#most are also victims of circumstance

[atomicjellyb3an]

Arcane season 2

seeing some of the comments and takes people have about Arcane is crazy, bc why is being a Caitlyn Kirammin stan starting to feel like being a Abby Anderson stan

i’m being so serious the lack of media literacy and empathy in discussions surrounding those characters is CRAZY

“i don’t like Caitlyn bc Vi chose her over Jinx” -for one thing it’s far more complicated than that, secondly be mad at Vi then?? 😭

Arcane has complex characters for a REASON, same with tlou, there is no “good” or “bad guy”. Also (no hate to Jinx bc i love the character) but bending over backwards to excuse EVERYTHING she’s done, but tearing down Caitlyn for literally anything? It’s hypocritical at this point,

[withthewindinherfootsteps]

Wei Wuxian and Narrative Agency – Part Three

For Xiantober Day Five: Past and Present, in which the author gets very unhinged about what parts of the past are shown and how that’s affected by the present!

(Part One | Part Two | Full version on AO3)

The Power of Agency: Shaping the Narrative

When I've discussed Wei Wuxian's agency previously, I’ve talked about how what’s shown and omitted tells us about a character, and we’ve talked about the character himself. Though this is a niche topic, it’s not necessarily something out of the ordinary to analyse, and we can assume everything up to here has been in some way intentional.

This? Linking structure to a character’s in-universe preferences?

This is where we get unhinged.

Before I start, let’s quickly establish something which will be important later: although Wei Wuxian is the central character, MDZS isn’t strictly from his POV. While omitting events a character doesn’t like to dwell on and concealing things the character wishes to hide is common in books with only one narrator, MDZS has multiple narrators which it switches between relatively quickly. This includes Wei Wuxian, but it also includes nearly every major character that appears in the story, and omniscient narrator as well. As a default, this format doesn’t lead to this deliberate shaping and omission because of one character’s preferences, since we have many other sources of information and events – which is what makes Wei Wuxian’s influence over the narrative and structure so interesting. We could have access to a lot more information, and access to it at different times, than we do (and that’s not an insult, quite the opposite!).

To begin: we’ve established that times such as Wei Wuxian’s time on the streets, his three months in the Burial Mounds and his loss in the Siege aren’t shown because Wei Wuxian has little agency there. But that’s not the only special thing about them. They’re also the three most traumatic times in his life, and so moments Wei Wuxian himself either can’t remember, or doesn’t like to dwell on.

This is why discussing Wei Wuxian’s treatment of tragedy in his life was important. Firstly, it shows he doesn’t focus on the tragedy in his life, so the idea that the narrative not focusing on this tragedy relates to his character has merit; secondly, it affirms that this is not a passive trait, but a choice. Therefore, when the narrative omits events due to this aspect of Wei Wuxian, it’s respecting not only a character detail – which would be cool by itself – but also an active decision. One that shapes the story it’s made in.

In other words, its very structure is respecting Wei Wuxian’s agency!

Now, of course there are flashbacks to other moments of his past he probably wouldn’t like to dwell on, too. But within the structure, they’re only shown when Wei Wuxian is thinking about them (or when he has reason to)!

Wei WuXian hadn’t woken up yet. His eyes were still tightly shut, yet his hand didn’t let go either. He seemed to be dreaming, muttering, “… Don’t… Don’t be angry…” Lan WangJi seemed somewhat surprised. His voice was gentle, “I am not angry.” Wei WuXian, “… Oh.” Hearing this, as though he finally felt assured, his fingers loosened. Lan WangJi sat beside Wei WuXian for a while. Seeing that he was motionless again, he was about to stand up when Wei WuXian grabbed him with his other hand, hugging his arm and refusing to let go. He shouted, “I’ll go with you, quick, take me back to your sect!” Chapter 63, EXR translation

Which, of course, is him dwelling on…

Lan WangJi spoke one word at a time, “Go back to Gusu with me.” Hearing this, both Wei WuXian and Jiang Cheng were surprised. Quickly afterward, Wei WuXian laughed, “Go back to Gusu with you? To the Cloud Recesses? Why go there?” He immediately seemed to realize, “Oh. I forgot. Your uncle Lan QiRen hates crooked people like me. You’re his proudest disciple, so of course you’re the same as him, haha. I refuse.” Chapter 62, EXR translation

…the painful flashback immediately preceding this. The third set of flashbacks (which are also painful) are a similar case. Look at the contex:

