#most wonderfully evil!!!
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dreamingticklee · 11 months ago
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being pinned and trapped with them relentlessly tickling you and teasing right up into your ear nonstop sending you into space because they felt so ler for you and needed to make you lose your mind and take you apart 😵‍💫☠️
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mariocki · 4 months ago
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Messiah of Evil (Dead People, 1974)
"Hard to remember back on things... but I - I remember the red moonlight Daddy told me about, only once. Mama gave him a bad look when he talked about it. He was only a boy himself, then. He called it the blood moon. He said that was the night that he lost religion. He learned that men could do... could do horrible things... like animals."
#messiah of evil#blood tw#dead people#the second coming#and a dozen other titles on various reissues and rereleases#willard huyck#gloria katz#marianna hill#michael greer#joy bang#anitra ford#royal dano#elisha cook jr.#charles dierkop#bennie robinson#morgan fisher#walter hill#phillan bishop#american cinema#1974#shot in 71 but not widely released until 74‚ this seems to have slipped into relative obscurity until a gradual reappraisal began in the#last couple of years; rarely was a film more deserving of a second chance bc this is something close to masterpiece. a beautifully original#highly enigmatic nightmare of a film‚ a slow build of dread to an unexpectedly apocalyptic conclusion as one woman's search for her missing#artist father brings her into contact with an insular and terribly twisted community. the details of the plot are left a little sketchy in#the final product but i think that actually suits the vibe better; there's enough hints and suggestions that a viewer can begin to draw#their own conclusions without having the precise nature of the evil spoonfed to them (in fact i even think they could have eased back on#the exposition in the final act a little). some amazing setpieces here too‚ including the grocery store attack which is quite genuinely a#Moment of all time horror cinema. amazing discordant electronic score too‚ it just all fits together wonderfully#the most european feeling American horror film ever made fr fr#feels almost like it's referencing Rollin and later Romero and a dozen others except this came first baby. it's just that smart
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A true gift (Sauron x fem!Elf!reader)
-> in which you share a private moment with your husband, then add a special little detail to his new look
Warnings: evil!reader, nudity, mentions of smut, but really this is just a silly fluff piece written ‘cause I’m obsessed with his little hair bow🤭
Note: set in 2x06, part of the evil!reader collection - all you need to know for this one is that reader has been married to Sauron since before Adar killed him and infiltrated herself in Eregion as a smith while she waited for his return.
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Your husband is a Maia, and as such never sleeps. He does, however, feel inclined to lie down with his eyes closed and be lost to the world, in moments such as now—when he is held in your peaceful embrace, your fingers lovingly stroking his loose hair.
It’s a rare moment of intimacy these days, and you cherish it all the more for it. Celebrimbor rarely allows you a moment of respite in his rush to finish the Nine, and you and your husband do your best to not disappear at the same time, so as to avoid suspicions that you share any deeper of a relationship with him than the other smiths of Eregion. Needless to say, you are overjoyed to find yourself alone with him. And in a bed, no less.
He had slipped inside your chamber under the cover of night, and sleep had been the furthest thing from your mind as you and your husband had sated your longing over and again. Naked and spent, you had pulled each other close, and so you still are now, as soft morning light pours through your window. He has coiled himself around your completely, one leg draped across your waist and his head resting upon your chest, and you do not mind his weight above you in the slightest as you hold him close. His hair is wonderfully soft under your roaming fingertips, his skin delights yours everywhere you touch.
He may not need sleep, but you would gladly drift into it. In a blissful position such as this, you would drift gladly even into death.
But you do neither, for he stirs, wishing to lift his head. You know what he means to say—that your absence will soon be noticed now that the day has begun, that you ought to return to the forge and to your plans and to your charade. You tighten your hold on him and keep his head against your chest, giving a stubborn groan.
His low chuckle reverberates into your skin.
“I know. I know,” he coos, shifting to press his lips to your heart. “I have no wish to leave.”
“But you will,” you sigh in defeat, even as he trails lazy kisses up along your clavicle. “We must.”
He hums, nuzzling your neck. Too much of you is pressed against too much of him for desire not to ignite within you at the slightest movement. It’s a bittersweet relief when he presses one last, lingering kiss to your lips and takes it upon himself to pry his body away from yours and leave the bed. You turn to your side, pulling the covers up to your chest to ward off the cold he leaves behind.
You are, however, presented with the slight consolation of watching your husband move naked about the room.
Of course, it isn’t exactly the particular image of your husband’s body, or even the features of his face that had won your affections in the first place. Your love runs too deep to be dampened by any sort of aesthetic transformation, though you do admit some forms are more practical than others when it comes to the physical aspect of your relationship, strictly shape-wise (one such as the amorphous black mass to which he had been reduced until recently, for instance, might prove a challenge in that department—yet not an entirely insurmountable one).
His current form, however... Lord of Gifts, indeed. It is the finest of male specimens of whom you are given a most generous view, and he damn well knows it. He takes his sweet time sauntering across the room, each movement slow and deliberate as he treats you to the sight of his tall, perfectly sculpted body. His long hair falling over his shoulder blades, the elegant line of his spine, the plump globes of his buttocks—oh, the bastard. Showing himself off as if you are not in a state of constant desire for him, like you’re not literally his soulbound wife already.
Or maybe it’s you slowing time with your eyes as you look at him, precisely because of how utterly and hopelessly smitten you are.
Whatever the case, a knowing smile tugs at the corner of his mouth as he glances your way. You look on, shamelessly, as he recovers the clothes he had carelessly discarded the night before, and methodically (as well as tragically) begins to dress himself back to decency. He’d had a new garment made, one more suited to his tastes now that his previous modest, light-grey robes had served their purpose of conveying his most pure intentions to Celebrimbor. This outfit is an intricately patterned black with a golden band at the waist, the imitation of leaves raining down his collar area and left shoulder, and a discrete glimmer that looks as though stars have been trapped deep within the fabric of his sleeves.
You’d loved the sight of him dressed in it so much that, paradoxically, you had taken tremendous pleasure in stripping it off him. He was a gift in too pretty a wrapping for you not to greedily reach inside for the wonders you knew lay there, meant only for you.
But if you had it your way and peeled it off each time the mood arose, you would never get anything done. Perhaps, once you are King and Queen and have plenty of servants to carry out your orders, you shall be free to confine yourselves to some ornate bedchamber and reemerge only after days on end of having your fill of one another.
For now, you must allow his newly tidy appearance to remain intact. He is nearly ready to join the others in the forge, the only unruliness left about him being his loose and disheveled hair. You particularly enjoy how softly it falls upon your shoulders whilst you are beneath him, and he certainly takes pleasure in your tendency to fist your hands in it and tug at the roots, causing all kinds of entanglements. It’s nearly sad, how easily he can undo the sensual mess. One power-wielding hand smoothing down the tresses, and his hair looks as though it has been brushed to perfection with a thousand thoroughly administered strokes.
That done, he sits down at your vanity and picks up the last accessory he must arrange upon himself—the headpiece he’s been wearing since he became Annatar, the partial imitation of a crown which curves around the back of his head, serving to hold his hair practically away from his face whilst accentuating the divine nature of the presumed Lord of Gifts.
Lord of Gifts.
Your love-addled brain is stricken with an idea too wonderful to go unheeded.
“Oh, let me,” you say, suddenly rising from beneath the sheets. It takes but a moment to put on a nearby nightgown, not nearly enough for your husband’s questioning eyes to drink you in the way he attempts to, but you are too enthusiastic to care. It is best anyway not to let his gaze set your skin ablaze when you must wait for the following night to have him tend to the flames.
His brow knits in slight amusement, but he indulges you and halts in his movements, waiting for you to come to him. He must think you mean to arrange the headpiece in his hair yourself—thus stealing another few touches before you leave the bedchamber and must refrain from doing so for the remainder of the day. And he is not too far from the truth. But as soon as you are standing behind him, you take the accessory from his hand and toss it casually upon the bed, reaching for your comb on the vanity table instead. Now, your husband frowns, unsure.
“My love, as much as I would like an excuse to prolong our stay—”
“Oh, shush,” you chide. “This will take but a moment.”
With nimble fingers and the help of the comb, you part his hair at the temples and brush it into satisfyingly neat sections. It’s an improvisation, really, but you set about the task you have in mind with nothing but determination and a nice little hum on your breath. Your husband sits with the sort of quiet compliance he reserves for your benefit only, and you know that he is relishing the sensation of your fingers gently handling his hair as much as you are. At times your fingers more or less coincidentally brush over the pointed tips of his ears, and the lightest flutter of his lashes betrays how sensitive they are to the touch, the very same as those of any Elf.
You catch his gaze in the mirror, and give him a playful smile as you work on his hair. The vision you had in mind is beginning to take nice shape, and you bite your lip in concentration as you try to guide each golden strand precisely where you need it to be.
“Pass me that hair tie, will you?” It’s a bit further away on the vanity table than the previous ones you had used, and you are busy keeping together quite the intricate design. Your husband obliges you—but his hand catches yours as you take the tie from him.
“My love,” he says, mirth dancing in his eyes in the mirror, “I do hope you have not managed a knot so vicious that even my power cannot see it undone.”
“It isn’t a knot,” you retort, lightly swatting his hand away from yours so you can finish what you started. You shake your head in faux disappointment. “How little you trust me.”
“I trust you with life, my flesh and my soul,” he declares solemnly. “My hair, however, is a different matter.”
That would earn him another scandalized swat, if your hands weren’t occupied with the finishing touches to your little masterpiece.
“There,” you grin triumphantly, at last satisfied with what you have accomplished. It’s almost ridiculous, the youthful delight that takes over you. An echo from a distant life that was so long ago, it barely feels like it was ever yours. It brings a small pang to your chest—but you ignore it as you cradle your husband’s head from behind and place an adoring little kiss to his hair, right above your handy work.
With a small, not unkind sigh, he picks up a hand mirror from the table and turns around on his stool so he may align the reflection with the one in the vanity mirror, see for himself what you have accomplished:
An utterly precious, superbly elegant hair bow.
“A true gift,” you say proudly, tucking a strand of hair behind his ear, “for all of Middle-Earth.” Your fingers drift to his chin, and nudge it upward so he meets your gaze. “But for me, especially.”
Without looking away, he sets down the hand mirror and takes your wrist, planting a kiss to the palm of your hand.
“It is fitting,” he admits, a teasing lilt to his tons as he idly plays with your fingers. “It shall be a pity, when I next bed you, to see such beautiful work unraveled by the very hands which crafted it.”
“Oh, I am not ruining that,” you assure him, striving to sound like you mean it. “Whatever you may do, I shall keep my hands firmly to myself. Or rather, to other parts of you,” you add, shrugging as if in afterthought.
The underlying challenge in your voice is swiftly accepted. Your husband stands and faces you with a mischievous gaze, cupping your cheeks.
“We shall see,” he murmurs against your lips, right before he claims them in a parting kiss filled with lurid promises. Then he pulls away, smiling innocently. “See you soon, my love.”
You are reminded, as he leaves, how futile it is to pretend like you may ever part without your body and soul aching for his return before he even steps out of your sight. But all eyes which look upon him today shall see the work of your loving fingers that he proudly wears upon himself—another small consolation to which you cling whilst you wait for the victory that shall make all your sufferings worth it.
Previous fic with same reader -> As we are now
Next fic with same reader -> Jealousy
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xoxo-ren-xoxo · 6 months ago
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Hermitcraft / Life Series Fic Recs
Because I love so many of them...
I'll split the fics into completed and updating fics, and try to only recommend currently updating fics (i.e., not abandoned). I'm going to write a little about why I like each fic and what the general vibes are - so this is also a kind of review I guess?
I've tried to @ the authors if they have a public tumblr. Sorry to anyone who didn't want to be tagged, I can remove any @ if you ask (or if I have embarrassingly tagged the wrong person). Anyway, enjoy, and I appreciate reblogs because I want as many people to see these fics as possible!!
This ended up being incredibly long so I'm putting a divider here. Click to keep reading!!! Also, fair warning: shipping ahead! Some fics will have mild sexual content, please read the tags if you are unsure <3
Updating Fics
I have already recommended Help Me To Breathe, lost in the dark (he's got a heavy heart), and There Are Monsters Nearby in this post, so I won't explain why I like them a second time, but definitely check them out!!
Death's A Good Gig by @mawofthemagnetar is probably going to be finished by the time this post gets to you, reader, but I'm putting it here anyway. It's short and sweet, one of my favourite representations of Zedaph (or, Zedeath) I've read, and just a joy to experience. If you like grim reapers and discussions of unions, this one is for you. Also I need more Zedaph in my life.
Look, I'm Sorry, Please Stop Scaring Everyone by @cat-in-the-desert reminds me a lot of a particular TV drama I liked when I was younger, which followed a similar premise. This fic follows Mumbo (vampire) and Grian (ghost) as they get up to various housemate shenanigans and meet their local magic-expert and salesman Scar. This fic is fun, but still includes a nice amount of Feelings and hinted-at Angst which I really love. It's lighthearted, but never boring.
It Hurts To Hope by Inquillitory is my favourite of the "Grian crash lands into Hermitcraft and causes problems for everyone" genre. Seeing how many fics there are with that premise, I think that says a lot. It handles Grian's weird Watcher stuff really well. Honestly, I just want to know what happens next!
killing the boy in the tv by @raspberrystruck is like a sickfic on steroids. If you want Grian with so much past trauma he forgets how to function in society, this is basically the fic for you. I really love how hybrid traits affect the characters' interactions in this fic, and how everyone is kind of messed up because of the imbalance Grian brings. It is wonderfully descriptive in all the right places!
Love Me Like I'm Dead by @daniofcrows is such a gem. You know how hard it is to find good Xisuma whump? It's impossible. I absolutely love how Xisuma and Evil X are characterised in this, and I am obsessed with the unique take on hanahaki disease which I have never seen handled in this way before. The balance between flashbacks and present day is maintained wonderfully and I cannot wait to continue reading this one. Wow.
Oh, you wanted me to do a verse? by @bugbbear is... kind of indescribable. It's horror. It's comedy. It's the apocalypse. It's boatem. Scar eats someone. One of the most interesting and unique apocalypse stories I have read. Slowly updating but worth the wait, in my opinion. This one NEEDS more attention.
So Much For Stardust by @a-plethora-of-peters is basically one of my all-time favourites. Which is a damn good achievement seeing as I don't usually read ZITS fics. Like, ever. In this fic, Skizz is a human abducted and hurt badly by aliens, now recovering in the care of good aliens who don't know how 'sentient' he is. Every update of this one makes me smile, it is wonderful. I love how the characters are written and how the different perspectives are shown. It is just great.
Solar Waltz by @raspberrystruck and aroundtheclock is a brilliant and very very sad regression fic. I love fluffy regression fics as much as the next guy, but this one just... hits different. The hurt/comfort levels are off the charts. Grian is so damn cute the whole time, while also being harrowingly complicated and sad. I am so ready for whatever comes next.
Tango's Castle of Cards by @evilrat-sabre is the one where Tango is a BUG. He's just a little guy (horror). This one is so beautifully written, with poetry-type interludes and perspective changes that really make everything feel so much more impactful. Finding out your buddy is a murder bug isn't the easiest thing in the world. I love this so much.
Traveling Thieves {Dark Fantasy AU} (series) by @amethystfairy1 is basically one of the series of all time. I know I keep saying that but it really really is. I love a good fantasy au, and I love an au with hybrids even more. In this world, hybrids are treated like slaves, but it isn't all doom and gloom for the main characters of each installment. There is a lot of hurt/comfort and the different stories feed into each other in really interesting ways. I try to read as much as I can, though I've missed a few because my emails are buggy. Definitely worth reading these fics, especially since now they're all starting to come together!
Completed Fics
Solving Counting Sheep by @theminecraftbee might have rearranged my brain chemistry a little. Another strong contender for 'fics that inspire me to kill Grian', this time with a more concrete notion of "replacement". Three is my favourite fucked up living weapon. It's so rare to find Evo fics in this day and age, too. This fic had me immediately clicking on every update as soon as I got the emails.
Rescue Fire by @imaginethat0327 is one of the most unique takes on a fictionalised life series game that I have ever read. The whole concept is explained in a realistic and easy-to-follow way, as we learn what's happening with the characters. There are several brilliant storylines happening in this one, but my particular favourites are Jimmy & Tango, Joel, and of course Scar & Grian. This fic is full of whump and, well, read the tags, it isn't always pleasant, but those are my favourite things ever. Definitely worth checking out this fic and its currently updating sequel.
don't you know about me? by takenbadgering is a wonderful comedy of errors with just the right amount of angst for a realistic setting type of fic. If you enjoy polyamory miscommunications, rave aesthetics, kandi, school teacher dynamics, and a lovely blend between grumbo, cubscar, and mumscar, this is the one.
Eventually the Birds Must Land by @milo-hypno follows a polyam ship I would have never thought of, and I cannot believe how much I loved it. This married-as-friends fic premise is wonderful, and captures the main trio (Grian, Mumbo, Impulse)'s personalities so well, while balancing them with the incredibly terrifying descriptions of the Watchers and their power. There's a lot of angst here, but it is ultimately hurt/comfort to the maximum degree. I loved reading it as it updated. Yay for gay marriage!
From The Archives (series) by @sixteenth-days was the absolute inspiration for my own Comms AU, and I will never forget its influence on me. As someone basically unfamiliar with TMA, I thought this series might be hard to follow, but it was not! I read all 57 parts in the span of two days, and I think it altered my brain chemistry. Please read it, even if (especially if) you don't know anything about TMA. The Cleo and Grian storyline lives in my head rent free. I mean it. This is horror at its finest. Also there's an audio series of this fic being released rn, which is very cool.
SUPERCRITICAL by @masque-of-plague hits different. It is such a wonderful take on the superhero/HotGuy trope, and it gets so super dark at some points! This one really takes swings at it's fictional government, which of course I love, while at the same time building this brilliantly emotional relationship between Scar and Grian. I do enjoy a bit of enemies to lovers, but the actual plot mixed into the story makes this one extra special. It is thrilling, with action that I don't get to see too often! Great work.
I am weary with contending! is one of the mumscarian fics of all time. From 'this house has people in it'-type horror, to magic gone wrong, to childhood trauma, to attempted assassination, to gender fuckery, this fic has it all. Usually I don't go for convex siblings, but this one is good enough to get a pass from me. Amazingly detailed worldbuilding alongside a brilliantly creative story.
It Spreads by @foxxology may not count as a fic, actually. It's a comic. But it's posted on ao3 so it counts. I was obsessed with this one as it was updating, honestly. It rocked me to my core. The art is phenomenal. The writing is brilliant. I love sculk.
Luck of the sea by Sleepy_Duck is a lovely take on mermaid and human interactions, with Grian as a marine life conservator and Scar as a very neglected mer. This one takes us emotionally in all sorts of directions, and offers lots of hope for the future of the characters. I heavily enjoyed this fic - if you like mermaids and marine biology, check it out.
there are many downsides to being a marine biologist by donnerstag is another mermaid fic but with a pretty different vibe. First of all, it follows what I would consider a rarepair Doc/Martyn. Second of all, reading this as it updated was a thrilling experience that nearly made me cry at certain points. I love how the relationship builds in this fic. It is honestly amazing. The whole idea of experimenting on a sentient sea creature, learning that he can communicate, then losing funding and having to save him from being dissected?!?! It's crazy. I love it.
Thus concludes my fic recommendations. I hope you enjoy at least some of these, and consider reblogging to spread these wonderful fics around <3
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gendrsoup · 6 months ago
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this is a crystal palace surname von hoverkraft appreciation post. her outfits were always awesome despite having recently lost her memories and therefore most of her wardrobe tbh. she took no shit. she was willing to beat up a bunch of cats. she was being stalked by her literal demon ex and somehow still managed to get shit done. she gave no fucks about looking crazy talking to "herself" (except for that one time but wtvr). she was forced to wrestle with the possibility that the person she used to be was awful, yet proved herself to be inherently kind and good at every turn. she dragged the boys out to the states at the slightest chance that she could help a girl in danger. she immediately helped niko, both with her parasites and with her emotions, having only spoken to her once. she even went out on a limb to empathize with the evil witch who kidnapped her friends at the smallest possibility that their shared injustices could get through to her. she summoned a fucking goddess to reign in the witch she made immortal to get justice for hundreds of girls who didn't have a voice or a chance. ughhh she is just such a wonderfully written and developed character and SO underrated in this fandom and she deserves all the love from everyone all the time
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oneluckygoose · 8 months ago
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I think the most heartbreaking part if this season (excluding Lucy) is the Rat Grinders being a pale, cold reflection of the Bad Kids. Like the Bad Kids have these wonderfully sweet moments of being together. That’s fundamentally what makes them The Bad Kids. They went through the shittyiest things in the world together and now they love each other so so so much and we get all of these sweet and tender moments of them loving each other. And the Rat Grinders are them with all that love stripped away, they don’t care about one another, they haven’t been through the same things, the only reason they are a party is because they are tactically useful together, not because they love one another. And when their Kristen dies they do nothing but replace her rather than mourn. Can you even imagine what the Bad Kids would do if Kristen died? And She Did. And they Freaked and kept her bones to figure out a way to Bring Her Back. They mourned and ran into the forest of their greatest nightmares after looking at each other and with all the love in the world saying “for Kristen.” The Bad Kids care about each other more than anything in the world, if they didn’t even the world wouldn’t be there. The Rat Grinders are a mirror showing them what it would be like if they didn’t, if they only fought for themselves and their own personal means. If they had let Kristen stay in the forest, only a pile of bones as the Rat Grinders did with Lucy. Maybe they aren’t evil, or the bbg, but they are an icy wake up call for the Bad Kids of what they could have been. A horrible version of what they could have been.
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nyarlathesleeper · 2 months ago
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The Llamas With Hats Epilogue
So like any normal Jason Steele mega fan (I'm calling us The Steelers (Copyright be damned)), I was present for the Llamas With Hats Epilogue, a 20 minute append to the 11 year old series about a mad scientist llama with a particular skill for horrific contraptions involving human meat. He also wears a hat. I'm hardly the only one to have caught onto this story as an allegory for abusive relationships, and the epilogue continues this idea wonderfully.
Carl, having killed himself after his creations destroyed the entire world, finds himself in the afterlife. He's still haunted by the voice of his only friend, fellow llama Paul (also behatted). The epilogue is almost entirely focused on Carl and his coming to understand his greatest crime. Not the global genocide, or all the horrific torture he put countless people through with his many meat monsters, but hurting his llama boyfriend, the one person he actually cared about. Kinda.
Carl is a fascinating character, and the epilogue I think does a great job at outlining precisely what he is. The series finale is perfectly somber. No jokes, no laughs, just misery. That's the state of the world, and it's the state of Carl. But the epilogue does something to recontextualize the finale, in a way some may not like. The finale leaves the impression that Carl is well and truly miserable. This remains intact. But it also leaves you with the impression that he genuinely cared about and missed Paul. And while it's certainly possible that Carl came to genuinely miss Paul over the course of time between their last meeting and the finale, I think the epilogue does a much better job outlining Carl's exact relationship with Paul.
Carl, in his own words, is a dangerous sociopath with a long history of violence. Throughout the series, it's shown that he and Paul spend a lot of time together. Vacations, time at home, walks through the park, there does seem to be a functioning relationship there on some level. But in the series itself, all we see is a version of Carl that is well and truly a horrific monster. A monster who seems to primarily appreciate Paul because he's someone who puts up with Carl and his antics. Carl seems to have fun antagonizing Paul with his many monstrosities. When Paul finally leaves, Carl is desperate to get him back. The epilogue makes it clear that this isn't out of genuine love, it's just possessiveness.
Carl is stated very clearly to be beyond redemption. And though I'm typically of a forgiving mentality, I'm comfortable saying that a llama who makes meat dragons out of orphan baby hands for fun probably isn't someone who can be redeemed. Carl is very resistant to this idea at first. He thinks that Paul will forgive him if he just never does anything wrong again. And even after he dedicates himself to this idea, he can't help but enact violence on the first thing he sees. It takes remembering that Paul is dead, and that he was the one responsible for Carl to realize that he isn't healthy for Paul. That for them both to move on, that he needs to let go. For both their sakes.
Carl is probably the most deplorable character in Filmcow's catalogue. Not even Jenny with her Pizza Hut is that evil. But he's allowed peace. He's not punished forever, it's unlikely it'd even do anything if he was. He's just left to make what was probably the hardest decision he possibly could. He became the acorn. He let go. He gave himself up so that something else could live and be free.
You can't even really describe this as a selfless act, though. Paul is dead, he'll never know what Carl did. He'll never know, and he probably doesn't care. There's something beautiful about that. Carl making a sacrificial decision for nobody but himself. Even the most evil, irredeemable monster is capable and deserving of inner peace. The destruction of the world and death of every living thing didn't make Carl happy. Getting everything he ever wanted just made him miserable. Letting go is the only way for Carl, and abusive people like him, to ever achieve peace.
This all being said, the toxic llama yaoi does go crazy hard, 10 "CAAAAAAARRRLLLLLLLLL"s out of 10. Stay hydrated, eat your tube meat, and keep an eye out for phantom impostors. No, not like amogus.
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marypaol · 9 months ago
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Piano Boy
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Draco Malfoy x Fem!Reader
Summary: Reader’s parents were invited to a meeting at the Malfoy Manor, and while exploring alone, she finds Draco playing the piano.
Warnings: Mentions of stress, carrying family burdens, numbness, sadness, nothing much just fluffy :)
Note: No use of Y/N-And also I had to write this one I totally picture Draco playing piano! 🫶🏻
___
Her feet softly patted across the floor, the fabric of her smooth dress surrounding both her and the floor as she made her way to an undecided destination. She went wherever her brain decided, since whenever she came across a corner she would randomly decide which to go: left, right, straight, or back where she came from.
She would never go back, though, but the thought of it being an option made her feel free. For the reason of never going back would prevent her from discovering more, for going back would only make her retrace her steps and see things she’s already seen.
A soft smile laid on her lips, for no apparent reason yet deep down she felt like it was because she felt content at the moment. And her and Merlin knew that it’s been a while since she felt so, the stress from school and burdens from her family heavy on her shoulders.
But all that changed when Mrs. Malfoy invited her family to tea, having a business meeting with her parents but they encouraged her to “wonder around” as if she was a little kid and they wanted to keep her busy. It worked, nonetheless, since her curiosity and wondrous mind got the best of her most of the time. She couldn’t help but smile as a way to say ‘excuse me, while I go explore.’
So she did so, practically skipping out of the room once she was out of sight, mind already spinning on possibilities of things she could see, could touch, (despite that voice she knew would be in her head telling her not to do so) and could think.
What kind things would be in the Malfoy Manor? Would everything be gloomy and mysterious like she assumed, or would things be darkly beautiful, calling her name to come closer until she found some evil chamber that revealed their cruel plans for the world of magic?
