#narrative comparisons
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I think Usopp was the most under utilized character in OPLA.
Not because Jacob Ramero did a bad job; I think what we saw from him was quite good. I also recall that he wanted to include Usopp's hammer into the fight(s) but it didn't make it into the final cut, so I think he has some idea of how the character fights, functions and feels.
No, the story just didn't give him enough time to shine/show why he was wanted on the crew. He was also the only crew member Luffy never asked what his dream was. Which is it's own bundle.
Because by changing how he (seemed) to feel about his dad, it altered the root of what his dream was before Little Garden. (I'm hoping there'll be more time spent on Usopp in S2). I didn't mind the switch to making him more committed to his mom and therefore Kaya (connections to women with ailing illnesses something something Merry in Water 7).
But this means you need a new root for why Usopp wants to be a brave warrior of the sea. If it's not the pride of a son of a pirate then why?
(I could see a good case made that it didn't need to be changed at all. Which is also fair. Though for me the important thing about Usopp's intro arc/Syrup Village is that he's shown, in the story and by Luffy &co. as admirable despite (or because of) his cowardice (and lies). )
Like Usopp's lies being imaginative ridiculous stories (tall tales) is very important to me. He creates something meaningful from something that, generally, isn't. He's got a lot of what I can only describe as compassion honor that's really emphasized in his desire to protect his home.
And that, for me, was missing. And I'd much rather have had that in some reimagined capacity than pride for pirate dad. (I mean we didn't get either really but it's the response of Luffy &co. to the compassion lies that I miss most.)
#opla#opla spoilers#opla usopp#usopp#i got a little carried away#narrative comparisons#wsd opinion piece#one piece#my aladdin bias is showing when in comes to opla usopp and his dad#if more of the marine subplot was removed it could have been given to usopp#ep 4 drives me up the wall because Usopp is sidelined in his own arc#and i think ep 3 does a decent reimagined setup#my simple solution is Usopp doesnt let Koby and the marines take Luffy#he tells luffy the situation. they go back to Kaya's mansion. luffy gets lost#plot proceeds except when luffy arrives Usopp is making more of a (weakly effective) stand against kuro. 'dont laugh at Usopp' scene equiv.#i should have made the lasy few tags into its own post...#character analysis#syrup village arc
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thinking about how the extra area added on to a pacifist run of undertale, the true lab, is about alphys's past mistakes. how it ends with the story reaffirming that, despite the pain she's caused, the thing that matters is that she has now made the choice to do the right thing. she's still worthy of her friends' love.
thinking about how undertale doesn't expect the player to get a pacifist ending for the first time. how it's more likely than not that the player will kill toriel the first time they battle her, how lots of players don't initially figure out how to end undyne's fight without killing her, etc. what it expects â not even expects, really, but hopes â is that the player, if they care enough, will use their canonically acknowledged power over time to make up for those mistakes.
no matter how many neutral runs a player has done before committing to the pacifist run, the thing that matters to the characters, to the story, is that you've chosen, now, to do the right thing.
compared to alphys, the player honestly gets off lightly, in that you're the only one (other than flowey) who really remembers any harm you might have caused. and any direct guilting the game could have done about it is long past at this point. instead, as undertale often does, it makes its point via parallels: alphys caused harm, and she knows it. she has committed to being better. in doing so, she has unlocked for herself a better ending to her story. and she deserves it. she's forgiven.
those structural narrative parallels are all over undertale, if you know where to look. and that's one of the things that makes it so fuckin' good.
#undertale#alphys#true lab#this inspired by a mutual's alphys posting#and a discord convo i had a couple weeks back about ut's stance on ''punishing'' the player vs the monsters for their actions#and thoughts i've had generally post a certain fangame with a color in its name about just how well ut is structured as a narrative#everyone rightfully praises toby fox's character writing but stuff like this i think flies under the radar a bit by comparison#and it deserves to be appreciated#there's obvious Lore reasons why the true lab is only visited in a pacifist run (what's revealed about chara and flowey)#but this is the other half of it: the message of alphys's story hits hardest on a paci route post neutral runs#toby fox is a good writer more often than not
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From an article published on December 29 2016:
#f1#formula 1#formula one#max verstappen#charles leclerc#lestappen#genuinely insane how long the narrative has been narrating#god let them have a season long championship battle I'm begging#imagine being 19 and being compared to two of the goats & the greatest f1 rivalry#and its not even the first time the comparison has been made
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The fandom god discussion is interesting, but I feel itâs sometimes hindered by an unwillingness to separate gods from mortal society, or even a sort of over-eagerness to project our own reality onto them, which simply doesnât work. I've seen the gods referred to as rulers or tyrants demanding worship (which I kinda understand because itâs something Ludinus says in-game, though itâs funny to see fandom corners confidently repeat the inaccurate talking points of the antagonist) but more interestingly I've also seen them referred to as a higher/the highest social class, as colonizers imposing themselves on mortals, the raven queen specifically as new money. Overall these comparisons tend to talk about the gods and their actions regarding Aeor in the past and predathos/the Vanguard in the present less as if they're about saving their own lives and more as if they want to preserve their powerful position.
The gods, by their very nature, are above mortals. They cannot be compared to any mortal ruling class because they didnât choose or strive for that power and cannot feasibly get rid of it/step down/redistribute it (nor do they actually in any sense rule; killing the raven queen, unlike killing an actual queen, will not end the 'tyranny' of death), they simply have it by virtue of being gods. Saying thatâs unfair or unequal and that the gods should be killed because of it is akin to saying itâs unfair a mountain is bigger than you and demanding it be levelled, except the gods, unlike mountains, are living, feeling beings who shouldnât have to die because some people canât stand the idea of not always being top dog. Thing is, the gods themselves ultimately understood this power imballance and that they can't help but hurt Exandria the way humans can't help but step on bugs, and thus removed themselves from the equation by creating the divine gate. Saying this isnât enough and that they're clinging to power is just demanding they line themselves up to be killed.
