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❗️🇵🇸🍉 Please don't skip❗️🍉🇵🇸
This is my little niece 🫂
An indescribable scene, this little girl is trying to get food to feed her younger siblings,❗️❗️ and she is sad because she did not provide them with the appropriate amount, is it the fault of these children that this happens to them? And can the world watch these scenes and remain silent?
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#business#artists on tumblr#comics#chris sturniolo#free palestine#freepalastine🇵🇸#gravity falls#travel#free gaza#converse#donate#send help#book quotes#cars#ask#art#reading#youtube#music video#music#basketball#food#football#black history#tech#world news#chldren#help children#science#adidas
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Moon 24 🌙
PREVIOUS l NEXT
#warrior cats#clangen#clangen warrior cats#warriors oc#wc#wc oc#jcmoons#new moon….. thick n meaty!#no music this moon because this had no real special theme#ignore any inaccuracies lol I am so busy
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Sleepover with two puny mortals that you're in love with (and everything can go right).
Lowkey based on a fanfic I was writing, but as usual I haven't the confidence to post it! Yeah~
Had this in the drafts for months,,,, figured I'd finish it up now so it's done. I like to kinda have some Finished art on the page hahahaha
#me when I'm unable to do streaming and music bc of my flu so I have time to focus on art instead#I recommend having multiple hobbies yall#hobbies you can do in different situations I mean#anyway this fic was so cute I'm ngl#it was meant to be timkon but then Bern materialised and had some extremely sweet moments with Kon and then ended up with the three of them#getting together casually and feeling it out as a three and then BOOM they're all in love#also Tim quit being a field vigilante and became a new comms guy (without alfred Barbara was rly just In A Situation)#and I fixed a few patches in the insane working conditions of the Wayne family business#basically it was extremely self indulgent because Tim's cool and chill vibe taking over WE and also performing a coup so Batman could retir#resulted in the family just kind of chilling out#and so he became free to explore romance and his Tim life (like he wants to do!)#bat workers rights!#art#digital art#fanart#screentone#manga style#illustrationish#tim drake#tim drake wayne#red robin dc#kon el#conner kent#superboy#bernard dowd#timkon#timbern#konbern#timbernkon#oh Tim's new vigilante name was Stalker (I'm not good at naming things) but the fam tends to refer to him as Chat (bc funni)
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patience being tested. being forced by a bizarre unfortunate situation to adhere to university requirement technicality by taking this simple basic elementary "introduction to environmental history" class.
this class is from facilitators/program which do, like, "history of the American frontier" or "history of fishing and hunting" and still basically subscribe to that old-school twentieth-century idealization and celebration of characters like Teddy Roosevelt and reverence for a mythical arc-of-history-bent-towards-justice narrative of the often-clumsy but ultimately-benevolent US federal government and its mission to "save nature" through the miracle of "sustained yield," while heroic federal land management agencies and "heritage" institutions lead to way, staffed by exceptional individuals (appeals to nostalgia for the frontier and an imagined landscape of the American West; ego-stroking appeals to flattering self-image that center the environmentalist or academic). where they invoke, y'know, ideas like "ecology is important because don't you enjoy cross-country skiing in The Woods with your niece and nephew? don't you like hunting and fishing?" which makes it feel like a time capsule of appeals and discourses from the 1970s. and it invokes concept of "untouched wilderness" (while eliding scale of historical Indigenous environmental relationships and current ongoing colonial violence/extractivism). but just ever-so-slightly updated with a little bit of chic twenty-first-century flair like a superficial land acknowledgement or a reference to "labor histories" or "history from below," which is extra aggravating when the old ideologies/institutions are still in power but they're muddying the water and diluting the language/frameworks (it's been strange, watching words like "multispecies" and "Anthropocene" over the years slowly but surely show-up on the posters, fliers, course descriptions, by now even appearing adjacent to the agri-business and resource extraction feeder programs, like a recuperation or appropriation.) even from a humanities angle, it's still, they're talking at me like "You probably didn't know this, but environmental history is actually pretty entangled with political and social events. In fact, we can synthesize sources and glean environmental info from wacky places like workers' rolls in factories, ship's logs, and poetry from the era." and i'm nodding like YEP.
the first homework assignment is respond to this: "Define and describe 'the Anthropocene'. Do you think 'the Anthropocene' is a useful concept? Why or why not?" Respond in 300 words.
so for fun, right now in class, going to see how fast i can pull up discussion of Anthropocene-as-concept solely from my old posts on this microblogging site.
