#my brain about to explode

[psychedelicdubidu]

Why does painting take so long like what the fuck u mean it has to dry the fuck you mean it layers to look good

[remxedmoon]

save me bonnie isat… bonnie isat… save me…

woah what!!! isat fanart with color??? preposterous. greyscaled versions under the cut!! (and also the last doodle without the crusty old drawing next to it!! incase you want to use it for anything)

anyways. uh. scampers away like a little rat

[abyssal-ilk]

one of the most annoying things about being both a sera and vivienne enjoyer isn't even the fandom. it's the game itself that is like. primed to try and make you dislike both of them. or at the very least it operates under the assumption that you already don't like them.

the player is rarely allowed to give sera actually positive and understanding responses but is given every opportunity to kick her out of the inquisiton (she is the only companion this is a constant option for) and to insult her/her beliefs. so many of the player dialogue choices have the inquisitor calling sera unreasonable or nonsensical but so few letting you fully agree with her in a way that doesn't sound condescending in some way. this even extends to some of the companions and how they interact with her.

and then for vivienne, she is constantly referred to as being untrustworthy, manipulative, and "only in it for her own goals" when. surprise. everyone here is here for their own goals. solas and blackwall actively lie to and manipulate the player while iron bull has the potential to turn on them completely and cassandra repeatedly presses the inquisitor into being a religious icon to fit her own beliefs, even when they protest. not even mentioning the "but what's her real agenda 🤔" line in her character trailer, the snow white reference in her personal quest, and how her epilogue slides have this Edge to them that no one else seems to get.

idk!! just wow. wish the game liked them more.

[sana5353]

[puckinghischier]

i just knowwww quinn has this streak of jealousy within him at all times.

like, even when you’re just joking around with jack and luke, you KNOW he’s giving them side eye the whole time, not appreciating how touchy jack is when the two of you are laughing at one of his bad jokes, or the way luke always seems to squeeze you extra tight during goodbye or hello hugs.

and it not that he’s doing it in a toxic way, really, he just always wants you all to himself. he loves the relationship you have with his brothers, truly, but you’re the one thing that he gets to have that they don’t. you were his friend first. you always wanted to come to the lake to spend time with him. you go to all of his games. live in his city. he’s had to share everything with his younger brothers growing up. the same hockey teams, the same coaches, luke following his footsteps and playing for michigan, jack being on team usa with him, their stats always being compared, and everything else about them.

which, he loves the fact that they all made it into the league and he loves experiencing all of this with his brothers, but sometimes it’s nice to just have something that’s yours.

and when you’re out at the bar with him? game over. if a man so much as looks in your direction with any sort of impure intentions, quinn is on you like glue. not that he doesn’t trust you. he trusts you infinitely, but he doesn’t trust everyone else. he makes sure your drink is always full so guys don’t try to buy one for you. he’s got a hand on you at all times, letting everyone know who you came there with. he’s always there to guide you to and from the bathroom, making sure you don’t get cornered by some drunk man looking for a good time.

at games, when he watches guys attempt to flirt with you in the stands, even though you’re wearing his name and number on your back, always gets him going, too. he knows you always turn them down, watching you flat out ignore their comments most of the time, but he can’t lie and say it doesn’t fuel him to play that much better, skating over to your section and making some big display of affection towards you after he scores, glaring at whatever man was trying to get your attention that night.

of course, you’re aware of his small jealousy problem, scolding him when he gets too pouty when you’re spending time with his brothers or chatting up his teammates while you wait on him to fulfill his captain duties after games. but you can’t lie and say the slight flare of his nostrils and grumpy furrow of his eyebrows doesn’t give you butterflies, sometimes. knowing he’s not really trying to control you, just wanting your attention, gives your ego a slight boost, if you’re honest.

despite his harsh demeanor and glares when the two of you are out in public, all it takes is one smile from you and he’s mush. he’d do anything you asked him to do (because let’s be honest, we all know he has a subby side), his number one priority always making sure you’re happy, even if he does have to clench his jaw to stop himself from yelling at jack when he plops down next you on the couch during movie night, leaving no room for quinn.

he knows you love him, and he know he loves you with everything in him, but sometimes he just wants to lock you up in his apartment so no one else gets the privilege of seeing your pretty face and hearing your sweet voice. because even though you decided quinn was the lucky one that gets to wake up next to you every morning, doesn’t mean everyone else has a right to experience your beauty and kindness all the time. sometimes he just wanted to be selfish, keep all of your good qualities to himself.

