oozes camp, from top to bottom. The fluffy coat, the bustier, the boots and the cane and the everything, speak to a woman who's kept with the times and yet has seen it all. There's really not a lot I can fully say about her design, other than what Charles has already said: "She looks like a witch... like, kind of a sexy witch, who smokes a lot." (Or maybe I'm just tired and running out of steam at this point, idk, I love Esther's design and I can't really put it into words.) It's also pretty fitting that her color scheme has a lot of yellow in it---after all, she's always striving for more, so what better color for her than the color of gold?

Everything about the Night Nurse's design speaks to a woman who follows rules and discipline above all else, from the pantsuit to the pinned-up hairstyles to the tie to the heels. She's also the most muted out of the main cast in terms of color, dressing mostly in browns, dull greens, and duller browns---and while I don't have a lot to go into detail about there, I feel like that's kind of a symbol of her narrow-minded and bureaucratic worldview.

And the animal characters... Jesus Christ, I fully forget that they're all being played by human actors. Tragic Mick dresses like a man who's always spent his life by the sea, layered denim and all, and it's never a stretch to see this sad, bushy-bearded, baggy-clothed fisherman and imagine him as a walrus lounging on a beach. Monty, at first glance, seems to only wear black, which would be perfectly fitting for a crow, but when he's in better lighting, you see that he dresses in layers of red and blue, calling to how he envies Charles and Edwin and clearly longs for something more---and this might just be me, but I think that even though his outfits seem fairly normal at first glance, they feel kind of like a costume for Monty more than anything else, like he's trying to emulate a teenager that he's seen on TV more than someone in real life.

The Cat King fits this just as well, with all of his outfits aligning perfectly with whatever his cat form is at the time---when he's a fluffy ginger, it's always sequins and fur coats and clothing pieces that are specifically designed to take up space and call attention, and when he's a black shorthair, it's sleek styles and shiny leather and pieces that are designed to cut an intimidating yet more subtle figure. And while I could go into detail about all of those, what really stands out to me is how clearly queer everything is---more than Jenny's alt lesbian attire, more than Esther's campy coat and corset. From the very first scene he's in, he's wearing a skirt, and it looks natural. Nothing about the way the Cat King presents himself is exaggerated, nothing about the way he dresses is played for laughs---he's flamboyant and feminine and flirty, and he looks so fucking hot while he does it. It's gorgeous.

So... yeah, uh, all the awards for the Dead Boy Detectives costume designers!

[servicpop]

TOJI FUSHIGURO ⋆⋆⋆ msg series(?) pt.1

NSFW › toji has no filter and is just one big pervert

It was a Saturday evening and you were settled on the carpet of your living room with your hands propped against the coffee table. You had an array of different colored nail polish lined up as you stared at them, debating which one to wear today. You enjoyed nail polish — even though it was seen as 'too feminine,' you thought painting your nails was a calming activity to do after long days of work. As you sat crossed legged on the floor, Toji was lazily draped over the couch, watching you silently.

He didn't care at all that you wore nail polish, sometimes you'd even convince him to wear some himself but he always stuck to plain black. He noticed your little situation, observing the way your eyes scanned over the options and the cogs turn in your head. It really wasn't that hard he thought.

"What are you thinking so hard about?" Toji questioned, his voice smooth but had a certain rasp to it from his nap 20 minutes ago. His voice catches your attention and you break away from your little trance, turning to face him, you explain your "crisis". It was an innocent question from him at first, until the corners of his scarred lips curled up and a shit-eating grin plastered on Toji's face.

"I have an idea," He starts slowly. You knew he was up to no good when he had that scheming smile, "Make your nails the color of my dick." You stare at him. You blink once, twice, maybe four times while you try and form a reply to that sentence.

"Huh?" Finally, a word comes out your mouth and you find yourself increasingly confused and pretty shocked the more you thought about it. Toji had no shame. "I don't– i don't have a color that matches..." Toji took some time to prop himself up with his elbows before pointing at one of your polishes.

"That pink one is pretty close," he pointed out, "Here, let's do a lil' color match yeah?" Before you could even react, Toji pushes himself off the couch and walks over to where you're sat, picking up the pink-ish nail polish and holding it in his palm. His other hand hooks the waistband of his sweatpants and pulls it down just enough. It was all so sudden, you weren't ready to be flashed! Its not like you haven't seen his body before, more like it still made you nervous seeing it. Heat spread through your cheeks and your head immediately turned to the side, a hand flew up to shield your poor eyes from Toji's shameless display.

"Pretty close," Toji scoffed with a smile. His eyebrows raised when he saw you shielding your eyes and he placed down the nail polish before turning to you, "Don't act like you haven't seen it plenty of times before," He laughed, letting his waistband snap back into place before curling his arms around your waist, picking you up with ease. He lifted you as if you were a stray kitten, moving to gently bend you over the coffee table, using his body weight to hold you flush against the glass.

"I think that color matches your skin real well doll," His voice dropped an octave and became more heavier and sultry. As he kept you pinned between his body and the table, he took this chance to pull off his sweatpants and slide yours off as well. "You can't see but—" He tapped his cock against the curve of your ass, observing how the color of his tip contrasted nicely with your skin, "—it's perfect." His large hand went to grab the flesh of your cheek, spreading it apart so he could see your cute hole all eager for him. Seemed like your body wasn't as pure as you were. He wasn't going to bother fishing for lube so he leaned back and spat a glob over your entrance, using his tip to shallowly smear it across your hole.

He pushed in slowly, groaning as he felt warmth surround his dick. He loved the way you felt. Loved the way your walls would give his cock a warm welcome and a tight hug. His hands — that were placed on your hips — moved to underneath your shirt, feeling your soft, supple skin under his calloused fingers. His fingers kept groping at your skin, tugging at the places were you had a little more plush than others before moving to cup your chest, ghosting over your now hard nipples. You couldn't help but whimper at that, the way his fingers so gently tickled your chest like that had you squirming and Toji for sure noticed it.

"You're cute, you know that?" He breathed in softly, taking in the scent of your shampoo as he buried himself to the hilt inside you, his hands still touching and caressing your torso. "Makes me wanna bite you," Toji growled against your shoulder, grazing his teeth along your skin but never actually sinking them into you, "But you're too pretty for that, seeing as the way you wanna doll yourself up all the time, bet you'd be mad if I leave an ugly mark hm?" His tone was so degrading it almost offended you but that feeling of offense was soon ignored once Toji pulled out and slammed back into you.

His dick rubbed against your prostate everytime he thrusted; at this point it was bullying with the way his cock aimed for your weak spots over and over again. The table creaked underneath your combined weight and the nail polishes on the desk rattled, threatening to fall over. Small strings of moans and mewls let your mouth as Toji kept pounding into you with his hands toying with your sensitive nipples. The stimulation was too much, you felt yourself try and wriggle out of his grasp, attempting to regain a little bit of your composure, but Toji just kept you pressed against the table and his fingers pinched at your buds.

"You can take it, I know you can. I've done worse to you," Toji hummed in your ear, you could practically feel the bass of his voice tickle your brain. He really was your weakness. He was being arguably nice to you right now. Toji really did have a thing for overstimulation and he loved seeing your brain go numb from all the pleasure he gives you.

You find yourself leaking, dripping pre onto your pants that pooled at your knees — luckily it didn't get on the carpet, that would be a pain to clean — and your eyes were rolling back, something you did when you were about to cum. You could tell Toji was too, his groans got louder and his cock pulsed inside you, waiting to spill. "Just a little more yeah?" He cooed, trailing his hands up to your collarbones and then to your neck, squeezing your adam's apple gently. Having your neck cradled like this made you feel somewhat vulnerable, especially considering how strong Toji was, but that was what made it all the more pleasurable, knowing that you were safe with Toji.

His cock grinded against your prostate once more and it sent you off the edge, a high whine left your throat as your toes curled and white spurted all over your pants. "Attaboy," He grumbled into your ear before thrusting into you one more time, groaning as he held your waist close to his body, making sure you took all of it.

Toji fully relaxed ontop of you, making you groan in protest from his crushing weight. "Y'know I heard that the best lipstick color is the colour of your nipple, maybe you should do that with your nails." He lifted you off the table, allowing you to look down at yourself but you slapped his hand away before he did anything stupid.

a/n : short little toji fic i wanted to write + some tests with layout, i also wrote this all in one day so its probably not that good TT

[gooselycharm]

severance comic process write up (unasked for)

i finished season 1 of severance jan 24 and maybe by then NL had already begun his apple tv tirades. so maybe that's why i thought of the get it twisted speech? dont remember exactly but i was like wait......... this kinda fits...... and basically the images were forming in my head and i had to get them out. this is the best kind of inspiration to have. when it feels like you are afflicted with a life-threatening disease and the only cure is to draw pictures

i decided i wanted square panels and a black and white color scheme pretty early on. i wanted the pacing to feel kind of fast, so one line per page (basically i was trying to match the monologue). black and white also made sense because 1) i didn't want this to take 2 years like my last comic 2) fits theme of the show and the monologue rapidly whipping back and forth 3) i thought maybe i'd riso print this in the beginning and 1 color would be cheapest/easiest

the sketching phase was really smooth. it was like the images were in my mind already and just needed to be brought to life. my motivation was strong as well (i thought it was really funny and if no one liked it at least i really really liked it).

^ my sketches. most compositions made it to final without major edits. i did cut almost all of the last 8 because i didn't feel like I needed the moment to be dragged out so much AND i was getting pretty tired by that point lol.

one page i'm glad i changed was the ms casey one. the reason i changed it at first was because i thought it was too similar to the irving/burt one. and then i ended up really liking the new composition.

as i moved to final, i had a couple of inspirations in mind. i'm a huge fan of sophia foster-dimino's work, and in particular her sex fantasy comics

^ books/zines i looked at for inspiration. second image is a spread from sex fantasy #4.

i also was inspired by jennifer xiao's comics and how chootalks and nogoodwithcat handle linework and value

i was inspired by jennifer's pop up ads comic for this page. i like the humor in her work and wanted to bring an element of that into my comic.

i love these drawings by choo that showcase these eerie tableaus of desserts/cakes/hammers/etc! i was trying to evoke the same vibe with the two "get it twisted" pages with the stack of waffles.

also, just tons and tons of references taken from the show and stock images.

i pretty much just worked for two weeks straight until i finished. what unemployment does to a motherfucker. even though it's fanart and the words aren't mine, it's a pretty personal comic. i got suddenly laid off last fall which has made me feel all sorts of feelings, and then starting up my job search this year has been grueling. it kinda blows my mind that anyone expects you to love your job. i love my cat. i love the people important to me. i love moving my body and eating good food and listening to music and being out in nature. i love the color green. i dont love my fucking JOB lmfao!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! are you freaking CRAZY???????? literally do NOT get it twisted. but also please hire me. <- this dichotomy has been making me nuts

anyway. the reception to my comic has been mind blowing. people have said some insanely nice things. i also really appreciate anyone who's read and enjoyed the comic without knowledge of severance or northernlion LMAO honestly amazed and in disbelief.... ty so much..... it really means a lot!!!!!!!!!!

okay i ran out of things to say for now byeeeeeeeeeeee

[celiastjamesoscar]

To Be Alone

Pairings: Wednesday Addams x fem!reader

Summary: Being alone was something special to Wednesday, but being alone with you was sacred. And she refused to share you with anyone else, even if that meant owning up to her feelings

A/N: this is part 1 of a series. If you would like to be included in the Taglist for it, let me know!

