#how does this all get resolved? who knows!

[nevermindmorpheus]

So I just want to notice a few things about this article and suggest we all take a moment to do a fact check.

First, it’s weird that only the advocate leading a rally on Jess and Dahlia’s behalf is quoted.

Second, there does not in fact seem to be a light rail stop at Hennepin and 5th street. (a bus stop, yes).

Third, the details are odd—Jess and Dahlia were beaten to unconsciousness on the street and yet the only news is this story in the Independent, and then a few stories using that article to regurgitate that information.

Fourth, while there is a quote from a legitimate group in Minneapolis (Sequeerity) it’s not actually about the attacks, but about whether their services and classes have been in demand. Which I am sure is true, but it’s a red flag there is no link to the actual event that supposedly kicked off the interview.

When I search “trans women attacked minneapolis” it pulls these up along with a story from the Star Tribune (Minneapolis’s award winning local paper) about a trans woman attacked by two men in a light rail station—in March of 2023

Now, this story treats the violence with the level of care I would expect for something this vicious, you can see the multiple sources, how the details are laid out etc. (Also in this incident, and the police are called and her attackers were charged.)

Now what I kind of suspected here in the case of the 2024 story that uses some of those details but none of the context that makes sense, was that this story is either AI written or in the worst case, written to stoke fear in trans folks hoping to find safety. Things feel very dangerous in the US right now and a story like this can make even places of refuge seem unsafe. The reality of course is that no place is perfect, but Minneapolis is still a much better option for safety for trans folks than many others.

Now, things that would make me trust this story is if we could find journalism where anyone has covered either:

a) the actual attack occurring Nov 2024, citing a full police report, speaking to either Jess or Dahlia, or a bystander who saw the incident. Or even you know, the time of day exactly, and gets the actual physical location correct.

EDIT! There is coverage here that does that and clarifies the location of the light rail station and resolves the factual issues that raised my questions in the first article: https://bringmethenews.com/minnesota-news/rally-held-after-transgender-women-attacked-near-minneapolis-light-rail-station

https://bringmethenews.com/minnesota-news/rally-held-after-transgender-women-attacked-near-minneapolis-light-rail-station

b) a story covering the rally that happened in support of Jess and Dahlia. Where was it? How many people were there? Are they asking for anything?

EDIT: the above linked story does that!

At this point I can find neither and so I urge everyone to be careful and critical when encountering news that is hitting all of your emotional buttons. No one’s fears are unfounded here (this did happen in 2023!) but we owe it to each other to only spread stories like this that are based on solid evidence ♥️

EDIT: Thanks to some other folks doing searching as well, the step of fact checking which is find other coverage has succeeded. I was wrong! I do want to emphasis that it is still important to go through the process of noticing these things and making sure what you’re looking at is real, because there were enough errors in the Independent story that made the reporting not feel right. The “bring me the news” piece, as well as the instagram posts it’s linked to clarify the rally, the large public support including government officials, and reports the correct details of location and when the cops showed up (late, at the hospital. nice look there guys).

I’ve gotten a lot of hate for wondering if this was correctly reported and being wrong on the internet, and I do want to say that I looked into this because it made me upset, and then concerned, that the violence against transwomen was being used to stoke our fear (which is what I felt about the Independent article). I included the sections about what would indicate this was real because I knew there was a real possibility I had missed something, and wanted to highlight how you know when to change your mind.

so the tldr: The first shared article has a lot of factorial errors that means you should look more. Even if you don’t see evidence at first doesn’t mean you won’t get it later! The truth is that this violence did happen, but also that there was a huge outpouring of local support. Please take care of each other, and be kind!

This is where we are. Anti-trans pogroms have begun and the community is living in fear. Things are so bad that some of us are unable to live anymore.

Where is the left? Where are our allies?

#TDoR2024

[heavysighing-dreamyeyes]

Ever Since We Met

Spoiler: Jason dies in the warehouse. ~1.5k words

Jason Todd is six years old and snot nosed when he falls in love with his best friend. Sure, he doesn't exactly know what love is, but he makes sure he's standing next to you when the class lines up so he can hold your hand.

He gets a weird feeling in his stomach (he’s not completely convinced that it’s jealousy, despite what the teacher tries to explain) when you follow other kids around the playground instead of him.

But, he does recognize the excitement he feels when you seek him out to be coloring partners during class instead of the girl sitting next to you.

He loves you as much as a six year old can. Especially when he gets to sleep over at your house and you turn your bed into a fortress of blankets and pillows for you both to sleep in. Those nights are his favorite, and you both drift off to whispered stories and hushed giggles.

Jason Todd is ten years old and getting used to growing pains when he develops a crush on his best friend. At least, he thinks it’s a crush. It feels different than being in love, even if he hasn’t quite grasped the fact that he is in love.

He's more hyper aware of what he does now, how he treats you. Sometimes, the way you smile makes him stumble over his words, and his face go hot. He distracts himself and you from it by asking about homework or that one TV show you that you watch on Saturday mornings.

Jason decides he likes that you’ll press to his side when you’re reading, lost in your own worlds together without a need to fill the silence, crush or not.

He likes that you’ll trade half of your sandwich for his and sneak him doodles and notes during class. (He won’t admit it, but he keeps them in a box under his bed. Sometimes they’re the only reason he doesn’t run away from it all)

He doesn’t bother to mask his obvious preference for you, even when the other kids try to tease him for his crush.

You’re always quick to threaten anyone who tries to put him down, anyway, and he’s more than happy to do the same for you. And when you offer him a high five for scaring off some of the older kids, He decides it doesn’t matter if it’s a crush or not, as long as you stay his best friend.

Jason Todd is twelve when he becomes Robin. It’s hard, well, not being Robin, that’s a magic entirely its own, but being away from you.

He lives in a manor that's bigger than the entire floor of the apartment building he used to live in. He's learned how to do a backflip while throwing a punch in midair. He has more at his fingertips now than he's ever had in the entire first eleven years of his life.

But he misses you. Sometimes, it feels like a phantom limb. Something he's always reaching for, but never quite grasping. It helps that you've gotten a scholarship to his new school, but it's still not enough.

He can't explain it, but he gets greedy for your time. You don't seem to mind the sporadic hangouts, or how often he has to cancel or leave. He kind of wishes you would, just to show that you care as much as he does.

He redoubles his efforts to be a good Robin when you tell him about the dealer that moved into the apartment next to yours. He resolves to be a better friend when you tell him the fancy suits he has to wear to galas look good on him.

His feelings don't change once, even if he hasn't quite found a balance between vigilante and civilian, he knows you're the one thing he can't let go of.

Jason is fifteen years old and about to die when he realizes the person he wants to see most is you. He's always known it, in the back of his mind, but as the blaring red numbers tick lower and lower, he just wishes he could hear your voice one more time.

It's you. Always been. And he's never said it. Never let you know.

His body aches. His leg is twisted the wrong way. His breathing is shallow and raspy. His vision is blurring, and he wants to live. But his mom is still trapped in this warehouse with him, and he's Robin. Robin helps, and that's what he'll do.

Jason drags himself to his mother's side to help, moves despite the gnawing, indescribable pain with every movement.