I hope not, though I assume they wouldn’t ever do that, she thought. She believed at that moment that the thought was just something that her mind was trying to make her think to make her afraid. But it wasn’t the time to be scared, it was the time to feel adventurous and free to whatever she wanted while her parents talked away on things she couldn’t understand.
Her eyes wondered along the walls, scanning over all the paintings displayed, eyes moving quickly because she wanted to soak everything in. She somehow feared that any time her parents would turn around the corner, telling her that it was time to depart, and she would no longer be able to look, so she took the time she had to admire everything possible.
She ended up stopping abruptly at a certain painting, hanging apart from the others and the table below it holding flowers in a vase as well as a tiny lamp for decoration, the soft light flickering a little bit, providing some sort of comfort to her, the lamp lighting up the painting in the most precious way.
What was the painting of, you may ask? The Malfoys, of course. But that wasn’t what stopped her, some normal family painting in their house. For it was the boy, the one that was one between the two adults, the one that actually had a smile on his face, despite the many snarls that beheld his lips in the past years she’s known him.
But the reason for the smile in the painting was because he was young, his face babyish as his pale cheeks scrunched up because of his mouth stretch of a smile. It made her heart warm at the sight of him, showing a smile that no one really got to see, which was a misfortune for the rest of the school; they deserve to see something so beautiful. His smile was so wonderfully painted, like the painter knew it was something that wasn’t shown often and they wanted to highlight every aspect of it, every beauty piece; which was every part of it. The paint brush strokes on the painting were so delicate, her fingertips brushing over the texture of the paint beneath them, running over his green robes he was wearing. (She would touch the smile she loved so dearly but the painting was far too big, making her wonder how long they had to stand there for the painter to paint them, it must have taken so long.)
But as she looked on, she noticed that there was more family paintings for years that came and went, each one Draco’s face forming into the snarl he held today, each one his lips dipping deeper and deeper into a frown that seemed to permanently take over his facial features. She frowned herself as she walked, watching as pure happiness changed to fake happiness, to slight distraught, to numbness.
As her feet stopped at the most recent one, the one with the least amount of dust on the frame, the frown on her lips dipped so deep she could feel her cheeks hurting from the in normal movement. She knew he was slowly pulled away from pride and accomplishment, thinking back on watching in the Great Hall as his happiness slowly left him, something else, something darker, taking over his chest and taking home there for years to come. Her own chest hurt, thinking about the pain he must be in.
“He’s just a boy.”
She overhead Mrs. Malfoy saying that, not remembering when but sure that she felt just as bad for Draco as the girl did. In fact worse, he’s her son after all and she’s just a classmate that was in the same House as he was. She was sure he knew her name, he seemed to know every Slytherin’s name for the benefit of it, but they’ve rarely talked.
But she knew a lot about him just by sight and noise. But she wished to get to know the real image, not the fake image of his personality, before sadness took over his chest and before the frown took home on his lips.
She wished to know him.
Draco.
It was at that moment, that she heard soft music, piano, if you will, softly playing as if a quiet record was playing behind a closed door, as background noise to listen to to help one focus on something else that her thoughts were interrupted and the frown left her lips, replaced with a confused yet curious look.
She could no longer focus on the painting and thoughts running through her head, however, since the music distracted her from the gentle paint strokes in the frame on the wall.
Her feet stepped away from the wall, her knees hurting slightly from standing there so long thinking about the son of Mr. and Mrs. Malfoy.
The music was very soft she could barely tell where it was coming from, her ears almost playing tricks on her from using them so purely. She then noticed how it was around the corner, so her feet took her there, coming in contact with a emerald door, mostly closed leaving just a crack of light from
it being open slightly, the straight line casting on the floor beneath her giving her legs some warmth.
She knew the music was coming from inside the room, the soft keys being pressed so gently-almost hesitantly- as the unknown person played.
She leaned in closer subconsciously, ear angled toward the crack so she could hear the song at its best.
To her horror surprise, her head dropped a little too far and pumped into the door, forcing it open, more light blinding her as she stumbled in, skipping over her own feet. The piano instantly stopped playing, the last note abruptly ending as the person’s fingers quickly brought themselves up off the keys.
Her head snapped up to see the wondrous player that left her tranced to the room she was mistakenly standing in, to find the last person she thought would be playing the piano secretly while his parents talked to hers about business, using words neither of them would understand.
Her eyes widened at the sight. Draco was sitting on the bench, on an all black suit-even the tie was black- and pale hair pointing to and fro, like he was running his fingers through the strands that sat on his head.
His lips formed in both a surprised and annoyed snarl.
“What are you doing here? Poking around I see?”
On her part, she could unhesitatingly say that he sounded very irritated at the disturbance.
She swallowed her throat dry but spoke nonetheless.
“Yes- I mean no, I’m sorry I didn’t mean to bother. My parents said-“
“Your parents?” He said, interrupting her despite hes annoyance towards her when she did the same thing to him just moments prior. “Your parents are here?”
She was taken back both by being cut off and his confusion.
“Yes, why didn’t you know?”
Draco shook his head, locks swaying. “Does it look like I did?”
It was her turn to shake her head, looking around the room. It was gorgeous, just like the other rooms on the house but this one had a sense of comfort and melody; very fitting for a music room.
She looked over at him, and his hand was still on the keys, fingers fiddling with it like he had an urge to continue playing.
She found herself walking towards the instrument, leaning her elbows on it as her skirt fell into place at her ankles, the material cool against her tired legs.
She gazed at him as he watched her every move, wondering why she was still here when he clearly gave her signs he didn’t want to have company.
“Did you know that pianos are considered a member of the percussion family?” She asked gently, a soft smile on her lips.
His eyes glanced at hers before looking back at the white and black keys, fingers playing a melody that wasn’t a part of what he was playing earlier.
“No, I didn’t know that.” He mumbled, not seeming so annoyed anymore.
She smiled a little wider. “While now you do.” She said, careful not to leave fingerprints on the what looked like the freshly polished piano.
Draco noticed her slight discomfort, one because of her body weight switching from foot to foot, and two the simple movement of her doing so distracted him from the instrument in front of him.
He scooted over, hand patting the seat as she smiled, walking over slowly and sliding onto the emerald cushioned piano bench beside him.
She then watched as his fingers effortlessly played the instrument, his hands gliding across the keys as if it was water and he was pouring it into a glass, controlling ever drop so it wouldn’t spill everywhere. He had so much control over it, everything he told the instrument to do it would do it without another word.
She couldn’t help but admire, slightly dazed as his long fingers took over the once sitting in silence keys. The music flowed from it, the beauty of the music was all coming from his hands, and that amazed her.
He stopped, playing something that was a part if the song she just heard, and apparently it was incorrect despite it sounding wonderful, and he mumbled something under his breath out of frustration.
“I think it sounded exquisite, Draco. I didn’t know you knew how to play the piano.” She complimented, looking up at him.
His fingers halted their movements from the unexpected commentary and she took the opportunity to place her own hands on the keys, pressing whichever ones she desired and listened as the note came about into the air, spawning to life for her and his ears to hear.
His fingers came into her view, stopping her from doing anything else, and both confusion and hurt poured over her, wondering if she only annoyed him further.
It wasn’t until she felt the soft presence of his other arm around her, his other hand landing on hers as he placed her fingers on the keys accordingly.
“There.” He spoke soft, almost right into her ear and a deep flush washed over her, starting at the tops of her hair strands to her cheeks, deep in her chest, and straight down to her toes.
She then felt his fingers pressing down hers so she could play what he was playing. She smiled slightly, but the concentration on trying not to separate their fingers was the main goal on her mind at the moment.
Once the last note rang in the air, and his foot let off the petal beneath their feet, his hands left hers as his presence left her, and a cold wave flushed over her, leaving her wanting his touch back more than ever.
Silence took over for a couple seconds before she heard the music once again, this time a different song, and her eyes watched as he played.
The song sounded sad, like someone was deep into a headspace they couldn’t leave and was trying to find the light.
Her head dropped slowly, her temple landing on his shoulder, which tensed for a moment before getting used to the feeling of touch.
The soft music and his unique scent took over her, her eyes closing as she unwillingly took the time to rest.
It may have been her imagination, part of her dreams whirling with real life, but she thought she felt another head lay on hers in response, a soft smile stretching on her lips.
-Thanks for reading!
Ich liebe dich! 🩵🤍
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hellspawnmotel · 2 months ago
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well you guys really called my bluff on this one, haha. I have a lot to say on the topic so this will probably turn into a long post but the answer really depends on this: what interests you about astro boy, pluto, and the franchise/tezuka's body of work as a whole? what do you want out of this experience?
if you're just looking for places to read/watch these things and that's it, I'll put some links here at the top so you don't have to dig through this whole mess.
you can read astro boy (original manga) here (there are occasionally missing pages on this website, if/when you run into those you can switch to this one which is harder to navigate but complete)
you can watch/download the 2003 anime (english sub) here
you can read naoki urasawa's pluto here
so you're interested in astro boy but aren't sure where to start: my opinion as someone whose point of view you respect for some reason
it didn't occur to me until recently that for a lot of people who follow me, your cultural touchstone for the concept of astro boy is most likely to be the 2009 american movie. I didn't watch that as a kid, I was 14 when it came out and fully into my "anime is superior to western animation" phase, but I've watched it now and well.... if you like it that's great! I did not. I'm not going to dwell on that, but I think it's worth noting that whatever your opinion on it as a movie is I don't really think it's a good representation of astro boy and its themes. moving on.
the manga
if you want the pure, unfiltered astro boy experience, this is as close as you're gonna get. it's gonna be a little haphazard though because the dark horse publication, which is probably the only way you're gonna find to read it in english, does not order the stories chronologically. I don't think that really matters because there's not a lot of continuity so as long as you understand the basic premise you can read in whatever order you want, and this puts a lot of really good stories first anyway so it's nice too. personally as far as all versions of astro boy proper go, the manga is my favorite. it's not always an easy read, for reasons I'll get into in a moment, and it's not always good either. some stories are phenomenal, some are just plain silly, and some are downright terrible. but given how long it ran for and how consistently and without breaks tezuka worked on not just it but all his other manga too I think that's too be expected. but even the bad ones I think are worth a look! this is the history of manga as a medium right here! and I love the manga, it's fun, funny, wonderfully drawn, compelling, shockingly dark at times, and just a fascinating read for those with an interest in classic comics.
all that said, I think it would be irresponsible of me to recommend it without also including a big fat disclaimer, which dark horse was kind enough to put at the front of the book.
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if you have an interest or familiarity with classic/vintage manga, anime, comics, and cartoons, you probably saw this coming, but some of this shit gets REAL racist, most often in terms of how people are drawn. some of tezuka's biggest inspirations were the rubberhose american cartoons of the 20s and 30s, and all that implies. for whatever the opinion of a white american is worth, based on his writing I really do believe he had good intentions- he consistently speaks out against racism and bigotry in general, in astro boy especially. you can tell he was very passionate about it. but I'm not gonna defend the guy either, you can't be drawing people like that, even if it was the 40s-80s. a lot of the experience of getting into tezuka is reading a story where the moral is "racism is evil! end discrimination!" accompanied by straight up racial caricatures in the art. it's baffling and infuriating. if I could I would travel back in time and hire the man a sensitivity reader, but I can't, and he's been dead for 35 years so we'll never know what he would've done about it today. all we can do is take it as an opportunity to learn and do better. but, if all that puts you off getting into the manga or the series at large, I don't blame you!
with that out of the way, the size of the manga might intimidate you. there's a lot of it. lucky for you you don't have to read all of it if you don't want to! I've read the entire thing because I'm a completionist at heart, but I've had several friends come to me for a smaller and more manageable reading list, which is as follows:
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(stars for my personal favorites, grimaces for "I did enjoy this one and I think it's worth reading but I don't feel good about recommending it". I also think "the artificial sun" and "atlas" are important reads if you're interested in the history of the franchise because they get referenced a lot, but they are VERY racist and I don't think theyre good enough overall to make them worth putting on the list despite that.)
that was long. next up:
the 2003 anime
I am not quite done watching this one but I'm pretty close so I feel confident in saying: on the whole, it's great! it looks absolutely fantastic for a tv anime from that era, the character and world design is top-notch, and overall it does a really good job adapting the best and most important parts of the manga into a continuous story, although it softens the blow of the darker moments quite a bit (which might be a good thing for you, depending on your tastes). it's pretty beloved by western fans, and for good reason.
I do have my issues with it, for one this might not be a popular opinion but I think they majorly screwed up on adapting the "greatest robot on earth" arc (my favorite arc btw, yes I might be salty), for another they really sand the edges off of uran's character compared to the manga and make her a lot more meek and girly. but that's just my opinion and if this show is the only one you've watched you wouldnt know that anyway. so don't let that deter you if you're interested, you'll be missing out on a pretty fantastic kids show.
so, if you're looking to really dive chest-first into astro boy as a franchise and understand all there is to know: maybe don't start with this one. it changes a lot from the source material and kind of does its own thing. but if you're just looking for a good story thats fun to watch and total eye candy, go nuts!
pluto
pluto by naoki urasawa is an adaptation/reimagining of astro boy's most famous and beloved arc, "the greatest robot on earth". it's also what got me into the franchise and one of my favorite manga ever! pluto reinvents the story as a detective thriller set in the aftermath of what is effectively, and obviously, the iraq war. it's brutal and harrowing, and beautiful and cathartic and hopeful. to me it is the gold standard for "dark and gritty reboot of a children's story" because urasawa adores tezuka and respects the original version, which was always a dark tragedy anyway, just presented differently. you might have seen pluto got an anime adaptation last year as well. I've watched it, it's pretty good! it doesn't change all that much (I don't like the few things they DID change but whatever) but I just think urasawa's artwork, paneling, and pacing are completely unmatched so I'd recommend the manga first. I'm not gonna be that asshole who insists you gotta read the manga over the anime though, if anime is easier for you you're better off having experienced pluto that way than not at all.
(if you ARE interested in both astro boy and pluto and are considering which to get into first, it's important to know that reading the arc pluto is based on will spoil a loooooot of things about the story. so weigh the pros and cons of that before making a decision!)
so, that's basically what I have to say. I haven't watched the 60s or 80s anime adaptations so I can't give insight on those, and I'm by no means an expert on any of this. I only started reading the original manga like three months ago and before that my memories of the other stuff was pretty faded, before I revisited it. if you're interested though I hope this helps, and I hope you enjoy yourself if you decide to take the leap! it's kind of a rabbit hole. I did not know what I was getting into when I decided to reread pluto, but I'm sure glad I did.
if you have any other questions about my personal opinions, feel free to shoot me an ask as well!
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ilynpilled · 1 year ago
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GRRM on morality, heroism, villainy, and parallax in ASOIAF:
Time magazine wrote of you, “What really distinguishes Martin and what marks him as a major force for evolution in fantasy is his refusal to embrace a vision of the world as a struggle between good and evil.” Do you agree?
I think the struggle between good and evil is central to fantasy and, indeed, in some ways, central to most fiction. It's certainly a worthy subject for fiction. But I regard the struggle between good and evil as being waged within the individual human heart. […] You know, the greatest monsters of history, as we look back on them, thought they were the heroes of the story. You know, the villain is the hero of the other side, as sometimes said. That doesn't mean that it's all morally relative. That doesn't mean that all things are equally good and evil. I think there is good and there is evil in the world. But you know, it's sometimes a struggle to tell one from the other and to make the right choices. I've always been attracted to great characters, maybe because that's what I see when I look around the real world, whether I read about it in history books or the news or just people I meet. I mean, all of us have it within ourselves to be heroes. All of us have it within ourselves to be villains. We've all done good things in our lives, and most of us have also done selfish things, cowardly things, things that we're ashamed of in later years. And to my mind, that's, I don't know, the glory of the human race. We're such wonderfully contradictory, mixed-up creatures that we're endlessly fascinating to write about and read about.
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In your work, you have essentially captured Mikhail Bakhtin's concept of polyphonic fiction, where the characters are equal, and the reader can root for any of them. This has been impossible to convey on the TV series.
I wouldn't say all the characters are equal, but they have (hopefully) human traits, especially the viewpoint characters. I have seven viewpoint characters in the first book, and each book has a few more. So, by now, we're probably up to 12 or 13 viewpoint characters, and those are the ones where I go actually inside their skin, so you're seeing the world through their eyes. You're hearing their thoughts. You're feeling their emotions. And I try to paint over those viewpoint characters, and some of them are noble and just, and some of them are kind of selfish, and some of them are very intelligent, and some of them are less intelligent and even stupid. But they're all human, and I want to portray their humanity. […] I think the battle between good and evil is fought all over the world, every day, in the individual human heart, as we all struggle with the choices that define us and define our lives. And we have to choose what we are going to do, and sometimes the choice is not easy; it's not this absolute juxtaposition of the good guys and the bad guys. And I wanted to get to that with my characters, and show some of the difficulties that they face.
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Another element I liked about the series was the moral relativism of many of the characters. Too many Fantasies rely on the shorthand of truly evil villains in the absolute moral sense, but your characters, while they might commit terrible acts, generally do so either from short-sighted self-interest or because they truly believe they are acting for the best. Was this a deliberate decision, or is it just more interesting to write this way?
Both. I have always found grey characters more interesting than those who are pure black and white. I have no qualms with the way that Tolkien handled Sauron, but in some ways The Lord of the Rings set an unfortunate example for the writers who were to follow. […] Before you can fight the war between good and evil, you need to determine which is which, and that's not always as easy as some Fantasists would have you believe.
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Do you purposely start a character as bad so you can later kill them?
No. What is bad? Bad is a label. We are human beings with heroism and self-interest and avarice in us and any human is capable of great good or great wrong. In Poland a couple of weeks ago I was reading about the history of Auschwitz - there were startling interviews with the people there. The guards had done unthinkable atrocities, but these were ordinary people. What allowed them to do this kind of evil? Then you read accounts of acts of outrageous heroism, yet the people are criminals or swindlers, one crime or another, but when forced to make a choice they make a heroic choice. This is what fascinated me about the human animal.
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Martin's realm is not one of unambiguous heroes and villains. His characters, from royals to peasants, tend to be ethically mutable. So-called good people, like the noblemen Ned Stark, his son Robb Stark or the indomitable Daenerys Targaryen ("the Mother of Dragons"), make terrible mistakes - out of weakness, pride or an overly rigid sense of right and wrong. And horrible people, like Jaime Lannister, known as "the Kingslayer," do terrible things and then, over the course of several books, reveal themselves to be capable of heroism and sacrifice.
As we're discussing this in the theater, Martin quotes Shakespeare's "Julius Caesar" from memory: “The evil that men do lives after them ;/ The good is oft interred with their bones.” Then he adds his own version: “We shouldn't forget about the evil that good men do. But we shouldn't forget about the good either,” he says. “I do think a society needs heroes. They don't have to be flawless.”
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Your books have a very strong storyline associated with the atonement of sins. For example, the way of Jaime Lannister, do you yourself believe in karma?
I don’t believe in karma per se, although sometimes I have my doubts because sometimes I think I see things that could be explained by karma. But no, I don’t really have any beliefs in the supernatural. I do believe in the possibility of redemption. And I believe that human beings, all human beings, are grey. And I try to remember that when I write my characters. We are all heroes, we are all villains, we all have the capacity for great good and we all have the capacity to do things that are selfish and evil and wrong. Sometimes it’s hard to tell the difference. In your lifetime, you can be both. And it’s making choices that defines us as human beings. There’s this sensation of compartmentalism. This eagerness to judge everybody based on the worst thing they ever did, not the best thing they ever did. And you know, I think Shakespeare in "Julius Caesar" wrote “The evil that men do lives after them ;/ The good is oft interred with their bones.” And sadly that’s true. And I think it should be the reverse. We should remember the good things and the noble things that people did, and forgive them for their failures and moments of selfishness or wrongdoing because we all have them. When we forgive them, we are essentially forgiving ourselves. Redemption should be possible.
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Are there any characters that you've kind of fallen out of love with, that you just don't, you know, get excited about any more?
I still love all the characters. Even some of them who aren't very lovable. At least the viewpoint characters. When I'm writing in the viewpoint of one of these characters, I'm really inside their skin. So, you trying to see the world through their eyes to understand why they do the things they do. And we all have, even characters who are thought of to be bad guys, who are bad guys, in some objective sense, don't think of themselves as bad guys. […] “What evil can I do today?” Real people don't think that way. We all think we're heroes, we all think we're good guys. We have our rationalizations when we do bad things. “Well, I had no choice,” or “It's the best of several bad alternatives,” or “No it was actually good because God told me so,” or “I had to do it for my family.” We all have rationalizations for why we do shitty things or selfish things or cruel things. So when I'm writing from the viewpoint of one of my characters who has done these things, I try to have that in my head. And I do, so there's an empathy there that makes me love even people like Victarion Greyjoy, who is basically a dullard and a brute. But, he feels aggrieved and sees the world a certain way. And Jaime Lannister and Theon Greyjoy, they all have their own viewpoints. I love them all. Some I love more than others, I guess.
Who do you think to be the most important characters?
They're all important. I don't favor them, or I don't think of them in terms of importance. The viewpoint characters in the first book I have are Bran, Tyrion, Catelyn, Ned, Jon Snow, the two girls Arya and Sansa. There is the core of the Stark family plus Tyrion to represent the Lannister family. Then I have Dany on the other side of the sea, Daenerys Targaryen, whose story runs parallel and some ways doesn't connect to the others, but some day I'll eventually bring those two stories together. In each subsequent volume I drop some of my viewpoint characters and add new ones. Although the same core still dominates, the cast changes somewhat, and I like to do that. In the third volume which you haven't gotten to yet (he refers to me) I have a new viewpoint character. He's been a major character, but now you see things for the first time through his eyes. Which I think changes your perception of things somewhat. I like to play that kind of game, because we all have our own way of looking at the world. Something occurs and two people witness it. They might have very different versions of what happened, and very different explanations. I like to play with parallax in my fiction, and get different versions of the same thing.
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A Song of Ice and Fire has much of the complex texture of authentic history, both generally and in its specific echoes of actual historical episodes. What laws and principles (if any) in your view govern human history, and how has your understanding of historical processes shaped the series?
Historical processes have never much interested me, but history is full of stories, full of triumph and tragedy and battles won and lost. It is the people who speak to me, the men and women who once lived and loved and dreamed and grieved, just as we do. Though some may have had crowns on their heads or blood on their hands, in the end they were not so different from you and me, and therein lies their fascination. I suppose I am still a believer in the now unfashionable "heroic" school, which says that history is shaped by individual men and women and the choices that they make, by deeds glorious and terrible. That is certainly the approach I have taken in A Song of Ice and Fire.
A Song of Ice and Fire undergoes a very interesting progression over its first three volumes, from a relatively clear scenario of Good (the Starks) fighting Evil (the Lannisters) to a much more ambiguous one, in which the Lannisters are much better understood, and moral certainties are less easily attainable. Are you deliberately defying the conventions and assumptions of neo-Tolkienian Fantasy here?
Guilty as charged. The battle between good and evil is a legitimate theme for a Fantasy (or for any work of fiction, for that matter), but in real life that battle is fought chiefly in the individual human heart. Too many contemporary Fantasies take the easy way out by externalizing the struggle, so the heroic protagonists need only smite the evil minions of the dark power to win the day. And you can tell the evil minions, because they're inevitably ugly and they all wear black. I wanted to stand much of that on its head. In real life, the hardest aspect of the battle between good and evil is determining which is which.
via
When you are writing the different conflicts in Westeros, do you personally pick a side? Or feel that one side fights for a more just cause than the other?
Yes, certainly. I mean, I’ve often said that I believe in grey characters, I don’t believe in black and white characters. But that’s not to say that all characters are equally grey. You know, some are very dark grey, and some are mostly white but they still have occasional flaws. I’ve always been fascinated by human beings and all of their complexity— even human beings that do appalling things, you know, the question is ‘Why?’ And it’s interesting to get inside their head and see why. Some of my viewpoint characters have done some incredibly reprehensible things: Theon, for example, or Victarion Greyjoy. Why? Were they born a monster? Weren’t they born like a cute little kid wanting to be loved and all that? We all start out that way, right? But things happen to us on the way that lead to junctures in our lives where we make decisions, and those decisions and the consequences of them color everything that comes after. You look at [historical figures] and what’s the verdict on these men? Are they heroes, are they villains? Are they great people, or people we should despise? I mean, they are fascinating characters because of their complexity.
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“I don't concern myself over whether my characters are “likeable” or “sympathetic.” (I had my fill of that in television). My interest is in trying to make them real and human. If I can create a fully-fleshed three-dimensional character, some of my readers will like him/her, or some won't, and that's fine with me. That's the way real people react to real people in the real world, after all. Look at the range of opinions we get on politicans and movie stars. If EVERYONE likes a certain character, or hates him, that probably means he's made of cardboard. So I will let my readers decide who they like, admire, hate, pity, sympathize with, etc. The fact that characters like Sansa, Catelyn, Jaime, and Theon provoke such a wide range of reactions suggests to me that I have achieved my goal in making them human.”
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“You want the reader to care about your characters — if they don’t, then there’s no emotional involvement. But at the same time, I want my characters to be nuanced, to be gray, to be human beings. I think human beings are all nuanced. There’s this tendency to want to make people into heroes and villains. And I think there are villains in real life and there are heroes in real life. But even the greatest heroes have flaws and do bad things, and even the greatest villains are capable of love and pain and occasionally have moments where you can feel sympathetic for them. As much as I love science fiction and fantasy and imaginative stuff, you always have to go back to real life as your touchstone and say, ‘What is the truth?’”
via
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stelly38 · 3 days ago
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I've been meaning to share this and finally got 'round to it. Occasionally, I write some review/recommendations for a group I'm in. This was my five cents on Rivals.
Rivals is pretty much everything the press said it would be, and then some, although it doesn’t start out that way. The first two episodes are slow and light on content as characters are introduced and plot points are set. But hang with it—the story really picks up from the third episode, when everything begins falling into place.
I’d been looking forward to this series mostly because it stars the deliciously hairy and handsome Aidan Turner, delightful in the role of Declan O’Hara, hard-hitting journalist and TV presenter fresh off his job with the BBC. He’s lured into indie TV by Lord Tony Baddingham, played by the always-entertaining David Tennant, who is terribly, wonderfully evil in his role as the director of Corinium Television, the biggest company in Rutshire County, where the story takes place. The other main character, Rupert Campbell Black, (Alex Hassell), is a filthy-old-money-rich and famous ex-Olympian, cad, and MP, as well as the Most Handsome Man in all of England™. Lord Tony has hatched a plan to ruin Rupert (the two are sworn enemies) by inviting him to be interviewed live on Declan’s new talk show. Intrepid journalist that he is, Declan has unearthed the dirtiest dirt on Campbell-Black, and he’s just itching to smear him in an effort to keep him from sniffing around Taggie, his beautiful, too-young-for-Rupert daughter.