#critical role#cr3#downfall#nella talks cr#ultimately all these 'ruling class' comparisons are simply flawed and donât work when under the slightest bit of scrutiny#gods arent rulers or tyrants bc they donât rule and can't be deposed#they are representantations and guardians of (mostly natural) concepts#and those concepts wonât go away bc you killed the gods. death and nature and the fucking sun will still remain#they arenât colonizers of mortals (wtf lmao) who demand they be worshiped and mortals live according to their oppressive rule#again did you watch calamity? not even before the divine gate did the gods demand worship or even respect#they were never less respected than during the age of arcanum and still they were just chilling#(until someone released the betrayers and they had to step in to stop the ultimate destruction of exandria)#technically you could argue they were colonizers against the titans but even that feels like a stretch#the titans to me feel less like people and more like representations of the chaotic and deathly side of nature#being angry they were killed sounds like being angry someone stopped a hurricane just bc the hurricane was there first#I'm sorry but that hurricane would've flattened you. it wouldnât appreciate your support bc it isn't a person#and 'a higher social class' fucking NEW MONEY? this is just blatant projection#I'm sorry but not everything more powerful than you is a stand in for oppression#sometimes itâs a narrative stand in for nature and i promise nature isn't oppressing you
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If I think about the double standard and the disparity with which the media handled Daniel in comparison to everyone else I may lose my mind.
#i genuinely feel like im in bizarro world. karun chandok the fucking donkey being like:#âyou have to feel for checo . he was doing so well in sq1 :( â#in comparison to the way they viciously circled around daniel for medicore performances let alone bad ones#similar with Naomi just now. i cant believe im gonna defend Perez in the same breath but for her to say;#âLawson has done everything to deserve checos seat. he has ticked all the boxesâ ????? bitch what boxea are you talking about?#she literally said the only thing he needs to work on is his âtemperamentâ would love to know what shes on lol#DONT EVEN GET ME STARTED ON LAZENBY HES SUCH A DUMB FUCKING RATTTTTTT#the way hes like âwhy is Lawson getting so much heat for complaining about sergio? Yuki has been doing it for years!â#well yuki has been in the 'Junior team' for 4 years now#what the everloving fuck is going on in the sport#obviously we all know how the media shapes the narrative but its genuinely still so jarring to see the standard they held daniel to#and the callousness with which they treated him
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Stephanie Browns time as Robin serves as a direct foil to multiple aspects of Tim Drakeâs introduction as Robin and what that accomplishes narratively:
1. Alfred vs Bruce Reactions
When Tim first arrives, Alfred is right there trying to convince an extremely reluctant Bruce to allow Tim to become Robin.
Batman #442
In contrast with Steph, where Alfred is giving his best effort trying to convince a resolved Bruce not to allow Steph to become Robin
Robin #126
Tim and Stephs introductions as Robin have Bruce and Alfred directly switch roles in their relation to Robin: the reluctant becomes the advocate, and the advocate becomes the reluctant.
2. Breaking Explicit Orders to Save Batman
Letâs look at the story which ends with Tim donning his own Robin costume for the first time and being referred to as âRobinâ for the first time by Bruce, the story where Tim officially becomes Robin.
Tim is told not to go into the field or put on the Robin costume, but Tim chooses to fight the Scarecrow himself and enter a situation he was told explicitly to stay out of by Batman to save Bruceâs life (and also Vicki Valeâs).
Batman #456 & #457
Bruce tells him sometimes rules are meant to be broken, and immediately afterwards, he is recognized as Robin.
Stephanieâs firing as Robin occurs when she is told explicitly to stay out of a fight, but which she still enters, as she believes Batman was in danger.
Robin #128
Timâs entrance into being Robin is tied directly to his disregarding orders to save Batman.
In contrast, Stephanieâs exit as Robin occurs once she disregards orders and attempts to save Batman.
3. Secret Identity Knowledge
Tim enters the manor already knowing everyoneâs secret identities. He knows âThe Secretâ from literally before day one.
Batman #441
In stark contrast, not only does Stephanie enter her time as Robin without knowing Batmanâs real identity, she leaves her time as Robin none the wiser as to Bruceâs secret.
Despite working as a sanctioned member of the team for a substantial amount of time beforehand as Spoiler, she doesnât know Batmanâs identity when she is Robin and she still doesnât know when she âdiesâ in war games.
Tim represents a totality of knowledge in his introduction, he knows everyoneâs identity and relationships far before he becomes Robin.
And Stephanie represents a total lack of that same knowledge: she enters and exits the Robin role with no knowledge of âThe Secretâ.
The entirety of Stephs time as Robin is overshadowed by the unavoidable fact that the normally intensely trust based partnership that is the Batman and Robin dynamic is being subverted and used as a blunt tool. A tool to leverage Tim back into the role of Robin.
Is it any wonder then that Stephs time as Robin foils Tims introduction as Robin?
The contrast serves as a way to explain to the reader why Stephanie cannot be Robin: Steph is the âbadâ Robin who portrays an opposite to the âgoodâ Tim Drake Robin introduction. She is in opposition to the ânormâ.
Stephanie serves as a reversal, a perversion of how Tim Drake became Robin, allowing Tim to return to the role.