Warnings: slight friends with benefits, jealous Wednesday, snarky Reader

Word Count: 2.7K

My Masterlist

The sound of obnoxiously loud music rang throughout the room as the students of Nevermore danced in sporadic movements, and none matched the rhythm of the music. Crowds were never a fan of Wednesday’s, but she would put up with the brightest colors and loudest thumping of music to get a glimpse of you.

It was out of character for Wednesday to want anything romantic in her life, let alone with someone like you.

To put it nicely, you were just like Wednesday, a snarky asshole whose mouth sometimes got you in trouble. But you were also more friendly than Wednesday could ever be; you cared for others deeply, while Wednesday barely superficially cared for them. But when your warm, soft lips met Wednesday’s cold, stiff ones in the darkness of the woods on the coldest of winter nights, Wednesday felt her heart reach a warmth it had never known.

Your relationship with the Addams girl was a weird one, and you never expected her to be someone who would enjoy a friends-with-benefits situation. But when Wednesday called you at an ungodly hour and asked, no, told you that you were going to be her romantic partner for dinner with her family, you didn’t refuse her.

Wednesday prepped you on the car ride to dinner and told you everything you would need to say; you and Wednesday met through fencing class and soon became friends after Wednesday bested you in a duel. That information was vital to the story, according to Wednesday. You two only started to date after a romantic walk through the local graveyard, and you shared a kiss on the tombstone of the late Marilyn Thornhill.

The dinner was a peaceful one, with all things considered. You won the approval of Gomez Addams, and you seemed even to impress Grandmama. Morticia adored you, but she saw right through her daughter’s scheme of forcing you into a fake relationship with her. Of course, she would never tell Wednesday that she knew her daughter was lying to her about her relationship. Still, Morticia enjoyed watching her daughter pretend to understand the beauty and pain that is love. And Morticia knew that after enough time, Wednesday would slowly start to realize she had feelings for you.

After that dinner, you kissed Wednesday’s lips for the first time, entirely by accident. You had leaned in to kiss her on the cheek, but your sudden movement had startled the shorter girl, causing her to turn her head quickly, and when she did, her lips brushed yours. Instead of pulling back, Wednesday leaned deeper into the kiss and soon gripped your neck, trying to pull you impossibly closer as her lips connected with yours. She soon became addicted to them, and she refused to let anyone else taste them, and she soon started up an agreement with you; no feelings were involved, just late-night stolen kisses and moonlit strolls through the woods. But now, as she watched you talk with other women who weren’t her, she felt her chest tighten with anger.

“Wednesday, what are you doing?” Enid asked as she suddenly appeared beside the girl, startling Wednesday out of her thoughts. Enid had a suspicion of the goth girl’s interest in you, even though Wednesday refused to acknowledge it.

“Staring at Y/N with my autistic eyes,” Wednesday deadpanned, and the ravenette’s statement took aback Enid. “Um, okayyy,” Enid awkwardly replied as she gently placed her hands on Wednesday’s shoulders, slowly turning the girl, “I don’t know what to do with that information, but let’s go over here, where you can’t stare at Y/N.”

Truth be told, you weren’t doing anything to provoke jealousy in anyone, especially Wednesday. But the Addams loathed seeing you smile while talking to Yoko. Jealousy was a feeling she knew all too well, and it only happened with you. And for that, she would potentially murder you in your sleep tonight. It would be a clean murder, nearly no blood at all, but it put a frown on Wednesday’s lips; she wanted your murder to be a gory one, one that would bless her dreams of haunting images of you for the rest of her days, but the thought of drawing out your murder made Wednesday feel something she hadn’t felt in a long time: sadness.

“No,” Wednesday stated as she shook off Enid’s grip and continued watching you talk to the vampire. It was a dull dance, and you were only here to socialize and to make Wednesday jealous, which was working.

“Why are you so keen on watching Y/N talk to Yoko? They are roommates, like you and I,” Enid cheerfully replied, hoping to help ease the tension in Wednesday’s shoulders, but it only seemed to worsen. “Enid, three-fourths of this institution thinks that you and I are together romantically,” was all Wednesday said, and Enid picked up the hint.

“Point taken. So then, why don’t you go over there and talk to her? Like a normal person would do instead of staring at her like a creep,” Enid suggested, but judging by the glare her roommate gave her in return, she assumed that Wednesday hated the suggestion. “Well, if you’re going to be a loser whose only way of flirting is staring at Y/N until she notices you, then I don’t think you will have any luck at pulling her. But I wish you the best,” Enid stated as she quickly looked at you before returning her attention to Wednesday. She gave the goth a small hug-which Wednesday did not return-before skipping off to go God knows where.

It was as if Enid’s presence was stopping you from feeling Wednesday’s uncomfortable glaring, and as soon as the werewolf was gone, your eyes automatically found Wednesday’s dark ones.

You politely excused yourself from Yoko before walking over to Wednesday with a smug smile on your lips. Wednesday hated that smile on you, not because it looked terrible; it was quite the opposite. That smirk did something to her; it stirred something profound inside her, and she hated the beast you awoke in her.

“My lady,” you husked in a raspy voice as you took Wednesday’s hand in your own and bowed while placing a gentle kiss on the back of it. “What were you two talking about?” Wednesday asked, wasting no time in finding out if she was going to murder Yoko as well.

“Relax, my dove. We were just talking about ‘The Haunting of Hill House,’ nothing to worry about,” you replied softly as you stood up straight and gently caressed the more petite girl’s hand.

Wednesday scoffed at the pet name and tried to pull her hand out of your grip, but it only caused her to draw you closer. “You miss me that much?” You asked with a smirk as you placed Wednesday’s hand on your chest, and instead of pulling away, the more petite girl slowly ran her hand up your chest and stopped as she took your necklace between her polished black fingers.

It was a gift from Wednesday, of all people, and you wore it with pride like it was your last name. You never took it off, and in a way, it acted like a collar; no matter how far you strayed from Wednesday, people would look at it and automatically know who you belonged to.

The necklace itself was a golden chain that ended with a small circle. The circle had gold-colored beads with small, black dots in the middle. And in the center of that circle was a golden ‘W’ with a line attached to it, holding the W in place.

“You still wear it,” Wednesday stated as she flipped the W between her fingers, gently caressing it with her thumb.

“‘If you ever take this off, I will rain hellfire down on you and your family until the end of the earth. I will haunt you in this life and the next; you will never be able to get rid of the image of me standing over your lifeless body if you were ever to remove this necklace.’ Those were your exact words,” you recalled with a smirk as you watched Wednesday play with the necklace. “But hey, at least you think of us together in the next life.”

“No,” she simply stated, and you were going to argue back, but she pulled you down to her level by the necklace, “If you ever tell anyone I have plans with you in the next life, I will skin you alive and feed your remains to Fester.”

The laugh you gave Wednesday in response angered her beyond belief, but the sound of it infested her stomach with spiders, and if she wasn’t careful, she might even admit to caring about you. “Jokes on you, Uncle Fester is my best friend. We are basically inseparable,” you remarked as you stood back up, and Wednesday let go of the necklace.

“I hate that you are his favorite person,” Wednesday mumbled under her breath and then cleared her throat as she remembered why she needed to talk to you, “I will be needing your assistance this weekend.”

“And why’s that?” You asked with a smirk. You knew it was parent’s weekend, and Wednesday needed to keep up the act of you two being together; you just wanted to hear her admit it. “My parents are coming this weekend; you must be there to prove to them that I am capable of feeling emotions other than intense anger and homicidal thoughts,” Wednesday deadpanned as the loud music slowly turned into a softer one, a waltzing song.

You didn’t recognize the beautiful melody, but you stuck out your hand toward the smaller girl. “Can I have this dance?” You asked with a soft smile, and if it were under any other circumstance, Wednesday would have said yes. “No,” she dryly replied while slapping your hand away, “And you didn’t answer my question.”

“I didn’t know it was a question,” you stated.

“It’s not; I just like allowing you to think that you have a say in what you get to do.”

“You are a woman after my own heart, Wednesday Addams,” you joked, and Wednesday scoffed at you. “In your wildest dreams,” the goth girl stated as she walked away from you, but you followed her.

“So what will this weekend trip entail? Do I need to start flushing my teeth and putting on chapstick?” You questioned while following the smaller girl out of the ballroom. “Why do you not already floss your teeth?” Wednesday asked with an eyebrow hitched, clearly displaying her irritation that you don’t floss regularly.

“Ummm, because it’s pointless? I brush my teeth twice daily. Isn’t that enough?” You retorted with a curious look. “One day, you are going to wake up in the middle of the night, and all of your teeth will have fallen out of your brainless head. When that happens, I shall make a necklace out of them and force you to wear it as a remembrance of our conversation about flossing,” Wednesday stated as she walked toward her room. She had a weird way of showing affection toward you.

When Wednesday reached her dorm, she opened the door and tried to close it on you, but you caught it in just enough time and stepped into her room. You shut the door as you followed the ravenette toward her desk. “Okay, but seriously Wednesday. What do you want me to do when Mr. and Mrs. Addams arrive?” You questioned with a serious expression, and when Wednesday looked up at you, she missed your usual playful demeanor.

“Be normal. You’ve been around them before; why do you still ask me how you should act around them?” Wednesday questioned as she loaded paper into her typewriter. “Um, I don’t know. Maybe it’s because I hate lying to people! And your mom is hot, so that also makes me nervous,” you responded with a little bit of defensiveness. But for an unknown reason, Wednesday felt her heart slowly break at mentioning your attraction to her mother.

“Do not remind me of your infuriating attraction to my mother,” Wednesday deadpanned as she began typing, “And we aren’t lying to them, so you don’t need to worry.”

A small scoff left your lips at her comment, but then a mischievous smile overtook your lips as you found a loophole. Carefully, you leaned an elbow on Wednesday’s desk and smirked at the ravenette, who seemed ignorant of the mistake she made.

“So, we aren’t lying to them, correct?” You asked in a calm voice as your eyes examined Wednesday’s face. “Why are you making me repeat myself? You are correct; we are not lying to them. Now, will you please leave me so I can work?” The Addams coldly remarked as she shook the feeling of spiders in her stomach at your proximity. No matter how many stolen kisses you two shared, you always made her nervous and gitty, which was a feeling she both loathed and cherished all the same.

“By that logic, we aren’t lying about our fake relationship? So that means we are actually, in fact, dating?” You asked with that same smirk, and Wednesday knew she had fucked up when she looked into your eyes and only saw hope that didn’t match your playful smirk. “We are not in a romantic relationship at all. We are just two acquaintances who engage in romantic activities from time to time. Now leave,” Wednesday stated as she grew increasingly annoyed with you.