Add to this mix Declan’s flirtatious and frustrated wife, Maud (Victoria Smurfit), as well as a cast of other colorful, endearing characters, all tangentially connected to Corinium, and the stage is set for all sorts of accurate-for-the-era shenanigans, some of which may be shocking to viewers who weren’t around for this decade. Think British Dallas or Dynasty with nudity and sex, backstabbing and adultery and corruption, and a much better sense of humor. There is full-frontal nudity (Alex Hassell), and many, many pairs of breasts, so be prepared for that.
David Tennant has the bitchiest and best lines, and I laughed good and long at those zingers. Tony is a truly detestable character, but it is difficult to hate him, because David is so wonderful. My favorite scene (barring any naked Aidan Turner) in all eight episodes is when Lord Tony throws an epic tantrum. I’ll leave it there. (FYI, the final episode ends abruptly on a cliffhanger, as the series only goes about halfway through the novel by Jilly Cooper.)
Speaking of Mr. Turner, we get to see quite a bit of him (just not that bit), as well as a huge, ridiculous mustache à la Hal Linden in Barney Miller. The mustache is so big, it kind of makes up for the bit of Turner we don’t get to see… a girl can dream, right? Turner, as Declan, appears mostly naked in the kitchen while getting ready for work; in the tub, scrubbing up; and in various rooms of his home, satisfying his wife. I shed a tear of horny gratitude that television producers have finally refrained from touching Turner’s chest hair, save to comb it, perhaps—those lucky, lucky set groomers.
In a nutshell, the show is a snapshot of 1980s English society folk, framed around the power struggles within the independent television industry. It’s good, silly fun—trash—in a word, that is well aware it’s trash. In fact, it wears that badge with pride. While actual trash has zero value, Rivals manages to sprinkle some sharp and insightful social critique in among all the teased hair, orgies, blue mascara, and insane parties of Rutshire County.
Here’s hoping for a second season.
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joshym · 9 months ago
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Le Morte d'Arthur: Chapter 4
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Pairing: Jake Kiszka x f!Reader
Summary: It all began with a passion for literature. What was once a dream to walk the halls of the University of Michigan is now a reality.
You thought you were prepared for everything.
A new town, a new school, a new way of life,
but what you were not prepared for…
was meeting the enigma that is Jake Kiszka.
Word Count: 32.3k+ (dear lord)
Warnings: (for this chapter) please proceed with caution if you find any of the following to be triggering. MDNI 18+ ONLY struggles with body dysmorphia/eating (including food restriction & calorie counting), strong feelings of inadequacy, heavy emotions/ talks of an absent parent, *extremely* sick & terminally-ill parent, a parent in the hospital, mentions of sexually explicit scene being shot on film, anxiety/stress/depression, jealousy
SMUT-18+ ONLY: fingering & oral (f receiving), nipple stimulation, heavy petting (m receiving), possessiveness, a lot of hickeys(lol), a little praise (please let me know if i’ve missed anything)
a/n: thank you all for being so patient with me. this story is personal to me for so many reasons, & parts of it have been a little hard to write. but, they’ve begged to be written. i hope you all love it. 🤍
also, huge thank you to @jakeyt for being the best editor & my right hand in helping create this. i seriously couldn't have done it without you. love you SO much. you're the best sister i could ever ask for.
Le Morte d'Arthur Masterlist, Series Playlist
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Christmas Eve: Cherry Tree, OK
The ground was buried under mounds of snow. A fluffy, warm blanket of the softest white, yet it froze your little fingers when you buried your hands into its inviting, bright allure. 
You were bundled so tightly in your winter ensemble that you could hardly move. Your arms were stiff as boards, impossible to lay at your sides. You begged your mom to not make you wear it outside, but she and your dad wouldn’t budge. 
“You’ll get sick.” They warned you. But you didn’t heed them. 
As soon as you were outside and safely out of their sight, you shed your pink puffer and matching mittens, throwing them in a deep bank covering the once vibrant flower beds on the side of your house and freeing yourself of their restrictions.
You’d spent what felt like hours outside in the below freezing temperatures. Intricately rounding out perfect snowballs, building the tallest snowman your six year old body could manage, creating the most heavenly snow angels. 
You hadn’t even noticed the sudden pain and tightness that had developed in your small chest, or the dry cough that accompanied it. You were too busy warding off evil snow monsters from your fort made of icey wonder.
Until you heard your first, middle and last name erupting from the opened back door. 
Your mom and dad were there, their faces as white as the snow your body plummeted towards when your small lungs became too tired to allow for another breath of air. 
You spent Christmas in the hospital that year. The whole week, actually. A collapsed lung due to pneumonia, you were told. It was the most painful thing you had yet to experience in your young life. 
But to this very day, you consider it the best Christmas you’ve ever celebrated.
Nurses and doctors showered you with all the toys your heart could ever long for. You opened gifts from your bed and enjoyed the most wonderfully terrible Christmas dinner the hospital cafeteria could offer. 
You ate more ice cream than what was truly necessary. But no one denied your incessant requests for the frozen treat.
You watched Oliver and Company countless times that week, a favorite of yours and your dads. He hated Disney movies, but he loved this one, only because of Billy Joel’s character and the classic song he featured in the film.
He loved Billy Joel. Loved him enough to sit through hours upon hours of the animated film with you. 
Neither him or your mom left your side that whole week. They didn’t even go home to sleep. They just stayed with you. 
There were no fights between your mom and dad that week. Not even one. It was the closest your little family had ever been, and would ever be again. The love you felt from your parents that week has yet to find a comparison.
Crazy as it sounds, you miss that week. You began missing it as soon as you were cleared to go home. 
Their bickering resumed almost as soon as they put you in your special, tiny wheelchair to take you to the car. Whatever magic that hospital held that forced your family to love each other in a way that was brand new to you, was lost altogether once you were wheeled out of the automatic glass doors. 
You knew, once they situated you in the back of your dads double cab, that you’d never see them love each other that way ever again. 
As the Winter thawed to a bright Spring that year, when the snow melted and ran away to the Deer in Water creek that your home stood proudly beside, so did your hopes of ever seeing your parents love you and each other the same as they had that Christmas. 
That was a time in your life when you viewed your mom and dad in the same light. A time when you didn’t hate your dad, a time when he made you believe a man could love you.
When it wasn’t just your dad that caused problems, and it wasn’t just your mom that showed you love. They both did those things.
It’s strange to think back on it all now, to think about how he’s the one that left, and she’s the one dying. (Or already dead.)
You can’t bring yourself to understand why, but that Christmas you spent in the hospital all those years ago is all that's playing in your mind as Jake is speeding to the hospital. 
He’s asked you a few times how you’re holding up, but you can’t begin to try and answer him. 
You’re unable to communicate more than a quiet nod of your head as you're staring through the tinted passengers window. 
There aren’t any tears. No lump in your throat. 
You want to cry, but you can’t. 
Your mind pleads with you to acknowledge the emotions swirling about, desperate to manifest outwardly. But despite the inner turmoil, your body refuses to show it.
You just can’t.
Everything feels numb. 
You’re not even sure if you’re breathing properly.
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You hadn’t even realized how tightly you’d been clutching the necklace your dad gifted you  all those years  ago. It’s somehow serving as a comfort for you as you’re being driven to the hospital, even after everything he’s put you through. You find yourself running your thumb over the engraved initial, just  as you always had before he left.
As much as you’ve grown to hate him over the last year, you can’t help but wish he were here. Not being able to rely on anyone right now is…it’s fucking terrible.
Well, aside from Jake. 
He’s the last person you’d expect to be leaning on.
But it was purely an accident. Him driving you to the hospital is just a happenstance. He wouldn’t have if your stupid car hadn’t broken down (thanks, dad) and if it weren’t for that, you wouldn’t have had to get a ride from Jake in the first place.
But, you’re grateful to him right now. Grateful that he stuck around at your apartment long enough to know he needed to take you to her. 
If it weren’t for him, you’d still be stuck there desperately searching for someone to take you.
Finally, the brakes come to a screeching halt at the emergency room entrance. You absently thank him as you practically jump out of the car. 
You don’t look back, but you hear the thrumming motor of his range rover become more distant as he drives away.
You can’t bring yourself to care at this point as you’re sprinting to the front desk in search of where they’ve taken your mom. 
The young, redheaded man behind the counter with bright green eyes shielded by thick eyeglass frames looks rather shocked at your frenzied state. He’s watching you with his mouth agape, hands frozen on the keyboard of his desktop as he prepares for your inevitable arrival.
“I–I need to f– find my mom. She was just broug–” You take a second to catch your breath, still clutching your necklace for some sort of grounding. “...she was brought here by ambulance and I—” He stops you with a hand held high, asking you to slow down because he can’t comprehend your rushed words.
You can hardly even understand yourself, your voice breathy and stuttering as you’re gasping for air. But there’s no time to wait to catch it in your heaving lungs. 
“I need my mom and you need to tell me where the hell they’ve taken her. Her name is–”
“Miss,” he interupts, standing up as if to intimidate you with his much taller stature in comparison to yours. “If you can’t calm down I’ll have to ask you to leave.” His voice (that he’s clearly manipulated to sound much more threatening) echoes throughout the entire lobby as he’s looking at you as if you’re the crazy one.
This man has started copping an attitude with you that you’re in no place to put up with. You’ve backed down to people you’re entire fucking life, but right now isn’t the goddamn time.
You’ve decided to challenge him. If he wants to be loud, you can be loud right back.
Your fist pounds the counter with a force that causes everyone in the lobby of the emergency room to gasp and silence their voices. The metal container holding pens is jolted over the edge, the clipboard holding the blank paperwork for patients to fill out tumbles to the floor from the sheer amount of power behind your hand. 
There’s a stinging pain running rapidly up your arm, all the way to your shoulder, ringing through your teeth and  vibrating in your skull. 
You don’t even so much as wince from the pain.
A potential broken hand is the very least of your troubles right now.  
“She may be dying,” you scream, your first still held firm atop the white marble. “And if you don’t tell me where the fuck she is, you may have ruined the last time I’ll ever see her.”
The tears you’ve held in thus far begin flooding your face, falling like a heavy rain shower on the granite where your sore hand lies. 
Before the receptionist can start the process of having you escorted out, a tall woman dressed in a light blue set of scrubs stops him before he can make a single move. 
“Tell me her name, sweetie.” Her voice is quiet and her demeanor is calm, her wavy brown locks tied in a sleek ponytail at the bottom of her neck reminds you so much of the way your mom used to wear her hair before she got sick. 
You tell her your moms name through a shaky voice, attempting to make yourself sound more composed so you don’t get yourself kicked out of here. 
She gently moves the receptionist aside (Eric, according to the name badge clipped to the pocket of his shirt) and begins clicking the mouse around, scrunching her eyebrows in focus. 
“Here she is,” she confirms, the printer behind her humming with the physical version of what she can see on the screen. “She doesn’t have a room just yet, hun.” 
You feel defeated and useless. You’re her primary caregiver, and you can’t do your job from behind this stiff counter— not knowing where she is, how she is, what happened. So many unknowns, so much that’s completely out of your control.
You suddenly feel the intense pain radiating from your fist and you instinctively pull it close to you, clutching it tightly against your chest in hopes that pressure will alleviate just how bad it hurts.
“I’ll let you know when she gets a room. Until then, you’re welcome to wait in the lobby.” The tall nurse tells you. 
You nod your head in agreement, knowing there’s nothing you can say or do to make them move quicker. Still clutching your fist, you slowly walk away towards the stained lobby chairs and plant yourself in the one that’s closest to the counter.
You pull your phone out of your jacket pocket in search of something to distract you, but you're mortified to be met with the dead battery symbol upon trying to unlock it.
Great. Nothing to divert you from your thoughts (or the searing pain) for god knows how long. You feel the tears start to well in your sleepy eyes again, and you just decide to let them fucking fall. There’s no sense in trying to keep them in, you need to feel right now so you don’t explode again with your pent up aggression. 
Crying feels like the safest thing to do right now, and the best way to relieve some of the mental (and physical) pain. 
You let your chin fall down towards your chest, watching as the tears land on your sheer tights. You can’t help but giggle a little at how much thought you put into this outfit, only for the night to end like this. You had no way of knowing. No signs that she was doing so poorly on the night you decided to fucking leave her.
But before you have the chance to become too deep in your pity party, you hear the unmistakable sound of shuffling feet walking in your direction. You don’t bother looking up; you figure if you ignore whoever it is, they’ll also ignore you, which is exactly what you want right now. 
But ignoring them isn’t quite doing the trick. You see a pair of black sweats out of your peripheral standing near you, and as you lift your eyes a little more, you see a hand offering you a tissue. 
When you shift your watering eyes up a bit more, you realize it’s Jake.
“Wha-what are you still doing here?” You ask, the crying making your voice meak and raspy. You clear your throat as you thank him and accept his small (but rather meaningful) token. A sweet gesture that you can’t ignore. 
“I just wanted to make sure you found her okay,” he says while settling down in the seat on your left. “And I couldn’t leave knowing you don’t have a way home tonight. This hospital won’t let people stay overnight anymore since the pandemic. Didn’t want to leave you stranded.”
You hadn’t even thought of any of that. Aside from getting to your mom, you had no plan of action. Anything to come after that just hadn’t crossed your mind yet. You're glad someone thought of all those things, because your mind clearly isn’t capable of considering much at the moment. 
“Well, thank you. But I can just call Nat so you don’t have to stay with me.” Your voice sounds a little colder than you’d like it to. But with the way your emotions are surfacing, it can’t be helped right now. 
“Your phone’s dead,” he challenges, pointing to the quiet device sitting in your lap . “So, I’m staying.” 
You snap your head towards him, wide eyes and scrunched brows in question. “How do you know that?” 
“Been trying to call you for the last twenty minutes,” he explains, taking his phone out of his pocket and scrolling through his call log to prove it to you. “It was going straight to voicemail. I knew there was a chance you could’ve been ignoring me, but I had a feeling your battery had just died.”
You can’t deny the grin that’s threatening to consume your tired features. You’re flattered, to say the least. While you didn’t fully expect him to stay to be sure you were okay, you’re not entirely surprised. (It crossed your mind briefly that he could just let you use his phone to call Nat, be he hasn’t offered. And you’re not going to ask. You kind of like that he’s here.)
“She doesn’t have a room yet. They told me they’d let me know when she does.” You adjust yourself in the stiff, plastic chair to face him while he nods his head.
His eyes are heavier than usual. His drooping lids tell you he’s just as tired. Though he’s probably had a much happier evening than you have had. 
Before you let your mind wander too deeply into the fact that he most likely slept with Stacy tonight, you search for anything to talk about with him.
“So, that spookhouse tonight was–” you begin, but he interrupts your thought before you can continue. 
“Shitty.” He states, putting his phone back in the pocket of his hoodie and letting both hands rest inside the fabric.  “Shitty and not scary in the least.” 
“Yeah.” You huff through a chuckle, grateful for the tiny smile it forced out of you. “Stacy was pretty scared, though.”
The look Jake gives you is one you can’t quite place. He looks…uncomfortable? 
You half expected him to giggle along with you, but he didn’t. Not even close. His eyes shift away from you, gazing across the waiting room. 
Fuck. Why did you have to bring her up?
You pull your eyes away from him as you awkwardly set your sights back on your lap. You’re not sure how, but it’s clear you’ve struck some kind of nerve with him.
It’s probably for the best that you keep your mouth shut. And that’s exactly what you do for the next several minutes. 
Without as much as a single word uttered between the two of you, you’re suddenly longing for the moments prior to his arrival in the lobby. The ones you spent pathetically crying in defeat and helplessness. Alone.
But just as it seems that all hope of having a normal conversation with him is lost, he breaks the silence. 
“Is that what they’re called, where you’re from?” 
As you lift your head, you’re met with his drowsy eyes once again set on you, his right eyebrow cocked slightly as he awaits your response. 
“Is what called…?” you absently ask. Your mind became so filled with the painful lull in conversation that you’d all but forgotten what you were talking about before you mentioned her name. 
“The haunted house,” he says. “You called it a spook house. I was just wondering if that’s because you’re not from here.”
It’s funny, because you hadn’t even noticed that you called it that. Didn’t even think twice about it. 
The memory of Sam pointing out the very same thing pops in your mind. You’re then reminded of how you left him tonight. The guilt is weighing horribly on you, but, sadly, it’s a welcome distraction against the worry (and far greater guilt) you’re feeling  for your mom. 
“Oh, yeah.” You fix your posture a bit, facing him once again as he clearly wants to keep some sort of conversation going. “That’s what we call them back home. It’s so funny how we have different names for things just based on what part of the country we’re from.” 
“It’s pretty interesting,” he mutters, a tiny grin peaking through his sleepy exterior.
You just hum in response, not really sure what to say next. The silence was awkward, but this sad attempt at a casual exchange is almost worse. 
You look over to the counter to see if the nurse who helped calm you down is standing there, but all you’re met with is Eric’s creeping eyes on you from behind the marble that may have broken your hand. 
Your hand suddenly begins to ache once more at the thought, and you instinctively bring it up to your chest again to dull the pain. 
“Is your hand okay?” Jake asks, taking note of your wincing expression after moving your sore extremity. 
You’re not sure you want to tell him about your little meltdown from earlier, so you come up with a quick excuse that sounds slightly better than the full truth.
“I knocked it against the counter when I got here, just by accident.” It’s not a complete lie. The accident addition is a bit of a stretch, but it kind of was an accident that your fist met the granite in a fit of rage. (However justified it may be, it’s still a tad embarrassing.) 
He leans closer to you, attempting to look at your hand that you’re still holding against your chest. With a tender touch, he attempts to pry it away from you. You’re so stunned by this that out of instinct, you hold it even tighter.
“Let me see,” he softly demands. 
After some hesitation on your part, (why does he care so much?) you pull it away from your chest, holding it out in front of you and Jake to get a clearer look.
The outer blade of your palm is swollen and already beginning to bruise. It hurts like hell. (And you’re wondering where on earth that physical strength came from.) 
Jake runs his index finger so gently over the inflammation. Amidst everything happening, your body can’t deny the fire that’s blooming under your skin from his feather light touch. 
Your tired eyes flit up to his face, his features wearing stark concern. When his eyes meet yours, you can’t look away. And he doesn’t, either, his finger still tracing a light pattern around the impact point on your fist. 
…and then he stops. He looks away and jumps up out of his seat without as much as a single word. 
He rounds the corner of the hallway and is out of your sight within seconds. Gone. Leaving you sitting here alone and feeling like you’ve suddenly done something wrong. 
Before you have the chance to worry about that for much longer, you notice the tall nurse out of your peripheral walking in your direction.
Your mom.
You stand up to meet the nurse halfway, ready to finally be taken back to see your mom. 
“Hold on,” she says, stopping you before you take a step. “You can’t go back right now, hun.”
Why won’t they let you go back? What don’t they want you to see?
Is it because she’s dead?
The nurse grabs your arm to keep you stable, your legs almost giving out as your body feels a thousand pounds heavier. The blood from your head rushes down through your chest. The dizzying feeling present throughout your weakened limbs.  
Your legs threaten to give out as your body feels a thousand pounds heavier. The blood from your head rushes  down  through your chest. The dizzy feeling present throughout your weakened limbs.
Your body begins swaying back and forth, threatening to collapse from shock, exhaustion…
She grabs your arm to help stabilize you.
“Hey, hey.” She puts her other hand on your shoulder to hold you still. “Everything’s okay. Just sit down for me, sweetheart.” 
She leads you back down to the chair, helping you lower yourself to sit back down. 
“I need you to know that she’s fine, sweetie. She’s asleep, but she’s stable.” 
The tension leaves your body instantly, like a two ton weight has been lifted off your tight chest. 
She’s alive. 
“Can I go back? Can I see her?” You’re nearly begging. 
“Not right now, honey. I tried to bend the visiting hour rules for you, but the big wigs won’t budge. I just wanted you to know that she’s okay, but she’ll need to stay overnight for some extra testing.”
“Everything okay?” Jake sits back down next to you, taking your hand and gently placing ice wrapped in a paper towel on your swollen fist. The cold nearly shocks your system, but it feels so good against the pain.
That’s where he went. He cared enough to get you ice for your ridiculously obtained injury. 
You turn your head to face him, his sweet eyes locked with yours while he holds the ice steady on your hand. 
This isn’t the Jake you’ve grown accustomed to over the months of knowing him. But this is the Jake you’ve wanted.
“She’s okay,” you say, looking down the makeshift pack of ice he brought you. “She’ll just have to stay overnight.”
“I’m glad to hear it,” he responds, dabbing the frozen compress delicately across the bruise.  
“We’re still not certain what happened to her. She fainted; that’s all we know for sure. We’ll run some tests to get to the root of it.” The nurse draws your attention from Jake back to your mom. You distractedly nod, your mind still consumed with Jake holding your hand the way he is. “You’re welcome to come back first thing in the morning, okay? We’ll take good care of her tonight.” 
A small breath of relief washes over you. At least she’s alive. And she’s stable. But fuck…you just wish you could be back there with her. The immense guilt of not being there when it happened is eating away at you. You want to apologize to her, tell her you’ll never fucking leave her again. But, that’ll have to wait until tomorrow. You’ll just be stuck sitting in your guilt until then. 
The nurse begins wishing you a good night, but before she leaves, she glances at your hand that Jake is still holding in his grip. 
“Is your hand okay, sweetie? Do you need someone to take a look at it?” She asks you, concerned. 
“I think I’m okay,” you tell her, looking to Jake who probably has a better idea about your condition than you do. It’s the least of your worries at the moment, you just don’t really care about it in comparison to everything else. This feels insignificant, you feel insignificant. It just doesn’t matter. 
Jake nods, looking at you and then averting his gaze to the nurse. “A little swollen and beginning to bruise, but it’s not broken.” He lifts the ice to inspect it a little further, running his finger over the swelling. “It’s already gone down some. I suppose just keeping ice on it will do the trick.”
You give him a look that says a silent ‘thank you’ for taking care of this for you. If he wasn’t here, you wouldn’t think twice about it.
The nurse smiles in response, then looks to you again. “I’d say you’re in good hands, then. Better not let that one get away.” 
She once again bids you a good night, reminding you that you can come back first thing in the morning. 
Neither one of you seems to react to what she just said. Not aloud, at least. You both just ignore it as you walk through the automatic doors. 
“I’ll go get the car,” Jake tells you, fishing his keys out of the pocket of his hoodie. “Had to park kind of far away. Be right back.” 
As you watch him walk away, you can’t stop replaying what the nurse said over and over in your mind.
“Better not let that one get away.”
If only she knew.
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The ice is melting all over you and Jake’s floorboard. You’re desperately trying to catch every drop in your lap, but it’s proving difficult. You were freezing when you first got into the car, so Jake cranked the heat all the way up for you, but it’s causing you to make a huge mess. 
“I’m so sorry, Jake,” you utter, fighting back a few tears brimming your eyes. It’s not the dripping water that’s threatening to make you cry, it’s the fact that you feel like such a burden. And here you are, being even more of one by dripping water all over his nice car. 
“What are you sorry for?” He asks, peering over to you. You sniff the tears away, not wanting him to see you crying over something so fucking ridiculous. 
“The ice,” you answer through a cracking voice. “It’s melting all over.”
His brows crinkle, looking over at you to assess the situation. His eyes lock on your soaking wet lap for a spell, taking a deep breath before his eyes are back on the road.
“It’s just water, y/n. I’m not worried about it.” He takes the final left turn onto your street that’s now much more quiet than it was the last time he turned here. He pulls into the parking lot, parking in what would normally be your spot if your car wasn’t sitting worthlessly at his place. 
He keeps the car on drive, just letting his foot rest on the brake as he unlocks the door for you. 
“Just keep ice on it intermittently throughout the night,” he reminds you. “The swelling should be mostly gone by the morning.” 
Staring at the darkened apartment building, you slowly nod your head as you’re suddenly hesitant to leave his car for some reason. Your seatbelt is still buckled, your body feeling almost too numb to even manage that.
The thought of going into the empty apartment isn’t by any means a pleasant one. You hadn’t even thought of the fact that you’ll be all alone tonight. No one to take care of besides yourself. (And that’s not something you're well versed in.)
You’ve gotten so used taking care of her since it’s just been the two of you. Being in the apartment without her just feels…wrong. On every level. And being alone in your guilt feels even worse. 
At this moment, you’re not sure you can do it. But you haven’t a choice. 
“Y/n?” Jake’s calm voice pulls you back to reality, to the fact that you’re still sitting in his car, quietly contemplating. He’s probably ready to get you out of here so he can go home. “Are you okay?” 
“I’m fine,” you lie, not wanting to delve into the turning wheels of your brain. 
Then, he puts the car in park, leaning back in his seat as he looks at you with inquisitive eyes. “Are you sure?” He questions. “Because you’ve hardly said a word since we left the hospital, and you’re not exactly in any hurry to get inside.”
Embarrassed, you force yourself to remove your seatbelt. “I’m fine, just a little tired is all. Thank you for taking me tonight, I really appreciate it.” You begin opening the door to let him leave, gathering the mental strength to prepare yourself to walk into an eerie, empty apartment.
“You know, it’s pretty late,” he says as you're one foot out of the door. “And it’s a long drive back to my place. I could stay here, sleep on the couch. That way you’d have someone to take you tomorrow morning.” 
It’s almost like he could hear the thoughts in your head. He knows, somehow, that you can’t handle being alone tonight. Like there’s something within him that understands. 
“Jake I–I can’t ask you to—” 
But before you can finish, he shuts off the ignition.
“You’re not asking if I’m offering,” he protests. And he’s right. You didn’t ask, but you still feel bad. Because you would love to have him stay. “It’s actually easier for me if I do. Saves on gas.” 
Instantly, the thought of having his company makes you feel worlds better. Even if he’ll just be on the couch. Just knowing he’s there will make things a little more bearable for you.
“Are you sure?” You ask, timidly. 
“If you don’t feel comfortable with it, I can just—” he starts.
“No, no. I’d love it if you did. Thank you, seriously.” 
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You’ve been lying wide awake in your bed for what’s felt like hours. Flipping and tossing about in search of a comfortable spot that you just can‘t seem to find. 
It’s not really the bed that’s the problem. It’s your unabating mind that won’t turn off its wandering thoughts. You’ve tried scrolling on your phone, using every app you can think of to distract you. But the thoughts are domineering your every attempt to silence them. 
Did they give her the right medications? Are they keeping her oxygen on her? Is someone staying with her all night to make sure she doesn’t stop breathing? Who called 911? 
Or, the worst one…the loudest one.
Is she dead and they just haven’t called me yet?
