#mostly for other reasons but also this

[orchidbreezefc]

literal hot take: fahrenheit is better than celsius. not just for everyday use, in every context.

first off: the degrees are smaller so the system is more precise, simple as. but more importantly fahrenheit--which is older, and originally european--was designed to be intuitive to the human experience. celsius was designed to match two of the conversion points (it doesn't account for the vaporization point) of one (1) substance, and... well, that's all!

0°F is about as cold as we can stand for much time, 100°F is about as hot, and 50-60°F is comfortable (depending on the weather you're used to). it's an easily-understood system where numbers convey meaning without requiring memorization.

those figures in celsius are -17.777°C and 37.777°C. if you dont have a learning disability/dysgraphia, take a moment to imagine how hard it would be to interpret those numbers. the comfortable goldilocks temperature of 60°F becomes 15.555°C, which doesnt map to any scale we use. but people use scales of 1 to 10 to describe comfort every day! a 1 or 10 is too extreme, and so are 10°F and 100°F.

celsius saves us having to memorize two important numbers--which every american does have memorized, 32 and 212--and sacrifices the legibility of every other number on the scale! is it better to memorize two numbers and make the rest of your system intuitive, or to make those two numbers easy and need to memorize everything else?

i don't think this argument is unreasonable or difficult to grasp, but it always gets intense pushback from international folks, even friends that i know are reasonable people, who don't engage with my points and insist that the universality of celsius must mean it's better. it uncritically considers the system one was raised with as superior purely because it's familiar--which is what americans are accused of!

i get it. america sucks real bad in a vast wealth of ways you are absolutely correct to criticize. and when our systems differ they often really are worse (imperial vs metric) or are equal, which means it would be better to match the rest of the world (driving on the right, though we aren't the only country that does). this is not one of those times! popularity doesnt make something better.

you're welcome to prefer the one you're used to, and you can even argue that americans should adopt celsius because you think ease of conversion matters more than ease of use. but claiming celsius is a better system is just not true.

P.S.: if you say something on this post, i politely ask that you 1. keep a sense of proportion regarding how important this really is (i.e. not very), 2. take the time to consider and engage with my points instead of clowning on my stance without actually thinking about it in the way i described above. uncritical acceptance of local customs is supposed to be an american thing, don't bite our style!

[forgettable-au]

FORGETTABLE-AU (Page 36-39)

* To note. Her hands are scaly. * And...unexpectedly wet?

[BEGINNING] [PREVIOUS] [CONTINUE]

[lucabyte]

Different standards

[sneakyboymerlin]

Merlin is kind of like a dog to Arthur. I mean this in all of the good and all of the bad ways.

[jae-in-a-trenchcoat]

Benrius angst stuff

[turtleblogatlast]

No but like every time I think about Splinter and what he had to go through just to keep the boys alive, my heart hurts for him so badly. Is he perfect? No not at all, but none of them are and by god does he love his sons.

The fact that all of them are alive, and grew to thrive despite the circumstances surrounding them is a testament of how much Splinter loves his boys. He raised four babies following the most traumatic time of his life, all alone with nothing but the sewers to house them (to hide them.) I feel like he’s not given the credit he deserves for all he’s done.

And I get that it’s easy to hold up his flaws and faults when it comes to parenting, I myself like looking into them because flawed characters are super interesting and said flaws make them more realistic and engaging, but he tries, and again, so many others would have given up on the boys or failed along the way but Splinter didn’t.

He’s their father, for all his faults he did his damndest to make sure they survived.

[countlessofvoids]

Hiccup was a runt, the most awkward, frailest guy around. He was created with the intent of being someone who's different from everyone else; both in his design and story. Someone who's weak around people who value strenght, someone who befriends dragons while others want to kill them. Hiccup makes up for his physical weakness with compassion and trying to bring peace to both sides.

