#my writing out of context

[dance-in-the-morning-glow]

Debating with myself whether this snippet is clever or too silly to be included in my fic:

Bee: He [James] writes me poetry. Beckett: Intriguing. Bee: The latest poem was an ode to starfish. Beckett: Somehow, I find that hard to believe. Bee: Well, you don’t know him as well as I do.

[hylianengineer]

Part 2: My Writing Out of Context

Because I think I’m funny.

“When I get so tired of looking at 1800s cursive that it starts wiggling like a jar of mealworms...”

“Remember what I said about global trauma? Yeah, we all have bigger things to worry about than some dude in the grocery store who might be a vampire.”

“So picture candy floss, but savory.”

[jade-jupiter]

the semester needs to end so i can focus on what really matters, writing fanfiction

[starry-songs-canvas]

Take Care of Him

The boy, who had Damian’s face, couldn’t be more different than Dick’s (alive?) baby brother.

Aside from his Snow White hair, he smiled and laughed freely, making puns on top of his embarrassing story about his supposed twin brother.  

(“Clones don’t have childhood memories right?  So if I have an embarrassing story or two, that’ll give you a way to check that I’m not a clone AND give you ammunition for teasing!”)

“—And that’s how his face—and his pride—was forever wounded by Sparta the warrior cat!”  Danny finished his story with a flourish, cracking up immediately after.

“Huh, and to think he left it at “training”, obviously he didn’t think anyone would let the cat out of the bag.”  Dick said, laughing even as he eyed the lookalike.

Danny snorted.  “Yeah, I doubt he thought anything as Cat-astropic as that would happen.”

They sat in silence for a moment, overlooking the buildings below, with the Dalv. Co. Labs smoking in the distance and the breeze blowing past the two, yet only seeming to affect Nightwing and not the phantom beside him.

“Is he safe?  Is he happy?” Danny murmurs as he looks up at the stars, looking every bit the forlorn ghost he claimed to be.

“…We keep each other safe.  And I’d say once he got past the stabbing faze, he’s pretty happy in Gotham.”

“But I’m sure it’d make him happy to see you again.”  Dick thought back to the comments the vampire-ghost they’d fought earlier.  It didn’t sound exactly, “happy” or “safe” for Danny.  Or anyone else involved.

Danny shook his head.  “Nah.  He’s… moved on.  And with how crazy my after-life is?  I’m already dealing with ghosts, ghost-hunters, and my—err—that frootloop from earlier. ��I do not need to add furries and murder-ninjas to the mix.”

Danny sighed as he floated into a standing position.  “Speaking of which, if you could just, maybe not tell him you saw me?  Better to let dead dogs lie.”

Danny’s piercing Lazarus green eyes looked at Dick and he saw the exact same expression B had on whenever he “had to do it alone”.

“Just, take care of him, Kay?  Or I’ll haunt you to the ends of the universe!”  He said, throwing up a peace sign as he turned invisible.

Dick snorted, “Yeah, sure kid.”

Dick got up and started off toward the bat-plane.  He had a brother to interrogate, and another brother/clone of his brother to find.

[mail-me-a-snail]

TRUE BLU iv.

They would've known me. Wouldn't that have been enough? You tell me.

in which we find sniper crossing enemy lines ‧₊˚ ⋅ if you saw this this morning, no you didn't. in other words, the tumblr scheduling system has harmed me once more. anyway happy reading and as always, comments are much appreciated!!

[psychotic-nonsense]

In October of 1967, Steve Harrington is born in Hawkins, Indiana.

He's raised there, forced to live under the strict expectations of his parents, Richard and Samantha. Barely escapes their clutches, freedom fueled by the kids and adults that take the role of guardian and family when the time is right. Keeps himself in check with the always impending apocalypses that arise beneath his feet.

In June of 1985 - when Steve Harrington is 18, while Richard and Samantha Harrington are visiting New York for an extended work trip - Veronica Harrington is born.

