#so yeah just adds some context to the drawing!!

[kumquatpoo]

I hate these fucking gays

[pup-pee]

If ur... Taking requests... 👉👈 May I have my boy wally...

felt like drawing some dog boy wally! :D!!! i didnt rlly think about what kinda dog he is but!!!! HOPE U LIKE IT!

his colors r a bit messed up but !!!!

[peachsayshi]

// brutally soft // I.

baby daddy!sukuna x reader

tags: non curse au; fluff; tension; reader and sukuna are co-parents; girl dad sukuna; mentions troubled past with sukuna; alludes to significant size different | wc: 1,653 | read this for more context

note: I hope I got the honorifics right lol please correct me if I didn't

dni if your blog is blank / ageless / or are a minor

You didn’t think it was possible for a five year old to render you speechless, nor did you think she was capable of making your former lover blush the deepest shade of tomato red. You part your lips in surprise, stunned as you look down at her innocent expression. She’s sitting on your living room floor, her face perched on her palms with her elbows resting against the coffee table. Her wide eyes drift between you and Sukuna sitting on the sofa, her bottom lip tucked between her teeth as she tilts her head slightly out of intrigue.

“Mama?” She presses, begging for an answer.

Your mouth moves but no words come out. You’re trying to formulate a proper response that’s palatable for her, one that will be enough to subdue any further questions.

Except you’re not quite sure how to answer: “why don’t you and daddy ever kiss?” without making her pry even more into your history with her father.

Sukuna runs his large palms back and forth nervously over his thigh, the muscles on his inked forearms tensing up.

“We kiss,” you fib, because what else are you supposed to say, “of course we do!”

Your daughter’s face falters, and she quirks her brow as sassily as her father when they both mirror the same expression to look at you.

You glance back at Sukuna, giving him an awkward smile because at least you said something all the while he just sat there. 

“No, you don’t…” your daughter insists.

“Yeah, yeah that’s right…we do…of course, we do…” Sukuna pipes in with a mumble, finally catching on to your attempts as he reverts his attention on to his precious girl.

“I’ve never seen it,” she points out with a pout, scolding her father playfully in return.

“That’s because we don’t do it in front of you,” Sukuna remarks. “Besides, who wants to see their parents kiss?”

His daughter rolls her eyes, “all other mommies and daddies do it, except you guys. It makes no sense…”

She’s got the tiniest voice and the softest lisp, but her attitude is entirely her father. She’s bold and blunt, never afraid to say exactly what she’s thinking or to point the obvious.

“Oji-san kisses oba-san in front of Shiro…” she mumbles, dropping both her hands onto the coffee table and crumpling the paper that she is using to draw her little family portrait.

At the mention of his younger brother Sukuna can’t help but grimace. Yuji was incredibly affectionate towards his wife, wearing his heart on his sleeve entirely which just makes Sukuna grumble with annoyance. He’s always been a little envious of his younger brother, who never had to face the world as harshly as Sukuna. With an eleven year gap between them, Sukuna witnessed his parents becoming actual parents. They were young when they had him, and therefore had no clue what it took to raise or take care of a child. Sukuna was caught in the middle of their relationship for most of his childhood, all the while Yuji got to see the peaceful harmony once they finally made up.

“I’m just saying…” your daughter adds on, “…it’s weird.”

You breathe out a sigh in defeat, knowing full well that she won’t let go of the subject until she gets some consolation.

So incredibly stubborn just like her dad.

Without considering the repercussions, you reach your hand out and clutch Sukuna’s chin delicately between your fingers. You tilt his head towards you, noticing the slow register of your touch wash over his face as you lean up to kiss his cheek.

However, you misjudged your aim, because Sukuna tilted his head down in return, and you wound up leaving a gentle kiss on the corner of his mouth instead.

Your lips lingered for only a few seconds, three to be exact, before you retracted and turned towards your daughter.

“See?” You insist, holding onto Sukuna’s chin like it’s evidence between your fingers. “We kiss!”

Your daughter’s mouth forms into a line, clearly unimpressed. The older she’s getting the more she’s picking up on the little things that you guys were hiding so well.

But it’s still way too complicated, and you and Sukuna haven't even discussed how to approach this yet.

“I guess,” she says with a shrug of her shoulders, before returning to her drawing.

You didn’t even know that Sukuna has his focus still locked onto your lips tuntil you turn to look back at him.His gaze is soft, the muscles of his handsome features melting between your touch. There’s a hint of sorrow that twinkles in his eyes, and when you tuck your bottom lip between your teeth apologetically, you notice that you left a lipstick stain in your wake.

“Sorry,” you mouth, and carefully use your thumb to swipe over the mark.

But your heart seizes quickly, your spine growing still when Sukuna mildly inches forward like he’s about to go in for another kiss.

You remember what it was like to kiss him. He was an exceptionally good kisser, even though he probably doesn’t know it himself. You’ve spent hours losing time locked against those lips, allowing his tongue to taste every last drop of you.

There’s a twitch in your chest, everything around you going quiet. Heat pricks the back of your neck when his lips draw just a breath away from yours, and you swear to yourself that he grazed over your mouth with a featherlight touch.

But Sukuna stops suddenly, catching himself.

“Be right back,” he whispers, his voice dipping so low you can’t help but clench your thighs together.

He shoots up from his seat, detangling quickly as he brushes you off, and leaving you to stare aimlessly at his broad back and overbearing muscles. Your sofa suddenly appears a lot larger with all that free space.

You press both hands to your cheeks, licking your lips as the apprehension runs through you as a cold chill. You can’t even remember when was the last time you kissed the father of your child, but you didn’t think that such a small act would have such a lingering effect.

You thought you were over this. Over him. That chapter was closed a long, long time ago.

You look up at the cause of this unexpected interaction, your daughter’s short attention span keeping her focused on her doodle while she hums to herself.

Sukuna returns with his head held high a few minutes after, and plops down on the sofa with his weight prompting you to bounce lightly in place.

That’s when you felt it, a hint of cold hitting your brow like a tiny droplet of rain.

Your furrow your brows then notice that your Sukuna’s hair is actually damp, with little tears trickling down the back of his neck.

The tips of his ears are still burning red.

You part your lips in awe.

Sukuna is a master at making you blush. At making any woman blush, frankly. But you don’t think you’ve ever actually seen that reaction on him.

It stuns you how much it suits him, and surprises you even more of just how cute he looks trying to hide it.

“Daddy, can you help me?” Your daughter asks, finally focusing back on the two of you while her finger draws out an outline of what appears to be two arms.

“Whatever you want, Princess…” Sukuna responds, and obediently gets up from his seat.

He perches himself on the floor, the size difference between him and your little girl doing nothing to help the sudden hammering in your chest.

He’s so, so gentle with her.

She crawls onto his lap, holding the sheet of paper in her hand, before setting herself back up while sitting on his thighs.She points to the drawing with her index finger, “I don’t know how to draw your tattoos…”

Sukuna chuckles, a glimpse of his smile making you to scratch the warmth off the back of your neck.

He picks up a black pencil, “you’re a better artist than me, kid,” he states honestly, “not quite sure what I can do to help…”

She wraps her arms around his neck, leaving her dad to carry on the effort.

“I’ll explain the shapes and you draw it!” She says with a kiss to his cheek.

It’ll never cease to amaze you how easily he bends to her will. Sukuna had no interest in any of this, and was obstinate in every sense of the word. Nothing could turn that man into a docile cat except when it comes to your little girl. He’s present with her, this part of him just so different, and even after five years it still feels a tad unfamiliar.

There’s a slight tightness in your throat because this is all you wanted when you were together. After the break up and surprise pregnancy, you didn’t realize how hard he took it when you told him that you have zero expectations of him being involved in your daughter’s life. You were just informing him out of moral obligation, but something switched on inside him after that.

It may not have been for you, but he made that change for her, and seeing them together now, you recognize just how much that man loves his little girl.

That fact alone makes you undeniably happy.

So happy you wish you could give him a real kiss for it.

Your daughter moves to pat his head in gesture of a good job as Sukuna follows her instructions to the T, but her faces scrunches with disgust when she threads her fingers between his locks.

“Daddy, why is your hair wet?”

Sukuna brings his free hand to massage the back of her scalp, “Pay attention to the drawing, missy…and stop asking so many damn, I mean uh-darn questions…” he responds, leaving a kiss on her brow and doing everything in his power to make sure that he avoids looking back at you.

tag: @selarina @yuujispinkhair @blush-bambi @tojislittleprincesss

[sunny-knight]

@forgettable-au FAN ANIMATION ! LOUD NOISE WARNING!

*What was it all for…?

Song: Vishnu <3 by Peter Cat Recording Co.

…okay.

The main inspiration for this…can be summed up with I LOVE HOW SAD THIS CONCEPT IS. BUT i also adore how WEIRD it is.

This whole thing must be pretty weird and creepy for the characters right??? Like- we dont know for certain what EXACTLY is gonna happen, but we know for a fact that Wingdings finds out hes in a game, then kills himself so he can be closer with god-

THATS PRETTY WEIRD 😭😭 also sad but we can ignore that for now

I also experimented a tad with this in working with silence, so timing things at my own pace! It was really hard! I HAD SO MUCH FUN!!!!!!!

But, time for my FAVORITE PART….ANALYSIS!!!

DISCLAIMER: some things stated as fact haven’t been said in the blog/arent canon to the au itself, just my animation/theories/interpretation, cause i’m silly and headcanoning :3

TITLE:

The proper title ive given this is “To You” which means 2 different and very vague things. What happened to you? and sending a message like “this is To You”.

In that case, “you” is whichever version of Papyrus/Wingdings/Gaster you want- Its not exactly clear which version of him means “you” which is kinda the point. The lines blur together sometimes…

But yeah, Gaster/crazy WD sends messages TOO himself so they’re “To You”

CONTEXT

Wingdings has JUST turned himself into Gaster. Ignore how impossible Sans interacting with him in this moment is, and just hear me out on the angst possibilities-

SCENE 1

As Sans approaches the mess- Gaster is encased in shadow, and looks at him. Expression not telling much- just looking blankly. Doesn’t even look like he’s alive… just… moving. Also the eye thats open, is just a slit. because- perspective. BUT I also had fun putting that there and going hehehehe it looks like WD/Papyrus’ eye

Sans approaches, and getting engulfed in the shadow, leaving the light.