He lifted the bottom of his robe, revealing a prosthetic leg made of wood, “This leg of mine was destroyed by you, that night in the Nightless City (…)” (…) “Wei WuXian, I won’t ask you if you remember or not. Both of my parents died by your hands. You owe too many people. You definitely won’t remember them either. But, I, Fang MengChen, will never forget! And never forgive you!” (…) “In the fight at Qiongqi Path, my son was strangled to death by your dog Wen Ning!” “My shixiong died by poison, his entire body festering due to your cruel curse!” Chapter 68 (immediately preceding the flashbacks), EXR translation

And Wei Wuxian’s own thoughts and words:

Wei WuXian looked at the cultivators before the Demon-Slaughtering Cave. Their expressions were the absolute same as those of the cultivators from the night of the pledge conference, pouring their wine on the ground as they took the pledge to scatter the ashes of the Wen Sect’s remnants and him.  (…) Wei WuXian, “Now it’s time to ask just whom it is that treasures it so much. It’s like Wen Ning. Back then, some certain sects or so were scared to death of the Ghost General. They said they’d kill him on the surface, but behind their backs they hid him for over ten years. How strange. Who was the one that said his ashes had been scattered back then?” Chapter 79 (immediately succeeding the flashbacks), EXR translation 

Once again, Wei Wuxian’s own thoughts relate to the flashbacks we’ve just been shown. And, as I previously mentioned, though all the events which are shown are tragic, they’re also events which Wei Wuxian’s own choices and actions shaped – which he has this to say about:

“The things I did, not only do you remember them, I remember them too. You won’t forget them, and they’ll stay even longer in my mind!” Chapter 82, EXR

Admittedly, this applies more to the third set of flashbacks than the second (which is still fitting as the third set was the most recent), as in the second, although he still had agency within and influence over his circumstances, the majority of the pain was caused by others’ actions (excluding, of course, the Golden Core transfer… which is something we know stays for a long time in his mind, albeit with a caveat we’ll soon discuss). But it’s still important to note – especially considering that otherwise, focusing on this very painful time in his life wouldn’t seem like something very in-character for Wei Wuxian to do.

Of course, this can all just be explained by good writing. It is best to insert flashbacks when they’re relevant to the characters and events in the present day! But it is interesting to compare these to the start of the (not painful) Gusu flashbacks, which open this way:

At a later time, Wei WuXian pondered upon the reason why his relationship with Lan WangJi wasn’t good. Getting to the root of the matter, everything started when he was fifteen, coming to the GusuLan Sect with Jiang Cheng to study for three months. Chapter 13, EXR

Again, considering the circumstances around which these flashbacks take place – returning to the Cloud Recesses for the first time since the lectures, and meeting Lan Wangji once more – it makes complete sense for Wei Wuxian to be thinking about these events*. So it does fit the pattern of Wei Wuxian dwelling on something, thus leading to the narrative dwelling on it, too (and being shaped by his thoughts)… but there’s another layer to this. Importantly, it is the only flashback where Wei Wuxian’s present thoughts don’t lead to this happening, with his thoughts at an unspecified future time leading to it, instead. I like to interpret this as the text saying that, since these events aren’t something Wei Wuxian wouldn’t focus on in normal circumstances, he can dwell on them at any time. Therefore, they’re free to come up in the narrative at any time as well, even if he’s not dwelling on them in the present moment!

So, to summarise: Wei Wuxian’s decision not to focus on the painful times in his life directly influences the narrative to not focus on these times. When painful times are brought up and shown to us, it’s in the context of him thinking about them in the present day, and even then, his most painful moments still aren’t shown to us. His agency in this regard is still respected by the narrative structure.

This is the main way his agency influences the structure of the narrative, but I’d like to talk about the revealing and concealing of information, too. For example, I said I’d talk about the Golden Core transfer – though Wei Wuxian does think about this many times, as evidenced by his internal narration in Chapter 103. But unlike everything we’re shown through the flashbacks, this is something Wei Wuxian is actively trying to hide from others. And the narrative respects this choice (Wei Wuxian’s agency, again), never reveals it even when it would be relevant in the flashbacks, and we find out not through narration, but through a character’s dialogue!

