#much more boring to me

[hinamie]

I'll rip in hands and teeth and take a bite

[radicalshadow]

Highkey disappointed my web development group isn’t going with my project idea (Pathfinder tool) for our semester project. To be fair I’m the only one that plays ttrpgs but all the online tools sorta super suck so I thought it’d be nice to make one that’s actually. Y’know. Good.

[yardsards]

"i don't ship laios and marcille-" oh yeah same, their relationship is so much more compelling to me viewed through a platonic lens than a romantic one

"-like, marcille clearly hates laios" are we reading/watching the same series??? did you just stop after the first couple chapters??? look at their relationship development, that's her friend! her bestie, even!!!

[telpelote]

He only gives cloaks to those he really really cares about, Keyleth. Really cares about.

Mid-campaign look with a closeup under the cut :)

[scurvyboy]

GET THAT NASTY BILL OUT OF YOU AND HOWS ABOUT YOU DRAW FIDDLESTAN HAPPY FOR 1 SINGULAR TIME, PLEASE, I CANT STAND SO MUCH ANGST, I CANT SIT SO MUCH ANGST EITHER

is this what you want? is this how you see them?

[cuddlytogas]

So I accidentally almost got into an argument on Twitter, and now I'm thinking about bad historical costuming tropes. Specifically, Action Hero Leather Pants.

See, I was light-heartedly pointing out the inaccuracies of the costumes in Black Sails, and someone came out of the woodwork to defend the show. The misunderstanding was that they thought I was dismissing the show just for its costumes, which I wasn't - I was simply pointing out that it can't entirely care about material history (meaning specifically physical objects/culture) if it treats its clothes like that.

But this person was slightly offended on behalf of their show - especially, quote, "And from a fan of OFMD, no less!" Which got me thinking - it's true! I can abide a lot more historical costuming inaccuracy from Our Flag than I can Black Sails or Vikings. And I don't think it's just because one has my blorbos in it. But really, when it comes down to it...

What is the difference between this and this?

Here's the thing. Leather pants in period dramas isn't new. You've got your Vikings, Tudors, Outlander, Pirates of the Caribbean, Once Upon a Time, Will, The Musketeers, even Shakespeare in Love - they love to shove people in leather and call it a day. But where does this come from?

Obviously we have the modern connotations. Modern leather clothes developed in a few subcultures: cowboys drew on Native American clothing. (Allegedly. This is a little beyond my purview, I haven't seen any solid evidence, and it sounds like the kind of fact that people repeat a lot but is based on an assumption. I wouldn't know, though.) Leather was used in some WWI and II uniforms.

But the big boom came in the mid-C20th in motorcycle, punk/goth, and gay subcultures, all intertwined with each other and the above. Motorcyclists wear leather as practical protective gear, and it gets picked up by rock and punk artists as a symbol of counterculture, and transferred to movie designs. It gets wrapped up in gay and kink communities, with even more countercultural and taboo meanings. By the late C20th, leather has entered mainstream fashion, but it still carries those references to goths, punks, BDSM, and motorbike gangs, to James Dean, Marlon Brando, and Mick Jagger. This is whence we get our Spikes and Dave Listers in 1980s/90s media, bad boys and working-class punks.

And some of the above "historical" design choices clearly build on these meanings. William Shakespeare is dressed in a black leather doublet to evoke the swaggering bad boy artist heartthrob, probably down on his luck. So is Kit Marlowe.

But the associations get a little fuzzier after that. Hook, with his eyeliner and jewellery, sure. King Henry, yeah, I see it. It's hideously ahistorical, but sure. But what about Jamie and Will and Ragnar, in their browns and shabby, battle-ready chic? Well, here we get the other strain of Bad Period Drama Leather.