[frownyalfred]

Hi, you said "no I don't know him"/"he's my dad" and dealt me immediate psychic damage please say more words that hopefully make this better

(spoiler alert: nothing can erase the inherent tragedy of this)

the ask/prompt was about Dick and Bruce not acknowledging each other in the League, right? so kind of playing with this identity porn idea of Batman and Nightwing both being separate vigilantes working with the League with no outward, immediately obvious, or self-professed connection between them other than both being from Gotham (which might not even be something they reveal, for OpSec reasons).

Why would they choose to do this? Maybe Bruce wants to eliminate any connections between them to make it even harder to guess their secret identities. Having two pieces of the puzzle always makes it easier to solve than if you only have one.

Maybe Dick wants to be his own vigilante, separate from Batman's influence, and stand on his own with the League. Maybe he wants to put space between him and Robin, and asks Bruce not to fully acknowledge him outside of Gotham.

Maybe it's a mix of both? Or maybe it just never truly comes up, and both of them are too smart and well-trained as a default to give anything away in front of the League. Maybe the League knows that they know each other, that they've worked together before, but nothing more than that.

And what even ties Nightwing to Batman, really? Funding, the suit, the relationship to Robin, but none of those are immediately apparent. Gotham is a common denominator, but there are multiple vigilantes in most major US cities and Nightwing largely operates in Bludhaven. Training/fighting style? Also hard to identify without being in the know. Essentially, if they don't say anything to the League, how much can the average person even infer, much less notice?

So those two lines stuck out to me. In response to a well-meaning or confused League member asking if Dick knows Batman, he really only has two possible responses: "No, I don't know him" or the truth.

That there is a connection between them, and it's actually damn near sacred. He was, is, Batman's partner. He knows Bruce like almost no one else does. They're spoken about in the same breath. Or they were, once upon a time. They have mirrored beginnings, twin motivations. They fallback on each other, even when they're fighting bitterly. Dick is still who Alfred calls, when Bruce is in a self-destructive rut. And vice versa.

But what would prompt Dick to break that code of silence? I guess it depends on why it exists. And so for that second response -- "That's my dad" -- I was thinking of a situation where it was because of Dick's need to be separate from Batman. And Bruce obliges the secrecy, because it's logical and also Dick asked. But one day Bruce is injured on a mission, or hurting somehow, and the League is panicked trying to figure out what to do and Dick is right there. Batman's partner is a foot away and nobody knows. And Dick suddenly has to make a decision that is, in that instant, more easy than anything he's ever done.

"That's my dad."

[otome-dissection]

Idk man I just think that mizu/ena5 and its progression was really beautiful actually. I just think that the release of the ena5 song was also really beautiful and kind of the nail in the coffin for me and I haven't been able to get the event(s) out of my head all week and that I kind of want to talk about it, actually.

It's about being hurt so deeply and continuously that any kindness that could be offered to you manages to feel like a sin, that it makes you crumble and shatter but for all the wrong reasons, not because of the newfound safety, not out of relief, but something worse and more deeply ingrained in you than kindness ever was. It's about carefully measuring the distance at which you keep others away from yourself, to ensure that it never happens again ("To save yourself the trouble", if that makes it easier).

It's about realizing that the people you've been spending all this time with are drifting closer, that they just might bump up against the unsightly parts of yourself that you've tried to keep locked away, it's about turning around and sprinting at full speed and slamming the door shut and holding onto the handle behind you to stop it from turning, because you're as frightened of the possibility of another wound being inflicted on you as you are of the possibility that kinder, gentler hands will reach out and smooth over the exposed scar. It's about hating eyes that judge and silently condemn you as much as you hate eyes that simply see you and take all of you in without scrutiny, because no matter what they're looking and they're looking at you and they know that your hand's on that door handle and they know that you're hiding something because, as much as you try to keep it shut, they've seen through the crack that you foolishly left open.