He's still trying to help, trying to sheild her from harm, as the numbers drop to zero. Zero. Zero. Zero.

What happens next doesn't hurt more than anything else did. And he has enough time to picture the color of your eyes before it all goes to black.

Jason Todd is eighteen when he dons the name Red Hood and becomes Gotham's biggest crime lord in a matter of months.

He stays far away from you, even if your memory has haunted him since the moment he woke up in that cursed pit. (and if he tries to remember, the moment since he first woke up in his own grave)

He's eighteen still, when his empire crumbles and he's left without a path, a purpose. He carries the weight of his years with the league, sags under the strain of not knowing who he is anymore.

He stays far away from you, sticks to the cracks and shadows of Gotham until his name is no longer whispered in fear. Then, and only then, is he brave enough to take off his helmet in front of you.

It's a relief and a terror all at once to finally see the color of your eyes from something other than a memory, and when his heartbeat starts to stutter, he knows he's never really grown out of being in love with you.

You've gotten older. (He shouldn't be surprised, he has too. He just always pictured you growing old together)

Your eyes still light up like he's your favorite person in the room. (He thinks he's allowed to be surprised about that)

But it's when you breathe out that he's home, that he figures out you've been waiting for him. Neither of you seem to know what to say after that, but you don't run for the hills in terror. And for the moment, that's enough.

Jason is twenty-one and passing the first (legally) acquired bottle of alcohol you've ever bought. You laugh about how it still tastes the same, and his heart nearly leaps out of his chest at the sound.

He loves you. It sings in his blood, settles on his tongue, he just doesn't know how to say it. He shows it, or at least he tries, but sometimes he's still waiting for this all to be a dream. It should have been impossible, how easily he slipped back into your life.

It was easy. So easy. Everything was easy with you. That's probably why he spills his guts.

He doesn't quite say it the right way, doesn't manage to get the word 'love' out. But he says enough to get his feelings out.

It's not poetic, not grand as you deserve, but somehow he manages to articulate the way butterflies create a hurricane in his stomach when you're around, how his gaze is always drawn to you, how he can't help but lean into the sound of your voice, the warmth of your touch.

Maybe he says a little too much about how he's been head over heels since the day you've met, because you just stare at him.

He's almost ready to run, to blame it all on the one measly shot he's had. This is, until you kiss him. And oh, it's everything he never dared to dream it would be.

It's a little messy, sure, the angle a little strange as you crane across the couch to tangle your fingers in his hair. But it's perfect, it's you, and Jason falls in love all over again.

Jason Todd is twenty-three and still learning how to say I love you. It's not that he loves you any less, if anything, he loves you now more than ever. It's just still something he's getting used to.

Love is something you've given to him so freely, something he's happy to return. But it scares him, sometimes. He worries that if he says it out loud too much, the universe will realize how great of a gift he's been given, and rip it away.

It might be irrational, but he holds the word love close to his heart anyway, unwilling to test fate anymore than he already does by putting on that red helmet.

He whispers it to you in the dead of night instead, says it with touch instead of sound, shows it with soft, shine of his eye. He squeezes your hand when you say it to him, does his best to make it clear he feels the same, even if he can't get the words out.

He'll get it eventually, figure out how to get it off his tongue. He has to.

Especially if he wants to show you the pretty little band of shining, precious metal he has tucked away in a velvet box.

[gatheringbones]

[“Sometimes, the abuse is so subtle that we fail to notice it. Sarcasm, ridicule, teasing, “kidding,” or continual criticism, for instance, starts to feel less like abuse and more like a part of the background noise. Sometimes one partner does not meet the other’s needs, but since he also does not do anything major to upset the apple cart, Adam and Eve go on in the relationship without thinking of options such as change or separation: He will never be so bad that you will leave him but never so good that he will satisfy you. In either case, we may fool ourselves into hoping for change rather than working for it.

If hope doesn’t include a plan for change, it is actually hopelessness and avoidance of change. What we do not change, we choose. Is this the message we get from the partner of our distress: “Stay with me and I won’t give you what you want,” or “Come back and I still won’t give you what you want”? We cannot be fooled forever. One day we allow ourselves to know and then take action.

Emily Dickinson, in her poem “’Tis not that dying hurts us so,” compares two kinds of birds in Massachusetts, those that stay the winter and those that migrate to warmer climes. She then says: “We are the birds that stay.” To be “the birds that stay” in wintry New England when wisdom would send us to Mexico is a cruel fate to impose upon ourselves. We can use it as a metaphor for a relationship in which we stay with someone who does not nurture us: we need a loaf and beg for a crumb from someone who’s afraid to give a loaf and hardly willing to give a crumb. To live in Massachusetts winter after winter and then say, “enough of this,” and move to California takes some pluck and then yields the warmth we hoped for. However, we may be conditioned to accept that our lives are not supposed to be comfortable. Likewise, we may believe that relationships will never work for us, that we are meant to be unhappy and unfulfilled. With that perspective, we may not be able to muster an “enough of this” when we find ourselves in pain. Instead we may ask ourselves, “Why bother?”

To live with abuse is dangerous because it can make our wish to suffer equal in strength to our will to be safe. We think, “Nothing I can do will stop him from hurting me,” or “Nothing I can do will make her love me.” A frightening conclusion can result: “Nothing matters, and I don’t care.” Such deep despair can take the form of poor self-esteem, disease, distortion of the body by overeating, self-abuse, addiction, risky jobs or hobbies, accident-proneness, anorexia, the belief that we can’t improve our lives, and so on. These all boil down to a wish to die. We might even seek relationships that guarantee protection against having to look at or process our issues. A partner may be appealing to us precisely because he implicitly promises that we will never have to confront, process, and resolve any issue very deeply, never have to change an intimacy-defeating style. We may think, “He is superficial and just as scared to confront things as I am, so I am safe here.” In such relationships we forge a tacit bargain to be what Emily Dickinson’s poem calls “Shiverers round Farmers’ doors” awaiting a “reluctant Crumb.”]

david richo, from how to be an adult in relationships: the five keys to mindful loving, 2002

[novaursa]

Flames in the West (a sad lion)

- Summary: During the royal hunt in honor of Aegon's second nameday, you insult a lion and gain his attention.

- Paring: targ!reader/Jason Lannister

- Rating: Mature 16+

- Previous part: his rock

- Tag(s): @sachaa-ff @alyssa-dayne @oxymakestheworldgoround

The once-vibrant halls of Casterly Rock seemed unusually quiet—or so Jason Lannister thought as he trudged through them, his boots echoing against the stone floors. He hadn’t seen much of his wife in recent days, and what interactions they did have were… different. She wasn’t throwing her usual sharp jabs or teasing him with that infuriating yet captivating smirk. Instead, she had become polite. Reserved, even.

And Jason hated it.

He leaned against one of the arched windows overlooking the sea, a goblet of wine in hand and a deep frown etched into his features. The waves crashed against the cliffs far below, their rhythmic pounding doing little to soothe his growing paranoia.

Martyn Lannister strolled into the chamber, his easy grin in place as always. “There you are,” he said, plopping down into a nearby chair. “I was starting to think you’d fallen into one of the mine shafts.”

Jason didn’t reply, his frown deepening as he swirled the wine in his goblet.