You gave the smaller girl a pathetic sigh as you pushed yourself off the desk and slowly sauntered away from her desk, but before you could get too far, Wednesday grabbed your wrist. When you turned to face her, Wednesday reached up and tightly gripped your uniform tie as she brought your lips down to hers, and you both sighed into the kiss.

It had been too long since you both found comfort in each other’s lips, and Wednesday had started to crave their delicate touch and sweet taste. And, of course, by ‘too long,’ that meant nearly a day. The kiss itself was a chaste one that displayed all of the love and affection Wednesday had for you that she could never verbally say.

Only when oxygen became a problem did you pull away from those heavenly lips. With a small huff, the ravenette rested her forehead against yours as her free hand came up and slowly stroked your jaw.

“I want to rip out your mandible and add it to my bone collection,” was what Wednesday mumbled against your lips, but the words that traveled through your ears were, ‘You mean so much to me that I want to have a piece of you with me forever,’ and you were happy with that translation.

“You have such a way with words, you know that? You really know how to make a girl feel special,” you mumbled against her lips before placing a final kiss on them and turning to leave.

“Where are you going?” Wednesday asked as she returned to reality when she didn’t feel your lips anymore and saw you walking toward the door to leave.

“You told me to leave, so that’s what I’m doing,” you replied before a slight smirk overtook your face, “Why, do you miss me already?”

“No. Just be ready by tomorrow morning so we can eat breakfast with them,” Wednesday stated as she continued her work, ignoring the feeling in her stomach at the thought of you leaving for the night. Most of the time, when her parents visited, you would stay the night in her dorm to further push the agenda that you two were a couple. Definitely not because Wednesday found it hard to sleep without you at night.

“Goodnight, Wednesday. I hope your dreams are just as evil as you are,” you joked as you opened the door, and Wednesday huffed in response as you left the room.

Unbeknownst to you, Wednesday hadn’t been working on her novel. She had been writing out all the things you make her feel, and when you had wished nightmares upon her, the final sentence that had made its one onto the page was the thing that shattered her heart the most: ‘Gods should fear the love I have for you.’

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Taglist: @elduster @silentwolfsstuff @baddiebbarbietngz @maskthedwarf @aroaceanxietylemon

[ladywaterfall]

The colorful horse let the girls fondle admiringly

?

[jyoongim]

IM OBSESSED WITH ALASTOR X VOX!SISTER READER! (also hi its pixie again lmao)

ok so i was thinking that since vox!sister reader is a “pampered princess” because vox has the power and money to give her anything, alastor does the same! so after a day of hanging out with alastor and shopping and stuff, vox!sister reader goes back to the vees tower wearing red (alastors color, while her clothes r mostly blue to match with vox) vox immediately gets reminded of alastor seeing her clothes and he gets rlly angry and jealous and stuff, and ofc since alastor is a cocky little shit, he makes a broadcast for vox to hear to tell him how much of a good time he and his sister had to piss him off even more! :3

I enjoy writing Vox!sister with Alastor. It brings me joy knowing Vox is just gnawing at his wires knowing Alastor and his baby sister are a couple in very sense of the word hehehe~

————————————————————————————————-

You loved when Alastor took you shopping. Through you could and did have anything you wanted thanks to your brother, it was nice that your lover still chose to spoil you just as much. Today you were out buying a whole new wardrobe and decided that you were in need of a new color scheme. You always wore blue. It was your signature as Vox’s sister and a color you declared only you could wear. But as of late, you strayed from the comforting color to a more fiery palette. 

“I’m home!” You shouted even though you knew your brother already knew you were home. You had your assistant bring all your bags in and you heard the familiar zap of Vox entering the common area. “Finally! I thought I was gonna have to-what the fuck are you wearing?” Vox growled. You smiled and spun around “isn’t it the cutest!? Never thought of myself as a red girl but this color is gorgeous!”

Vox screen glitched. You were wearing red and black. Your usual blue completely gone and replaced by the radio demon’s colors.

”You spent money to look like that fossil? Sis we just finished your closet like last week”

You pouted and shrugged “A few different pieces dont hurt, besides I think its cute to match with my boyfriend”

That’s right how could he forget that Alastor was dating his baby sister.

You skipped to your room with your bags and began to reorganize your closet. Again.

Vox growled as he rubbed his screen.

His antennas buzzed at the change of frequency and his mood became even more sour as Alastor voice filtered through.

”Salutations wayward sinners! I just had a wonderful time with my girlfriend. You lot might know her as the Voxtech pampered princess. Yes yes i know what you’re all thinking…” 

Vox eye twitched.

”me and the little lady had quite a time shopping today. That darling is a looker I tell you, she can make anything look good. My those hips and legs really know how to make a man sweat” Alastor laughed.

”Anyway you might notice the Vees tower slowly changing. I think red is a lovely color and so do my darling.Maybe be on the lookout for a new design change folks. After all blue is such a dull color hehehe”

Vox was fuming.

”I am so going to kill him”

[ponett]

Do you have any advice for people making OCs/sonas? Yours are really well rounded and unique and I'd greatly appreciate the insight of someone who got a passion project off the ground!

So this is a very broad topic, and it varies a lot based on your own creative goals, what kind of characters you're creating, and where you want to use them. Creating an OC to be used in furry pinups is a little different than creating one for a dramatic story. But I'll try to give some general advice on how I do things for the types of characters and stories I tend to work with

Heads up: this will be kinda long lol

The germ of an idea

For me, I'll generally be inspired to create a character starting with a small number of core traits. These could be anything. A color scheme, a body type, a job, a hobby, a personality archetype, an outfit, a visual motif, a functional role in a story I'm working on, a noteworthy facial feature, a weapon, a relationship of some sort to an existing character, a single scene or joke I want to use them for. For furries and fantasy characters, species is usually one of the first things I'll have an idea for, which tends to get the ball rolling fairly easily since we have all sorts of cultural associations with different animals and fantasy creatures.

Any standout character trait like this that you find compelling can serve as that initial spark. The inspiration can come from anywhere, but it's often just a matter of knowing yourself and your own tastes. What do you like? What are the people in your life like? What really speaks to you in a character? What's an existing fictional character that you'd like to rewrite and take in a different direction? What's an aspect of yourself that you would like to see represented more often in fiction? It doesn't have to be something super deep or fleshed out right from the start, though. You can start with something as simple as "I want a black cat character" or "I want a character who dresses like an arcade carpet" or "I want a character who looks scary but is actually nice." Whatever it is, it's something that differentiates the new character from the ones I already have, because otherwise I'd just be using them.

Contrast

From there, you can start brainstorming other traits that might go with those core traits. Some of those may be traits that naturally complement each other. Continuing with the black cat example, maybe you wanna play into the common cultural perception of black cats and say that this character brings bad luck, or is associated with witchcraft. However, I often like to give characters contrasting or even seemingly contradictory traits, which can help elevate a character beyond a stock archetype. Real people tend to be a walking ball of contradictions, after all.

I've talked a lot about how I did this with the main cast of SLARPG. Melody is a fox, traditionally a crafty and untrustworthy predator, but she's extremely introverted and gentle. Allison is a bunny, but instead of being a meek and cuddly little prey animal she's an outgoing fighter who loves a challenge, and she has a muscular build. I think this kind of thing gives characters some fun flavor, and can be really effective for both comedy and drama. For an example from something I didn't write, take Senshi from Dungeon Meshi. He's a dwarf, and he embodies certain stereotypical aspects of dwarves - he's a short, buff man with a big bushy beard, he lives underground, he's stubborn and doesn't like elven magic - but he also goes against some of them. Instead of being an expert on mining and blacksmithing, Senshi is a culinary expert who has a deep appreciation for the natural ecosystem of the dungeon. He's a weirdo among dwarves for not caring about the wellbeing of his axe and for using his super awesome shield primarily as a giant wok. And that's what makes Senshi fun and interesting.

So going back to our example, instead of going with the stereotype, we could make a black cat character who has comically good luck, or who's superstitious and afraid of witchcraft, or who's an extremely rational person who always believes in science over superstition. Or maybe you roll with the bad luck angle, but instead make the black cat be the victim of their own bad luck in some interesting way. Maybe this black cat has terrible luck with love and can't hold down a relationship. Maybe this black cat is an aspiring speedrunner who consistently gets the absolute worst RNG possible in every video game due to their own bad luck. Maybe this black cat has accrued a horrendous gambling debt after a long losing streak and has loan sharks coming after them.

These are all just hypothetical examples, of course. I don't exclusively make characters with ironic contradictions like this. The idea is just to build on those core traits you started with in interesting ways, and that's one of my favorite ways to do so. But honestly, a lot of the time execution is more important than the sheer originality of an idea, and sometimes really putting your all into playing a trope you love straight is the right move.

Specificity

Regardless of what direction I take a character in past that initial seed of an idea, the key ingredient tends to be specificity. To give them specific details beyond the most stock possible version of that core idea you started with.

This is something I internalized from Tim Schafer, via a blog post in the behind-the-scenes backer material for Broken Age. Sadly I'm not sure if that stuff is still available, but I did save this particular post about creating characters since it really helped me, so I'll directly quote a chunk of that post here:

No two characters would approach a problem or react to events in the same way. At least, not if you’ve designed the characters well. If you’ve left them too vague or superficial, if they are merely functional elements in your story instead of individuals, then they might react in the same way. And that’s a problem. So to avoid that, I’m going to talk about one the most important parts of character development: specificity. Making sure your character is a specific individual, not a stereotype. A unique character, different from anyone else in the world. It doesn’t mean that they have to have wacky gimmicks, eyepatches and crazy accents. It just means they have to be specific. For example, let's create a new character. Let's say your story has a scene where your main character gets in trouble in school. So you’re probably going to need a school teacher. Imagine a school teacher for a bit. Do you see her in a little red schoolhouse? Maybe a bun in her hair? An apple on her desk? Thick black glasses? Let’s put a ruler in her hand for good measure. Done! We have our teacher character. She’s ready to be in the scene where our hero goes to school and the teacher sends her to the principal’s office for passing notes. Right? I mean, this character doesn’t have too many lines, so why develop her character any more? The problem is that this teacher is a very shallow stereotype of a teacher. She has no specific attributes that make her memorable. She’s the teacher you would get in a set of free clip art. She might not have many lines, but if all your supporting characters are this way, your story will be more bland than it should be. Even if this teacher is only onscreen for a minute, she should be unique and different from any other teacher in the world. Luckily, it's not actually that hard to make her so. You just have to ask some very basic, specific questions.

Tim goes on to explain how simple exercises like filling out character sheets with basic questions about your character (there are a million of these online) can help push a character beyond a stock archetype, even if it's a minor supporting character. Questions about where they're from, their likes and dislikes, their beliefs, their goals in life, that sort of thing. For minor characters especially, a lot of these details may never actually come up in a story, but just asking even a few of these questions and giving them specific answers helps you see them less like an archetype and more like a real person in your head. Maybe you never bring up your character's backstory or their favorite sport or what kind of music they listen to, but just having a specific answer for questions like that might help color the way you depict that character in subtle ways. It makes it feel like they aren't defined by just that one core trait you started with, and helps make the characters and world feel more alive, like there's stuff going on with them beyond the bounds of the story or the drawing.