She was carried and raised in secret from their hometown. They take care of her between their business hours, dropping her in the hands of nannies and babysitters galore. They don't even think of Indiana during Veronica's early childhood, too focused on work and making sure their daughter starts up right.

In October of 1986 - when Steve Harrington is 19, aged further by ending the Vecna War, yet tamed by his newfound love in Eddie Munson - Richard and Samantha Harrington return to Hawkins.

They don't ask about what happened to their son. They don't ask about the town. They don't ask questions, just give responses to them. Sneering at Steve's friends, complaining about the state of the house, commenting at the disfunctional chaos their home has become.

In November of 1986, Richard and Samantha Harrington disown Steve.

They just let him go. They at least give him a folder of his legal documents, but otherwise just tell him to get out of their house and never use their name again. Claiming Steve doesn't need anything from the room because the Harrington's own everything in it. They don't call him son, they don't say goodbye, they don't acknowledge who's actually taken care of the house, they don't admit most of Steve's former room has changed with money Steve earned himself, they don't dare to give him any money or care where he goes. They just say they're sick of dealing with an unworthy mistake of a child, and force him out of their house.

In November of 1986, the Party's adults adopt Steve.

He runs to them first after everything happens. Held himself together at the start, but broke down the second the words were out. While everyone was trying to comfort Steve, Wayne Munson and Jim Hopper were the first to succeed. They know firsthand that this family would never be the same as blood, no matter how much that blood has boiled and burned before, but the love will be stronger and it will be here. When everyone seconds it, Steve finally accepts it. He becomes a child of the Party - he's everyone's son and everyone's brother, taking whatever surname he sees fit.

In November of 1986, Steve Henderson and Eddie Munson leave Hawkins.

Despite all this good, Steve can't bear to stay in this damned town a second longer, where everyone knows who he is and will soon know everything he isn't. And it's not like Eddie was looking forward to sticking around Hawkins either, especially without his Steve. The kids are the first to agree, surprisingly, and the adults promise to find a way for the boys to get out. Later that week, when Richard and Samantha leave the house to prepare for Veronica, Steve and Eddie break in to take everything that's rightfully theirs. While they're there, not sure what prompts him, Steve makes a bag of his clothes with shoes and his wallet tucked within it, shoving it into his closet. Dustin's mom uses an old favor to get the boys an apartment in Chicago, the Party has one last farewell, and the two boys are gone.

From 1986 onward, Veronica Harrington is raised in Hawkins, Indiana.

Richard and Samantha are adamant in their daughter coming out exactly how she should. They steadily convince the town to forget the Harringtons ever had a son and lock the room on the second floor next to the stairs without ever touching the inside. They raise her with formality and pride at the top of their expectations, wanting at least one child to come out right.

But Veronica is the spitting image of Steve's honesty and care. She puts on a facade when needed, but even at a young age, she wants nothing more than to be someone's light in the darkness. She plays with every lonely kid at school, and tries to make people laugh at the business parties she's dragged to. It's not received well by her parents, but Veronica is much too strong willed and stubborn to let it phase her.

In April of 1991 - when she's 6 and they're so much stronger around their hearts - Veronica Harrington meets Steve and Eddie Munson for the first time.

It's the year Erica is set to graduate high school. Steve and Eddie have been making the drive for every holiday this year, ordered determined to give her the best senior year she could have. It's Easter Sunday, and Wayne somehow managed to drag his boys away to church - a Munson custom, as even Eddie insisted they go.

While at the snack table post sermon, a little girl comes up to Steve, mistaking him for her father. He and Eddie gently comfort the girl, introducing themselves and offering to help the girl find her parents. That's when Veronica introduces herself, striking Steve deep in his heart. Still, he keeps quiet, even gifting her a little origami crane made from napkins at the table. He calls her "chickpea" for the color of her dress, tells her to keep the crane secret and safe, "If ever you need to find your way back home, you hold that close, and it'll tell you."