The core tenets of the Tim Drake Robin Introduction Myth must be reversed, deconstructed and undone, so that there is room and opportunity for Tim Drake to rebecome Robin afterwards. So that he can reestablish himself and the norms that Stephanieâs time as Robin has upset and undone.
#is this too crazy to be understandable#sorry I have a rare disease called The Stephs which forces me to find insane comparisons and overanalyze her every appearance#might start stephanie brown robin posting so watch out for the horrors I might soon unleash#you think this is bad just wait until I start explaining how Batman and stephanieâs baby have strong narrative parallels#stephanie brown#tim drake#stephanie brown meta#Tim Drake meta#Batman meta#batman#dc comics#robin 1993#bruce wayne#Alfred Pennyworth#mine
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ACHILLES COME DOWN
â the depiction of carlos sainz
lyrics to achilles come down, gang of youths / the iliad, homer / the race.com / sky sports.com / silence of the girls, pat barker / australian gp 2024 / jason with the golden fleece sculpture, bertel thorvaldsen / the fallen angel, alexandre cabanel / speeches for dr frankenstein, margaret atwood
#đ edits#hellooo this is my first webweave/edit#itâs a comparison of carlos to achilles - but also a juxtaposition. carlos is not achilles. but people villainise him eg his nicknames#âel matadorâ and âthe red devilâ by italian commentators#how people have carved out their own depiction to fit their Narrative#okaysahsva this has been in my Head#carlos sainz jr#carlos sainz#formula 1#web weaving#f1 edit
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Book: This young woman was lively, vivacious, outgoing, and cheerfully unconcerned about propriety.
Me: Okay, she seems fun.
Book: She had an older sister who was quiet, thoughtful and proper, but not as beautiful/captivating.
Me: Oh no, I just found my new favorite character.
#it's oh no because no one appreciates her often not even the narrative#i call it the blanche brier effect#it sometimes is paired with the rose brier effect where i have to fight against resenting the outgoing sister everyone loves#(this effect has lessened with the brier sisters for me but it's still a point of comparison)#i read the first chapter of 'no name' and it's delightful because it has a wonderful pair of these sisters#so far it seems that both are being appreciated so i love both#but i am concerned with how the story is going to go#(also it doesn't have to be literal sisters just two girls who are the same age and presented as a contrasting pair)#books#victober
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been playing 1000xRESIST over the last couple days, finished it this morning. genuinely one of the most astonishingly good indie games I've ever played. hell it might be one of the best games I've ever played PERIOD. can't even describe to you the way I felt when I finally rolled credits on it. I feel empty, emotionally exhausted even, but I also feel transformed, inspired. I seriously can't give enough praise to Sunset Visitor for what they've accomplished, especially for their debut title. I'm gonna be thinking about this one for a LONG time.
#man... just... MAN!!!#what a fucking incredible video game#also... while a lot of ppl have made comparisons to nier:automata#(which IS completely valid as it was one of the game's inspirations)#i would advise y'all not to go into this expecting an action rpg#this is through and through a psychedelic narrative tour de force#y'all NEED to experience this#it's like $18-$20 on pc and switch#please i'm fucking begging#evayo games#1000xresist
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Let's overanalyze this (â︿ââż)
I think part of me assumed that Angie's effect didn't work on Charles because he's a ghost, but I wonder if it's more than that. . .
The redhead heard her boyfriend loving her when he never said "I love you" before
Crystal doesn't remember her parents suck, so she has hope that they're looking for her
Charles knows his parents are living on well without him. Comic Charles says his Dad would be relieved he's dead--he never liked being a father.
Edwin's not affected by Angie either, but we see him looking longingly at Charles the way Crystal looks longingly at the ocean
Edwin & Charles are ghosts, and not necessarily bound to the attachments of the living? But also, there's nothing in the ocean for them, when what they both desire most is on land and close at hand.
~~~~~~~~~~~~~~~BONUS~~~~~~~~~~~~~~~~~
#dbda#dead boy detectives#dead boy detective agency#payneland#crystal palace#edwin payne#charles rowland#the case of the lighthouse leapers#scene analysis#character analysis#character dynamics#character relationships#angst#dude my heart#the top two pic comparisons hurt me when i put them together ugh#parallels#text post#screenshot#screenshots#angie the sea monster#narrative devices
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SASHA LUNDY CLUTCHING ONTO EACH OTHER FOR DEAR LIFE HELLO
THE INHERENT ROMANTICISM THAT IS IN BURYING YOUR FACE INTO EACH OTHER AND CRADLING ONE ANOTHER'S HEADS
CAN YOU HEAR MY WAILS?????? CAN YOU HEAR THEM AT HOW LUNDY IS SQUEEZING SASHAS WAIST??? HELLO?????
#anton lundell#aleksander barkov#florida panthers#2324#playoffs 24#im never getting over benny holding sasha face in his hands while lundy waits his turn#and lundy gets a good craddle and squeeze in too before ekky comes barreling in for his personal love sasha session#a team that loves each other a lot#also peep mikksy and luosty in the back#anyways whatever sasha and lundy have got going on is sooooooooooooo#its sooooooooooooo#âyeah i attended a cats game in finland and i saw kuli playing and later got drafted by the same team and we became teammates (sasha)â#and âyeah i attended a cats game in finland and i saw sasha play and later got drafted by the same team and we became teammates (lundy)â#but also add âwhen i first came over he housed me as well and acted like my tour guideâ#and also âand now our 2 way playstyles get compared so much because we are countrymen despite how difference our focuses are in said styleâ#âand despite how much it should annoy me how conflated we are together im actually honoured by the comparisonâ#and also âi like being mean (in a loving way) to this kid because his head is too big but i will praise him when he deserves itâ#âbut also because of that his ego will never not be inflatedâ#these two are so special#idk i think theres something romantic in watching your future teammate from the stands and winning a cup with them#(the cats are filled with that narrative)#MOM HELP IM CRYING ABOUT THESE TWO AGAINNNNM
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i love killua & gon bc theyâd both die for each other, but they need to also live for each other.