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ok, found some
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I think that the danger in any universal narrative or epoch or principle is exactly that it can itself become a colonizing force. [...] I’m suspicious of the Anthropocene as concept for the very reason that it subsumes so many peoples, nations, histories, geographies, political orders. For that reason, I think ideas like the Anthropocene can be a useful short-hand for a cluster of tangible things going on with the Earth at the moment, but we have to be very careful about how fluid and dynamic ideas become concretized into hegemonic principles in the hands of researchers, policymakers, and politicians. There’s so much diversity in histories and experiences and environmental realities even between relatively linked geographies here in Canada [...]. Imagine what happens when we try to do that on a global scale - and a lot of euro-western Anthropocene, climate change and resilience research risks doing that - eliding local specificities and appropriating knowledge to serve a broader euro-western narrative without attending to the inherent colonial and imperial realities of science and policy processes, or even attending to the ways that colonial capitalist expansion has created these environmental crises to begin with. While we, as a collective humanity, are struggling with the realities of the Anthropocene, it is dangerous to erase the specific histories, power-relations, political orders that created the crisis to begin with. So, I’m glad that a robust critique of the Anthropocene as a concept is emerging.
Text by: Words of Zoe Todd, as interviewed and transcribed by Caroline Picard. “The Future is Elastic (But it Depends): An Interview with Zoe Todd.” 23 August 2016.
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The Great Acceleration is the latest in a series of human-driven planetary changes that constitute what a rising chorus of scientists, social scientists, and humanists have labeled the Anthropocene - a new Age of Humans. [...] But what the Anthropocene label masks, and what the litany of graphs documenting the Great Acceleration hide, is a history of racial oppression and violence, along with wealth inequality, that has built and sustained engines of economic growth and consumption over the last four centuries. [...] The plantation, Sidney Mintz long ago observed, was a “synthesis of field and factory,” an agro-industrial system of enterprise [...]. Plantation legacies, along with accompanying strategies of survival and resistance, dwell in the racialized geographies of the United States’ and Brazil’s prison systems. They surface in the inequitable toxic burdens experienced by impoverished communities of color in places like Cancer Alley, an industrial corridor of petrochemical plants running along the Mississippi River from New Orleans to Baton Rouge, where cotton was once king. And they appear in patterns of foreign direct investment and debt servitude that structure many land deals in the Caribbean, Brazil, and sub-Saharan Africa [...]. [C]limatologists and global change scientists from the University of London, propose instead 1610 as a date for the golden spike of the Anthropocene. The date marked a detectable global dip in carbon dioxide concentrations, precipitated, they argue, by the death of nearly 50 million indigenous human inhabitants [...]. The degradation of soils in the tobacco and cotton-growing regions in the American South, or in the sugarcane growing fields of many Caribbean islands, for example, was a consequence of an economic and social system that inflicted violence upon the land and the people enslaved to work it. Such violent histories are not so readily evident in genealogies that date the Anthropocene’s emergence to the Neolithic Revolution 12,000 years ago, the onset of Europe’s industrial revolution circa 1800, or the Trinity nuclear test of 1945. Sugarcane plantations were already prevalent throughout the Mediterranean basin during the late middle ages. But it was during the early modern era, and specifically in the Caribbean, where the intersection of emerging proto-capitalist economic models based on migratory forced labor (first indentured servitude, and later slavery), intensive land usage, globalized commerce, and colonial regimes sustained on the basis of relentless racialized violence, gave rise to the transformative models of plantations that reshaped the lives and livelihoods of human and non-human beings on a planetary scale. [...] We might, following the lead of science studies scholar Donna Haraway and anthropologist Anna Tsing, more aptly designate this era the Plantationocene. [...] It is also an invitation to see, in the words of geographer Laura Pulido, “the Anthropocene as a racial process,” one that has and will continue to produce “racially uneven vulnerability and death." [...] And how have such material transformations sustained global flows of knowledge and capital that continue to reproduce the plantation in enduring ways?