Meanwhile, Wayne has come across Richard and Samantha in the crowd opposite the kids. Exchanging formalities, Wayne mentions his son and nephew are in town, news the Harrington's are surprised at, as Wayne didn't seem like the father type. However, trying to keep face, they remain civil and insist on introducing their daughter.

Cue Veronica running to her parents with Steve and Eddie in tow. Cue Steve calling Wayne dad right to Richard's face. Cue the Harrington's immediate leave from the church, Veronica waving behind her with a crane placed carefully in her pocket.

From then on, Veronica Harrington's life changes indefinitely.

Her parents' expectations grow tenfold. She finds out she's horribly allergic to chickpeas. All of her friends must be approved by her parents, and any that don't fit their image are ordered to leave her.

Veronica takes these changes in stride - is her class's top student, captain of the softball and volleyball teams in junior high, keeps the friends she wants in secret from her parents - but she can't help but keep the crane in a little box in her room. Gets a necklace with a little origami crane pendant, holds it whenever she needs to make a hard choice. Can't help but expand herself in secret, learn things her parents would never approve of - lock picking, other languages, sleight of hand, a clothing style that's nothing like the dark blues of her family, all warmth and light. She explores every room in her house, yet is unable to find her way into that room upstairs next to the steps.

In May of 1998, Veronica Harrington discovers the truth about her brother.

She's about to be a freshman. Her class was touring the high school in preparation, and while passing the athletics hall, her eyes hit the swimming trophies. Each row stuffed with trophies, and each one with a name that stabbed her right in the stomach: Steve Harrington.

After that, she couldn't bear all the secrecy anymore. Late that same night, she finally uses her lock picking skills to break into that room. And though it's devoid of life, it is a bedroom, so evidently lived in. It's frozen in time, twisted sheets covered in dust, old papers crinkled from being stepped on but not picked up, old clean clothes still sitting in the hamper. It's a boy's room, clearly, and Veronica is careful walking around this place of memories.

She does still explore, quietly clicking on lights around the room, too cautious to touch the overhead lights. She looks under the bed, finding a bat and a trash can lid, both embedded with rusty nails. A shirt that still smells like fresh laundry yet has a back stained permanently with long red lines down the shoulders. Dozens of stapled documents labeled NON-DISCLOSURE AGREEMENT, detailing horrific events that each have that same name signed at the bottom.

With shaking hands she checks the closet, and finds it mostly empty. All except for a deep green graduation robe and cap, a cream Hawkins High letterman, and a duffel bag hidden in the back corner. The cap has a 1985 tassel, and the letterman has Harrington branded on the back with basketball and swimming patches galore. And the bag, when she checks it, looks like a survivalist pack someone would make in an apocalypse. At the top sits a wallet, and inside is an ID for a Steve Harrington, who has the same face as the one in her origami memories.

And Veronica is done. She wakes up the next morning and throws Steve's jacket on the kitchen table, startling both her parents mid sip of coffee. She finds herself in a screaming match with her father, demanding them to quit lying to her, begging to know who her brother is.

In a fit of rage, Richard tells her. Tells her everything Richard and Samantha never saw in Steve, about Veronica's secret birth, the disownment, Steve's disappearance from the Harrington house and Hawkins. She's reminded of that one Easter Sunday, and is told how Richard and Samantha faked Veronica's allergy to keep her mind from being tainted by whatever curse befell their bloodline before. Orders her to never say that name again.

In a fit of rage, Veronica bites back. Calls her parents cruel and overly expectant. Comes clean about her secret freedom. Says she'd rather be nothing than ever carry the burden of the Harrington name ever again.

She hides away in her room after the fight. Cries in her closet with her origami box cradled tightly to her chest, begging it to take her home because this place isn't anymore, maybe never was. Cries for the brother she never even got to meet, who went through so many horrible things yet still got put through this same punishment. Cries for the future she won't get to have, losing her hope for a new beginning that will now never be.