Which is why in his every iteration after the first movie (+ ROB); Hiccup is a 6'1, modern beauty standart who can easily beat everyone in combat no matter how more build or/and experienced they are, unless the writers decide they need to higher the stakes, or they have other characters fight the enemy for him.

[mollysunder]

The Medarda arc of s2 struggled to be good, because the plot viciously smothered it. You can argue that Arcane was never about politics but you cannot say the Medardas were never explicitly a family defined by politics. So when the show shifted it's priorities from a drama steeped in political conflict where even though the setting was fantastical the stakes were grounded to a shift where magic is the end all be all threat to humanity, the Medardas are rendered largely irrelevant.

In s2 Mel's agency over her own story is both largely stripped from her and poorly communicated. Arcane has Mel abducted from the plot to be the Black Rose's captive. Even when Mel manages to free herself it's not through the traits the audience understands are her strengths, her cunning and social intelligence, it's through an innate instinct that natural to her and indecipherable to the audience.

Ambessa as a character is more or less a villain of convenience, which would be fine if she wasn't immediately following Silco's act. Once Mel is removed from the story Ambessa is largely disconnected from any emotional tension fuels conflict between the characters and previously drove the plot in s1. She's there to play the worse bad guy for Caitlyn and then give Viktor the man power for the Glorious Evolution.

It's frustrating to see the Medardas used the way they are in s2 because when they're together I can see how it could be good. When they're together Mel forces emotion out of Ambessa. In Act 1, Ambessa proved she could do circles around Piltover's court, which could actually put Mel in a tight spot.

Their final scene on paper sounds like a good idea where the true resolution to Mel and Ambessa's story was that Ambessa saw Mel's own ruthless behavior as she not only betrayed Ambessa to the Black Rose, but used her as BAIT to double cross LeBlanc. Ambessa died proud that her daughter killed her the way she did, and that's so cool and tragic, but the execution was a flop.

One, their final fight is completely unimportant to the actual Glorious Evolution, Mel's grief can't even be a highlight because it's interrupted by Viktor's mind trap. Two, their fight didn't rely on any of Mel's actual strengths, just magic and the poorly explained MacGuffin LeBlanc gave her. How did Mel even know it would do that?

It's like the writers had the bones for a great story for the Medardas, but then they're like the world's worst archeologists and fit those bones together in the worst way possible because they were convinced the bones made a stegasaurus instead of a T-rex or something.

[lgbtlunaverse]

Horrible thing to say but I think there's a real chance Jiang Yanli was both of her parents' least favorite child and knew it and just kinda. Had to go on with her life knowing that.

[recent-rose]

yknowwww there is something... deeply uncomfortable about the way mel never speaks directly to viktor in the 'build hextech weapons' scene. she really only speaks to jayce. plenty of people have pointed this out already but like the one scene they actually share a meaningful interaction and she treats him like he's beneath her. all this after jayce has emphasized how important viktor is, that hextech is theirs, together. she unequivocally ices him out, there's no other way to interpret this scene. the way it's shot too - from viktor's perspective, looking up at her, as though to reinforce the same belief in him. like he doesn't even bother expecting respect from her - or anyone from the upper echelon of piltover. he's fully accustomed to being dehumanized by everyone around him at this point. sometimes even by jayce, despite the trust they clearly have in each other.

then of course after this scene is viktor experimenting on himself. it's pretty clear that he has internalized his own dehumanization. crazy.

[starry-bi-sky]

tales of the passerine - danny fenton being bruce wayne's first kid

okay okay. so this is like a continuation/elaboration of my oneshot/prompt i wrote about the idea that Danny was the first batkid. We have a lot of aus where he joins the family after the rest of the bats do, right? So hey! Lets shake things up a bit. Danny is the first to be adopted by Bruce Wayne.

Danny's parents and unfortunately Jazz die shortly after the events of TUE -- how so? I was gonna say an ecto-filter explosion, that would call back to the TUE explosion and trauma behind that. But lets do something new! Carbon-monoxide poisoning.