And to clarify – I know these aspects may not be in the book for this exact reason. Showing flashbacks in relevant moments is good writing, concealing an important plot point you want to do a reveal for is necessary writing, and MXTX has said she didn’t want to write about Wei Wuxian’s time in the Burial Mounds, due to not liking to write transformation sequences (and also because it would not be pleasant at all, which likely also applies to Wei Wuxian’s death). That doesn’t prevent it from also being intentional – MXTX’s intelligence is shown in many aspects of this book, and there’s nothing disproving it – but there’s no proof for either option, so I won’t pretend there is. I bring this up because I know this feels like I’m overanalysing, as I feel that way as well.

But, whether it’s intentional or not, it exists in the text, and I adore it – so, regardless, it’s something I’ll explore. Because taking this into account… We aren't just told about Wei Wuxian having agency, we aren’t just shown it in the text, we aren’t even just shown it through which parts of his past are shown and hidden in the structure of the text (as I talked about in Part One). The parts of the past that are shown and hidden also have an in-universe reason for being shown and hidden, this reason being the choices he makes! Agency is the ability of a character to influence the story they’re in, but Wei Wuxian’s agency, as a property of a character who only exists in-universe, shapes the out-of-universe structure as well! That’s how we’re shown its importance! How cool is that?

At The End Of The Road: Summary and Final Thoughts

In this essay, we’ve covered how important Wei Wuxian’s agency is not only to the events of the plot, but to the structure of the narrative as well. The narrative omits periods in which Wei Wuxian has little or no agency, in favour of showing us periods in which he does, even when important events happened in the former. This indicates that who Wei Wuxian is without agency isn’t important enough to be shown to the audience, and therefore that his agency is an integral aspect of his character in MDZS. We’ve discussed how both in-universe and out-of-universe, tragedy does not define him – out-of-universe, the tragic events in Wei Wuxian’s life are used not to build sympathy but rather to show his strength of character and who he still is despite going through them; and in-universe, he chooses not to focus on the negativity and resentment caused by his circumstances or others’ actions, instead staying true to his moral compass and enjoying his life in the present day. Finally, we’ve also explored how this choice is another reason for the omission of certain events from the narrative, resulting in his agency shaping the story in a very literal way – it affects the out-of-universe structure, as well.

It’s quite fitting, for a story whose essence is about defying a conventional narrative – that of righteous clans rising up and defeating a great evil – and about a character who defies many conventional narratives on his own – that of status defining how skilled you could be, that for a golden core being necessary for cultivation and other paths being unavailable, that of a tragic but complete story of someone killed for staying true to their moral code (instead, that character returns to life and has a happy ending) – to have its own narrative play a role in such an important and interesting way.

(Or, if an image would be preferable:)

Thank you for reading!

(Part One | Part Two | Full version on AO3)

--

*This strong relation to the present day circumstances is another reason I love the flashback placement so much (and why I think it’s such a loss both screen adaptions altered it so strongly)! 

[jasontoddenthusiastt]

“Jason should get over being upset about his death” - he has, he wasn’t angry at Bruce or the world because they failed him and he ended up dying, which he made clear plain as day and that’s about the most reasonable a person who went through what he went through could be

anyway I don’t think these people realize how gory being bludgeoned to near death is, and maybe it's because of the limitations of the medium that scene was presented in

[dementedspeedster]

//I think the insistence to not read any of Thad's appearances past the Impu/se comics or that his appearances post Impu/se are out of character for him has poisoned the well regarding fandom's understanding of his character. Popular fandom interpretations also don't help.

I think with regard to Thad there is an inundation in fandom of the character people want Thad to be and not the character that Thad actually is. And I'm personally frustrated with it.

[sweetteaanddragons]

I have been thinking lately about a universe where Bruce Wayne killed the Joker.

I want to be clear here, since there are so many longstanding debates on this topic: I do not think Bruce Wayne should kill the Joker. I have just been wondering what would happen if the circumstances aligned in such a way that he did.

And to be clear on a related, yet slightly different topic: when I say I have been wondering about what if Bruce Wayne killed the Joker, I do not mean as the Batman. I mean Bruce "Brucie" Wayne.

Maybe it's kind of an accident? Like, he definitely did intend to hit the Joker, but he's Brucie right now, so he's trying not to look like he knows what he's doing while still doing enough damage to keep the Joker from killing someone, and meanwhile the Joker makes just the wrong move and -

And here we are. Brucie just killed the Joker.

Bruce's reaction here is one thing; he has his one rule for a reason, he's just broken it, he's determined to turn himself in -

His family's reaction is a whole different story. How does Cass feel about this?