His expression here was REALLY fun and REALLY hard to draw. Angry? maybe. stunned and terrified? DEFINITELY.

In this context (that doesn’t have a lot to go off of with the comics, YET) Sans knows that this was all very much intentional. He absolutely does not want to be angry, and is certainly only feeling it subconsciously.

But… he wanted so badly to understand, and enter his brother world. But now, Sans is just… Baffled. Hes like “what the fuck did you do???”

SCENE 2

Gaster continues to look blank. Looking up at Sans as he approaches, encasing him in even more shadow.

Sans’ hand reaches to Gasters face. From Sans’ perspective, his intentions are like checking for a pulse. Not literally ofc cause pulses arent on our face- but like, feeling for him. For a sign that something is there. (It’s also meant to be something motherly/comforting)

But then, Gaster leans into the touch, somewhat reciprocating this wordless “ive got you” gesture. That’s what makes Sans go from Terrified to just purely grief stricken. His brother is still alive. And he loves him.

But this form wont last for long…For universe fixing screw ups reasons :D 👍

SCENE 3

Gaster then opens his eyes, revealing hes even still got eye lights available for him. Thats what just SHATTERS the dam, and Sans embraces him suddenly.

SCENE(S) 4

Then, the “reset” happens, Gaster is gone, and Papyrus appears in place of Wingdings in his bed.

Nothing is boiling to add to a “frozen in terror” feeling!

Now- drawing all of the differences between the past and present rooms. DESTROYED ME. i HAD SO MUCH FUN BUT I ALSO CRIED 😭 There are no thank-you letters to santa, no racecar bed, no silly bone painting, no action figures, just BORING

I also wanted to keep everything monochromatic, so ofc we’ve got black and white for the void/Gaster, blue for Sans, red for Papyrus, and purple for Sans and Papyrus together.

The tape recorder and lab coat are still greyscale though cause Wingdings still has SOME of his stuff lying around. But the tapes are indecipherable, and Papyrus threw out that lab coat the first chance he got. It gave him the absolute worst feeling, worse than anything he’s ever experienced.

Something I also really enjoy is the fact that the dress shirts were still technically Wingdings’ but they’re red for Papyrus. The lab coat is the only real WINGDINGS thing that Papyrus wants absolutely no part in. Some things that were Wingdings’ are now Papyrus’ cause :D👍

in place of the bone painting are just family photos that I also have extra to say about. Someday I wanna make a comic of what happened to those/what I think would happen to em.

One day Papyrus is like “HEY UH- SANS! THESE PHOTOS! I DON’T LIKE LOOKING AT THEM! CAN WE NOT!?” Aka, he doesn’t remember these things happening/these photos being taken… BUT THEYRE PHOTOS OF HIM.

So he just feels really uncomfortable looking at memories he should reasonably remember, but doesn’t at all- and Sans gets that. But he keeps em in his drawer. Then! they hung up the bone thing in place of it cause SILLY!

But the family photos, I still had fun with. From left to right theyre a photo of Semi with the twins, the twins as baby bones, then as slightly older kids, then WDs graduation photo.

CONCLUSION!

This entire thing was so much fun, and I feel i’ve really grown as an artist over the process of experimenting and not being knocked down by annoying setbacks,

Also, as usual, Works In Progress’ plus extra behind the scenes stuff will be posted shortly after this!! YIPPEEE!!! HAPPY NIGHTMARES!!!!!

OHHHH ALSO EXTRA ART!!!

“AREN’T THEY BEAUTIFUL?”

That silly moment when your clone is really weirdly obsessed with stars and enthusiastically holds your eye sockets open to show you them

[brucewaynehater101]

Sorry love space world building so wanted to add onto the fashion world building

So fun ideas for Tim Ruler of Worlds AU

To start, I think that the discowing inspired fashion becomes synonymous with formal ware. Because it was for a bet, they probably only plan on wearing the outfit one time for one major public event, so the planetary citizens think that “oh this must be a special outfit” AND this leads to them adopting discowing inspired trends into their own local customs for formal wear (bright colors, feathers, fringe, sequins, rhinestones, glitter, etc) (like how people copy royal fashion trends)

After seeing the popularity of the first discowing fashion trend (and subsequent subject happiness boost) Tim makes this the standard bet for YJ. Like whenever you wanna have a bet it’s not like “do this for $20” it’s “do this for public appearance in discowing” (“discowing” first becomes a name for an entire subset of fashion) They use it so frequently that there are so many different varieties and styles for Tim’s subjects to adopt (I also think that Tim’s subjects adopt everyday style fashion from YJ casual and costume outfits but that’s not the focus right now even if it’s also really fun)

Dick’s just feeling like such a good big brother/mentor figure cause his little brother and all his friends keep coming to him to play “design the costume” He knows they’re never going to wear whatever he designs (he never sees it on Earth so how would he know) But he’s glad they’re having fun hanging out with him nonetheless

(His heart explodes when he eventually finds out about the planets with “discowing” fashion. Explodes!)

Additionally, I think that because they end up making a lot of their public appearances in “discowing” fashion, the YJ and Tim start calling his empire “the discowing worlds,” aka, world where they’ve worn “discowing”

But after they end up referring to the discowing worlds while on a planet ruled by Tim,

“The Discowing Worlds” becomes the unofficial official name of Tim’s empire

All the different planets have their own local language variations of the name cause the cultural context of disco and wing are kinda hard to translate into something similar to “discowing” but they try (So like “the worlds of color and flight” or “flying music” or “song wing empire” or “space of radiant feathers” etc)

(This becomes the second use of the phrase “discowing” fashion aka how other galactic peoples refer to fashion trends from the discowing worlds)

I also think that the term “discowing” is only really used by Batfam and friends so it’s really unlikely that any of the human GLs have heard of the nickname for the costume. When they hear the name of the empire they can obviously tell that it’s human in origin and what each component means, but that doesn’t mean they could figure out that it’s referring to nightwing or use it to actually figure out Tim’s identity as mystery overlord (Maybe if they told JL, someone could figure it out but I just don’t think anyone who could figure out the connection would bother to tell the GLs what’s going on or even seriously consider that it’s an actual connection and not a funny coincidence)

So yeah Tim and YJ mess around and make Dick’s brand of fashion a flamboyant well-respected sub-genre of galactic style and accidentally name an empire after the poor design skills of the first Robin in the process

My gods. This would be hilarious to witness (Tim's entire empire being named variations of discowing. Some of the variations seemed rad, but the OG name is silly).

I wanted to add on, though, that YJ encounters a disco hell at some point. I wonder if that plot line could fit anywhere into this as well?

I'd also love to see drawings of their various "royal" outfits.

[thesupernaturalhouse]

Sooo kinda been talking about this au but wanted to actually summarize what it was and stuff cause there is no context- jsut like, headcanons and stuff for the au- I am gonna write it, jsut gitta get started soooo for now I'm jsut gonna talk about it lol

Anyways, the Hazbins Fallen au is a fallen Emily au, but uh, jsut a bit different-

So essentially Emily is tired of being treated as a kid, tired of being called lucifers replacement and all that, she just git out if a fight with Sera and.....sees some angles leaving, que her confusion

Due tit hat confusion she follows after them through the portal before it closes, she.....was not prepared for the scene infront of her, luckily she landed in a low populated area but the mroe she walked the more screams could be heard

The sight....isn't very pretty, blood splattered and angles standing over demons dead bodies and her fight or flight kicks in and she jsut runs, she doesn't understand what's happening and surely Sera will right? She tries to find Adam, or Lute, because she's to panicked to make a proper portal and.....well, finds them in the akkyway with Vaggie, que her running around the corner and nearly throwing up because how could they do that, why woukd they jsut rip off someone's wings liek that?

She doesn't realize when the senseless slaughter ends and the angles leave. She does end up slowly going back to that ally because she wasn't going to jsut leave her and kinda just, meakly waves at chalrie and Vaggie liek 'heyyyy you uh....you good-'

Charlie goes home with two stray cats that day to put it simply-

So yeah Charlie woukd know their both angles, she doesn't care, their hers now. Emily does end up getting a disguise via putting her magic in this necklace to make one, as long as she wears it no one can tell she's an angle

She did want to go back up to heaven but....not anymore, especially not after spending some time with them- she's kinda scared of Sera now, scared she'll take her away from them

Yes this is charlie x vaggie x Emily btw- ypu can tell its my favorite ship lately huh?

I already kinda have their designs, not redrawn but liek, my version of their Canon designs (and I guess my og design if Ems disguise-) But I'm gonna draw them digitally first so I can add color then share 'em

[notmyprey]

Guys, Im taking this into my own hands. There's not enough Ninjagº (sfw) vore writing, so I shall add to it :)

Context/Content Warnings

Contains: Some (SFW) Vore towards the end, a hella lot of g/t, bad injury (but not like- gory descriptions), and many many personal headcannons. One mainly being I kinda ship Zane×Cole. But if ya wanna see it as platonic, I have written it so it can be interpreted as such too.

This is very self-indulgent if you cant tell....

This takes place between seasons 4 and 5. I've not seen any season past season 10 or 11, I can't remember exactly, so yeah.

Also, important personal headcannon for this fic: Zane kept his more human looking form, not cause I dont like his titanium form. I just like my drawing design I made

Btw it's in first person, so it's hard to tell, but the person who is the pov is Cole-

Fic under cut:

It was a normal fight, honestly nothing special. Just defend the Bounty from a few wannabe villains. That's all we had to do. But it's never that easy, not for us.

Our ship wasn't soaring the clouds today nor parked near the city, but rather parked near a small mountain. We went there in search of a few caves that we were told housed a potentially dangerous artifact. Our plan was simple.

Get in, get out, and destroy the object.

But as we parked, and some treasure hunters flooded the Bounty, we didn't take the time to notice the ground beneath us, or rather lack of. That's where a large pit sat, unnoticed and waiting.