You’re so accustomed to her being here, hearing the humming of her oxygen machine, being able to check on her to be sure she’s okay. At least when she’s here, you know. With her gone, it leaves the floor open for your mind to wander to every terrible scenario that you can’t do anything about. You just don’t know what’s going on. And the unknowing is the worst part.
Your grumbling tummy is just about as loud as your mind, reminding you that you’ve not eaten anything in almost twenty four hours. 
There’s nothing else to do, so you pull yourself out of your unwelcoming bed t o go find a midnight (actually, closer to two in the morning) snack. 
Eating is a little terrifying to you right now, but you figure some popcorn won’t do much harm. 
You slowly open the creaking door of your room, holding your breath as it seems to be louder than normal in the dead quiet apartment. The last thing you want to do is wake Jake up, so it’s vital that you’re as silent as possible as you make the journey to the kitchen.
You tiptoe as gracefully as your tired body will allow across the living room, avoiding coming too close to the couch where Jake sleeps as you walk as far away from him as you can, not even looking in his direction.
A sigh of relief passes your lips as you reach the kitchen successfully.
You know that there’s one more bag of Pop Secret sitting on the second shelf of the cabinet right next to the microwave. Relying only on the soft light above the stove, you shuffle through the various items in search of it until you at last feel the familiar plastic cover. 
Instantly upon finding it, you start looking for the nutrition facts to know just how much you’re putting in your body. An old trait of yours that you’ve not done in years, yet suddenly, as if it’s purely muscle memory you flip the bag over to the side to note the amount of calories you’ll be taking. 
I’m not reverting back. I’m just curious about what popcorn is made of, that’s all, you try telling yourself. (Although, you know yourself in situations like these. When you’re stressed, you seek comfort in old habits. One old habit of choice just happens to be food restriction and calorie counting.)
It won��t last long. I won’t let it. I just need something familiar.
130 calories, 6 g fat, 14 g carbs, 2 g protein per 4 cups is printed on the back in dark blue ink.
Could be worse. And there’s nothing saying you have to eat the whole thing. Maybe you can split the bag in half, that way you’re only getting half the fat and carbs. That’ll still be enough to quiet your empty tummy. 
You toss the bag in the microwave and set the timer to three minutes, pressing start and cringing at the loud humming from the appliance. You’ve also forgotten just how noisy preparing this little snack can be. 
Each pop of the buttered kernels echoes throughout the open kitchen and you’re praying to every star that this won’t wake him up. 
With two seconds left on the timer, you quickly open the door to avoid the unpleasant ding that’s sure to wake him up if you didn’t catch it in time.
You pour the contents of  the bag into your favorite blue bowl, designated long ago as the official “popcorn bowl.” You can’t go without a little extra salt, so you dump a good amount over top and sift it around so it’s all coated. 
You’ve realized that you instinctively poured the entire bag, even though you decided to only eat half. You’re not happy about the extra temptation, but you’re mentally telling yourself that there’s no need to eat this whole bowl. 
Shutting the door to the microwave as quietly as you can, you begin to tip toe back to your room to safety.
Only now, you’re met with a slightly horrifying discovery.
He’s laying on his back, sans hoodie that's draped over the arm of the couch and the blanket you gave him sitting just below chest. (God he looks good.) The light from his phone illuminates his face as he’s holding it sideways, seemingly watching a video of some kind. But his drowsy eyes flick to you as you begin the walk back to your room.
As you awkwardly stand in the middle of the room, blue popcorn bowl in hand, he pulls out an earbud and sets his phone down. “Trouble sleeping?” His groggy voice asks. 
“Yeah,” you answer, a little embarrassed that he’s caught you in such a state. “I just can’t seem to relax…but what are you still doing awake? I hope I wasn’t being too loud.”
“I’m a bit of an insomniac, I suppose,” he answers. “Popcorn, huh?” 
He swings his legs over the side and sits himself up on the end of the couch, a silent request to have you come sit next to him. You take the hint. The company would do you a little good right now, anyway. 
“Is it okay if I sit here?” You still can’t help yourself from asking if it’s okay, given your less than welcomed history with him. 
“Under one condition,” he remarks, full smirk across his lips. 
You stop before you take a seat, slightly terrified of what his ‘condition’ could possibly be.
“And what is that?” you timidly ask. 
He flashes you a warm grin that looks all the more inviting under the very dimly lit living room, chuckling lazily under his breath. 
“You have to share your snack.” 
You nervously laugh as you situate yourself on the opposite side of the couch, taking a few pieces of your snack of choice and passing the bowl over towards his direction. 
You catch a glimpse of his phone that’s still unlocked and sitting upright, paused on what looks like some professional chef working away on some fancy meal.
Perfect opportunity for an ice breaker. 
“You like cooking?” you ask while tossing a piece of popcorn in your mouth. (You’re really hoping you just got a bad piece, because it tastes burnt to hell and way too salty.)
“I dabble here and there,” he answers through loud crunches.
“I’m the one who needs to watch those videos,” you say, wincing at the second piece you’ve now eaten that tastes just as bad as the last one. “I’m probably the worst cook I know.” 
“I’d say so,” he acknowledges through a soft giggle, wincing as he tries more of your snack. “You’ve burnt the shit out of this popcorn and you didn’t need to add so much salt.” 
Of course, he noticed. 
You’re thankful for the mostly dark room as you can feel the blood rushing to your face over ruining something as simple as popcorn. 
But, it’s making him laugh. And you’ve come to really appreciate the moments that you do get to hear him laugh, because it isn’t often. Even though it’s at your own expense, you’ll take it. 
It’s surely been a great way to combat any awkward silence between the two of you. 
You chuckle to yourself as you set the popcorn bowl on the couch, centering it so you and Jake can both grab some as you please. 
“So,” he begins as he brings his feet up to rest on the coffee table in front of you. “I know you’re from somewhere where haunted houses are called spook houses. Where might that be? If you don’t mind me asking.”
“Oklahoma,” you answer, a little embarrassed. You’ve learned that your home state isn’t much of a popular one amongst people. Although you do understand why, you can’t help but find yourself missing it every now and again. It has its charm, however hard it may be to find. You know it’s there. Parts of it still remain lovingly in your heart. “A very, very small town in Oklahoma called Cherry Tree.”k,
With a soft nod of his head, his hair falls around his face and even in the dark, you can see how shiny it is. You can even see the soft smile over his lips. “I hear it in your voice,” he softly says. You look to him with question, silently asking him to elaborate. With a snicker, he continues. “Your little southern drawl. It’s not very strong, but it definitely stands out around here. A far cry from a Michigan accent.” 
Your whole life, you’d tried to mask your naturally derived, southern accent. You hated it. And you hated when people told you that you had one. It just made you want to unlearn it even more. 
Especially when you knew you would move to Michigan. The last thing you wanted was to stand out as if you’re not from here. 
Clearly, your efforts were useless. And as much as you’ve cringed when people have brought up the way you talk in the past, there’s something about hearing Jake point it out that actually makes you a little fond of it. 
Maybe it truly isn’t something to feel any shame over. It makes you unique, sets you apart, and perhaps that doesn’t have to be a bad thing. 
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Time feels mute, like it doesn’t exist in this realm you and Jake are together in. 
The early dawn is creeping through the window blinds, and when you glance at your phone, you come to realize that you’ve been talking with him for nearly three hours, and that’s shocking  to you—it’s shocking because it doesn’t feel like it’s been that long. 
The conversations have been flowing so naturally, so authentically. He’s easy to talk to. So easy. You would've never guessed how seamless keeping a conversation going with him could be. 
And, to your astonishment, he’s done most of the talking. You’re witnessing a brand new side of him, one that you could’ve sworn wasn’t there. It seems as though he’s finally comfortable with you. Which is a really good thing, considering he’s spending the night in your place. 
He’s been the best distraction for you amidst everything. If he weren’t here, you’d be lying in your bed, probably crying your eyes out and dealing with the anxiety all alone. 
He’s the very last person you’d suspect would be here for you in a time like this. But, fuck, if you aren’t so happy that it is him.
And as time has gone on, you’ve both moved closer and closer to each other. His legs are spread out on the expanse of his cushion and yours, while your legs are slowly coming to rest on top of his, your body facing him. 
Every so often, his hand will find your calf as if he’s done it a thousand times before. An innate gesture that he hardly seems to notice he’s doing.
But you certainly notice, every single time it happens. Each brush of his hand against your skin causes your heart to flutter. It’s innocent, of course. But it’s the fact that he’s finally revealing himself to you, that he’s trusting you. 
It feels good. It feels really good. 
You’re listening intently as he’s telling you more about the music that has shaped his life up until now. You’ve never noticed all of his little mannerisms, like the way he brushes the tip of his nose after he laughs, or how his hands struggle to stay still when he talks. 
And his eyes, the way they beautifully catch the early light. Their color like a glass of honeyed whiskey over ice, glowing against the rays of the young sun. 
“...and that’s when I discovered the versatility of the SG. My dad searched the entire midwest until he finally found one for me.” The palm of his hand comes to rest on your leg again, only this time, it’s a little higher. His fingertips dare to brush the inside of your upper thigh, his thumb tracing delicate circles across your now trembling skin. The fire within you is growing, felt from the pit of your stomach to your swimming head. “That guitar taught me how to challenge myself. My dad encouraged me every day to keep playing and I’ll never be able to thank–” 
Something changes in his eyes, his expression faltering as he falls silent. There’s a sudden difference in him, one you can’t quite grasp.
And then he looks down at his hand still placed upon you, and with a thousand silent words, he removes it. Quickly. Like he didn’t realize it was there in the first place. Or, worse; like he was suddenly repulsed by the fact that he was touching you. 
The room changes abruptly, the air feels heavier, denser. You notice he avoids meeting your gaze, his thought left unfinished.
What have I done wrong?
“Jake?” 
He moves so he’s now sitting upright, as close to the other end of the couch as he can be. Furthest away from you.
“I should…I should probably get some sleep,” he says, the words sounding ever unsure. “And you should, too. We’ve only got…” He takes his phone to look at the time, breathing deeply from his lungs when he sees that it’s nearly six in the morning. “Jesus.” He runs a hand over his face in…frustration? Exhaustion? You can’t be sure. “We’ve only got about two hours until they allow visitors, and I’ve got to go to work right after.” 
You take the hint that he wants you away from him. 
But for what reason? Well, you’ll be left to wonder that for the next few hours, alone. 
You don’t say anything as you stand up, only nodding your head and shielding your face the best you can.
You don’t want him to see the new tears that have begun to surface. 
“Sorry,” is all you can muster as you open the door to your room. He doesn't respond, only pure silence comes from the living room. 
Whatever you did, it was enough to force him to realize he doesn't want to be close to you, emotionally or physically.
It was going so well. But, you ruined it. Just like you ruin everything else in your life. 
You’ve no doubt that you won’t be getting any sleep for the next few hours. Your thoughts are too loud, screaming everything you’ve ever done wrong in your ear. 
And you can’t get the look in his eyes out of your head, how they appeared uncomfortable being in your presence. How he suddenly decided he didn’t want to be around you. 
But, then again, you can’t blame him. Because who in their right mind would want to be around you?
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The alarm on your phone is blaring. You’ve been  counting down the minutes until it was set to go off, laying in complete silence and watching nothing but the clock. Every second felt like twenty minutes in your brain.
When you walk out into the living room, you’re met with an empty space. No Jake. 
Did he leave…? 
The couch is back to normal, the blankets you gave him folded and sitting on the cushion under the pillow you let him use. (Your favorite pillow, but you’ll never tell him that you sacrificed it for him.)
Great. He’s gone. 
And you have no way of getting to the hospital without him. 
Natalia.
You’ll call her, see if she can take you. 
Which you shouldn’t have to do. He said he would take you, and he just fucking left. 
It’s safe to assume that whatever relationship you were building with him last night, has all but left the apartment with him. 
Deciding it’s not worth your time at this point, you grab your phone, unlocking it and tapping on Nat’s contact to call her. 
It’s ringing. And ringing. And ringing. 
Fuck. If she doesn’t answer, you don’t know what you’ll–
“What are you calling me so early on a Saturday for?” She finally answers, her raspy voice a clear indication that she’s just woken up.
“I need your help, Nat. Can you come get me and take me to the hospital?” 
You hear her gasp on the other end of the phone. 
“What? Are you okay? What’s going on?” she asks, her questions coming in quick succession. 
“To make a long story short, my car broke down at the Kiszka’s last night, so Jake had to bring me home. There was an ambulance when we got here, and it were here for my mom. They took her to the hospital, but I had to come separately. So, since I didn’t have my car, Jake took me. I couldn’t stay the night with her and when he brought me back home, he stayed the night to be here in the morning to take me back to her, but he left a while ago and I was hoping you could come get me.”
Even you can’t believe the words out of your mouth. A convoluted mess that you hope she’s comprehending at such an early hour. 
“Holy shit, y/n. Yeah, of course. Is your mom okay?” she questions after a brief moment of silence, probably in an attempt to understand the shit show you’re currently dealing with. “And where the hell did Jake go?”
“Wish I knew,” you say with a cynical tone. “And I don’t really know. They told me she was stable last night but they still needed to keep her. Since I was gone, I have next to no idea of what happened.”
Just as she begins to respond to you, you feel your phone vibrate against your cheek. 
“One sec, Nat. I think I just got a text.”
Jake: I’m outside in the car. Ready whenever you are.
“What the fuck, Jake,” you mutter softly, but loud enough that Nat heard you on the other end of the phone call you’re still on. He couldn’t have communicated this to you? 
No. Instead, he just made you believe he left. 
Either way, you’re glad he’s still here. He’s not that cold towards you. (Although you’re not exactly shocked at the fact that you didn’t question it when you thought he left.)
“What did he do?” You hear her say at a low volume. 
Bringing the phone back up to your ear, you say, “He’s still here, apparently. Just in the car waiting for me. I’ve got to go, I’ll keep you updated.”
With that, you hang up the phone and quickly begin to get ready. 
You take the first pair of leggings you see sitting in your dresser, then decide to throw on your vintage, oversized Billy Joel sweatshirt that you'd completely forgoton you owned. 
The state of your hair is one that you can’t do much with at the moment, you figure a messy claw-clip bun will have to suffice. You put a little moisturizer on your face, grab your belt bag and keys, and run out the door. As much as Jake has upset you in the last few hours, you still don’t want to keep him waiting any longer than he already has. 
He’s sitting in his car, just like he said. Wearing the infamous John Lennon frames that remind you of when you first encountered him. You had no idea at that moment, when he brushed up against you in the hall, when he tried to make you look like an idiot in class, that you’d be here with him. And if you’re honest, given the way he reacted to your closeness last night, you’re not sure this is much better. 
It’s like he wants to be closer to you, but when the time actually comes, he realizes it’s you he’s getting closer to, and backs off. And that effectively makes you feel about a hundred times worse than you did a few months ago. 
“Sorry, I didn’t realize you were out here already,” you tell him as you open the passenger door and take a seat. 
“No problem.” He waits until you’re buckled and settled before he starts backing out of the spot, his right hand grabbing the head rest of your seat while he turns his body to have a better view of the back window. 
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The drive has been quiet, (shocker) save for his music. Something you can’t deny him is his impeccable taste, his taste that is so similar to yours. 
He must’ve taken notice of your Billy Joel sweatshirt, because, ironically, Vienna begins playing over the speakers. One of your favorites. And one that, without fail, makes you cry every single time. He probably queued it up because of your shirt, but little does he know of the deep, deep history you have with this song. 
He doesn’t know that your dad used to play this song while you were getting ready for school in the mornings, how he told you one time that he wanted to name you the title of this track, but your mom wouldn’t agree to it. But, that didn’t stop him from associating the tune with you. 
He called you his little Vienna for a good chunk of your childhood, up until you got to high school and asked him to stop out of embarrassment. You didn’t want everyone privy to your dads nickname for you. Just a normal, teenage thing. 
Then you remember…This was your dad’s sweatshirt that he gave to you a long, long time ago when he left for a work trip. You were devastated that he was going to be gone. He gave it to you for comfort, to keep a piece of him with you while he was away. 
And you chose to wear it today, of all days. When you need the extra comfort. When you know, deep down, that you need him. Your subconscious knew it. That’s why you gravitated towards this shirt without even realizing that you were. 
You’ve not heard this song since he left. Not even so much as thought about Billy Joel’s music, let alone this sweatshirt that somehow made the move to Michigan when you thought you got rid of everything from your dad. 
A single tear falls from your eye, landing on the top of your lip. You taste its salty presence before you wipe it away with the cuff of your (his) shirt. 
The lyrics feel heavier than they ever have. 
Why don’t you realize…Vienna waits for you?
When will you realize…
As the song comes to an end, as Billy plays the final note on his piano, you arrive at the hospital. (Something about it feels poetic.)
He stops at the main entrance of the hospital this time, instead of the emergency room one.
“I have to go into work,” he says while you’re unbuckling your belt. “So just text me and let me know when you’re ready to leave and I’ll come get you.”
“If it’s too much trouble for you, I can just ask Natalia.” You say as you get out of his car. “ I’m sure she wouldn’t mind. She doesn’t work today, so it’d be easier for her.” 
Your tone is awfully cold. Distant. 
You feel like you’ve bothered him enough. So, you want to give him an out. He probably regrets ever helping you in the first place. 
His eyebrows become wrinkled underneath his sunglasses as he’s looking at you. Before you go to close the door, you hear him speak up.
“Well, that–that’s up to you, I suppose. But I don’t mind, y/n.” 
“I’ll let you know,” you say, staring down at your feet as you’re finding it difficult to make eye contact with him right now. “Thank you again.” 
And after that, you shut the door and walk towards the front door, hearing him drive away behind you.
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“She’s in room 430. Just take the elevator to the fourth floor and follow the signs. You’ll come up to locked doors, so you’ll have to buzz in with the phone on the wall. Just tell them your name and who you’re here to see, and they’ll let you in.” This receptionist is worlds kinder than the one you encountered last night. She’s got kindness inscribed in her dark eyes, and a smile that tells you she truly cares about her job. Her long curly locks are beautiful and charming, the color a lovely shade of auburn. Perhaps not natural, as her roots are nearly black. But this shade suits her skin tone perfectly. 
“Are there stairs I could take instead?” You ask the curly headed receptionist. Elevators are not your thing. You’ve had a lifelong fear of becoming trapped in one, and with your anxiety levels higher than usual today, it’s probably best if you avoid them altogether. 
She shows you a warm smile as she guides your sight in the direction of the staircase. Thanking her, you quickly head that way.
The climb up the stairs is grueling and as you finally reach the last step, you’re struggling to catch your breath. It seems you didn’t realize just how many steps there are in four flights. It’s a lot of steps. But, still much better than the chance of becoming trapped in a tiny ass elevator. 
After catching your breath, you take heed of the receptionist's directions and follow the signs that lead you in the direction of her room. And just like she said, there’s a set of locked doors with a phone hanging on the wall. 
As soon as you lift it from the receiver, someone answers instantly. You tell them your name and your moms. They verify her birthday with you and once you tell them the correct date, you hear the doors unlock. You thank them before hanging up the phone and heading down the long, somewhat eerie hallway. 
You’ve always wondered why hospitals look like this. The cold, stark white walls and matching laminate flooring, the harsh fluorescents that are painful to look at. Nothing about it is inviting or comforting in the least, and you’ve always thought they should be. Especially for long term patients that are stuck here for god knows how long. 
It just doesn’t make sense to you. In your mind, hospitals should strive to have a warmer environment, for nothing else other than to make people feel more at ease when they’re in hard situations. 
As you’re nearing the end of the hallway, you see room 428 on your left, 429 a little ways further on your right, meaning 430 is the very last one on the end to your left.
The door is open, and just as you’re approaching it, a nurse is leaving the room with her rolling cart that’s carrying a slew of things to check, what you’re assuming, are vitals. 
She smiles as she walks past you, her squealing cart still audible as she rounds the corner to the unit secretary desk. 
You’re still for a moment, standing just a mere feet from her. Out of her sight, of course. And she out of yours as you’re not standing in the view of the doorway. 
There’s a rush of hesitancy forcing you to stay where you are. You’re not sure where it’s derived from, perhaps it’s from the fear of seeing her in such a state. 
Perhaps it’s something else. But you don’t know what.
Finally deciding that just standing here isn’t doing you or her any bit of good, you put one shaky foot in front of the other and walk towards the open door. 
And then, you see her.
Looking the smallest she’s ever looked in your eyes. She looks too small for all of the devices she’s hooked up to. 
Tangled wires. A mess of tangled wires and tubes and IV bags…
As you walk in a little further, she hears you. Her eyes, ever slow in their movement, blink open and shift to you. 
They’re heavy, almost drooping down her pale cheeks. They look tired. So, so tired.
“Hi, honey.” Her words come through in a sad attempt of vocalization. You hardly understood her, more so relying on reading the movement of her lips than anything. Her hand, complete with an IV needle, raises to motion a weak wave at you. 
I wasn’t there. I wasn’t fucking there when she needed me. I can’t leave her…I can’t leave ever again. It’s all my fault.
“Mom I’m–I’m so sorr–”
“You must be y/n!” You hear a booming voice from behind you, interrupting entirely. When you turn around, you see an incredibly tall man wearing a set of blue scrubs with a white lab coat on top. “Your mom has told us a lot about you. I feel like I know you already.” 
As he reaches out his hand for you to shake, he smiles widely when you take it in yours. “I’m Doctor Roth. It’s nice to meet you.” 
He seems positive. The smile he’s wearing makes you believe that everything just might be okay. “It’s really nice to meet you, too,” you say, a little timid. 
You look back to your mom, who seems to have fallen back to sleep. Rest is probably the best thing for her right now, so you don’t want to wake her. Even though all you want is to talk to her, tell her how terrible you feel that you  weren’t there. But it can wait. As long as she’s resting. 
“Hey, y/n.” Doctor Roth pulls your attention away from her with his James Earl Jones-esque voice. “Would you mind coming to speak with me for a moment?” 
While his bearings have changed a bit, he’s still smiling. But, something is a little off in his tone with the question he asked you. 
“Um, yeah. Of course.” You tell him, although you’re not sure you want to have this conversation. 
Will he tell you that she’s progressed much further than you initially thought? That she’ll never leave this hospital again? She’s dying and will be dead soon? 
As he leads you down the hall, stopping at a little room near the restroom, your heart is thumping rampantly in your tightening chest. 
“Before we begin,” he says while pulling a wooden chair out for you to have a seat. “Is there anything I can get you? Water? Coffee? I believe we have herbal tea, if you’d prefer.” 
Herbal tea always sounds wonderful to you, but you’re not sure you could even stomach a simple cup of water right now, so you politely decline his kind offer. 
“I would just like to ask you a few questions about your mom, if that’s okay.” He takes a seat directly across from you at the round table centered in the middle of the conference room. 
You nod your head, letting him know you’re okay with it. 
“I understand she is prescribed a series of medications for her pulmonary fibrosis. If my memory serves me correctly, she’s on Ofev, Pirfenidone and an anti-inflammatory. Is that everything?” He asks you, taking his rectangle frames off and placing them on top of his head.
“Yes, that’s correct.” You give her those pills every single night. You know their strange names by heart at this point.  “She also uses a few different inhalers to help airflow from her lungs. And she wears her oxygen about eighty percent of the time, of course.” 
“Right,” he says, blowing out a long sigh as he sits back in his chair. “Well, let me ask you this. When was the last time she took those medications? That you know of, of course.” 
“She took them last night before I left.” You answer, confidently. 
“Are you sure she did, y/n?” 
“Yes, of course I’m sure,” you say with a little offense. “I watched her take them before I left—” 
Then, you suddenly remember that you didn’t actually see her take them. You left them out for her and reminded her to take them before bed, but you didn’t see her take them. 
“I guess…I guess she didn’t take them before I left. But, I’m sure she took them before bed. She always does.” There’s a terrible feeling present within you, making your already turning tummy feel a lot worse. “Doctor Roth, why are you asking me this?” 
“There wasn’t any indication of them in her system when she came in. Usually, those drugs can be detected for a few days after they’ve been taken, but there was no sign of them in her bloodstream. Meaning, she hasn’t taken them in at least two to three days.” 
No. He’s wrong.
“That’s not possible. I give them to her every night. With the exception of last night, I always watch her take them. I make sure she takes them. I’m sorry, but you’ve got to be mistaken.” Your offense has now shifted to full on defense. 
He’s questioning your ability to take care of her, and that is not something you will take lying down. There’s a whole list of things you’re terrible at, but taking care of your mom is not part of that list. You know that for a damn fact. 
You’re not going to sit here and take this, so you decide enough is enough and stand up from your chair to leave. 
“Y/n, please. I need you to listen to me. The progression of her disease, it’s…” That word. Progression. It stops you dead in your tracks. You hate that word. “...it’s the quickest I’ve ever seen in my fifteen years of practicing. If she were taking her medication as she’s supposed to, her lungs wouldn’t look as bad as they do. They would still look bad, but those medications help to slow the stiffening of her lungs. But with the state they’re in, it’s clear that she’s taken very little to no medications.”  
You’re not sure what to make of this…what is he saying? 
Well, clearly he’s saying that she’s not taking her medications…but how? 
You give them to her, you see her take them…right?
“Is—is there a chance her disease is just progressing more rapidly than what’s normally expected?” You hate saying those words. They feel like poison coming out of your mouth. But they sound better than “she’s not taking her medication.”  
He stands up from his chair to stand closer to you, taking his glasses off his head and placing an end piece on his bottom lip. “That is a possibility, although that doesn’t explain why we saw no signs of her medications in her bloodstream.” 
“Is she on them now? Is that why she’s so groggy?” You ask him, remembering how she was hardly able to speak or move when you saw her just moments ago. 
“Yes, she is. And that is another sign that she’s not been taking them as prescribed. Her body should be adjusted to the severe lethargy that these are known to cause, and it’s clear she’s not.” 
While you know Doctor Roth has no reason to lie to you, you still can’t bring yourself to believe him entirely. It’s not like your mom to do this, to not take care of herself. 
But there’s no sense in arguing with him anymore. It’s not worth it. Doesn’t change the fact that she’s here. 
And as that terrible thought resurfaces, you’re reminded of a question you need to ask him. 
“How much longer will she need to stay here?”
“I can’t be certain,” he answers. “But we’ll need to monitor her a bit longer, run a few more tests. At least another three days or so, but we’ll let you know when we believe she’s ready.” 
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She’s still fast asleep, having been for a few hours while you sit quietly on the stiff couch in the corner of her room. The room is small, stuffy. Her only source of entertainment is a tiny television mounted high on the wall. 
You know she hates it here. You hate it for her. 
But the one redeeming thing about this room is her giant window that offers a beautiful view of the city skyline. Detroit is always busy, always bustling. 