It's a careful balancing act, though. It's easy for a character to feel like they're a collection of too many unrelated gimmicks and quirks. Again, like Tim said, these specifics don't have to make for the craziest, most original character ever, there just has to be something there.

Let's go back to SLARPG as an example, where I combined broad character archetypes I liked with more specific personal elements that I felt like I wasn't seeing enough in the fiction I liked. Melody is riffing on the common idea of the reserved healer character in the RPG or MMO party and the shy girl archetype, but she's the main hero instead of a supporting player in another person's story, and she's also a fat bisexual trans woman who draws a lot of little details from my own life. Her interests, her relationships, her opinions on things, her personal hangups and dreams, these all set Melody apart from other fantasy healer characters and define her as Melody Amaranth. Specificity!

But it doesn't always have to be super deep, especially if you just want some characters to draw for fun and aren't planning on writing a story with them. Take my fursona. I've always loved dogs, so I made my fursona a dog. I chose a Samoyed in particular because I think Samoyeds are the cutest, and I hadn't seen hardly any anthro Samoyed OCs at the time. I leaned into the breed's signature fluffiness to help my fursona stand out from other canine OCs. She has simple identifying traits like being fat like me, wearing glasses like mine, and having a hairstyle kinda like mine (when I tied my hair up in a bun, at least). And there you go. Fursona achieved. She's not a wildly high concept character, but she doesn't need to be

Anyway I realize that this is mostly about the writing aspect, so here's a few quick bullet points about designing a character's appearance:

Face and body type variety are good, but personally I would say lack of body type variety is worse than same face syndrome

Knowing some stuff about shape language is good, but you don't have to be completely beholden to the "circles are friendly, squares are sturdy, triangles are scary" shit. I'm generally more interested in using repeated shaping in different parts of a character's design as sort of a shape motif. Melody's body, hair, and tail are all made of round, swooping shapes, for example. (This is more applicable if you're designing cartoonier characters as opposed to realistic humans, obviously.)

Knowing some basics of color theory is also good. I like using complementary and contiguous color schemes on characters and generally try not to use too many distinct colors on one design. Black and white and grey and various browns are good as neutral colors to balance out the colors of the rainbow, and gold can be a nice accent color

A small handful of identifying accessories can be fun, but don't rely on those to make a design stand out. Ideally your character should still be identifiable even when not wearing their default outfit, or even in silhouette

Aaaaaand I'm gonna call it a wrap there! This is a huge topic, so hopefully this helps with at least some of the basics! At the end of the day, though, don't beat yourself up if you can't sit down and force yourself to come up with the most crazy awesome OC ever. Just have fun and be yourself!

[darealsaltysam]

I JUST GOT BACK FROM SEEING DUNE PART 2 AND HOLY FUCK OH MY GOD HOLY SHIT HOLY FUUUUCK I NEED TO. I NEED TO. I NEED TO TALK SO BAD HOLY SHIT

below the cut because oh boy do i have a lot to say and i dont want my poor followers to suffer when i post this

oh my god okay okay where do i even start

opening with irulan's narration to mirror her notes in the openings of the chapters of the book. oh yeah baby. i ate that right up

watching paul get close with the fremen,,,,, fucking hell that hurts. dune really is a tragedy at the end of the day huh. they go from reluctant allies to friends but the whole time you know the switch will happen any moment now and they will be devotees and he will be messiah and that gap between them will never be as small as it is out in the sand. huddled in those tents. sharing drinks and laughs. im not doing ok

this especially hurts with chani. their love is so genuine and pure and she wears blue for him (which by the way sticks out so much more with how muted the colors of the rest of the movie are... i could talk about this all day) but she can see what he is becoming and he's trying to avoid it for her so hard but there's no avoiding fate. LORD ABOVE!!!!

i loveeee jessica being the manipulator thats pulling all the strings, urging paul towards becoming messiah. rebecca ferguson is such a talented actress she really understands the character so well. also as a hashtag certified alia atreides enjoyer her scheming with her unborn fetus might be the most unhinged thing ever but thats also so fucking funny aka its as dune as it gets. dune is WEIRD and im glad theyre not shying away from that. thank u denis

arrakis looks so much more beautiful in this movie like theres defo been some changes with how its framed and presented it feels so much grander and idk just ??? what it makes me think is that we're not seeing arrakis, we're finally seeing dune. we're seeing the land as the fremen see it as paul becomes one of them. i might be looking too much into it but who cares. god i love this movie

but yes more on the fremen in the first section of the movie. i like how there's this cluster of non-believers almost?? its a nice breath of fresh air. its hard to believe every single person would be just devoted to the prophecy and it adds some depth.

i will say the one thing i didnt like is the way stilgar is characterized?? i dont think he was so blindly devoted to paul in the books, and definitely not alia and leto ii after him as the atreides line went on. he's always been a source of small doubt towards paul but i think they're moving that element of him onto chani, so i think i can let it slide. i'd like to see him question alia more in the future though.

the scene where paul was named muad'dib and usul??? god it was so cute which made it so heart wrenching. all the fremen coming together and welcoming him into their lives. as a brother. as a friend. only for him to turn around and make them all bow before him. ohhhhh i cant do this

OH BOY THE WORMS THE WORMS AND THE WORM RIDING AND THE AHHHHHHHHH OH LORD

jesus christ. what the fuck. how is this allowed on cinema screens how is something so amazing allowed

the tension. the effects. the sound design. the sand rushing past the wind the worm moving forward paul struggling to hold on the fremen all watching and then cheering him on HOLY FUCKKKK HOLY FUCK I WAS HOLDING MY BREATH

all the worm riding scenes were so intense and so well done like. when i first read that stuff in the books i didnt think anything could ever capture how i imagined it exactly and yet. AND YET. DENIS!!!!!!!!

once more dune hits the idea of scale SO well everything is HUGE and they MAKE YOU FEEL IT. that shows especially with geidi prime but ill talk about that in a bit. but yes this applies to the worms too lord above them WORMSSSS ARE HUGEEEE AND I LOVE THEMMMM

rebecca ferguson put her heart and soul into that water of life scene and we all need to thank her for it

the way jessica is so quick to switch up and go all in on the prophecy. it makes me think of leto's "im not asking his mother, im asking the bene gesserit" like. the bene gesserit really come first for jessica and she takes her opportunity to fulfill her duties. to be the reverend mother. to rub it all in the faces of the other bene gesserit. she is the mother of the messiah and by god will she make everyone well aware of that

okay. okay okay. i think i said my peace on the early fremen stuff. i think. okay fuck okay SHIT fuck SHIT

FEYD FUCKING RAUTHA LADIES AND GENTLEMEN

oh my god okay. okay ill admit it. i doubted austin butler. i saw the cast list and i was unsure(tm). i saw him in the trailers and my faith was restored. and holy fucking shit did he DELIVER

stellan skarsgård's baron harkonnen is already such a threatening figure it feels like it would be impossible to make someone even more terrifying and yet. AND YET

just the way he's introduced. killing servants with zero remorse. LICKING THAT KNIFE THE WAY HE DID??? OKAY WHORE. I SEE YOU. GO RIGHT AHEAD. MAKE IT SLUTTY IN HOUSE HARKONNEN. I RESPECT IT

when the arena doors open and that loud ass fucking music BOOMS. makes the room fucking SHAKE. thats a PRESENCE right there. THATS how you introduce your antagonist.

the music playing as he fights being as fucking deranged as he is. chaotic and weird and unsettling. just. oh my god feyd had such a presence from the moment he showed up and he did not lose it for a single second. you could feel him LOOMING over the movie the whole time just as he looms over the whole book from his very first scene. oh my goddddd oh my godd

GEIDI PRIME. THE ARENA. THAT MASSIVE HARKONNEN PALACE. oh my god. once more. that sense of scale. the harkonnens love to flaunt their wealth so ofc they have huge fuck off arenas and castles where everything and everyone feels so SMALL in comparison.

dont even get me started on the black and white. the way it accents those coal black teeth and mouths. the way it makes everything look so much more inhuman and clinical and PERFECT because harkonnen power is so absolute and ruthless.

and the way the baron sits so so high above watching the fighting. literally impossible to picture his elevation above his people above the rest of the universe. the way feyd looks to him for approval after every movement. even as his uncle is trying to kill him they exchange those little looks and feyd knows hes getting his chance to show off while the baron gives him his "gift" what a fucked up family what the hell

speaking of fucked up family! wow! they are SO fucked up! there is something seriously strange being hinted at with feyd and the baron! feyd making his own brother bow and kiss his boot! those constant threats of death against rabban as if theyre nothing! this family is capital f FUCKED up. they hurt each other as much as they hurt everyone around them. theyre made of violence and blood and they could never show each other kindness because they dont know such a thing

what can i say about the feyd/margot scenes that hasnt been said already. like wow just unpack the boy's trauma like that. use him and then throw him to the wolves. once again the bene gesserit make it so clear this is THEIR empire and THEIR bloodlines and THEIR messiah. too bad jessica doesnt see that collective "ours" and instead settles for "mine" when it comes to the messiah

special shout out to dave bautista before i move on. just cause. his rabban doesnt get enough love. he really sells that balance of ruthless power but also incompetency compared to his brother so well. can you guys tell i REALLY like this cast

WE ACTUALLY GOT TO SEE GURNEY PLAYING THE BALISET WE FUCKING WIN Y'ALL

the paul/gurney reunion being the last shred of the old paul. how he gets so happy "i recognized your footsteps, old man" shoot me in the fucking brain stem it would HURT LESS

a bit off topic and it happened earlier (sorry my thoughts are so all over the place) but i like how they actually showed the process of how the water of life is made. it was actually exactly like how i imagined it when i read the books so thats neat !!

anyway. back to the horrors.

i already talked so much about feyd's presence so just another small note. that scene in sietch tabr. he is a MONSTER and i am EATING IT UP

i cant even begin to explain. how much it fucked me up. when paul took the water of life. i knew thats where we were going. i knew it was unavoidable. and yet still. when chani bent over him and screamed at everyone for making him follow this prophecy. when she was forced to shed tears to save his life. when she got him back only to realize she lost him and he wasnt the person she loved anymore. it broke me

chani's utter hatred for the prophecy and what paul is becoming added to it so much. i know some people are unhappy with how much shes been changed from the books but i think its elevated her character and all these scenes so much. and oh my god does zendaya DELIVER when the spotlight is on her. i never doubted her for a moment but all those changes to chani really allowed to let her shine. thats that euphoria acting coming out baby !!!!