See, designers like to point to history, but it's just not true. Leather armour, especially in the western/European world, is very, very rare, and not just because it decays faster than metal. (Yes, even in ancient Greece/Rome, despite many articles claiming that as the start of the leather armour trend!) It simply wasn't used a lot, because it's frankly useless at defending the body compared to metal. Leather was used as a backing for some splint armour pieces, and for belts, sheathes, and buckles, but it simply wasn't worn like the costumes above. It's heavy, uncomfortable, and hard to repair - it's simply not practical for a garment when you have perfectly comfortable, insulating, and widely available linen, wool, and cotton!

As far as I can see, the real influence on leather in period dramas is fantasy. Fantasy media has proliferated the idea of leather armour as the lightweight choice for rangers, elves, and rogues, a natural, quiet, flexible material, less flashy or restrictive than metal. And it is cheaper for a costume department to make, and easier for an actor to wear on set. It's in Dungeons and Dragons and Lord of the Rings, King Arthur, Runescape, and World of Warcraft.

And I think this is how we get to characters like Ragnar and Vane. This idea of leather as practical gear and light armour, it's fantasy, but it has this lineage, behind which sits cowboy chaps and bomber/flight jackets. It's usually brown compared to the punk bad boy's black, less shiny, and more often piecemeal or decorated. In fact, there's a great distinction between the two Period Leather Modes within the same piece of media: Robin Hood (2006)! Compare the brooding, fascist-coded villain Guy of Gisborne with the shabby, bow-wielding, forest-dwelling Robin:

So, back to the original question: What's the difference between Charles Vane in Black Sails, and Edward Teach in Our Flag Means Death?

Simply put, it's intention. There is nothing intentional about Vane's leather in Black Sails. It's not the only leather in the show, and it only says what all shabby period leather says, relying on the same tropes as fantasy armour: he's a bad boy and a fighter in workaday leather, poor, flexible, and practical. None of these connotations are based in reality or history, and they've been done countless times before. It's boring design, neither historically accurate nor particularly creative, but much the same as all the other shabby chic fighters on our screens. He has a broad lineage in Lord of the Rings and Pirates of the Caribbean and such, but that's it.

In Our Flag, however, the lineage is much, much more intentional. Ed is a direct homage to Mad Max, the costuming in which is both practical (Max is an ex-cop and road warrior), and draws on punk and kink designs to evoke a counterculture gone mad to the point of social breakdown, exploiting the thrill of the taboo to frighten and titillate the audience.

In particular, Ed is styled after Max in the second movie, having lost his family, been badly injured, and watched the world turn into an apocalypse. He's a broken man, withdrawn, violent, and deliberately cutting himself off from others to avoid getting hurt again. The plot of Mad Max 2 is him learning to open up and help others, making himself vulnerable to more loss, but more human in the process.

This ties directly into the themes of Our Flag - it's a deliberate intertext. Ed's emotional journey is also one from isolation and pain to vulnerability, community, and love. Mad Max (intentionally and unintentionally) explores themes of masculinity, violence, and power, while Max has become simplified in the popular imagination as a stoic, badass action hero rather than the more complex character he is, struggling with loss and humanity. Similarly, Our Flag explores masculinity, both textually (Stede is trying to build a less abusive pirate culture) and metatextually (the show champions complex, banal, and tender masculinities, especially when we're used to only seeing pirates in either gritty action movies or childish comedies).

Our Flag also draws on the specific countercultures of motorcycles, rockers, and gay/BDSM culture in its design and themes. Naturally, in such a queer show, one can't help but make the connection between leather pirates and leather daddies, and the design certainly nods at this, with its vests and studs. I always think about this guy, with his flat cap so reminiscient of gay leather fashions.

More overtly, though, Blackbeard and his crew are styled as both violent gangsters and countercultural rockstars. They rove the seas like a bikie gang, free and violent, and are seen as icons, bad boys and celebrities. Other pirates revere Blackbeard and wish they could be on his crew, while civilians are awed by his reputation, desperate for juicy, gory details.