#hxh#hunterxhunter#hunter x hunter#killua#gon#hxh gon#hxh killua#hxh gon freecs#gon freecs#hxh killua zoldyck#killua zoldyck#killugon#gonkillu#kirugon#meta#anime meta#hxh meta#anime analysis#analysis#character analysis#character parallels#character foils#character comparisons#codependency#parallels#foils#narrative foils
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would you rather
make out with Keefe OR
make out with alvar
do you hate me
#probably keefe. alvar's a fuckboy and even if keefe did look up to his fuckboy-ness at one point at least he never went full-on fuckboy#alvar makes me irrationally angry. like i don't think you understand how much i just hate him as a villain and as a character#and yes. those are the same things i say about keefe. but at least with keefe shannon isn't trying to let TERRORISM slide#i talk a lot about how keefe is NEVER held accountable by the narrative for his shittiness (which is true) and how i find him----#----excruciatingly annoying (which is true) but somehow BOTH of those things for keefe pale in comparison to what shannon did with ALVAR#god i hate alvar. possibly even worse than keefe. but we'll have to see#i read unraveled almost in the middle of the night my memory of it is not fantastic at the moment. i'll do a reread soon#anti alvar vacker#anti keefe sencen#oh and alvar and keefe as a duo suck as well. hated them :)#sorry for being a hater but uh. yeah. they are probably now my least favorite characters in the series so. well#asks#a-frog-named-charlie#kotlc#kotlc unraveled#unraveled#kotlc unraveled spoilers#unraveled spoilers#kotlc spoilers#book 9.5 spoilers#kotlc book 9.5 spoilers
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In this post, I will attempt to calmly, reasonably, and in-a-good-faith-manner argue all the points raised by tumblr user @library-bat-girl in the following posts. I am starting a new thread so as not to further destroy the original poster, @skitterenjoyer's, tumblr notifications. Worm (+MHA) spoilers ahead. This will be a long post.
Firstly, I would like to apologize on the worm fandom's behalf. We will not engage in ableism of any kind. I sincerely hope that this was a singular incident and @skittersdrippygirlcock will be better about this in the future.
"MHA has better characters,"
My Hero Academia's primary achievement, I think, is managing to make many decently well rounded characters in a fairly short time-span. It certainly has very good visual character design, with easily memorable character designs, like Mina Ashido or Tsuyu Asui. Most of Class 1A is shown to be more than single-note gimmick characters. For a story with such a tight schedule, and only so much page real-estate, that's impressive! For instance, a character decidedly outside of the main cast, Fumikage Tokoyami, is shown to have more to his personality than "is an edgelord," showing a humility and friendliness that is highly against-type. This is very different than a lot of its peers, especially in Shonen manga, where side characters (and sometimes even main characters) are never more than their tropes (see Fairy Tale, One Punch Man*, The Seven Deadly Sins, or Black Clover). My Hero Academia does clear that bar, by making side characters little more than their tropes. This is to say nothing of the primary cast, who, again, is largely defined by tropes and easily slotted into standardized interchangeable Shonen roles. Rival, Love Interest, Rival but Nice About It. Additionally, MHA has an uncomfortably sexualized main cast, for one composed primarily of minors.
This is compared to Worm, in which many characters are fully realized and could have been the protagonist (and often were in older drafts of the story, due to Worm's 10-year development hell). Every character that gets an interlude, and most that don't, all have fully realized interiority, traumas, and wants. In fact, this is one of the major themes of Worm. Every character, from the protagonist Taylor, to characters so minor they're seen only once (see Damsel of Distress, Dauntless), to major antagonists and monsters (see Jack Slash, Bonesaw) all have their own story, even if this is never shown on-screen. There are no "side characters" in the same manner as in My Hero Academia, because every character is a protagonist of their own story, and not in a trite "life is so beautiful" way.
Taylor isn't the center of the universe, there's an entire world outside of her 3-block bubble. The mechanism by which all characters get their superpowers means that the mere fact of having powers implies this about them. Even the seeming exceptions, aren't (see Alexandria, Garotte). Taylor is a good character. I don't even know how to elaborate on that. She just is. Worm does not have the character Minoru Mineta.
"a better plot,"
What... what is the plot of My Hero Academia? For the life of me, I can't seem to recall. I can tell you the general formula of most of the arcs for the first ~2/3rds of the story. Class 1A goes to do a hero high school thing, like do rescue training, or on-the-job training, or on-the-job-training, or on-the-job-training (they do it like 4 times for some reason), the League Of Villains shows up (even when it's seemingly not the league of villains it actually is the league of villains) they fight about it, the class beats all the villains, and Deku beats up strongest bad guy and also breaks his bones. Repeat step 1. But like. What's... the plot? The League of Villains is evil and wants to kill people and do bad stuff. They explicitly do not have greater motivations. There's generally themes of passing-on-to-the-new-generation, so there's Tomura Shigaraki as the arch nemesis to Izuku Midoriya, just as All Might's Nemesis is All For One. Eventually they fight a big fight about it and I stop reading because I find out about Worm. From what I understand (I have not read the conclusion) the series ends without addressing any long-running questions, wrapping up any character arcs, or concluding anything in a narratively satisfying manner. As if severely rushed.
