#most of the times its his country and his people

[cripplecharacters]

hi, i'm AUDHD myself and i've been trying to figure out if "high functioning" and "low functioning" are appropriate terms to use about autistic people?

i've heard that they're ableist because, well, to be honest it sounds ableist and very inappropriate. i might be wrong, but weren't the terms made by Hans Aspergers?

but then again i've heard/hear autistic people using there terms for *themselves* claiming they are correct terms and help them with their identity but it feels so wrong. maybe i'm misunderstanding? how could someone call another person "low functioning"?

Hello,

They're outdated. For a lot of people in the community, these terms are the ones they were diagnosed with and the ones they self-described with, so they keep using the terms even though new terms have emerged. Some people like these terms, some are neutral to them, some are only okay with them if autistic people are the ones using them like me, and some do not like these terms at all and may even consider them akin to slurs. Functioning labels are seen by many as ableist and dehumanizing, I would air on the side of caution and only use them if you're autistic to self-identify or to describe someone who uses those labels (I do know several people who use functioning labels because they're easier or familiar.)

As for Asperger's, you're right, it was named after a Nazi (Hans Asperger) who created the category for eugenics purposes. It used to be a diagnosis, though, and many people were diagnosed with it and might even still be diagnosed as that in their medical records. Some people are attached to this label because it's how they self-describe and are reclaiming it, but it understandably makes a lot of people very uncomfortable due to it being a label created explicitly for eugenics and due to it being a term coined by a Nazi. It's also named after Hans Asperger who created the divide between "useful" autistics, who could be in the Nazi forces, and "useless" autistics (as the Nazis called them, a "life unworthy of life,") who would be killed. This term is also based on an extremely outdated understanding of autism, which was the belief that autism is a disorder similar to schizophrenia and "psychopathy," which is no longer a valid diagnosis (never really should have been a valid diagnosis to begin with) and largely falls under the diagnosis of antisocial personality disorder, when autism is very much its own diagnosis and not part of or defined by schizophrenia or a personality construct. This idea is extremely outdated and has been scientifically proven to be incorrect, similar to female hysteria. This term is really not one someone should be using unless they are autistic and using it to describe themselves, and even then it's still a very loaded term.

(Asperger's is also still a valid diagnosis people are being diagnosed with to this day in other countries that use the ICD-10 rather than the DSMV-5 of the ICD-11. The DSM isn't the main diagnostic criteria in many countries and some countries haven't yet updated to the ICD-11, so make sure to research which text is used in the country your setting is in.)

The modern terms are autism spectrum disorder and support needs labels, which are generally no support needs, light support needs, medium support needs, high support needs, and very substantial support needs. There are also autism levels (levels one, two, and three, one being light or no support needs and three being high or very substantial support needs,) though not everyone likes those.

If someone uses terms that are, medically speaking, outdated when describing themselves, it's fine to use those words in reference to them. But don't force them on people who don't like them. And when writing an autistic character, it is best to use the most up-to-date knowledge possible unless the time of the setting prevents that, because the most up-to-date terms are the ones considered most medically accurate.

(And if your setting is before autism was created as a diagnosis in 1910 by Eugen Bleuler, here is a Wikipedia page that includes other terms used up until the World Health Organization in 1978. It might be best to avoid using the r-slur if at all possible. Lois Lowry in her book "The Silent Boy" did this rather elegantly in her description of an autistic character who lived long before the autism diagnosis was a thing, in which he was referred to as "touched," meaning "touched in the head," or "touched by God," rather than as the r slur. Try to avoid using the r slur, I cannot stress this enough.)

Mod Aaron

[vellazx]

Reincarnated!Roger Luffy x Reincarnated!Rouge Reader — a small drabble of mine!

It was hard working for the Navy, whenever the man whom you adored so dearly was bound to be your enemy for life.

How it happened? It was a long story… And you couldn’t quite put it all into words.

It started two years ago, all the way back in Alabasta, when you were sent out for a job with your coworker, Smoker.

The two of you could be considered as ‘friends’. He rambled to you the whole way there about a wanted pirate who went by the name of ‘Straw Hat Luffy’, at the time bearing a 30 million Berry bounty.

He was just a rookie. It would be easy for someone of your rank to take him down. You were respected by even the three Admirals themselves, probably only a level below them in terms of power.

So why was it that when you did come face to face with him, the two of you just locked eyes, as if entranced by each other.

Your heart skipped a beat in that very moment. And for some reason, he smiled at you, making your sudden jittery behavior and nervousness a thousand times worse.

You were so ashamed of yourself. You allowed him to simply run past you with that toothy grin of his, beaming with confidence and recklessness.

Smoker didn’t let you off lightly after watching that scene. But you didn’t argue against him, no. You fully believed you deserved it.

But why did that happen in the first place? He was a pirate, and you didn’t take yourself as the type to fall in love at first sight. You’ve never done that.

You couldn’t continue to help Smoker and the swordswoman always by his side, Tashigi, in capturing the Straw Hats. Especially their captain.

It was like your body acted on its own, forcing you to leave. After that encounter, you endured a mental crisis for nearly an entire month.

He just felt so… familiar. It unsettled you.

Why did it feel like you had met him before?

After Alabasta, you somehow ended getting tied up in his daily pirate schemes, as if you just couldn’t escape him.

Sabaody Archipelago, the Navy Headquarters, Punk Hazard… You could name even more times that you’ve met with him in abnormal circumstances.

And every time you fought him, every accidental brush of hands that made your cheeks heat up, your feelings got worse, and worse, and worse…

Why him?

Of all people, why him?

To make things worse, you could feel yourself… distancing from your duty. Your job. Like he was influencing you.

You started thinking weird things, strange things.

‘The World Government? I don’t trust them.’

You didn’t trust them? Yes you did. They wanted justice for the world, and you did, too.

‘They’re corrupted.’

No they aren’t.

‘In the name of justice? Don’t make me laugh. They don’t care about justice… They only want power.’

It was like there was a second voice in your head. An alter ego, almost…

All the while, in the midst of those thoughts… Your mind always reeled back to him. His stupid face that made your heart flutter. That smile of his, that was so infectious you couldn’t help but return a smile, which you didn’t realize most of the time.

He would point it out mid-fight, too.

“Hey, you’re smiling!”

“You’re seeing things, Straw Hat!”

You also couldn’t help but realize that during your meaningless duels, all his attention would be solely on you. Of course, when fighting someone, that was normal. But the way he looked at you… Did enemies look at each other like that?

His eyes shone, full of adoration. He always smiled at you, even if you wanted him to take you seriously. He didn’t gaze at you like he did his other opponents. He always stared them down with anger, or irritation.

He hardly knew anything about you, other than how well you fought when you clashed on the battlefield. But at the same time, he felt like he knew everything about you.

It took you by surprise one day, when he opened up his own confusion to you.

“It feels like I’ve met you before. Before Vivi’s country!”

Before Alabasta? That was where you first met two years ago.

And he was saying that he felt like he knew you before your meeting in the country?

“You must be crazy, Straw Hat…”

You said that, but you felt the same. And… he said he felt the same. You would’ve never expected him to be on the road of confusion, as you were.

You hated to admit it, but Straw Hat Luffy was the center of your thoughts ever since your first meeting. He indirectly influenced you, resulting in you slowly developing a distasteful attitude toward the World Government and all your coworkers.

He’s never even said anything to you about hating the World Government, yet your thoughts of him were changing you.

For better, or for worse? You had no idea.

It was impossible for you to deny the way your eyes softened, and the way your muscles became less tense when he was around.

In battle, you’d have to be the one to fight him if you were present. No one else. Not even if an Admiral offered to assist you in taking him down.

Because for some reason… For some odd, odd reason…

…You were paranoid that they’d be able to defeat him, and he’d die on an execution platform, leaving you alone with your feelings until your own death.

