#my idea of escapism
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babylon-crashing · 5 months ago
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Page of Pentacles compulsory heterosexuality: she was very bad at it
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When you want to run away to sea but you also want to take all your books with you.
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beaft · 9 months ago
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BG3 is really testing me because my natural inclination in all situations is to be like "well, i think you should do what is best for you :-) <3" and then my companions are inevitably like "i want to kill an angel" "i want to ascend to godhood" "i want to become the most evil vampire in the world" like can we take it down a notch . please
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nijuukoo · 18 days ago
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One Last More Time
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punksalmon · 10 months ago
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seeing things
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itslilacokay · 3 months ago
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idea!
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more in op tags for those that see this post reblogged (unless reblogger included the ideatags)
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hermit-frog · 4 months ago
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for me personally‚ the flashlight in the museum (that Armand had stolen from the guard) represented her hope/dream (to be seen, to belong, to find home)‚ happiness (Madeleine)‚ and Claudia herself.
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a-s-levynn · 1 month ago
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Your reflection, your bitter deception / Setting you free A Series of Small Offerings - IV/6 - day38
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al-luviec · 1 month ago
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day 18 - sacrifice
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achlyisdumb · 8 months ago
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Hollow Escape AU
Chapter 1: Part 1/6
This is my first post in Tumblr and I'm not really experienced with making a comic so please don't attack me-
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Next // Character Design
This is an AU where TSC ran away from Alan in the events of AVA IV. Meeting TCO earlier in the process.
This took a lot of courage for me to share and I hope you like it. If a lot of you people are interested, I might continue to post more about this AU and share more info. I already have the 3 Hollow Heads design so why not?
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lyculuscaelus · 1 month ago
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Diomedes being the first name ever spoken in Epic the Musical is enough for me.
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bonefall · 1 month ago
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Hey, what makes a character a 'plot device but not a character'? And how do you not do that? I'm trying to do it on purpose but also I need to still make them interesting because it's on purpose, yknow?
A good skill to pick up is to learn to criticise criticism itself. A "plot device" is simply a thing that moves the plot along, it's a neutral literary analysis term! Usually, when people are angry that "a character has been used as a plot device," it doesn't mean they hate plot devices. It means they're gesturing at something deeper.
Runningwind and Bumble are equally plot devices in their deaths. They are both killed by the antagonist to escalate political tension. Runningwind is rarely "accused" of just being a plot device, and yet, we're talking about Bumble for the same thing.
So, why?
Well, Runningwind is just a background character, but in life, he was a part of the community. He was characterized as impatient but responsible. Yet, he wasn't SO important that he died with a bunch of unresolved plot threads.
He is mostly an extension of the entity of ThunderClan. His killing by Tigerstar, and the fear and paranoia that settles on the group after this, feel like a progression of the story insteas of something forced.
Bumble, on the other hand...
Is hated immediately by Gray Wing, when she's established as Turtle Tail's friend. Bumble's abuse at Tom the Wifebeater's hands invites even MORE investment. The rejection is shocking and upsetting. There's a story there about our main characters being imperfect; jealous, bigoted, and judgemental.
But, she is simply killed off. Everything they set up for this character is gone with little personalized fanfare. It's not a tragedy with a lesson about cruelty, or something anyone regrets.
It's just... plot. Gray Wing whinging that no one will like his shitty brother now that his body count is 2.
More than that, in the discussion of women in particular, "Fridging" was coined to give a name to the way women characters often don't get their stories told at all. There is a CULTURAL trend of female characters facing disproportionate violence, for the sake of advancing male plots.
Bumble has a lot going for her. Petal had a lot going for her. Turtle Tail had a lot going for her. Bright Stream had a lot going for her. When they died, they took their potential with them.
It's not always wrong to kill off a character of high potential, mind you. In Gurren Lagann, Kamina's death is sudden and shocking, leaving a massive hole in the hearts of the cast that never heals. Grappling with that loss, but also letting his memory fuel them, is a major theme of that story.
All that to say... there's no formula for avoiding it. You've gotta identify what the deeper issue is, in your specific narrative.
I can't say for certain what that will look like for your story, but here's some things I keep in mind;
When you make characters who exist to die, make sure they're people before you axe them.
Ask yourself; what about them does the cast miss?
If they just miss them because they were (pre-existing relationship), go back to the drawing board.