How does Jason? Bruce has killed the Joker, just like he wanted, but it wasn't for him, not really, and -

And meanwhile, this happens in front of, say, a gala full of people, so now all of Gotham gets to react to it too.

Average Gothamite, seeing the words BRUCE WAYNE, JOKER, and KILLED in the same headline: OH, NO.

Average Gothamite, once they've processed the order those words are actually in: . . . I did not have that on this year's bingo card.

The city's most famous mass murderer has just been publicly killed by the city's biggest employer/philanthropist/source of tabloid harmless nonsense! Three days before Brucie was making tabloid headlines by tripping into a fountain and somehow losing his shirt in the process! Two weeks before, the newspaper was running a retrospective on the Wayne murders and what donation Brucie was making to help the families of victims this year! The article mentioned how one of his adopted sons had also tragically become a murder victim!

Now this has happened, and Bruce is having a breakdown over breaking his one rule, and the rest of Gotham just assumes that this is because poor Brucie thinks this somehow makes him like the man who killed his parents. They send a huge outpouring of support his way. This in no way helps Bruce's actual breakdown.

Ninety percent of Gotham is sure Brucie didn't actually mean to kill the Joker, and pretty much a hundred percent of them support him whether he meant to do it or not. No one wants to have anything to do with prosecuting this mess. Bruce is trying to make it as clear as possible that he will fully cooperate with the justice system and meanwhile an entire gala full of people is suddenly acting like they could in no way have possibly witnessed events that took place ten feet in front of their faces. Did Bruce kill the Joker? Is the officer sure? That doesn't seem like him. Maybe the Joker just tripped on his own. Marble floors, you know. Very slippery.

[hershelwidget]

working on so many projects

tag yourself i'm "swap auuu"

[literaryvein-reblogs]

Writing Notes: Stages of Decomposition

The decomposition process occurs in several stages following death:

Pallor mortis

Algor mortis

Rigor mortis

Cadaveric spasm

Lividity

Putrefaction

Decomposition

Skeletonization

PALLOR MORTIS

The first stage of death.

Occurs once blood stops circulating in the body.

The cessation of an oxygenated blood flow to the capillaries beneath the skin causes the deceased to pale in appearance.

In non-Caucasians, the pallor may appear to develop an unusual hue; the skin will lose any natural lustre and appears more waxen.

Occurs quite quickly, within about 10 minutes after death.

ALGOR MORTIS

The cooling of the body after death.

The cooling process will be influenced by many factors, including the deceased’s clothing, or whether they are covered with bed linen such as blankets or duvets.

The body will typically cool to the ambient room temperature, but this alters if there is heating in the room or if there is a constant draught cooling the body.

RIGOR MORTIS

Can occur between 2 and 6 hours after death.

Factors including temperature can greatly affect this.

Caused by the muscles partially contracting, and the lack of aerobic respiration means that the muscles cannot relax from the contraction, leaving them tense, subsequently resulting in the stiffening we associate with rigor mortis.

This stage typically begins in the head, starting with the eyes, mouth, jaw and neck, and progresses right through the body.

The process is concluded approximately 12 hours after death (although, again, certain variables may occur) and lasts between 24 and 72 hours depending on circumstances.

Contrary to popular belief, rigor mortis is not a permanent state and is in fact reversed, with the muscles relaxing in the same order in which they initially stiffened.

The reversing process also takes approximately 12 hours, when the body returns to its un-contracted state.

It is possible to ‘break’ rigor mortis by manipulating and flexing the limbs. This is usually done by undertakers, pathologists or crime scene investigators who are attempting to examine or move a body – or by a murderer trying to hide their victim in the closet or the boot of a car.

CADAVERIC SPASM

A phenomenon that can be misinterpreted as rigor mortis.

The instantaneous stiffening of the body (most commonly the hands) following a traumatic death.

Unlike rigor mortis, the stiffening of the affected limb is permanent and is not reversed, causing the deceased to maintain the rigidity until such time as putrefaction causes breakdown of the particular muscle group.

Examples:

The deceased following an air crash were later discovered still clutching their seatbelts or arm rests in a final, desperate act of survival.

In a drowning case, the victim was discovered with grass from the riverbank still grasped in their hand.