Why did it feel like… that’s already happened before?

You couldn’t let it happen again.

[raven-at-the-writing-desk]

Miss Raven, may I ask for a list of the flaws in Leona’s plan from 2nd book? I knew of a couple myself at some point but i forgot what they were 😅 I was hoping you could list off as many flaws in the plan as you could find. 🤔

Please note: This post ONLY addresses the issues with Leona's book 2 plans to get Malleus out of the picture as per the asker's question. Book 2 has several other issues with its narrative (such as Leona's lack of screen presence/interaction with Yuu and co.), but I will not be counting them here.

The problems with Leona's plan are, as I could identify them:

NO Savanaclaw students were among the injured. Does this not automatically make them look really shady????

Savanaclaw students form a wall around Ruggie to shield him from sight when he uses his UM. This, too, is hella suspicious... You're telling me that there's an oddly high number of Savanaclaw students at the scenes of the crimes and yet not one of them got injured??? IT MAKES THEM LOOK EVEN SHADIER THAN BEFORE, ESPECIALLY SINCE THEY HAVE A REALLY OBVIOUS MOTIVE.

Leona openly talks about his evil scheme in his own dorm. A dorm with seemingly no sturdy doors that open and shut. A dorm that just brought in a bunch of freshmen that he doesn't know well and may not be on board with what he's doing. A dorm with a lot of beastmen... that have sensitive ears... and can probably hear you monologuing from quite a distance away...

Ruggie is sloppy and Leona just does not care about it when he really, REALLY should care; he is overly reliant on a "lack of evidence" to exonerate them. Ruggie blatantly shows off his UM and reports this to Leona. Why does Leona show like ZERO concern about this?? Why does he believe the school cannot do anything without proof? Literally nothing is stopping Crowley from detaining you under suspicion of guilt, or at least having someone watch you like a hawk if they suspect something... which will just make it that much harder to execute your plan.

Leona doesn't seem to care either when Jack overhears his plan; he just... expects Jack to feel pressured to not squeal???? Same issue as the previous bullet point; Leona should be caring a lot more about concealing their identities than this.

Leona assumes a regular ass stampede will be enough to kill/injure Malleus. The reason provided is that Malleus wouldn't dare to use his magic to get away when it might "harm" innocent bystanders. OKAY, what's stopping Malleus from poofing out of danger? This is an even stupider point because we literally see Malleus VANISH IN THE BLINK OF AN EYE when Yuu meets him for the first time in this very same book.

The potential political fallout. I doubt Twst intended to go into the consequences of what would have happened if Leona's dumb plan had succeeded, but surely if he was caught in the act or even suspected to have had a hand in it, it would impact the relationship between their countries since Leona and Malleus are both princes??? And that sounds like it would be a massive shitshow 💀

I've done my own book 2 rewrite, which attempts to address most of these issues with Leona's plan. There is also this follow-up post, which expands on some of the ideas I proposed in my initial rewrite. Tons of other people have book 2 rewrites as well! And you can write your own book 2 rewrite! Literally almost anything is better than the canon book 2--

[gxldencity]

There are a lot of good points in this wonderfully written essay but I want to highlight these passages because they do speak to why Veilguard has more to it than meets the eye. I do hope as time moves on, more people are open to looking as to why some of the narrative decisions were chosen beyond whatever preconceived notion you have about corporate sanitization.

That is the more critical lens to view the way The Veilguard’s sanitation of Thedas. To an extent, I agree. We learned so much about how the enigmatic country of the Tevinter Imperium was a place built upon slavery and blood sacrifice, only for us to conveniently hang out in the common poverty-stricken areas that are affected by the corrupt politics we only hear about in sidequests and codex entries. But decisions like setting The Veilguard’s Tevinter stories in the slums of Dogtown gives the game and its writers a place to make a more definitive statement, rather than existing in the often frustrating centrism Dragon Age loved to tout for three games.

I have a lot of pain points I can shout out in the Dragon Age series, but I don’t think one has stuck in my craw the way the end of Anders rivalry relationship goes down in Dragon Age II. This is a tortured radical mage who is willing to give his life to fight for the freedom of those who have been born into a corrupt system led by the policing Templars. And yet, if you’ve followed his rivalry path, Anders will turn against the mages he, not five minutes ago, did some light terrorism trying to free. In Inquisition, this conflict of ideals and traditions comes to a head, but you’re able to essentially wipe it all under the rug as you absorb one faction or the other into your forces. So often Dragon Age treats its conflicts and worldviews as toys for the player to slam against one another, shaping the world as they see fit, and bending even the most fiercely devoted radical to your whims. And yes, there are some notable exceptions to this rule, but when it came to world-shifting moments of change, Dragon Age always seemed scared to assert that the player might be wrong. Mages and Templars, oppressed and oppressors, were the same in the eyes of the game, each worthy of the same level of scrutiny.

Before The Veilguard, I often felt Dragon Age didn’t actually believe in anything. Its characters did, but as a text, Dragon Age often felt so preoccupied with empowering the player’s decisions that it felt like Thedas would never actually get better, no matter how much you fought for it. While it may lack the same prickly dynamics and the grey morality that became synonymous with the series, The Veilguard’s doesn’t just believe that the world is full of greys and let you pick which shade you’re more comfortable with. It’s the most wholeheartedly the Dragon Age universe has declared that the world of Thedas can be better than it was before.

Dragon Age: The Veilguard Just Went From A Good RPG To One Of BioWare’s Most Important Games

In light of BioWare scattering some of its most foundational veteran talent to the winds, Dragon Age: The Veilguard sure reads like something made by people who saw the writing on the wall. The RPG leaves off on a small cliffhanger that could launch players into a fifth game, but I’m skeptical that we’ll ever get it. The quickness with which publisher Electronic Arts gutted BioWare and masked it with talk of being more “agile” and “focused” shortly after it was revealed The Veilguard underperformed in the eyes of the power that be makes me wonder if BioWare was also unsure it would get to return to Thedas a fifth time. Looking back, I’m pretty convinced the team was working as if Rook’s adventure through the northern regions of this beloved fantasy world might be the last time anyone, BioWare or fan, stepped foot in it. But that may have only made me appreciate the game even more.

Yeah, I might be doomsaying, but there’s a lot of reasons to do so right now. The loss of talented people like lead writer Trick Weekes, who has been a staple in modern BioWare since the beginning of Mass Effect, or Mary Kirby who wrote characters like Varric, the biggest throughline through the Dragon Age series, doesn’t inspire confidence that EA understands the lifeblood of the studio it acquired in 2007. The Veilguard has been a divisive game for entirely legitimate reasons and the most bad-faith ones you can imagine on the internet in 2025, but my hope is that history will be kinder to it as time goes on. 

A Kotaku reader reach out to me after all the news broke to ask if they should still play The Veilguard after everything that happened. My answer was that now we are probably in a better position to appreciate it for what it was: a (potentially) final word.

The Veilguard feels just as much a send-off for a long-running story as it does a stepping stone for what (might) come. Its secret ending implies a new threat is lurking somewhere off in the distance but by and large, The Veilguard is about the end of an era. BioWare created an entire questline essentially writing Thedas’ history in stone, removing any ambiguity that gave life to over a decade of theory-crafting. As a long-time player, I’m glad The Veilguard solidifies the connective tissue between what sometimes felt like world of isolated cultures that lacked throughlines that made the world feel whole. But sitting your cast of weirdos down for a series of group therapy sessions unpacking the ramifications of some of the biggest lore dumps the studio has ever put to a Bluray disc isn’t the kind of narrative choice you make if you’re confident there’s still a future for the franchise. 