This isn't all of why I like the costuming in Our Flag Means Death (especially season 1). Stede's outfits are by no means accurate, but they're a lot more accurate than most pirate media, and they're bright and colourful, with accurate and delightful silks, lace, velvets, and brocades, and lovely, puffy skirts on his jackets. Many of the Revenge crew wear recognisable sailor's trousers, and practical but bright, varied gear that easily conveys personality and flair. There is a surprising dedication to little details, like changing Ed's trousers to fall-fronts for a historical feel, Izzy's puffy sleeves, the handmade fringe on Lucius's red jacket, or the increasing absurdity of navy uniform cuffs between Nigel and Chauncey.

A really big one is the fact that they don't shy away from historical footwear! In almost every example above, we see the period drama's obsession with putting men in skinny jeans and bucket-top boots, but not only does Stede wear his little red-heeled shoes with stockings, but most of his crew, and the ordinary people of Barbados, wear low boots or pumps, and even rough, masculine characters like Pete wear knee breeches and bright colours. It's inaccurate, but at least it's a new kind of inaccuracy, that builds much more on actual historical fashions, and eschews the shortcuts of other, grittier period dramas in favour of colour and personality.

But also. At least it fucking says something with its leather.

[koipudding]

jing yuan, who loves when you’re wearing his clothes, and you return them to him. it’s so domestic and simple but he craves it. (gn reader, not a serious drabble.) reader is characterized as smaller than jy, interpret as you wish.

wc: 470

The clothes smell like you, of course. The laundry detergent you bought, your shampoo and the little scent beads you like to put in the washing machine. He doesn’t mind the musk that lingers on his old shirts after you clean the whole house, no of course not. Jing Yuan adores smelling your musk, lotion and conditioner melding together and melting into his shirt.

You go out to buy new scent beads every other month, a tiny little jar of them. Jing Yuan swears to anyone who listens that you’re doing this on purpose. Mixing your shampoo and lotion to match with the scent beads, changing the fabric softener to mess with his head (and laundry). He laments this to Fu Xuan, Qingzu, and Yanqing, who all beg you to stick to one routine before the General loses his sanity (of course, everyone groans and ignores him. they’ve had enough of his marital escapades, and they just tell him to marry you again if he’s this smitten. Thus, after a decade of marriage, Jing Yuan has rewritten his vows.) He likes these little variances in his routine, the little harmless surprise that keeps him on his toes.

(He swears it's just because you picked it out. You know it's because it reminds him that there's finally a home for him to return to.)

"I'm back, do you know what the others said during the meeting, they were planning on handing off more paperwork, but I insisted mimi and you would--" He stops in his tracks. This must be unfair. Divine Punishment? Did he anger Lan? his ancestors?

Jing Yuan sees you wearing nothing but some socks, his shorts and t-shirt (both of which hang off of your smaller frame). He runs over, pace quickening.

You yelp quietly, backing away before he pounces onto you, bearing all of his weight onto you. He can't help it, you're so cute wearing his outfit, doing laundry and making dinner.

“You smell so good.” he buries his face into your neck, inhaling the sun on your skin, lotion he bought for you, and the conditioner you've taken from his stash.

“And you smell icky.” You push him off gently, but his arms only tighten. He just got back from work, and he reeks of sweat. But you can’t ignore how your heart races whenever he gets up to these antics, and you can’t help but indulge in his whims. 

This is a regular habit. He barely removes his armor before running to you, and clings to you like a sullen child, asking about dinner and how his darling and mimi have been. You can only sigh and pat his head while he recharges in your lap (or, in Yanqing’s words: naps.) 

"thank you, for everything," He whispers into your ear, "You're doing great, sweetheart."

a/n: I was talking to a coworker abt how the only thing that brings me joy now is a 2d man (jy) and buying new scent beads/laundry scent boosters or sample perfume. then I had this idea. also that ending bit :,) sending good vibes to all with my first fic of the new yr!

[rollercoasterwords]

looooove when i read a story that echoes my own experiences w sexual violence & then see a bunch of people getting really really angry abt it being "harmful representation" bc it doesn't fit neatly into Evil Perpetrator/Innocent Victim rubric. like damn if i wrote word for word my own experiences but said it was happening to fictional characters some of u people would burn me at the stake lol

[anxious-chaos-art]

In honor of ep 4 dropping today here’s my page of kips!