It's not too unexpected for something to break in the Fenton house, especially with the Fenton parents' questionable understanding of proper weapon handling and lab safety. The water heater broke from a stray shot by one of the weapons, and was promptly MacGyver'd incorrectly. Danny went to stay with Tucker for a guys' night, and came back to a dead silent house.

(Danny's neighbors got a very unfortunate shock when he ran to the next house over in hysterics.)

There was a lot of shuffling around with CPS, the police. People had to be called in to handle the equipment in the lab, and the GIW was rumoring to show up in aid to clearing the scene. When Danny heard of that, he immediately went and dismantled the ghost portal to the best of his abilities. He burned the physical blueprints of all his parents' inventions, their blueprints on the ghost portal, and their most dangerous weapons were destroyed beyond recognition. Anything to prevent the GIW from getting their hands on his parents' tech.

It opened up another investigation, but he was not under the list of suspects. He was placed in the care of Vlad Masters, where they then went back to the rebuilt castle mansion in Wisconsin. Danny, terrified of the future that has once passed and may do so again, shuts down in his grief. Inadvertently, he ends up somewhat repressing his ghost half. Something Vlad, who is grieving Madeline but relishing in Jack's demise and his custody of Daniel, is not very happy with.

Vlad's... gone into a bit of a mental health spiral. He's becoming increasingly possessive over Daniel, the final remnants of his friends and a liminal being like him. He doesn't like that Danny's repressing his ghost half -- both out of genuine concern as a ghost, but also because of his desire to control Danny and groom him into the perfect son. If you ever had a phase where you read Dark SBI found family fics, first off; me too bro, and second off; those are the vibes I'm thinking of.

Danny's mentally shut down from grief! And fear. He's dropped into a bad depressive state -- paralyzed with grief and the terror of the inevitable. Clockwork saved his parents because he believes in second chances, but what's the point of that when his family ended up dead anyways? Danny doesn't wanna believe that he's destined to become evil, and he's holding out onto that hope, but it's a thin line, and he feels utterly hopeless and trapped. He hasn't used his powers or ghost form since he trashed the lab, and Vlad has alarms set up to prevent him from trying to escape.

He's also unintentionally cut off Sam and Tucker -- both of whom are so scared and concerned for Danny too, and are trying their damndest to reach out to him. He keeps ignoring their texts. Danny basically haunts Vlad's manor. He goes out to eat if he has to, attends parties Vlad drags him to, and stays in his room all day if he can.

At parties, Vlad doesn't allow Danny to leave his side, or really talk to anyone -- not that Danny wants to. A product of Vlad's increasing possessiveness. Well, he almost doesn't let Danny leave his side. Danny has a habit of slipping off to hide somewhere for the parties whenever he can, and Vlad reluctantly allows it so long as he stays alone.

This becomes an advantage when eventually, Bruce Wayne returns to Gotham after missing for years, and holds a bright charity ball to celebrate the return. Vlad has been chomping at the bits to get his hands on Wayne Industries, and with the return of its owner there is no better opportunity to wipe out his rival. He goes, and he as normal, brings Daniel with him.

Vlad thinks Wayne will bleed his little heart out for Daniel's poor orphan sob story -- he's a fellow orphan himself, after all. He's not wrong; Wayne's little heart will bleed, just not in the way that benefits him.

Bruce sees Vlad and Danny approaching before they're even close enough to introduce themselves - and like with many of the children he will soon come to care for, it's like someone set a mirror into the past right in front of him.

Danny Fenton's suit is tailor-made for him, and despite the fact that it's his perfect size, the sag in his shoulders, the ducked down head, and the way he hunches into himself all pictures the image of a child in shoes too big for him. There's a far away, glazed over look in his eyes and grief marble-cut into the lines of his face. There's not enough makeup in the world that will hide the dark circles under his eyes.