But it’s lovely, especially from this fourth story view. 
And it's a nice distraction from the beeping monitors and noisy machines. 
Nurses have been in and out every hour to check her vitals, making small talk with you while they record every result. They’ve all been so friendly, each one of them asking if they can bring you anything to eat. You’ve turned them down each time. 
Food hasn’t been your concern today. Wasn’t your concern yesterday, either. 
You’re hungry, that much you can tell. But you can think of a million things you’d rather do right now than eat. Eating would only increase your anxious thoughts, and that wouldn’t do you a bit of good at the moment.
You can just eat when you get home. You’ll last until then. (You’ve lasted a hell of a lot longer than this before.)
You suddenly feel the vibration of your phone still tucked away in the waistband of your leggings. 
To your astonishment, it's a text from Jake. 
You didn’t expect to hear from him, but seeing his name on the screen of your phone does feel nice. It feels really nice, actually. 
Jake: I meant to ask but it slipped my mind. How's your hand?
You’d completely forgotten about your hand. But Jake didn’t.
And it warms your heart that he thought to ask about something so meaningless to you. 
You look down to examine your fist to give him a proper answer. Aside from a slight purple tint on the skin, you wouldn’t be able to guess it was injured at all.
You: It’s much better. Some bruising but no more swelling and I can hardly feel it. The ice really helped!
He responds almost instantly, meaning he probably still had your messages still pulled up on his end. 
Jake: Good. : )
Jake, although he has his moments, is great at forcing a smile out of you when it feels impossible to do so. 
His message is reassuring, especially with how last night (early this morning, actually) ended. 
Before you can type out a response, you notice she’s beginning to stir just a bit. She’s done this periodically throughout the day, but this is the first time you’ve seen her open her eyes since this morning when you first arrived.
She turns her head a bit towards you, so you get up and move closer to her. 
“Hi, mom.” You say softly.
She smiles at you, the best she can despite every obstruction on her face. 
Just then, a nurse walks in for her hourly check. “She’s awake!” He excitedly exclaims. 
He’s young, probably a fresh graduate. You’ve seen him in here once before a few hours ago. He’s very sweet, the kindness you’d expect every nurse to have. 
He runs through her vitals quickly, telling you he wants to give you two plenty of alone time. 
You thank him as he leaves, and he flashes a sincere smile while he turns the corner of the hallway. 
Her eyes are suddenly glued to you, but not just you. Your sweatshirt. 
“Where’d you find that, honey?” She questions. 
“Oh, I don’t know I just— I’m not worried about it. I am worried about you. What happened last night, mom?”
You’re sure she recognizes that it’s your dads…and you feel terrible for wearing it around her right now for that very reason. You just didn’t consider it. So, it’s probably best to change the subject. 
She sits up a bit and you reach out to help her. You place her pillows in a way that keeps her upright without her needing to use much strength to do so. Once she’s comfortable, you sit down in the recliner next to her bed. 
“They’re telling me all kinds of crazy things,” she says. “I’m just fine, I know I am.” 
They’ve more than likely asked her about her medications, how they didn’t find any in her system. You want so badly to ask her about that. But, it’s not the time. Not yet. 
“I feel so bad, mom. I shouldn't have been out that late. I should’ve been there, I could’ve done something, I…” Your throat becomes tight with a lump, your eyes brimming with a hundred unshed tears. It’s just all too much. And you feel like you’re to blame. You just can’t shake that feeling. 
“Don’t be sorry, sweet girl.” Her weak hand reaches out for yours. As you take it, you notice just how clammy she feels. “It would’ve happened whether or not you were there. I think it was bound to happen sooner or later.” 
She’s probably right. But, had you been there, maybe the ambulance would’ve been called sooner.
The ambulance. How did they…? “Mom, I have to know who to thank for saving your life.” The tears are streaming down your hot cheeks at this point. “Do you know who called?”
“Mrs. Sweeney,” she answers right away, as if it didn’t require any thought. “Bless her soul. She’s the sweetest lady. She heard me cry out just as I fainted, and called 911 for me.”
Mrs. Sweeney is your next door neighbor in your complex. She’s been the most wonderful neighbor to your and your mom since you moved in. It makes perfect sense that she’d be the one to call. 
“I’ll have to thank her,” you say, wiping away the tears. “She did what I should’ve been there to do.”
Her eyes suddenly widen, a stark contrast in how they’ve looked all day. “There’s…there’s no need, honey. I already thanked her. Called her last night, she’s been thanked plenty.” 
She could call Mrs. Sweeney…but not me?
“Oh. Well, okay," you say, confused. “I guess it would be beating a dead horse at this point to thank her again.” And with that, her eyes go back to their groggy state, closing slowly as she falls back to sleep.
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“How is she?” Jake asks as you climb in the passenger's seat. He insisted on coming to get you as soon as visitings hours ended. Wouldn’t take no for an answer. He told you he was already on that side of town anyways, so he didn’t see the point in you asking Natalia to make the trip. 
“She’s…I don’t really know, to be honest.” It’s true. You don’t know how she is. You’re leaving the hospital with more questions than you had coming in.
His question…there’s just no easy way to answer it. “She’s okay, for now. But she…she may not be much longer. It’s…complicated.” 
“You don’t have to tell me more if you don’t want to. I’m glad she’s okay at the moment.” He tells you.
You smile at him, then relish in the silence the rest of the way home. 
You’re grateful that he’s not prying. It’s too much to talk about right now, and it seems he’s picked up on that. 
You breathe a deep sigh of relief when you arrive at your apartment, ready to climb in bed and try to get some much needed sleep. 
You thank Jake before he leaves, fishing for your keys out of your belt bag as you head up the stairs to the third floor. 
Once you make it to your door, you see Mrs. Sweeney leaving as you’re about to walk into your place. Your mom told you not to thank her again, but you can’t help it. You still haven’t thanked her, and it’s just not in your character to ignore a good deed from someone.
“Mrs. Sweeney?” You say as she’s locking her door. 
“Hi, dear! How's your mom today? I’m sure you two have had quite the night.”  
“She’s okay,” you say, the words feeling like a lie. “All thanks to you. I can’t thank you enough for calling the ambulance last night. Seriously, you saved her life when I wasn’t here–”
You stop talking once you see her expression change. She looks befuddled, almost disoriented. “Oh honey, I’m not the one who called last night. I thought you did, dear.” 
…she didn’t call? 
“But my mom said— you didn’t hear her call out for help?”
With a contemplative look, she puts her keys in her purse and faces you. “I didn’t hear anything. And I was home all night. This is the first I’ve left since yesterday morning. I’m sorry I didn’t hear her, dear. Were you not home?” 
As if it were even possible, there are more questions filling your head. 
“I wasn’t, but I’m sure one of the other neighbors called. Sorry to bother you, Mrs. Sweeney. I hope you have a good day!”
“Not a bother at all, love.” 
You walk into your empty apartment, in a near state of shock. 
Why did your mom lie to you? And so blatantly, at that? It’s not something you want to let yourself believe. Maybe it was because of her state, she was just confused after everything. But…she didn’t look confused. 
And she told you she talked to Mrs. Sweeney herself, which clearly didn’t happen. 
As much as you want to figure all of this out, you’re far too exhausted to give it much more thought. You need sleep. Sleep first, then you can get to the bottom of it. But for now, the only thing you’re craving is your bed. 
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A pounding on the door  wakes you from the depths of your slumber, nearly startling you off the bed in the process. The post nap disorientation is in full effect. The sun was still up when you laid down, and now your room is in almost complete darkness. 
The pounding on the door persists, forcing you to wake up all the way. Who in the world…?
Hesitant to answer with it being so late and being all by yourself, you reach for your phone in case you need to call someone.
And right as you go to grab, you realize you have four text messages from Nat. 
Nat: Are you home yet??
Nat: If you are, be ready to come outside in about 20.
Nat: Hello?
Nat: COME OUTSIDE! We have a surprise for you. 
Based on the messages, you’re realizing that Nat is the persistent knocker. You love this girl so much, and you’re hoping that whatever her surprise is was worth waking you up for. 
Also, you’re not sure what she meant  by “we,” though you’ve got a hunch it could be her new suitor. 
You: Sorry, just woke up. On my way
Summoning what little strength you have left, you force yourself to get out of bed and head towards the front door. Your feet are literally dragging as you walk across the dark apartment. Turning on the outside light, you swing open the door to Nat’s beaming, beautiful face adorned with a full toothed smile. 
“Hey there, sleepy head!” 
Bringing your hand up, you rub what’s left of your (very little) sleep from your eyes. 
“What’s your surprise?” You ask with a tired voice. 
“Hold out your hand,” she says, an enormous grin still across her face. “And close your eyes.”
With as heavy as your eyes still are, closing them isn’t an issue. (You just wish you were still in bed while doing it.)
You do as she says, and as soon as your eyelids are shut and your hands are outreached, she places something peculiar in your flattened palms. 
“What is thi–'' you begin to ask, interrupted by her as she practically yells for you to open your eyes. 
And when you do, you see a single key. 
But, not just any key. It’s the key to your shitty ass Firebird.
“What the hell? Natalia Delores, what did you do?” You ask her, having a good idea of what this is all about.
And then you hear a honking coming from the parking lot. As you look over the edge of the stairs, you see Danny’s curly brown locks hanging out of the driver's side window of your car. 
“Surprise!” She exclaims. “Dan the handyman fixed your car!” 
Cringing at the ridiculous nickname, you give her a huge hug before sprinting down the stairs to do the same to handyman Dan. 
“Did you realize you were missing your key?” He asks as he wraps you in a long embrace. 
“I had no idea,” you say, still held tightly in Danny’s muscular arms. “How did you guys manage to get it without me noticing?” 
“Jake,” Nat tells you. “He took it off your keyring this morning.” 
You’ve a good feeling that happened before you got up this morning, probably before he went out to wait in his car. 
Danny is the first to break the hug, leaving you on your own against the chilly night air. 
“Can I pay you for this?” You ask him, crossing your arms over your chest to act as a barrier from the cold. 
“Absolutely not. I won’t accept a single dime from you.” He insists, brushing a curl out of his face. 
“Danny, I know this was probably really expens–”
“Nope.” He interrupts. “Not a dime.”
With a fake grunt of irritation, you give in. (Partly so you can get inside and out of the cold.)
“Thank you. Thank you both, seriously. This is such a huge burden lifted.” 
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Despite how things transpired with you and Sam, he’s still treated you the very same. You were terrified that there would be some awkward air with you two after the way you left him the other night, but it’s as if he’s all but forgotten about it. He still fawned over you when you arrived for filming tonight, him and Josh referring to you as “the queen” when you walked in, as usual. 
You haven’t told him about your mom. In fact, the only people who know are Jake and Natalia. You asked them both to not say anything. It’s not because you don’t trust everyone—they’ve all become some of the best friends you’ve ever had in your life, better than any friend you had back in Oklahoma. You just don’t want the attention that would inevitably bring. You don’t need them feeling sorry for you, and you don’t need them asking questions that you don’t want to answer, to questions you can’t answer. And you know it would lead to the fact that your dad doesn’t have shit to do with you. 
It’s just not something that needs to be advertised, not yet. You don’t want it to be the only thing everyone associates you with. You want them to still like you for you. Everything else can be addressed later. 
Of course, that did raise some other questions. Mostly about why Jake didn’t come home that night when your car broke down. His response to his brothers was simple; he just didn’t feel like driving back home that late, so he crashed on your couch. That wasn’t too far from the truth.
They didn’t even bat an eye at it. Just accepted it as fact and moved right on, not giving it a second thought. Jake is a bit distant from his brothers at times, so it’s probably not entirely out of the norm for him to not come home some nights. 
You’re glad that things have been pretty much normal for you and your filming crew.
While you’re not acting tonight, you decided to come over to the Kiszka place anyway, just to get away from your own mess for a little while. The apartment feels much bigger when it’s just you living in it. You love to have your alone time, but it’s been so much lately that your mind is going to some dark places, places that you’re forced to revisit when there’s no one else around to distract you.
So, suffice to say, you jumped at the opportunity when Josh asked you to come over tonight. He often invites you over on filming nights when your scenes aren’t being shot, says he enjoys your company and input on accuracies pertaining to the lore. You normally turn him down on those instances, feeling far too guilty for leaving your mom when you are filming. But with her still being in the hospital, you didn’t see the harm in taking him up on it this time.
Tonight's scene is between Arthur and Camille. Between Jake and Stacy. The first time you’ll see Jake as Arthur, and you’ll finally get to see for yourself what their on-camera chemistry is like. You’ve been told more than once that they’re great together, but now you have the chance to see it instead of just being told about it.
Although, you’re not exactly excited  to see them interact this way. And a huge part of you is hoping that they’ll royally suck together. You’ve been so busy that you haven’t had time to come watch their scenes, not that you’ve really tried that hard to do so. You could’ve if you actually wanted to.
But, you figured you’d rather see it in person than wait until the film is finished. And your imagination has run rampant with what they’re like together and the ‘not knowing’ has been painful. At least after tonight, you’ll know. You won’t have to wonder anymore, and it won’t be a surprise when you get to see the film in its entirety. 
Something you’re a little (more than a little, honestly) happy about is the fact that Stacy doesn’t have her “own” dressing room like you do. Granted, it’s Jake's room that has been designated as your changing space. But, still. She’s stuck using the guest bathroom to change in, and you can’t help the curling of your lips when you see her struggle to carry her costumes in there. 
Nat nudges your shoulder with hers when she catches your grin, letting you know that she saw that. You can tell by her features that she’s thinking the exact same thing.
“You know I need more details.” She says, hushed. 
You know exactly what she’s talking about, but you’ll play dumb anyway.
“Details?” You question with a look of false confusion. “Details about what?”
“Don’t play dumb with me, y/n. Tell me more about Jake spending the night with you.”
You shush her as you lead her over to the dining table for a little more seclusion, both sitting in the chairs furthest away from the commotion in the living room where Josh and Malachi are busy adding the final touches to tonight's set.
“Nothing happened, if that’s what you’re wondering. Neither one of us could sleep very well, so we sat on the couch and talked for a bit, but that’s all.” You stare down at your thumbs as you twiddle them. You don’t really feel like mentioning him physically brushing you off when you both got a little too close for his comfort. You don’t even like thinking about it, let alone talking about it. 
Attempting to come up with something to change the subject, you feel terrible when you realize you’ve not even asked Nat anything about her and Danny. You perk up when at the opportunity to talk about something that isn’t the awkwardness between you and Jake.
“Speaking of details,” you say, sitting both your elbows on the table and resting your face in your hands, giving her your full attention. “I need you to tell me everything about you and Daniel this very minute. And don’t you dare leave out a single thing.”
A beautifully shy smile stretches her plump lips as she tucks a loose curl behind her ear. 
“Well, what would you like to talk about first?” She asks, her eyes lighting up. “The fact that we’ve seen each other everyday since our first date, or the fact that he’s the best I’ve ever had in bed?”
Your hands drop to the table, a stupidly massive smile plastered to your face. 
“Natalia!” You exclaim, scooting closer to her. “I can’t believe it, dude! So, are you, like, official? Or just fucking?” 
“Official,” she says, your mouth dropping from pure excitement for them. You can’t get over it. They make such a stunning couple. And she’s clearly so damn happy. That’s the most important thing. “And fucking,” she continues as you throw a hand over your mouth to muffle the laughter. “ A lot of it, too.”
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She looks breathtaking. Gorgeous. The pale shade of purple they have her in accentuates the emerald tones in her round eyes, the matching flowers in her braided hair look like a halo casted over her shiny, sunshine-yellow locks. 
Stacy’s appearance serves as a stark contrast to Guinevere’s. Her look embodies sweetness, innocence. While your character exudes sensuality as an adulteress with her black and red color palette, Stacy’s is meant to radiate charm and a sense of purity. Purity in the sense that, while she’s cheating with Arthur, she isn’t cheating on Arthur. 
Josh did this on purpose, to make Camille look innocent and unassuming, but in reality, she will be a catalyst in King Arthur's inevitable downfall. The fact that she’s an evil enchantress is hidden beneath her flowery looks. With everyone believing Guinevere to be the horrid seductress, no one would suspect that the true horror lies in the guise of Camille, who’s ever cunning under her false veil. 
Though you’re not surprised, she looks the epitome of sheer beauty. Walking perfection. And it’s a bit painful to see. She’s everything you wish you could be. 
You’re suddenly not sure you’re ready to see her interact with Jake in this scene. But, better now than later. Get it over with so you won’t have to wonder. You can sulk about it later when you have time to really feel your insecurities.
And now, here comes Jake. As if it weren’t hard enough to witness the utter beauty that Stacy carries, it’s an entirely different feeling with Jake’s. 
He looks…just so damn good. 
Tonight, instead of just the usual chainmail top and black trousers, he’s added a touch of regality with black velvet cloak over top, the very same one Josh promised him months ago. He looks like true royalty, exuding an aura of majesty, complete with a sword sheathed at his side. 
They both get settled in their respective places on set, and as soon as Josh yells “action,” a surge of unease radiates within you as you feel your whole body tense up.
As soon as they slip effortlessly into their characters, their obvious chemistry is instantly ignited before the camera. Every touch, every glance they share is loaded with an undeniable intensity. 
The way Jake's hand lingers on Stacy's waist, the way they lock eyes with such intensity…you can’t deny the fact that they’re wonderful together. Aesthetically, they just fit. Much better than you and Jake would, you’ve no doubt. 
When Jake speaks his first line, you’re shocked to hear him use a British accent. A horrible one, at that. 
You have to cover your face to hide the fact that you’re trying not to burst at the seams. But you’re not the only one. Nat has turned her head entirely in the direction opposite of you, which is probably a good thing. One glance at each other and you’d both break with boisterous laughter. 
Sam, however, makes no attempt to hide his true feelings. Standing right behind you, he loudly chuckles his classic, Sam laugh that makes it even harder for you to maintain composure.
Then, you hear a very audible groan from Josh, followed by yelling “CUT!” at the top of his lungs.
“Why did you stop us?” Jake blurts out, his arms flailing in obvious frustration. 
“I told you to use whatever creative liberty you deemed necessary for the character,” Josh confirms, both hands resting on his hips. “But I’ve asked, more than once, mind you, to not use that ridiculous fucking accent.”
Here we go. It just wouldn’t be a normal night of filming without at least several fights from the twins.
“It’s essential to the character, Josh. He is the legendary King of Britain, is he not?” His question is more like a statement, adding extra emphasis on the word “Britain” to secure his point.
“I told you, Sir Jacob.” 
Sir Jacob…?
“It doesn’t make sense if no one else is following suit with your shitty accent.” Josh continues. Jake flips a rather dramatic middle finger towards his twin, with Josh generously showing him the very same affection. 
“Alright. Take two of scene number 67,” Josh pauses a moment, waiting until they’re ready. “And…action.”
Thanks to Jake's “creative liberty,” you have to sit through the scene again, watching them and their perfect chemistry—again. 
And then…
…they kiss. The very moment you were not waiting for.
With the way his lips so passionately intertwine with hers, it’s clear they’ve done this more than a couple of times. And not only for the sake of the film. This kind of intimacy transcends the limits of film.
You and Sam had natural chemistry, but their chemistry goes miles beyond what you instinctively had with Sam. Theirs feels experienced. Experienced with each other. 
If there was any doubt lingering that they slept together that night after the haunted house, it’s all but confirmed for you now. 
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“When will your mom be ready to come home?” Nat asks you as the two of you are packing up the set.  
You quickly look around to be sure no one’s close enough to hear, the hesitancy to let everyone know is still hanging onto you tightly.
“Actually, she’ll get to come home tomorrow," you share with her. “She was good as new when I visited her today, and the doctor said she’s making huge strides.”
Your words carry a little unsureness. It’s not that you’re not happy to have her home, the apartment has been terribly lonely and you’re ready to get things somewhat back to normal. But, you can’t get rid of this feeling that something’s just not right with the whole situation. 
From the Doctor telling you there were no medications in her system to her telling you that she personally spoke with Mrs. Sweeney, thanking her for calling the ambulance, despite Mrs. Sweeney having no recollection of it and having not made the call to 911…There’s a web of uncertainty weaving in your brain. You know Nat can sense your apprehension based on the look she’s giving you as she places all the silk flowers neatly in their box. 
“You don’t sound too excited,” she observes. “Are you still thinking about what the doctor told you?” 
“I just can’t force myself to believe it. I know the evidence is there,” you remark, brows furrowed in confusion as you help her shove the ivy vines in the box with the flowers. “But it just…it doesn’t feel right, you know? Why would she do something like that?” 
Her eyes mirror the same questions plaguing your mind, the empathy ever present in them. You know she understands your confusion, her support has been a comfort during these last few maddening  days. (Though you still haven’t told her about your conversation with Mrs. Sweeney. You suppose that can wait until you’ve had enough time to process it.)
“But, I am happy that she’ll be home. It’s been so weird not having her there.” Once you get the last of the silk plants packed up, Nat takes the packing tape and adds a few pieces along the center to secure it for safekeeping. 
“I’m just worried about getting her up the three flights of stairs to our place,” you continue. “The elevator went out again and she can’t really climb them on her own. And I’m not strong enough to get her up myself.” You look to her with pleading eyes, hoping she’ll pick up on your silent request for help. 
“You know I would help if I could, y/n. But I’ll be out of town all day tomorrow with Danny visiting his family.” She tells you. You can tell by her tone that she feels bad, but it’s not her fault. 
“Well,” she says, contemplating her options. “Maybe I could just drive myself, so that way I could leave and come help you with your mom and then go back when she’s all settled.” Her offer is undeniably kind, but you can’t bring yourself to allow her to do that. You don’t want to be the reason her whole day is disrupted. 
“No, no. It’s totally okay, babe,” you acknowledge, grateful that she’d even consider such a thing. “We’ll manage. Thank you, though. I appreciate you a lot.” 
Just as you’re finishing up, you hear someone shuffling around in the kitchen. Looking in that direction, you see Jake gathering a few things to prepare dinner. 
“I can help you tomorrow, y/n.” He says, back turned to you and Nat. “Just let me know when.” 
You and Nat share a knowing glance that says what you’re both collectively thinking. 
You shouldn’t be surprised that he’s offering, given how much he helped you that night and the next day. But, you still can’t help feeling shocked at his proposition.  
“S-sure, Jake.” You say. “I’ll text you the time.” 
But as you accept his offer, gratitude mixed with trepidation floods your thoughts. You’re suddenly mortified at what he may have heard you and Nat talking about, surrounding your unease with your mom’s situation. 
How long had he been standing there?
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“So this is the famous Jake,” she remarks as you wheel her through the automatic doors to Jake, who’s standing outside his Range Rover ready to help her into the passenger’s seat. Embarrassment flushes your cheeks as she makes it obvious that you’ve talked about him to her before. 
Meanwhile, Jake’s lips curl in a playful grin at her statement. “Nice to finally meet you,” he says, extending a helping hand as you begin helping her out of the wheelchair and onto her feet. You try to avoid making eye contact with him as you and he position yourselves on either side of her, helping to stabilize her as she walks towards the car. But he isn’t trying to avoid it. Each accidental glance his way is met with his mischievous eyes fixed on you, his grin remaining ever present. Together, combined with what little strength she has, the three of you successfully settle her into the car without any issues. 
Taking the middle seat in the second row, you buckle up as Jake starts the engine and begins the drive to your place.
You didn’t consider the fact that she would probably bombard him with personal questions, and that’s just what she does the entire way home. She asks him all the basics, probing into his background and interests with relentless questions. His answers are pretty short for the most part, not getting very personal with her curiosity. (Sounds familiar.) But it’s her next question that has you wishing you were anywhere but here.
“Are you single?” She inquires innocently. (Although it’s perhaps not very innocent, given what you’ve told her about him.)
In the reflection of the rearview mirror, you see Jake’s eyes widen, mirroring pure shock. You bring your palm up to rest against your forehead, silently wishing to teleport to your apartment and end this agonizing drive once and for all.
But when he answers, you feel your heart sink to the pit of your stomach. 
“I, uh, guess you could say I’m single. I’ve been dating casually, nothing serious though.”
At his mention of “casual dating,” your mind instantly begins reeling and going straight to Stacy and the possibility (likelihood) that he’s been dating her. It shouldn’t bother you as much as it does—you’re nothing to him, after all—but the sting of his words still linger in the air, leaving you feeling so small. Perhaps if you looked like Stacy, he’d be just as interested in “casually” dating you. 
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“Would you like to stay for dinner?” She offers once the three of you make it up to the third floor of your complex. “I’m sure y/n could whip up something quick for us.” A bit of annoyance washes over you with her offering for you to make dinner for everyone. She obviously can’t, but the fact that she just decided you didn’t have anything else to do besides making dinner for three people? Maybe you’re overthinking it, but it’s not sitting right with you at the moment. 
Maybe it’s the sleep deprivation finally catching up with you. Or it’s your mind swirling with a million things at once. The doctor's words, Jake dating Stacy, the burgeoning voice insisting that you don’t eat. (And eating around other people right now is just far too much.)
“Thanks for asking, but I have to get back to work,” he tells her as he’s helping her in the door.
“What do you do for work, Jake?” She asks. But before he gives himself the chance to answer, he’s telling you both goodbye as he quickly heads out the door.
…okay? It’s such a simple question, why couldn’t he answer it?
While you’re standing here, confused and baffled by his actions, your mom seems to have not even noticed it as she’s now seated on the couch, mindlessly flipping through the channels to find one of her shows. 
“When will you be ready for dinner?” She asks you, not even looking your way as you're standing dumbfounded in the middle of the living room. Trying to shove down your frustration, you take her hint that she’s ready to eat and head into the kitchen to prepare tonight's meal. 
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You greet Jake with a sincere smile as you take your seat in Movacks class, only to be met with a simple nod as he looks away from you. 
“Mornin, Jake!” You chirp, summoning your best “Oklahoma” intonation like he brought up the other night, hoping to coax a smile from him. But you're left feeling utterly humiliated as he doesn't even acknowledge you, opting instead to focus on his phone. It's as if you didn't say a single word, leaving you feeling like an actual imbecile for the obnoxious display you've just made. It’s rather clear he wants nothing to do with you today, his pissy mood a good indication that you should probably just keep to yourself. No need in furthering his frustrations with the annoyance that is you.
You’ve tried to ignore the fact that he’s become considerably more distant with you since he helped you bring your mom home the other day. You’ve not even heard from him since then, and given how invested he seemed to be with the whole thing, it’s almost like he’s completely left in the past at this point. 
“I trust you all read the poems you were assigned with your project partner last time we met,” proclaims Dr. Movack as he walks into the room just as class is set to begin.