Unanswered questions are the foundation of sequels, and The Veilguard has an almost anxious need to stamp those out. Perhaps BioWare learned a hard lesson by leaving Dragon Age: Inquisition on a cliffhanger and didn’t want to repeat the same restriction. But The Veilguard doesn’t just wrap up its own story, it concludes several major threads dating back to Origins and feels calculated and deliberate. If BioWare’s goal with The Veilguard was to bring almost everything to a definitive end, the thematic note it leaves this world on acts as a closing graf summing up a thesis the series hopes to convey.

Pushing away the bigotry that has followed The Veilguard like a starving rat digging through trash, one of the most common criticisms I heard directed against the game was that it lacked a certain thorny disposition that was prevalent in the first three games. Everyone in the titular party generally seems to like each other, there aren’t real ethical and philosophical conflicts between the group, and the spats that do arise are more akin to the arguments you probably get into with your best friends. It’s a new dynamic for the series. The Veilguard doesn’t feel like coworkers as The Inquisition did or the disparate group who barely tolerated each other we followed in Dragon Age II. They are a friend group who, despite coming from different backgrounds, factions, and places, are pretty much on the same page about what the world should be. They’re united by a common goal, sure, but at the core of each of their lived experiences is a desire for the world to be better.

This rose-colored view of leftism doesn’t work for everyone. At its worst, The Veilguard can be saccharine to the point of giving you a cavity, which is far from what people have come to expect from a series in which Fenris and Anders didn’t care if the other lived or died. It also bleeds into a perceived softening of the universe. Factions like the Antivan Crows have essentially become the Bat Family with no mention of the whole child slavery thing that was our first introduction to them back in Origins. The Lords of Fortune, a new pirate faction, goes to great lengths to make sure you know that they’re not like the other pirates who steal from other cultures, among other things. I joked to a friend once that The Veilguard is a game terrified of getting canceled, and as such a lot of the grit and grime has been washed off for something shiny and polished. 

That is the more critical lens to view the way The Veilguard’s sanitation of Thedas. To an extent, I agree. We learned so much about how the enigmatic country of the Tevinter Imperium was a place built upon slavery and blood sacrifice, only for us to conveniently hang out in the common poverty-stricken areas that are affected by the corrupt politics we only hear about in sidequests and codex entries. But decisions like setting The Veilguard’s Tevinter stories in the slums of Dogtown gives the game and its writers a place to make a more definitive statement, rather than existing in the often frustrating centrism Dragon Age loved to tout for three games.

I have a lot of pain points I can shout out in the Dragon Age series, but I don’t think one has stuck in my craw the way the end of Anders rivalry relationship goes down in Dragon Age II. This is a tortured radical mage who is willing to give his life to fight for the freedom of those who have been born into a corrupt system led by the policing Templars. And yet, if you’ve followed his rivalry path, Anders will turn against the mages he, not five minutes ago, did some light terrorism trying to free. In Inquisition, this conflict of ideals and traditions comes to a head, but you’re able to essentially wipe it all under the rug as you absorb one faction or the other into your forces. So often Dragon Age treats its conflicts and worldviews as toys for the player to slam against one another, shaping the world as they see fit, and bending even the most fiercely devoted radical to your whims. And yes, there are some notable exceptions to this rule, but when it came to world-shifting moments of change, Dragon Age always seemed scared to assert that the player might be wrong. Mages and Templars, oppressed and oppressors, were the same in the eyes of the game, each worthy of the same level of scrutiny.

Before The Veilguard, I often felt Dragon Age didn’t actually believe in anything. Its characters did, but as a text, Dragon Age often felt so preoccupied with empowering the player’s decisions that it felt like Thedas would never actually get better, no matter how much you fought for it. While it may lack the same prickly dynamics and the grey morality that became synonymous with the series, The Veilguard’s doesn’t just believe that the world is full of greys and let you pick which shade you’re more comfortable with. It’s the most wholeheartedly the Dragon Age universe has declared that the world of Thedas can be better than it was before.

Essentially retconning the Antivan Crows to a family of superheroes is taking a hammer to the problem, whereas characters like Neve Gallus, a mage private eye with a duty-bound love for her city and its people, are the scalpel with which BioWare shifts its vision of how the world of Thedas can change. Taash explores their identity through the lens of Dragon Age’s longstanding Qunari culture, known for its rigidness in the face of an ever-changing world, and comes out the other end a new person, defined entirely by their own views and defying others. Harding finds out the truth behind how the dwarves were severed from magic and still remembers that she believes in the good in people. The heroes of The Veilguard have seen the corruption win out, and yet never stop believing that something greater is possible. It's not even an option in The Veilguard's eyes. The downtrodden will be protected, the oppressed will live proudly, and those who have been wronged will find new life.

That belief is what makes The Veilguard a frustrating RPG, to some. It’s so unyielding in its belief that Thedas and everyone who inhabits it can be better that it doesn’t really entertain you complicating the narrative. Rook can come from plenty of different backgrounds, make decisions that will affect thousands of people, but they can never really be an evil bastard. If they did, it would fundamentally undermine one of the game’s most pivotal moments. In the eleventh hour, Dragon Age mainstay Varric Tethras is revealed to have died in the opening hour, and essentially leaves all his hopes and dreams on the shoulders of Rook. After our hero is banished to the Fade and forced to confront their regrets in a mission gone south, Varric’s spirit sends Rook on their way to save the day one last time. He does so with a hearty chuckle, saying he doesn’t need to wish you good luck because “you already have everything you need.” He is, of course, referring to the friends you have calling to you from beyond the Fade. 

Varric, who has narrated the story of Dragon Age’s final word is a declaration of belief that things will be okay. This isn’t because Rook is the chosen one destined to save the world, but because they have found people who are unified by one thing: a need to fight for a better world. But that’s what makes it compelling as a possibly final Dragon Age game. Reaching the end of a universe’s arc and being wholly uninterested in leaving it desecrated by hubris or prejudice is a bold claim on BioWare’s part. It takes some authorship away from the player, but in return, it leaves the world of Thedas in a better place than we found it.

The Veilguard is an idealistic game, but it’s one that BioWare has earned the right to make. Dragon Age’s legacy has been one of constantly shifting identity, at least two counts of development hell, and a desire to gives players a sandbox to roleplay in. Perhaps, as Dragon Age likely comes to a close, it’s better to leave Dragon Age with a game as optimistic as the people who made it. I can’t think of a more appropriate finale than one that feels like it represents the world its creators hope to see, even as the world we live in now gives us every reason to fall to despair.

In my review for The Veilguard I signed off expressing hope for BioWare’s future that feels a bit naive in retrospect. Would a divisive but undeniably polished RPG that felt true to the studio’s history be enough when, after 10 years of development, rich suits were probably looking for a decisive cultural moment? That optimism was just about a video game. Having lived through the past 32 years, most of the optimism I’ve ever held feels naive to look back on. I think I’m losing hope that the world will get any better. But even if we haven’t reached The Veilguard’s idealized vision, I’ll take some comfort in knowing someone previously at BioWare still believes it’s possible. - ken shepard, shepardcdr.bsky.social

[j6suke]

Hi, can I request a gojo x foreign reader?

You can make the reader feel high self-esteem because of the compliments they would receive.

I have noticed that Japanese people see foreign women with a curvy body even if foreign women say that in their country they are flat, the Japanese praise them for their physique, personality, beauty.

I have even heard testimonies from foreigners who have just flirted with couple where the person flirting asked their partner if they would look cute together and their partner responded they would also be with a foreigner.