Among the commotion, I started a tussle with one of the bandates near the edge of the ship. She shoved me against the railing, knocking some air out of my lungs. I was quick to retaliate, sending a swift kick to her gut and sending her a few feet backward. Another swift kick, and she was out.

Before I had time to catch my breath, a panicked shout drew my attention. Zane had gotten cornered, 5 treasure hunters surrounding him.

I pushed myself forward, ignoring my still stinging lungs. Of course, they would go after Zane first, I thought bitterly. He was made of metal, and to them, an item practically begging to be sold. This is the third batch of these guys we've run into this week, and I still hated that was how all these treasure hunters and collectors saw him. I hated it with every fiber of my being.

As I got closer, Zane managed to kick one my way, prompting me to, instinctively, punch them, thankfully knocking them out. Now we were 2 against 4. This got the rest of their attention. I smirked. Something about it felt good, watching Zane fight back. It was almost like he was getting back at them in a way, but I knew that was very unlikely intentional. Zane had a heart of gold, with an intent to hurt no one if avoidable.

As these thoughts played in my mind, I didn't notice the large footsteps behind me. In an instant, someone behind me grabbed my shirt. They were much bigger, so much bigger than me. I couldn't even react before I was in the air. They flung me back but kept their grip on my shirt. I was slung forward, then their hand let go, and suddenly, I was flying in Zanes direction. Treasure hunters dove out of the way just before I landed on top of Zane, knocking him and I onto the ground. Due to the way I was thrown, my head took the majority of the impact.

My head started throbbing instantly. All of the aches and pains I had suppressed until now were showing full force. Each breath burned, making me think I broke a rib. I tried to get up, but I felt my consciousness slipping.

My ears were ringing, but I still managed to make out bits and pieces of Zanes' voice.

First, Zane muttered something I couldn't understand. But his next question was one I was all too familiar with.

"Cole, are you ok?"

I could only groan in response. With that, everything started to blur. I couldn't push myself off of him, and I knew the quicker he was back on his feet, the better this would be for the both of us. Thankfully, Zane understood what was happening and pushed me off himself. He didn't give me the grace of placing me down too gently, but I dont blame him. He had bigger problems.

Now that I was on my back, I could see bits of movement, a large figure was starting towards us.

I couldn't see anyone else, Kai, Jay, Lloyd, and even Sensei were all nowhere to be found. My blood went cold, and momentarily, my heart stopped beating. Had something happened to the others?

No matter how hard I fought to get up, how much I told myself I needed to keep fighting, I was starting to loose consciousness. My eyes started to close on their own, and I soon felt myself getting lifted into the air once more by the larger treasure hunter. The last thing I remember was falling. Between the pressure change and my pre-existing head trauma, I couldn't stop myself from passing out before I even hit the ground.

Where is Zane?

I shot open my eyes, a swelling sense of panic rushing over me, but to my surprise, I couldn't see anything. Where am I?

I felt terrible. I think I broke my leg, maybe my arm too. I rolled over, helping relieve the pressure off both of my most likely broken limbs. There was a light far above me, but I couldn't see anything else that would help me figure out where I was. I couldn't get up, I couldn't see anything, I couldn't even speak. All I could do was lie and wait.

For hours, the shadows jumped at me, making my heart race in my ears. I knew I couldn't do anything, and that made the dark that much more terrifying. It was sufficating, how dark and alone I felt. Seconds felt like hours, and hours felt like days. No matter what I did to calm my anxiety, nothing helped. All I could do was lie in the silence and pray someone found me.

"Cole?" I heard Zanes voice calling from above. My heart leaped out of my chest, tears forming at the corner of my eyes from gratitude. He had found me.

"Here." My voice barely even came out.

After a few long moments, I felt the ground beneath me shake, and a loud thud echoed beside me.

"Cole?" This time, Zanes' voice echoed through my very core. My good arm instinctively went to cover up my eyes and ears.

I felt the earth shake a bit more, then a gasp echoed somewhere above me. Slowly, a blue light was brought closer, one I recognized as Zanes eyes. I loosened up upon that realization, unfurling and opening my eyes once more.

It took a moment for my eyes to adjust. I sucked in a quick breath once I could finally see again. Zane towered over me, his meer hand was about as long as I was tall. I wanted to move away, but seeing that about half of me was broken, that was not an option. Slowly, he crouched down. Then gently he put one of his hands down and softly plyed his fingers under me. He lifted me up a bit, then placed his other hand under me as well.

"Cole?" He paused, a bewildered expression plastered on his face, "Cole, can you hear me?" His voice was a wisper now, but even his wispering seemed to completely surround me.

Between the shock of this whole experience and my hurt ribs, I was finding it increasingly harder to speak. I couldn't find my voice. The only thing that came out of my mouth was a pathetic squeak.

His thumb rose and started to brush over me. He didn't apply much pressure, but once he got to my broken arm, I couldn't help but flinch.

Zanes must have noticed that, since his eyes narrowed a bit, something he mostly did when he was annalizeing our 'injury status', as he tends to put it.

"Im going to get you back to the ship, alright?" I was grateful that he continued to keep his voice at a wisper.

I nodded again, to which he started to stand up.

Curling his fingers over me a bit, he suddenly shouts upward, "I FOUND HIM."

This sudden blast of noise hurt, making me return to the covered position I was in before. Zanes shout echoed through the pit, making me shutter in pain a few more times before the noise finally weakened.

Soon, Zane was lifted up, and as a result, I was too. As soon as I was out, noises boomed around me. One question seemed to come through the commotion in unison. "Where's Cole?"

I heard Kai, Jay, and Nya for sure, but Lloyd, I couldn't make out. Did he get kidnapped again? I knew Lloyd was another one of us that the treasure hunters tend to objectify, and that only increased my worry.

I felt Zane move his fingers again, this time unfurling them so that I would lay flat on his palm.

A series of gasps came from the group, and finally, I heard Lloyd. "What happened?" His voice, knowing he was ok, finally allowed my nerves to relax a bit.

"I dont know," Zane sighed in response, "but Cole is not in good condition. He has 3 broken ribs and a broken thigh bone. And his humorous bone is broken as well."

"Zane, now is no time for jokes." Jay piped up.

"The humourus is the bone in the upper arm, I am not displeased with Coles' humor." Zane said blatantly. I could hear the annoyance in his voice. If I had been able to speak, I would have tried to ease the tension, but unfortunately, I still felt too winded.

"Let's get him back then." Nya, the only one who seems to have more than half a brain cell most days, finally chimmed in. It was as if the same thought rung through everyones head, as everyone seemed to simultaneously start back towards the Bounty.

It was so strange. I never realized just how much I would miss the light until it was taken from me. I gazed up at the lamp above me, fixated on its lumosity. Most of my life, I had taken light for granted, but now, I couldn't be more grateful for it.

"How are you feeling?" The unexpected question made me nearly jump out of my skin. Zane must have come back into the room. It was only 15 minutes ago that he had left to take a well-deserved break, and honestly, I expected him to be gone for longer with how much work he put in to get me patched back up.

After I got back on the ship, Zane and Sensei both started to treat my wounds the best they could. With me being small, it was difficult for anyone but Zane to put my splints into place. He was the only one with such precision. Sensei, though he had tried, his hand kept shaking too much to do any good. This also was why they decided it was best for me not to get a cast since they could easily put it on too tight and hurt me more. They decided instead that no one would be allowed to handle me, but Zane.

This was something I found relief knowing. I had already started to imagine Jay coming in here to tease me over goodness knows what and getting too rough. It was strange how a part of me was now afraid of some of my friends. I didn't like it.

"Better." My voice was still weak, but at the very least, I had some painkillers now, so my lungs weren't on fire.

I had been set on top of a pillow, meaning I was a bit higher than I would've been on the bed. It wasn't too much higher than the bed, though it still allowed me a better view of the room. The pillow also meant I was more comfortable, which was a nice contrast to laying on the hard rocky ground in the pit.

Zane dragged his chair closer to me. He once again loomed over me, but in the light, now I was able to make out his face easier. I hadn't realized just how detailed his skin was till now. Even though it's not real, up close, you wouldn't be able to tell.

"Do you remember anything after you fell?" Zane broke the silence again.

"No," I shake my head, "I fell, and the next thing I remember is...." I fall quiet. Even the memory of how scared I felt sent cold dark shivers down my spine. "Waking up." I quietly finish.

"Is there anything that happened between you waking up and me getting there?"

"No..." I felt guilty for the fear I felt. Im sure they all were up on the bounty fighting, I shouldn't be pittied for falling in a hole. And I'm not lying, saying nothing happened since nothing did happen. But on the other hand, a lot felt like it happened. That fear was real. The pain was real. But neither of those should be anyone elses problem than mine.

Zane went quiet. He looked like he was thinking, but sometimes I can't tell with him. We sat like that for a while before Zane finally announced he was going to make dinner.

If I make a little in between part, I will link it here

Days passed. I was under strict orders that, until my bones were healed, I was not to leave the bed, save for when I needed to use the bathroom. It was long and boring. I couldn't play video games, nor could I even play board games. All I could do was watch TV and occasionally talk with one of the others. Zane came to check on me the most, but Jay made a point to seek me out a few times and mock me for my height. He made a point to remind me of the fact that I had called him short, and now the rolls are reversed and blah blah blah. I think he was trying to cheer me up, in his annoying Jay kind of way, but I honestly got tired of listening to him and zoned out most of the time.

The four days I lay in bed were practically tourture. I have never felt more lucky that my elemental powers also helped increase my bodies ability to heal itself. I may have gone insane if I stayed any longer.

Zane came in late on the fourth day of me lounging in bed. Once he announced that I could take both of my splints off, I did not hesitate to free myself from my confinement.

Once I managed to pry the splints off, it dawned on me. What was I going to do? I had been so focused on being able to leave this bed and the pillow that I hadn't thought much further than that.

Zane grabbed both of the splints I had set aside and placed them gently on the nightstand. Then, with a tired smile, he turned back towards me. "So, you're free now." He said with laughter in his voice, "Where do you want to go?"

"I dont know... I didn't think about it much."

"Well, I think I have an idea." A more sincere smile tugged at Zanes face, one that I wasn't sure if it was just friendly or one I should be suspicious of. His palm rested on the bed in front of me, but I hesitated to move myself onto it.