[katabay]

fifteen men on a dead man's chest, it's time for: pirates!

there's an idea here, and the idea is slowly turning into a story, and in march I've got some one shot comics about pirates I want to post! ideally, in march. hopefully in march. there's a lot of stuff to figure out, drawing wise. I spent an amount of time I won't mention researching the history of leg prosthetics & vintage leg prosthetic designs for basilica, and I haven't even figured out tall ships. which is. well. it's pirates, what are pirates without tall ships

[thepunkmuppet]

i miss the desaturated high contrast colour palette of supernatural seasons 1 and 2 i miss the desaturated high contrast colour palette of supernatural seasons 1 and 2 i miss the desaturated high contrast colour palette of supernatural seasons 1 and 2 i miss the desaturated high contrast colour palette of supernatural seasons 1 and 2

[fjordfolk]

Its late so she's sleepy but we're also in the final days of me working as many hours as I can physically bear, so enjoy:

Acutely understimulated Spart

[ganondoodle]

you know im unable to shut up when i have any opinion on zelda (though i try and have thus far succeeded at not commenting on any other concept from the darn book)- i find most totk ganondorf concept art worse than what we got to insulting even (of those i have seen) ..... this one though

much more the one in the background than the one up front, still at least he has the collar and the weapon we saw in the first trailer of things that never happen in the end (like so much else)

[shalomniscient]

every day, once a year, yelan takes a day off.

this is written directly into her contract with the tianquan. there are no exceptions, no special arrangements. on this singular day, yelan does not belong to the qixing; on this singular day, her leash and collar are abandoned, and she has free reign to do as she pleases.

what does she do? well, prepare for your anniversary, of course.

she hops out of bed, cleans up, tugs her jacket on and then slips out the door with the clink of her jade bracelet. it’s a clear day, and yelan tilts her head to the sky briefly, letting the golden sunrays warm her face almost like an embrace. you were never really a morning person, but the sun on your skin always suited you. she’d have to drag you out of bed to see it, but it was always well worth your grumbling in the end when you finally cave and offer her a smile which she would then steal with a kiss.

“ugh, yelan—“ you giggled, your hands on her chest gently pushing her back. your bracelet was cool against her skin, and the matching one on her own wrist hummed. she nosed along your jaw, pressing more and more kisses until she reached your neck. playfulness turned into something a little more heated, and her blood sang at the sigh she pulled from your lips. emerald eyes flicked up to you, teasing, challenging, and you managed a wry huff before tangling your fingers in her hair and tugging her back to properly kiss her again. it stung, beautifully, but yelan grinned all the way."

she shakes herself out of the memory, and steps into the busy street. liyue’s morning scene has always been crowded, and she blends into the throng with practiced ease. she follows the flow of the crowd down the wharf until she reaches the shop she’s looking for—a florist, tucked snugly between two other stores on the higher levels of the shopping district.

the owner, a midde-aged woman, looks up from tending to her orchids to smile at her. her eyes crease with familiarity at the sight of yelan as the spy steps into her store, fingers brushing the petals of a few flowers. the woman rounds the counter, and rummages in the storage for a few moments.

“the usual, i take it?” she asks, and yelan nods, leaning against the counter and tapping her fingers over the grainy wood. the shop hasn’t changed much, if at all, since she last came here with you.

you leaned down by a bouquet of white chrysanthemums, lips curving upward into a smile as you breathed in the soft, floral scent. yelan looked curiously over your shoulder, a hand casually resting on your hip. she asked if it was your favorite flower—you nodded, your other hand rising to just as casually cup her face from over your shoulder. “they’re quite pretty, aren’t they?” you hummed, and yelan took a moment to ponder the question. in the end, she said they were nowhere near as pretty as you, and took the light smack you delivered to her shoulder with an easy laugh.

the florist clears her throat, coaxing her out of the memory. yelan recieves the bouquet—white chrysanthemums—with a smile, settling it in the crook of her arm. the woman’s expression is measured, but there’s a slight waver to her tone when she speaks. if yelan really had to name it, it sounds close to… pity.