Martyn raised an eyebrow, leaning forward. “You look positively miserable, cousin. What’s wrong? Did the kitchen run out of your favorite vintage, or did Sylveris decide to roast one of your prized banners?”

Jason sighed dramatically, his gaze still fixed on the horizon. “It’s Y/N.”

Martyn’s grin widened. “Ah, the dragon. What’s she done this time? Threatened to throw you off the battlements?”

“That would be preferable,” Jason muttered, finally turning to face him. “At least then I’d know she still cared.”

Martyn blinked, then burst into laughter. “She doesn’t care because she hasn’t threatened to kill you? You’ve lost me, Jason.”

Jason groaned, setting his goblet down on the windowsill. “She doesn’t insult me anymore. No jabs, no teasing—nothing. It’s like she’s ignoring me entirely.”

Martyn’s laughter grew louder. “That’s what’s bothering you? The lack of insults?”

“Yes!” Jason snapped, running a hand through his hair. “Don’t you get it? That’s how she shows affection—or at least, that’s how it used to be. Now she’s just… distant. Civil.”

Martyn leaned back in his chair, still grinning. “So, let me get this straight: your wife isn’t yelling at you or calling you names, and you’re upset about it?”

Jason shot him a glare. “You wouldn’t understand.”

“Oh, I understand perfectly,” Martyn said, smirking. “You’re addicted to her barbs, and now that she’s treating you like an actual lord, you don’t know what to do with yourself.”

Jason sighed again, pacing the room. “What if she’s found someone else?”

That caught Martyn off guard. “Someone else? What are you talking about?”

Jason stopped pacing, turning to face his cousin with a look of genuine worry. “Think about it. Why else would she stop paying attention to me? What if there’s another man?”

Martyn stared at him for a moment, then burst into laughter so loud it echoed off the walls. “Another man? Jason, you’re ridiculous.”

“I’m serious!” Jason protested, his voice rising. “She’s barely said a word to me in days, and when she does, it’s all ‘Yes, my lord’ and ‘Of course, my lord.’ That’s not her. She’s up to something.”

Martyn wiped a tear from his eye, still chuckling. “So let me get this straight: your wife, who’s carrying your child, is suddenly so bored with you that she’s taken a lover in the middle of your castle? Do you hear how absurd you sound?”

Jason crossed his arms, his jaw tightening. “It’s not impossible.”

“Jason,” Martyn said, his tone still laced with amusement, “you’re not just a lion. You’re a delusional lion. She’s probably just tired, or distracted, or—dare I say it—growing another person inside her.”

Jason hesitated, his resolve wavering slightly. “But what if—”

Martyn cut him off, rising from his chair and clapping a hand on Jason’s shoulder. “If there were another man, Jason, do you really think she’d be subtle about it? She’s a Targaryen. She’d probably introduce him to you just to watch you squirm.”

Jason groaned, running both hands through his hair. “You’re not helping.”

“I’m helping more than you deserve,” Martyn quipped, shaking his head. “Listen, just talk to her. Ask her what’s on her mind. Or, better yet, stop being so insufferable and give her some space.”

Jason frowned, muttering under his breath. “Easy for you to say. You’re not married to a dragon.”

Martyn grinned. “No, but watching you flail around like this is entertainment enough.”

Jason threw him a withering look before turning back to the window, his thoughts still tangled. Martyn clapped him on the shoulder one last time before heading for the door.

“Good luck, cousin,” he called over his shoulder. “You’re going to need it.”

Jason barely acknowledged him, his mind racing with possibilities. He knew Martyn was probably right—probably—but he couldn’t shake the feeling that something was amiss. And until he figured out what it was, he would remain the most miserable lion in all of Westeros.

The halls of Casterly Rock buzzed with quiet speculation as Jason Lannister, Lord of the Rock, embarked on what could only be described as an increasingly dramatic investigation. He’d spent the better part of the day questioning members of the household, demanding answers with the fervor of a knight preparing for battle.

“Have you seen anything unusual?” Jason asked a servant folding linens in the hallway. “Anything at all? A suspicious visitor? A secret meeting?”

The servant blinked at him, bewildered. “No, my lord. Only the usual.”

Jason frowned, muttering to himself as he moved on to his next suspect.

By mid-afternoon, he had interrogated a steward, a stable hand, and even the cook—each more confused than the last. His antics had not gone unnoticed by the rest of the household. By the time he cornered Martyn in the great hall, a small crowd had gathered to watch the spectacle unfold.

Martyn leaned against a pillar, arms crossed, his grin as wide as the Sunset Sea. “Still convinced your wife has a lover, Jason?”

Jason glared at him. “Something’s going on, Martyn. I can feel it.”

“Let me guess,” Martyn drawled, feigning thought. “She smiled at someone in passing, and now you’re ready to start a trial.”

Jason ignored him, pacing in front of the growing audience. “She’s distant, she’s quiet, and she hasn’t insulted me in days. There’s more to this.”

One of the younger cousins piped up, giggling. “Maybe she’s just tired, my lord.”

Jason stopped, turning to face the group. “Tired of what? Of me?”

The crowd erupted into laughter, and Martyn clapped him on the back. “If she’s tired of you, she’d let you know. Trust me.”

Jason sighed dramatically, raking a hand through his hair. “Fine. If none of you have answers, I’ll just have to ask her myself.”

Jason stormed into your chambers with all the subtlety of a lion on the hunt. You were seated by the window, staring out at the sea with a faintly pale complexion. A cup of mint tea sat untouched on the table beside you.

“Y/N,” Jason said, his voice firm. “We need to talk.”

You turned your head slowly, fixing him with a weary stare. “Jason. If this is about you imagining me plotting against you with some mysterious lover, I’ll save you the trouble. There isn’t one.”

Jason hesitated, his righteous determination faltering. “How did you—?”

“You’ve been stomping around the castle like a madman all day,” you said, cutting him off. “It wasn’t hard to guess.”

Jason frowned, stepping closer. “Then what is it? Why have you been so… different?”

You sighed, pinching the bridge of your nose. “If you must know, I’ve been battling the constant urge to vomit.”

Jason froze. “Vomit?”

“Yes, Jason,” you said dryly. “It’s a common occurrence in pregnancy. Did you not read any of those books I had sent to the library?”

Jason blinked, his mind struggling to process this new information. “You’re sick? That’s it?”

“That’s it,” you replied, sipping your tea carefully. “Though at this point, I wish I could throw up on you just to prove it.”

Jason’s reaction was immediate and utterly ridiculous. He sank into the nearest chair, his head in his hands. “Thank the gods,” he muttered. “I thought you hated me.”

You stared at him, incredulous. “You thought I hated you because I wasn’t insulting you every five minutes?”

Jason looked up, his expression sheepish. “Well… yes.”

For a moment, you were too stunned to respond. Then, you began to laugh—quiet at first, then louder as the absurdity of the situation sank in. “Jason,” you said between breaths, “you’re an idiot.”

The door creaked open, and Martyn poked his head in, grinning like a cat with cream. “I heard shouting. Did he finally figure it out?”

Jason groaned, running a hand through his hair. “Yes, Martyn. She’s not plotting against me. She’s just… nauseous.”