SPEAKING OF GOOD ACTING

TIMOTHEE

FUCKING

CHALAMET

listen i hate the fact that he gets cast in everything these days as much as everyone but hes such a talented actor and i cant deny this anymore. the water of life scene really sold it for me.

he was such a perfect paul already in the first movie but this was the moment it really came out. the way he wakes up so calm and collected. lifeless. monotone. theres nothing theres literally nothing

paul atreides the boy who became duke far too young is dead usul who was the lover of chani is dead muad'dib the fedaykin fighter is dead only the kwisatz haderach remains and thats what the prophecy was always leading us to and yet the moment it happens its so haunting

like i cannot say this enough. that complete switch is so sudden but so subtle at the same time. its still paul technically but hes so different

what makes dune's weird concepts so easy to take in once you get into the book is all that internal monologue that really leads you through these complex concepts slowly. and yet in a few shots and a few lines of dialogue timothee chalamet somehow manages to express the idea of "i just learned the secrets of the fucking universe and im about to start a holy war" ???? HOW DO YOU EVEN DO THIS???? HOW ARE YOU THIS TALENTED???? OH MY GOD!!!!!!!! IT WAS A FEW LOOKS A FEW MOVENTS JUST THE RIGHT TONE OF VOICE AND THATS HIM!!! THATS HIM BABY!!!! THATS THE KWISATZ HADERACH AND THE UNIVERSE IS FUCKED !!!!!!!!!

also. anya taylor joy alia. we only had you for a split second but i cannot wait for you. im sure youre going to completely slay the third movie. give us our beloved tragic meow meow. alia is my fave character so i will be JUDGING HEAVILY. she better bring her a-game istg

when paul storms the war council and just completely takes control of the room so easily. thats the bene gesserit conditioning giving him his pedestal and he is making the most of it. he knows exactly what the fuck hes doing. and once more oh my goddddd all that shouting all that emotion and yet a complete lack of it. timothee spare a crumb of talent for the rest of us

also the way in that scene gurney is hesitant about it all until paul proclaims himself the duke of arrakis. and suddenly gurney has house atreides again and he doesnt care what chani does anymore. hes a follower to paul just as everyone else in that room. nothing changes. fuck me man i cant do this anymore

have i mentioned yet im so excited for chani in the next movie. her arc is so interesting. children of dune is defo not happening with the way chani has been set up so i doubt we'll see leto ii and ghanima but. lets hope we still get all the cool stuff wit alia at least. and maybe chani can be the one who leads the charge against her

okay i need to really fucking. get along with it im dragging this post on im so sorry this movie is eating my brain alive

chani still wearing blue during the final fight. im not saying more than that i might cry if i think about it too much

THAT. FINAL. FIGHT. OH MY GODDD OH MY GOD

IT ALL CAME TOGETHER SO SO WELL

THE WORMS

THE SENSE OF SCALE

THE FIGHT CHOREOGRAPHY

THE MUSIC HOLY FUCK THE MUSIC HANS ZIMMER YOU OUTDO YOURSELF EVERY TIME

THE SOUND

EVERYTHING FLOWING TOGETHER SO WELL

the way the fremen fight for their messiah but still fly the atreides banner. the way paul leads them as their messiah and as a "fremen" but always proclaims himself duke of house atreides first. oh lorddd im unwell

every time paul menacingly emerged from fog/sand/smoke my life was extended by like 10 years thank u denis

gurney killing rabban with as much ease as he did cleared my skin and watered my crops <3

the way the baron was literally dying and still crawling towards the throne.......... the way at the same time feyd ignored him completely and looked towards the doors reveling in the fight ahead..... if that doesnt tell u everything you need to know about house harkonnen idk what will yall

i also love how no one intervenes as paul walks in and kills the baron. not even feyd. feyd looks like he was a little TOO into it as paul killed him tbh. feyd u little freak. austin butler you talented talented man. im unwell

i AM sad we didnt get to see baby alia stab him but ah well. we got a bunch of other weird dune shit so ill let this one slide. the psychic toddler may be too much even for denis and everything he did give us. we'll always have our 1984 alia <3

OHOHOHOHOHOHOH. OH. HERE WE GO

HERE WE GO YALL

THE SCENE IVE BEEN WAITING FOR SINCE READING THE BOOK

THE SCENE THEY SHOWED BITS OF IN THE TRAILER AND THE SCENE IVE BEEN NON STOP YEARNING FOR SINCE!!!

THE DUEL!!!!!!!!!!!!!!!!!!!!!!!!!!!!

oh my god oh my god oh my goddddd where do i even start

okay so. the way theres no music. no fancy cuts no slow mo no over the top effects. its just the slashing of the blades and those BEAUTIFUL shadowed shots with the setting sun in the background. this really is the sun setting on the peaceful universe. just pain and suffering ahead marked with the blood spilled from the two who were meant to produce the messiah but who both got thrown off this path by the greed and selfishness of their forefathers. guys im normal about paul and feyd. definitely. i definitely have very normal thoughts about how they are foils and yet two sides of the same coin. yes guys

paul making the emperor kiss his ring is already such an insane fucking scene and it translated to the screen so well. amazing performances all around

i didnt talk much about florence pugh's irulan but she really didnt have much time to shine. im excited to see where she goes next and i definitely think shes a great fit but i need to see more of her to really be able to say more

i will say this. the way chani, irulan and jessica are the only ones who dont kneel for paul. the three most important women in his life who give him his power, everything he has. jessica made him and she made him the messiah. chani opened her life up to him, helped him become and in turn control the fremen, and she shed her tears for him and fulfilled her role in the prophecy against her wishes. irulan is his path to the throne, his key to being emperor. and none of them bow before him because why would they bow before a power they are responsible for, a power they own, a power they gave?

but for chani its different ofc. she also refuses to bow because she despises everything paul stands for.

oh my god i could say so much about the last scene being chani. not paul reveling in his victory. paul leaves for his next bloodshed and chani is left behind crying for the person she loves who she knows is gone. crying for her people, again enslaved. crying those same tears that brought the messiah back into this world.

theres a lot to be said about the role of gender in dune and how it hangs over every facet of this world but thats a whole separate analysis post to be had so ill just throw it down here in this little point

another thing chani does very well in the movies is she really makes paul's villainy explicitly clear. SO many people read dune and completely misunderstand it and walk away from it concluding its a "white savior narrative" and nothing more which. yes!! yes it is!!!! but thats not a good thing!!!! its never stated to be a good thing!!!!

this movie is not gonna let you misunderstand the message of the story no matter how blind you try to be to it. paul is not a good guy. hes never been the good guy. hes the protagonist, but hes not the hero. and chani allows that to translate from book to movie very well. have i mentioned yet i love movie chani

chani fills in the holes left behind by the narration and internal monologues of the book and, bonus points, she holds the people who dont understand what dune is about by the hand and tells them explicitly "PAUL IS A BAD GUY!!! DONT IDOLIZE PAUL!!!! DONT WALK AWAY FROM DUNE THINKING ITS PRAISING PAUL'S ACTIONS!!!"

i think thats pretty much all i had to say. i might reblog with additions as they hit me but yeah i. i enjoyed the movie. so so much. i think i might watch it again sometime soon while its still in cinemas.

sorry for being unhinged hope u enjoyed my rants. kiss kiss night night <3

[redr0sewrites]

As you're writing for DC now, can we get pegging headcannons for Harley Quinn, Poison Ivy & Wonder Woman x male! reader?

🥀A/n: UHM YES HELLO??)? i genuinely cooked so hard w this one ngl.

🥀Character(s): Harley Quinn x reader, Poison Ivy x reader, Wonder Woman x reader

🥀Cw: smut, pegging, sub!male!reader, slight feminization in HQ's part, impact play, bondage, cock/strap used interchangeably, strap sucking, oral fixation mention, dirty talk

🥀minors dni

Harley Quinn:

Harley would be soo mean about it, she's definitely mocking you and giggling the whole time while forcing you to take her strap. she takes prep very seriously, and would absolutely make you wear a butt plug beforehand to make sure you're nice and prepped for her

speaking of her strap, it is very her. its a bright red with glitter, and is definitely at least 8 inches. it has a very prominent tip with the slightest arch that can reach all the sweet spots inside you. you cannot tell me she wouldn't buy a vibrating strap for shits and giggles, she loves to torture you (lovingly ofc)

definitely buys you one of those monster dildos/straps as a gag gift, im talking a full 12 inches with tentacles and ridges. it starts off as a joke, but it isn't long before curiosity gets the best of both of you and she's bending you over the mattress, splitting you in two with her "monster cock" as she calls it

Harley has a brutal pace when pegging you, she's fast and rough and oh so mean. definitely hits it from the back, she looves doggy style and when you get all weak and shaky under her touch? it only makes her even meaner

likes slapping your ass and pushing you around while she pegs you. is infatuated by the sight of her cock sliding in and out of your hole, and loves to watch your ass cheeks jiggle with each thrust. if you're down for it, Harley would definitely buy you a pretty collar she can tug and play with while she fucks you senseless. she loves to mark whats hers, and makes sure to leave a heft amount of bite marks and hickeys across your necks and shoulders.

buys you lingerie just to peg you in it. lacy thigh garters with pretty panties in the color scheme of her clown costume, with a frilly bralette to match. Harley doesn't care how embarrassed you get, she's fucking you silly while switching between calling you her pretty princess or her dirty slut

loves groping your pecs and calling them tits while she fucks you, and when you whimper or complain she coos about how you're such a whiny whore. claims you "cry like a girl", and mocks you for being all needy and depraved

"aw, takin' me up the ass so well, dolly. betcha never played with your prostate like this before, huh toots? who knew all it took was f'me to fuck ya, and then you'd behave like the little bitch you are.."

very rarely touches your cock while pegging you, she's confident you can get off from the prostate stimulation alone. however, she's definitely down for double tapping and would love to fuck you from both ends with her strap and a sounding rod one day

while she can be very rough and degrading, i do think Harley finds importance in aftercare and is very sweet with you once it's all over. she'll tease you a bit, but will get you a warm towel to wipe you off and bring you some food and water. she has a very high libido though, so showering after sex with her often leads to another round... not that you'd mind

"you really are a little slut, aren't cha?" sharp, red nails leave a crescent shaped mark on your hips while Harley's free hand presses down on your lower back, forcing you into a deeper arch as she fucks you senseless. your drooling and moaning into the pillows while your thighs shake from the brutal pace she's set. the lacy thong she had bought you for the occasion had been torn off, but the thigh high socks, garters, and glittery, sheer bra remained untouched- for now.

your cock twitches, pressed between your tummy and the mattress, and you can't help but hump slightly, desperate for friction. you can't tell if you're grinding downwards against the bed for relief for your hard cock, or if you're grinding backwards for more friction against your abused hole. Harley leans onto you a little more, forcing your ass higher into the air so her strap can reach even deeper inside your gummy walls.

Harley watches, mesmerized, as her thick cock slides in and out of your leaking hole, ramming against that sweet spot inside you with every thrust. she notices your desperation, watching closely as you grind like a bitch in heat. the hand on your hip suddenly moves to grasp your leaking cock, and she snickers when you whimper. your dick twitches in her palm, desperate for any form of stimulation.