("My nephew, Daniel Fenton." Vlad's hands are possessive on Danny's shoulders. Bruce immediately notices the way the boy tenses under his touch. "His parents passed recently, and as his godfather I was designated his guardian.") ("I'm so sorry, the loss must've been terrible.") ("Yes, carbon-monoxide poisoning caused it. Daniel was out with friends, when he came home... they had already passed.") (Bruce immediately dislikes that Vlad shared the details of their death unprompted -- he likes it even less when Danny flinches at the reminder and hunches into himself.)

Danny runs off at some point earlier into the charity. At this point, parties are still being held at Wayne Manor (because iirc google search mentioned that was a thing at first before it was changed), so he disappears and hides in one of the empty rooms nearby. It just so happens to be the same room Bruce Wayne hides in when he needs a break from all of the socialization.

Thus begins a long, long process of trust. Bruce can't reveal his hand as being smarter than he looks, but he can be compassionate. Kindness needs no measure of intelligence. He keeps Danny company for as long as he can before he runs the risk of being found.

Rinse and repeat. Vlad insistently wants Wayne Industries, and he'll go to as many Wayne parties as he can to get his hooks into the man. The problem is that Bruce Wayne is never alone, and getting him alone is impossible. Finding him too. It's like the man never stops moving. Always talking to someone, always circling somewhere. He orbits around the room as if he isn't the sun of the Gotham Elite's solar system.

Danny's had such repetitive behavior that Vlad never thinks to believe that Bruce Wayne is disappearing to go talk to him. That "Vlad's" son is even interacting with him at all. Danny never gives him a reason to think so, and neither does Bruce.

Danny doesn't actually acknowledge Bruce until a handful of parties in, where he hands Bruce a small slip of paper he smuggled in that says; "don't trust Vlad". Danny's face stays carefully blank, but he's so tense that his hands are trembling, and he's purposely looking away from him. Bruce plasters a smile onto his face, slips the paper into his pocket, and tells him "okay".

(he's been busy with his own goals with the mafia, but he sets aside time to investigate Vlad Masters. He was holding off. Until now.)

Danny does eventually start speaking to Bruce, he's starting to really like the guy. He's starting to see a little hope, even as Vlad is starting to get more and more agitated with him the more he refuses to use his powers.

He reaches out to Sam and Tucker again, and starts trying to reconnect with them. Vlad has spyware on his phone, and he limits the amount of times he can talk to them. A weird parental control lock of some sort that leaves a time limit on how long he can talk to them for. 30 minutes. Danny doesn't tell them anything about Mr. Wayne.

Danny, slowly, wants out of here, and he's slowly gathering the motivation to do it. Vlad is genuinely scaring him -- and Danny wonders just how truthful the past-future Vlad was when he told him that Danny wanted his ghost half separate. He starts trying to come up with an escape plan.

Vlad has anti-ghost wards everywhere around the mansion, and while they're always on, they boost to full power at sunset. The doors and windows are always locked, all main exits have alarms set on them. The only reason it's not super extensive is because Danny hasn't tried leaving at all yet, so Vlad hasn't had to tighten anything.

At night, Vlad locks the door to his room and puts up an anti-ghost ward around the room. The mansion is on the outside westward side of Madison, more entrenched in rural Wisconsin. The closest town is a four-way stop sign with one house on three corners, and an open bar on the fourth. Not much to go.

He refuses to go to Sam and Tucker; Vlad would look there first. It's too dangerous. Vlad would sound alarm bells and have a manhunt looking for him, Danny can't risk going just anywhere. Too much risk of being found, sold out, or caught. There's really nowhere for him to hide.

Until there is. Bruce is telling Danny about the history of Wayne Manor, and says, as casually as saying the weather; "The manor has dozens of empty rooms, I'm sure Alfred wouldn't mind filling another one if he could." And quietly, hesitantly, Bruce places a careful hand on Danny's shoulder, unrestrictive and gentle; "He wouldn't mind getting one ready for you if you need one."