Martyn stepped fully into the room, his grin widening. “That explains a lot. Though I think we all enjoyed watching you spiral.”

“Get out,” Jason muttered, though there was no real malice in his tone.

Martyn chuckled, bowing mockingly before retreating. “As you wish, my lord.”

As the door closed, Jason turned back to you, his expression softening. “I’m sorry, Y/N. I’ve been an idiot.”

“You’re always an idiot,” you replied, though there was no bite in your words. “But you mean well.”

Jason smiled, reaching for your hand. “I’ll make it up to you. Anything you need—anything at all—you just tell me.”

You leaned back in your chair, a faint smirk tugging at your lips. “Right now, I need you to stop being so dramatic. Can you manage that?”

Jason chuckled, bringing your hand to his lips. “For you, my lady, I’ll try.”

The rest of the household, of course, was thoroughly entertained when word of Jason’s misunderstanding spread. But for now, the lion and his dragon had found their peace—even if it was only temporary.

The halls of Casterly Rock were bustling with energy right the next day, not because of any pressing matters of state or impending feasts, but because Jason Lannister had declared it his personal mission to ensure his wife’s comfort during her pregnancy. Naturally, his methods were anything but subtle.

It began in the early morning, when Jason burst into your chambers with a tray in hand. The tray was precariously balanced, piled high with everything from honey-glazed bread to a steaming cup of mint tea he saw you drink yesterday. Behind him, two nervous servants trailed, carrying pitchers of juice and an assortment of dried fruits.

“Good morning, my love!” Jason announced, grinning like a man who thought he was about to win a tourney.

You looked up from your seat by the window, arching an eyebrow. “Jason. What is this?”

“Breakfast,” he said proudly, setting the tray down on the small table beside you. “I had the kitchens prepare everything you might crave. If you don’t like what’s here, I’ll have them bring more.”

You stared at the tray, then back at him. “This is enough food for an entire household.”

Jason waved a hand dismissively. “You’re eating for two. You need options.”

“I don’t need options,” you replied dryly. “I need you to stop hovering.”

Jason clutched his chest dramatically. “Hovering? I’m not hovering. I’m attending to your every need, as any devoted husband should.”

Martyn, who had appeared in the doorway just in time to witness the exchange, coughed into his hand to hide his laughter. “Attending or smothering? It’s a fine line, cousin.”

Jason shot him a glare. “I don’t recall asking for your opinion, Martyn.”

“No, but I’m giving it anyway,” Martyn said, stepping into the room. “This is delightful. Please, carry on.”

Later that afternoon, you decided to take a walk in the gardens, hoping for a moment of peace. Naturally, Jason insisted on accompanying you. He hovered like a mother hen, holding your arm as though the slightest misstep might cause catastrophe.

“Jason,” you said, exasperated, “I’m pregnant, not made of glass.”

“I’m aware,” he replied, ignoring your tone as he guided you along the path. “But the ground is uneven, and I don’t trust these pebbles.”

You rolled your eyes. “The pebbles are fine. I’m fine. Please stop fussing.”

Jason opened his mouth to protest, but before he could, one of the younger Lannister cousins appeared with a mischievous grin. “My lord, I heard you’ve been quite the nursemaid lately.”

Jason straightened, his tone defensive. “I’m ensuring my wife’s comfort.”

“By hovering?” she teased, earning a snicker from Martyn, who had once again materialized to witness the scene.

Jason huffed, clearly outnumbered. “I’ll have you know, Y/N appreciates my efforts.”

You smirked, tilting your head. “Do I?”

Jason blinked, momentarily thrown off. “Of course you do. Don’t you?”

Before you could answer, a gardener approached with a bouquet of golden roses freshly cut from the garden. Jason seized the opportunity to present them to you with a flourish.

“For you,” he said, his grin returning. “To brighten your day.”

You accepted the bouquet, raising an eyebrow. “They’re lovely. Did you cut them yourself?”

Jason hesitated, glancing at the gardener before replying, “I… supervised.”

The group erupted into laughter, and even you couldn’t suppress a small smile.

That evening, Jason took his efforts to a new level by commissioning a troupe of performers to entertain you during supper. Among them was a juggler who insisted on incorporating live chickens into his act.

It did not go well.

As the juggler tossed the chickens into the air, one squawked loudly and escaped, flapping wildly around the hall. Guests ducked as the rogue bird swooped low, narrowly avoiding a platter of roasted venison.

Jason leapt to his feet, shouting instructions to the servants. “Catch it! Don’t let it ruin the feast!”

Martyn, sitting across from you, leaned back in his chair, thoroughly enjoying the chaos. “This might be your finest idea yet, Jason.”

Jason ignored him, lunging for the chicken himself. He missed, nearly colliding with a servant carrying a tray of wine goblets. You, meanwhile, sat calmly, eating your cake and watching the scene unfold with thinly veiled amusement.

When the chicken finally landed in the lap of an elderly aunt, who shrieked loud enough to rival Sylveris, Jason managed to grab it by the legs and hold it aloft like a trophy. The hall erupted into applause and laughter.

“Problem solved,” he declared, slightly out of breath as he handed the bird back to the juggler with a stern glare. “No more chickens.”

As he returned to his seat beside you, you leaned over and murmured, “Very heroic, my lord.”

Jason grinned, clearly pleased with himself. “Anything for you, princess.”

By the end of the day, Jason was exhausted but triumphant. He joined you in your chambers, watching as you settled onto the cushioned chaise by the fire.

“Well?” he asked, leaning against the doorway. “Did I succeed in making you more comfortable?”

You tilted your head, pretending to think. “Let’s see. You brought me enough breakfast for an army, made a spectacle of yourself in the gardens, and nearly lost a chicken during supper. I suppose you were… entertaining.”

Jason laughed, crossing the room to sit beside you. “Entertaining? That’s it?”

You smirked, leaning your head against his shoulder. “Don’t push your luck, Jason.”

He wrapped an arm around you, his grin softening into something more genuine. “As long as you’re smiling, I’ll take it.”

Inside the grand chambers, the fire crackled warmly in the hearth as Jason Lannister sat at the edge of a cushioned chair, scribbling furiously on a piece of parchment. His brow was furrowed in concentration, and his tongue poked out slightly—his signature thinking face.

You, reclining comfortably on the chaise with your ever-growing belly, watched him with equal parts curiosity and amusement. A plate of various fruits sat beside you, untouched, as you observed your husband’s peculiar intensity.

“Jason,” you finally said, breaking the silence. “What are you doing?”

He didn’t look up, waving the quill dismissively. “Coming up with names.”

“For the child?” you asked, raising an eyebrow.

“For our child,” Jason corrected, glancing up at you with a grin. “You know, the future lion-dragon of Casterly Rock. We can’t just call them ‘the baby.’”

You smirked, folding your hands over your belly. “And have you decided on anything?”

Jason held up the parchment triumphantly. “I’ve got a list!”

“Oh, this should be good,” you muttered, sitting up slightly. “Let’s hear it.”

Jason cleared his throat dramatically, as though preparing for a great performance. “If it’s a boy, I was thinking… Tylander.”

You blinked. “Tylander?”