"aw, are you gonna cum all over yourself? jus' from me fucking ya silly?" she sneers as you grind your cock against her hand, mind lost in pleasure. "what a pretty, dumb whore you are," Harley coos, her pace unrelenting as you begin to sob. "go on doll, you can cum. but don't think 'm done with ya just yet~"

Poison Ivy/Pamela Isley:

Pamela probably wouldn't know much about pegging to begin with but is definitely willing to try it. she's a very confident and self assured dom, so as long as you're comfortable she's down to try pretty much anything

her strap is very pretty, a matte black or green with a few prominent veins. i think her strap would be about 7-8 inches but no more than that, but it would have a decent girth to it as well. big enough to where you feel the stretch, but not so much that it hurts (unlike Harley who wants you to suffer)

fingers you for prep, loves stretching you out and making you cum before she even puts her strap in. her fingers are long, slender, and very pretty, perfect for hitting that sweet spot inside you

i think Pamela would prefer to have you in her lap when she pegs you, with your hands tied behind your back with her vines. she's not as mean as much as she's condescending, switching between praising and degrading you so much it makes your mind all fuzzy

loves to tie you down in general. Pamela very rarely lets you touch her while she's pegging you, instead keeping you bound (and sometimes gagged) and completely at her mercy

COCKWARMING!!!! teases you mercilessly while forcing you to sit on her lap, staying immobile for what feels like hours while she toys with your nipples or kneads the flesh of your thighs. she'll occasionally stroke your cock with her nails, dragging upwards from the base to your twitching tip, only to stop when you do so much as gasp or whine. absolutely makes you suckle on her tits, the sight of you looking up at her with big, innocent doe eyes with one of her breasts in your mouth makes her absolutely feral

loveeesss when you struggle to ride her, grinding down on her strap and blushing like a mess. Pamela forces you to make eye contact with her as she finds it very intimate, and will get irritated if you look away or cover your eyes. she'll also get annoyed if you try to hide your moans or stifle any of your noises

if youre being bratty, she will sometimes offer to let you "take control" and fuck yourself, claiming that "since you're a big boy and can handle yourself, you can pleasure yourself as well". you both know that she's gonna take over for you eventually, but she just enjoys watching you squirm and struggle

puts your cock in a chastity cage while she pegs you so you can't even cum, but will be praising you for taking her so well the entire time. i think she'd find twisted pleasure in watching you cry or beg, so she's definitely edging you until your pleading with her to cum

makes you call her ma'am or mistress, and very occasionally will refer to herself as mommy

Pamela is a little bit into breathe play/choking imo. not enough to make you pass out or hurt you too badly, but definitely to the point where her hand is clamped tight around your throat as she fucks you. she'll keep her hand tight on your throat to help maneuver you as well, especially when she's trying to switch positions or force you to make eye contact

she hates when you get shy or awkward. shes splitting you open on her cock and you're looking away from her? how rude! she's pegging you hard until you apologize, murmuring in your ear and treating you almost like a child. she whispers to you about how she's seen you in even more compromising positions, so don't look away, or else she'll be forced to punish you.

definitely has a high stamina, and probably rides you for a little after pegging you just to bring you both to one more release. Pamela is very cleanly in my opinion, so she definitely prefers to shower or bathe after sex. she's very sweet w aftercare, and will massage you if you're sore.

the familiar feeling of vines wrapping around your wrists makes you shudder, nuzzling deeper into the crook of her neck. Pamela's flowery scent overwhelms your senses as her cock nudges against your prostate, yet she refuses to move. your cock, erect and needy, slaps against your tummy as you squirm.

"i need you to look at me, darling," she coo's, slender hands finding purchase on your hips. "mhm," you murmur, forcing yourself to meet her gaze. "oh? do you want me to fuck you or not?" you realize your mistake, and quickly correct yourself.

"yes, ma'am. m'sorry f'not addressing you," you murmur, and Pamela smirks. "oh, good boy. so polite~" she murmurs, rocking her hips up against yours, making you whine. "good boys deserve rewards, don't you think?"

Wonder Woman/Diana Prince:

listen, i feel like Diana is more experienced than she lets on. theres no way she's never pegged anyone before- this is Wonder Woman we're talking about.

Diana cares mostly about your comfort and pleasure, she's definitely a pleasure dom and wants to make sure you're satisfied. if you're into it, she's down to try it.

her strap is long, i'd say about 9 or maybe even more inches with a prominent tip and a few ridges. i don't think its too thick, but there's definitely enough girth where theres a bit of a stretch, especially at the base. i also think its a plain matte black, she isn't one for extravagant colors and such

very gentle, and cares a lot about prep. definitely fingers you beforehand to stretch you out, and makes sure to use a comfortable amount of lube. i also think she's the type to have you suck her off, even though she doesn't feel anything its SO attractive to see you on your knees and slobbering all over her strap. def fucks your face a little, claiming she needs to make sure her strap is all slick for entry- but really she just loves feeding into your oral fixation

Diana prefers simple missionary position when pegging you, there's something very intimate about watching your expressions and holding intense eye contact. she isn't opposed to the mating press either, and she loves how the angle allows her to fuck you deeper. she often isn't aware of her own strength and, much to your delight, tends to bully her cock deeper inside you by force of sheer will. you are undeniably going to be sore once she's done

wraps her arm beneath you to pull you up against her chest, supporting bot of your weights with just one arm so you can suck on her tits. definitely shoved her boobs into your face, and whether or not that's intentional or not it up to you

speaking of, Diana is literally soooo strong its uncanny. while she prefers the intimacy of the bed, she can definitely peg you up against the wall and hold you up without breaking a sweat. she loves how each thrust causes your hips to slam against the wall, and will force you to wrap your legs around her waist so she can reach even deeper inside you

she's very adamant about praising you, and making sure you know just how much she loves you. Diana definitely has pegged you in front of a floor to ceiling mirror, forcing you to watch her simultaneously peg you and jack you off while praising you the entire time.

"you are taking me so well, beloved, you're so strong and gorgeous... absolutely divine.."

maybe im crazy but. Diana with a breeding kink. HEAR ME OUTTTT. she knows its biologically impossible for her to impregnate you or even cum inside you, but that doesn't stop her from buying one of those straps that allows her to "cum" to satisfy those urges. and satisfy it does. the next thing you know she's fuckinv you absolutely silly, praising you for taking her so well while turning you into her own personal cumdump. its not so bad when she's cooing to you how gorgeous you look like this, and how much she wants to fill you up...

out of the three, Diana is by far the best at aftercare. she'll get you food and water before wiping you down and running you a bath, and then switching the sheets and blankets while you get in the tub before joining you. she gives wonderful massages, and praises you so much you nearly cry.

"your taking me so well, darling," Diana murmurs, pressing a kiss to your brow. you whine, your cock slapping against your tummy as she gazes down st you intently. her thrusts begin to pick up speed and your back arches, desperate to feel her even deeper. Diana slides one hand beneath your thigh, hooking it over her shoulder before repeating the motion with your other leg, until she has you folded in half and is practically splitting you in half on her strap.

the new position allows her to practically rearrange your guts as she drills into you, your gummy walls clamping down around her cock as she whispers sweet nothings into your ear. "you're such a good boy, so pretty f'me," she sighs against your skin. she very rarely slurs her words, but she's caught up in watching you unwind with each thrust. the pure ecstasy on your face is reflected in your wanton moans, and she continues to indulge you. you feel your release approaching as your cock twitches, desperate for attention.

Diana notices immediately, wrapping a hand around your base and pumping your length. "go on, darling, let go for me~" she coos, and you do, spilling onto yourself and making a mess. Diana gently fucks you through your orgasm, watching intently as you come down from your high. "you did so well dearest, i'm so proud.."

ok why did i cook with this hello⁉️ i genuinely love this so much like aaaa i need all of them in my bed asap

[mytheoristavenue]

LF Creature x Reader - Mutal Comfort

Summary: You owed Lisa a favor, but you never expected she'd make you pay it back in the form of babysitting her undead boytoy while she goes to a party.

Warnings: rushed/not proofread, bisexual!reader, reader has an unreciprocated crush on Lisa, angst, fem!reader

"Lisa, I never agreed to this!" You shouted at your best friend as she hurried over to crawl back out of your window.

"I promise I'll make it up," she waved you off, sliding the glass panel up. "It's just for the night, I swear. I'll be back before school."

With that she was gone, hearing no other protests. You stood with your back flattened against the wall, frightened gaze never leaving the thing on the other side of your bedroom.

You were the only person who knew of Creature's presence, being Lisa's very best friend for life or whatever. You'd do anything for her but babysitting her undead little pet was definitely stretching boundaries.

You felt some guilt for your terror, after all, he did look incredibly somber, shrinking into the opposite corner. Maybe he felt bad for scaring you?

"S-Soo...uh," you started, pushing off the wall but only by mere centimeters. "Y-You...Lisa's new boyfriend?" The thing seemed rigid at the thought and reluctantly shook his head. "Let me guess, you wanna be?" You prodded, inching closer still. Another timid nod. The two of you had that in common, apparently.

"You and me both," you sighed, sitting on the edge of your bed. Creature eyed you skeptically, still in the corner but not as glued to the wall as before. "Don't look at me like that, I don't mean I want to be her boyfriend." You paused, wondering if his expression was caused by the thought of you being gay or wanting to be a male, or maybe he was jealous at the thought of competition. "But, I don't know, being girlfriends might be nice..."

By this time, he'd inched close enough to sit on the other side of the bed, still as far away on it as possible, though. You took this as a sign to continue. "It's just that, me and Lis have been besties since like- kindergarten. I even convinced my parents to move her with her after her mom died and it feels like all she does is blow me off now," you ranted. "Like, before the incident, we'd have these long talks about the future, and we were always in each other's but now...I don't know anymore..."

An anguished moan was his only response as he drew his discolored hand to his chest. "Sorry," you said dropping your head. "I know you've gotta be hurting too listening to her ramble on about-" You brought your hands to your cheeks and batted your lashes, making your voice an octave higher to imitate your crush. "Micheal Trent!" He nodded, rolling his eyes slightly. "Y'know, I really don't know what she sees in him? Dude's a class A poser. He pretends to be into all that dark music and poetry but it's literally just to look cool and mysterious so all the preppy girls will fall in love with him."

While you ranted, Creature studied your room, noting how different it was from Lisa's. She had string lights, drawings, and moody posters all over her walls, while yours were tidy and well-organized with framed photos and prints of paintings that matched the color scheme of the walls. Eventually, you caught onto his staring and fell quiet prompting him to glance back to you.

"Didn't mean to fly off the handle, my bad." you muttered, standing up with a sigh. "Anyways, what do you like to do? Got any hobbies?" He stood up with you, wandering over to a keyboard that had collected dust in the corner. Curiously, he stuck a key and cringed at the sound it made. You joined him, explaining it. "That's just my old keyboard. I used to play piano as a kid but when we moved here we couldn't take my piano with us, so my dad got me this. It's kinda like an electric piano, only it's portable. Don't really like it though, too synthy for my taste."