"I dont like that smile of yours. You're not bringing me somewhere to pull a prank on me, are you?" I narrow my eyelids, glaring right into his eyes.

He laughed at my suspicion, "No, no, I promise. This is a good surprise."

I climbed onto his hand, slowly, and still not feeling reassured. I found that sitting down is a lot less disorienting than laying down or standing, so I sit facing him.

I marveled at how large his hand was, even though he now had carried me many times, it was still something I could never quite get over. His hand so large that I could stretch my legs out fully and still have enough room to lay down.

He gave me a reassuring smile, then started out the door.

He carried me down the hallway and past a few rooms before turning into a doorway. I instantly recognized the room as the kitchen, even though it was now so much bigger. There was a delightful smell in the air.

"Mmmm, cake." I take another wiff, "Chocolate cake. " I specify.

"Your nose never ceases to amaze me, Cole." Zanes hand shook lightly as he laughed.

"I'm just that good." I smile, looking up at him.

A timer starts to go off, and with me turned towards Zane, I could see the exact moment he realized what the timer was for. He quickly placed the hand I was sitting upon on to the counter and gently nudged me off with the other. Wasting no time, he headed off, spinning around and rushing towards the oven.

Zane opened a drawer and pulled out two oven-mitts. I knew he didn't need them, and I'm sure he knew as well, but I guess it was a habit he had before discovering he was a robot. I also think that there's also a part of him that loves the oven-mitts since it was a gift we get him often.

Reaching forward, Zane opened the oven, sending a new wave of delicious chocolatey scents my way. I practically shook in anticipation as I saw him pull the source of the smell from the oven.

"One, Two, Three..." I mumbled as he took the tin of cupcakes out. He had made a total of 12 cupcakes. This means that if I take Zanes's portion, I get a total of 4 cupcakes! I big smile crept across my face.

I get up, still a bit wobbly from having sat mostly still for four days, and wander over to the cupcake tin. Zane was taking the cupcakes out and placing them on a rack to cool down faster.

"So I get all of them, right?" I give him the best pleading smile I could muster.

He rolled his eyes with a laugh, "No. You get two. Everyone gets two, or else they may need to make a movie about what happened when one of you got three instead."

Zane always had a way of making me laugh, "But I get your portion, right?" I step forward, closer to him and the edge of the counter.

"Not this time."

"Please tell me you're not giving them to the treasure hunters. You know they dont have a good bone in their body!" I joked.

"Ah, no matter how much I would love to see the look on everyones face at that, no. I am putting them away for when we get back to the city."

I furrow my brow, "But we won't be back to the city for a while! I mean, we haven't found the object thing, whatever it was - yet. And we still need to fix this!" I gesture towards myself.

"We have been looking while you were healing, Cole. Nia thinks she may have figured out where the object is. We're going to go tomorrow to try and retrieve it." My sholders slump. They have been looking without me?

"I thought you guys would wait." I mumble, on one hand, I was a bit bitter about it. They all went cave searching, finding who knows what cool objects and stuff, while I had to sit here and be on bed rest.

But, I could also see their side of it. They needed to get this done. If we didn't find this mysterious object, someone else would.

"Im sorry, Cole." Zane must have heard me muttering to myself.

"Well, at least I can come with tomorrow." I flop down on the counter, forgetting about my newly healed arm and leg. I let out a small shreak at the surprise pain. Zane reached forward to grab me but decided instead to hover his hands, ready to help me if needed.

"Cole," as Zane says this, his expression softened, "you aren't going to be coming with us tomorrow."

My heart dropped, "What?"

"You can't come with us tomorrow, Cole. It's too dangerous, and we can't risk you coming while you're..." Zane paused, considering his next words carefully, "... like this."

"I can still help!" I plea, I can't stay back again. I need to help. I have to help. "I still have my elemental powers! I can move some rock still! What if you get trapped? Then what? I am the Earth ninja! That's what I do! I move rocks!" I could see it. My words were doing nothing to convince Zane, and as I tried to reason more, I found I was grasping at flimsy straws, "I can still help..." I wisper.

"I am sorry, Cole. It's not only me who thinks you should stay. Sensei, he was the one who made the final decision. You need to stay here." Zane gave a sorry smile. "Rest up, maybe once we get back, you will be back to normal, and you can help us figure out what the mystery object is."

I sat there, defeated. I couldn't believe that I was being left behind. How could I keep them safe? How could I save them from the bounty?

The cupcakes started to sound less and less appetizing the more I thought of what tomorrow would bring for my brothers.

I woke up early the next morning. I had to get a good head start. I shuffle to the side of the bed, clinging to the sheets as I made my way down. Finally, once I reached the floor, I encountered my first obstacle. The door had been shut the night before, and I didn't know if I would be able to open it myself. The crack under the door was too narrow for me to fit under, so that wasn't an option. The door had a lever handle, so perhaps I could open the door?

I look around in an attempt to find something I could use to pry it open. The problem now I faced was that I was small, and I couldn't see much around the room. I walked back towards the bed, prepared to have to climb back up it so I could just see what was around the room. Just a moment after I grabbed onto the sheets, I saw something shiny under the bed. There was a clothes hanger under the bed.

I hesitate, the eery and mysterious shadows taunting me. My heart raced, I couldn't seem to look away. If I looked away, then it may consume me, the dark. My reason broke through my anxiety, telling me I had to go into the darkness, if just for one brief moment.

Shakily, I inched forward, feeling for the form of the clothes hanger with my feet. Soon, I felt the cold metal through my clothes. I quickly grabbed it and drug it back out to the light.

I had the clothes hanger, now to put it to use. I headed back towards the door, bringing the clothes hanger along with me. Once I reach the door, I swung the clothes hanger up, stretching my arms out and standing on my tip toes to give myself any bit of extra height.

The hanger caught at the handle, and I pulled down while also moving backward to open the door.

Finally, I was in the hallway. Though it was darker than the recovery room, it had many dim lights that fought off the dark enough for me to feel safe. Besides, the dark was the least of my worries now. I scurry along the edge of the wall, carefully listening for footsteps. I never thought that I would have to be so careful in my own home. But I had to pay attention, both because I dont want to get caught, and also because what would happen if someone didn't see me. The idea that someone could come along and accidentally step on me was one that I ran through my mind as I sped down the hallway.

I stopped at one familiar door. This is what I was looking for, my brothers room. Im sure right now they were still asleep, which was good for me. Unlike my recovery room, I knew that this door had a chip in it.

I believe Kai had said it was from Jay 'borrowing' my scythe. Whatever had happened before, it happened to work in his favor now.

I slunk into the dimly lit room. The only source of light was from outside the window where the moon was now lowering in the sky. Although it was difficult to see, I knew this room at least, and as such, I still found my way around. I creeped along the edge of the bunk beds, careful not to make a single noise.

In a heap on the floor, I saw my long-term goal, Zanes ninja suit. I darted over to the cothing pile, picking up and moving stuff out of my way until I found one of his pockets. I crawled inside, squirming to get comfortable as I did so.

A quiet but relieved sigh excaped my lips. Im going with them, whether they like it or not.

My brothers were too predictable. They woke up late, of course. Nia had already gotten dressed and was ready for them to start their search. Everyone was scrambling to put on their gear. Even Zane seemed to be unprepared, seeing that he didn't notice that his suit was a bit heavier today.

I bounced around any time Zane made any kind of big movement, including running, jumping, and turning. All of those being things Zane apparently does often. When Zane finally sat down to listen to Nia's brief, my head didn't seem to care and just kept spinning.

I couldn't hear much of Nia's ramble, but what I could hear clear as day was Zane. Normally, I tune out a lot of these long, borning, and often too elaborate plans. But today, I found it hard to disassociate. Any time I would finally zone off, Zane would ask another clarifying question. It hadn't dawned on me how many questions he asked before going on a mission. I swear he could write an essay just about the mission brief.

It took a while, but Zane eventually ran out of questions. Now, I thought, we could get on to the fun part.

A cacophony of chairs screeched against the floors as everyone stood at once. Once again, I started to sway and bounce. At one point, I think they were climbing down a rope, but it was hard to keep track. Everything was so disorienting that it was hard to even tell where I was. Were we in the cave yet? Or are we still on land? Did we even get off the Bounty yet? None of my questions seemed to be answered by the lighthearted chit chat that started from the group.

Once again, I wasn't able to hear what anyone else had to say other than Zane, which made it hard to figure out what was being said. The more I tried to fill in the gaps, the harder it became to understand what was happening. After about 15 minutes of me trying to decipher the illogical code, I gave up.

Who knows how long I have been in this pocket now. So far, they haven't seemed to run into any blocked paths, nor have they trapped themselves inside a cavern, which was a good sign.

How much longer will this take? All I wanted to do is get back to the Bounty, tell everyone I was here the whole time, and reassure them I can go on missions still. Maybe I couldn't walk by myself, but I was small and able to go places most cant. Imagine if I was this small when we got locked in the cage that one time. I could have gotten us out. I could be helpful.

We have to be in the cave now. There is a musty smell in the air, and I have to suppress the urge to sneeze every ten seconds. This could not be a worse time for my allergies to rear its ugly head.

We passed a particularly dusty portion of the cave. My heart sped up, I can't be caught now! They will just bring me back and go on without me! I hold my breath, hoping that if I dont breathe in the dust, I won't sneeze.

I had to breathe eventually, and as soon as I caught my breath again, I felt the overwhelming urge to sneeze. It started to rise from my nose and through my mouth. I had to stop it, I tried, doing everything in my power to stop the sneeze.

I breathed out once more, and the need to sneeze wad suddenly gone. I silently celebrated my victory.

I celebrated too soon. My sneeze snuck up on me. It was too late to stop it, so I tried to cover it up the best I could. But it was too late, I felt Zane come to a sudden hault.

"What was that." He asked, I heard the unease in his voice.

Some replies came from my brothers, but again, none that I could hear. My heart beat in my ears. Maybe Zane would write it off as the cave shifting. It does that sometimes, right?

An intense pressure shoved against my side for a moment before quickly disappearing. Zane gave an annoyed grumble above me.