You and Jake were assigned Sir Lancelot and Guinevere by Alfred Tennyson, a poem that delves deeply into the forbidden affair. A bit of an unwitting irony when considering the depths of your project. He seemed out of sorts about it when you were given the poem to analyze last class period, acting as though it was a chore to have to read it. But you were excited about it, for very obvious reasons as it’s yet another layer added to your research on the character you’ve been playing. 
"Alright, everyone," Dr. Movack announces, starting the timer on his phone. "For the first twenty minutes of class, I want you to pair up with your partners and discuss your individual analyses of the piece you were assigned."
With a hefty sigh, Jake pivots his upper body towards you. “Thoughts?” He asks as his hands gesture for you to begin the conversation, clearly annoyed at this whole thing. (As if it’s your fucking fault you’re his partner.)
“Well,” you start, still taken aback but his brash behavior towards you for, as far as you can tell, no logical reason. “It compares their love to that of nature, while also equating Guin’s beauty to the same thing, making it seem as tho–”
“Kay.” He abruptly cuts you off, turning himself around so he’s no longer facing you, arms crossed and a vexed look about his pretty face. Clad with his John Lennon glasses, reminding you way too much of your initial interactions with him.
“I…I wasn’t done, Jake,” you state, sternly. 
“What else do you need to say?” He implores, his tone making sound more like a harsh statement than a question.
“I also need to say that its theme is a balance of pain and joy, of knowing that they can never truly have each other the way they desire, but celebrating the profound joy they do experience in their shared moments,” 
“The poem constructs the idea of Lancelot tending to the needs of Guin much more tenderly and passionately than Arthur could have ever done for her,” you suggest, pushing him to give you more than what he’s been giving you thus far. (Which has been absolutely nothing.)
But… it didn’t work. You lost him. It was as if the last word out of your mouth shut him completely down. You see through the wire earpiece of his staple Ray-Bans as his eyes close. A hand slowly goes up to rub his temple. 
One more shot. 
“What do you think about—?”
“What the fuck did they teach you in Oklahoma?” He fumes, suddenly and unexpectedly, his head snapping in your direction.
“What?” You blink a few times, surely hearing him wrong. 
“This stupid ass shit you’re spewing,” he growls, turning away from you once again. “Just shut the fuck up.”
“Excuse me?” Okay, you were nearly certain you had heard him correctly. And the way his mouth was set in a straight, unchanging line of ire told you as much.
“I’m so tired of this back and forth game where you think your little hick town brain can get you anywhere in a place like this,” he mumbles angrily, ripping open his journal and book to take his own notes. “It’s not cute to use what little knowledge you came here with as a point of intellect. It doesn’t work to prove anything. We all know the backwoods girl who is hiding underneath this fucking charade you’re displaying for everyone.” 
Your throat constricts, growing tighter and tighter as tears wet your eyes, threatening to fall. He rakes his fingers haphazardly through his shoulder-length, waving locks. With fists clenched, nails pinching your skin where they dig into your palms, you want to grab him by his hair and force him to fully face you again. 
He needs to not be a coward when he says shit that makes your heart quite actually break, crookedly down the middle. Your heart that can only take so fucking much.
He turns, just slightly. His jaw is tight, flexing beneath his frustratingly beautiful skin. How could one man encapsulate so much? One second, he’s driving you here, there, and everywhere—making you feel at ease in a time of desolation. And the next, he’s mocking you for your heritage—calling you out and chiding you for something you can’t help or control. 
A state that, in this moment, you realize you’re proud to represent in some way (you grew up there, the place raised you). You’re feeling some strange, burning need to defend it. 
His body is swiveled back around to fully face you when he rips his glasses off of his face. You fear momentarily of him breaking the delicate metal, but you soon forget the thought when you notice his expression. 
His eyes are flaming, indignant — pure fire in the sweet honeyed bourbon hue of his irises. A fire that infiltrates something so sweet and almost pure… almost. It’s Jake, for God’s sake; he can only get so pure. The word doesn’t even come close to fitting his demeanor at this moment.
The way he looks at you, making you want to crawl completely out of your skin.
“I don’t want you to insert an opinion on this material that is founded on the bullshit they teach you in tiny towns like Cherry-fucking-Tree,” he spit. “It’s a waste of my time and energy to even entertain the ideas that circulate in your mind full of, at best, average thought processes.”
Average. Just an average, hick girl. From the shitass town of Cherry-fucking-Tree. 
Average—Worthless. Just like the town you come from. How could you ever be anything coming from a place like that?
The tears begin cascading down your cheeks before you can even think to challenge them. There is no point in stopping the pools that are leaving your eyes in steady tracks down your hot cheeks. You’re shaking—shivering with equal parts twinging sadness and unkempt rage.
You let them fall momentarily, in shock as his eyes stay locked on yours, unwavering and loathsome of you. In his eyes, you watch every negative emotion he feels for you pass through them. 
“Fuck you, Jake.” Your words are stern, louder than you expected. Yet, you don’t care–because your voice conveys all of the hurt you’re encompassed with. 
And as you utter the cold words, you notice that the rest of the classroom is dead silent. A quick glance out of your peripheral vision confirms that all their heads are turned towards you and Jake.
But the eye contact with him doesn’t break. As much as you hate when people see you cry, you need him to see the hurt he’s caused you. 
“I have heard quite enough out of the two of  you!” Shouts Dr. Movack from his place at the podium. Still yet, neither one of you looks away from the other. “You both need to leave my classroom, immediately!”
“Gladly,” you shout, tossing your things in your bag with such a force that causes Jake to wince with each thing you throw in. 
He begins doing the same, matching your frustration with heavy hands. 
You don’t want to walk out with him, so before he can finish, you begin stomping through the classroom, brushing past Dr. Movack once you make it to the door. 
“Expect zeros for today's participation!” He proclaims, but you’re already halfway down the hall. 
Heavy streams of tears drench your face as you pick up the pace to get the fuck out of this godforsaken building before Jake can catch up to you. 
You can’t stand the sight of him right now, you can’t even fathom ever speaking to him again. His words cut deeper than any knife ever could, of that you’re certain. 
It hurts, it really fucking hurts. 
“Y/n, please wait, I–I’m sorry,” you hear in the distance as you’re crossing the street to the parking lot where your car sits. “I didn’t mean—fuck.”
The sound of the voice is unmistakable.
It’s Jake’s. You can discern it from the one he wielded like a weapon, his tool of choice to dismantle and destroy you, word by hateful word.
He calls for you again, but you choose to ignore his pathetic attempt at an “apology,” jumping in your car and starting the engine, wiping the excess tears away that are constricting your vision.
You briefly look up as you shift the gear into drive, catching sight of Jake’s defeated form standing on the last concrete step of the stairway leading to the doors of Angell Hall. 
And as you’re backing out of your spot, he rips his glasses off, tossing them to the ground with a force that very obviously shatters them. 
You know he was probably just speaking out of pure anger, but where that anger is derived from is what you don’t understand. You’ve not done anything so bad to him to deserve any of what he just threw at you.
But no matter where it came from, he had no fucking right to speak to you the way he did. 
Not finding the strength within you to turn back and go to him to hear his apology, you drive away and leave him there to deal with what he’s done alone. 
While there’s a part of you that wants to hear his explanation, you don’t owe it to him to give him the chance. It’s not worth your time at this point. He’s made it known that you’re nothing but a massive pill in his life, that he would probably be much happier without you in it, ruining it with every backwoods word you speak.
He watches you as you drive away, his features as cold as if they were carved in the very stone he’s standing on, unreadable even from a distance.
Tears begin brimming in your ducts yet again as you turn onto the street to head home, him now fully out of your sight. 
It's unfathomable how someone could harbor such hatred towards you, and yet, despite it all, you can't shake the intense desire you still feel for him. 
It just doesn’t make sense. He doesn’t make sense.
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The squeaky wheels of the wooden library cart echo throughout the entire building with each push. The screeching metal wheels send a chill up your spine each time you move, and you’re silently apologizing to everyone in here for the obtrusive noise. With midterms officially over as of last week, everyone has been dropping their books off in piles the past few days. After sorting through them all, making sure to note who returned their books on their account, it’s finally time to put them back on the shelf. 
As much as you hate the squeaky cart, this is your favorite part of the job. It gives you the chance to conduct a very detailed tour of the library on your own terms, truly allowing you to see it all. There’s no lack of discovering something new each time. You love this old building, and you love the smell of the books. The scent was the first thing you noticed when you walked in here for the first time all those months ago, and it still remains your favorite smell in the world.
As you look towards the end of the long Political Science aisle you’re standing in, you suddenly catch Nat peeking her head around the corner, waving at you while her clunky brown boots click as she walks your direction. 
“Need any help? It’s dead as a doornail up there and I���m bored as hell.”
“Sure, Mr. Dickens,” you joke at her nod to a literary classic. “I’ll gladly accept your help.”
She begins helping with your task, finding a certain peace in her company amidst the quiet library.
“I can’t find where this goes, any clue?” You ask, holding up the book on the tools of presenting a good argument. She takes it from you and examines it a bit, reading the faded numbers on the spine. 
“Well, I see why you’re having trouble,” she says, full smirk across her blush pink, glossy lips. “It’s marked wrong. This goes in General Law.”
With a playful wink, she gestures toward the correct section to guide you to its proper place on the shelf.
“How’s your momma?” She asks. “Is she feeling better?”
“She’s okay. She’s home, and she’s alive…it’s all just so strange.” You shelve the last of the political science books stacked on your cart, wheeling it around the corner to the General Law section as Nat follows close behind. “There’s still so many unanswered questions. I just can’t figure out who called the ambulance.”
“Wasn’t it your neighbor?” She asks, helping you maneuver the heavy cart around the tight corner. 
“That’s what I thought,” you answer, eyebrows furrowed in confusion as you remember the strange conversation you had just days ago with Mrs. Sweeney. “But she told me she didn’t make the call. She said the ambulance just showed up. I asked her if she heard my mom calling out for help, or anything from our apartment that sounded concerning, something that would prompt an emergency call…and she said no.”
Nat matches your confused state, stopping to take in everything you’d just told her. “That just doesn’t make any sense,” she says. “Is it possible that she called for the ambulance?”
“My mom?” You hadn’t even considered the possibility. And, she would’ve told you…right? You don’t know why you’re so desperate to know, why it’s keeping you up at night that Mrs. Sweeney told you she didn’t call, that your mom had basically lied to you about the whole thing. “I–I don’t think so, Nat. She was completely unresponsive when they found her.” 
Now the wheels are turning. Maybe it was her, and perhaps she just…didn’t tell you? Is she trying to hide something? It just doesn’t feel likely but…possible, you guess. It wouldn’t hurt to ask her. Putting this whole thing to rest would make it so you can finally rest.
“Well, like you said,” Nat utters, breaking you free of your relentless, turning mind. “She’s alive. And that’s all that really matters, right?”
Of course that’s all that matters. But, you can’t help the feeling that there’s more to this than what you’re able to see, more that’s being hidden beneath the seemingly cracked surface. It could just be your anxious tendencies, telling you to worry when there’s truly nothing to be worried about.
Or, your gut feeling is correct. There’s something you’re not aware of that feels big.
You begin wheeling the now empty cart back to the circulation counter to grab another lot of books, Nat leading the way ahead of the obnoxious wheels. 
“Right,” you answer, deciding to push aside that worry for the time being.
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“Do you have any idea why Jake despises me? Like, has he ever said anything to you or Josh? Or Malachi?” You ask as you fill the cart with the next bundle of books to be put up.
“He doesn’t despise you, y/n. I know his exterior is rough, but there’s not an ounce of hate in that boy's heart. Just give him more time. You’ve seen it, you know he’s a good one.” 
You know deep down that he is, that he’s got a good heart with good intentions. But, there’s something about when he starts to become close to you that forces him to back away, to treat you like you’re a nuisance. He can shove his hatred for you down long enough, until he can’t and it comes out of him like he was accidentally hiding it.
“He does hate me, Nat. You can’t deny the way he acts when I’m around, like I’m the biggest burden that could’ve possibly been placed upon him.” You roughly toss the final book on the cart, wincing at the loud noise it made that you didn’t quite mean to happen. “You didn’t hear the way he spoke to me the other day, Nat. He belittled me in class. I have never been so humiliated and disrespected before in my life. Pretty sure I’m nothing more than walking garbage to him.”
“I hate to interrupt your little drama fest, but you are not the biggest burden in his life. There’s a lot you don’t know about him.” She says, frustration in her tone as she intervenes, slamming a book down on the cart just like you did. “I will stick up for you, y/n. But I also know things about him that you don’t.”
“That’s the problem. I know nothing about him. He doesn’t want me to know him. He’s built this wall around himself and refuses to let me in. He almost did the other night at my apartment, but when he realized he was getting a smidge too close to me, he shut down again. He’s the never ending enigma, one that just so happens to hate my guts.” Your words hang heavy in the air, a tense silence grappling them as you’re left with the realization of just how complex your relationship with Jake is, and it’s not by your choice. 
“I know he can be closed off, and I know he can be an asshole sometimes. Trust me. But you need to know a few things. He’s been through the ringer, multiple times.” She places a comforting hand on your shoulder, stopping you as you begin to walk away to put the books up, silently urging you to consider another perspective. 
“He and his brothers were adopted by their grandparents after their mom and dad were killed in a car accident. Drunk driver. It left all of Frankenmuth completely devastated.”  
His parents.
You’d never even once thought about where they were, or who they were. Being so caught up in your own shit, you hadn’t even considered…
Fuck.
“Their dad was in a local band,” she continues, taking a seat in the rolling chair behind the counter. “They never made it big beyond the area, but god, everyone in town loved them. And when Jake was about ten, he started playing with them. Playing the guitar his dad bought him, the one sitting in his room. He worked his ass off to buy that for Jake. They were killed only a few months after the first time he joined them on stage.”
When she mentioned his guitar, it all of a sudden reminded you of the night at your apartment. The night he became so disgusted by you right before he could finish talking about…
…about his dad. And the guitar he bought him, the very same one Nat is telling you about right now. You know this because you instantly took note of the SG sitting in his room the first night you stepped foot in there, and that’s the exact model he was talking about that night…the one he said defined him as a player, the one his dad searched high and low for. 
Oh my god.
“When they died, they moved in with their grandparents. But they owned an apartment complex in Detroit, so they had to move here with them. That’s when I met them, when they started school at Central High.”
You just nod in response, needing a second to fully absorb her words that are beginning to paint a much clearer picture of Jake. 
“Then, their grandma suddenly died. They were devastated, didn't come to school for weeks.” Her voice softens, her expression reflecting the weight of all the loss they had endured at such young ages. “They had to help their grandpa with the complex, learn how to run the business. Which turned out to be a good thing, because he got sick a few years later. Pancreatic cancer. The boys ended up dropping out of college for a bit to take care of him, to essentially take over acting landlords.” 
“Nat I can’t…I can’t believe it. I had no idea…” Your brain is struggling to process it all. And if it’s that hard for you to imagine, it must have been hell for Jake and his brothers to live it. It was their reality. But to you, it’s utterly heartbreaking. Unfathomable. 
 “They never left his side, especially Jake. He was with him twenty four seven, and when he died, Jake kind of became a recluse.”
The compassion you’re feeling for Jake and his family swells your heart as you’re realizing the depths of his burdens. His guarded nature suddenly makes a lot more sense as everything she’s telling you is fully sinking in. The old saying is true; you truly never know what someone is going through, what someone has been through. 
Regardless of how he’s acted towards you, you’re feeling a lot of guilt for being so quick to judge him. 
“Jake was the only one with him when he died. Matter of fact, he died in the exact same hospital your mom stayed in. I bet it was kind of hard for him to be there, but he stayed for you, y/n. That is the real Jake.”
Jake was committed to you that night. Stayed with you in the hospital that holds so much weight for him. Even in the midst of his own pain, he stayed with you. It explains so much.
“What happened to the complex? After their grandpa died?” 
“They live in it,” she answers with a grin. “They’re landlords. It was their inheritance. And as hard as it was for them to take over ownership as college students, they made it work. The three of them make one hell of a team.” 
You didn’t know what Jake did for work, but owning an apartment complex with his brothers was not on your list of possibilities. An extremely nice complex, at that. 
“Why didn’t any of them mention this to me? I get Jake but, Sam? Josh?” You can’t help the mix of surprise and confusion, wondering why they hadn’t shared such a big part of themselves with you. It’s their job. And you’ve never known anyone to keep something like that from you. 
Although it does make sense if they didn’t want it to lead to a deeper conversation about their losses. Maybe they’re the same as Jake in that aspect. They just don’t like to talk about hard things.  
Then, you remember how you’ve kept your life a secret from them, too. The only reason Jake knows about your mom is because he just happened to be there. But he knows nothing else. Your dad… he hasn’t and will probably never be mentioned with him. With any of them. And it’s not because you’re ashamed; it’s just not something you want broadcasted. 
“They don’t care for the attention it garners,” she explains. “And they probably didn’t want you to treat them any different. The only reason I know about it is because of my brother, and he’s the one that told me everything else about what they’ve been through. They really don’t like to talk about any of this stuff,” she adds, her voice heavy with sympathy. “They don’t want it to define them.”
“I can definitely understand that.” You say with deeply rooted empathy. Your heart aches, for all of them. But, you can deny the extra twinge of softness you feel for Jake. For him to have shoved all of this down the way he has, it’s no wonder he acts the way he does. It doesn’t completely excuse it, but it sure as hell makes a lot of fucking sense. 
The amount of pain they’ve experienced in their lives, losing practically everyone important in their lives. They’re not only bonded by brotherhood, they’re bonded even tighter because of everyone they’ve lost. All of them being so close to them, raising them. They’ve lost almost everyone who was ever important to them, being left with just each other to lean on. It all makes sense, and as much as he’s hurt you, you just can’t bring yourself to keep holding it against him. 
He’s hurting, too. 
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Carrying the third laundry basket up the stairs from the in-building laundry, you’re wondering just how two people have managed to collect so much clothing. You try to designate time each week specifically for laundry, but you’ve gotten so far behind on it that it’s become a little overwhelming. Each basket of clothes you’ve washed and brought back up to the apartment has been overflowing. You’re sure you’ll discover a missing sock or a pair of underwear or two that fell during the journey back to your place, but you’re not about to go back and find out.
You’re finally done washing everything. Now, the worst part: putting it all up. You decide to put that part off for a little while to get caught up on the rest of the chores that need to be done tonight. 
The dishes are next on the list. You usually don’t mind doing them, but your dishwasher decided to quit on you and the landlord is in no hurry to come and fix it. So, you’re stuck hand washing the pile that has somehow accumulated significantly over the last few days. 
With a resigned sigh, you roll up your sleeves and begin scrubbing away at the stack of plates and utensils. The warm water soothes your hands, and you find a sense of rhythm in the repetitive task. 
Your mind starts to drift to the other tasks that still need to be taken care of. The vacuuming, tidying up the living room, perhaps taking out the trash if you can muster up the energy.
But for now, you decide to focus on the task at hand, finding a strange sort of comfort in the motion of washing and rinsing each dish.
Despite the annoyance of hand washing dishes, there's a strange comfort in the routine of it all. With each plate cleaned and set aside to dry, you feel a small sense of accomplishment. 
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You peek around the door frame to see her lying in the same spot she has been for the last few hours, still grazing her plate of food you gave her and watching something mindless on the television. She hasn’t noticed you standing there yet, and just as you’re about to say something, you notice she’s not wearing her oxygen. 
“Mom,” you assert as you storm inside of her room, the frustration in your voice apparent. You grab her nasal cannula sitting on her nightstand and help her put it on. “How long have you not been wearing it?” 
She takes a deep breath as she further adjusts the tube to her face, letting out a dry cough from deep in her chest. “I’m fine, sweetie. I won’t keel over  if I go without it for a little bit. It’s just so invasive, I hate wearing that damn thing.”
“That is not what the doctor said.” You check her tank to be sure she’s getting enough to compensate for however long she’s kept it off. “And based on how horrible your cough sounds, you need it right now. Please, mom. You have to follow their orders. You don’t want a repeat of the other night, do you?”
She sits herself up a bit, as well as she can. Smiling at you and nodding, she says, “I know, I know. Your momma is just a little stubborn sometimes. What would I do without my sweet daughter to take care of me?” You smile back at her, but it quickly fades as you're reminded yet again of the other night and the questionable events that transpired. 
She picks up on your sudden change in expression. “Are you okay, sweetie?” She asks with wary concern. 
You decide that right now is as good a time as any to ask her your burning question. With a heavy breath, you take a seat on the edge of her bed beside her. Clearing your dry throat, you say “I have to ask you something.” 
“Of course, honey. What’s on your mind?” Her eyes watch you with a gentle kindness about them that you’ve always loved about her, but right now, along with the kindness there are a thousand secrets as dark as her pupils. It casts an unease in your spirit that is brand new to you, yet feels oddly familiar all at once. Has it always been there and you’ve just never noticed? Have you just denied it?
You can’t decipher why you’re so nervous to ask her. You shouldn’t be; it’s a simple question. But you feel this heaviness deep within your body that you can’t explain. An intuition that something is awry, perhaps? 
You’ve never once doubted your mom. You’ve always trusted her with everything for the simple fact that she’s never given you cause not to. But you can’t deny that something feels…off. And as she’s looking at you right now, you’re suddenly not sure you recognize the woman sitting before you anymore. Something is different. Everything is different. 
And you don’t know why you feel this way. But you do. And denying it further will only cause you to descend into a maddening cycle of endless wandering.
Her eyes are flicking back and forth between yours, her eyebrows are scrunched and her thin lips are slightly agape. With a curious nod of her head, she quietly signals you to just ask your damn question. 
“Did…” Your tight voice cracks and as she grabs your hand to try and comfort you, you find your voice to continue. “Did you call 911 that night?” The words flow out of your mouth like a river with no end, a strong current that knocks you into the depths of the raging waters. 
Her eyes widen and her mouth falls the rest of the way open. Her hand slowly moves away from yours as her eyes stay steady on you. A look of pure shock washes over her face as she’s quiet for an uncomfortable amount of time. 
“I thought we agreed on Mrs. Sweeney calling.” She finally asserts, her voice suddenly much more strong and clear than it has been in a long time, startling you. “I’m not sure why you’re still on this, y/n.” Her tone is sharp as a blade, penetrating you each time she utters a word. She’s almost defensive, angry. Her eyes are narrowed on yours, unblinking and stilled. 
“I just…you’re right. I’m sorry, I must've forgotten.” You manipulate your tone to sound more sure, more accepting than you truly feel. You decided against telling her about your conversation with Mrs. Sweeney. You’ve a solid feeling it may not go over well if you tell her what was said. There’s a queasy feeling in the pit of your belly telling you to just shut up. A feeling you’ve never felt with your mom before. You’ve always known you could go to her for anything. Right now, you feel like shutting down completely. 
Her gruff features soften back to the way you’re most used to them, her smile taking over her thin scowl. However, the kindness in her eyes that was mixed with secrets earlier, has shifted to the secrets taking command. You don’t know who she is right now. And you’re wondering if you’ve ever truly known.
“It’s okay, honey. I know you’re awfully busy these days. I’m so proud of you.” Her tone has gone back to its weak, hushed quality. What was once a comfort to you, now feels quite the opposite. And something about her compliment felt…forced. Like she only said it as a distraction. And her voice changing on command, like that was forced, too. As if you weren’t feeling off about this whole thing enough, this has made it ten times worse.
Before you can figure out what to say, you catch the time from her nightstand clock out of the corner of your eye. Realizing it’s well after ten o’clock, you immediately step back in your caregiver shoes. It’s over an hour past time for her to take her evening medications. You grab the three bottles sitting next to the clock, dumping one pill out of each in your hand and setting them back down, taking the half-full glass of water in your hand next.
“Take these really quick.” You say as you hand her the pills and the glass. “I’ll get you more water once you’re done.” 
She nods, tossing all three pills in her mouth and downing the rest of her water before handing the glass back to you. 
Standing from the edge of her bed to head to the kitchen, you tell her you’ll be right back with her water. Without a word, she just smiles your way as you walk through the door.
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It’s nearly three in the morning and you’ve still not gone to bed. With as much time as you’ve had to dedicate to your mom, the apartment upkeep, work, and filming all while attempting to maintain a rather poor excuse for a social life, school and homework have been on the very bottom of your priority list. And that is very much not like you. Your grades have suffered the last few weeks. You’re falling behind, nearing the point of no return. So, sleep isn’t much of an option right now. Hasn’t been for several nights. It’s the only time you’ve got to do something for yourself. Even something as grueling as English homework. 
Tonight's task is to complete your paper on Carmilla for your Classic Horror course, but the words aren’t flowing as seamlessly as they should. As much as you want to be able to focus, you just can’t. You can only manage to get out a few sentences at a time before you have to stop and regather your train of thought. You keep checking your phone, scrolling through mindless social media, getting up to get a drink, anything that might keep you from this rather daunting task.
Your frustration with yourself is growing by the minute. You have to get this done by Monday, and you’re nowhere near finished. There’s hardly a conceivable thought typed on your word document and you don’t see yourself being able to form one anytime soon.
The ever burdening worry is all the more present after your talk with your mom. The way she acted when you asked your question, how her entire demeanor changed to one that made her unrecognizable to you…The questions are persistent, their relevance feeling more palpable than before.
As you start typing out your second paragraph, you’ve suddenly come to a realization that keeps you from continuing…
If she’s hiding that she did call for the ambulance, she would’ve had to use her cell phone. That call would still show up in her log, and although you don’t believe in invading someone's personal space, you just need to know. Odds are, she’s right. She didn’t call, and you’ll probably find absolutely nothing in her phone to indicate that she did. But at least you’ll know. And you can check it off your list of possibilities. You’ll be able to confirm that she wasn’t lying to you. (Because she wouldn’t do that…right?)
You’ve decided that checking her phone is the only way you’ll be able to put this whole thing to rest. Is it the right thing to do? Absolutely not. But you can’t focus until you know. 
Her door is always left open just in case something happens, you can hear her easier. So, with a light step, you walk inside her mostly dark room. Her television is quietly playing some old Western film you know you’ve seen a dozen times, but you can’t decipher which one it is. Some desert battle with horses and weapons flashes on the screen, the light illuminating the room in eerie beams. 
She’s fast asleep. Her oxygen tank is a steady hum against the low volume of the film, her breathing heavy but not labored.
Her phone rests on the nightstand closest to the wall, plugged into the charging cord. As you lift and touch the screen, you’re reminded of the fact that she keeps a six digit code to keep it locked. A code that you don’t know.
Although, you’ve got a hunch. With shaky thumbs, you type out the month, day and year of your birthday.
It worked. You’re in. 
Your eyes quickly shift to her sleeping form to be sure that she is still asleep. She’s situated on her back, her head rolled over on the pillow facing you. Her eyes aren’t open, and she’s not moved since you’ve been in here. You make haste in locating her call log and scrolling all the way to the date she landed herself in the emergency room. 
