#my boyfriend and his father

[luaalz]

He's so dumb, I love him

[galactaknightyaoi]

Happy Waddle Dee Wednesday!!!

Doos and half-Dee orbies are invited, right?

First? OC post? I've been wanting to post OCs for a while, I just didn't know how to introduce them... But now I have an excuse!

From left to right:

Dolce (she/her)

Shoeshiner Waddle Dee "Luster" (they/she/he)

Fairy Waddle Dee "Dandee" (she/her)

Gardener Waddle Dee "Deelia" (she/her)

Dorothy (she/her)

Some info about them under the cut for those interested.

Dolce is one of Kracko's many Waddle Doos, though she's his favorite and among the strongest of them all. Due to her power, her beam wand is a bit more elaborate than usual, and it's called the princess wand!

Dolce and Fairy Waddle Dee used to be good friends until Dolce moved away to Desert Star. As a promise to never forget each other, they crafted friendship bracelets that they still wear today!

Fairy Waddle Dee was the coworker and best friend of the respected Space Ranger Hyperion. Fairy Waddle Dee had never been too happy with her job, or how with her life was going at the time, so when Hyperion suggested they ran away together she agreed without hesitation.

Dolce and her girlfriend Dorothy happily welcomed them into their home. They took on cowboy identities, Fairy Waddle Dee became Dandee, while Hyperion became Orion.

Dorothy is a Desert Star farmer and has lived there all her life, thus she knows everyone and everything. She's very observant, nothing slips past her!

Unlike her girlfriend, Dorothy lacks any magical ability, but she makes up for it with her mastery of the whip and astounding physical strength. She picked up the whip from her childhood friend, the local wannabe outlaw, Callum de León.

Luster and Deelia are two Waddle Dees friends from a small Waddle Dee Village on the outskirts of the thriving city of Halcandra. They visit the city to work, Deelia sells her flowers, while Luster polishes the shoes of the local knights.

Deelia is uncharacteristically fearless for a Waddle Dee. She's not strong by any means, but she's willing to jump in and defend anyone in need, even from threats she has stands no chance against.

Luster themself is not without merit, as their endless worry for their friend's safety often overrides their fear. They're the more reasonable of the two, and the one that dragged Deelia away to the city to get help when trouble started brewing in their little town.

Deelia's wife is Lady Gaia of the GSA. They have a son together, Sir Falspar.

[valewritessss]

For Percy saying Annabeth is his girlfriend is everything and for Annabeth saying Percy is her boyfriend isn’t enough

[lemonrin-i]

if crowley is actually malleus' father im gonna be petrified as a malleyuu shipper and dad!crowley enthusiast

[gingermintpepper]

In honour of finishing my hellish academic semester, I present to thee:

A Brief Introduction to 'In Pursuit of Daybreak'

First things first: What is In Pursuit of Daybreak?

A post-apocalyptic fantasy reimagining of the story of Hyacinthus and Apollo! Set in a world thrown into chaos after the sudden disappearance of The Radiant God, it follows three sons of the Radiant as they try their best to bring light back to the world.

Sons of the Radiant? Meet the leading men!

Aristaeus: A pastoral god and eldest of the brothers. Due to having a strained relationship with his venerated father, he is not exactly eager to track him down and have him return to clean up his mess. After being tricked by Asclepius however, he has only one choice: protect his brothers at all costs.

Orpheus: The grieving bard and second son; with the wounds of losing Eurydice still fresh, all his songs have become bitter sorrow. Coaxed by Asclepius to help restore the beautiful world Eurydice loved, Orpheus embarks on this journey in the hopes of rediscovering himself after his greatest loss.

Asclepius: The world's best healer and the youngest son; he is intent on healing the world of its ailment for the sake of his wife and children. Though others might curse his father for abandoning the world to the beasts of Erebus, Asclepius knows better and he will cure this malady even if it costs him his life.

(Hyacinthus: The long-dead lover. Slain by The Radiant's hand, he is a vengeful wraith brought back by Asclepius' dark medical rites. He too wishes to find the Radiant - not for love's sake but for the sake of his burning wrath.)