“yelan—“ she begins, but she only flashes the woman a signature grin, before slipping out the door as quickly as she came. she has other things to get, after all, and the clock is always ticking.

(or maybe her clock stopped ticking a long time ago and all this is just extra. maybe it cracked when the rocks fell and the earth buried—)

she dissolves back into the crowd as she heads to her next destination: wanmin restaurant. she can smell the chili in the air as she makes her way down the street again, a sharpness only wanmin seems to be able to make. when she gets there, xiangling is boisterously calling out orders while her father toils away in the kitchen, with guoba tirelessly maintaining the roaring fire for his wok. when she sees her, xiangling’s grin only widens, and she waves her over enthusiastically.

“miss yelan! welcome, welcome,” the young chef says cheerily. “here for another batch of dried chillies?”

yelan chuckles, shaking her head. “no, not this time. i’m here for a few rice buns. with a sweet filling, preferably.”

“ooh,” xiangling coos, nodding. “are you planning to go on an expedition? rice buns are both portable and satiating.”

“you could say that,” yelan says vaguely. the little chef is right, in a way, since she’ll have to hike a little to get to your spot—but really, it’s because rice buns have always been a comfort food of sorts for you.

“how can you not like them?” you asked defensively as you trudged along with her behind the group. there was a slight smear of filling on the corner of your lip, and your expression scrunched up a little more as she wiped it off. her jade bracelet was cool against your heated cheeks. yelan only shook her head, teasingly remarking that spice was a much greater wake-up call than sweets. you huffed at that, taking another bite of your rice bun. “not all of us are masochists, lan’er,” you grumbled, and yelan laughed softly. her nimble fingers encircled your wrist, tugging you closer so she could take a quick bite of your bun. it was sweet, sweeter than she’d like, but maybe that was because you were there. and somehow, that made it good.

yelan pulls herself out of yet another memory when xiangling deposits the bag of warm rice buns into her hands. they’re freshly steamed, and the scent of warm buns fill her senses. she thanks the chef, and disappears much the same way she came before the young lady can get even so much as a word in. in the back of her mind, she can almost hear you chastise her for it.

(she always hears you in the back of her mind. if not, where else—)

there’s only one thing left on her list, and it’s incense. it’s late in the morning now, so the crowds have thinned out—and without her cover, yelan takes to back alleys and rooftops instead. she sighs, relieved almost, as she slips into the shimmering, reflective cover of hydro, darting like a minnow between buildings like rocks, barely a blur in the eyes of anyone nearby. the secrecy isn’t strictly necessary for what she’s doing now, but she’s been so used to being unseen that being in the open feels… unsafe.

it doesn’t take her that long to reach wangsheng funeral parlor. the young lady running the parlor isn’t in today—instead, it’s her ‘assistant’, the elegant man shrouded in such thick mystery that neither her nor ningguang has been able to pierce. he greets her with a solemn expression, no doubt because director hu has told him the reason for her visit. “incense?” he asks again anyway to confirm, his voice low and soft. yelan nods absently, her nose stinging slightly from the intense scent permeating the parlor.

she watches as the man disappears into the back of the parlor for a moment, before he reappears with a delicately wrapped packet of incense sticks. she slides a pouch of mora his way, which he takes wordlessly. she tucks the packet into her little pocket dimension, then turns on her heel to leave. just as she exits the door, he calls out to her.