Text by: Sophie Sapp Moore, Monique Allewaert, Pablo F. Gomez, and Gregg Mitman. "Plantation Legacies." Edge Effects. 22 January 2019. Updated 15 May 2021. [Bold emphasis added by me.]
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Geologists and other scientists will fight over [the definition of the beginning start-date of the Anthropocene] in scientific language, seeking traces of carbon dioxide that index the worst offenses of European empire which rent and violated the flesh, bodies, and governance structures of Indigenous and other sovereign peoples in the name of gold, lumber, trade, land, and power. [...] The stories we tell about the origins of the Anthropocene implicate how we understand the relations we have with our surrounds. In other words, the naming of the Anthropocene epoch and its start date have implications not just for how we understand the world, but this understanding will have material consequences, consequences that affect body and land.
Text by: Heather Davis and Zoe Todd. On the Importance of a Date, or Decolonizing the Anthropocene. ACME An International Journal for Critical Geographies. December 2017. [Bold emphasis added by me.]
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From Aime and Suzanne Cesaire, C. L. R. James, Claudia Jones, Eduoard Glissant, through Sylvia Wynter, Christina Sharpe, and so many others, critical anticolonial and race theory has been written from the specific histories that marked the Black Atlantic. [...] Glissant also reminds us, secondly, of how cunning the absorptive powers of [...] liberal capitalism are - how quickly specific relations are remade as relations-erasing universal abstractions. [...] This absorptive, relations-erasing universalism is especially apparent in some contemporary discourses of […] liberalism and climate collapse - what some call the Anthropocene - especially those that anchor the crisis in a general Human calamity which, as Sylvia Wynter has noted, is merely the name of an overdetermined and specific [White] European man. […] [T]he condition of creating this new common European world was the destruction of a multitude of existing black and brown worlds. The tsunami of colonialism was not seen as affecting humanity, but [...] these specific people. They were specific - what happened to them may have been necessary, regrettable, intentional, accidental - but it is always them. It is only when these ancestral histories became present for some, for those who had long benefitted from the dispossession [...], that suddenly the problem is all of us, as human catastrophe.
Text by: Elizabeth Povinelli. “The Ancestral Present of Oceanic Illusions: Connected and Differentiated in Late Toxic Liberalism.” e-flux Journal Issue #112. October 2020.
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The narrative arc [of White "liberal humanism"] [...] is often told as a kind of European coming-of-age story. […] The Anthropocene discourse follows the same coming-of-age [...] script, searching for a material origin story that would explain the newly identified trajectory of the Anthropos […]. Sylvia Wynter, W.E.B. DuBois, and Achille Mbembe all showed how that genealogy of [White subjecthood] was [...] articulated through sixteenth- through nineteenth-century [historiographies and discourses] in the context of colonialism, [...] as well as forming the material praxis of their rearrangement (through mining, ecological rearrangements and extractions, and forms of geologic displacements such as plantations, dams, fertilizers, crops, and introduction of “alien” animals). […] As Wynter (2000) commented, “The degradation of concrete humans, that was/is the price of empire, of the kind of [Eurocentric epistemology] that underlies it” (154).
Text by: Kathryn Yusoff. “The Inhumanities.” Annals of the American Association of Geographers, Volume 11, Issue 3. November 2020.
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As Yarimar Bonilla suggests in regard to post-Irma-and-Maria Puerto Rico, “vulnerability is not simply a product of natural conditions; it is a political state and a colonial condition.” Many in the Caribbean therefore speak about the coloniality of disaster, and the unnaturalness of these “natural” disasters [...]. Others describe this temporality by shifting [...] toward an idea of the Plantationocene [...]. As Moore and her colleagues write, “Plantation worlds, both past and present, offer a powerful reminder that environmental problems cannot be decoupled from histories of colonialism, capitalism, and racism that have made some human beings more vulnerable [...].” [W]e see that contemporary uneven socioecologies associated with the rise of the industrial world ["the Anthropocene"] are based [...] also on the racialized denial and foreshortening of life for the sacrificial majority of black, brown, and Indigenous people and their relegation to the “sacrifice zones” of extractive industry. [...] [A]ny appropriate response to the contemporary climate emergency must first appreciate its foundations in the past history of the violent, coercive, transatlantic system of plantation slavery; in the present global uneven development, antiblackness, and border regimes that shape human vulnerability [...] that continues to influence who has access to resources, safety, and preferable ecologies [...] and who will be relegated to the “plantation archipelagoes” (as Sylvia Wynter called them) [...].
