#diamanda galas
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venusimleder · 2 months ago
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Diamanda Galas
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milksockets · 8 months ago
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diamanda galas in live art in LA: performance in southern california, 1970-1983 - peggy phelan (2012)
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napunk-history · 5 months ago
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Blixa Bargeld, Henry Rollins (Black Flag) + Diamanda Galas
Los Angeles, CA (1985-05-18)
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zdezintegracja · 1 year ago
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True icons of goth subculture
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candont · 2 months ago
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instantbelieverwhispers2 · 3 months ago
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Diamanda Galás
unknown protographer
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unaturalhistory · 4 months ago
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Diamanda Galas
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ourladyofomega · 2 years ago
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Diamanda Galas and FM Einheit performing live; March 13, 1986. Locale unknown.
📷: Petra Gall
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s0uvlakii · 4 months ago
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venusimleder · 4 months ago
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Diamanda Galas
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strathshepard · 5 months ago
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Diamanda Galas fills her Audi Fox
Stars: they're just like us
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witche-nerd · 2 years ago
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novemb-r · 2 months ago
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bitter69uk · 2 months ago
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“The one thing I don't think I could live without would be the soundtracks to horror films,'' she said. ''I love to play them in my car as I drive down the freeway.'' Miss Galas sees no contradiction in that she is as fond of grade-B horror movies and of the heavy-metal rock of AC/DC as she is of Verdi and her vocal idol, Maria Callas.”
/ From a 1985 New York Times profile of Diamanda Galas /
Don’t let the resemblance to Morticia Addams fool you - Diamanda Galas has SOUL! The fierce Greek American avant-garde diva, pianist, performance artist and AIDS activist (who was born on 29 August 1955, turning 69 today) convincingly styles herself as an Angel of Death. Once memorably described by The New Yorker as “lounge singer in a world on fire”, she wields her remarkable bird-of-prey voice like a weapon and possesses the same kind of wraith-cheekboned, raven-haired beauty Walt Disney endowed his animated evil queen stepmothers with. Galas got her first break singing in front of insane asylum inmates, has paid tribute to Aileen Wuornos and in performance is apt to take the stage stripped to the waist and smeared in blood. Appropriately, director Francis Ford Coppola enlisted her to provide eerie shrieks and gasps for the sound effects in his 1992 version of Dracula. I haven’t seen Galas perform in years, but I vividly remember the last time: she was reinterpreting jazz standards like “All of Me” and “You Don’t Know What Love Is��� in her own inimitable (blood-curdling) way, which lulled the uninitiated into a false sense of security. People were filing out in dismay all night! Keep doing what you’re doing, lady! (If you’ve never dipped a toe into Galas’ oeuvre, start with her spine-tingling interpretations of “I Put a Spell on You”, The Supremes' “My World is Empty Without You” or Johnny Cash’s “25 Minutes to Go").
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inniave · 1 month ago
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changed around some of the posters in my little music corner
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unaturalhistory · 22 days ago
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Diamanda Galas
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