“safe travels.”

she doesn’t deign him with a response.

her feet take her out and away from the city, down the familiar path to the bleeding wound in the earth—the chasm. the land goes from valleys to large, curling momuments of rock, carved by the force of a falling star. she feels that familiar tug in her chest, the voice that calls to her, that tells her to forsake the surface as her ancestor once did. she listened to it, once. and—

“go,” you whispered, pushing her away. half of you was buried under rock, and she could only see one of your eyes; the other was forced shut by the blood that trickled down your face. yelan nearly screamed herself hoarse, but you grabbed her face and kissed her. it tasted like salt, and her heart lurched at the wrongness. your kisses had always been sweet. you slipped your bracelet onto her wrist, then pushed her again, and then the earth heaved and groaned, and it was the last she ever saw of you—

she turns her head and rips herself out of the memory and the temptation; she has other, more important places to be today. she has other days to chase down her demons. she skirts the side of the chasm, slowly ascending to the top. she passes by the memorial to the millelith, and leaves a rice bun and a few sticks of incense as an offering. they too, deserve to be remembered after all.

(she wonders if anyone else comes out here to remember them. she wonders who will come when she’s gone for—)

it takes her a while, but eventually, she reaches the highest point in the chasm. the sun has traveled across the sky by this point, the afternoon heat mellowing out into a slightly cooler evening warmth. the sky is alive with shades of gold when she finally stops, drawing to a halt right before a smooth stone, standing upright from the earth like a silent vigil. she kneels before it, producing three sticks on incense and inserting them into the censer before the stone and lighting them. she sets a rice bun on the plate by the stone, and saves one for herself. the bouquet of white chrysanthemums, she lays on top of the stone.

yelan takes a bite of her rice bun, letting the sweetness settle on her tongue, as the floral scent mixes with the incense, filling her lungs and settling on her shoulders. she tilts her head to the sun, and the warmth feels almost like an embrace. and when she closes her eyes, the wind in her hair feels almost like a caress. when she opens them again, she lets them rest on the stone—the headstone, and she offers it a smile.

sitting on the edge of the cliff, your legs swinging, you smiled at her, nearly blindingly bright like the golden hour. your pinkies were twined together, your shoulders flush with hers. there was a bouquet of white chrysanthemums on your lap, and just a few crumbs on the corner of your lips. your voice carried in the wind when you spoke.

“happy anniversary, yelan.”

“happy anniversary, sweetheart,” she whispers. the wind carries her voice as well, and she hopes you hear it, wherever you are now. one day, she’ll join you, but for now she takes another bite of her rice bun and breathes in the scent of incense and chrysanthemums.

[beastsovrevelation]

Captured Angel

Michael Langdon x F!Angel!Reader

Contains: vaginal sex, vaginal fingering, elements of coercion, implied loss of virginity, blasphemy, hierophilia

“Good, you’re awake.”

A chill ran down your spine. You had awakened in an unfamiliar room. Your head ached, your wings hung limp, and your limbs were heavy. The air was soaked to the last thread in malice. It made you nauseous. Gritting your teeth, you dragged yourself up, your mind aflame with a single thought – you had to get out. You looked around, but before you could spot a way of escape, you felt a presence. Dark... Darker than the blackest night. Your heart froze in your chest, a taste of iron suddenly coating your tongue. Though you had not seen his face, you could recognize him anywhere. Seven heads. Ten horns. His honeyed voice left a cold, oily trace on your very soul as he spoke. You drew a deep breath, and spun around, to meet a pair of piercing blue eyes.

His lips crooked into a smirk. Holding your gaze, he moved towards you. You drew back.   

“Get away from me, filthy Beast...” you snarled.

Deep down, you loathed yourself for the instinctive reaction. You were a soldier. You had a duty to stand your ground, and instead, you cowered. He promptly crossed the gap between you two.

“Ah-ah!” he scolded, clasping your chin “That’s not very nice, now, is it?..”

You grimaced. Michael Langdon. How ironic, for Satan’s son to bear your General’s name. The one who cast him out... You hoped it hurt the Evil One greatly. Michael caressed your cheek. You winced, and pushed his hand away. Sneering, he grabbed you by the throat.  

“Why am I here?” you hissed through gritted teeth.

He glanced down at your heaving chest.

“You’re my captive” he purred “Isn’t it obvious?”

You swallowed. Struggling would only worsen your chances, you knew as much. His gaze darkened with hunger as he watched you – like a wolf, salivating at a wounded deer. Your guts had coiled into a tight knot, a sickly sweet taste coating your mouth.