…and she was right. 
There are no 911 calls anywhere on her log. Not even a call made to the hospital…nothing. But as you take a closer look, there is something amiss. 
It was just after 1:30 in the morning when you and Jake arrived at your apartment to the chaotic scene. There’s an outgoing call that was made at 1:16…just minutes before the ambulance must have arrived. She was completely unresponsive when they found her, so how did she…? And why didn’t she call you?
The contact name is only adding to your questions. It’s a name you can’t place, and it’s an odd one.
Dodger.
Who the fuck is Dodger?
You don’t know a single person with that name…not that you can think of right away, at least. 
Whoever this Dodger is, might be the person responsible for the ambulance call. If not them, then who else? And the fact that she was on the phone with them right before…
Finding out the area code might give you some clue as to who this is. If nothing else, you’ll at least have an idea of where they live. After tapping the information icon to the right, you’re shocked when you see the three digits that tell you this is an Oklahoma number. 
There’s no one back home that she’s kept in touch with since the move. At least, not that you know of. She didn’t have many friends. None, actually. She spent all of her either time at home or, when your dad left, with you. Your mind is empty at trying to conjure up a single person she’d need to call from back home. You stare at the screen for a moment, trying your best to make sense of what you see before you. But you just can’t.
You need to call this number. But not with her phone, so you text yourself the contact information and delete the text from her phone so she won’t know. 
And as you’re in her text messages, you decide to see if she and Dodger ever text each other. But, there’s nothing. You’re quite literally the only person she texts, making this whole thing all the more strange. 
You place her phone back on the nightstand, checking on her once more before you quietly walk away. But before you do, something catches your eye. Her glass of water. It’s empty. You may as well fill it for her so she has it in case she wakes up thirsty. As you pick it up, something else catches your eye. Something far more alarming than an empty glass. 
You see the pills you gave her earlier, the ones you saw her swallow down. Or, at least you thought she did. But she didn’t. The three pills you gave her are sitting behind the glass, hidden from plain out of plain view. Had you not moved the glass, you wouldn’t have seen them. 
Suddenly, you’re remembering how the doctor was convinced that she hadn’t been taking them, asking you suspiciously if she had been. 
And you told him yes. Of course she’d been taking them, why wouldn’t she? 
You give them to her every night. You watch her take them every night. But if you thought she took them tonight when she actually didn’t, does that mean…that she never takes them? 
You can't bring yourself to believe that. You don’t even want to believe it. There’s an explanation. Has to be. 
She wouldn’t do that to herself, to you as her number one caregiver. She’s told you time and time again that she wants you to live your life for you, not for her. She’s said that she hates relying on you, but loves that she can. 
No, she wouldn’t do that. She would know to take her medications, because they make her better. And she wants to get better. For her and for you, like she’s said since she got sick in the first place. 
But it doesn’t explain…
…she really hasn’t been taking her pills.
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The cold, wet hair hitting your back makes you shiver before you wrap it up in a towel, taking the matching one to wrap up your soaking wet body. You decided to take an ‘everything’ shower before filming tonight, completing all of your deep conditions and skin scrubs. This is the most refreshed you’ve felt in weeks.
Tonight will be your last intimate scene with Sam, black lace dress included. And also your first with Jake. This will be the first time you’ll share the screen with him as your fictional ‘husband and wife’ characters. But there will be no loving sentiment between them on the screen. 
No. Tonight, Arthur will catch Guinevere in the middle of the act with her beloved Lancelot, his closest companion and best comrade. It’s going to be one of the most intense scenes within the entire project. 
According to what Josh has written in the script, Arthur will walk in on Guinevere and Lancelot making love, thus beginning the downfall of his reign due to his all consuming desires to get rid of Lancelot. 
Something else Josh wrote into the script is that Arthur and Lancelot have quite the heated argument over who is more deserving of their precious Guin. All the while, she is laid out on Lancelot's bed, clad in her most scandalous attire in front of both men whose need for her will end their relationship in one of the worst ways imaginable. Arthur will take one look at his wife, her body nearly on full display before them both, the most intimate gift that she’s offered his once closest confidant. He will then immediately order the death of Sir Lancelot for treason as he has committed one of the most heinous crimes against the king. 
Lancelot won’t argue, as he believes his time with Guinevere, however short, is enough to sustain him, even in death. She was worth it, she is worth it. And he will force Arthur to look upon her and realize the treasure in her that he has taken for granted. He will beg the king to at last show her the love she deserves once he is gone and no longer can. 
Suffice to say, tonight's scene is a big one. It serves as a catalyst for a lot of significant plot points. And you’re hoping that everything you’ve learned about acting thus far will suffice for the heaviness expected from you and your fellow actors. The hard part about this scene for you is the lack of dialogue. Once Arthur becomes privy to the affair between the two, Guinevere stays silent for the most part save for a few lines. Meaning you’ll be relying heavily on your body to convey her every emotion and thought, which you’ve found to be far more challenging than speaking a few lines with a manipulated voice.
Manipulating your body without a single word is a different thing altogether. To be able to convey emotions without speaking is something you’re not the most confident in, on and off  the screen.
But something happens to you once you put your costume on. You become someone else, someone you’ve always wished you could be. And with Jake being present, you’re sure you’ll have a little added inspiration. But that means you’ll be trying a little harder to look nice for tonight's filming session. Hence the ‘everything’ shower that felt like it took literal ages to complete, but felt so incredibly wonderful. (And also felt rather necessary.)
With your body now only a little damp, you remove your towel to start lathering yourself up in your favorite body lotion, fragrant with notes of wild lavender and chamomile, then taking your frenshe body oil in vanilla cashmere and massaging it all over your skin, focusing a little more on your neck and chest, even adding a little to inner thighs. These scents make for the perfect, seductive aroma, and your skin feels so soft, so alluring. Perfect for tonight.
Normally, you’d shy away from looking at yourself in the mirror, especially your nude form. Yet here you are, scrutinizing your reflection, noting each and every tiny thing that you wish you could alter. The years that you’ve spent hiding…years. 
It’s hard to look at your body when it’s not covered by the sweaters that are two sizes too big. You’re forced to accept your body, to accept the things you hate that you’ve felt the need to cover with a security blanket ever since you were a child. 
You stand to the side to see just how much your tummy is pooched from the apple cinnamon oatmeal you ate this morning. It could all be in your head, but you’re almost sure you can see the bloat from your tiny meal. You turn around completely, looking back for the crinkles of cellulite that you know are present in your ass. 
They’re there. Just as you suspected. You’re sure no model. No perfect ‘beauty queen’... 
…no Stacy. 
Fuck. How could anyone find you attractive when you’re so mortified by your own reflection? 
The voice in your head is loud and overpowering. It’s screaming louder than the voice that talked to you through recovery. 
You’re in such a strange place.
While your confidence in yourself has arguably never been higher, the urge to relapse has grown right along with it. Maybe it’s because you’ve suddenly found a version of yourself that you can appreciate. A version of yourself that you’ve always longed for. But she can’t be found in your real life. 
No. She only makes her appearance when you’re pretending to be someone else. She isn’t you.
She lives within you, but she isn’t you. 
You grab the towel and quickly cover yourself back up with it, not wanting to spiral even deeper into your insecurities when you’re supposed to be playing a confident, beautiful queen in a few hours. 
You’ll be fine once you put the dress on, you tell yourself. Please, please don’t do this. Not right now. 
You know shoving down the thoughts, ignoring them with a temporary fix, isn’t the answer. But you can’t deal with it right now. You don’t have time. You don’t have the mental space for it. 
You’ll deal with it later. It can wait. 
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Josh’s room is the set tonight, and it looks incredible. The bed is adorned with a white satin duvet, with red and white rose petals scattered all over. This is your throne for the night, where you’ll be lying for the entire duration of the scene. 
Josh’s walls are painted white, but he and Malachi have worked pure magic with the lighting that has given them a dark red hue. You thought they had actually painted them when you walked in, but Josh showed you the lights, the “wonders of cinematic sorcery,” as he called it. It looks like a brand new room, it looks so good. 
Jake was right when he told you his brother is one hell of a director. Everything he does feels professional. You just know you’ll see Josh’s name alongside the likes of Tarantino and Scorsese someday. His talent and eye for putting together the best scenes will get him far. And Malachi will be right alongside him, designing the perfect costumes for Josh’s films. A dynamic duo, those two. 
But if you’re honest with yourself, the beauty and eroticism of the set has you even more nervous for this scene. You just hope that you can do this set justice and not fuck it all up. It deserves some of the best acting you can offer Josh. You don’t want to let him down with your insecurities that have been weighing so heavily all day. 
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“I still can’t believe it,” Nat says as you’ve just finished applying the final layer of Ben Nye to your secret ink. (You still can’t get over the fact that Sam now knows about it. Not what you wanted, but there’s nothing you can do now. It’s done. It just feels strange that something so personal is now not as personal as you intended for it to be.)
As you dab a little finishing powder over the foundation, you turn your head over your shoulder to Natalia, who’s sitting crisscrossed in the center of Jake’s bed. “Believe what?” you ask her, snorting a chuckle. 
“Your sexy little tattoo, that’s what.” Her beautiful face wears that contagious smile of hers, her right eye throwing you a sly wink. “I would’ve never suspected it when I met you. You’re just full of secrets, aren’t you?” 
You have no idea. 
“Guess you could say that.” You huff a giggle while you secure all of Josh’s makeup back in his bag. Still to this day, he’s yet to ask you what it’s for. Odds are, he thinks you just need a little extra coverage for your face. It doesn’t seem he suspects a thing. (You’re just hoping Sam keeps his mouth shut about this unrevealed aspect of yourself.) 
“Do you think you’ll ever get anymore?” She questions as she’s handing you your gown. 
“Thank you, babe,” you tell her, taking the garment bag from her. “And I don’t know, I’ve not really put too much thought into it.” She helps you secure the hook and eye in the back of the dress, holding your hair over your shoulder so it’s not in her way. “I was pretty drunk when I got this one. But I do love it. So, maybe. It makes me feel mysterious, you know?” 
With the dress fastened, you stand in front of the mirror and adjust a few things. The thing you’re always the most concerned about with this costume is the chest area, naturally. If you situate the lace just right over your breasts, there’s not quite a full view of your intimate area. But there’s still enough to add a little sensuality to it. 
“Damn, y/n.” Nat says, her eyes trailing your chest as you get yourself adjusted just the way you like. 
“What?” You say through a giggle. 
“Oh, nothing,” she says. You can see her devious grin in her reflection of the mirror in front of you as she’s pulling your hair off your shoulder, smoothing out the kinks. “Just that Danny’s lucky he snatched me up when did.” Her golden eyes lock with your reflection as she winks and chuckles. “You’re just too gorgeous, girl.” 
You playfully roll your eyes as you both break out in a fit of giggles. (You wish everyone saw you that way. Jake, mostly.) With a final onceover of your liquid lipstick, blotting your lips and cleaning up the edges, you feel you’re about as ready as you can be for tonight's scene. 
“Well, he better watch his back,” you say, opening Jake’s door and walking through the threshold, Nat following close behind. “I could still steal you away.” More laughter sounds from you two as you head down the hallway, walking past the living room and up the staircase to the loft.
Danny is waiting at the top of the stairs, and when Nat makes it up to him, his toned arms wrap her in a full hug. “What are you two laughing about?” He asks, planting a sweet kiss to her temple.
Neither one of you says a word as you throw a silent wink towards Nat, letting the laughter bubbling within you both burst through yet again. 
“What?” He insists. 
Without an explanation, the two of you lock arms and proceed to the film set, leaving him still asking what the commotion is all about, but letting him sit in his wonder while you walk away together.
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“You ready for this?” Sam whispers to you, his face mere inches from yours. With you splayed out on your back, and he perched on his side right next to you, arm draped across your body, you’re positioned just the way Josh had in mind for the beginning of the shoot.
His smile, infectious and beautiful as always, warms your soul (and your body) and has you feeling very much at ease as you mentally prepare for this scene. You haven’t filmed with him in a while, and you’ve been so busy with the utter shitshow your life has been lately that you’ve just not been able to see him much. Feeling him this close to you again after all this time, you’d hate to admit just how nice it feels. 
It feels really fucking nice. You hadn’t realized how bad you missed it, how bad you missed him.
“I think so,” you mutter, smiling at him while he looks at you with heavy, lust filled eyes. “But, are you ready?”
He brushes a stray strand of hair from your face, tucking it lovingly behind your ear with a peculiar smirk across his lips. You can’t see Jake, but you can hear the prolonged sigh from his lips as he’s positioned just outside the bedroom door, awaiting his cue to barge in on the two of you. 
“I think you already know the answer to that,” he confirms, sending off his words with a wink before he shifts his attention to your director.. “I think we’re good to go, Josh!”
Josh confirms with a nod of his head, gesturing a thumbs up to Malachi to dim the overhead lighting and giving Danny the “okay” to shine a little spotlight on the bed you’re on. 
“Scene 73, take one.” He doesn’t yet have a cue card, so with (a rather loud) clap of his hands, he yells, “ACTION!”
As soon as the scene begins, you’re fully encompassed by your alter, the ever sought after Queen Quiniverre. Every insecurity, every doubt, all but washes away once Josh says the word. You’re not you anymore; you feel as though everything you hate about yourself doesn’t exist within this realm. You’re not you, and Guinevere would never be insecure about the things that you are. 
And that’s exactly what inspires you to be the best Guinevere that you can be. You wish, more than anything, that you had her confidence. But even if you don’t have it, she does. And at least you can know what it’s like, even if the moments are short. 
Once Sam says his few words of dialogue, he leans in to envelop you in a passionate kiss full of burning desire. Bodies tangled, hands searching one another; a moment of pure ecstasy shared between two secret lovers, bound together by a love so deceitful to the King. 
And then, you hear him. He walks through the threshold with heavy feet, his breathing stern and labored. 
“I thought I knew better than to heed Mordred's vile words of my first in command. And yet, I find that I needn’t worry of his lies, only those of my beloved and her dearest, both of whom betray their King.” 
He unsheathes his sword, a motion to take Lancelot for himself. To battle to the death for their prize who lie in the bed before them. 
…his voice. 
It echoes throughout the entire room, the entire apartment. The anger he’s displaying is being pulled from somewhere deep within him, exhibiting itself through the King as he’s finally privy to his wife's infidelity. The volume nearly startles you from your position on the bed. You didn’t expect such vibrancy from him, such passion to be exuded through him. He’s speaking his dialogue perfectly, acting through it as though he’s done it a hundred times over. He’s still using his accent, but it’s believable this time. It’s coming through much more powerful than the last time you heard it. 
“My once most trusted comrade, you must die at my hands for treason. The highest crime against your king, to lay with his precious Guinevere, deserves no less than a death of the highest order.” 
His accent, where it was once convincing and accurate, has now begun to falter under the pressure of the scene. He’s beginning to sound less like the betrayed king, and more like an pissed off Jake.  
He continues to hold his sword out firm, glaring at Lancelot with a fiery anger from the depths of his soul, until he shifts them to you. The same anger geared towards you, only it doesn’t feel as though it’s Arthur looking at Guinevere, it’s more like Jake looking at you. And the extent of it is making you more uncomfortable as the seconds (that feel more like hours) are passing without a word from either of them. 
It’s supposed to be Sam’s turn to speak, but it’s likely that he’s caught on to the tension pouring from Jake, and the tensions that lie in the space between you and him. 
“Sam!” Jake screams, causing you to jolt from the sheer volume. “Say your fucking line so we can get this over with and I can get the fuck away from all of you!”
“Woah, woah,” Josh interjects, motioning for Malachi to turn the lights back on as he cuts the camera. “What the fuck, Jake? What’s your problem?”
Jake tosses his sword to the floor, taking off his cloak and throwing it towards Josh who hardly has enough warning to catch it. “This, Josh. This is my fucking problem!” Jake fumes, gesturing his flexed arms towards you and Sam as you’re both struck silent by his sudden outburst. “I can’t perform with this, I won’t.” 
You look to Sam as he blinks a few times, as if suddenly being pulled out of his state of utter shock at his brother's actions. “What the fuck is that supposed to mean?” Sam challenges, getting up from his position and leaving you there by yourself. 
Danny grabs Nat’s arm to take her out of the room, and she’s waving for you to join her. But you don’t want to leave, not yet. You don’t normally stick around for a full blown, Kiszka fight. But you have to hear what Jake is going to say for yourself. 
“It means, Sam, that I can’t stand working with you,” he looks to you, still on the bed but now in an upright position as you watch the scene unfold before you. “Or her.” 
What the fuck–?
Josh is pleading with him to calm down, but he won’t have it. He brushes him off when his twin offers a comforting hand to his arm. 
“Fuck this goddamn film and fuck every single one of you that has anything to do with it! It’s fucking bullshit. I’m sorry, Josh. I’m fucking done.”
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You can’t take it any longer. You storm out after him, heedless of everyone else, ignoring their presence and pushing your way through to reach him. 
He slams his door but you waste no time in opening it immediately after, refusing to let him shut you or anyone else out after such a blow-up.
There’s not much light in his room, save for the lamp in the corner shining a warm hue on the space. The calming aura of his room means nothing in comparison to the tensions between you two— the ever growing tensions that now feel sharper than any blade.
He stands facing his bed, his back turned to you. As soon as you enter the room and shut the door behind you, he quickly turns on his heel to face you. And he does not look pleased, his features etched with irritation. But you continue to stand your ground, not willing to budge anytime soon.
“What the fuck are you doing in here?” He growls, deep enough for your bones to feel it. His cheeks are flushed and there’s sweat accumulated between his knitted brows. That familiar flare of his nostrils makes an appearance and his lips are pursed in a tight scowl.
Normally, you’d cower down to anyone who’d find it in themselves to speak to you this way. You’d hide yourself, hide your feelings, stay quiet and out of the way. Give into them to keep the peace. But right now, fuck keeping the goddamn peace. You’ve kept it for far too long at this point and you’re done allowing yourself to be invisible any longer.
“My clothes are in here and I need to change since you selfishly decided that filming is over for the night,” you simper back, your volume challenging his. “And I’m also here to figure out what the fuck your problem with me is!”
His furious stare is penetrating your very soul, his eyes the darkest you’ve yet to see them. His fists are clenched and his biceps are bulging so much you’re just waiting for the chainmail sleeves to give way. 
But you’ve never seen him look better. 
“Problem?” He begins closing the short distance between you, practically stomping across the carpeted floor, flailing his arms about as he speaks. “What the fuck are you talking about?” The heat behind his tone grows stronger and stronger, his gaze on you darkening by the second. 
You refuse to break eye contact while you snicker and shake your head at him playing stupid with you. He knows exactly what you’re talking about. But he’s clearly choosing to play dumb with you, acting like he hasn’t put you on a fucking roller coaster with him since the day he was shoved into your already messy life. If he wants to keep playing games with you, then you have no problem playing your own against him. 
You’re still in your revealing attire, your breasts nearly on full display, the entirety of your form leaving next to nothing to the imagination— to Jake's imagination. You’re privy to his numerous glances at your breasts. You won’t pretend you’re not, and you can’t hold back the satisfied, devious curl of your lips each time you catch his gaze. You should find the urge to cover up, to hide yourself or wait until you can change to confront him.
But that’s not what you intend to do. Wearing this dress brings out a part of you that you’ve come to cherish— it cloaks you in a confident aura that you’ve lacked all your life. And as much as he tries to pretend it means nothing to him, you know the effect this dress has on him. You’ve seen it firsthand for yourself. He can try to hide it all he wants, but you and him both know what it did to him the first time he saw you wearing it in this very room. You may as well use that to your advantage right now. 
You feel powerful, in control. Those doubtful thoughts you were having earlier tonight about yourself have lowered their volume nearly to a full mute. If he can’t handle talking to you like this, then he can’t handle you.
“You’re fine with me one minute,” you huff a snarky giggle, standing firm and refusing to bring your arms up to cover yourself, even with his continuous gazing.“Then you act like you can’t stand my very existence the next. I’m just fucking confused, Jake. If you hate me so goddamn much, why don’t you ask me to leave? You don’t need me to do this fucking film. Why don’t you find some other unsuspecting girl and rid yourself of me once and for all?”
With as much of yourself as you’ve invested in this film, and the new found sense of self-assurance being in front of Josh’s camera has given you, you don’t want to quit this project. If walking away was truly what you wanted, you would have done so a long time ago. And deep down, you want to believe that if Jake truly wanted you to leave, he would’ve demanded it already. But right now, all you can think about is that conversation you overheard weeks ago. 
“I only asked her because I had to…I was not about to work on something alone with her.” 
It’s something you’ve not let yourself forget. Even after everything he’s done for you— helping you with your mom, staying the night with you when it felt like your world was crumbling— none of it seems to matter because of  his words that linger in your mind like a never ending echo. He wouldn’t have said them if he didn’t feel them. That much, you’re certain of.
And after what he said to you in class…it was a harsh reality that you weren’t ready to face. He validated your deepest fears of not belonging, of not being accepted. Every hurtful thing he’s ever said about you, each cutting remark he’s said to you are repeating relentlessly in your head. 
“I don’t hate you, y/n!” He shouts through gritted teeth. He takes a few steps towards you, leaving only inches of space between your bodies. His eyes are still fixed in their vexed glare, yet there’s something different behind their darkened gaze. “I don’t hate you.”
“Then…” Your voice is shaky as you try to raise it. You have to look up at him to see his face, he is so close to you. Your trembling body begins fighting against your accusatory words. “Then why did you say you only asked me because you had to? That you didn’t want to work on something alone with me?” Of everything he’s ever done to you, those words hurt the most.
“Because I can’t…” He throws his arms up in frustration, shaking his head as he looks away from you. “...I can’t trust myself to be alone with you. And I can’t fucking stand it when—” He stops himself before he can continue, his index and thumb tightly gripping his chin, almost and if to physically stop himself. 
“You can’t stand what, Jake?” Your anger surges, overpowering everything else. Your vision blurs and your limbs are tingling with pure rage. “What the fuck do I do that you can’t stand so badly?” 
He snaps his head towards you, his loose waves, making a luscious display around his handsome face. “I can’t stand seeing you with him.” He points to the photo on his dresser, the one of him and his brothers. The one with Sam. “You think it’s fucking easy for me to see you with him like that? Especially knowing what happened between you two the night we all went to the stupid fucking haunted house.” 
Now you’re pissed. Not only is his reasoning ridiculous, he’s also accusing you of something that didn’t happen. This isn’t your fault. None of this is. And for him to treat you like shit because of that?
“You don’t know shit, Jake!” Your voice rises to a near scream, letting go of any pretense of holding back. “Nothing happened that night, and even if it had, why the hell do you care? What makes you think you have any right to be pissed about anything that I do? I wouldn’t be here if it weren’t for you; this is your fault! So your reasoning is, frankly, complete bullshit. And I’m not buying any of it.” You’re yelling so loudly your voice is cracking and breaking, your words reverberating with raw, pissed off emotion. No one has ever provoked you to this level of anger. No one except your dad, when he decided out of the fucking blue to leave you. You hate that he’s brought out this side of you. “You act like that because you can’t stand the very thought of me,” you continue. “Just tell me you want nothing more to do with me and I’ll walk right out that door. You’ll never have to see me again.”
He stands still for a while, silently staring at the floor. He brings his hand up to rub his chin, something you’ve seen him do a hundred times, when his mind is racing about something. Josh almost always points it out. He does it a lot during filming, during your scenes with Sam. Especially during the ones when you’re wearing the very outfit you’re standing before him in right now. 
Then, he takes two more steps, until he’s close enough to you that you can feel his heaving breaths against your already heated skin. His demeanor has changed. He doesn’t seem angry anymore. The way he’s looking down at you…he now seems desperate. 
“I can’t stand the way he looks at you…the way you look at him,” he whispers, his eyes traveling the curve of your breasts as his lungs deflate letting out a deep sigh. His eyelids have become heavy over his whiskey colored eyes that flick back to yours. “I can’t stand it…because I wish it were me.” His voice, once harsh and furious, is now a deep, hushed whisper. It’s low, gravelly in pitch. 
It’s fucking sexy. But you’re still not convinced. You need more. You’re sick of thinking he likes you for a split second, then pulling himself away when he feels you’re getting too close. 
No. Not this time. If he pulls away again, you’re done. Out the door. Gone from his life and free to live yours without him and this film. You’ll take a failing grade if it means you don’t have to go through this anymore.
“I don’t believe you, Jake.” Your words are stern, but your body language begins deceiving your cold statement. You’re trembling, vibrating through to your very core. No matter how pissed you are, you can’t fight this incessant attraction you’ve felt for him for a long time now. You fought fiercely in the beginning, had completely convinced yourself that he was nothing more than a handsome jerk who harbored feelings of distaste towards you. 
But fuck. That made you want him more. His mystery, his demeanor. The kindness that seeped through every now and again. Nat was right; you’d always known it was there. His genuine heart is sometimes too strong to stay masked behind this rough act he's tried to uphold. It's broken before you enough times to know that it’s there. And maybe it’s because of you that it's breaking more and more. His guard is falling. That’s why you’re so fucking pissed that he’s fighting every second to keep it up. And what you just said…it's not that you don’t believe him. A big part of you does. You’ve seen the way he looks at you, the way he was completely dumbfounded the first time he saw you in this lace dress. The way he seethes when you’re with Sam. On camera or not. 
But right now, you need to fucking see it. To see that side of him that you know is buried within. It’s not enough to simply hear his words; you need him to prove it to you. You’re tired of the back and forth with him. This is his opportunity to show you what ever the fuck it is that he wants from you.
There’s a look of confliction as his hand reaches out to you tentatively, his fingers playing with the lace on your shoulder. They move, hovering just inches over your collar bone before his fingertips delicately skate over the skin with such a gentle, intentional touch. Your breath catches in your throat, your heart pounding as you feel the warmth of his touch.
“I’ve wanted to touch you…” His fingers follow the curve of your neck, passing over your pulse point, tracing a path along the curve of your jawline. “...just like this since the day I fucking laid eyes on you. And seeing my brother get to do it…” Your bottom lip is lightly tugged by the pad of his thumb, smearing the dark lipstick. “...it eats me up inside, y/n. I don’t think I can watch him kiss these lips one more time.” His focus is now entirely fixed on your lips, as his tongue gracefully glides over his own. Your craving for him intensifies with every passing moment. Each second fuels the fiery need within you.
“Then…why don’t you just do it?” The words fall straight from your mouth before you can even think twice about saying them, hanging in the air that’s slowly shifting from an angry tension to a much different kind. Your eyes lock yet again, each of you silently pleading with the other to bridge this divide between you once and for all.
With one hand still caressing your face and finding the small of your back, he pulls you flush against him, holding you tight against his warm body. He leans in, his lips brushing over yours, a feather-light caress that steals your breath. 