“Strong, noble, and distinctly Lannister,” Jason said, clearly pleased with himself.

“Jason,” you said slowly, “that sounds like you mashed ‘Tyland’ and ‘Lannister’ together.”

Jason frowned. “Well, maybe. But it works, doesn’t it?”

“No,” you replied flatly. “Next.”

Jason sighed, glancing back at the list. “Alright. What about… Leorick?”

“Leorick?” you repeated, your tone incredulous. “It sounds like a name you’d give to a particularly pompous bard.”

Jason chuckled despite himself. “Fine. You’re a tough critic, my love. Let’s try another. If it’s a girl, I thought… Jasselle.”

You stared at him. “Jasselle.”

“Yes!” Jason said, his grin widening. “It’s elegant and unique.”

“It’s also clearly just your name with a few letters added and rearranged,” you pointed out.

Jason leaned back, his grin turning sheepish. “Well, I wanted to honor myself.”

You couldn’t help but laugh, shaking your head. “Jason, we’re naming a child, not commissioning a statue of you.”

“Fair enough,” Jason said, crossing out a few names. “What about something Valyrian? Like… Vezena?”

You tilted your head, considering it. “Not bad. But what does it mean?”

Jason hesitated. “Uh… probably something about fire and greatness.”

You smirked. “You just made that up, didn’t you?”

“Of course,” Jason admitted, grinning. “But it sounds impressive, doesn’t it?”

You rolled your eyes. “Barely.”

By midday, Jason had dragged a second chair closer to yours, the parchment now covered in scribbles and crossed-out names. Several servants passed through the room, their expressions carefully neutral as they overheard snippets of the increasingly ridiculous discussion.

“What about Caster?” Jason asked, tapping his quill against his chin.

“For a boy?” you asked, raising an eyebrow.

“Or a girl,” Jason said with a shrug. “Unisex names are all the rage in Lannisport.”

You gave him a long, unimpressed stare. “Caster. Of Casterly Rock.”

Jason blinked. “Oh. Right. That might be a bit… redundant.”

“A bit?” you repeated, smirking.

Jason huffed, tossing the quill onto the table. “Fine. Your turn, oh wise one.”

You leaned forward slightly, meeting his gaze with a smirk. “How about something simple? Like Aelora, if it’s a girl.”

Jason’s expression softened. “Aelora. That’s… beautiful.”

“Thank you,” you said, smiling. “And for a boy, maybe… Daeryn.”

“Daeryn,” Jason echoed, testing the name on his tongue. “It’s strong. I like it.”

“Well, there we go,” you said, leaning back with a triumphant smile. “Problem solved.”

But Jason wasn’t done yet. “What if we combined them? Aelorick for a boy. Or… Daesselle for a girl?”

You groaned, covering your face with your hands. “Jason, stop.”

He laughed, leaning over to kiss the top of your head. “Fine, fine. But you have to admit, this is fun.”

“For you, maybe,” you muttered, though there was a faint smile on your lips. “At this rate, the child will be born before we agree on anything.”

Jason grinned, leaning back in his chair. “Well, we’ve still got time. And until then, I’ll keep working on my list.”

You rolled your eyes, but as you watched him return to his scribbling with boyish enthusiasm, you couldn’t help but feel a pang of affection. For all his dramatics, Jason’s excitement was genuine, and his love for you—and the child you carried—was as clear as the sun over Casterly Rock.

You sat by the window early in the morning, absently stroking the armrest of your chair as a servant placed a silver tray with your morning tea before you. The peace was broken when Jason burst into the room, a sealed parchment in hand and a grin plastered across his face.

“A raven!” he announced dramatically, holding the scroll aloft like a prized trophy.

You raised an eyebrow, taking a sip of your tea. “Jason, ravens come daily. Are we celebrating their flight now?”

“Not just any raven,” Jason said, striding to the table and dropping the scroll in front of you. “It’s from your father, the king.”

Your eyes flicked to the royal seal, and you picked up the parchment, breaking the wax with practiced ease. Jason leaned over your shoulder, reading the words as you did.

“An invitation,” you murmured, skimming the elegant script. “To a royal wedding. Rhaenyra and Laenor Velaryon.”

Jason clapped his hands together. “A royal wedding! That means feasts, dances, and—”

“Hours of tedious travel,” you interrupted, setting the letter down. “While I’m heavily pregnant, no less.”

Jason waved a hand dismissively. “Nonsense. We’ll take our time, and I’ll ensure you’re comfortable. We can’t miss this! Think of the grandeur, the spectacle—”

“The politics,” you added pointedly, arching an eyebrow.

Jason ignored you, already pacing as his mind raced with ideas. “We’ll need to start preparations immediately. The finest horses, the best wines to bring as gifts—no, the best gold. Velaryons love their ships, don’t they? I’ll have a golden trident commissioned. It’ll be perfect.”

You sighed, watching as your husband spiraled into a whirlwind of planning. “Jason, it’s a wedding, not a coronation.”

“It’s Rhaenyra’s wedding,” Jason said, spinning on his heel to face you. “Your sister. That makes it doubly important. We must arrive in style.”

The castle hummed with activity by mid-afternoon, thanks to Jason’s orders. Servants scurried about with rolls of fabric, crates of Lannister gold, and lists so long they trailed behind their carriers. Martyn, naturally, was in the thick of it, as he watched the chaos with an amused grin.

“Do you ever tire of creating a spectacle, cousin?” Martyn asked as Jason passed by, barking orders to a servant carrying a bundle of crimson cloaks.

“A spectacle?” Jason repeated, his tone affronted. “This isn’t a spectacle. This is preparation. A royal wedding requires a royal effort.”

Martyn smirked, glancing at the two knights polishing a gilded carriage nearby. “And the golden carriage?”

“For comfort,” Jason said, brushing off the sarcasm. “Y/N deserves nothing less.”

“She’ll love that,” Martyn muttered under his breath. “I’m sure she adores the idea of being paraded through the streets like a queen.”

Jason shot him a look. “She is the Lady of Casterly Rock. It’s only fitting.”

“Is that why you’ve ordered enough supplies to outfit a small army?” Martyn asked, gesturing to the growing pile of crates.

“Provisions,” Jason said firmly. “And gifts. You wouldn’t show up to a royal wedding empty-handed, would you?”

Martyn chuckled. “I’d show up with my sanity intact, which is more than I can say for you.”

By evening, Jason gathered the household in the great hall, standing at the head of the table with his usual flair for dramatics. You sat beside him, your hand resting lightly on your belly as you watched him address the room.

“Ladies and gentlemen,” Jason began, raising a goblet. “We’ve been invited to the royal wedding of Princess Rhaenyra Targaryen and Ser Laenor Velaryon. This is not merely an invitation; it is an opportunity—a chance to remind the realm of the strength and splendor of House Lannister.”

The household exchanged amused glances, accustomed to Jason’s theatrical speeches.

“We will travel with dignity,” Jason continued, his voice rising. “We will bring gifts that reflect our status. And we will leave an impression so grand that even the dragons will be jealous.”

You leaned toward Martyn, whispering, “Do you think he rehearses these speeches in the mirror?”

Martyn grinned. “Absolutely.”