(The prominence of eyes in Bake no Hana, specifically eyes looking and searching, and finally landing on you, the viewer, Mizuki, is so fucking. Visceral in my opinion. Every character in the MV stares at the viewer in a deadpan, almost judging way. Even though Mizuki knows deep down that niigo won't really hate them, won't judge them, she just can't stand their kindness either; any gaze directed at her is a loss, another prick in their skin. It screams "don't look at me" while making sure that you know, with horrific certainty, that they're looking for you, that you're being watched. You can't go outside, can't leave your room, because they're searching for you, and while that should be reassuring, to you it's anything but).

It's about not wanting to be dissected, whether it's with hands that want to pull your organs apart or stitch them back together because no matter what they're there, and they're getting frighteningly close to your heart. It's about blinding yourself and covering your eyes to it all because seeing means exposure and exposure means they're taking something from you and you can't do anything about it, much less take it all back, much less have a say in the matter. Everyone's just taking and taking and taking and you wish you could just be alone. You wish everyone would just disappear and you could live in a world all to yourself, for only yourself (but is that really what you want?).

It's about the way that, near the beginning of the Yoka ni Mitoreta MV, Mizuki and her loneliness is represented as a dark, splotchy stain in the shadows. No colors, no patterns, no way to clean it or wash it all away, just raw ugliness marring a blank canvas. It's about the way that Ena reaches out to it anyway, the way she startles when the glass shatters just when she finally starts reaching forward, the way that the rest of the MV/song represents her searching for and reaching only further out to Mizuki, even if the broken shards of glass will only cut her fingers, potentially leaving scars.

It's about how, in every way, subtly, directly, consciously, and subconsciously, Ena shows that she fucking cares.

It's about the way that Ena lets Mizuki have autonomy, despite the situation being so horribly out of their control. And it's such a delicate thing: If she really wants to, Mizuki can take the opportunity to just run away, keep running forever, repeat the cycle over and over, and maybe she'll just destroy herself with it again, but it can't be denied that it's something important to them, something she can't quite live without just yet, their means of survival. Mizuki's autonomy is their identity, it's her tailoring her own clothes and choosing her own ribbons and styling her own hair the way she does. Ena letting them have that is as much about trust as it is about understanding that Mizuki of all people should have this right, when control was something stripped from her throughout so much of her life. She couldn't control how she was born, how people look at her or why, can't control what they think of her; lacking control has only left Mizuki vulnerable to the cruelties of others, has only caused them to suffer, which is why it's so important that it's given to them now.

She had the control to make the choice to see niigo's welcoming love and run away instead of staying, and she has the control to make the choice now whether she wants to keep things the way they are or take a step forward to be at their side again. She has every right to have it, and I think the fact that Ena realizes and respects that, even if it's subconsciously, is really beautiful (there is an entire fucking Verse about this in the new song and just. God Look at this. It's so caring, unconditional, and for fucking What. I think there is something to be said about how much Ena is willing to put aside for Mizuki, and maybe deep down it isn't healthy, but for now I'm just kind of in awe)

It's about how insanely patient Ena has been this whole time. Mizuki says that she basically lied to Ena's face about telling her their secret, even after Ena said with such conviction that she would wait for Mizuki as long as it takes, and Ena is just kept waiting and waiting and worrying like this seemingly indefinitely. It's about how Mizuki danced around it, avoided it, kept the distance, straight up ran when she was finally pushed, but Ena still chased anyway when she saw that she couldn't wait anymore, kept chasing just enough to intervene and get a straight answer out of Mizuki when she really needed to, but still leaving her enough space to leave if that was truly what she wanted. It's about how relieved Ena is the moment that Mizuki finally says outright how much they want to be with her and niigo, how much she wants to try, how much more light Ena's voice sounds when she grabs her hand, relieved, the way that the relief she feels can be felt through the music, throughout the entirety of Yoka ni Mitoreta, the way that warm colors always follow her when she chases after Mizuki, just to hold onto her and stop her from running away completely.