Genre?

In Pursuit of Daybreak is a fantasy/drama piece with strong romantic themes. It also has themes of family, sacrifice, self-discovery and death.

Production Status

I've been working on this project seriously for about two years! Despite not being historical fiction, I worked very hard on research and development of the concept and characters to retain an authentic feel of the mythology and traditions they come from. I'm still in the process of writing the novel but I also want to get in the habit of speaking openly and confidently about my work, so I definitely also want to talk more and more about my children and their adventures.

Thank you very much for reading this :D Any questions or comments about the concept or my interpretations of these characters is warmly welcomed. Have a wonderful day <33

[purplestar]

...Who is Kusakabe anyway?

[darksplashofscrapclan]

choose your fighter

[cienie-isengardu]

Lo and Li and their (not) looking after Azula and Zuko in "The Beach"

I have talked a lot about Zuko and Azula lately because “The Beach” episode gives a lot of context for their relationship, but it would be a crime to omit the most funny detail (implication) coming from this episode: the presence of Lo and Li.

Those two older women were introduced into the series as Azula’s teachers (that definitely fueled her unhealthy sense of perfectionism) and some sort of advisors before the princess recruited Ty Lee and Mai on the hunt for Zuko, Iroh and later, the Avatar. The story alone gives little about Lo and Li, but considering their relationship and influences on the princess, we can assume they had, if not outright trust, then at least Ozai’s approval to keep an eye on his “precious”, prodigy daughter. As they were the only adults connected to Fire Lord and at whose house the Royal Siblings and their friends stayed in "The Beach" episode, I thought of them as not really nannies, but more like chaperones.

Zuko and Azula faced Avatar and survived, Mai and Ty Lee proved to be capable of beating down full grown men one on one (or more precisely, one vs many). So fine, ok, Ozai may trust his kids to be able to defend themselves - if the thought about their safety even occurred to him at all. But Zuko and Azula are, and I can’t stress it enough, teenagers sent on vacation and teenagers may do stupid stuff for fun just to taste the little freedom granted them. So it makes sense to me that Lo and Li should supervise the Royal Siblings, because vacation or not, they are still prince and princess, the precious heirs to the throne. And like, Zuko is with his girlfriend (official fiancee?) and you can never be sure what teenagers in love and with buzzing hormones will do, right? Same with Azula, who as we learn through the episode, will happily grab the occasion to flirt with a  handsome, popular boy and the innocent kiss turned out quickly into her passionate rant: “Together, you and I will be the strongest couple in the entire world! We will dominate the Earth!”. 

Azula’s mind really jumped from casual fun (no harm done if Ozai won’t learn about it) to the conclusion that boy she knew for what? a few hours at best will be her boyfriend and part of the future (military?) plans and understandable Chen freaked out and ran away. The taste of freedom affected even Azula, our so emotionally composed, clever girl, because again, a teenager, adolescent curiosity, lack of supervision and buzzing hormones are a dangerous mix. 

(I suspect Zuko getting Mai pregnant would be less scandalous than if Azula - the princess - ended with a bastard child at the age of 14/15. If Ozai would even allow the kid to be born.)

And what Lo and Li were doing the whole episode? Either giving some cryptic speech about how Ember Island is a magical place or encourage kids.

“Time to hit the beach!“ they said

while never bothering going with kids there

(or did Lo and Li have fun on their own ignoring the bunch of their temporary wards?).

And when Azula, Zuko and Ty Lee talked about Chen and why Azula didn’t betray their Royal Family status (and presumably of going to the night party)? Again, the two old women did nothing besides giving some more cryptic advice and saying “to the party!”.

Like, they were totally okay that Fire Royal Siblings (in range of age from 14 to 16) planned to stay at house of unknown boy(s) for the whole night. Again, Zuko is 16, at best almost 17, but Azula is 14 (at best 15) and I don’t think this is an appropriate age to let a girl - especially the princess you are responsible for - go to a party with presumably much older boys. 

