#my thank you post

[artsymeeshee]

Haven’t collabed with @renconner in a long while for a mini comic (minus our big one, Instinct). We were talking about one of Stan’s lowest moments involving being outside with that damn sign, so we decided to make a comic with Stan remembering it. I’ve also kinda of assumed Filbrick would lie to Ford about what’s going on with Stan (Stan probably did too to some extent).

[pebblume]

pots n picks week day 7: free day

[divineandmajesticinone]

pretending that tomorrow isn't a workday

[yardsards]

just remembered the other day a teen approached me holding a rapidly melting chunk of ice in his hand and asked if i wanted to buy a "limited edition pet rock"

[sidewindes]

Chappell Roan performing at ACL Festival by Ashley Osborn.

[stageturn]

(slides u a jon) got time for a draw this in your style?

use #stageturnDTIYS to participate :D

HAVE FUN!!!!! (closeups under the cut :3)

and here's the actual doodle of s1 Jon

[me-beef]

@strangeravatar made a great point

i was gonna focus on the spike-hotboxing-celestia aspect but i got distracted somewhere along the way and i think i forgot what joke i was trying to make

but dont you think its interesting how many guards of the exact same color/body type she's managed to accrue?? i do

ooohh you want to go look at our stickers so bad

[mroddmod]

they are like puppies. 2 me

[clarisse-doodles]

inspired by this post, in which Damian does not know what Vine is

[shadowtraveled]

"mithrun is the only real monsterfucker in dungeon meshi" is objectively the funniest bit you can get out of his everything, but in all seriousness i think his attraction to his love interest is deliberately overstated—and that makes sense, because romantic jealousy is a classic and digestible motive, which is explicitly what kabru was aiming for in condensing mithrun's backstory, and also because until chapter 94, mithrun wasn't willing to admit to the true nature of his desires.

but because romantic envy is both classic and digestible, it probably isn’t a unique enough or complicated enough desire to tempt a demon’s appetite. mithrun’s wish, as far as we can figure from kabru’s reduced retelling, was to have a life in which he had never become one of the canaries, and that carries like 3857 implications and desires within it. that’s delicious. his love interest acts as sort of a red herring to his motivation for making it, though. (side note: i'm saying "love interest" here because, keeping in mind that i barely speak japanese on a good day anymore, "想い人" is something i'd usually take as just kind of an old-fashioned and romantic way to refer to a lover, but in context i wonder if both the connotation of yearning and the vagueness are intentional, and i think this phrasing gets those aspects of it more effectively. anyway.)

mithrun considered his love interest to be untrustworthy. there was a minute where i thought that comment might be about a similar-looking elf (yugin, one of his squad members), but comparing the two…

the "sketchy" arrow is definitely referring to the elf we know as his love interest—the bangs go toward her right, she only has the one forehead ornament, and, most notably, her ears aren't notched.

every time she’s given a full-body depiction in his dungeon, she’s drawn as a chimera, with the body of a snake from the waist down. (side note: the “what if a dungeon has chimeras before reaching level 4?”/“then the dungeon lord is unstable” exchange just being mithrun grilling his past self alive is so funny. he’s so. but anyway) there are a couple things about this.

first, the snake part of the chimera appears to be modeled after some species of coral snake mimic

which, in the biology-for-fun manga, i… doubt is a coincidence, especially with the added context of the “untrustworthy” comment. the dungeon’s conjured illusion of mithrun’s love interest was a harmless copycat of a venomous original. for whatever reason, he felt this person was a threat and made up a "safe" version of her to be in a relationship with, and while it’s definitely possible to be attracted to or even love someone you find to be toxic and/or intimidating, when you take that into consideration alongside the configuration of her body, you get some interesting implications.

which brings us to our second point: if we assume that mithrun was not in fact fucking a snake, then sexual attraction, at least, was so far removed from his idea of a relationship with this person that he did not even bother to keep her dungeon copy human enough to maintain the illusion of the option of a sexual relationship. this is somewhat echoed in the depictions of their interactions, which also imply a frankly unexpected romantic distance. she kisses his cheek and he doesn't seem to react; she's at the edge of a narrow bed with only one set of pillows, on top of his blankets while he's underneath them.

the kiss is particularly interesting because it seems to contrast the text. kabru's narration tells us this was everything mithrun could have asked for, but mithrun is there looking unreadable to pensive, likely because this is right before the panel that makes it clear things in the dungeon are beginning to go wrong.