And there it is. There's his out.

Danny, just as quietly, replies; "I'll keep that in mind."

The ball starts rolling.

Now I've been trying to summarize this au as much as possible for length convenience, but Vlad has been steadily growing more and more controlling. More emotionally manipulative. More agitated at Danny for not using his powers.

He wants Wayne Industries under his thumb but he's been steadily growing more and more concerned with Danny. He's started grabbing him, yanking him around, shaking him; trying to goad him into using his powers. He gets angry when Danny doesn't react, or tells him he doesn't want to use his powers. He hasn't outright attacked him, but he's getting there. This has been happening over the time it takes for Bruce to indirectly offer Danny sanctuary at his home.

It all comes to a head when Vlad stops going to parties at all -- something Danny has to pretend he isn't upset about -- because Vlad doesn't want him around other people anymore. Vlad rarely goes now without him, and only leaves to go to a Wayne function or to handle something at VladCo.

Danny can't wait for Vlad to leave long enough to escape. So he leaves during the night of a big storm. Vlad's locked him in his room, but Danny doesn't bother trying to go for it; he goes to the alarmed window instead. Danny's been repressing his ghost half so long that he can't access his powers immediately anymore -- he can feel it, he knows its there, but he can't quite reach it.

He breaks the lock by hand.

Immediately the alarm goes off through the entire castle, filling the room with red, and he scrambles for the rope the Wisconsin Ghost left for him a few months back. Danny's already out and climbing down the side of the castle before Vlad even reaches his door -- the only good thing about the entire room being ghost-proof is that Vlad can't get in that way.

The rope ends before it reaches the bottom, and he's still twenty feet in the air. It won't kill him if he lands it right. Danny takes his chances, and drops. He breaks his ankle, but he survives.

And he fucking books it to the back garden. He hears Vlad shrieking over the thunder and rain.

I'll save the full experience for a future oneshot, but Danny makes it out into the nearby woods and forcibly experiences what it's like to be in a horror game, trying to hide from the thing that's hunting you. There's only one thing going through his mind; "i'm going to die"

I have this mental image for this scene. Very stereotypical horror imo. Where Danny is hiding behind a tree, with a hand over his mouth, and Vlad is a few feet away from him, glowing ominously red through the trees, trying to search for him.

Danny doesn't get away from this unscathed, but he does get away alive. That's all he could ask for. He gets away by getting his ghost half awakened long enough to transform into Phantom and fly to Gotham.

But he gets to Wayne Manor, he gets to Bruce. Or, at least, Alfred answers the door from his insistent pounding. Danny's just in tears and Alfred gets him in the living room, wrapped in a towel, with ice on his swollen leg before he has to step out and alert Bruce.

Bruce already breaks multiple traffic laws on a nightly basis. And that's just with the sheer existence of the batmobile itself, not including the speeding and military artillery attached. He breaks double the amount trying to speed back to the cave and get out of the suit.

Right off the bat: Bruce will know, at least before Dick enters the picture, about danny's powers. He'll figure out something considering the fact that Danny traveled from Wisconsin to New York in a single night. That'll be a bit of complicated affair, but I've already got something in mind.

Actually it'll probably be very soon after Danny joins the family, because Bruce tries to offer to fight for custody for Danny - the state Danny was in at arrival is clear enough evidence for a trial. But Danny immediately shuts it down, says it's not going to work and then Vlad will know Danny's with him and he won't be safe. He tells him that Vlad cannot know Danny was with Bruce.

Danny's biggest regret was not telling his parents he was a halfa, and while he doesn't want to tell mister wayne (yet), he does tell him about Vlad being one. He needs to know why Danny can't be seen with Bruce. So he tells him, and Danny's current plan is to just hide out from Vlad until he turns 18. That way, he has no more legal jurisdiction over him. After that? He's not sure.