Jason, oblivious to the murmured commentary, finished his toast with a flourish. “To House Lannister and our journey to the royal wedding!”

The room erupted into polite applause, and Jason sat down beside you, looking thoroughly pleased with himself.

“You’re enjoying this far too much,” you remarked, smirking.

Jason grinned, raising his goblet. “Of course I am. It’s not every day we get to show your kin how it’s done.”

You rolled your eyes but couldn’t suppress a small smile. For all his dramatics, Jason’s excitement was infectious—and you had to admit, the journey to King’s Landing promised to be anything but dull.

[pink-ivy-vines]

what it honestly feels like they did was take the concept of native rivaini people stealing their culture before the rich andrastian nobles could and then turned that on... every other culture? like, it makes sense that rivaini pirates are stealing their own history before it could become a showpiece for some asshole chantry bootlicker who approved of the dairsmuid circle being annulled in 9:40 dragon. and it makes a little bit of sense for the qunari ones because rivain is the only country in thedas that had a peaceful qunari settlement. it does not work with the elven artifacts.

my first playthrough of the game was as a lord of fortune, and i liked it a lot, but there is this really weird disconnect between what taash thinks is happening in the lords and what rook sees in the lords. rook acknowledges that they're thieves. that they steal things. in fact, one of the most interesting moments of the game for me was rook trying to connect to taash through being a lord and taash shutting it down by saying "we're not thieves" and rook saying "UM. yes we are?" then gives a very pointed example about said thievery. because the lords do steal things. sometimes they do it just because it's funny.

but taash doesn't recognize this? or doesn't believe it and sees it through these rose-tinted glasses? with every other faction i've played you're able to connect to the other character from that faction in some way. you chat with them, talk to them, and your shared history comes up often.

that does not happen with a lords of fortune rook. in fact, the only time i've ever actually seen rook uncomfortable is talking about the lords of fortune to taash. because rook tries really hard to connect with them about it and then is clearly shut down at the get-go due to their vastly different viewpoints on what the lords actually do. it's almost as though both of them have wildly different perceptions about what goes on in the lords and this is fascinating and interesting and also never brought up again.

sure, it's hinted at; isabela does not take taash on anything remotely political, doesn't bring them into dragon hoards, and tends to have taash there only for advice on dragons. rook was much more involved in the 'delving into temples and ruins' and has a much closer relationship to isabela than taash does.

some part of me actually thinks that taash's storyline should have been about realizing that the lords aren't exactly the goody-two-shoes that were presented to them. that they do commit crimes and maybe that can be good in some ways (in regards of fighting against the chantry in their country) and bad in others (like stealing and selling elven artifacts).

of course, all this also just exemplifies the problem that you bring up; which is that the lords do have good things that they're doing as well as some bad things. they're in a weird situation where they're fighting to help people, but rivain has been the subject of so many genocides and massacres that they are trying to survive the only way they know how; through piracy.

yet the only person you can talk to in a meaningful way sees them as a weird abstract painting of themselves and when you play as a lord of fortune it still never gets resolved or pointed out. it just becomes more obvious.

I got a party banter between Bellara and Taash about how the Lords of Fortune steal elven artifacts. And then Taash clarifies later that they have a Dalish expert on the team so they can check to make sure the Lords don't sell something culturally important and instead return it to the elves.

Like. I get it. You want the Lords to be fun swashbuckler Disney pirates and Robin Hoods instead of actual pirates who steal and plunder. Because we're only now in Western society realizing that stealing from indigenous groups is, uh, bad. But like. Writing really uninteresting factions for your "dark" fantasy (tho lbr Dragon Age hasn't been dark fantasy since DA2) isn't gonna solve real-world neo-colonialism, ya know? The Lords not stealing priceless elven artifacts and returning them to the elves doesn't signal to me that the Lords are total rascally good guys, it signals to me that BioWare itself is trying really hard to seem morally conscious. "See? We know stealing from other cultures is bad!!!"

And man. Not to be a "political correctness has poisoned media" grifter on main (tbh it's less political correctness itself and more the commodification of real-world activism) but I couldn't help but imagine how this convo would've played out in earlier games, potentially even Inquisition.

You could've so EASILY made this interesting while giving the Lords and Taash and Bellara a lot more depth, while also making it clear that stealing from indigenous groups is wrong.

Just have the Lords, yeah, actually sell those artifacts. But also establish that the Lords take in and help elves from all walks of life. That they free slaves, or collaborate with alienages. Then you could have Taash defend the practice by saying to Bellara that little orphaned elf kids being sold as slaves probably don't give a flying fuck about some artifacts they're never gonna see, but the money from selling those artifacts goes to buying them food. And have Bellara fire back that preserving elven culture is also part of its survival, and that there are Dalish clans that would be willing to pay for them or offer something in return. Or have her say that the Lords are doing charity for the sake of recruitment rather than actual altruism. And then Taash responds that those high and mighty Dalish elves don't do shit to help abandoned city elves, just because those aren't part of their correct elven subculture, and they care more about reclaiming old glory than helping the people that exist here and now.

Then you could have side missions or at least codex entries that describe maybe some Lord recruit being conflicted about what they're doing. Maybe a few of them are collaborating to hijack a deal or steal back an artifact. Have implications that some high-ranking Lords are, in fact, using those artifacts for their own gain, despite claiming otherwise. Have some Lords genuinely trying to help, and believing that gold and trinkets don't matter as much as people's lives, so they sell them in exchange for safety for refugees or slaves or some other helpless group.

But no. Instead it's "hey do you steal from my people?" "nah lmao we have a cultural advisor don't even worry about it" "oh wow so cool and woke of you!" And then that's it. No need for any further discussion. No conflict and no complexity. No bad actors and moral quandaries.

Weh.

[twig-gy]

it’s not inherently mischaracterization to write hms gore what matters is the way you do it. gore is a tool that can be amazing or horrible just like any other depending on the execution. pun. gore is not necessarily more shallow than anything else. no one is going around saying ‘stop writing fluff that’s shallow and only meant to make you feel good’, so why does this apply to gore? if this sounds either biased or targeted, that’s because it is :)

less briefly:

yes, gore can stem from Nothing, or mischaracterization. it can also stem from traits that the character has.

sure maybe ‘soul STABS MIND 3000 TIMES IN THE CHEST because ???? uh why not’ is a bad usage of gore, but consider ‘soul stabs mind to punish him for doing something minor (because he is desperate for heart and mind to stop their fights at all costs, and feels as if he has no power, and feels as if the only way to gain power is by making them afraid of him)’.

maybe this doesn’t fit with your specific idea of soul, but there is still character depth there.