Suddenly, a hand appeared, enclosing me in its grasp. It brought me up out of Zanes' pocket to be level with his face. He made sure to keep me facing towards him but didn't lighten his strong grip on me.

"Cole." The ice in Zanes' voice made my heart skip, I hardly hear him angry, and never is it towards me. His lips were thin, and his eyes were practically piercing through my soul. Normally, I can fight back, spit words, and defend myself. But his grip has become so tight that I was starting to struggle to breathe.

I wheezed a bit, doing my best to keep my composure. With my ability to breathe, slipping now, though, it remained difficult.

"Zane," I gasped in between desperate breaths, "Breathe. I can't."

The moment those words left my lips, Zane hand loosened, and so did his expression.

"What are you doing?" This was the Zane I knew now. He was annoyed, sure, but he wasn't the same as he was only a moment ago. He tilted me back a bit and set me down on his other palm.

"I -" Before I could get the sentence out, Lloyd brought up a finger to his lips. I turned to watch as Lloyd creeped towards a 90° turn in the cave. Just as quickly as he peered around the corner, he retracted his head. Turning back towards us, he wispers something. I couldn't hear it, I can't seem to hear anything lately. I turned to look at Zane, hoping he heard it. One look at his face told me he did.

I started to open my mouth to ask him to repeat what he heard, but shut it when I saw Zane already opening his mouth to reply.

(Start of events in comics here 1 + 2)

I watched as he didn't speak, but rather just kept his mouth open for a moment. One second, I was on Zanes hand, staring up at Zane. The next, I was shoved forcefully towards Zanes face. Suddenly, I was surrounded by a mass that glowed a light blue. Any time I tried to move, tried to reorient myself, I was pinned down again. I felt the confined space push me head first into another tighter tunnle.

The light followed me, and with this light came many new noises. There was a distinct ticking noise, along with the sound of what I assume was gears grinding together. Soon, blood started to run to my head, and my brain felt light.

(End of events in comic)

A few seconds after I thought I was about to pass out, I was pushed into a larger chamber. It was soft, and it had the same blue glow as the other one had before. It was definitely bigger and stretchier than the other two. That said, it was still very cramped. I was forced to lay down, as the ceiling was practically brushing against my hair, and the rest of my body was pressed into the sides of the room. Something about this place was familiar, but I couldn't quite place it.

A series of sporadic movements tossed me about a bit, but comparatively, it was not nearly as bad as it was in the pocket.

What would be my train of thought asking me where I am and what was happening got interrupted with a series of muffled shouts. I instinctively sunk into the rippling soft cloth underneath me, hopeful that it will keep me safe from this unseen danger.

The same sounds of gears and gadgets still were present but much more muffled now. The ticking was still audible too, but I had to strain to hear it.

There is where I stayed for a long time, trapped in the chamber. The pillow-like surroundings kept me in place for the most part, but every once in a while, there would be a bigger movement that caused me to fly into one of the walls. The walls, though, were soft and squishy, making the experience when I wasn't getting slammed into them actually kind of enjoyable.

After a while, the movement slowed down and finally came to a hault. Just as I started to bask in the peace, a loud voice from above brought me back. "He's fine. He's in my storage compartment." I recognized the voice instantly as Zane. I wonder who he was talking about? Who would even fit in his storage compartment? I have seen it before, it's small. No one was that small.

My breath hitched. I am that small. I felt the blood rush to my face as I realized just where I was. It was embarrassing how comfortable I had felt here. I lightly pushed at one of the folds around me, as if feeling it would help confirm.

I tried to push myself up, to put a bit of space between me, and what I now knew was Zane. My efforts were foiled as my back hit the top of Zanes storage chamber, and I flopped back down.

Zane started to speak again, "Is that all of them?" He must be talking to our brothers.

After a brief pause, where I assume someone had responded, Zane continued, "Then let's get moving again."

So they weren't going to bring me back. That was a relief. I can stay on the mission with them. Zane would let me out, and I could finally have some normalcy back in my life.

I felt Zane start to move again, this time, though it was more methodical, and the chamber only swayed slightly with each step. He wasn't making any sort of motion to let me back out. Did he forget?

I lightly knocked at the glowing pillow in front of me, "Um, Zane?" He didn't slow his pace. I waited for a few seconds, but he didn't respond.

"Zane?" This time, I raised my voice more in case he couldn't hear me the first time.

Zane started to slow his pace, meaning he heard me this time. "Yes, Cole?" He still sounded very annoyed with me.

"Are you going to let me out?" I poke at a spot next to me, hoping he would understand what I was getting at.

"No, I am not." He said matter of factly.

I'm a bit surprised. "What?" I scoff, not able to stop the word from coming out of my mouth.

"You not only disobeyed Sensei. But you also put yourself in danger and, by extension, could have put us in danger, and you still have no remorse for any of it." His tone reminded me of how he spoke to Lloyd when he was younger, something that hurt more than I thought it would.

"Im not a kid. I can handle myself just fine." The hurt seeping into my words.

Zane grumbled, a sudden pressure from the outside squeezed me to the opposite side of the chamber for a moment before releasing me once more. "I know you aren't a kid. But you need to listen to me, Cole. You aren't indestructible. You are putting yourself in more danger than I think you realize by being here. I dont want to lose you." He sighed, the previous annoyance in his voice fading. "There are bad people in these tunnels, and if you get separated from us all, it would take is for one to grab and toss you to..." The chamber pushed in again, "I can't lose you, ok?"

I couldn't think of anything to say to that. All the tension and defensiveness in me disappeared in an instant. How could I have been so neglectful. I know he cares about me. That's all he meant, and I should have known.

The pressure once again released, and I flopped onto the plush beneath me. I hadn't realized until then, but I had been tense. It had been exhausting, keeping that grudge. I relaxed, sinking furtherer into the pillow beneath me. Closing my eyes for a minute wouldn't hurt, right? I nestled my head down, and as I felt Zanes speed pick up to catch up with the others, my mind started to wander into the best sleep I have ever had.

[anchorandrope]

some updates of louis' first performance since larry at euros just to keep track of:

he played 13 songs at the main square festival (july 4, 2024) and at the ruisrock festival (july 7, 2024) and now he played 17 songs at the meo mares vivas festival (july 21, 2024). he added: bigger than me, just hold on, angels fly and saturdays to the same setlist he used in the two previous festivals.

his jacket was pale blue with blue and green stripes.

he read a fan-sign that said they [the fan] will owe louis a shot if he sings 7, he said "you owe me a shot" after singing it and then he took the shot with the fan.

a (kinda unrelated) funny one:

he reacted to england losing against spain at euros due to some fans referencing the euro finale with a spain flag.

my personal thoughts:

the song's additions are probably because he was able to sing more time in this festival in comparison to the other ones so he chose these songs to perform. the four of them have a patron (regarding lyrics) and it's not inherently larry related. if he needed to add songs to the setlist i think it make sense he chose this ones, not only because they are fan favourites but because they're not "larry coded", if he would have performed something extremely obvious (like imagine if instead of angles fly we would have had always you, for example) that would have been a situation™️. so yeah i think they represent the current louis perfectly and they didn't create chaos. nothing to look much into it here tbh.

the jacket one is self-explanatory, like those two adore bluegreening. also louis is the one who performed with a t-shirt with an immense "H" in his first ever livestream, so no one should be surprised.

the 7 one is interesting. 7 was already on the setlist, so singing it didn't have the same impact as if he hadn't sung it before and added it to the setlist today. that is the reason i find the whole shot situation amazing. in the end he literally took a shot in honour to 7. he saw a sign knowing damn well he was gonna sing it, he decided to read it out loud, reference it again after the song to finally doing the shot. almost as if he wanted to draw attention to it and pay the tribute it deserves 💋 king !! thanks louis for loving larry called a load of smoke in as much as we do.

acknowledging the euros in this situation means nothing imo (due to context). could he have ignored it to avoid pointing out that day, knowing what it means to part of his fandom? yes, but he loves football and its not the first time he reacts to england loosing, so i don't think its actually relevant, added it because its actually funny how he said "well played. thats all you're gonna get" 😭

my conclusion:

as i said, i really don't really believe this means something (larry coming out/1D reunion/etc) but i really like to keep track of stuff just in case. in this specific situation, i do believe the stuff that happened in the festival was related to euros, but not because euros mean something and they're continuing to do whatever the fuck they're doing, i just think they know we larry-ed hard that day and he wanted to make sure we know he supports that (as he always do <3) so he wanted to made subtle things. nothing more! the jacket one is undeniable, the setlist and the euros mention im betting they mean nothing, regarding 7, i do believe he wanted to point in some kind of way to the song (like to highlight it) and he found this way spontaneously, since he does shots with fans in his tour and that wouldn't be surprising.

[goo-berz]

Talking about Vivziepops' weird art of minors

I've never been the biggest fan of Vivziepop, I've always knew about their weird behavior (since like 2018 ~ 2019) before they were as popular as they are now.

She has done a lot of weird stuff but the thing I mainly wanna focus on in this post is their character Addison. Addison is a 17 year old gay effeminate fox humanoid from Zoophobia, he's in a relationship with a 19 year old Teacher's assistant named Gustav. Many people get confused by this but Addison has been CONFIRMED to be 17 years old by Vivziepop. Someone had changed Addison's Fandom Wiki page back in 2019 to say they're 18, when this is not true, Vivzie has confirmed they're 17. I did go back and change the age to 17 on the Wiki with the correct age in hopes that people stop believing incorrect information.

Vivzie confirming their age: https://twitter.com/vivziepop/status/1128064633166712832

The tags in this post brings up the fact that Addison is nearly 18 - not 18 yet - They're still 17.

Edit: Oh yeah, I want to add on context to this tag: "I should mention the characters canon ages are higher then when I first made them because as I wrote the story any big age gaps were uncomfy"

I've heard multiple older fans of Vivziepop say that Addison was originally meant to be 14-15 years old, and I've heard that Gustav was originally meant to be in his 30s.

Addison was created 2010, She began shipping Gustav with Addison in 2011, and Zoophobia began in 2012. So the fact she shipped a 14-15 year old character with a 30 year old one to begin with, and encouraged her friend to draw intense NSFW art of them together is so.. weird.