Creature sat down in front of it, fumbling with the buttons on the control board while trying out the keys after each adjustment. Finally, he seemed to have found a setting he liked. "I'm guessing you play?" you cocked a brow. You couldn't have predicted how the cocky smirk then tossed you would make you feel. Following that, he threaded his finders together before pushing them out, cracking his knuckles before dramatically slamming down on the keys.

"Holy shit," you breathed, listening to the classical tune that filled your room. Needless to say, he played beautifully and was incredibly talented. At one point, he even glanced up at you with another shit-eating grin, showcasing the fact that he knew the positions by memory and didn't even need to look.

"You're amazing!" you explained when the song was finished, placing your hands on either shoulder and rocking him gently. "I've never seen that much musical skill from one person! What, were you like a professional pianist in your first life or something?"

To your surprise, he actually nodded. "Jesus christ man, I've never even heard that song before, did you write that?" He nodded again, and again, you were flabbergasted. "I bet you had an extraordinarily hard life." You muttered without thinking. "Art like that only comes out of suffering." As he nodded yet again, this time more bashfully, the two of you shared a moment of silence.

"I'm sorry, that was rude," you realized, glancing away. This time, Creature shook his head, an uncharacteristically peachy hand guiding your face back toward his as he stepped closer. For a moment, you waited to see what wisdom he had to offer, before remembering that no words would come as he stared at you, only able to offer a comforting gaze. "I wish you could talk," you whispered as he pulled you into his chest without you even realizing it. "But then again, maybe it's better you can't." you retorted to yourself bitterly. "I've had enough people tell me to cheer up because life gets better."

Creature stiffened, pushing you to hold you at arm's length, shaking his head again. "You think you got something better?" you asked, rhetorically.

Sensing your irritation, he resigned himself to giving up on communication for now. Taking matters into his own hands, he pressed a palm to his heart, a sign for you to trust him. Gently, he guided you back to your bed, pushing you down onto it. Awkwardly, Creature untucked the quilt from the bed a threw it over you, signalling for you to lay down, before tucking you in. You reluctantly followed his instruction, laying down on your side, tears welling in your eyes from all the overwhelming emotion bubbling inside you. You then watched as he made his way over to your desk, seeming to write something on a sheet of notebook paper Following this, he laid the note at your feet as he took a seat in front of the keyboard again.

You couldn't deny that you were beginning to feel drowsy after the soft music he played filled the room. This song was nothing like the first one. It was sweet and serene, unlike the dark and dramatic one he'd first played- with that cocky grin that made you feel so conflicted.

On the cusp of needing to rest your eyes, you remembered the note he'd left for you, briefly sitting up to reach it before laying back down, holding it up in the air to read what it said as he played your consciousness out.

"The sun does not ever reappear if the rain never stops. To live happily is to find solace in any weather. With the right balance, the flowers will begin to bloom. I hope to one day see a lush garden in you, darling."

[itstokkii]

rating the new flower pop up outfits as a fashion major

what the title says

Spain

im ngl spains one is actually my favorite, and I think is the best out of all of these. this is because:

he has an established style/fashion sense throughout these pop-up events

the flared train at the back is a unique twist that's nice to look at

the color theme is consistent throughout, shades of similar dark red, and pink and white as accent colors

my only complaint is that the flowers aren't central to his outfit, but this is a complaint I have with all the outfits. if this is about the countries' national flowers, it should go with the design and not as an afterthought.

FINAL POINT: 9/10

China

I love the flower patterns on the inside of his cape! his design is rather nice

this is where the compliments end because now I have issues:

what is up with this color scheme? the white boots throw everything off, both design wise and color. the peach pink could be a little darker as well, like how spain has visibly different shades of red but they work well together because they look similar to each other.

balance in a design is incredibly important. the pieces need to look unified and not like a bunch of different pieces forced on as a single outfit. the color and pattern on the inside of the cape could be used on the blazer replacing the peach pink, whereas the notch collar and lapel could remain as peach pink. this way, the outfit is unified while the peach pink adds a pop of color as contrast. the cuffs could potentially be a different piece cut of the peach pink fabric and sewed onto the end of the sleeve.

his pants are very high waisted, it looks odd. either keep his pants high waisted and make the blazer longer, or lower the pants a little. short blazers can work in certain situations, but it's not doing anything here.

honestly I just wanna know what was the designing process behind this

FINAL POINT: 6/10

France

I love the light blue, white, and cream color scheme here! this is maybe, next to spain's, the best color scheme. the flower placement works and is still a noticeable detail in his design.

additionally, the colors are applied in a way that keeps the design balanced and unified. the bottom is cream, and the top has a cravat of the same color. the dress shoes is a good contrast that still works due to how light the brown is. the cape is blue, which is reflected in his cravat brooch. a small detail, but it works so well. we also have his belt/girdle that's a baby blue and it also works to unify the design, even though it's slightly lighter than the cape and brooch. the cape and pants are light and easy on the eyes, and help keep the design grounded and not washed out. the gold accents are subtle and are placed at the top and the belt.

design wise, I do wonder if there's something more that could have been done to his bottoms...the top gives the perfectly princely feel, the bottom feels so plain in comparison..

FINAL POINT: 9/10

America

since there's nothing good about his design, let's skip to the bullet points already:

the color scheme is atrocious. purple and green...works if you try hard enough. but the blue?? on his shoes?? what?? I assume it was an attempt at unification with the blue pinstripes...an attempt. I would change the color of his waistcoat to match his shoes, since it's much easier to work with purple and blue than purple and green

the pinstripes were certainly a choice. I would've gotten rid of them completely and replaced it with maybe some white or gold trim at the hem and sleeves.

the flowers are placed in such a lackluster way, when it could have maybe been a design detail of flowers spaced out at the top and then collecting at the bottom of his jacket, with a few flowers spaced out at the top of his pants to balance the outfit.

once again, there is no focus or an established sense/style for him. from what I'm seeing across many pop-up events, the idea or "vibe" is a childish, sleazy(??) vibe. but that's very vague, and they would need to further outline common elements/looks they could refer back to when designing anything for him.

FINAL POINT: 2/10 my goodness

Germany

I like his design a lot, it fits his personality well! the gold trim and buttons is a nice touch that helps balance the top and bottom. the color scheme is an unexpected surprise, since in my mind he's wearing green always..? but I guess in the hws anime, he wears a blue suit.

I do wish the suit was a different shade of blue, like a slightly lighter shade, since the stark blue and yellow feel very in-your-face like Ikea, and since the flowers feel like a blue plum, this really deep, dark shade of blue just feels like a bit too much.

my other only issue with this is honestly the flower placement. I see that they were trying to balance the placement on the left and right, but it covers up important design details like the gold trim on the shoulder and the viennese seam.

FINAL POINT: 7/10

Italy

it honestly feels so similar to the sweets parade pop up, so i really don't know how to feel. especially the train/cape detail that was in both. that doesn't immediately mean this is bad, though

I do like the train here because it's such a reflection of his personality!

it's nice how they try to balance the top and bottom through the same patterns on the waistcoat and train. the pants however...

the pants throw it off. they could have gotten rid of the stripe pattern and it would have been fine.

the jacket being white isn't necessarily a bad thing, but I have issues with the lapel and collar having a green stripe. it's very stark and isn't enough to balance the jacket with the pants and blouse. the white and green needs to be swapped, i can't see it working any other way. a white blouse would still work with a yellow waistcoat and orange bow, and the green unifies the top and bottom. the only problem with this is figuring out how well this works with the orange on the inside of the jacket train...

the flower is very tiny despite being in the middle, and would need to be placed in a way that is noticeable. my initial thought was one or two daisies as lapel pins(bigger than the daisy on the bow) connected by a gold chain...perhaps the bow-daisy design detail could be added at the top of his boots?

FINAL POINT: 6/10

Japan

*grits teeth in korean* he's pretty charming here i gotta give him that

the pink-green is ATROCIOUS. different shades of pink and green would have worked. they chose a colder pink with a colder green and it just clashes so hard. this cold pink also clashes with the warm magenta. the pink and green are extremely light, and would benefit from being more prominent and warmer shades.

there is no balance because below that is just white with gold details. the white just eats everything up, especially because the pink and green are extremely light shades. the cuffed hem at the bottom of the pants are fine, but the rest of the pants would work better in pink or green. or fine, keep the pants. but the shoes better be in green or pink.

the inside of the cape is way too light, and alongside the pants and shoes, eats the other colors up. I would make the pattern on the inside a gold trim, and the background a more prominent pink.

again, the flower here is really tiny. cherry blossoms aren't known for their size, but if the whole point of this is highlighting the nations' flowers, the flowers should be a bigger deal that the design works around, not an afterthought. I'd add cherry blossom petals onto the pants, spaced out so it looks like they're falling to the bottom.

FINAL POINT: 5/10 good lord the white

England

THIS DESIGN. i have the BIGGEST BEEF with it its a designers NIGHTMARE

where is the balance? i'm supposed to expect these dark plaid pants to work with the light red roses? why is this plaid? where is plaid anywhere else in this design? if the top is white what is unifying this design?

to fix this problem i'd burn the plaid pants. but if that's not an option, i'd give him a plaid waistcoat. but honestly, burn the plaid pants. NOW.

there has to be a better way to incorporate the roses into this design. i'm thinking a dark red coat with gold rose trim, and removing the lone rose at the bottom of his top. also the roses gotta be the same dark red as his pants.

the frills are also excessive. cmon man.

FINAL POINT: 2/10 something something like father like son

Russia

*grits teeth in uzbek* he really is a dapper lil man...

so first off this color scheme is wonderful. for a guy associated with winter constantly, the sunny yellow and green matches his sort of...enthusiastic attitude?? however there is one(1) issue I have with it. the yellow would look better as a warmer, slightly golden yellow. because right now it looks more like paint yellow than sunny yellow. some of the light green could benefit from being a similar shade as the forest green at the hem of his pants.

the balance is there in the brown and green pants and the brown waistcoat. the green details are well placed throughout the jacket and looks great. the hat is a nice accessory that ties everything together. I don't know if the yellow jacket is overwhelming the brown bottoms, or if it's just me having issues with the shade of yellow... because if the yellow was warmer, it could work with the warm brown pants?

Instead of the gems on the chain of his pants, it could be sunflowers? there's so many opportunities to incorporate the sunflowers, but it was missed...

FINAL POINT: 8/10

Prussia

i'm sorry to say but oh...oh my goodness this is actually terrible i actually don't know where to start

it's blue everywhere. the shoes are the only breath of fresh air. but then you look at the overall design and wonder why these colors were chosen.

these shades of blue don't unify this outfit. the waistcoat is a colder blue compared to the pants. also, the random flower pattern on the shoulders? nobody asked prussia pack up and go home. there's silver stripes on the side of his pants. that could have been the color of the flower chain instead of?? brown??

I love the flower chain though im ngl

there has to be some sort of secondary color that's prominent enough to balance the outfit properly. there is none here so I'm just very lost like i don't know how to save this outfit.

i'm wondering if a dark blue and red would work(thinking about his military fit from world twinkle).