(Unless this is why Azula demanded Zuko, her older brother, to be invited alongside her? Not like he checked out if she is alright before he was kicked out for the fight with Mai over some guy but I guess, with a sister like Azula it is easy to assume she doesn’t need babysitting, because Azula could and would kick Chen or anyone else’s ass if they pissed her off). 

My point is, Lo and Li could give the girls and Zuko some serious talk or at least ask to be careful or anything the supposed chaperons should say (or like,  outright demand from Zuko to keep an eye on his younger sister and the noble girls as the oldest and you know, the guy). Because Azula is first and foremost a princess, the same as Zuko is the prince and like, the Royal Family does not need any teenage drama and scandal (and from the previous episode we know Azula and Zuko are now the public figures at the capital).

I’m not sure if perceiving Lo and Li as some sort chaperons to the “banished for a weekend” Royal Siblings was author’s intention or not, but there is something incredible funny how those old women introduced as strict teachers criticizing Azula for not perfect hairstyle while she is working on her lighting technique - a skill absolutely amazing to have at the age of 14 - won’t even bother to keep an eye on the same girl and just let the whole bunch of emotionally stunted and traumatized teenagers freely roam on the “magical” beach and go to night party to total strangers. It is pretty hilarious if not a bit sad. Because wow, Ozai did not give much fuck about any of his kids one way or another. 

Aaand this is what I get when rewatching ATLA as an adult lol.

I know this is animations for kids/teenagers, but what if Chen didn’t freak out? Would Azula be curious enough to experience something more than just a kiss? And well, we assume Chen and Ruon-Jian are in age close to Zuko & Azula (as if they were adults they would be enrolled into army, I think?) But there is still a room for them being older than Zuko who himself is two years older than Azula. Also, them inviting Ty Lee & Mai specifically for how they look without bothering to ask for their name and the way a group of boys cornered Ty Lee to the point she needed to chi-blocking all of them kinda gives me the feeling the party was an occasion for them to pick up girl for night or something along the way. Dunno if I read the scene/intention right but it gives that vibe I guess…?

[beastologist]

It's beautiful how Bobby woke up, and then the show continued with scenes dedicated to families. First, Chimney and Maddie with Hen and Karen talking about Mara's current whereabouts and how she's doing. Followed up by Buck and Tommy, with Buck admitting that Bobby is more like a father figure to him than his actual father, and Tommy, who opens up about his estranged father and his complicated relationship to his former captain Gerrard. Then we have the Diaz family and Eddie's once biggest nightmare: losing Chris to his own parents. Except his parents aren't the villains because he messed up, and Chris made that decision for himself. Finally, back to the hospital with Bobby, Athena, May and Harry, who may have lost many valuable belongings but to whom everything most important is still in the room.

[to-be-a-dreamer]

Truly WILD that we only saw Zelda’s dad for that one scene I loved him bring him back for Junior Year

[russell-crowe]

en forelskelse (2008)

[ramayantika]

Okay but the life of the legendary Shovana Narayan altered my brain chemistry, a superb academic record hold, a maestro in kathak and then also a civil services officer with a long distance marriage and motherhood

If she could do this in the 50s and 60s, wtf is stopping me from doing so, when I have never wanted just one thing to define me

[seaweedstarshine]

RIP Krakoa 🌹 I can’t lie I’ve been kinda behind since midway through Fall of X I’m gonna catch up before my first SDCC this summer but I hear Vulcan didn’t see much action anyway. Anyway my hand slipped and I found myself looking into the eyes of my canonically psychotic son the best Summers brother who’s never done anything wrong in his entire life, (he’s done lotsa wrong things but I love him more for it)

[agalychnisspranneusroseus]

"Can I call you 'Drias?"

"Only one person ever called me that"

"Oh! Gotcha! Too personal. Boundaries, Marcy!"