It's about how that careful combination of Ena's directness, Ena's persistence, Ena's warmth, her patience, her bluntness about her feelings, the way she chases and holds on but not too tight and her regard for how unsafe and exposed Mizuki feels actually works and breaks it all down. It's about how she really did reach through to Mizuki, despite the thorns and broken glass shards and nearly-unfulfilled promises, the way that Mizuki did finally let her turn the door handle and step through to see what she'd been hiding all this time, the way that Mizuki's hand, limp, when Ena first grabs onto it, shifts to hold hers back as they cry in the face of Ena's gentleness.

Despite how harsh Mizu/Ena5, and even Ena herself as a character can be (or at least was in the very beginning of pjsk), everything is somehow gentle and warm in the end, blindingly so. And you know what, I think that's beautiful. And what's even more beautiful than that is how Mizuki allows themself to crumble and shatter under that kindness, that warm light, but this time, finally, out of relief.

On a final note, I just want to say that I also appreciate how all that didn't have to solve everything. The scars haven't disappeared, haven't gone away, and Mizuki knows that their desire to run hasn't gone away forever, and maybe it never truly will. But for now they've calmed it, at least a little. She's learning to allow herself to be seen, learning that when someone's fingertips brush over their scars the way Ena's did that it's only out of care, and that maybe taking in that care and allowing herself to feel kindness and safety is okay. They're safe, for now, somehow. They're learning. They're trying. And I think that's cool :)

[martinsorbit]

I love the headcanon of the DCA having access to the internet and also being able to connect to your phone like a Bluetooth device. Imagine being in your shift and getting a notification on your phone saying " 'v2DCA_FAZCo2023' would like to share a file," you open it and it's just some shit like this

It happens daily and they stare at you to see your reaction to the funny thing they sent.

[crustyfloor]

My night was going so wonderfully.

The headshot of this cover is just PAINFUL. They're actually acknowledging each other, they're the only ones on a cover to do that. And it's the prominent detail that Mizi looks horrified staring at Sua, even though they're clutching each other so... like they can't let go, while Sua looks reverent in the lane of that gaze, even blushing, slightly, savoring the moment. This also looks like their kiss scene...

To me, she looks just the same as the day she died because I think this cover is Sua's haunting of Mizi, because Sua's singing is just that, haunting and distant the longer she sings, she's fading out, but so gently despite its gruesomeness. And Mizi is grieving.

She's as angelic as she is in Mizi's memories..

But there's a cruelty to this because Mizi will never forget what she saw in round 1, that's why seeing Sua over and over and over again terrifies her, hence why the tone of this song is SO dark, especially in the second half when they're coming to a close, they get desperate to keep each other close, and there is a certain, but familiar ignorance to Sua's presence as if she can't see Mizi's pain even though Mizi is crying right in front of her--childish egos, Sua becomes a more honest character after her death, and in more expressive formats like this, and I like how she takes on that position in this song, the taker. (Like Till, he wanted a security blanket out of Mizi; Sua is similar in that sense.) as she takes and wants from Mizi for her own sanity.

And this newest illustration, oh my god. EXPRESSES THIS IDEA PERFECTLY, Sua looks so utterly distant, ghostly, dead.

In contrast to Ivan and Till's cure, Mizi and Sua's cure is more of a duet, and they switch places often. Mizi starts the song, she ends the song (just like in my clematis), and Sua supports it. Whereas Ivan and Till take turns leading and harmonizing, Mizi and Sua both participate.

And I believe they're interacting? Ivan and Till's cure wasn't a message to each other, something a lot more complicated than that--but Mizi and Sua transition frequently and it feels like they're singing to each other, It's more intimate.

Mizi - Allow me, to the tips of your finger

Allow me, to the ends of your feet

Dissolve me in your gaze

I don't want to let you go.

Sua - Please, leave me scars

Please, hurt me so that not a singly drop of me remains

Let me drown in you.

(The backing vocals mean so much to me, it's like a choir(?))

Mizi - Until these falling stars

Are buried in the blur of time

On your icy lips

Read my soul, yes, my soul

It wasn't spontaneous for the sake of it either, because this is a call-and-response

Sua - Even if your cold words

Carve scars beneath my eyes

May they linger on your tongue

You can break me apart

Mizi - Notice my pain

And mend me right now

To quiet my fears

I'll drown in you

-

Mizi is directly asking Sua, or the version of her she can't forget, to stay with her, calm her like she used to, as she wishes to have remained in the dark, to drown in her, or to have just not been left alone and, because even now Sua's death is not something she can accept, the portrayal of her feelings as she expresses her pain and desire to keep Sua close, even the false presence of her "On your icy lips" and "notice my pain and mend me right now" even though It's terrifying her, she doesn't want to let go.