That's all, thanks for reading me (⁠｡⁠･⁠ω⁠･⁠｡⁠)

─୨ৎ── gojo x foreign reader ⟡ ݁₊ .

cw: one little horny implication at the end because im ovulating and its everyones problem

wc: 580ish

hi lovely anon!!! this is genius because gojo would be SO feral for a woman who doesn't exactly fit into beauty standards, and that's canon because I said so.

hope u like it!! <3

the people in japan always complimented and praised you so highly, so genuinely. in your home country, it was more common to hear neutral or backhanded 'compliments'.

you'd never quite gotten used to it. sure, it was great. the lingering stares, the frequent compliments on your physique, the adoration from children... it was all incredibly ego-boosting, and you found yourself feeling a little more confident by the day.

pre-moving to japan, friends and family had kindly taken the time to warn you about the japanese beauty standards and how they might make you feel a little alienated, considering how slender the typical japanese woman is. however, almost immediately you discovered that this was incorrect. since day one, people have literally tripped over themselves just to get a look at you.

japanese people, particularly the men, complimented you relentlessly. and somehow, it was never in a way that made you feel objectified. It was gentle, respectful, and sincere.

you'd met satoru gojo not long after arriving in japan, for work purposes, and had become pretty close comrades. he was nothing short of charming, and not to mention very handsome. even despite being considered incredibly gorgeous yourself, your confidence faltered in his presence.

one afternoon, as you were sitting across from gojo in your headquarters attending to some work. well- you were working. he was watching you.

he raised an eyebrow at you with that signature smirk of his.

you met his eyes and blinked before plainly asking, "what?"

"you." he answered, pushing his glasses ontop of his head, eyes staring straight through you.

you raised an eyebrow at him and shook your head, returning to whatever it was you were doing. gojo was almost always flirty towards you in some shape or form, you'd grown accustomed to it by now.

"hey! don't ignore me! im being serious. you don't give yourself enough credit.. you're like, this perfect being. an angel sent straight from heaven."

and when you look at him with utter confusion, his jaw goes slack, and his eyes widen in disbelief, he looked as if you had just broken his heart.

“oh my god,” he breathed, his voice low and almost reverent. “you really have no idea, do you?”

before you could even process his words, he pulled up a chair beside you, moving in closer until your faces were mere inches apart. you could feel the warmth of his body and the faint scent of his cologne that was quickly filling the air between you. your face immediately flushed hot, and you instinctively leaned back, but he wasn’t about to let you get away.

his voice softened, laced with sincerity. “listen, doll. you’ve got this beauty that’s rare. genuine beauty. It’s not the kind that can be bought or manufactured. It’s the kind that’s just... you. and I, for one, think that its the most gorgeous thing.”

his intense gaze shifted from your eyes down to your figure, his smirk returning as he looked you over with a profound appreciation that had your heart doing backflips.

"and you, baby," he leaned back and gave you his signature wink, "are insatiable."

gojo stands up, his hands rushing into his pockets suspiciously fast, and gives you a kiss on the cheek before leaving the room.

as the door clicked shut behind him, you realise that from now on, no other compliment any other man is inevitably going to give you will have an effect on you.

[ilovegyokeres]

Nights like this- Kenan Yildiz

Genre: Slow-burn romance, angst, fluff

Summary: You meet Kenan Yıldız by accident one winter night in Turin. What starts as a fleeting encounter slowly grows into something deeper as you cross paths again and again, navigating his rising football career, your own life struggles, and the uncertain line between admiration and something more. Over the course of a year—through winter, spring, summer, and fall—your relationship with Kenan changes in ways you never expected.

Winter in Turin was unforgiving that night. The wind cut through the streets like a blade, cold enough to sting your skin even through layers of fabric. You wrapped your coat tighter around yourself, exhaling a puff of mist into the air as you tried to shake off the frustration of missing the last tram. The streets were nearly empty, the late hour and bitter cold having driven most people indoors. Your phone’s battery was already in the red, and the idea of walking home through the freezing night was becoming less appealing with every passing second.

You sighed, kicking at a stray piece of ice on the sidewalk, when the hum of an engine caught your attention. A sleek, black car slowed as it approached, its headlights illuminating the frost-covered pavement. You didn’t think much of it until the passenger window rolled down, revealing a young man in the driver’s seat. He was wearing a dark hoodie, the fabric loose around his shoulders, and his face was partially shadowed by the dim streetlight. But even in the low light, you recognized him.

Kenan Yıldız.

The Juventus player. Rising star. The one whose name had been on every football analyst’s lips for months now.

Your body tensed instinctively, unsure if this was real or just some bizarre trick of exhaustion. Kenan glanced at you, then at the empty street ahead, before tilting his head slightly. "You look like you’re freezing," he said, his voice smooth but carrying the distinct lilt of someone who had spent years between countries, between cultures. "Need a ride?"

Your immediate instinct was to say no. It didn’t matter that he was famous, that he was a footballer you had watched on the screen countless times—he was still a stranger offering you a ride in the middle of the night. But the logical part of you knew that standing in the freezing cold for another hour wasn’t a great idea either.

Still, hesitation weighed on your tongue. "You don’t even know me," you finally said.

Kenan’s lips curled into a slight smirk, the kind that seemed almost second nature to him. "That’s true," he admitted. "But I figure you’re either a Juventus fan or just really unlucky to be out here alone at this hour. Either way, I don’t mind helping."

Something about the casual way he said it—like this wasn’t a big deal to him—made you pause. He didn’t seem pushy or impatient, just... offering. And maybe it was reckless, maybe you’d regret it later, but your fingers were already numb, and the idea of a warm car was too tempting to ignore.

You exhaled, finally nodding. "Okay. Just... don’t turn out to be a serial killer or something."

Kenan chuckled, unlocking the door. "No promises."

You slid into the passenger seat, the warmth hitting you instantly. As you buckled in, Kenan glanced at you with a raised eyebrow. "So, where am I taking you?"

You gave him your address, still half in disbelief that this was actually happening. Kenan didn’t question it, just nodded and pulled back onto the road. For a few moments, there was only silence, the soft hum of the engine filling the space. It wasn’t awkward, though. If anything, it felt strangely normal.

"You don’t seem surprised to see me," Kenan remarked after a while, his eyes flicking toward you briefly before focusing back on the road.

You shrugged. "I mean, I recognized you. But I wasn’t expecting you to be out driving random strangers home in the middle of the night."

He let out a short laugh. "Yeah, well. I like driving at night. Less traffic, less noise." He glanced at you again, as if assessing something. "And I guess I saw you looking miserable on the sidewalk and figured I could do something about it."

You weren’t sure what to say to that. There was no arrogance in his tone, no hint that he expected anything in return. Just a simple statement of fact.

"Well... thanks," you said after a beat. "I appreciate it."

Kenan just nodded, his fingers drumming lightly against the steering wheel. "No problem."

The rest of the drive was quiet, but not uncomfortable. When he finally pulled up in front of your building, you hesitated, unsure how to end this strange but oddly pleasant encounter.

Before you could overthink it, Kenan beat you to it. "See you around," he said simply, like it was inevitable.

You blinked. "Right. Sure."

You got out of the car, still feeling the lingering warmth against your skin as you watched him drive off. The whole thing felt surreal, like a fleeting moment you wouldn’t fully process until later.

But you had no idea that this wouldn’t be the last time you saw Kenan Yıldız. Not even close.

It had been months since that night, and you hadn’t expected to run into Kenan again. But fate, it seemed, had other plans.

You were sitting in a small café, one of those places tucked away from the busy streets, when a familiar voice interrupted your thoughts. "Lost in the city again?"

Your head snapped up, and there he was—Kenan, standing at your table with a lazy smirk, his hair slightly tousled as if he had just come from training.

You stared for a moment, caught between disbelief and amusement. "I wasn’t lost the first time."

He chuckled. "Sure you weren’t." Without waiting for an invitation, he slid into the seat across from you, as if it were the most natural thing in the world.

"You do this often?" you asked, raising an eyebrow.

"What, run into strangers I’ve given rides to?" He shrugged. "Not really. But maybe it’s a sign."

"A sign of what?"

Kenan leaned forward slightly, his gaze playful but unreadable. "That we should actually get to know each other."

And just like that, something shifted.