Fluttering Bird as an example. Who was she? Dead sister. Why do they miss her? Dead sister. No traits until after her death.
Runningwind was short-tempered and helpful. Kamina was a valuable leader who made people believe in a brighter future. Swiftpaw was fiesty and desperate to prove himself. The better characterized, the more profound the loss usually is.
If this is a female character who is dying just to serve the plot, be aware of cultural bias and tropes. How is the gender ratio looking in your cast? Is this happening disproportionately with your girls?
Note how Quiet Rain's litter had both a boy and a girl, but the girl was chosen to be "weaker" and wither away.
And how most of the time in DOTC, whenever a man had to be upset, a girl would get killed for it.
If you ever feel like the character on the chopping block is NOT a full character, ask yourself why it needs to be a character at all. You don't need to spend narrative time building out someone when a literal object of high value might suffice.
"My sister died when I swore to protect her and I can't face my family" = Old. Tired. Ive seen this.
"I lost my heirloom sword when I swore to protect it and I can't face my family." = Fascinating. Why was the sword so valuable? Will they really not take you back? How did you lose it?
When you do kill off "high value" characters, try to make sure you're not leaving too many plot threads hanging. Or at least make a point of how they will never get closure.
#Bones gives advice#These questions can be hard for me to advise on because making characters is one of the easy parts for me.#It's more the “working them into a story without overwhelming it” part#But making characters that are fun and interesting has always come naturally to me as a writer.#I just work out some fun dialogue and fill in what their wants and desires would be based on backstory#And the rest kinda fills itself out as the message and themes of my narrative forms.#In fact the thing that makes BB so easy for me to work on is having an existing “story template” in mind#I don't have to chart out the long term events in advance because I do have a full picture of what leads where#And what I want to say with each rework.#I've always been told I'm really good at killing off characters though#Especially in my RP days. I remember I singlehandedly turned a pretty standard 'escape from evil lab' plot into--#--a painful story about loyalty and suffering. I was the main villain and the escapees knew he would never give up.#Because he loved their master and believed fully in the idea of 'sacrifice for the greater good.'#Always friendly. Passionate. Would have been a dedicated leader in a slightly different setting.#They knew he would never want to actually hurt them so they had to trick him into trying to “coral” them with his fire powers on ice#He didn't know it was ice and melted through#I guess the thing I do is just... make them cool lmao. It's hard to give advice on this#''Draw the rest of the owl 4head''
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theresamouseinmyhouse · 11 months ago
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tbh i do get a little bothered by the notion that tim took the first shot he had to drop out of school because he hated school and didnt wanna do it and all of that bc i feel like it ignores the probably very important context that he dropped out after his dad (as well as steph-or at least, he was led to believe, in the same week) died, also he was in a school shooting. He did attempt to go to a school in bludhaven but the kids there were so wildly insensitive about the shooting that tim dropped out under the pretense of his "uncle" homeschooling him. In his oyl era, he /did/ go back to school, and it provided him some form of normalcy. Tim was a normal kid, he wasnt crazy about school but he still went to school and it helped him feel like a normal kid, something he desperately clung to. He only dropped out again to do his Brucequest, in an era where he was notably Not Doing Well (which. Yeah. he wasnt doing well bc he was like 17 and almost everyone in his support system was dead, he recently had hits put out on him, got blown up, and backstabbed by his not-dead-ex, he couldnt support his theory that bruce was alive and was extremely stressed about that, and he didnt know wtf he was doing. I love him btw.) Basically tim dropping out of school was a signifier that he wasnt doing well and he was giving up on the normality that he tried to cling to and im a bit of a nitpicky person who gets irked by minor things
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fist-of-vengeance · 2 months ago
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so what do we think fiddleford saw when he looked into the gremloblin's eyes? dude was so traumatised that stanford "oblivious to my assistant's emotional turmoil" pines took notice. it's what motivated him to INVENT THE MEMORY GUN IN THE FIRST PLACE. I'm honestly surprised i haven't seen more speculation about this
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magpiedraws · 2 years ago
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Wouldn't lizard fashion be something like spikes and scales and a frilled lizard collar?
Like so?
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(Bonus art under the cut)
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aibafiles · 6 months ago
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i have begun to suspect that the question is not "where is zagreus" but rather "when is zagreus"
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ai-kova · 6 months ago
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Ok, whatever, deconstructs your funyarinpa into tragic schrodingers cat girl ❤️
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