My babygirl blaming herself and her difficulty reading social cues when she didn't do anything 😭 how was she supposed to know it was "too personal"?? She automatically assumes she did something wrong she assumes she messed up my BABY

[iwritenarrativesandstuff]

Actually regarding my last Hatoful post I made, I don’t think enough attention is given to the way Sakuya has been completely un-personed by Le Bel. He’s not only “raised in a sheltered and classist environment”, everything he is is a regurgitation. There is not a single thing Sakuya says in early game that isn’t what his “father” told him to - this doesn’t exactly excuse his behaviour towards his classmates, but it is also very concerning. You would expect Sakuya’s arc to be about the pressure and expectation he feels as the next family head, but while it certainly does seem to be a lot of work, he doesn’t really show much indication that it’s gotten to the point that it’s too much to bear. He handles responsibility very well. He’s just. Unhappy. Sakuya runs away from home in freezing cold weather and collapses in the street, all because he deigned to think about loving music. He hadn’t even come around to thinking about actually pursuing it as a career. This alone seems more like Sakuya hit a breaking point than one isolated incident - there is likely a lot more going on behind the scenes that we are not privy to for Sakuya to be that subservient and that terrified of Le Bel. Hiyoko even internally notes that he’s always acting way angrier than he actually is - anger is a reactive emotion, and if he reacts aggressively, he won’t have to think about these things that challenge the worldview Le Bel has indoctrinated him with. He is literally too frightened to challenge Le Bel, even within his own mind.

Similarly, Yuuya takes on a job that restricts him from forming any semblance of a stable identity or from letting the mask fall. Ever. Sakuya deflects with anger and his high-born reputation, and Yuuya deflects with a flirty laid back persona while allowing everyone he meets to believe every rumour they spread about him. And people treat him horribly. He laughs it off with the whole “that’s a little cold” or “bit harsh” but. Like. It hurts him. I don’t think he’s genuinely ever built up a tolerance against that kind of badmouthing, and the sad part is that the worst of it comes from Sakuya, his own little brother who he would and has done everything for. But he won’t ever refute it or defend himself, because it helps him keep his cover at the school, and also probably in part because he feels he deserves it. Yuuya does not like himself, largely due to his constant guilt. He even doubts his competence at times, when his efforts as an agent fail (see early HoliStar). He has no idea what his future will look like. He has no plans for himself. He acts in defence solely on behalf of other people’s happiness and safety and receives the words of the man he hates most spat in his face by the little brother he would do anything to protect. And yet, to him, it will always have been worth it.

It would’ve been so easy to make them polar opposites but I do love how the writing actually shows a number of key similarities between them that pop up in certain situations.

Their correct answers in their routes typically involve standing up to them or telling them off in some way (Sakuya’s bossiness, Yuuya’s flirtation)

Sometimes make rash decisions due to their anger or irritation (I mean. Sakuya. A lot but also. The egg.)

They are both quick to take on responsibility for others in a crisis situation and tend to handle it fairly well for the most part (rip to Sakuya with the giant tank that showed up at his mansion. to be fair Yuuya couldn’t stop it either.)

Kings of not being honest about their true feelings or personality. Like ever. Masks and defence mechanisms up constantly. (Yuuya is at least a little more self-aware; he does genuinely seem to care about justice - while Sakuya, as stated previously, has very little in the way of an identity at all and is not self-aware in the slightest lol)

Anyways I feel insane about the fantail brothers. That is all.

(Art above is by the author Moa btw. You can find it on the wiki!)

[respectthepetty]

An appreciation post for 3 Will Be Free.

It had the Jojo as the director.

It had a composer, Yim Tirit Jitjang.

It had a poly plot.

It had a trans character with a dedicated plot.

It had an elite cast.

Everyone, including people we cared about, died, yet it didn't bury the gays.

It had TWO cinematographers: Pongthorn Thongwattana (55:15 Never Too Late, Cupid's Last Wish, Mama Gogo) and Rath Roongrueangtantisook (He's Coming To Me, A Tale of Thousand Stars, Mama Gogo), which shows.

Did I mention the poly plot?

Because it had it!

Sprinkle a little respect on this show for doing the most in 2019 when it did not need to.