At the start of June, 1998, Veronica runs away.

She makes it through the rest of May in near silence. She writes notes for all of her friends at the end of the school year, and one for her parents to inevitably find. Finds 75 dollars in Steve's old wallet, stuffs the duffel bag the rest of the way with her belongings, and says goodbye to Hawkins.

She takes the first bus she can find out of town. Doesn't care that it's going to Chicago, doesn't really care where she's going now. She befriends an old homeless man riding the bus as well, becomes another interesting name in his "Book of Wanders (Pronounced as Wonders)." As Veronica's telling the story about unknowingly meeting her brother, she remembers the crane in her bag. She reaches in to retrieve the little box, then the crane, nearly crying seeing how disheveled and unfolded it is. Broken and doomed, just like her. But looking at it now after so long, she thinks she sees something written inside it. Despite it shattering her heart pieces, she carefully unfolds the little crane.

At its center, in old, bleeding blue text, reads, "Find the Swooping Bat if you've lost your way."

The old man laughs then, taking Veronica's hand and placing it onto her chest, over her heart. "It's fate," he whispers in the dark bus. "There's a place called that in Chicago."

Veronica uses her money to rent them both a hotel for the night, giving the old man a warm bath for the first time in weeks. She gifts him the clothes as well, saying it's, "an honorary thanks from my brother, for helping me get here." They bid each other farewell in the morning, the old man telling her to keep hold of fate.

She finds her way to the Swooping Bat easily, hand on her necklace guiding her way. It's a quaint little diner, popular enough to be comfortably warm when she walks in. A young lady in a wheelchair - Max, says her nametag, with pins saying things like, "Summer work blows" and "USC grad or bust!" resting on her collar - guides her to a booth next to the sunrise.

"Anything I can get you today?" Max asks when Veronica's seated.

Veronica's fully ready to order everything on the menu, what with how delicious this place smells, but then she remembers her funds. 5 bucks, if she's lucky. "Just a chocolate milk, for now. Biggest one you have, please." She somehow plays off Max's skeptical look, her eyes sweeping over Veronica's no doubt disheveled and no-food-in-36-hours appearance.

It somehow works out, and Max is wheeling away. Veronica allows herself a moment to collapse, stomach growling in pain and eyes burning with the realization she has no idea what she's going to do now. She just has this last bit of hope to hold onto, and without it, she'll be nothing but a husk.

She's not sure how long she sits there, staring at the sunrise and letting sound and AC whisk her mind away, but there's suddenly a little knock on her table. Her head snaps up, and there's Max again, setting down a giant glass of chocolate milk... alongside a loaded breakfast plate.

"It's on the house," Max rushes to explain, all fondness when Veronica scrambles to get her wallet. "Courtesy of the owner. And between you and me," she whispers with a wink, "just take the damn food, kid."

Veronica stumbles over herself for a moment, rendered near speechless, before she finally comes back. She begs Max to thank the owner profusely, before rushing to dig into the pancakes before her. She's halfway done dousing the stack in syrup by the time Max wheels away, when there's suddenly someone laughing.

"Of course," says a choked-up voice behind her. "Can't have any chickpeas starving in my booths."

Veronica nearly drops her fork. She turns so sharply she gets dizzy. Seven years can't change a person that much, surely, because though he's bigger in the torso and he has glasses on the bridge of his nose and his hair is cut so close, he still has the same softness in his voice and the same slouch in his stance and the same moles around his eyes and his smile is so bright despite the tears in his eyes, and though Veronica can barely see through tears herself, it's not like she needs them anyway to know it's-

"Steve!" she cries, scrambling out of the booth to meet her brother halfway. The relief of it all working out has the rest of her restraint collapsing, forcing harsh sobs out of her and into Steve's shoulder. The siblings hold each other in the middle of a restaurant, a voice in the background asking everyone to leave them be. Steve doesn't stop whispering, even as his chest heaves with broken gasps between tears, "You're save, Veronica, I got you, I got you, it's gonna be okay, you're safe here, it's okay, sis, it's okay..."