“Why didn’t your bootlickers kill me?” you asked, not quite certain if you wished to know the answer.

A chuckle escaped his lips. The Antichrist’s lecherous expression made your blood boil. How dare the abomination touch an angel of the Lord, you thought. A strange sensation was budding between your legs, but you pointedly ignored it, just as you ignored the feeling of unease clawing at the back of your skull.   

“That would’ve been a waste...” Michael tilted his head “They thought a gift would please me. They weren’t wrong...”

You snarled, attempting to pull away.

“Get your putrid hands off me!”

He tightened his grip on your neck.

“Hush” he coaxed in a mockingly gentle voice “I’m not going to hurt you, angel.”

“Vile creature...” you spat.

He pulled you closer. You bared your teeth, as your face almost crashed into his. Though you did not need air, the pressure on your throat was beginning to make you dizzy. Every nerve in your body screamed to fight - your muscles   had tensed, prepared for combat. You might have broken away. Escaped this unholy place. You should have at least tried... But, perhaps because of the mist gathering over your mind, your legs trembled underneath you. You found yourself staring at his mouth. His breath brushed against your skin, warm and silken. Your pulse leapt into a frenzy.

Michael snuck his other hand under your clothes. The captors had stripped you of your armour, and taken away your sword, leaving only your linen tunic to cover you. His fingertips caressed your thigh, slowly creeping upwards. You held your breath as you felt him part the soft folds of your skin.

You had never been fondled like this before. Carnal pleasure was forbidden for your kind. You should be disgusted, you understood as much. Still, the electric-like impulse roused by his touch paralyzed you, preventing you from breaking his arm.

He stroked your entrance. You stifled a gasp, your intimate muscles tightened in anticipation. Your hole was beginning to well with slick. Taking your lack of resistance for a welcome, he slipped two fingers inside you. The feeling of his skin against your sensitive membrane made your head spin, and you barely held back from bucking your hips into his hand.

He let go of your neck, only to wrap his arm around your waist. Keeping you steady, he spread his fingers wider, straining you until it hurt. You shuddered. He massaged the velvety walls of your flesh, driving you to the edge of madness. Aware of how much satisfaction hearing your cries would give him, you clenched your jaw. His skin grazed against a certain knot of nerves, and you nearly sunk to the ground as your legs buckled from the bolt of stimulation. Still, somehow, you did not make a sound.

It only made Michael more determined. He fixated on your sweet spot, leaving you to desperately clutch the lapels of his jacket. His mouth lingered but a thread away from yours - you felt his heartbeat echo against your rib cage. He narrowed his eyes, and pressed his thumb to your clit. Overwhelmed, you drew a sharp breath.

“Enjoying yourself, aren’t you?..” he teased “What is it, my dear? What do you want, hm?”

He pushed a third finger into your dripping slit. You whined in pleasure muddled with despair.

“Speak up, angel” he demanded.

Virtue be damned. Something tameless had infected you. Caught in the furor of sin, you eagerly cast your innocence aflame.

“I...” you stammered “I want... I need you to ravish me...”

Michael threw you onto the bed, and climbed on top of you. Laying flat on your back, your wings sprawled open, you looked up at him, your eyes sweetly half-lidded. His knee shoved between your thighs, he ripped the front of your tunic open. You sighed as cold air brushed against your nipples. He placed his hands on your breasts, savouring the softness of your bare skin. His eyes aflame with lust, he took a moment to admire your flushed, helpless body. Biting your bottom lip, you pushed your chest into his touch. He grabbed you by the throat again.

“You’re mine” he snarled “Mine alone...”

Against your better judgement, you nodded. Your gaze wandered down to his crotch, causing your mouth to immediately water. Michael’s lips crooked into a sleazy smirk. He unbuckled his pants, and slipped his underwear down. Your eyes widened as his hard cock sprung free. Large, but not obscenely so. You pulled the skirt of your tunic up, leaving your aching cunt at his mercy.