Anyways, Vivzie also hints at Addison being a minor, using wording indicating how young they are in age in their Blogpost introducing the character

"I finally created a few concepts, but the one I have been toying with the most is a young character much like Gale. An albino boy, with an identical albino sister"

If you need more proof, Addison is also preyed on by Mirage, a character that SPECIFICALLY goes after minors... that's basically her main personality trait, that she's a p3d0. She goes after Addison because he's a young submissive boy and easy to manipulate.

Anyways, back on topic. I personally I don't see anything wrong with the age gap of 17 & 19, however I do think it's weird to have this relationship between Addison and Gustav.. he's not exactly a teacher, but he still holds power over Addison due to the fact he's the voluntary teacher's assistant. Back when Zoophobia was popular there were people who found this dynamic weird & creepy considering the fact that Addison is basically a student under Gustav. Also, I just wanna bring this up because I find this weird, Gustav was originally under the impression that Addison was a year one student and much younger than he actually is, yet he still tried to flirt with him.. erm..? Yeah..

Anyways, that isn't the main point. The point is that Vivzie DREW NSFW OF HER 17 YEAR OLD CHARACTER AND HIS 19 YEAR OLD TEACHER... erm.. holy cracker balls? Literally how can anyone excuse these?

Vivzie also drew Gore of Addison too, but I won't post it here cus it's very graphic and weird and idk why she drew it!!

And .. possibly the worst drawing of them all.. Holy titties what is this... If you're wondering, the stuff under the censors is ACTUAL NSFW. It's not suggestive, or implied s3x, It's their ACTUAL WEE WEEs.

These accounts are poorly archived, so it's hard to find the original post and what it originally said. However after some digging I was able to find out the original text said

“ dollcreep: “ i can only see ‘dark-Günter’ exposing him and addi to a public area like so…so. yeah. Günter says; merry Christmas. god this question is super old. vivz reminded me about it"

So, I'm assuming that Dollcreep drew this, not Vivzie. However I was also able to find out from the limited resources there is that Vivzie reposted this to her accounts Vivzie-zp (unarchived) and ZPanswers, which are also now deleted, but if you view the accounts tumblr archives over the Wayback machine you can see that she did indeed repost this. http://web.archive.org/web/20120801182958/http://zpanswers.tumblr.com/archive

If you don't know, Dollcreep and Vivzie used to be best friends, however aren't anymore. Dollcreep originally designed Gustav, originally named Gunter, and Vivzie bought the design from them. Vivzie designed Addison back around 2010, and taking into account the old caption, this means that Vivzie.. allowed Dollcreep to draw NSFW art of their underaged character ;-; oh my gawd!!! Whatthe heck guys... like I said at this time Addison was still 14 - 15 and Gustav (Gunter) was in his 30s.

Also I want to mention that this drawing was from 2011, so that means Vivzie had this pedophilic ship with Dollcreeps OC for years, & after she bought the rights to the character she decided to.. keep the pedophilic ship and write it into Zoophobia by making him Addisons teacher. That's crazy..?

Anyways, because I brought up Mirage. Mirage is written pretty bad. She was a character meant to be in.. or scrapped from Zoophobia, she was meant to be a villain who preyed on the kids, mainly Addison. Her main trait is that she likes kids

Vivzie's made a bunch of drawings of Mirage preying on kids which I think is pretty weird, especially considering how poorly some of them represent it and make it seem like a joke instead.

and yeah, we all know about this infamous drawing she made of Mirage preying on Kestrel, a 14 year old. Pretty weird

Also when I looked at the web archive of Vivzie's ZPanswers blog (a Zoophobia ask blog) she accepted many weird asks about Kestrel, 14, and Addison, 17, like an ask asking if Kestrel had ever been fucked by a horse & how Kestrel, Addison & others would act when they were drunk. Which is also pretty weird to me I won't lie

Anyways that's all for now. Sorry if this is all over the place its 4am and I just wanted to get my thoughts out that vivziepop is kinda a weirdo

[wilcze-kudly]

On my latest rewatch of sozin's comet part 3 at the begining when zuko talks with katara about aang i noticed that once he mentions him katara's eyes from serious face are narrowing down to make a more sad face. Furthermore after reading your post about "katara's trauma why she waited" i noticed even more scrumbs that support your post. Other then changing her grimace, zuko asks katara 2 quastions. "What if he doesn't have guts to take out my father" And "What if he loses". The second question triggeres katara to respond in panic that "aang won't lose". Here's the most interesting thing i saw on rewatch. Katara while completly ignoring zuko's first question adds that "he is going to comeback, he has to" while looking infront herself with focused face. And im sorry but zuko didn't even mention that he is concerned about aang returning to fight ozai, so katara just adds another sentence to her belief that aang is going to comeback ALIVE. This further adds to desparete "he has to" like its an obligation on aang's or universes part to not lose life because of unfinished business or just praying that aang is gonna be fine. My point is that it shows how concerned katara really is about only if aang's gonna be fine. Which explains kinda her hesitancy on her part in ember island players. She really is afraid of losing him again and it makes sense too when we look at how many deaths of people close to her she saw. Also It would be stupid to not asume that her holding for a moment dead body of her friend/possibly a new love wouldn't influence her behaviour to make closer bonds.

[Post anon is referencing]

Yeah, references to Katara's fear of losing Aang are sprinkled in throughout the show, though the aren't addressed full on, which is why I assume most people don't catch onto it. Which is a shame, and I wish it was explored more explicitly in the show because if you watch without noticing this crucial element, you could draw some very misguided conclusions.

I think it's very interesting to watch Katara's perspective of Aang and her approach to him as the Avatar shift through the series. I don't think Katara ever idealised Aang as the Avatar perse. But I think a lot of her relationship with Aang was her realising the strain it put on Aang. In the Storm, she learns how it impacted Aang's life and basically alienated him from his peers.

Throughout B1, we see Aang's role as the Avatar become second to his role as Katara's friend. To the point where in the first episode of B2; The Avatar State, Katara is actively encouraging Aang to shirk his duties in order to protect his mental state.

But I think it's at the end of B2, when Katara cradles the body of her friend who was killed, struck from behind that she realises that Aang being the Avatar may cause her to lose him.

Sure, they've been pursued by Zuko, Zhao and Azula, but bear in mind, Katara is still a kid and while she may be aware on a surface level of the danger, nothing's technically happened yet, so she may not fully register it. But now she has had a free trial run of grieving Aang and she doesn't want to feel it again. So she builds up some walls.

And we have more hints for this throughout B3. Her breaking down when Aang leaves, drawing those parallels to Hakoda, for example. Her immediately shooting down any possibilty of Aang losing to Ozai or getting hurt. She's not blindly idolising him, she is terrified of the idea of losing him and deflecting it because she's a kid who can't think about things that scare her on an existential level.

Another good example of this being her reaction to Aang kissing her furing the Day of the Black Sun.

Analysing Katara's expression after Aang kissed her, she isn't upset with the kiss perse. If she were, she'd most likely be animated with more furrowed eyebrows. Ryebrows raised like the way they are in the show usually denominate surprise (which she is in the first few frames) or sadness. Which matches the context very well. The way she looks at Aang and then averts her gaze with a grim expression, as if she wants to say something, but is still angled to be seemingly glancing at him? That could very easily be ready as Katara wanting to respond to Aang, but holding herself back because making your relationship tangible before a big battle is a very good way to lose your boyfriend before you eben get your first date.

And since.... certain people insist that Katara being drawn in this scene with more childike proportions was a concious choice by the creators and not just an outcome of animation studios switching around and certain mixups, let's look at it this way: Katara being drawn more childlike in this scene could highlight the inherent tragism of the image of two child soldiers kissing before a battle in which one or both of them may die

She doesn't smile, not because she's not happy with the kiss, but because the boy who kissed her is off to war. Like I would not be smiling either.

Katara's trauma around loss is so pften boiled down only to her mother, which while valid, is only half the truth, and I wish this aspect of Kataang was more noticed because it does hide in the details of the show.

[katerinaaqu]

Calypso the Beautiful Goddess

So after I made my sketch of Odysseus the other day as you can imagine I couldn't help but also add Calypso, the beautiful goddess (or the One with the Divine Look) or Fair-Tressed Goddess of Ogygia! So this is how I imagined her to look like or at least tried to! Hehe!

My first description of hers can be found to my story Survivor's Guilt and Survivor's Duty (Part2):

"Odysseus weakly looked up to see a magnificent woman. She was tall and slender with dark sun-kissed skin and dark hair carefully arranged in braids adorned with gold and seashells which cascaded down her back like a cape. Her face was heart-shaped and completely clear and pore-less; looking more like the magnificence of marble rather than flesh. Her large almond-eyes had the color of rich honey and her lips were full and shaped like a shell. Odysseus was stunned by her beauty and much more by her soothing voice."

My description was massively inspired by the amazing Vanessa Williams who enrolled the role of Calypso in The Odyssey (1997)

Since sources place her isle in various places, including Gozo island in Malta or to the coasts of Tynisia I wanted to enroll this information to the character's design. While I was drawing I also drew massive inspiration by the beautiful face of Aaliya from the Queen of the Damned for this pore-less skin as well as the skintone of hers which I found simply perfect for Calypso.

I wasn't sure how to achieve that beautiful look Vanessa had and incorporate the multiple braids that I imagined for Calypso so I gave her an extra bun and in a way it works given that I imagined Calypso having very long and very rich black hair.

Her makeup was inspired by Egyptian contexts especially the Malachite over the eyes and the khol around them. The rest of it was inspired by the Queen of the Damned as well as my random details. I know I am not very good with blending I know! But I did try to see how her makeup would work. For her lips I also wanted this classic coral/red shade.

For her dress I didn't have something specific in mind. I did have some images of mycenaean dresses as well as some classical egyptian shapes from New Kingdom but I ended up with a more simple design, partially also inspired by the color I make her wear in the second part of my story.

I was thinking about giving her accessories like jewelry but I wasn't confident I would do it properly so I just gave her a piercing to her ear or something similar and just imagine she wears her bracelets or rings for this one! Haha! Anyway drawing hairstles is also not entirely my forte but I am quite satisfied with this one. Could be worse! XD Some of the beads I colored to resemble corals or something but yeah! Hehe I was apso inspired for her seashell by the classical seashell Cypraea

Hope you like it!