The easy banter turned into real conversations. The occasional texts turned into frequent ones. Over the weeks, the lines between chance encounters and something more blurred until Kenan became a part of your life in ways you hadn’t expected.

And maybe—just maybe—you were becoming a part of his too.

[accio-victuuri]

i finally found an account sharing the positive reviews ( by viewers ) for LOCH. thank you to this person for compiling✨

i posted a thoughts piece on here about some issues surrounding the movie’s release and as i mentioned there, i will be sharing the good reviews on here as they come, and now here it is. there is a lot from the reposts of OP so i will just share a couple. enjoy ^^

riddled with spoilers so be warned. ❌❌❌

⬇️⬇️⬇️⬇️

I don't know why the sequels of the IPs in the Spring Festival did not achieve the effect I expected, but The Legend of the Condor Heroes exceeded my expectations. I have watched several of Tsui Hark's movies, and my impression of him is that he is a romantic martial arts old man. After watching The Legend of the Condor Heroes, I think this is even more true. Tsui Hark is really romantic. His lens language has its own characteristics, which is implicit and magnificent. These two somewhat contradictory words can be expressed in the movie The Legend of the Condor Heroes. It is not an exaggeration to say that Tsui Hark is the best.

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The movie The Legend of the Condor Heroes is a very good work. I had low expectations because I saw many people dislike it on Weibo. I watched it based on the idea that I must watch all five movies in the Spring Festival, but The Legend of the Condor Heroes gave me a big surprise.

I have been crying since I saw Huang Rong masked and saw Guo Jing crying. The Legend of the Condor Heroes moved me. I cried for the love that accompanies each other through life and death. This silent love moved me very much. I cried that Guo Jing's mother committed suicide to protect the country so as not to drag Guo Jing down. I cried that Guo Jing did not forget his homeland after decades in Mongolia. I thought of the overseas Chinese, most of whom care about their motherland. If the motherland is in trouble, they will come back across the ocean.

I admire Tsui Hark so much. The shots are so beautiful and the love is so romantic. In Tsui Hark's writing, life is so beautiful. The only regret is that Huang Rong in my heart is more cunning and beautiful than Zhuang Dafei.

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this next one is explaining the idea behind this specific scene that some people are ridiculing. cause they are expecting a big battle to happen.

The painting on the left shows the scene of Chinese soldiers guarding the border, and on the right is a picture of Guo Jing fighting against the Mongolian army. Several Chinese soldiers opened their arms to show their firm determination to defend the country's territorial sovereignty. Guo Jing was also firm in the face of foreign troops. What's wrong with this? This action is actually the first reaction in an emergency. What's wrong with this design? He is well aware of his own insignificance. Guo Jing will not use brutal killing to fight against the Mongolian army, but the Khan is not stupid. He did not retreat because he was moved. He saw Guo Jing's lethality and his own army was also demoralized, so he retreated. He didn't understand this.

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Not a fan, a brief review of The Legend of the Condor Heroes. I took my parents to watch The Legend of the Condor Heroes. The first half was bland, but the second half was exciting, with many big scenes and great special effects. I was attracted by Xiao Zhan's looks before, but this time his makeup made people pay more attention to his acting skills. I think his acting is OK, his lines are also very good, and his Mongolian is well received. The heroine is cute when she smiles, but Hua Zheng is too outstanding and overshadows the heroine as soon as she appears. Tony Leung Ka Fai is worthy of being the best actor. After watching this drama, I am a fan of Ouyang Feng. I have watched too many movies in the past two years and I am aesthetically fatigued. Xu Ke's martial arts films are eye-opening.

The righteousness of the country and the family is a belief that integrates the blood of the Chinese people and will never go out of date. The show I watched was basically full, and most of them came with their parents. I don't mean to say that other movies are bad. It is true that most of my parents are more interested in Xu Ke's martial arts. The end credits of the movie came out, and everyone didn't leave until it was completely over. Most people should be satisfied. At least for me, leaving the heated room and going out in the cold, I would be really angry if I spent money to watch a movie and it was not good. but I think The Legend of the Condor Heroes is worth watching. Finally, I want to complain about the official promotion. The highlight scenes are not used for promotion at all!

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Finally, let's talk about "The Legend of the Condor Heroes: The Greatest Hero". Tsui Hark is the best martial arts film director. The war scene between the two armies is simply too shocking!

The first 10 minutes are more than just grand and spectacular, it's simply going to blow the world away. Thousands of horses galloping and dust flying, the visual impact is so strong that it is worthy of being written by Tsui Hark.

The following story is full of romantic love and ruthless killing, and the huge contrast of alternating performances is like ice and fire.

What is the greatest hero? In order to protect one side, he is willing to give up everything and never bend. Whether it is against thousands of troops or fighting against Ouyang Feng, the Western Poison, Guo Jing and Huang Rong are both brave and courageous. Both the emotional drama and the fighting scenes are brilliant.

Guo Jing, portrayed by Xiao Zhan, has changed his previous image of being stupid and dull, and his resolute and vigorous spirit is refreshing.

Huang Rong, played by Zhuang Dafei, is no longer the wild girl who only knows how to cheat and deceive people. When it comes to the crucial moment, she is as brave as a man.

The performances of many supporting roles, such as Ouyang Feng played by Tony Leung Ka Fai and Hua Zheng played by Zhang Wenxin, are all outstanding.

Tsui Hark is undoubtedly the golden signboard of martial arts films. From the popular "Unbeatable in the East" to the benchmark-setting "New Dragon Inn", to today's classic, the overall performance of the actors, the extraordinary audio-visual feast, and the interpretation of the spirit of chivalry have all reached a level that amazes the audience.

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Tsui Hark's film "The Legend of the Condor Heroes" is quite a pleasant surprise. It restores many of the main characters and plots of the original novel "The Legend of the Condor Heroes". The visual impact is particularly shocking. It is indeed a masterpiece of Tsui Hark's martial arts. The movie is exciting. It not only has touching national justice, but also romantic love, the cruelty of war, and the pain of the people being displaced.

At the end of the plot, Guo Jing's dialogue with Genghis Khan clearly explains what the chivalrous spirit of "the greatest hero" is. It is not only reflected in the high martial arts, but more importantly, it is to have feelings and righteousness, care about the world, and be able to stand up in times of national crisis without considering personal safety and gains and losses. The value of "the greatest hero, for the country and the people" will make people cherish the precious peaceful environment now. When the familiar melody sounded, the call of "Brother Jing" and "Rong'er" instantly pulled back the highlights of the past years, and I couldn't help but think of the green years and college classmates chasing the TV series "The Legend of the Condor Heroes".

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Recommend "The Legend of the Condor Heroes", full house, more than half of them are from Hong Kong - three friends from the Greater Bay Area to Beijing and Xiangyang to watch the movie. In general, Tsui Hark's version of The Legend of the Condor Heroes still has his own distinctive style, especially the final game between Guo Jing and Ouyang Feng, which is very exciting. I was also very moved after watching it. The martial arts finally returned with the spirit of chivalrous and brave heroes. This spirit is not only needed in martial arts, but also in our era and this world. People like this are still needed to achieve and write.

A friend who works in the Greater Bay Area, "The Great Righteousness of Heroes and the Family Governing the Country and the World" - Watching "The Legend of the Condor Heroes"

I took the time to watch "The Legend of the Condor Heroes" today. Before the movie started, I made two surprising discoveries. The audience was almost full, and most of them were from Hong Kong. (Since I have lived, worked and studied in Hong Kong since the early 1990s, I can distinguish Hong Kong people and Hong Kong dialect.)

Therefore, Jin Yong's martial arts novels, TV and movies are the memories that accompanied my best years. Through his characters, Jin Yong explored themes such as loyalty, love, friendship, power, and desire, showing his deep understanding of human nature. But after watching the movie today, I have a deeper feeling than the chivalry of the martial arts world and the righteousness of the country.