Text by: Mimi Sheller. “Thinking Beyond Coloniality: Toward Radical Caribbean Futures.” Small Axe (2021), 25 (2 (65)), pages 169-170. Published 1 July 2021. [Bold emphasis added by me.]
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Indigenous genocide and removal from land and enslavement are prerequisites for power becoming operationalized in premodernity [...]; it was/is a means to operationalize extraction (therefore race should be considered as foundational rather than as periphery to the production of those structures and of global space). [...] Wynter suggests that we […] consider 1452 as the beginning of the New World, as African slaves are put to work on the first plantations on the Portuguese island of Madeira, initiating the “sugar-slave” complex - a massive replantation of ecologies and forced relocation of people […]. Wynter argues that the invention of the figure of Man in 1492 as the Portuguese [and Spanish] travel to the Americas instigates at the same time “a refiguring of humanness” in the idea of race. [...] The natal moment of the 1800 Industrial Revolution, […] [apparently] locates Anthropocene origination in […] the "new" metabolisms of technology and matter enabled by the combination of fossil fuels, new engines, and the world as market. […] The racialization of epistemologies of life and nonlife is important to note here […]. While [this industrialization in the nineteenth century] […] undoubtedly transformed the atmosphere with […] coal, the creation of another kind of weather had already established its salient forms in the mine and on the plantation. Paying attention to the prehistory of capital and its bodily labor, both within coal cultures and on plantations that literally put “sugar in the bowl” (as Nina Simone sings) […]. The new modes of material accumulation and production in the Industrial Revolution are relational to and dependent on their preproductive forms in slavery […]. In 1833, Parliament finally abolished slavery in the British Caribbean, and the taxpayer payout of £20 million in “compensation” [paid by the government to slave owners for their lost "property"] built the material, geophysical (railways, mines, factories), and imperial infrastructures of Britain and its colonial enterprises and empire. [...] A significant proportion of funds were invested in the railway system connecting London and Birmingham (home of cotton production and […] manufacturing for plantations), Cambridge and Oxford, and Wales and the Midlands (for coal). Insurance companies flourished [...]. The slave-sugar-coal nexus both substantially enriched Britain and made it possible for it to transition into a colonial industrialized power […]. The slave trade […] fashioned the economic conditions (and institutions, such as the insurance and finance industries) for industrialization.
Text by: Kathryn Yusoff. "White Utopia/Black Inferno: Life on a Geologic Spike". e-flux Journal Issue #97. February 2019. [Bold emphasis added by me.]
#sorry for being mean#instructor makes podcasts about cowboys HELP ME#and he recently won a New Business award for his startup magazine covering Democrat party politics in local area HELP#so hes constantly performing this like dance between new hip beerfest winebar coolness and oldfashioned masculinity#but hes in charge of the certificate program so i have to just shut up and keep my head down for approximately one year#his email address is almost identical to mine and invokes enviro history terms but i made mine long before when i was ten years old#so i could log in to fieldherpforum dot com to talk about enviro history of distribution range changes in local reptiles and amphibians#sir if you read my blog then i apologize ive had a long year#and i cant do anything to escape i am disabled i am constantly sick im working fulltime i have NO family i have NO resources#i took all of this schools graduate level enviro history courses and seminars years ago and ran the geography and enviro hist club#but then left in final semester because sudden hospitalization and crippled and disabled which led to homelessness#which means that as far as any profession or school is concerned im nobody im a retail employee#i was doing conference paper revisions while sleeping on concrete vomiting walking around on my cane to find outdoor wifi#and im not kidding the MONTH i got back into a house and was like ok going back to finish the semester the school had#put my whole degree program and department in moratorium from lack of funding#and so required starting some stuff from scratch and now feel like a hostage with debt or worsening health that could pounce any moment#to even get back in current program i was working sixteen hours a day to pay old library fines and had to delicately back out of workplace#where manager was straight up violently physically abusive to her vulnerable employees and threatened retaliation#like an emotional torturer the likes of which i thought existed only in cartoons#and the week i filed for student aid a massive storm had knocked out electricity for days and i was clearing fallen tree debris#and then sitting in the dark in my room between job shifts no music no phone no food with my fingers crossed and i consider it a miracle#sorry dont mean to dramatize or draw attention to myself#so actually im happy you and i are alive
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Every now and again I think “omg…. Darry gets up before the sun in the morning and gets back after midnight….. Ponyboy’s all about the beauty in the mundane like sunsets and sunrises but he doesn’t see either because of his job…… that’s so sad…… that’s so deep………”