FINAL POINT: 0/10 (why are you even here? you're just a province now)

Common issues

Color schemes

Balancing outfit

Minimal flower placement(I would personally design their outfits to resemble the silhouette of their national flower in some way, and perhaps use ouji fashion as a base for inspiration)

In fashion school you're taught that customer profiles are important when designing for someone, and to think of key elements in each design to keep it consistent to the profile. they need to start doing that

anyway that's it follow my soundcloud etc

[respectthepetty]

I have several wild theories and random thoughts about Jack & Joker, and episode two gave me a lot of answers, like Joke’s chest tattoos are “Loyalty” and “Hate Love” (in black and red!)

But what I care most about is the colors! Joke wore red several times this episode starting with the prison uniform he wore at the beginning of the episode.

And when he opened his locker, all the items in it had red on them.

When he left the prison, he was, of course, all in red.

Because even when his face is hidden, the red gives Joke away.

It’s his color. When he performed the first con in episode one, his braces had red rubber bands.

When he performed the bank robbery, he wore a red tie.

And when he left his frowning face signature at the store, it was in red.

So in episode two, when he went to scam money from the loan sharks, he wore a red shirt (with the gold chain).

And in the end, he had a red rose around his neck, so we could know it was him without seeing his face.

So now that Jack has embodied his Jack the Reaper role, he starts wearing black.

Which could indicate his loss of hope and his acceptance of his doomed life.

But once he runs into Joke again,

And again,

And again,

Something changes in him due to his past popping up again.

Notice the red in the background?

As much as Jack is resistant to Joke’s reappearance, Joke has already schemed his way back into Jack’s . . . heart? Head? Life?

The light source appears to be coming from an altar, which if true, would be a nice nod to hope and repentance, two things Joke offers.

Jack watches over Save, who works at a restaurant with a red uniform, so I’m excited to see if Save’s personality is similar to Joke’s and perhaps this is why Jack worries about him.

And much like Jack, Joke has a bleeding heart (notice where he was cut) and wants to help others.

Including getting his gold chain back that was taken from him and a wedding ring back that means a lot to Jack considering it has his name all over it, and by “his name,” I mean Joke's since the ring is nestled in a case with a completely red interior.

But unlike the ring, which I’m confident Jack will put on Joke’s hand before this series ends, I’m not sure about the blues in this show.

In the first episode, both men wore blue, used a blue handkerchief to tend to their wounds, and now as Joke walked out of the prison, he wore blue sandals.

And perhaps my eyes are deceiving me, but even the whites look blue-ish.

And the darks look blue-ish.

And I think this is because the blue will connect these two.

Since it serves a reminder of who they once were and a happier time before everything went south for both of them.

But, once again, I’m not sure. Just like I’m not sure if my Tattoo x Aran ship is completely in my head even though I found it interesting that Tattoo knew Aran was the boss's son and what he would be doing without a second thought (as if he knows Aran from another time period).

However, it could just be that I like Tattoo and want him to have a rich boyfriend since he wore a Bob Ross shirt and got smacked with a hot pan while wearing a “City at Peace” shirt by a man named Hope (who I think will be a good guy).

SAIL SHIP SAIL!

[writingoddess1125]

Pebbling

Buggy x GN Reader

Fluff Headcanon + Small Story

Pebbling (Def) -  collecting and sharing little things with someone you are interested in so that you can build a bond.

Masterlist <<

Kofi<<

• You’ve been a part of Buggy’s crew for a while now, and while life on the ship is always chaotic, there’s a certain rhythm to the madness.

• Buggy’s loud and eccentric as ever, constantly yelling at his crew, plotting his next big scheme, or performing one of his exaggerated, over-the-top shows.

•He doesn’t seem like the kind of guy to be subtle—or thoughtful, really—but that’s exactly what makes the little surprises so confusing at first.

• It started out small of course-

• The first time it happens, you find a small trinket tucked away in your cabin—a shiny coin, weathered with age but clearly valuable.

• You’re puzzled, wondering where it came from. No one in Buggy’s crew seems like the type to leave anything behind unless it’s by accident, but you chalk it up to just that: an accident.

• Then another object appears some time later—this time a small, brightly colored feather.

• It’s wedged into the folds of your coat, a splash of color so out of place that you can’t help but notice it. Again, you can’t figure out where it came from, but it’s oddly nice. It makes you smile for some reason.

• Then it happens again. And again. Small things—items that seem random at first—start showing up in your space.

• A polished stone, very pretty shell, even some candy from your village of birth you thought you'd never see again!

• Each one placed somewhere you’re bound to find it: in your coat pocket, on your bunk, even tucked away in your boots once.

• At first, you think it’s just coincidence, or maybe the crew playing some kind of prank.

• But the things you find are too specific, too you.

• They’re not the usual junk that gets tossed around on the ship. These are things that hold a certain charm, things you genuinely like.

• Slowly, a pattern starts to form, though you can’t quite pin down who’s behind it.

• That was till one gift made you figure out who it was- A well loved red beanie, It would be perfect for the upcoming sailing adventure since it was oddly cold.

• Looking into the hat you see it- A long strand of blue hair that seemed to have been perfectly left behind in the fold.

• Blue Hair-

• As you began to piece together this was from Buggy you couldn't help but smile to yourself as you held the hat close.

• He would never acknowledge anything of course- You assumed his ego being too grand to do so. However your heart fluttered at the idea your Captain was going out of his way to leave these for you.

• You decide to watch how he interacts after this, just to confirm your hypothesis.

• Wearing the beanie you sit on the desk were Buggy is screaming at the crew and stomping his foot angrily at something random.

• Pulling some of the candy he left you from your coat pocket you began to eat it while chatting one of your peers, perfectly angled for the Cap to see you.

• Just to catch Buggy glancing at you and seemingly smirking to himself- His mood 'Magically' Improving at a drop of a dime.

• Bingo!

- Later that evening after dinner, You'd snuck into the Captain's Quarters looking around a bit nervously as you looked for a good spot to set the item you'd made for him, It had been a small hotdog statue that you'd made yourself with some clay- Easy to put on a desk or keep in a pocket since Buggy seemed a bit fidgety.

"Now where to put it-"

You grumble as you frantically looked around for a good spot for the gift, not wanting it to get lost in the chaos that was his quarters. He made it seem so easy to be able to hide these things in places he knew you'd find them- But this was hard!

His desk was a fucking mess! Clothes on the floor and it was impossible to know were he actually looked.

Shit, Shit, Shit!

Right as you think you found a good spot on top of some makeup tins the door to his office slams open- Were the Devil himself steps in looking just as surprised as you felt.

Deer In Headlights-

You two stare at each other for what felt like forever as he looks ready to question you for being in his personal space but your frazzled mind seemed to beat him.

"I MADE YOU A HOT DOG!" You should holding the hot dog in the palm of your hand and wanting the ground to swallow you whole-

...

A wide smile slowly started to stretch across Buggy's face as he closed in the space between the two of you and greedily took the hot dog trinket from your hands. His eyes seemed to sparkle.

"You Made This?" You nod hesitantly, a bit frazzled still before shyly smiling.

"I um, noticed all the stuff too. From You" It was now your turn to catch him off guard, He started to blush as you get flushed as well.

"Ive liked all of them" You say softly, watching a nervous smile grace his lips.

"Do- You wanna drink on desk? So I can ask how you made this?" Buggy asked, coughing a bit to himself to clearly ease his nerves and make himself seem cooler. You giggle at this and nod.

"Id like that a lot"

[quillpokebiology]

You mentioned a couple of times Bisharp and Gallade pair well, do you have any facts or pic on this crossbreed? :0

Yup! Here is one with a Bisharp father!

Pokemon Crossbreeds: Knight

Knight is the name for members of the Gardevoir line whose father's were members of the Bisharp line. The breed was named after their more armored and knight-like appearance. They've been bred by humans for a long time, as both Bisharp and Gardevoir have been by humans for centuries.

Ralts

Knight Ralts gain larger and sharper horns, a split-colored head that has a slightly metallic texture, and a mark on their chest that resembles a chest-plate. Due to the larger and sharper horn, these ralts are able to pick up on emotions easier, which can be overwhelming for them. These ralts are more defensive and aggressive than standard ralts.

Kirlia

Knight Kirlia no longer have flaps of skin resembling a skirt, instead, having fat wrap around their legs which look like pants. They have broader shoulders, sharper horns, and a darker stomach resembling a chestplate. It still follows the defensiveness and aggression of Bisharp, and they are often seen leading packs of Knight Ralts.

Gardevoir

My personal favorite of this line. Knight Gardevoir gain a sharp horn on their head, a green top, green gloves, and a bit longer hair. Knight Gardevoir have been loved for centuries for their mastery over battle and their more serious and knowing disposition. They lead groups of Knight Ralts and Kirlia. Some ancient kings in Galar had a Knight Gardevoir. Mega Knight Gardevoir gain long hair and longer ears, resembling Kingambit more than regular Knight Gardevoir.

Gallade

Knight Gallade gain the crest of Bisharp, border shoulders, extra blades on their arms, and larger hips. Not much changes behaviour wise, as Gallade are already aggressive and noble pokemon, but many battlers love this breed for their extra blades and extra defense. Mega Knight Gallade gain longer ears and a black cape, resembling the hair of Kingambit.

//My designs can be used by anyone if you credit me! Talking about designs under the cut

I had the idea for this crossbreed but I put it in the back of my mind bcuz there was always something new ig.

Ralts was pretty easy to design. It's hair already looks like a helmet, so I just made it look more like Pawniard's helmet. Was gonna leave the helmet primary colored, but then I went hack and gave it two color to match Pawniard's more.

Kirlia was more difficult bcuz it and Bisharp don't have much in common, so I instead just made it more serious looking and gave it the traits I could; like feet, hands, shoulders, and a chestplate.

I traced an old Gardevoir crossbreed I made bcuz I prefer the one I made over the canon one (for tracing at least. Also, its called Chantelaines Gardevoir!). But my main goal was to make it look a bit like those Warrior queens you see. For both Gardevoir and Gallade, I primarily used Bisharp as inspo because it felt right, but I did put Kingambit in there top (the sword mustache becoming long ears, the triangle shaped shoulders, and the markings on the shoulders).

I gave Mega Gardevoir longer hair to match Kingambit's. I also traced an older piece, which was traced from canon, but I just used it for the small edits I made when I made it.

Gallade was nice, and lowkey inspired by Roman Gladiators. Random fact, but did you know gladiators rarely ever killed? It was like wrestling back then, so it would be expensive to have them die, and extreme violence in Gladiator fights was frowned on. There were some cases where murder in gladiator fights were encouraged, but not as many as you'd think. Anyways! I was so happy to fix Gallade's hip wheel bcuz while Gallade may be one of my fav pokemon and I think the hip wheel is a furled up dress, I can still find it weird.

Not much changes with mega gallade, and I kept the OG color scheme. Though, the cap was hard to color since I kept swapping from blue to green to black. Eventually I decided on black to match with Kingambit's hair since it already didn't have a lot of Kingambit traits.