He pinned you down under his full weight. You wrapped your arms around him, savouring the feel of luxurious fabric under your fingers. Like an animal in heat, you craved to feel him inside. His eyes locked with yours, Michael clasped your leg, and positioned himself more comfortably. You blindly caught hold of his member, helping guide it into your hole.

Your heart skipped a beat – you let out a moan as your membranes clamped around him. Hardly giving you a moment to adjust, he began to move. The sudden strain roused a twinge, but it soon was obscured by shattering pleasure. No longer holding back your mewls and whimpers, you sank your nails into his back. Should the expensive suit get ruined, it will be his fault.

Michael groaned, his teeth bared in primal satisfaction. Your response only encouraged him, and he quickly picked up the pace. Each thrust sent a shattering wave of pleasure through your fevered nerves. You wrapped your legs around his waist, welcoming them. He traced the tip of his tongue over your neck. You hissed as his long hair tickled you, overwhelming your senses even more. He purred, and nipped at your jaw.

“Kiss me” you demanded.

He obeyed, leaning down to press his mouth against yours. You parted your lips for him, and allowed your tongues to battle for dominance.

“Say my name” he ordered, upon pulling away.

“I can’t...” you gasped in horror.

“Your general isn’t here...” he growled “It’s just you and me...” he pressed his face to your temple “Say my name, sweetheart. Show the Beast how much you’re enjoying your downfall.”

He pulled his cock almost all the was out, then slammed it back in, roughly grazing your sweet spot. Your cried out, and sank your fingers into his hair. You didn’t want to think about her. You loathed to imagine her disappointment in you. But his presence eclipsed her face. Drowned it in the storm of ecstasy ravaging you.

“Michael!”

“Good girl” he praised with a grin.

Shock after shock of ecstasy tore through your body, setting every cell of it aflame. Your forehead was laced in sweat. Your muscles quivered from the tension. You were close. Very close. Turned feral by the pleasure, he grabbed you by the wrists, thrusting into you with merciless force.

“Michael...” you moaned.

You couldn’t stand it anymore. You arched your back, trembling and convulsing as a scream escaped your throat. Michael threw his head back with a snarl. You had grown painfully tight around him, prompting him to reach his own release. You felt him spill inside you – it was the strangest, most pleasant sensation  you had ever experienced.

You collapsed into the pillows, limp and gasping for breath. He slumped down on top of you. For a moment, you allowed yourself to soak in the glowing haze of bliss. But, just when he had crept off of you, and was about to pull you into his arms, you leapt up. Using his surprise for your advantage, you climbed onto him – this time, you were the one to pin him down. You caught his gaze, and drew a dagger from underneath your ruined tunic. Afraid to molest their master’s gift, the devil worshippers had missed it.

“You will find the men who captured me, crucify them, and bleed them like pigs” you growled, pressing the blade against his throat “Do you understand me, Antichrist?”

A drop of blood sept from under the metal, glowing against his milky skin in a warning.

“Yes” he murmured, as his eyes blazed with adoration.

[bumblingbabooshka]

Tuvok is not as autistic coded in-narrative compared to what I've seen of Spock or T'Pol where they're othered heavily by those around them and have themes and arcs about struggling/striving to fit in BUT I do think he provides the vital autistic representation of not really angsting about your differences from other people because you're too busy and unaware and then even when you ARE made aware you mostly just think 'glad that's not me'. I think it's vital to have that sort of totally unbothered rep. I love that Tuvok is completely satisfied and proud of being Vulcan, doesn't long to experience emotion or struggle with a desire to express himself in a way his crewmates will understand, to be closer to them. I love that he has a long time and close friend that respects who he is and doesn't try to change him and that how close they are isn't framed as being in spite of his Vulcan nature. I love that being Vulcan isn't framed as a hindrance to him, like a roadblock to living a full and rich life. He has a wife and four kids and is a devoted husband and father. He's getting into gay horror scenarios. Tuvok was born on autism planet and he's thriving.