And then I remember he’s a roofer. An outdoor job on an elevated surface. He probably sees them more than Ponyboy does
#now of course the new sad thing is that he sees them every day but is always too busy to properly notice them#but that’s not what my mind goes to. my mind chooses always to forget the nature of being a roofer#og#the outsiders#the outsiders musical#darry curtis
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-via the.soundgeist on instagram
#alternative#girlblogging#girlhood#actually mentally ill#hell is a teenage girl#im just a girl#this is what makes us girls#tumblr girls#this is a girlblog#gaslight gatekeep girlblog#female manipulator#femcore#female rage#femcel#female hysteria#mitski#puberty 2#sadgirl#music#alt girl#song lyrics#album#indie music#bury me at makeout creek#retired from sad new career in business#indie rock#women writers#lana del ray aka lizzy grant#im going insane#i'm just a girl
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While listening to Epic, I noticed an interesting pattern with how antagonists are portrayed, and how Odysseus’ interactions with them are coded.
In Epic, the monsters Odysseus faces are rarely fighting for their own sake. Polyphemus attacks Odysseus’ crew to avenge his sheep, and Poseidon destroys his ships as revenge for his son’s suffering. Similarly, Circe only threatens Odysseus to protect her nymphs. Odysseus does not kill any of these enemies, and while he is occasionally criticized for letting them go free, the overall implication is that he did the right thing by sparing them.
Then we hit the Thunder Saga, and Odysseus begins his arc as a ‘monster’ by killing the sirens. His actions here are brutal, and whether or not they are justified is, I think, up to the listener. However, it’s significant that the sirens are the first foes Odysseus faces on his journey who aren’t either defending or avenging what they love. They attack unprovoked, and while Odysseus’ method of execution is gory, he is never punished for it by other characters within the narrative. Apollo is the only one to protest, and even he is swayed easily when Athena says (among other things) that the sirens were “trying to do him worse.” The sirens attacked first, and while Odysseus’ response was ‘monstrous,’ his crew obeyed his commands and he was not challenged or ostracized for giving said commands. He is only treated as a monster when he yields to Scylla, who also attacked without provocation.
Thus, in Epic, the monsters fighting to protect or avenge their loved ones are protected by the very story - killing them may be more convenient, but it isn’t the answer. However, the monsters who attack without provocation, for their own amusement or satisfaction, do not receive such respect. Killing them is acceptable, and cooperating with them is monstrous.
By this logic, Odysseus is justified in his actions, however atrocious. He attacks to protect his family, and therefore deserves mercy.
The suitors, on the other hand…
#epic the musical#epic the musical spoilers#epic the musical analysis#epic the wisdom saga#epic the cyclops saga#epic the thunder saga#epic the ocean saga#I’m back!#it’s been a while since my last analysis#I know this one’s a bit messy#honestly I haven’t been too inspired by epic recently#mainly just because I’m busy#but things will definitely pick up again when the new saga comes out!#more things will pop up between now and then#definitely more analyses#they just might be a bit slow#I love epic I just feel like I don’t have much new to offer to the fandom right now#hm… if anyone has something they’d like me to analyze and write about let me know#kind of looking for inspiration at the moment
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sweaters of 2024 so far !! a creamy white ribbed cardigan w pearl buttons for my loveeee, a mottled seaglass green turtleneck for myself, and a THICK woolen midnight blue cable sweater w little starry speckles
#rly rly rly proud of them :)#i’ve made lots of other little things too!!#rust fingerless gloves and white leg warmers and socks the color of sweet peas and the forest#and and and little cotton washcloths covered w music notes for my cousin’s baby#but my sweaters r my pride n joy :))#i also started 2 other sweaters i ended up unraveling. i basically completed one w the dark blue yarn and then frogged it to make a new one#and i started a striped sweater to get rid of some of my stash of acrylic yarns but im just not that excited abt it#so it’s collecting dust in the cabinet#OH and a spring green scarf bandana triangle thing w ribbing for my gf too#i’ve been busy this year#personal#knitting
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It’s gonna be a Chappell Roan summer this, brat summer that, cruel summer; stop it. I need the summer to stop. It’s so hot. End it. I wish I could go back to spring again
#This is a joke I like Chappell Roan and think the new Charli album is great#You know it’s gonna be a Fontaines fall for me though. I’m seeing them this autumn.#fontaines d.c.#fontaines dc#I stepped out for five minutes and I’m sweating#Music#music memes#charli xcx#chappell roan#Oh Such A Spring#taylor swift#anti taylor swift#interpret this however; I’m too busy trying to get a USB fan going#THE PROBLEM IS. I have a fan now but it’s packed bc I’m moving. And it’s like 30° outside hate this#Summer#song of the summer#HOT#Hate it here.