And to wrap this up, since this has already gotten very long and I can make more posts about this au later; I've thought about it, and I'm going to say that Danny does become a vigilante before Dick enters the scene. He goes by, as you probably guessed; Nightingale. "Gale" for short.

[danwhobrowses]

Now that Critical Role's VOD of episode 120 is out and everyone in the fandom's had a moment to breathe, simmer, and adjust to this all. I wanna do a big talk about my favourite idiot punk rock, Ashton Greymoore.

Because over these last few episodes, I've been so proud of them.

Many people have had vocal opinions on Ashton, not all of them positive either; I've seen many berate them and say they're selfish, not a team player, or that they 'don't add anything to the group'. But over the past few episodes, I feel like Ashton has been an unsung hero in the battles with Ludinus and Predathos, with their contributions, oftentimes selfless and cooperative, ending up providing the floor for others to deliver strong and impactful actions.

While Dorian and Imogen will rightfully get the lion's share of praise for their clutch moments - Dorian's Force Cage on Ludinus saving Liliana and defeating Predathos' first stage alongside Imogen's Power Word: Stun setting up Ludinus' death and defeating Predathos' second stage - Ashton's actions were often the prelude to moments that could not have succeeded without them, including these clutch moments. Their attack on Ludinus in 117 prompted the Silvery Barbs that burned up his reaction - which allowed Dorian to successfully use Force Cage without being Counterspelled, their high-damage attack on his neck hole in 118 broke Ludinus' concentration on Ravenous Void - which somehow later got credited to Chetney - which gave Imogen the freedom and mobility to get in range for Power Word: Stun, they got the Insight check whisper on Predathogen in 119 to know that Imogen was physically inside of the body and needed to be pried out - which Imogen achieved herself thanks in part to Fearne reaching her, and recently in 120 they pulled Imogen out of Predathos' maw, abandoning the Hammer synonymous with their character (to the point that Keyleth titled them the 'Paradox Hammer') to prioritize saving their friend, which - following Dorian's healing - gave her the chance to use the Ring of Remembrance for the finishing Meteor Swarm. Not to mention all the other damage they dealt and tanked throughout the four fights, the passive d4 bonuses and advantage they gave the party (almost acting partly as a secondary paladin or a tertiary bard) to buff their damage and saving throws, and accepting the risk of disintegration when Laudna used their Hammer's spell splitter - which forced Predathos to use its final Legendary Resistance.

The Disintegrate moment itself was tense because we all know that Ashton is high among the Hells who would sacrifice themselves to save the group - a mentality most of the Hells likely shared in this fight - but fortunately they don't have to, they'll never have to, and they gained something just as if not more valuable than a heroic sacrifice: they get to live. The person who before meeting these chucklefucks believed they'd likely die face-down in a ditch in some backwater alley and thrown into an unmarked grave AT BEST gets to live, and the people that mean most to them get to live thanks to their efforts, their successes. And that's the most important part; for all the times they couldn't help or save someone because they were unconscious or out of reach, for all the times they let their imposter syndrome tell them they're just a fuckup undeserving of trust, praise, or love, and for every fear they had that one day they'd mess up and this new family of theirs will abandon them like the Nobodies did, this time they were there standing beside their people to the very end - and they helped get them out alive. No mistakes, no carelessness, and no-one left behind.

For that, I am proud of Ashton Greymoore; not Bells Hells' Weapon but their Helm, not a Blunt Instrument but a Protector, and not a Hero who needs to do 'what needs to be done' but a Friend who is saving their people no matter the odds. Under all the hardened and rugged exterior that has always been who Ashton is - the perfectly flawed character they are.