My other sketch with Diomedes can also be found here. Again sorry guys ain't very good at drawing and my marker-pen has a very bad tip so it was a bit hard to ink the lines but I enjoyed making that one!

[lu-zijing]

WHAT THE ———-

WHAT THE HECK, SO THIS IS OFFICIAL ART AFTER ALL!!!!!!?✨✨

/ Soukoku discussion ahead:

Okay, no, I'm sorry, I've seen it before, this is old news, I know, but I kinda thought someone had edited them together, especially because many people said it looked like they had kissed - being very debatable whether or not it is just battle dust/wounds or actual traces of them kissing......

In my own opinion: Dazai's "scratch" is a bit weirdly placed- but Chuuya's does look more like a normal scratch.. But then again, why is it the only place both of them even have scratches on their face?? The rest of their faces are completely clean, have they even been in a battle? Wouldn't it be more realistic to have multiple small cuts, scratches, or at least some kind of dust or dirt then? - Like this: Which Chuuya had in the actual Dead Apple movie:

Could be an artistic choice for the Official art piece ofc, but then, Why do they just have that one scratch, both of them???

Yeah, okay I guess it isn't directly unrealistic to get just one scratch, but both?? Almost the same place??? Both scratches even look to be made the same way, if you look closely. At least they are drawn the same way - Either they just draw all scratches the same way, or this could mean they were from the same source. But ofc, we have no way of knowing, if that source is kissing, but it couuuld- Okay, yeah, mayybe I'm/we're overthinking it since the, well- ~ship~ But I can definitely see how the whole Idea started. I see it like this, it's probably some sort of actual scratch from battle, but it potentially being from a kiss, can't be completely ruled out either.

Here's a post from Reddit where someone pointed it out:

-Although in the start I thought, that's easy to add, it must be fanmade, looks like they used some scenes from Dead Apple, and... well..... yeah... Okay, I was likely a bit in denial at that point, even everyone around me talked about it as if it were Official.....

And just the fact that it says "HAPPY KISS!" in the text.... (( I am a Soukoku shipper, and now it's said- But Okay, I can be realistic - I can't speak Japanese, it's likely in some other context, but still, you can't help but let the thoughts run wild, and you know I'm right— And just.. The way Chuuya smiles so happily and innocently......!!! Chuuya please do that in the canon story as well— It kinda freaks me out a little though but still—

But... I don't know what to believe about this piece, to be honest. - Even if they actually turn out to be romantically involved with each other somehow, it doesn't mean they necessarily kissed in this specific art piece. It could, but it doesn't have to be. (Even if they haven't kissed I absolutely adore this art piece both as a neutral fan and a shipper..!!! The shipping is taking the upper hand though, that's just how it works, no point denying-))

And besides, would it really be hinted like this??

If it really was the Artist's/team behind this Official art piece's intention to make people think or doubt they kissed -if they actually HAD kissed- I bow in the dust to them- Damn-

It Would also mean that Chuuya and Dazai likely ALREADY have a relationship-!? In the course of the current timeline, I suppose. Which I imagine, is also one of many theories.

Like, I don't think an entire confession scene happened there, so if they kissed, it would have had to have been a thing already. Highly likely at least. Okay maybe I'm going too much into this now-

Personally, I would prefer to see a confession scene between them in the present, should they really come together romantically canonically.

But I certainly couldn't (or wouldn't!)) complain either if it turned out they have had a secret relationship this whole time-!! Imagine the reactions—--! Someone must have drawn that scenario already. Damn, I wanna see it now- If you wanna, feel freeee to draw it and mention me so I can see~~ I would praise you to the heavens, for reading this far, and even drawing it- *ahem* anyhow-

However unlikely, one can always dream — Dream with me if you would like~ ✨ 

And I hope you enjoyed reading this whole silly delightful thing!! Hopefully, you really did, if you read all the way down to here-! 😅 ✨  It became longer than expected-

But well! No matter what - So it WAS from an Official Magazine cover from Spoon-2di!! - These Magazines - Which I figured out was a thing after my last post, about what the heck the magazines were about - Now I know, MANY thanks to @originalaccountname ✨ ✨ ✨ ✨ 

They really do have some amazing Official art, just the covers alone! Go check out my post that I linked, in it there are a good handful of them! Otherwise, just go Google "BSD Magazine covers" If You didn't know already, you will thank me later-!

Thanks for reading! Until next time-!

[bbcreative-0]

Misplaced AU

Okay so remember this post? Yeah here’s some designs:

Just and reminder I am only going based off the Samurai Rabbit from that Netflix Show. I haven’t read the comics and I only know Usagi’s character from his TV show and TMNT. Anyways here’s some context/ideas that I have come up for this AU

So this takes AFTER the movie, so I’ve always headcanon that after the movie Leo became a lot more serious and focused on protecting his family. Like to the point of training himself until he collapsed. However he does try to hide that from his brothers so not to ‘burden’ them.

Most of the time I see LeoSagi fics where Usagi tends to be the more mature or level-headed one compared to Leo. So I wanted to change that, this would be an AU where Leo is the more “mature” one and Usagi was more so goofing off. Leo would still crack jokes and so on. He wouldn’t be hiding his seriousness too much with Usagi and his friends. I wanted a story where it’s Usagi showing/reminding Leo it’s okay to make mistakes and to have fun. Which I think it’s a fun twist with these characters.

Okay I hope that made sense now onto the actual AU.

So when Usagi makes contact with the Ki-Stone Leo and his brothers were fighting in a museum where a piece of the Ki-Stone in this universe activated just as Usagi made content. Leo would notice one of his brothers being too close to the Ki-Stone as it activated which would make him push them out of the way.

Sadly for Leo that meant the Ki-Stone would end up grabbing him and taking him to Usagi’s world. The Ki-Stone created the clothing Leo is wearing in the drawing. It’s based off of Ninja/Shinobi painting in the 17th century. I did add some changes to the outfit so they can fit Leo’s character. I hope I did a good job at that.

Anyways throughout Usagi’s journey Leo would be helping him out since he is only way back home. Leo was mad at Usagi for a while, since it is his fault that he dragged there, however Leo does forgive him.

Leo still does have his powers in Neo Edo. He is also contacted to the Ki-Stone since it brought him there and a part of us literally a part of the Ki-Stone. If that makes sense?? Think of it as Leo 3/4 of his souls and the Ki-Stone is holding 1/4 of his soul.

Final detail I wanted to added, the flowers Usagi is giving are cameillias flowers. Which according to my research means love in Japan. Think of it as their roses for them.

If you guys wanna ask more questions you ask in the Q&A thing I got. It should be working…Hopefully Idk how Tumblr looks for the most part. Anyways this took forever and my hands hurt. Thank you so much and I hope you guys like this!

Stay creative!! 💜💜

Master Post

[luciluck2046-md]

Yeah so bcz you guys aren't getting chapter 9 soon enough you'll get some story made by me at an hour I'm not thinking straight at.

Yes I finished the Trans N design. I may add a pijama version, tho I just need to take a photo of the designs. It's on paper, might redo it digitally. Since uhh... Just be sure that the colors for the normal clothes will be changed. I didn't try many combos.

Uh yeash I think I found a way to make drones fuck without genitals. I got bored in math class. I DIDN'T DRAW ANYTHING BUT I NOW HAVE A VISUAL IMAGE AND GOD I WANNA GET RID OF IT./hj

Edit: this has been in my drafts for over 2 days wtf.

𖥂~𖥂~𖥂~𖥂~𖥂~𖥂~𖥂~𖥂~𖥂~𖥂~𖥂

Time: Post Outpost 1 Events, probably middle of Outpost 5 Events. Context: Uzi and Neon fucked the night before for the first time & V and J were on the night patrol.

Veronica: "Damn girls, you look high as fuck. Did you fuck?/jk"

Uzi: *awkwardly* "Naaawwwww why are you saying that?" *Is high from the realization that she in fact isn't a virgin anymore*

Veronica: *gets suspicious* "Interesting... Wait Neon, what's that on your shoulder-"

Neon: *covers shoulder* "UH NOTHING HAHAHA"

Ver: "NO, SHOW ME!" *jumps at him*

Ver: "IS THAT A FUCKING BITE MARK!?!? YOOO, YOU TWO DID FUCK!"

Nori, out of nowhere: "UZI FUCKING DOORMAN, WHAT THE FUCK IS WRONG WITH YOU!?!?"

Neon: "MA'AM I CAN EXPLAIN-" *gets slapped with flying shoe*

Nori: "I DID NOT LET YOU FUCK MY DAUGHTER!"

Uzi: "... I actually started it... Somehow..?" *awkward laugh*

Nori: "..."

Uzi: "BITE ME, YOU CHOSE DAD, DON'T EVEN THINK ABOUT SAYING ANYTHING!"

Ver: "Damn Uzi, and I thought you were actually going to get along with your mom."

Uzi: *annoyed* "CHICA SE QUE TE GUSTA JESSICA ¡CALLATE LESBIANA! También sé español, vete a la mierda idiota. [GIRL I KNOW YOU LIKE JESSICA, SHUT UP YOU LESBIAN! Also I know Spanish too, get fucked idiot.]"

Ver: *le gasp* "UZI DON'T YOU DARE!!!!"

Neon&Nori: "What are you talking about?"

Uzi: "Spanish."