In the movie, through the different levels of emotional interactions between Guo Jing and Huang Rong, between the master and the apprentice, and between the Mongolian brothers, I felt their deep friendship and chivalry. These have been the indispensable spiritual core of Chinese culture since ancient times. The chivalrous not only violates the law with force, but also walks the world with righteousness. They value their promises and put their lives aside, help the poor and the needy, and use their personal strength to maintain social fairness and justice.

In the movie, there was a dialogue between Guo Jing and the Khan on the battlefield that made me feel deeply. The Khan stared at Guo Jing and said, "I regret not giving you a Mongolian name." Guo Jing firmly replied, "Even if I have a Mongolian name, I still remember that my name is Guo Jing." ... ... The righteousness of chivalry is not only reflected in the protection of the weak, but also in the loyalty to the country and the nation. Such a deep-rooted sense of identity with the nation and the country. Throughout history, those Chinese compatriots who have made great achievements overseas and still resolutely repay their motherland are not so chivalrous!

I saw some comments online saying that this movie can be renamed "Guo Jing Chasing His Wife"... Most of them are negative comments. In fact, as an ordinary citizen, the first thing is of course the love for family and friends. If he can't love his family and handle the small family and small feelings well, how can he manage his family, govern the country and bring peace to the world? Managing the family means family harmony and a correct family style; governing the country means national stability and political clarity; bringing peace to the world means pursuing the great harmony of the world and the happiness of all people.

This concept emphasizes that the thoughts that Guo Jing's mother instilled in him since he was a child have always revolved around the gradual process of individuals, families, and then countries, and finally achieving world peace. This is also an important concept in Confucianism. I think the film team should have a very good understanding and grasp of the central idea and spirit expressed in this film. I think this is different from the previous films of Xu Laoguai, which are more profound thoughts.

The righteousness of chivalry and governing the country and bringing peace to the world by managing the family seem to belong to different fields, but in fact they have a profound internal connection. The righteous deeds of chivalrous people often start with the responsibility for the family, and then expand to the responsibility for the country and the nation. The righteousness of chivalry is the spiritual foundation of governing the country and bringing peace to the world by managing the family. Without the righteous deeds of chivalrous people, it is difficult for the family to be harmonious, the country to be stable, and the world to be peaceful.

In the long river of history, countless chivalrous people have promoted the progress of society with their righteous deeds. They may be hidden in the market or prominent in the court, but all of them put righteousness first and take the world as their responsibility. Their spirit has inspired generations of Chinese people to strive for the ideal of governing the country and bringing peace to the world by managing the family.

Today, we still need the righteousness of chivalry. In the process of modernization, social fairness and justice still need everyone to maintain. Each of us can become a chivalrous person, act righteously in the world, start from the family, and then influence the society, promote the progress of the country, and finally realize the ideal of universal peace.

The righteousness of chivalry and governing the country and bringing peace to the world by managing the family are not only the inheritance of history, but also our responsibility and mission today. Let us shoulder the responsibility of governing the country and bringing peace to the world with the spirit of a knight, and jointly create a better future.

In general, Tsui Hark's version of The Legend of the Condor Heroes shows the details and emotions of Jin Yong's original work, and still has his own distinctive style, especially the final game between Guo Jing and Ouyang Feng, which is very exciting and touching. The martial arts finally returned with the spirit of chivalrous and brave heroes. This spirit is not only needed in martial arts, but also in our era and this world. Such people are still needed to achieve and write.

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this one is very long and goes into detail about some plot points so feel free to go to the source.

Maybe it’s because I’ve praised The Legend of the Condor Heroes too much. Now in the information cocoon of Weibo, Weibo keeps pushing reviews of The Legend of the Condor Heroes to me. They are all overwhelmingly criticizing Director Tsui Hark and Xiao Zhan, and some of them are very fierce.

As I said in my last Weibo post, the quality of this movie has nothing to do with Xiao Zhan. He is Director Tsui Hark’s graphic tool man, and he has fulfilled his duties as an actor. There is not much to criticize in his acting, lines, and actions. Perhaps the only thing that can be blamed on him is that he is not a martial arts actor. If he or the other two or three leading actors had martial arts skills, Director Tsui Hark might not have made this movie, which was promoted as a "martial arts", almost completely without decent martial arts scenes, only fantasy qigong scenes like in cartoons. But it’s not Xiao Zhan’s fault.

So is the quality of Director Tsui Hark’s screenwriting and directing so bad that he is trampled on like this? As a literary youth who has watched countless movies since childhood and a semi-professional novelist, from my appreciation point of view, this movie is indeed not well made. But it’s not that bad. At least my 2 hours of time was not completely wasted. At least 30 to 40 minutes were high-quality viewing time. But it requires more thinking to understand.

In this final climax, the overall logic is very good, and Xiao Zhan's facial expression when he spread his arms, and the lines in Mongolian and Chinese are also very good. The biggest failure is that Huang Rong should not stand beside him. Who is Huang Rong? What is her relationship with the opposing army? Is there any emotional connection of life and death? Nothing. It is unwise for Huang Rong to stand beside him, which greatly weakens the logic behind this contradictory confrontation and the shocking effect of the scene. In addition, it also greatly weakens the charm of Guo Jing as the protagonist in this decisive scene. I don’t know if this big failure is the decision of director Tsui Hark or because of some inexplicable reasons of the investors.

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this is also very long but i will share the part about XZ and GJ.

After watching the movie with Jin Yong fans, I agreed that this version is quite innovative in shaping the character of Guo Jing compared to other versions, with less naivety and more maturity and perseverance. Xiao Zhan's interpretation of this version is sincere and decisive, and he became Guo Jing in the story in a rounded and non-sharp way.

I know a lot about the story, as an audience, I was not distracted for a minute during the movie. There was only the character of Guo Jing in the movie. What I still remember is Hua Zheng's description of Guo Jing: "You will know when you see him." Yes, you will definitely feel it when you see him in the movie world. Yes, this is Guo Jing. He is chivalrous and will never betray justice.

In addition, Xu Ge also respects female characters, and his favorite characters have always transcended the concept of gender. The adaptation of the rooftop confrontation between Huang Rong and Hua Zheng is very exciting. Female characters are no longer based on "who", but are more independent. My division is attacking in the south and will attack Xiangyang. I know that you are loyal to the country and risk your life to report it. I am sorry for your mother's tragic death, and I am ashamed to see you again. I have gone to the remote west to rely on my elder brother, and I will never set foot on my homeland again. May you take good care of yourself and live a long and happy life. The casting of Hua Zheng is extremely suitable for the free and easy and bloody nature of the grassland heroine that is highly summarized in the letter she gave to Guo Jing in the original work, which is very moving.

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First of all, I am not a fan of Xiao Zhan. I started to pay attention to Xiao Zhan because of a little girl who came to my company for internship a few years ago.

Secondly, there were so many people watching the movie. I watched it in the Dolby Hall today, and except for the first two rows, it was basically full. When everyone was waiting to be seated, they actually lined up at the door of the theater. I haven't seen it for many years.

Thirdly, I give the movie 8 points. I feel that the plot can be fuller (I vaguely feel that it has been cut), and Huang Rong is a little bit worse, although I like the last shot of Huang Rong pulling Guo Jing up to make a protective posture, which perfectly reflects that "Guo Jing is Huang Rong's world".

The last point is the reason why I strongly recommend it:

as a generation that grew up reading Jin Yong's novels. This version of Guo Jing should be the Guo Jing in Mr. Jin Yong's mind.

In the novel, Guo Jing is the character that Genghis Khan's daughter loves but cannot get and never marries. He is the character that Huang Yaoshi's daughter, who is proficient in piano, chess, calligraphy and painting, falls in love with at first sight. He is the character that all upright masters are willing to teach their lifelong skills.