[strobbylemonade]

would anyone like to hear my crack theory that ryoshu is the mother and daughter combined into one person

explainer: our characters are The Daughter, Yuzuki, 15 The Mother, Ryoshu, 49 (her name is Ryoshu, but i'm calling her Yoshihide for the explanation to prevent confusion) The Sinner, Ryoshu, ~32 (the person who we follow in Limbus Company, who is Yuzuki and Yoshihide sharing a body/consciousness)

Yoshihide and Yuzuki left the Ring and are on the run from the Fingers. The Ring catches them eventually and experiments with cocooning on them where, like a butterfly, they're melted into a primordial soup. They emerge as 2 things: the first of which being Ryoshu, who they share a consciousness within, the second being the odachi, which their "soul" is trapped in. Escaping by burning down the facility, they're recruited by Faust for safety and the promise to have their bodies returned. Legally they are Yoshihide, and most of the time, Yoshihide is the one controlling Ryoshu. Yuzuki is usually co-conscious and influences Ryoshu's actions, but is mostly too shy to actually do or say anything, usually only stepping in when her mother's anger gets out of control.

yuzuki thinks speaking in acronyms is cool as hell, and yoshihide wants her daughter to think she's cool so that's why she does it.

the reason ryoshu's hugging the odachi in the base art is both yoshihide imagining she's hugging yuzuki, and yuzuki imagining she's hugging yoshihide

every time ryoshu listens to dante it's because yuzuki told them to. otherwise, yoshihide would've killed a LOT more people by now.

extra: yuzuki calls them “Dante” but yoshihide calls them “Clock”

yoshihide's actually a quite caring person, but she's afraid of anyone coming close to her daughter so she's very cold to most of the sinners

yuzuki's trying to get her mother to quit smoking but it's not exactly working

+ their individual opinions on the LCB members

[casualavocados]

It didn't make sense to me how we could connect to each other. At first I thought it was like the Warder bond. But then I realized that you can see our weaves, too. You feel it when I channel because we're linked. We're the same. You sul'dam are just so weak in the Power, the Searchers didn't find you. ...The first rule. You cannot hurt your sul'dam.

Madeleine Madden as EGWENE AL'VERE THE WHEEL OF TIME 2.08 | What Was Meant To Be

[stars-obsession-pit]

A one-sided jazz x Jason or batkid idea

Okay before i get into my own thing, i wanna link this oneshot i found on AO3 which i think is rad

Growing up in Amity Park with mad scientists for parents had not engendered in Jazz a normal sense of danger. She was completely chill in situations that would make most others cower in fear. There’s a reason she was willing to live in as seedy a part of Gotham as she did instead of seeking out more expensive but theoretically safer student housing.

But even so, there were limits. And catching her neighbor climbing up the fire escape at night heavily armed and covered in blood and gore went way beyond them. She is not living next door to a serial killer! Especially considering the way she’d caught him staring at her recently…

Which brought her here, packing her bags as quickly as she could after watching him leave for… whatever it was that he did during the day. She was gonna call the cops on him (not that they were likely to actually do that much in Gotham) and then crash over at her friend’s place until her first chance to transfer colleges to somewhere else.

Then, turning to survey the apartment one last time, a thought struck her. A bit of blood stains and wreckage to make it look like she was kidnapped would hopefully prevent him from realizing she was onto him and coming after her for revenge. Plus, getting to work off some of her own anger by breaking things might be therapeutic.

…And so, when Jason returned to his apartment building later that afternoon, it was to see it surrounded by cop cars. Apparently, someone had kidnapped his neighbor Jazz and ransacked her apartment. And there were no leads except that in her call, she had mentioned seeing a blood-soaked figure enter the building a previous night.

He felt dread and rage boil in his gut. He’d never even noticed anyone watching them. Could they have been after him, and attacked her as collateral? He hadn’t even asked her out yet, but he had mentioned his crush around his minions before. If that was the reason, whoever had snitched would pay.

Or even if it was just a coincidence, he’d still make those responsible regret it.

It was time for Red Hood to start hunting once again.

[poorly-drawn-mdzs]

Broken Roofs and Fixed Perspectives

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