Worm, there are maybe 15 main stories going on simultaneously, which are all tied into the final confrontation with Scion. The most obvious is Taylor's and the Undersiders' story, about taking over Brockton Bay and defeating Coil, which is a smaller part of Coil's story about taking over the bay, until their confrontation with him in arc 17, when it supersedes Coil's story, and then intersects with Cauldron's story, the Traveler's story, the Case 53s' stories, the Wards' story, all of it, in arcs 18-19. This is one example. A great deal of attention is spent making sure the reader knows that Taylor, the Undersiders, Coil, all of them, are bit players in a very large game. Despite this, it's never hard to follow, because Wildbow, while lacking some of the more flowery prose, manages extremely well at making his stories easy to understand.
"I feel like even people who like Worm can agree that Worm is not the most consistent piece of fiction ever written. The disjointed way it was written meant that emphasis was primarily put on 'What Wildbow thought was cool in the moment', [sic] and the story RADICALLY shifts gears every time a new arc starts."
What? Huh? Worm is extremely consistent. Like. 1.1 to E.x. It's, like. Not disjointed? Oh my god, are you talking about interludes? Is that what you mean? The interludes shift gears? Because that makes sense. It's one of the hardest things about worm, yeah. It's gripping! The interludes are a great idea to expand the world of worm, but the problem is that taylor's story is so intriguing that stepping away from it to focus on something else is hard, no matter how individually interesting. I want to read about taylor's escalation spiral, not the travelers! (As opposed to My Hero Academia having random escalation and de-escalation between arcs with no real explanation. We're reading about lives-on-the-line battles with child-slavers and then move to playing on a playground with little kids? Best I can think of is that this whiplash is intentional, but this is never communicated to the reader. Worm does not do this. Any de-escalation is met with the explicit understanding that this is merely a period of calm before things get even worse). Taylor's story wraps up in an extremely narratively satisfying fashion, following her story to its logical conclusion. There were so many ways it could have been avoided, but there was really only one way that it could have ended.
"better worldbuilding,"
This actually offends me. MHA could have had great world-building. It doesn't. Every potentially interesting bit of world-building is backpedaled out of or stopped before it could get anywhere. Or it's just never elaborated or expanded upon. Everyone having a superpower could have been cool, but the implications of this are nonexistent. The reasons for this having no real implications, that being the banning of quirks, also has implications that are also immediately backpedaled out of. It's been hundreds of years since our time, yet life is exactly the same. Nothing ever happens. Endeavor is a cool concept. I like Endeavor. his existence implies such interesting things about the world, how important hero ranking is to these people's lives, that he would create this horrific system of domestic abuse to try and get to the #1 spot. What does this say about this system of heroes that operates like a popularity contest? It could have said a lot. It says nothing. What does the League of Villains, a league of people who call themselves out-and-out villains, who base their ideology in opposing this system of heroes, say about society? Nothing. On purpose. Worm does something with this. One Punch Man does something with this. My Hero Academia puts it in the story, and lets it sit, unused, for a decade.
Worm has... unique world-building. Because it's both good and bad at the same time. Worm's #1 feature is its world. It's brilliant, full stop. Triggers, The Birdcage, the PRT, Exclusion Zones! Why does the status quo exist? what does it say about that society? What does it say about our society? Why hasn't society radically changed from how it is in our world? This is explained. This plays into the themes. The story wants to say something about this world, and so it does. There are characters whose stories explicitly delve into these themes that are set up in the worldbuilding, like Armsmaster, or Battery, or Bonesaw, or Coil, or Piggot or Alexandria or Taylor herself or Brian or Lisa or ANY OF THEM THEY ALL DO THIS. Sorry.
Anyway, the bad part is that the actual world is not well built (and is kind of racist). What's going on in Europe? There's a 3 blasphemies! a 3 what? never explained. What's going on in Asia, aside from Japan? China is a monarchy for some reason. Why? It's never elaborated on. India gets a little bit of elaboration, we're told its different but not how it's different. Wildbow uses machine translation wrong and names some guy caliph of dogs. This is like worm's #2 problem honestly (#1 is Amy). Wildbow tries to make the implication of a well thought out globe without actually making a well thought out globe.
"stronger themes,"
It really doesn't. As I said in the worldbuilding section, MHA makes a point out of not saying or doing anything. I don't know if editors made Horikoshi walk back the more ambitious story beats or what, but there are multiple points in the story where the author pretty much looks you directly in the eye and goes "This Story Isn't Saying Anything At All Even Though It Looked Like It Would. Lmao."
Worm has lots of themes. I think Armsmaster/Defiant's story is my favorite. His entire character arc (which is fully realized despite him being a background character for nearly the entire story) has a point to it. It says something. It's misanthropic and uplifting simultaneously, and manages to feel like it earns both. It's a shared theme with Bonesaw/Riley's story, explored in two different ways.
"Meanwhile MHA establishes an actual overall theme/message right from the start that expands and develops throughout the story. The worldbuilding is informed by the message, which informs the characters arcs and the people they become by the end of the story."
I notice that you never actually say what that message is. What is it? Like, for real. I'm not being confrontational or anything, like what is the message? Cuz' I can't think of one. My Hero Academia, at its very core, is a defense of the status quo. Much like its world-building, but much less forgivable, because it does do something new and unique with its world-building. MHA could have done some extremely interesting stuff with its early implicit critique of heroic society as shown with characters like Bakugo, or Shigaraki, or Endeavor, or Overhaul, or Midoriya himself! It just doesn't! It doesn't do stuff that Worm does do!