"That you, lil' chickpea?" whispers a different voice once they've calmed down. Veronica reluctantly pulls away and finds a man kneeling beside them, a hand on Steve's shoulder and similar tears in his eyes. His hair and tattoos remind her of the tamed wild from seven years ago, covered in black in the middle of church yet glowing brighter than the stained glass, the one that Steve looks at in past and present with a glowing love Veronica never saw between her parents.

"Yeah," she whispers, wiping her tears away before placing a hand atop her necklace. It catches Eddie and Steve's eyes and make them beam with pride and relief. "Yeah, it's... it's me...."

[taddymason]

Face to Face

[springbeans-art]

uff wish i had time to polish this more but I had to get it off my chest because it's inspired by @demonzoro 's absolutely stunning fic "and then the sun came out" and it literally rearranged my braincells!!!!!! The writing is impeccable and if you haven't read it yet do yourself the favor and go now!!!

[kumquatpoo]

I hate them

[geekylled]

Ken Sato, outfielder for the Yomiuri Giants, comes clean about giant spending habits!

In a recent interview, All-Star player Kenji Sato confessed to spending absurd amounts of money on grossly large sports memorabilia— mostly his own.

“I have a good, totally plausible reason for it,” Sato had plead, unconvincingly.

Sato bat an average of .420 last season, which puts him among the best. “It’s— ugh. Hm. Erm. It’s.” Unfortunately, he struck out severely in attempting to explain his spending habits.

“Don’t knock it ‘til you try it!” Sato swore, but then refused to give exact numbers in terms of pricing for those who may want to “try it”.

For the readers not in the know, a 15-foot recreation of Sato’s jersey recently went viral when commission details were leaked to the public. Our interviewer asked for a comment concerning the jersey, to which Sato is quoted to have said: “Well. I guess you can say I have a pretty big fan.”

[pillsopa]

anyone remember adam parrish, the bella swan of henrietta. let’s sit and think now…

[poorly-drawn-mdzs]

Reasons to play In Stars and Time: Canon Pronoun Warfare.

[brightest-star2]

The Four Herberts of the Apocalypse

(in celebration of Medic's legal first name)

[varpusvaras]

Jason gets his new ID card on a Thursday.

It's somehow simultaneously completely unremarkable, and also making his head reel. It's not even the first new, official ID card he has had in his hands - he needed one for the licence, after all, so he'd got one then - but it's still new in every way possible.

Jason turns the card around a couple of times, just to make sure that it's real. It is. New and shiny, with his own face looking back at him from the front. His face is also somehow the same old and completely new at the same time. It is very much him, in the picture, but Jason feels like he is looking at his long lost twin brother rather than at himself. His hair is freshly cut, completely black. His skin is tanned more than it has been in years, from spending a lot of time under the California sun during the past few weeks. He is wearing a light blue button-down shirt, one that Jason wouldn't usually never be caught in publicly.

It is him, still.

Jason is pretty sure he shouldn't have gotten neither of his new, official state-issued ID's so fast, or gotten everything else sorted out so quick either, but Roy has his own ways of doing things. This is the one time his previous government-connections came in handy, he had said after Jason had said yes, and then he had kissed Jason on the forehead and told him not to worry about it.

Jason had let Roy take care of it all. Doing things for others is how he shows affection, and Jason had felt that Roy had needed to take care of Jason even more than Jason had needed Roy to take care of him. Not that Jason is complaining about it. He still feels a bit untethered, and most things are taking entirely too much out of him, either physically or mentally, though Jason is not sure which is which most of the time.

Not that it really matters.

He finally turns his eyes away from his picture to what is written on the rest of the card. His birthday is correct, for once, since this is an official card and not a fake one for whatever purpose Jason had needed one over the years. His address is also on the card, and Jason cannot help but feel a sense of elevation for it. It makes him feel a little stupid. It's an address (Roy's address, their address, Jason officially lives there too-), not a new name or anything like that.