<SIDE TANGENT>

what mischaracterization even MEANS is dependent on person to person, because, you know, PEOPLE GET DIFFERENT THINGS FROM THIS ALBUM, and they INTERPRET THE CHARACTERS DIFFERENTLY. additionally, what seems like ‘mischaracterization’ can just be what the author thinks they would react like when placed into a situation, which can be incredibly different from how they usually act! for example, both of my aus are based on how i think the characters would react whenever placed into situation x

(with maybe their characters tweaked a little, which is fine sometimes as long as you aren’t going to claim it’s canon. it’s fine to have headcanons. it’s fine to have different versions of hms(w) that aren’t specifically au. and people who are mad about it - which is a group that may include me, sometimes, i am aware - can be mad! and that doesn’t mean you’re wrong and that doesn’t mean you have to get out the ukelele and be like i’m sorry for having fun with the characters (when you Should be having fun with the characters and if you aren’t then maybe. stop?))

and in my aus they are incredibly different from canon hms! which isn’t a bad thing, it is the point!

anyway you aren’t morally bad for talking about the characters without cited sources. (the annoying part is whenever you act like you /are/ being objectively correct, and right about everything, whenever you’re clearly Doing Shit To Them (also sometimes maybe consider making an oc and whether that would be more fun than saying it’s hms. however you aren’t. morally corrupt. for not making an oc. it’s fine))

(again please don’t say people are morally corrupt for being wrong about the characters. they aren’t. it’s annoying but it’s not bad morally, and they don’t need to get hosed down for it. It’s Fine)

</SIDE TANGENT> (yes i can reclaim the html angle brackets because i know html /joke)

again, compare ‘heart and mind snuggle and don’t argue ever because ???? why not’ and ‘heart and mind snuggle and don’t argue ever because they’ve resolved their conflict, and don’t feel like they need to anymore’ (an attempt to keep the level of fluff while adding a reason- though i admit i’m not good at writing pure fluff), or ‘heart and mind snuggle and don’t argue ever because they’re tired of the pain and want just one moment of peace’ (something more similar to what i write that keeps bittersweetness/tension there).

if reasonless gore is bad, why isn’t reasonless fluff bad? if reasonless gore is ‘immature’, then isn’t is reasonless fluff also ‘immature’?

sure, maybe one is less shocking or more to your tastes than the other: it’s fine to have preferences. what i don’t agree with is saying one is horrible and the other isn’t.

my opinion is that we should stop saying anything that one writes is morally bad: and if you want to anyway, just keep the complaining (because that’s what this is) to friends you complain with, or discord servers meant for complaining, or complain on your own blog without maintagging it, rather than trying to set these rules of what one should and should not write upon the entire fanbase.

thank you (i bow and leave the stage) (ALSO STOP ACTING LIKE IT’S NOVEL TO THINK THAT HEART ISN’T AN UWU BABY OR MIND ISN’T A DEMON IN FRONT OF THE ENTIRE FANBASE WE’VE BEEN OVER THIS. WE WERE GOING OVER THIS LAST YEAR. I AM SO TIRED OF PEOPLE MAKING THESE POSTS AND EVERYONE CONGRATULATING THEM OVER IT AS IF IT’S DESERVING OF THE NOBEL PRIZE)

[aibafiles]

i have begun to suspect that the question is not "where is zagreus" but rather "when is zagreus"

[lucabyte]

i feel like people are sleeping on the occam's razor situation of how buckwild it is to outright accuse a guy of being a clone of your friend even if you DO have a lot of circumstantial evidence. there's other options is what im saying. they could just be like. a guy. that's a sensible deduction. you should explore that deduction. ignore my shirt that reads I <3 RED HERRINGS.

i still think odile has the correct theory on lock but she's smart enough to know it needs like... a real smoking gun to be able to bring it up without sounding insane.

anyway. (mirabelle voice) i know its rude to speculate but has anyone else noticed the grieving? they seem to be grieving. does anyone have any thoughts on the grieving? i have some thoughts on the grieving.

[inkskinned]

oh you know it's all latestage capitalism but the thing is. how are you supposed to be a person inside of this. a person trying to be a better version of yourself.

oh, you started working young, which was kind of hard, but it's just the way stuff works sometimes. and it was 2008 and your family couldn't afford heat. but it's fine, you grow a spine and get used to the professional world and besides it was the suburbs we're talking about here, like, your life could have been actually hard, so what if your father lost his job and you can't afford to move or turn the lights back on. and once you start making money, it's good. you keep doing that. because now they're relying on you. so you have to do that.

oh you were in thousands of dollars of debt at 17 years old so that you could go to school, because you have to go to school if you want to get a "real" job. you even did it "right", you worked parttime and attended community college before you transferred to a public school. you were under so many merit scholarships.

which is fine. you pick yourself up and you say like, okay. i graduated college. i'm holding down a job. i'm doing the Adult Thing, which looks and acts like this, according to all the books i've read. you start with the shitty job and then you climb that corporate ladder.

but the shitty job doesn't cover rent and you stretch yourself too-thin so you get sick. good luck with that. the shitty job no longer pays for your meals. everyone asks why you don't just move, but there's nowhere to move to. and with what money are you going to be moving? and then the loans come back, because they were never going to forgive them, because you were 17 and trying to do the right thing, which was stupid. people are now saying you shouldn't have even gone to school.

which is fine. but because you have no other option, so you do the shitty job, and you apply every day for like 5 new ones, and despite the fact everyone says "there's no one who wants to work!" it's actually just that nobody is fucking hiring so you can either work for 13 dollars an hour in the shitty place you know (where at least you have a passingly friendly relationship with the manager) or you can start from scratch again with a different 13 dollars an hour without knowing how much abuse from the new job you'll be taking.

and if you quit you lose your insurance. if you quit you lose your housing. if you quit, you'll be another burnout kid. the lazy ones. these assholes, look at them!

and you come home to a family dinner and you hear from your father the same old thing. how he worked hard at his job and yes it sucked for a while but he was able to provide for the family and then the house and the dog and the rest of barbie's dream vacation. how the insurance did cover some of it. how you just really need to start speaking up more in manager conversations so they know you're a go-getter. you want to tell him - did you know we're actually doing more now hourly than any previous generation? - but you can't remember where you heard that statistic, and you're far too tired for the fucking argument. and then he starts in on his usual bit. where's the house? where's your kids? where's your ambition.

the same job the same money the same hours doesn't do it anymore. the same nose-to-the-grindstone now just shreds your face off. there's no such thing as upwards mobility, not really. and as far as you're aware, the money certainly is not trickling. you do the soulless stupid shit you signed up for because you fucking have to or else you literally risk your life (food, the apartment, the insurance), but it's not getting you anything. you download the stupid "save more" app and you budget and you do every right thing and then the price of eggs is 7 dollars and you say - oh great! another thing i have to fucking worry about now!

and you go to your stupid job and everyone in your father's generation just tells you to be better about being an adult. they have their homes and their savings account and their bailout and they say. well have you tried not drinking starbucks. well your generation just spends too much on clothing. well you might just be too addicted to travelling. and you - because you need the job - you bite your tongue and don't say i am being held prisoner and you're suggesting i stop pacing my cell if i don't like the scenery and you don't say what the fuck do you think i've been doing with my money and you don't say i haven't spent a cent on something nice in literally forever much less coffee you arrogant asshole. you open and close your bank app and check your loans and check your credit score and check fucking zillow and ziprecruiter and apartments.com just one time more. and still they give you that demeaning little grin and say - see, what you need is -

what you need is for your meds to stop being so fucking expensive. what you need is for the housing bubble to explode into dust. what you need is for billionaires to choke on their wealth. what you need is actual help. what you will get is more economic advice from people who are older-and-wiser.

and above you, almost in a glimmer, you can see the wedged smile of your debt getting toothier, wider.