Worm does have a message. It has a lot of messages, actually, some that the author disagrees with somehow. Prison abolition, for one. We know Wildbow loves prison. Anyway, the big one is in the subtitle: doing the wrong things for the right reasons. Taylor's constant spiral of escalation, her dwindling attachments to her friends and greater focus on treating herself like a soldier is prevalent, and it is to be avoided. Taylor isn't a sin-eater. They don't exist. From what I remember, this is sort of explored in Deku's character arc for a short period of time, but much like everything else in MHA, it is backpedaled out of.
The funniest is "don't text and drive" though.
"Just on a basic level the way that the audience is meant to feel about Taylor oscillates wildly between being directed to think of her as a misunderstood victim of circumstance, or history's greatest monster."
That's kind of the point. Like. the audience isn't meant to look at Taylor the same way throughout the entire story. It's meant to change as she changes. Taylor's opinion of Taylor changes. The mistake here is saying it "oscillates wildly." it doesn't. It's a slow and steady change for the worse, as Taylor gets more violent and starts throwing away greater and greater parts of herself to become more like a robot and less like a person.
"But a bigger issue in general is tone. It's very focused on being dark and gritty and edgy, and it makes the mistake a lot of consciously edgy media does. IE: it thinks that all it has to do to be smart is be bleak and/or graphic. It doesn't really try to say anything, in fact it contradicts itself throughout the book as I mentioned before, it just throws in extremely graphic scenes and content periodically to remind the audience how fucked everything is."
Did you read the boys and think it was worm? What? It's not being smart when it's bleak or graphic? I actually personally like the endbringers or the slaughterhouse 9, and not because I like watching people suffer. These things exist for a reason. It's not being dark for the sake of being dark. The heroes could stop the slaughterhouse 9. We see that, when they almost stop the slaughterhouse 9 (it's explicitly shown that they are stopped from destroying the slaughterhouse 9). The question then becomes why don't they? It's a grim, brutal calculus, and one that wasn't worth it. That's the point. The Endbringers are different. It's not until arc 27 that they're really explained. You could either read them as a criticism of Eidolon or of ableism, honestly. I mean, it wasn't intentional, he didn't create them on purpose, he needed something to fight, because without that he's nothing. His powers are all he has.
"Worm spends so much time trying to be edgy that as with a lot of edgy media the edginess loses all impact quite quickly and becomes sort of cringe."
I don't really think so, but like. Okay. I don't think this is a reconcilable viewpoint (none of this is really but this especially), so like we're probably gonna have to agree to disagree. The only thing I can really think of as edgy for the sake of edginess is Amy's arc. But even that's not really true. It's meant to be an utterly avoidable tragedy that could never have been stopped because of the people involved. Much like Taylor, actually. Amy could have stepped back from the brink, but she didn't, because Amy could never have done that, and nobody else was willing/able to help. It's supposed to be a thing where you sit back and think of all the tiny ways this could have easily been avoided, but wasn't.
"When body horror happens it still has impact because it's not happening constantly."
I mean, I guess. But like. I never got desensitized to the body horror in Worm. It hit pretty consistently for me throughout. As opposed to MHA, where it was usually walked back by the end of every arc. I never felt much tension or suspense because it felt as if there weren't actual consequences. In Worm, when Brian was strung up on his nerves, it felt disgusting because I was fully aware Worm would explore the ripple effects of this. It felt entirely possible he would die there, or never recover, because Worm didn't pull its punches. MHA did. This is a matter of opinion. We'll just have to agree to disagree about it.
"But most importantly - you root for the heroes because the world actually seems like it's worth saving."
that's just, um. sorry. I'm really trying here. That's just. Uh. Dumb. Do you root for Batman cause Gotham is a nice city? Everything's worth saving, that's, like, at its most basic what the concept of a superhero is about.
"Not only that but MHA simply does villain protagonists objectively better than Worm."
um. No? There straight up aren't villain protagonists in MHA. The villains are the POV characters for, like, one arc? You know what, here's a good spot for it. It's stated throughout the story that Shigaraki and the League of Villains have a goal, beyond just death and destruction. They're here to stop the corrupt society of heroes (that MHA hints at the existence of before backpedaling away from), and bring about a fairer society. But then, and this part pissed me off, one of the characters, I think Bakugo, says: "you're just using that as cover! you just want to kill people, you have no noble goal!" and shigaraki's like "dang you caught me." and then it happens again with Deku! Because My Hero Academia is allergic to saying something. Nope! They're villains! No moral depth here! They're Villains, We're Heroes, Go Put Them In Jail.
This is opposed to Worm, where- "The characters of the villains and their origins are used to highlight the flaws in the Superhuman society"
"Most of the villains are only villains because society failed them in some way, and the specific ways in which that happened become big plot points that then play into the future arc of our heroic characters."
I had to walk away from my computer for this one. It's hard to be civil. It's really hard. Polite and reasonable.
So Worm is about this. To even say this without a shred of irony makes me thing you've never once read a single word of Worm and are doing this purely as bait. Or you've read all of Worm and are doing this purely as bait.
"They're actually extremely complex in a way that ends up being fundamentally important to the overall story - where in Worm the villains are either based heroes fighting a corrupt system or they're histories [sic] greatest monsters... until they're presented as heroes again."
I think I get it now. I really think I do. You're not supposed to agree with all the characters. Like. Worm is inconsistent, in that it follows the perspectives of inconsistent people. Of course Triumph and Armsmaster don't agree on what is right! They're different people, they have different perspectives!
"See. Worm fans keep saying "This is Bait." It's not Bait, you all are simply ridiculous and obsessed with this series to such a degree that you feel compelled to say "This is Bait" instead of just... ignoring it, because you have no actual counterargument."