𖥂~𖥂~𖥂~𖥂~𖥂~𖥂~𖥂~𖥂~𖥂~𖥂~𖥂

Designs to understand:

[jabberwockprince]

this entire post about the hanahaki disease and eve made me black out for one hour to draw this

EVERYONE SAY THANK YOU TO @smittenroses AND THEIR LOVELY ADDITIONS FOR FUELING THE BRAINROT

some design notes and ideas i had while drawing this in a feverish, dionysian frenzy, i didnt even stop to think i just HAD TO GET THIS OUT OF MY SYSTEM <33

read the linked post for further context bc im working on an EMPTY STOMACH AND A BRAIN FULL OF EVE

i wanted her to be our beloved eve, but a little to the left. yknow. eve but something is off her usual characteristic bright colors ( the blues and yellows and greens she wears ) muted down to a dangerous degree. missing various iconic details like her earrings or hand-holding necklace, etc

something something, she's losing her sense of self while trying to figure out more about this new, hidden side she's just discovered. the side that's causing all the flowers to clog up her throat and all

also also. a subtle feeling of restraint in the way her hair is now a braid that wraps around her throat, also held together by black and white beads. and the hands, a very prominent theme in her art, now holding her chest - but in a "keeping her body together" kinda way, not in a sexy kind of way sadly

OH FUCK. I FORGOT TO ADD IT BUT HER HENNA DESIGNS BEING FLORAL PATTERN.....

read rosie's latest addition to the linked post RIGHT FUCKING NOW because the daffodils and the themes of eve wanting to embody art but not being ready for people to inspect the piece of art she's made out of herself is. is so. YEAH.

also i imagine her jacket is replaced by this daffodil inspired coat that is the MOST eye catching thing. as a way to represent how this obsession with finding out what feelings shes repressing is taking over her entire sense of self

i wanted to add more eye motifs, since eve's art is a lot about her complex relationship with being perceived and also using that same fear as a weapon herself when feeling cornered (yknow. that one moment with zuke where she starts insulting him and saying he's "one of them". yknow. YOU KNOW) but maybe later in a proper design

bUT!!!! you know how in her cover art, the eyes are also different palettes? but once you beat her, they're HER actual eyes crying and closing. i wanted that but. in a much more aggressive way, like she's actively searching for the parts within herself she cannot understand

god i love her i love her so much guys shes so

[flying-fangirls]

Arthur's Story

Okay so now that Part 46 is out and we got that moment of John explaining what Arthur's train story meant to him, I kinda want to talk about this particular allusion myself. Arthur's retelling is mostly pretty close to the original, but I am going to get into interpretation/implementation stuff. So if you want to read the original story for full context, it's "Solitude" by Ben Ames Williams!

To start bluntly: I do not like the Lilly comparison /nm

I'm not saying it's wrong per se, but I do believe it's a fairly weak conclusion that misses out on a lot of other potential.

Let's back up.

Alright, so if you go and read it, you'll quickly see that the original short story, "Solitude," is ridiculously well-aligned with the tone and mood of Malevolent. There are ideas of cosmic insignificance, perseverance and despair, questioning morality and "goodness," and helping others in dark times. (it does have some of the weird hallmarks of early 1900s white dude writing, but otherwise I actually quite like this story! it's got nice vibes and pretty words)

Where It Falls Short

Now, an allusion is a reference within a story to an outside piece of information, and its entire purpose is to add new depth. A good allusion considers the full context of whatever it's referencing, and uses that context to its advantage. It challenges the audience to work through that outside context and uncover some new perspective(s) on characters, themes, and/or plot— something they otherwise had not seen or considered before.

The thing is, when Part 46 applies the "Solitude" allusion to Lilly specifically, there's nothing new gained whatsoever. What does John tell us during this moment?

Lilly took care of him, showed him his first glimpse of humanity, and gave him a name— all good stuff! But also all old stuff, these details have all been said in the show before, some more than once. Since we know that the main point of an allusion is to bring something new to the table, then this implementation fails on that point because all it's done is simply rehash previously established perspectives on Lilly.

Not only does this take on the allusion fall short, the show's interpretation also limits our ability to understand it. This isn't a moment where the podcast shows us new information and lets us draw our own conclusions. This is a moment where John stands in for the podcast's voice, and he tells us what it considers the "right" interpretation. Even if we had formed our own interpretation about this allusion, the show has now essentially told us that those interpretations are "wrong" (which isn't an antagonistic move on the show's part, by the way! just the message it's unconsciously implying)

I agree that John's connection between the story and his experience with Lilly in Part 46 is a genuinely sweet moment! But unfortunately, because it neglects to take a new path, it's also a predictable moment that loses its strength among all the other sweet Lilly moments. And that takes away any chance for the allusion to impact the audience in a unique way, wasting its full potential.

Where It Misses Out

(now here comes the English major moment when I tell you why I'm right and you're not /j)

Alright, again, the Lilly comparison isn't wrong. I think it's totally legitimate to see this story about a woman helping an injured and lonely man, and think of Lilly! But personally, when I heard Arthur's retelling, I never once considered Lilly until the show told me to (12 episodes later). When I listened to Part 29 and the first half of the story, I admittedly was totally lost and dug through those lines over and over to find a meaning. And the only real interpretation that naturally came to me was a parallel to Arthur and John's journey. A man lost in a terrifying world, at the whims of forces much stronger than him, who has lost all of his loved ones to death or abandonment? Yeah, that's literally just Arthur and John.

And the conclusion in Part 39 only seemed to support that interpretation more— Moll abandons her entire life to follow Mat into the cold and dark, John and Arthur both (literally and figuratively) throw their lives away to help the other through the dark. We can even swap who's who here— either Arthur or John could be Mat struggling to survive as a "good" person, and either one could be Moll extending a hand to that person.

There's also a particular line that John says in Part 46 that feels completely out of place with the interpretation the show tells us:

He implies that Lilly did the same as Moll and shut out everything around them. But when Lilly takes care of John in the hospital, his development there isn't that she "drove out the world." Lilly brought the world closer to John, not further away— she helped him expand his focus outward, not close it off.

However, this line does fit extremely well with John and Arthur's dynamic! How often have we heard about these two's edges blurring, about their minds and emotions and internal selves blending together? How many times have these two expressed a love so codependent that it rejects everything outside of themselves? Heck, John's major emotional plot in s4 revolved around the desire to shut out the outside world and isolate himself together with Arthur.

Just like how Moll's arrival drove out the world for Mat, the arrival of John into Arthur's life certainly drove out the rest of the world, pulling him away from his job, home, and friends. Likewise, the arrival of Arthur into John's life most definitely drove out the rest of the world, removing him from the legacy of the King and literal world of the Dreamlands.

The podcast tries to push its Lilly interpretation into a mold that it simply does not fit. And in doing so, it completely misses the perfect connection between Moll/Mat and John/Arthur that already exists. "Solitude" offers a naturally perfect bridge between its story and Malevolent's, but Part 46 steers us away from that bridge and straight into the river where we're left without any strong understanding or impact.

Where It Could Go

Not only does a Jarthur interpretation of Arthur's story connect the allusion to the podcast well, it also gives us a new perspective to think about Jarthur with (again, the most important part of a good allusion).

Earlier I said that Arthur's retelling of "Solitude" mostly followed the story, and that's because he leaves out one key detail: Moll had spent most of her life trapped as the victim of abusive men who forced her to neglect herself and care for people who didn't care for her back. (Admittedly, I think it's weird the show ignored this specific detail, but most allusions do intentionally require outside work on the audience's part, so for now I'll hesitantly just say that was Guthrie's aim.)

If we consider this backstory in our interpretation, we can find a really fascinating view of Jarthur's dynamic. Both Arthur and John could be Mat: a man who has seriously harmed others before and is now left broken and lost in a dangerous world. Then we can have John as Moll: trapped by the King and the Dark World and Arthur's body, powerless to take control of his own self, forced to neglect his identity/values for others' wants. And we can have Arthur as Moll: stuck in relationships/lifestyles that restrict him, autonomy stolen by social expectations and eldritch beings with far more power than him. Both of them as Moll: escaping a past of abuse, but nevertheless still finding yourself in a position of supporting men at the cost of your individuality.

A Jarthur interpretation frames Arthur and John's pasts in a concept of abuse and neglect, which is not usually (if at all) how the podcast presents their backstories. It also forces us to reconsider the full scope of their dynamic with each other. Normally the show presents Jarthur as a messy, yet overwhelmingly restorative and supportive relationship. However, when we place Jarthur into the context of Moll, we are forced to stop and acknowledge how their dynamic still harms them both: They're codependent to a self-destructive degree, protective enough to harm anyone else who gets close, so closely connected that they lose a part of who they are for the other's sake. Neither one of them exist as a wholly independent individual anymore, both of them losing pieces of their minds, emotions, and bodies to accommodate for the other's needs.

While s4-5 John and Arthur are clearly at a point in their relationship where they openly express their love and gratitude to the other for "saving" them, this allusion presents us with a perspective on their situation without the rose-colored glasses. We have the opportunity to recontextualize their dynamic and remember just how much Arthur and John have lost for the sake of each other, no matter how loving and compassionate that sacrifice might be in their eyes.

Where I Conclude the Ramble

From the moment Arthur first told this story in Part 29, its ambiguous inclusion captivated my little overthinking brain. It was incredibly fascinating to mull over Arthur's words and John's reaction, and then to dig deeper into this obscure story outside of the podcast and uncover answers!

Which is why I think I'm so disappointed with the final answer that Part 46 told us. If anyone else has looked into "Solitude" outside of the podcast before, they likely saw the same well of potential depth to work with that Harlan Guthrie clearly also found. Yet, for some reason, the podcast offers a conclusion that barely scrapes the surface of that well.

Instead of giving us new depth to the story, a Lilly interpretation really just brings up more questions for us. Did Lilly neglect herself in some way when she took care of John? Was Lilly the victim of abuse at some point in her past? What parts of Lilly's past led her to this point? There's so much more information that we need for this layered allusion to make sense, but we never get that information, so all we're left with is a weak conclusion and wasted potential.

On the other hand, a Jarthur interpretation does answer questions for us, and it adds depth to our previous understandings of their dynamic. We better understand how John and Arthur's bad decisions lead them to their darkest moments, how lost and afraid they both felt at the start of the podcast, how they found relief and protection in the other. And we consider new possibilities of how John and Arthur's past circumstances abused them, how they were trapped in cycles that stole their autonomy, how they still cannot escape these cycles and keep throwing their lives away for others.

Part 46 told us a single interpretation to have for the train story, but there is no reason we can not (nor should not) look for other interpretations— especially when the story itself shows us evidence that points to a different answer.

(final disclaimer: I absolutely do not intend any of this as any sort of attack! this is just general literary critique to try and explain why I'm a little annoyed at a single line lol)