Jason is not really sure if he can look at the name on the card and not immediately combust on the spot, if the address is making him feel this way already.

The ring on his finger feels heavy. Jason takes a deep breath and moves his thumb where it had been covering the rest of the text.

Jason Peter Harper.

It's his name.

It's him.

Jason reads it again. Then again. Then again once, twice, three times more.

Jason Peter Harper looks at him from the picture while he does so. Jason's head is really spinning, and he forces it to stop, hard.

It is him.

He is Jason Peter Harper.

He is the man in the picture on the card.

That's him.

The door opens and closes in the hallway. Roy comes up to Jason when Jason doesn't answer to his greeting.

"Everything okay?" He asks, as he gets to Jason's back.

"Yeah", Jason manages to get out from his mouth. "My new card came in."

"Oh, already?" Roy says. "That was fast. Let me see?"

Jason lifts the card up a bit, so Roy can read it over his shoulder. From how close Roy is standing to him, Jason can hear the small, gentle stutter in his breath as he reads the name. It isn't like neither of them had not seen it already, written like that, since it is in other forms they had filled out, but apparently, it is still making Roy feel just as much things as Jason does.

Jason hopes that it never stops doing that for either of them. Or at least, not for a very long time.

He needs something to last.

"Nice name you got there, Harper", Roy says, and Jason swears that he can almost feel Roy's smile on his skin. He then feels Roy's body pressing against him, warm and strong and solid. Roy wraps his arms around Jason, his head dipping down to rest on Jason, and Jason turns to look at Roy's hands and at the mathing golden wedding band he has on his finger.

"You're mine", Roy says against Jason's shoulder. It is what he has been saying, ever since the clerck at the City Hall had put their name on the paper, singing their lives together. You're mine, you're mine, you're mine, and no one can say otherwise.

Jason had needed to hear it.

He still does.

Jason looks up at the card. It's strange, how a little piece of plastic can tell everyone who he is.

Jason breathes in and closes his eyes, just feeling it all.

His name is Jason Peter Harper. He's alive.

His name is Jason Peter Harper, and for the first time since he died, he thinks he can be happy.

[felix-krain]

I didn't really wanna post this but fuck it

cover art for a fic I'm writing

(that I may or may never post)

[squidknees]

Random Worldbuilding Questions

Are there any foods with symbolic meanings that are eaten on special occasions (e.g. katsudon for victory, or new years oranges for luck)? How did the tradition get started?

We all know about weddings and marriage, but are there any ceremonies that symbolically / legally / magically officialize a different type of relationship in your world's culture? (Adoption, apprenticeship, friendship, etc.)

What's a rule or social norm that is widely followed in theory, but in practice everyone knows it's not a big deal and breaks it all the time?

Are there any trades or hobbies whose practitioners are stereotyped as weird or extraordinary? (E.g. the "mad hatter" trope.) Why? How true is this perception?

What are some cliches, tropes, and/or plots that commonly appear in stories written by your world's inhabitants? What were they inspired by? Why are they popular?

What is a common way to subtly insult someone in your world, without crossing into overt rudeness? Gifting an item with negative connotations? Addressing them more familiarly or formally than normal? Backhanded compliments?

If you pulled a random average Joe off the streets of your world and asked them to draw a house, what would they draw? (Shape, roof style, position and number of windows, etc.)

Is there a place in your world that nobody has ever been to - the bottom of a cave, the moon, another dimension, etc.? How do people know it exists? Why haven't they gone there? What do they believe it's like, and how right/wrong are they?

What aesthetics are considered "advanced" or "futuristic" in your world - canvas wings, shiny chrome, smooth plastic? How has this changed over time?

What's a fun fact about your world that you as the worldbuilder are dying to share, but nobody ever thinks to ask?