Perhaps worm fans are inclined to believe you posted rage bait because you brazenly walked into another fandom's post and wholeheartedly proclaimed that the thing they liked was Stupid Idiot Bullshit For Fucking Morons, and refused to elaborate until prompted, at which point you said several things that are demonstrably false about Worm.
"Your only response to anything I've said is pedantry, bigotry, and deflection. If it was obviously just bait why are you engaging?"
Well, I'm engaging because I've been in a foul mood since I woke up this morning. Also because you, again, said some very rude and patently false statements about a story that I really enjoy and find narratively rich, even in its faults.
"MHA's characters do fall into archetypal shounen character roles - but they are all given a solid amount of focus explaining why they are like that and developing them into something bigger."
Again, as I said, it's a genuinely impressive feat to have an ensemble cast like what My Hero Academia has, and give so many of the characters a degree of depth, with such little manga to work with. I think worm does it better, but worm doesn't have to be economical about it. MHA does. The problem I have with this statement is that it becomes a question of scale. How much bigger? They're no longer defined by their tropes, instead defined by their opposition to their tropes. It's still a one-note character, you've merely changed the note from C to C sharp.
"so almost every member of the cast has an arc that either develops them past the person they initially seemed to be or explains why they're like that."
This is probably my favorite part about MHA. They do have arcs! I love ensemble casts! it does a much better job in this than all of its contemporaries, even One Piece. However, they are comparatively simplistic arcs that all follow a similar formula.
"I've heard people say MHA is neocon or pro-establishment but the story literally concludes by showing that society HAS TO FUNDAMENTALLY CHANGE or the same problems that created the villains in the first place will keep happening. The entire time skip specifically focuses on the fact that for eight years the main characters have been forcing change in the world and addressing the issues the villains brought up."
Now, I'm going to be clear. I stopped reading My Hero Academia around chapter 275. I don't know the exact number, but it was the latest chapter in ~mid 2020. I would occasionally attempt to reread, in an attempt to catch up, but give up around chapter 200 out of boredom. I don't know exactly how the story ends, but I have read ~2/3rds of the story. I feel this gives me a pretty good understanding of the general tone of the story, unless it wildly changes tone at the 3/4ths mark, which you have explicitly said it does not, as it is extremely coherent and consistent. Therefore, I believe I can state with some degree of confidence that MHA does not do that.
I would certainly believe that it tries (and fails) to SFP it, but SFP does not promote a fundamental societal change. That's the problem. Strong Female Protagonist was willing to come up and say that Alison lived in a fundamentally unjust world, even if it was never willing or able to offer real change. And hey. You do what you can. I sincerely doubt My Hero Academia is even willing to call its world fundamentally unjust, from the 200+ chapters that I did read.
"In the case of the actual main characters, they have extremely comprehensive character arcs."
Adding this behind the last point just so that I don't have to reiterate I haven't finished the book. I am, however, very much not inclined to believe the actual main characters had extremely comprehensive character arcs.
Which plays back into the initial theory that ANYONE CAN BE A HERO.
man, spider-man did that better (not a real argument, but like, spider-man totally did that better). Not least because midoriya specifically could not become a hero were it not for all might giving him a power.
No, the Villains don't get happy endings,
Why not? Why do they go to jail, even the ones who changed and wanted to redeem themselves? Endeavor never goes to jail. He did some horrible stuff. He's redeemed himself in the eyes of the story, right? Anyone can be a hero, right? So why not them? Why haven't they redeemed themselves in the eyes of the story?
You may wish to turn this back on me and ask why doesn't Armsmaster go to prison? Because he's similar in some respects. But worm never calls prison justice. (for some reason, even though wildbow totally loves prison). Prison is punitive, a tool for those in charge to control those it manages to capture. Maybe some deserve life in the birdcage. Many don't. It doesn't matter. Because the birdcage isn't a tool of justice. It's not meant to be. it's a box to put the uncontrollable capes in, until they can be used as meat shields. So Armsmaster doesn't go to prison because the story says explicitly there is no point to it. But MHA? MHA says there is a point to it. Endeavor needs to go to prison if he wants to atone. He's escaping justice every second he's outside.
I have actually read Worm, and for the first half to two thirds I loved it.
Weird. That's exactly how long I really enjoyed MHA. Not, like relevant, to anything. Just odd. I mean, I don't actually dislike MHA. I think it's fine, actually. It feels like Indiana Jones and the Last Crusade to me. Funny (when Mineta isn't around), bombastic, and a good time, even if I don't think it's super thematically rich.
I'm not coming at this from the perspective of someone who has never seen any of the merits of Worm, I'm coming at it from the perspective of someone who really liked it, gave it a fair shot, and was eventually disappointed when it ended up not tying together right.
See, this makes me more inclined to think it's bait, actually. since you said "Oh yeah. MHA is published. MHA's been an ongoing publication with a large following for ten years, in a notoriously competitive industry. Now this might seem kind of unimpressive, it's a very low bar to clear I know. But it's one Worm hasn't, so. I dunno, I'd say that's fairly objective. Now you may think "Yeah, but Trash fiction gets published all the time." And that's true but again - Worm hasn't. The worst piece of fiction you can think of got published and Worm didn't. You wanna be an asshole about this? The thing you love is so mid that it was self published in 2013, couldn't get picked up for professional publishing until 2019 and as far as I can see has stayed in development hell since then." in your previous post. Sure, perhaps we can say you were pissed at the time, but "the thing you love is worse than trash fiction, an altogether nothing piece of literature that isn't even worth the paper it would hypothetically be printed on" does not strike me as the words of someone who "really liked it, gave it a fair shot, and was eventually disappointed when it ended up not tying together right." In fact, going back through your other statements on the story, you seem to have genuinely disliked it from the very beginning, on grounds of being too edgy (which I can fully understand the logic of): "IE: it thinks that all it has to do to be smart is be bleak and/or graphic," thematically incoherent: "It doesn't really try to say anything, in fact it contradicts itself throughout the book as I mentioned before, it just throws in extremely graphic scenes and content periodically to remind the audience how fucked everything is," and utterly devoid of purpose or meaning. "When it does introduce new lore that new lore is almost always overly convoluted and acts as a catalyst for things happening, but not really things happening that play into a wider theme or message. It's just "Oh and here's this team of god-level serial killers who are gonna string a dude up by his nervous system." Like yeah, cool visual, but what is any of this actually saying?" This does not sound like a ringing endorsement of the first half of Worm to me. In fact, this sounds like you hated every second of it.