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I watched The Legend of the Condor Heroes and here are 9 thoughts, some good and some bad. Please forgive me if I said something wrong:

1. The big scenes are quite good and magnificent, and must be praised.

2. Xiao Zhan is the most handsome Guo Jing in history, and his appearance is good, heroic and upright.

3. The greatest heroes protect the country and the people. Guo Jing rode alone to stop tens of thousands of Mongolian cavalry, and said to the Khan, "Heroes must have compassion..." This is Tsui Hark's public evaluation of heroes through the movie, which is very bold. If you don't see this, you underestimate Tsui Hark.

4. Hua Zheng's actor is well chosen, and everyone loves her. Guo Jing has no reason to refuse the marriage.

5. In the final battle, the Western Poison became a demon, and "martial arts" became "demon skills", which is a bit too much.

6. Huang Rong's spirit is gone, which makes people wonder how she can become the leader of the Beggars' Sect. But Zhuang's appearance is still okay.

7. There are more shots of Guo Jing's mother.

8. For some plots, such as the reunion of Guo Jing and Huang Rong, there is no need to go against the original work. Jin Yong wrote about the world of martial arts! It would be great to film it as it is, with lightning rods and dark rainy nights, which is so disgusting.

9. The old songs of The Legend of the Condor Heroes are very good, at least they set off a small part of the atmosphere and feelings. Classics cannot be surpassed, no matter how great the AI ​​can be, which makes people feel gratified about the future of art in the AI ​​era.

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The first movie for this year's Spring Festival was the most popular "The Legend of the Condor Heroes: The Greatest Hero". As a post-80s generation, I believe that many people, like me, have a strong obsession with The Condor Heroes, and also have their own images of Guo Jing and Huang Rong that suit them best. I was quite surprised that Xiao Zhan and Zhuang Dafei's interpretation of Huang Rong and Guo Jing exceeded my imagination. Guo Jing's persistence and honesty, and Huang Rong's eccentricity are all vividly portrayed on the screen.

The most moving part of the whole play is the handling of the conflict in the core plot, the national sentiment reflected by Guo Jing when he was faced with the choice between family affection and righteousness in the end, and his mother Li Ping's death in the face of national justice, all reflect the theme of the whole play - the greatest hero.

The ending of the story handles the plot between affection and righteousness very well, which is also a plus for this film

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AND TO THE LUCKY ONES WHO HAVE WATCHED IT VIA INTERNATIONAL SCREENINGS, I encourage you to make your own reviews & share it ✨😊

[dreaminginthedeepsouth]

“I’m going to get a little wonky and write about Donald Trump and negotiations. For those who don't know, I'm an adjunct professor at Indiana University - Robert H. McKinney School of Law and I teach negotiations. Okay, here goes.

Trump, as most of us know, is the credited author of "The Art of the Deal," a book that was actually ghost written by a man named Tony Schwartz, who was given access to Trump and wrote based upon his observations. If you've read The Art of the Deal, or if you've followed Trump lately, you'll know, even if you didn't know the label, that he sees all dealmaking as what we call "distributive bargaining."

Distributive bargaining always has a winner and a loser. It happens when there is a fixed quantity of something and two sides are fighting over how it gets distributed. Think of it as a pie and you're fighting over who gets how many pieces. In Trump's world, the bargaining was for a building, or for construction work, or subcontractors. He perceives a successful bargain as one in which there is a winner and a loser, so if he pays less than the seller wants, he wins. The more he saves the more he wins.

The other type of bargaining is called integrative bargaining. In integrative bargaining the two sides don't have a complete conflict of interest, and it is possible to reach mutually beneficial agreements. Think of it, not a single pie to be divided by two hungry people, but as a baker and a caterer negotiating over how many pies will be baked at what prices, and the nature of their ongoing relationship after this one gig is over.

The problem with Trump is that he sees only distributive bargaining in an international world that requires integrative bargaining. He can raise tariffs, but so can other countries. He can't demand they not respond. There is no defined end to the negotiation and there is no simple winner and loser. There are always more pies to be baked. Further, negotiations aren't binary. China's choices aren't (a) buy soybeans from US farmers, or (b) don't buy soybeans. They can also (c) buy soybeans from Russia, or Argentina, or Brazil, or Canada, etc. That completely strips the distributive bargainer of his power to win or lose, to control the negotiation.

One of the risks of distributive bargaining is bad will. In a one-time distributive bargain, e.g. negotiating with the cabinet maker in your casino about whether you're going to pay his whole bill or demand a discount, you don't have to worry about your ongoing credibility or the next deal. If you do that to the cabinet maker, you can bet he won't agree to do the cabinets in your next casino, and you're going to have to find another cabinet maker.

There isn't another Canada.

So when you approach international negotiation, in a world as complex as ours, with integrated economies and multiple buyers and sellers, you simply must approach them through integrative bargaining. If you attempt distributive bargaining, success is impossible. And we see that already.

Trump has raised tariffs on China. China responded, in addition to raising tariffs on US goods, by dropping all its soybean orders from the US and buying them from Russia. The effect is not only to cause tremendous harm to US farmers, but also to increase Russian revenue, making Russia less susceptible to sanctions and boycotts, increasing its economic and political power in the world, and reducing ours. Trump saw steel and aluminum and thought it would be an easy win, BECAUSE HE SAW ONLY STEEL AND ALUMINUM - HE SEES EVERY NEGOTIATION AS DISTRIBUTIVE. China saw it as integrative, and integrated Russia and its soybean purchase orders into a far more complex negotiation ecosystem.

Trump has the same weakness politically. For every winner there must be a loser. And that's just not how politics works, not over the long run.

For people who study negotiations, this is incredibly basic stuff, negotiations 101, definitions you learn before you even start talking about styles and tactics. And here's another huge problem for us.

Trump is utterly convinced that his experience in a closely held real estate company has prepared him to run a nation, and therefore he rejects the advice of people who spent entire careers studying the nuances of international negotiations and diplomacy. But the leaders on the other side of the table have not eschewed expertise, they have embraced it. And that means they look at Trump and, given his very limited tool chest and his blindly distributive understanding of negotiation, they know exactly what he is going to do and exactly how to respond to it.

From a professional negotiation point of view, Trump isn't even bringing checkers to a chess match. He's bringing a quarter that he insists of flipping for heads or tails, while everybody else is studying the chess board to decide whether its better to open with Najdorf or Grünfeld.”

— David Honig

[deliciousnecks]

“Spanish is a language of modest countries, of developing countries, of the poor and migrants,” Jacques Audiard said in his most recent interview.

we continue in my "i hate emilia perez and everything about it" part.79

This Jacques shit guy, listen… i don't know how to start because i'm so fucking pissed off. i'm pissed off that people are praising this movie, when it's nothing but shit along with its director. and you know what? he really said, i'm gonna stereotype an entire community, present them as nothing but violent criminals, make money out of their issues, win awards, and you're just going to have to deal with it and accept it, and guess what? that's exactly what is happening.

People keep saying how great this movie is, how magnificent job he did when is none of those things, and then this dude keeps opening his mouth to keep saying things like this, and despite of it, people are still throwing flowers at him and this is the part that is pissing me off the most, that somehow, all the shit he did and continues to do, is just an "oops" or it's "ok" what? do mexicans don't deserve to be well represented or something? should we just be "happy" because someone. a white dude. acknowledge us and give us the time of the day? no, this whole thing is insulting, and saying that "it's just that you don't understand cinema" it's all bullshit.

a Mexican movie filmed in France. with the director doing no research and him admitting to it, because this is his reality and he knows enough, insulting the people he made a movie of, and saying that the reason there's no Mexican actors in the lead roles is because there's 0 talent in Mexico. ok, yeah, i don't know how people can still be clapping at it.

I'm glad that in Mexico only like 5 people went to watch this shit.