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children and animals are the only holy on this earth -x-heesy
Maybe i am a Dreamer but i am not the only one -John Lenon
If there is one organism that should be banned it is humans
New World by Zap Mama 🎵
#!!! <3#x-heesy#my art#my words#artists on tumblr#9/2024#Hope#peace#anti capitalism#anti war#positivity#society#im already against next war#war is a business#quote#quotes#qotd#quoteoftheday#quote inspiration#positive memes#our whole system is very very wrong 😑#iphone art#typography#pop art#now playing#music and art#l o v e#contemporaryart#newcontemporary#new contemporary
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Paramore Graphics!!!!
Not mine, if you are the owner please ask if you would like credit/removal
Feel free to use!!
#web graphics#blinkies#tw flashing#old web#paramore#hayley williams#hayley from paramore#zac farro#taylor york#music artists#emo music#music#2000s emo#emo scene#scenemo#stamps#dividers#orange#pink#purple#blue#black#buttons#emo aesthetic#emo#pop punk#brand new eyes#black and white#misery business#riot!
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changed around some of the posters in my little music corner
#keep debating back n forth whether to add something behind the shorter shelves but idk#i don't want it to be too busy#we'll see lol#music#my collection#florence + the machine#diamanda galas#lingua ignota#chelsea wolfe#< these are the artists in the posters / vinyl inserts i have hung as posters (plus the caligula demo pics)#and then featured on my shelves rn we have florence . diamanda . chelsea . ofc and then#dead can dance#supertramp#midwife#patti smith#the loose “theme” of the shelves rn is that florence lyric 'you said rock n roll is dead but is that just because it has not been#resurrected in your image'#i love that lyric a lot#i love to do little themes like that#it's not a strict thing but it's fun to pick out things#some recent themes have been “rotting roach summer” and “everything is fine in heaven but i'll never get to know”#i should share more of my theme shelves#i just always get self conscious about my selection lmao#anyway!#i'm supposed to be finishing lolita today but the new diamanda galas remaster cd arrived and then i got distracted.....
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the casual chill experience of listening to hozier s cover of do i wanna know
#★ purple girl's music ★#hozier#arctic monkeys#do i wanna know#crawling back to you#ever thought of calling when you ve had a few#cause i always do#maybe i m too#busy being yours to fall for somebody new
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Follow Me on X
#aesthetic#animals#anime#architecture#art#artists on tumblr#business#comics#cute#design#education#funny#fashion#food#gaming#history#illustration#menswear#makeup#music#nature#news#photography on tumblr#politics#photography#quotes#science#sports#television#travel
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ok but what if I use my new addiction to epic the musical as an excuse to finally play the hades games? ( ͡º ꒳ ͡º)
#I have bought the first game when it came out BUT I NEVER PLAYED IT#IDK why#just everytime i thought about finally playing it something else came up#but rn I only have epic in my life and im not gonna get fed with new music until october 31st so like....#what if?#technically im also busy with work and with other personal stuff but uhhh SO WHAT? I CAN MULTITASK#personal
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these are your coworker wyd
#drawfee#loved the new episode#the workplace is in absolute shambles#i'm including both rats because of the two rats fanfic#rockstar rat hangs around the office. and the clown boss loves his music so he keeps coming back#and the cats too busy making his v-tuber model to notice the rats in the building#and runescape snowman is working from home. or else he and the t-rex will be caught canoodling in the janitors closet. again.
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