"And frankly given the number of comments that are just people saying "Bait" - I don't think any of y'all have engaged with this in a fair or honest way"
I'm going to reiterate on my previous statement. I like my hero academia. Capeshit is my favorite genre, it probably always will be. They're my favorite genre of story. While I find the themesâor lack thereofâextremely frustrating, I still think of it as fun. I gave it a fair shake. I would probably really enjoy the ending if I didn't have a reading list that was 300 books long.
#worm spoilers#MHA spoilers#*One Punch Man is partially an exception as characters are ânever more than their tropesâ for the sake of parody.#i don't dislike my hero academia by the way. in fact i rather like it. at least the first three quarters or so#L style contessa should have hit eidolon with a car and been like âlook at that the endbringers stopped crazy.â#well it would have actually been crazy considering she had no way to know he was causing them#sorry n0brainjustvibes i never finished that MHA fanfic you recced me#quote text is colored to stop your eyes glazing over at the wall of text#armsmaster is what endeavor could/should have been#like they have a very similar arc. but they differ in that armsmaster's redemption is earned and endeavor's isn't#how so? there's like a reason armsmaster has an epiphany about his previous behavior#endeavor's like âoh the narrative is focusing on me as a protagonist i better be a good guy now!â#the fixing society thing is what ward should have been about but wasn't. but we're not talking about ward#by the way i wish they just killed teacher instead of birdcaging him. ward would have been so much better#^that was a joke#sorry about making the quotes smaller i'm trying to save some space in this tumor of a post somewhere#please don't say âgod-level serial killersâ by the way. for my sake if nothing else#you know i made the comparison to gotham being a shithole somehow without any thought that the person i am disagreeing with is a batman fan#or at least a batgirl fan
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Alan Lee's shang tsung, you deserve a better narrative and script.
đ *sigh*
I just hate the story this shang was in. If it wasn't for bad plot. And horrible direction.
This could have been an amazing young/early sorcerer days shang tsung.
Like I'm just sad the more that i think about it.
Like the bad plot,plot holes,simple solutions to a problem that isn't really that much of a problem,the character favoritism,etc.
God,shang,im so sorry.
Mr. Alan Lee,i feel if the script wasn't crap,the narrative didn't screw you over,and this game wasn't filled with useless microtransactions,and shitty gameplay. You would have been a perfect successor.
But sadly. It's not ment to be.
I personally feel if he was given a chance to bring his shang tsung to life more,make him actually intimidating,and add oomph to it. Then i feel like he could shine. Like i just feel he's held back. Like get angry dude! Genuinely,get pissed off! Make shang scary. And not in the cunning sense like they seem to shoehorn him into. Like yes that is a facet of his character,but only one small part. Shang is complex. And so should be his energy and expression. Like i feel mr. Lee was scared doing shang. But excited too going by his interviews. But i feel he was so worried a out disappointment,that he got blindsided by the bad writing. If i had a chance to write something for him. I would in a heartbeat. Give him a better narrative and story for his shang tsung.
I would absolutely looooove to write for mortal kombat. At very least shang tsungs part. And idc if it's "canon" or not. I just want a good story. That treats shang as the badass we KNOW he is. *sigh* alas i have to only share with my fellow shang tsimps. Not that that's all bad. I love you guys.
But i really really wish that alan Lee's shang was done better. I dont mind his voice,aesthetics,i just hate the writing.
I wanna give him a hug and take him away from this horrible version of the game and series.
Me at all shang tsung's: "my heart n soul sir"
#mortal kombat#shang tsung#self ship#self shipping#đheart and soulđ#shang tsung mortal kombat#mk12/mk1 shang tsung#mk1 shang tsung#mk12 shang tsung#Alan Lee's shang tsung#mk f/o#antagonist f/o#villain f/o#villain/antagonist f/o#i just am so saddened by it man#so much potential and talent wasted on a mid version of the game#shang tsung is amazing in comparison but compared to other shang's it's clearly lacking and it's the writers fault#mr lee needs a better narrative and script and writer for his shang tsung#i would do it in a heartbeat but only if they'd pay me enough and if they make a whole new game from the ground up because there's no way
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I will say this once and once only
JAYCE AND VIKTOR
ARE THE NEW DEAN AND CASS
Tell me I'm wrong? You can't.
They saved each other's lives
They have so many parralells
One of them ended up being raised to god status at some point
The other is still fighting to prove he is worthy
Their first instinct is to protect and call for one another
JAYCE AND VIKTOR IS DEAN AND CASS RESURRECTED EXCEPT THEY ARE STILL FUCKING DOOMED
#destiel#supernatural#jayvik#arcane#arcane season 2#paralells#comparison#lovers#mlm#doomed yaoi#doomed by the narrative#i love these gay idiots so much#bisexual jayce#gay viktor#bisexual dean winchester#gay castiel
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