Sua acknowledges Mizi's pain, and their shared pains after she died for her, the blame and the betrayal. Interestingly, Sua takes on the metaphorically self-destructive lyrics, Sua lives in fear, anxiety, and utter gloominess, she didn't want to be hurt by Mizi in the literal sense, but she would've rather been warmed in Mizi's soft light, her false hope and optimism, to be destroyed and to destroy Mizi's hope, even dying as the penalty of their love was far better.

Then Sua goes on to sing through the perspective of Mizi and her loneliness and grief after losing her with perfect clarity, it takes me back to the comic where Ivan scolded Sua about her plan, saying that she'd be nothing more than a trauma to Mizi after everything is said and done, she got upset at Ivan because she knew that, was devastated by the fact that she would be a burden just as she always feared, but then, what's a life without Mizi by her side, her only safety net? Her every reason for living?

This song displays their deep love and devotion, they sound melancholic but even in these horrific circumstances, Mizi's pain and hesitance, they don't drown each other out, they move together in perfect harmony just like they always do, in this way, it also feels like an apology of sorts from both sides before the bitter end, and a final goodbye.

AND THEN AT THE END WITH THE PERFECT SYNCHRONIZING OF THEIR VOICES ARGHH

And a new Sua illustration for the occasion 😭💔 (I'm gonna catch you soon Vivinos just wait.)

[kitamars]

so uh. narumitsu pirate au anyone?

[poorly-drawn-mdzs]

Siffrin plays Disco Elysium AU: Featuring backseat gamer Loop.

[twentyfivemiceinatrenchcoat]

forced caretaking my most beloved <3

[rufwooff]

a few things for my Future au without context that stuck in my head

and a little thing for Mikey

[voyage-of-the-porn-spreader]

*taps mic* Can I say something

I said can I fucking say something

[erinwantstowrite]

here's yet another reminder: if you ship any of the batfam together, and this INCLUDES PETER in LOF because he IS DICK'S SON. Which makes him FAMILY. you are not welcome to read LoF. I can't possibly block all of you but i can make sure you know that i think you're gross

[the-gay-prometheus]

Ok wait- on the Flatland note regarding Bill's origin story-

Everyone is out here trying to figure out what exactly makes Bill's eye weird. Like. How can he see into the third dimension while the others can't? What makes it weird other than seeing into the third dimension? Do the others in his dimension have two eyes - but how would that make it so they can't see the third dimension? Do they have no eyes at all (definitely not, cuz apparently they have evil optometrists)?

I'm about to (probably not) blow everyone's freakin minds.

Here's a poster for the Flatland movie:

What do you notice about them? Anything interesting? Perhaps something about their eye(s)?

Their eye(s) are located on one side of their face. They can only see forward, or, if they turn around, backward. And that's because, well, it's the 2nd dimension - there are is only left or right, forward or backward. I repeat - they can only see forward.

Now let's look at our beloved (beloathed, and everything in between) triangle demon:

Notice anything about his eye? Anything different? Anything... Weird? Strange?

It's in the middle of his face. Which poses an interesting issue in a 2nd dimensional world... Sure he can look left and right, but what is his default?

His default, if he is on a two dimensional plane, is to look up. "Up" is not a concept in the second dimension. There is no "up" because "up" implies depth - and depth is 3rd dimension, not 2nd.

He doesn't have any special powers that allow him to see into the 3rd dimension - I mean, obviously he has lots of special powers but... They aren't what inherently allow him to see into the 3rd dimension. It's the placement of his eye. The placement is his "defect," not the eye itself. He sees into the 3rd dimension because he has no choice. His default always was to see something that no one else in his world could see - the sky, the stars, and whatever else lay above.

The reason they tried to chemically blind him was because there was no other way to make it so he couldn't see into the third dimension. They probably thought it was a mercy - the poor kid was stuck with the default of always seeing of something that no one else in his world could ever physically see.