[from-the-coffee-shop-in-edoras]

I’ve been slowly building out some thoughts on all of Théoden’s family members, and here are some ideas about Morwen Steelsheen, his mother:

We know she came from power. Her father was descended from a Prince of Dol Amroth, which makes her kin to Imrahil’s family. But at a certain point, her dad relocated them out of Belfalas (where Dol Amroth is) to Lossarnach instead. Lossarnach was primarily known for its orchards and was a place that many Gondorians visited as a vacation destination; Morwen’s father particularly loved its “flowering vales.” It was considered so safe and rural and out of the way that it was even the place where civilians from Minas Tirith were sent for shelter when their own city was under threat. That’s all from the text.

Building from that…. I bet Morwen was bored as fuck in Lossarnach. She grew up around people with big, important jobs who were key to Gondor’s governance. Her family’s home in Belfalas would have been a bustling place, full of people and activity and surrounded by all the normal trappings of power. And maybe she thrived on that stuff. It was interesting and dynamic and could be stressful, but also so FUN to be right in the middle of important things. There’s nothing more invigorating! But, having gotten a taste for that life, then one day her dad tires of the drama and moves the whole family out to the sticks, where there’s nothing to do but admire the flowering fruit trees. No more politics. No more strategy. No more deals to cut or authorities to wield. Just quiet, peaceful country living, and it was NOT her thing.

I also bet, then, that she saw Thengel as her way out. Because honestly, what else does she need with a random Rohirrim exile for a husband? Thengel was the non-famous son of a terrible king, and he’d already given up his royal title and seemed content to live the rest of his life in humble service to Gondor’s steward. That’s not necessarily super compelling husband material, especially when you’re a member of one of Gondor’s most noble royal houses. And, yeah, maybe Thengel was handsome or charismatic or just different enough to be novel. That’s subjective. But what’s definitely true was that he offered a ticket back to the halls of power, even if they were someone else’s halls. 

Morwen knew that Thengel’s father would die someday and the pressure would be on for him to go back to Rohan and assume the kingship that was rightfully his. And if she was at his side, she could help to convince him to do just that when the time was right. He’d go back (“unwillingly’” as we know, but he went!), and she’d go along, no longer a country-dwelling, lesser member of Dol Amroth’s royal family but as queen of a whole kingdom! With a husband who was, at best, apathetic to the idea of ruling and so perhaps would be especially amenable to taking guidance and direction from her if she showed an interest! That doesn’t mean that she had no affection for him or that their marriage was entirely strategy and zero love. But she was a smart lady, and you won’t convince me that she didn’t see the angles there and realize that joining herself to Thengel was a much better way to make herself happy than to wait around Gondor for someone else who could get her out of those orchards.

So that’s my Morwen HC. She was withering on the vine in Lossarnach and took a chance on unassuming, underachieving Thengel because he gave her a path not just out of her current unhappiness but on to even greater things. She was always more interested in Rohan’s governance than he was, and she exercised a lot of power and influence just from the fact that she had a willingness to throw herself into tasks and take on the kingdom’s challenges while Thengel was still puttering around Meduseld wishing that he was back in Minas Tirith. She made things happen for herself and, in the process, became a more dedicated Rohirrim than her native born husband.

Just a thought…

[skulkiee]

Im sorry but thoughts happened :D

Theres a lot of thoughts here.

Lots. :]

Polites' design is one of my favorites and i learnt that i need to draw Telemachus more often. Also when i draw i always assign colours to each country so all the royal people in Ithaca wear yellow and red in my mind. Idk. The stories basically the same but with Eurylochus and Polites instead of Odysseus and Penelope. Except Polites gets to kill Eurymachus with one of the axes because how dare he use open arms.

Eurylochus and Odysseus built the olive tree bed together. Or rather Eurylochus helped Odysseus build it for Penelope. But he still helped. So the tree bit in Would You Fall In Love With Me Again still makes sense.

Odysseus and Penelope were killed by an assassin i guess who was hired by someone who Odysseus probably messed with. Probably another king. They were gonna kill baby Telemachus too but Polites got there first. Now they just kinda. Haunt the palace. They were given proper burials just this is more fun, especially when they get to mess with the suitors.

Telemachus is raised by Polites and Eurylochus. Hes born erlier or the war is later but i want him to remember Eurylochus after he leaves for the war. So he has his two dads and then theres the knowledge that he also has Penelope and Odysseus (whose ghosts he cannot see) who are his biological parents.

Polites stays in Ithaca because like Ithaca can't loose all four of its leaders in the space of like two years or something. Someone has to stay behind. On that note he also decided to be like yes i am the "Queen" of Ithaca. Because he would probably not loose a bunch of respect for not going to war is hes the Queen you know? And the suitors are stupid and didnt figure that out.

Um what else. I guess neither of them ever expected to become rulers, i like to imagine Polites is Penelope's little brother, and just came with her from Sparta, but even there he was like. Last in line for the throne. And nobody took him seriously because he's him.

Eurylochus was raised alongside Odysseus as his brother. And would have only been expected to take the throne if all Odysseus, Penelope and Ctimene died without an heir. So he was probably like yaay when Telemachus was born but then people went and died anyways. And Ctimene's not married in this au.

Oh yeah also Eurylochus has Aphrodite instead of Athena. I decided that a long time ago because he cares for the crew so much in Epic and i was just like. Its still Eurylochus why shouldnt he still have Aphrodite. Yes i know she was on the Trojan's side in the war and i have decided that that is irrelivant.

Elpenor is the dude that talks to the Lotus Eaters and gets killed by the cyclops this time around. Sorry Elpenor. Perimedes is the second-in-command. Someone else came up with the horse idea, it wasn't Eurylochus. Astanyax may or may not be alive i have not decided but he is probably dead.

Um yeah. I wanted to put my thoughts down because i will probably never like write anything for this, and if i do it wont be much.

Siren au is still my favorite and most important because i am invested in those little guys.

Hi if you actually read this far :D

[the-jam-to-the-unicorn]

🥺😭🥺😭🥺😭

You haven't had a rest for three years. How are you holding up?

"It's a matter of motivation. I want to live the way I want. No one has the right to take that away from me by force. Unfortunately, great people have given their lives to preserve this freedom for their loved ones and family. That inspires me."

Sorry if my question seems off-topic, but a few years ago you became known for making people laugh. Do you think you can make them laugh again one day?

"(He smiles.) Why do you think that's an inappropriate question? That's a very good question! (He thinks) In all honesty, I think it will depend on the person inside me. This war has an impact on all of us… If I don't lose who I was inside, then yes, anything is possible. Now, it's very difficult."

[dykedvonte]

I dislike takes that Danse would be just as conservative in modernized aus when it's clearly shown his staunch views of things come from his time in the Brotherhood and his deep-rooted desire to belong to something with a greater purpose.

Not to mention lines that show much more open-mindedness that get overlooked for his harsher sentiments when you first meet him. Like the oppurtunity to be a part of something is why Danse fell so far into Brotherhood dogma and it doesn't negate the offense things he does but I feel like it's just lazy to be like "hmmm he'd def be racist" just so it aligns to his BoS beliefs.

[llitchilitchi]

I get hating certain political systems and trying to abolish totalitarian regimes but at the same time many of them are so interwoven with our history and society they have become tropes and when I consume media with a setting where the monarchy is absolute and revered then I am playing my part and sucking that princeling off

[salemontrial]

Six of crows fandom, before you there is a Matthias POV chapter of Crooked Kingdom. Your task is to get through it in its entirety without making a joke about how his chapters are just him calling himself a whore for being in love with Nina or otherwise trivializing his religious trauma and deep rooted issues with purity culture. If you fail 3000000000000000 hammers will fall on you one at a time forever and ever. The hardest challenge of your life starts now,

[front-facing-pokemon]