[quietwingsinthesky]

of ten’s companions, if the doctor couldn’t handle losing them and crossed his own timeline to trick them into traveling with future!him instead of past!him so that he’d have a little more time with them:

rose would do it. first because bless her but she has the situational awareness of a rock, and legitimately would not realize this isn’t her doctor until his facade starts to break down and he starts bleeding grief-laced love for her at every turn. but once she does realize it, she’s both deeply sympathetic and a little scared that she could make him into this. it’s a lot to be confronted with having that much power over someone, to break them so thoroughly. rose would try to get back to her doctor, but while she’s with the future version, she tries to do what she can to ease his pain. (she also tries to figure out a way to subvert her fate. she fails.)

i think martha would be harder to trick. she can smell desperation on the doctor like a bloodhound. she is so tapped into the fact that this man wants to off himself so bad and that she’s 90% of his self-restraint, so present her with a doctor who is lacking that and she’s onto him immediately. however, assuming he gets her to come with him, explains why he’s doing this, there’s like. a minute where she’s kind of. not flattered exactly, but surprised, giddy with the realization that he’d come back for a little more time with her, especially if this is early season 3 martha. which would all come crashing down around the time that he reveals that he wasn’t pushed to this by losing her to some tragedy or her death or anything- but that she chose to leave. that is the point at which martha goes ‘oh i need to get the fuck off of this tardis right now’ and ghosts the past!doctor that she was also traveling with because holy shit, man.

donna, like rose, is easily bamboozled into following the wrong doctor home, provided that he shuffles her along into his tardis too fast for her to argue. but she catches on far quicker than rose does. like, three minutes tops of watching the doctor move through the tardis in a way that’s definitely not enthusiastic piloting and looks more like guilty panic. and then she yells at him for lying to her. and she yells at him for kidnapping her. and then she stops yelling because he’s gone sort of still and quiet and his eyes are just broken. and he doesn’t explain himself, he confesses. donna is going to try to stay with him after this btw. because how do you go back to looking your best friend in the eyes when you know he’d take everything you’ve become away from you, even to save your life? and this is still the doctor, he still did that to her, but he regrets it. regrets it so much that he can’t live with it, he’s breaking time and space just to hear her say his name again. and donna doesn’t want to lose him anymore than he wanted to lose her.

[butwhatifidothis]

Still baffled that Hopes so blatantly wrote Claude as the typical Evil Vaguely Middle Eastern Man set on destroying the Good White Nation for his Evil Vaguely Middle Eastern Nation that is often seen in fantasy settings - complete with him being seen as worse than a white woman who does many of the same evil deeds he does in-verse, even by his friends (should it be the bad ending route of SB) - and so many in the fandom were so eager to gobble that shit up. INSIST that "Clearly A Racist Stereotype" is LEAGUES better than "Subversion Of A Racist Stereotype" even. Like I don't think I'll ever get over how supremely fucked that is

[childrenofthesun77]

Assuming that the whole 'mahiru is the vessel needed to bring back the count and the 9th servamp will be the servamp of vainglory' theory will be correct, it's interesting how both mahiru and touma can be accused of this sin even if the way it applies to them is opposed.

What touma wants is to be acknowledged and to that end he was willing to become the villain who destroyed the world before mahiru and tsurugi managed to change his mind:

Mahiru's way of being vainglorious seems a lot more positive at first because he wants to be a hero who saves others, but it's self-destructive and encourages laziness in others:

But thankfully we see mahiru starting to let go of the need to make other people proud of him and to prioritize making himself proud in his conversation with tsurugi:

and later when mahiru has a meltdown because he fears his uncle might be dead and suggests sacrificing his life to save the world kuro rightfully yells at mahiru for acting hypocritical and not listening to his own advice:

(I want to mention here that I really love how horrified kuro looks as he realizes that mahiru's reckless hero behaviour comes from a very self-destructing place:

because not a lot of manga I know really acknowledge that maybe the way a lot of their protagonists try to be heroic is actually pretty unhealthy and shouldn't be encouraged? Like Sigurd pointed out at the C3 meeting, it's kind of shameful that the children have to save the day)

Which is why I love that mahiru decided to trust kuro to handle tsubaki without him going with him:

He decides to stay back with everyone else, showing that he has learned that he doesn't need to be the one to do everything and can stay back with the others to buy kuro time.

Interestingly we see touma doing something similar. Opposed to his old need to have the whole world acknowledge him he now wishes for everyone to believe he's dead and he's helping to protect the city by creating a huge barrier without making it known that's he the one doing this:

He's helping the protagonists seemingly with no intention of earning acknowledgement for it.

I think in a way it could be cool of servamp to subvert the shouned trope that for the finale battle the only one able to defeat the big bad is the protagonist while everyone else just watches on from the sidelines, not allowed to do anything because this is the protagonist's moment of glory.

What if lily's plan when he put kuro in mahiru's path was that if kuro tried to stop tsubaki at the gate surely his eve would need to be there with him, right? Because of course he needs his eve to fight and then there's also the distance limit. So why not make the vessel you need at that gate for the ritual to work kuro's eve? Then the vessel would be at the place where you need them without you even needing to do something because naturally they would be thinking they are doing the right thing by going with kuro to fight tsubaki together. And surely someone as vainglorious as mahiru would never pass up the opportunity to be the hero who stops tsubaki. It's foolproof!

Unless of course before the ritual the vessel learned to let go of their vainglorious nature, accepted that it's okay to take a step into the background and trust in others. And additionally also found a way to break through the whole forced proximity thing that the servamp and eves had going on.

I don't know, I feel like it would be a neat bow on mahiru's character arc and a unique way to thawrt the antagonists' plans if the creation of the servamp of vainglory failed because the 'it has to be me' guy they wanted to use as the vessel decided against glory and stayed back to let his partner handle things with tsubaki alone because he trusts him. Kuro on the other hand wants to make up for his past regrets and resolve the conflict through communication this time. Learning to trust in himself again by managing to talk tsubaki out of going through with the ritual on his own would be a logical conclusion to kuro's arc.

[tlgtw]

Man that DLC's final boss has got me feeling kinda fucked. I'm kinda depressed about it now that I'm done. Everything else is, was, so good. But I do not like that plot development. I honestly think it is bad. Why did they choose not to foreshadow this in literally any way? Why did Miquella attempt to resurrect Godwyn at all in the first place, then? Practice? Was this really what was originally planned? There's no actual evidence to the contrary so you gotta assume it must've been.

So yeowch...

[slightlytoastedbagel]

when you think about it Vivid Bad Squad was the first time any of them truly had people outside of family and not just classmates or family acquaintances. it's no wonder they got so ride or die for each other despite the rocky start they understand each other in ways no one else has before

[girlthativealwaysbeen]

i think growing up is just life repeatedly sucker punching you and saying bitch you thought things were gonna better lmao no you're so naive and stupid for having hope in 20 years the world will be flaming bag of garbage and no matter how hard you work you'll get eliminated at some point

[ehlnofay]

I've been having fun dipping into martin's perspective lately... it's helping me flesh out my interpretation of him and he never fails to be suffering tremendously in a way that is excellent to write