walking through this backwards for a minute, we have the physical barrier of his bedding and the spatial separation inherent in a bed made for one person, the emotional barrier of his mounting anxiety getting in the way of his ability to enjoy the affection he sought, and... the snake, which historically carries the connotation of temptation, yes, but also mistrust, barring physical intimacy. okay. ok. if a dungeon reflects the mentality of its lord, all of this might suggest that mithrun was not able to have any real desire for a relationship with this person. his unwillingness to be vulnerable or let another person in was insurmountable. but in that case, why was she such a focal point that she remained to the end, after his dungeon had stopped creating iterations of his friends to come and visit him? why would he get so upset over her meeting with his brother that he became lord of a dungeon about it?

well. mithrun's brother was also interested in her, probably genuinely. and mithrun had to win.

you have an older brother who your parents completely ignore, probably in part because he is chronically ill/disabled and almost definitely in part because he received a ton of recessive traits that resulted in rumors that he was an illegitimate child. you are aware, most likely because those same parents fucking told you, that you actually are an illegitimate child. but they keep you around because you had the good fortune of looking just like your mother. what can that possibly teach you but that you, like your brother, are disposable?

it's utterly unsurprising that mithrun, under these circumstances, developed a pathological need to be better than everyone around him. people don't keep you otherwise. i'd argue this is also why he says he looked down on everyone he knew while milsiril claims his dungeon reeked of feelings of inferiority—he sought out people's worst traits and prioritized them in his mind to protect his already extremely fragile sense of self-worth, and all the while he tried to be as likable and high-performing as he possibly could be. his parents disposed of him anyway, but even then he tried to keep up the performance. he was kind to everyone. he never once lost to a dungeon.

when he saw his "love interest" meeting up with his brother, what he saw was himself being replaced by a person his parents had always treated as worthless, and if that was what they thought of the child they'd kept, what value could anyone possibly see in the bastard they'd given away to die? mithrun and kabru tell the story like he wanted to win this unnamed elf's heart, but it was never about being with her. it was about cementing his worth, proving that he didn't deserve to be thrown away.

and so it's particularly cruel that his demon discarded him, too. but maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.

kui laid it out in three panels better than i could hope to.

yeah. it's love. you wanted to be loved, even when the only way you were able to understand it was through the desire to be wanted, and you wanted that so badly that the idea of being consumed felt like the promise of finally mattering to someone.

[zephyrchama]

Going to a restaurant with the cast of Obey Me! and the waiter asks, "is anyone in your party under 500? Beings who are five centuries and under eat for free."

The waiter glances at Luke as they say this but everyone immediately turns to you.

Mammon cracks up when the waiter brings over a high chair and you have to turn them down. Leviathan encourages you to at least take the booster seat so you can feel taller. Thirteen wheezes when they bring out the crayons and coloring mat, which you insist on sharing. You tell Diavolo not to get any funny ideas when the waiter bends down to speak with you at eye level. It's just standard protocol for this diner.

Mephistopheles doesn't understand the big deal. You're not even a century old yet, isn't this normal? Solomon, however, is trying not let his mini midlife crisis show. To Barbatos' delight, he's not getting the same treatment as you (despite also being human) and fears he might be starting to look his age.

Lucifer is visibly enjoying himself way too much and hasn't stopped sneering since you were handed a children's menu, which Beelzebub is excitedly cross-referencing with the adult menu that everyone else got. Raphael likes the little flag they stuck in your food. Luke is acting so smug and haughty that Simeon has to remind him to be humble.

Satan makes the unnecessary offer to cut your food into smaller bites because they only gave you a small plastic spork, while Asmodeus is busy snapping pictures of the chef's ketchup smiley face atop your dish. Belphegor warns you not to hurt yourself and asks if he should blow on your food, causing you to threaten him with the spork.

[basketobread]

sometimes when the enemy is at like 1 hp, i like to hit them with some good ol vicious mockery because nothing is funnier to me than actually obliterating someone into the next life with a yo mama joke

[squidthusiast]

[lotus-pear]

learning to love

[nicktoonsunite]

misc NU doodles part tres

last comic is based off off my nasb 2 clip

[aworsening]

Your life is changing, whether you like it or not

i., vi. Stop This Train, John Mayer / ii. @alisonzai / iii. Yes, I'm Changing, Tame Impala / iv. @exai / v. A Little Life, Hanya Yanagihara

For @sdavirose