And as if you’re pulled together by an invisible tether, your lips finally meet. 
It starts slow, almost hesitant. But the intensity begins growing as your emotions are spilling over, fueling the kiss with a passion that is closer to desperation. His hand finds your hair, tangling your soft locks as he pulls you even closer, deepening your embrace with a hunger born of a longing that’s finally being set free.
You can feel his walls crumbling before you, letting break through his barrier. The insurmountable distance that was created between you, not only physically but emotionally, has at last been closed. 
His tongue glides across your teeth, drawing your bottom lip firmly between his. He serenades your mouth with the most beautiful melody, eliciting a yearning that forces your thighs to come together in an attempt to soothe the desire pulsing between them.
He tastes like the sweetest honey infused bourbon. His lips are soft, putting the most sumptuous velvet to shame. 
The hand resting on your back glides upward along your torso, stopping just before he reaches your heaving breast. His lips break from yours before he tugs on the hair at the nape of your neck, fully exposing the expanse to him. 
“Jake…” You start, but he’s already so attuned to your desires that you don’t have to say another word before his mouth meets your taut skin. His tongue traces along your neck, stopping to suckle the skin. A strained moan sounds from deep within you, eliciting a sensual snicker, reveling in the response he’s drawing from you.
“You smell so good,” he mumbles against you, sealing his compliment with a kiss. As if you’re not falling apart enough, you nearly melt into him when his hand finally caresses over your full breast. “This okay? Can I touch you here?” He whispers softly in the shell of your ear, his words both a question and a promise of his respect for you.
“Please, Jake, more” you whimper through heaving breaths. 
He groans deeply against your ear, his hot breath sending shivers down your spine as he teases your hardened nipple through the flimsy lace. You practically cry out for him, your body squirming with anticipation, begging him for more. He shushes you gently. “I’ve only just begun,” he whispers, his index finger tracing slow circles over your sensitive bud. “Let me take my time with you.”
He pinches your nipple, playful smirk gracing his lips as he chases the sounds escaping your parted mouth. 
You clutch his biceps tight, anchoring him to you to keep him from slipping away. He hisses as your nails dig into his skin, only igniting his desire for you.
“Do you believe me yet?” He whispers, his lips grazing your jawline.
While there’s not an ounce of lingering suspicion within you, you dare to toy with him a little further.
“Nuh uh, not yet.” You respond quietly, your body betraying you as your desire is displayed physically. He can sense it, and the mischievous grin curved on his lips assures you he’s privy to your little game.
“Feel how much I want you.” And with that, his hand takes yours, guiding it to his pulsing cock that’s straining against his black pants, imploring you to feel the undeniable need he has for you.
He throbs beneath your touch as you palm him through the satin fabric that still conceals him, keeping in time with your own racing heart. His breath hitches, he whimpers beautifully in your ear as you continue to feel him, and if it were even possible, he’s becoming even harder against your touch, desperate to remove the confines of his pants.
“Holy fuck, Jake…” 
Your legs press together once more at the feeling of him, his sheer size and thickness that is obvious even through the barrier between you. All you can think about is how he’d feel nestled away deep inside of you, filling you with every inch. He’s massive, that much you can tell, even through the barrier.
“Yeah?” He hums through heavy breaths. “That’s all for you, love.”
His words have your arousal nearly dripping down your thighs, your body growing more impatient by the second.
“Lay down for me,” he mutters in your ear. “Just like you were for the scene. Only this time, for me.” 
His words, almost possessive in their wake, leave you speechless and craving him even more. He lightly motions you in the direction of his bed, keeping his eyes locked with yours. 
Once you lie down, just as you did just moments ago, he positions himself at the end of the bed while he looks at you, taking in the vision before him. 
Normally, you wouldn’t have half the confidence for a moment such as this, and it’s for that very reason you’re glad  you’re in this very dress. It’s been the source of most confident moments as of late; it only makes sense that you’re wearing it in real life with Jake. 
As he begins to remove his chainmail top, you tremble at seeing him so bare. You’d seen it before, but not like this. This time, he’s taking it off for you, removing yet another barrier that exists between the two of you. 
You’re breathless at the sight of him. His pecs, sculpted and chiseled, rising and falling with his deep breaths. The smooth expanse of his unflawed skin, begging to be touched and explored. And his broad, sturdy shoulders that beckon you to sink your nails into, to keep a tight grip against while he’s on top of you. 
“Look at you,” he mutters, his eyes tracing every curve  of your body as he climbs onto the bed, hovering over you as though he’s not done looking at you just yet. “You’re a fucking queen,” he whispers, his voice husky and filled with desire. Finally, he leans in, his lips meeting yours with a tender gentleness, leaving you yearning for more as he lifts away again just slightly. “A beautiful queen.” 
He kisses you once again, this time hungrier than the last. His hands roam your body with a newfound intensity, each touch igniting a fire within you that leaves your body arching towards him, begging for more. More of him.
His lips trail down your neck, leaving a path of kisses along your skin as his body slowly lowers down yours. You suck in a deep gasp as his warm, wet tongue follows a slow trail from your belly button, gliding all the way up to your chest, tracing along the curve of your breast. 
His lips suck a mark right where his tongue stops, leaving a bruise right where the fabric ends along your chest.
“So pretty,” he mumbles against the bruise his lips left on your taut skin, marveling at his work. “All marked up from me. Want to mark you up everywhere…”
His focus seems deliberate, as if he’s determined to leave his mark where it will be most visible during your scenes, his attention fixed solely on the skin peeking out amidst the black lace. 
“This…will be hard to cover up for filming, Jake…” you utter, breathless from your purely aroused state. 
“No,” he whispers between leaving his mark right in the middle of your breasts. “Don’t cover them. Let them see.”
Before you can continue your weak protest, he carefully pushes back the lace over your left breast, fully unveiling it before him. He shushes you as his lips instantly attach to your perked nipple, sucking it deep within his mouth, softly nibbling at it all while his hand removes the lace from your right breast, kneading the flesh between his fingers.
But as he does so, you feel your body begin to tense when you discover his fingers are all over the area covered with makeup. The area with your tattoo. It feels too fucking good to make him stop, but that same feeling that overcame you when Sam unsuspectingly saw it is blazing within you. 
Once you shift your eyes to his hand, you notice the makeup smeared almost completely, the red ink bleeding through to present itself, even if you aren’t ready for it to.
“Jake I…” 
But it’s too late. As he lifts to switch his attention to your right breast, he sees it. His eyes are fixed on your etched secret, mouth lazily agape at this small piece of you he’s discovering for the first time. 
“H…holy fuck,” he stammers, leaning in to peck his lips against the word along the tender spot. “This is so sexy I just…” he brings up his finger, tracing the “R”, then the “E”, the “D”
“Do you like it?” you ask him, feeling a rush of confidence wash over you.
Your initial hesitation has all but vanished. It's so different with Jake…something about the way he makes you feel, the way he brings out this part of you that no one else does. Not even Sam.
“I love this, y/n,” his lips meet the ink once more, decorating it with wet kisses. 
“I…I’ve always been so scared for people to see…” Your words would hardly be legible if he wasn’t so close to you. Your mumbled tone is evidence of how he’s affecting you, what he’s doing to you. “... and it’s not exactly accurate for the film,” you mutter through a weak chuckle.  
“Does anyone else know?” he quietly implores. “Does Sam know?” 
“No.” 
The word flies out of you before you can even take a second to think about it. It’s a lie. Sam does know. But that doesn’t matter to you right now. And Jake doesn’t need to know of what you almost did with his brother in a shitty attempt to get to him. 
“Only Natalia knows.”
“Good,” he mumbles between leaving more kisses along your breast, slowly creeping closer towards your erect nipple.“Let’s keep it that way.”
His tongue lightly flicks the sensitive bud, drawing languid circles around it while his fingers follow the same motion of the other breast.
With the way his body is positioned between your legs, you can’t close your thighs together to ease the ache between them. It doesn’t stop you from trying, though, and when he notices, he grins against your supple flesh, looking up at you to see your completely fucked out state. He understands what you need without a word, and he begins to shift his body even further down your own, keeping your legs spread and his mouth trailing down your flesh, until his face is nearly level with your throbbing core. 
The slit in your dress proves to be quite convenient at the moment, enabling your legs to spread easily while the only coverage you have is from the thong that perfectly matches your skin tone.
As his lips brush against your inner thigh, his warm breath leaving a trail of goosebumps in its wake, you find yourself instinctively arching your hips closer to him, craving whatever pleasure he can offer.
“You smell so fucking good, love,” he mutters. 
You’re silently praising yourself for thinking to add your body oil to your thighs, not realizing you were doing it for Jake. 
He’s not done marking you up just yet, as he sucks long and deep on the flesh of your inner thigh, eliciting a high pitched moan from deep within your being, your hand quickly flying up to stifle your sounds. 
“This one is just for me,” he mumbles against the bruise, tracing it delicately with the tip of  his finger. “And only for me.”
“Jake, please…I need more,” you cry out, your voice trembling with desperation as he stares deeply into your heavy, longing eyes. 
“What do you need, beautiful?” He probes, peppering your thigh with gentle kisses, following a slow path towards where you crave his lips the most.
“Jake…”  
“Tell me what you need,” he says in a hushed voice, his lips trailing a delicate kiss just above your throbbing clit. “Just tell me and I’ll do everything in my power. It’s the least I can do for you…please, let me make everything up to you.”
“Jake I don’t care anymore I just—” you reach down to brush a loose strand out of his face, fingers grazing over his sharp jawline as he leans in, leaving a sweet kiss in the middle of your palm. “I just need you.”
A devious, sinful smirk graces lips as his attention diverts to your aching heat. 
With his index finger, he traces the wetness you’ve left on the fabric of your panties, drawing slow and lazy circles over your clothed clit. 
“Can I take these off?” He asks, his blown pupils dark with need as his question almost sounds as though he’s begging. “Want to see you, all pretty and wet for me.” 
“It’s all for you, Jake.” 
“Fuck, baby,” he groans. His hands, strong and firm, reach up to your hips, tugging at the sides of your thong as you lift yourself to help him pull it down your thighs. “That’s what I like to hear.”
He helps you lift your right leg out, then your left leg, placing your panties on the edge of the bed once they’re finally off of you. 
Out of everyone you’ve ever been with, no one has ever taken this much time with you. Not once has anyone asked what you need, what you want. It's a side of Jake you never expected to see. In a thousand years, you wouldn't have imagined him being this attentive, this caring toward you. 
“You’re so fucking beautiful,” he hums, his eyes longing fixed on your dripping core. “Every single part of you, just perfect.”
You instinctively jolt once his lips attach to your already sensitive clit, sucking it gently, his warm tongue swirling around it. With a tender touch, he holds your hips down in place, keeping you still for him as he explores you.
“Jake, oh my god, plea–”
He cuts off your words with a long glide of his tongue from you leaking entrance to your aching clit, sealing with a deep kiss to your throbbing bud, drawing a sharp gasp from you.
With his middle finger, he prods your entrance before slowly pushing it all the way in, finally filling you as you clench hard around his long digit. His grip on your hips does little to restrain you; you find yourself grinding against him, yearning for more of his touch. His tongue dances over your clit while his finger delves deeper into you, setting an delicious rhythm that has you craving more.
Then, he adds a second finger, filling and stretching you around him even more. His thrusts quicken, driving you closer to the edge with each brush of his fingers inside of you. 
Your hands instinctively find his soft locks, fingers entwining in the strands and tugging. A low moan escapes him, sending vibrations against your core.
“Just like that, Jake, just like tha–” 
But just as you're nearing your peak, there’s a sudden knock at the door that causes Jake’s fingers to still their movement, keeping them inside of you as he lifts his face that’s now glistening from your dripping arousal. 
“Jake? Are you and y/n okay?” It’s Josh. He sounds concerned, distressed. It’s sweet, although his timing is…awful. “You’ve been in there for a while…we’re just worried about you guys.”
Shit.
⚔︎ ⛨ ⚔︎ ⚔︎ ⛨ ⚔︎ ⚔︎ ⛨ ⚔︎
a/n: oof. that was a lot. thank you for sticking with me, lol.
who do we think the mysterious Dodger could be?
i'd love to hear your thoughts! don't be afraid to reach out; hearing from you all keeps me going.
if you'd like to be tagged in future chapters, follow this link or let me know & i'll be sure to add you. ☺️ (let me know if i've missed you)
sending all my love!
taglist:
@jakeyt @alwaysonthemend @sacredjake @jakesgrapejuice @misshunnybee @reesetrippingthelight @way-to-go-lad @sinarainbows @ohgodthefeeling-gvf @klarxtr @watchingover-hypegirl @brinlygvf @stardustjake @gretavanbear @gvfmelbourne @sinsofstardust @literal-dead-leaf @gvf-ficreads @jaaakeeey @capturethechaos @neptune2324 @jaketlove @thetroublegetssoloud71 @myleftsock @sanguinebats @jakekiszkapunchmeintheface @joshskittytickler @violet-hayes @aflameforgoinghome @heckingfrick @fitalich @starshine-gvf @audgeppp @jakekiszkasbuttsweat @nina-23-45 @torniturntomyarrow @beautifulcrayola @writingcold @welllauragvf @loveisonaroll @itsafullmoon @gretasfallingsky @i-love-gvf @kiszkas-canvas @mackalah @gvfmarge @sarafrusciante2 @jordie-gvf @gretavansara @highway-tuna @vikingsisthenewsexy @louiseecraigg @hippievanfleet @citylight-delight @blacksoul-27
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actual-goblinking · 17 days ago
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I need to talk about the way NPMD broke a cardinal trope of musical theater and then subverted expectations and put the trope into play in another way.
For those not in the know, there’s a whole thing in musical theater about women with lower singing ranges (usually altos) being the characters that get shit on by the narrative/ end up being ‘bad’.
Examples include:
•eponine (Les Miserables)
•Mariah Reynolds (Hamilton)
•Anna of Cleeves in Six (I know she’s not shit on exactly, she got the best deal out of all the queens, but her entire ‘thing’ in history is being the ‘ugly’ one and she has the lowest range in the musical)
•Chris (Carrie the musical)
•I’m hesitant to include it, but Mrs. Lovett or Lucy from Sweeney Todd verses Johanna
I’m sure there’s more, but those are the ones I thought of at the moment. Also yes, this trope also extends to men in musical theater as well, if you were wondering.
Anyway, the musical flips the script by having the female alto character be the most holy, goody too shoes. In fact, in Nightmare time, they call her holier than thou. She’s the ‘good girl’, the innocent one. In a non contemporary musical, she would be our ingenue. But Grace has a beautiful alto voice that she lends to the soundtrack wonderfully.
But she ends up being one of the true villains of NPMD, killing Max, burying the body, stealing a cops gun and breaking several laws and eventually using the summoning book for evil. To defeat evil, she becomes evil, a path she seems to already have walked down by how ready she was to bury a goddamn body.
In fact, Steph also ends up being the inverse of this trope. She starts out the musical as the quintessential ‘bad girly’ in every sitcom. She smokes, she drinks, she curses. If she was in a 99’s sitcom she’d be a Full House very special episode. But she’s the mezzo soprano female lead, the one who we traditionally root for.
(Heather Macnamera, the Heather most audiences root for has the highest notes of the 3)
But then she comes back around and helps defeat Max, becomes our main protagonist and gets a happy ending.
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verysium · 1 year ago
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『02』 原神: genshin impact recs
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魈: xiao
preta by @itoshisoup
"People think that ghosts are born exclusively of resentment, but they can also be born of love. Between those driven by resentment and those driven by love, which do you think cling most strongly to their suffering?" Xiao replies without pause, his gaze unfocused yet fixed upon something you cannot see. "Love." After a yaksha saves your life on the Plains of Guili, you insist on joining him in his war against the evils of Liyue. As the two of you encounter hungry ghosts and resentful spirits, you learn about the ones haunting him. notes: incomplete but intricately woven together; heavy emphasis on chinese culture, wuxia/xianxia genres; if you have watched any historical cdrama, you will like this fic; xingqiu and chongyun are wrapped up into the dynamic; xiao wishes to protect you for centuries; him and his paradoxes; not being strong enough to be considered invincible but still strong enough to try
公子: childe
thin ice by @falconcoast
childe is that senior frat boy on teyvat university’s campus. the one who majors in economics because he’s on scholarship to play sports. the one who is way too loud and you can hear him all the way across campus. the one who’s daddy’s money rich because he’s already sponsored, even while just in the ncaa. the one who manages to get everyone to swoon over him.  oh, right. and your favorite title for him: the one hockey captain who hogs all of your free time to skate after lessons because he always steals it.  all you want to do is do your job and teach skating lessons to the kids to keep your mind off the year-old mess with your figure skating, maybe even get an hour of skating in afterwards as a reward. that is, until the hockey coach sits you down and tells you that surprise! you’re the new team manager for liyue’s hockey team! ...it can’t be that hard to manage twenty or so boys and their captain, childe, right? spoilers: it absolutely is.  notes: wonderfully curated modern skating/hockey AU; childe is so american white boy in this; teucer being adorable; diluc and kaeya sibling dynamic is well-established; university and post-grad plans; figuring out your life and then working other people into it
国崩: scaramouche
tea screen by @after-witch
The trembling voice of the tea apprentice carries through the room, and though you can’t see him, you imagine he must be shaking. Who wouldn’t be, tasked with gaining the approval from the Sixth of the Eleven Fatui Harbringers?  notes: forced marriage and abuse; tea ceremony; sort of reminds me of the edo period; examination of womanhood within a patriarchal society; sexy, sad, and scary all at once; i pity the reader at the end; cycle of love and violence
a simple cup of tea by @after-witch
You have to be prepared and poised and perfect. But it’s hard to be all those things, even with the looming threat of your husband sitting next to you, when you’ve got a secret hidden underneath your clothes... notes: reader grapples with lust and objectification; unhealthy dynamic but portrayed realistically in an almost historical setting; reader is unable to separate her identity as wife apart from her husband; women being defined in the context of men; could be a social satire on traditional gender roles if you squint
love is a dog from hell by @itoshisoup
"A will is something you don't have. That's why you'll follow mine." notes: this fic is the reason why i do not think the concept of ownership in love would translate well into real life because it would be so self-destructive; reader struggles with aftermath of abuse and mistakes possession for protection; realistic depiction of unhealthy relationships; the fatui is exactly the dark criminal organization it is supposed to be; human trafficking and child sexual abuse; scaramouche is so goddamn funny i can't
钟离: zhongli
spoil of war by @bye-bye-sunbird
In the dead of night, you hear the sea calling your name. Sometimes the sound is as soft as a love song, gracing your skin in a gentle breeze that lures you to the seashore where the waves can finally lay claim on you. Other times, the sea strikes the land in a deafening, challenging roar. "Really now... How long do you think those mountains of his will stand in my way?" notes: accurate depiction of characters because archon war morax was genuinely terrifying; zhongli trying to deny his obsessive tendencies; rivalry with osial; reader is essentially sanctified as a symbol of innocent purity; imagine having two spiritual gods pine after you while you are helplessly stuck in the middle of their tug-of-war and simultaneously trying to mourn; that is basically the entire premise of this fic
迪卢克: diluc ragnvindr
the parent trap by @falconcoast
twelve years ago, you got married to a man who had swept you off your feet in a little under two years. diluc was like a prince out a of storybook; effortlessly charming, strikingly handsome, and a kind man. you were supposed to live happily ever after at that winery, running a wedding planning empire, having a family, and growing old together.  until it all goes off script with a divorce. flash forward, and the only remnant of diluc that is with you is your daughter, dawn. the only piece of you that remains with diluc is your other daughter and dawn’s twin sister, phoenix.  it isn’t until both of your children get you and your ex-husband in a bit of mess that you realize that maybe, just maybe, you still harbor feelings for diluc.  or maybe it’s the wine talking. notes: one of my favorite comfort fics; i am a sucker for second-chance romance; diluc and reader now older but still being the same bumbling idiots they were when young; at this point the children have more situational awareness than them; based on the original movie; treat yourself to a cup of tea and a friday night with this work and trust me life will be good
博士: il dottore
deus in absentia by @bound-in-parchment
The first time was a coincidence. The second time was a fluke. But the third time? You were starting to think it was fate. Or, more likely, a calculated trap. notes: at this point we can just scrap whatever mihoyo puts out and use this work as canon instead; the world building is so originally creative; this author must possess such a giant sexy brain; reader is basically adopted by dottore and forced to be his apprentice/assistant; idea of losing yourself to your own ambitions; slow-burn to the max; reader is oblivious to full extent of feelings until it is too late; tragic to the point i need a time machine to resurrect them
dream a little of me by @bound-in-parchment
Celestia had a cruel sense of humor. He knew this, even before his days as a student. But to be given a soulmate? Now, when he openly blasphemed against the cursed island in the sky? He would outlive you and the dreadful fated bond that haunted your shared dreams. There was little point in this. He could at least put a Vision to good use. People were nothing but disappointments. He had no use for you. Until you pulled the bow across your instrument and awoke a part of him long buried by self-hatred and arrogance. notes: soulmate trope but with the two most aromantic fools to ever exist; zandik drowns himself in the river of denial; comic dynamic between segments; music and failed dreams; reader actually has a backstory dark enough to match dottore's character; does not shy away from the uncomfortable and gritty aspects of trauma, abuse, and literal mental insanity
chemistry / magnum opus by @jessamine-rose
In the realm of science, love and insanity are closely intertwined mysteries. Disillusioned with the world, you had long forgotten its beauty until the wise doctor gives you a change of perspective. notes: by far the most accurate characterization of akademiya zandik; he hates you then hates himself then hates the world for allowing your paths to cross; treats you as an objective experiment but then wonders why he's suddenly humanizing you; slow-burn; zandik is selfish and machiavellian and somehow you fit into that equation
the only hope i had was the freedom of death by your hands that held me together by @tiens-letters
It was a burden. The weight of the power you hold in all the land. Any human who has enough ambition would dare to covet it and any god even given divine powers would lust after it. You were powerful, able to end civilizations and make a new world altogether. Many would think that you are a sovereign being but you too are limited to mortality than what most would believe. You were human with a blessing of a god and you felt cursed and dirty. notes: honestly the ending made me so mad but take it as a good sign; basically entails the circumstances that would drive dottore to become somewhat capable of love; what is done cannot be undone; zandik finally meeting someone who is wiser and more depressed than him; deluding himself into thinking he could ever be domestically normal; somewhat idolizes/idealizes reader; themes of betrayal and misunderstanding
富者: pantalone
house cat / alea iacta est by @jessamine-rose
Your entire life has been a gilded cage. The gods refuse to grant your greatest wish, and so you have resigned yourself to the will of destiny. But what happens when the red string of fate is severed and replaced with the silver chains of the Regrator? notes: liyue nobility; dishonest business and financial deals; reader is a cat hybrid but i didn't notice until part two because the plot was so good; pantalone is the mastermind behind all his interactions with reader; heavy manipulation and orchestrations; wolf in sheep's clothing; alternate ending found here
隊長: il capitano
herbarium / fairytale / forget-me-not / astilbe by @jessamine-rose
You had long given up on wishes and happy endings. After what you believed to be the end of your tragic story, you resigned yourself to a shadow of a life with only your books and flowers to keep you company…until the vestiges of Windblume brought forth a mysterious stranger and a new ending for your dark fairytale. notes: capitano being the strong stoic protector of a delicately fragile reader; manipulation is so subtle and that is what makes it alarming; somewhat stirred my daddy issues because he is so parental; reader struggles between accepting his love versus hating him for taking away her personal agency; flower motifs
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factsilike · 5 months ago
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Really tired of constantly seeing posts declaring that everyone in MXTX novels is complicated and 'morally grey' and that's what makes her works wonderfully written, and that everyone else who doesn't see that is stupid, or is 'demonising' characters and bashing them for rightfully criticising their shitty, very much unjustified actions.
And ironically it seems so simplistic to just declare that, because yes her stories are wonderfully written and complex, but not for that reason. You're clearly not reading her works and only spouting what you think her stories say. There are many morally grey characters in morally complex stories out there, but MDZS IS NOT ONE OF THEM.
NONE OF THE MAIN CHARACTERS (i.e protagonists and their male leads except for LBH maybe) ARE MORALLY GREY OR MORALLY COMPLEX.
THEY ARE ALL MORALLY RIGHTEOUS.
Just take a closer look at their actions compared to the actions of literally everyone else around them, it's not that hard to see.
Not to mention that MXTX herself literally says that WWX and LWJ are both morally ideal and that ahe hopes her readers can be like them, but people seem to have no respect for the word of authors in the name of their self projection onto the characters being contradicted nowadays 😒
(also saw someone dismissively say that HC may think that the world revolves around XL or whatever, but others don't and they're right??
First of all, did you even read the novel? HC made his judgement based on how others treated him versus how XL did when he was a CHILD. And how XL continues to treat others to this day. He is well within his rights to think the world of XL, especially since XL suffered more than every other person and still doesn't succumb to evil, despite having every right to do so, miles more than others. He all but regards XL as his moral compass, because he's proof that truly good people do exist in this world, and not ONE other person in the novel is shown to be as good as him.)
One of the reasons why I really don't like the Xianle Trio is this; neither FX nor MQ seem to regard XL as his own person with his own agency, who is capable of making his own decisions initially as HC does, and only near the end of the novel do they let up a bit when their asses had to be saved by XL multiple times. (especially considering what fools they made of themselves in that spiderweb cave lmao)
Both of them try to enforce XL ALL THE TIME ("Your Highness don't do this or don't do that or don't say this or don't go there or don't talk to him"), as if XL has not survived perfectly well on his own without them FOR 800 YEARS.
The difference between them and HC is clearly spelled out when FC asks HC about why he is not stopping XL, and HC replies that while he may not agree with some of XL's decisions, he would never force him to do what he thinks is correct, something both MQ and FX are CONSTANTLY shown to try to do.
Like please. Xianle Trio who? More like suffering XL and his pair of nuisances who think themselves to be his babysitters. And most of the time he's the one babysitting them.
Another thing that irks me is that their frequent arguments are often played off for laughs, but XL is truly a saint, because if my friends were constantly bickering over petty things all throughout our dangerous journey and giving me nothing but headaches, especially in survival situations, I'd given them the boot a long time ago.
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vulgarmaw · 4 months ago
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*takes a long drag of a cigarette*
Me: "I suppose the reason villains are so captivating in media is because most of us view ourselves as heros. So watching someone do something horrific with reasoning that we can't immediately fault for being evil is a brain teaser of sorts.
In fact hero's are so boring because in our heads they're doing what we would do if we felt we had the power to.
I think if we all realized that the common villain speech of "we're not so different you and I" is more of a hard glance of what it actually means to be good rather than an understanding of villainy we'd probably see that we do have the power to do wonderfully good things."
Barista: "There's no smoking in here."
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