Perhaps the most famous case of cadaveric spasm involves the rock band Nirvana’s lead singer, Kurt Cobain. Cobain reportedly committed suicide in April 1994. His body was discovered a few days after his death with a shotgun wound to the head, and tests revealed he had large traces of heroin in his system. He was reportedly discovered still clutching the gun in his left hand, due to cadaveric spasm. However, a great deal of controversy surrounds the veracity of this latter assumption, and indeed the cause of his death, with many people insisting and attempting to prove that he died as the result of foul play rather than suicide.

LIVIDITY

Also known as livor mortis, hypostasis, or suggillation.

Once blood can no longer circulate, it will gravitate towards the lowest point of the body.

Example: A supine body will display pinkish/purple patches of discoloration where the blood has settled in the back and along the thighs.

Occurs about 30 minutes after death, but will not necessarily be noticeable until at least 2 hours afterwards as the pooling process intensifies and becomes visible, finally peaking up to between 8 and 12 hours later.

Once it is complete, the lividity process cannot be reversed.

Therefore a body discovered lying on its side, but with staining evident in the back and shoulders, must have been moved at some point from what would have been a supine position at the time of death.

It is worth noting that if the body has had contact with the floor, a wall or other solid surface, lividity would not occur at the points of contact as the pressure would not allow the blood to seep through the capillaries and pool. The specific area of pressure will be the same colour as the rest of the body and a pattern of contact may well be evident.

PUTREFACTION

Derives from the Latin putrefacere, meaning ‘to make rotten’.

The body becomes rotten through the process known as autolysis, which is the liquefaction of bodily tissue and organs and the breakdown of proteins within the body due to the increased presence of bacteria.

The first visible sign is the discoloration of the skin in the area of the abdomen.

Bacteria released from the intestine cause the body to become bloated with a mixture of gases; over time these will leak out, and the smell will intensify to unbearable proportions.

Typically, this will attract flies that will lay eggs, which develop into maggots.

Bloating is most evident in the stomach area, genitals and face, which can become unrecognizable as the tongue and eyes are forced to protrude due to the pressure of the build-up of gases in the body.

At this stage, the body will also begin to lose hair.

The organs typically decompose in a particular order: starting with the stomach, followed by the intestines, heart, liver, brain, lungs, kidney, bladder and uterus/prostate.

Once all the gases have escaped the skin begins to turn black: this stage is called ‘black putrefaction’.

As with all the other stages of death so far, the rate of putrefaction depends on temperature and location. A body exposed to the air above ground will decompose more quickly than a body left in water or buried below ground.

During putrefaction, blistering of the skin and fermentation can also occur:

Fermentation - a type of mould that will grow on the surface of the body. This mould appears white, and is slimy or furry in texture. It also releases a very strong, unpleasant, cheesy smell.

As the putrefaction process comes to an end, fly and maggot activity will become less, which leads to the next stage.

DECOMPOSITION

The body is an organic substance comprising organisms that can be broken down by chemical decomposition.

If the body is outside, any remains that have not been scavenged or consumed by maggots will liquefy and seep into the surrounding soil.

Thus when the body decomposes it is effectively recycled and returned to nature.

SKELETONIZATION

The final stage of death is known as ‘dry decay’, when the cadaver has all but dried out: the soft tissue has all gone and only the skeleton remains.

If the cadaver is outside, not only is it exposed to the elements but it also becomes food for scavengers such as rats, crows or foxes.

As the remains are scavenged, the body parts become dispersed so it is not unusual to find skeletal remains some distance from where the body lay at the point of death.

The way in which skeletal remains are scattered in such cases is of interest to archaeologists, and is referred to as taphonomy.

Where a body has lain undiscovered at home for a period of time it has also been known for family pets, typically dogs, to feed on the body. The natural instinct of a pet is to attempt to arouse the deceased by licking them, but once it gets hungry, its survival instinct will take over and it will consider the body as little more than carrion: it will act with the same natural instinct as a scavenger in the wild, which will feed on any corpse, be it animal or human, if it is starving.

Obviously the number of pets, the body mass of the deceased and the time lapse before the body is discovered will influence to what extent it has been devoured.

For further research on the stages of decomposition and the factors that affect it, look up body farms. These are medical facilities where bodies are donated for research purposes so scientists can specifically observe the decomposition process. However, be aware that some of the images are quite graphic.

Source ⚜ More: References ⚜ Autopsy ⚜ Pain & Violence ⚜ Injuries Bereavement ⚜ Death & Sacrifice ⚜ Cheating Death ⚜ Death Conceptions

Writing Resources PDFs

[star-ocean-peahen]

After watching Cinderella (the original animated movie, which was my favorite as a child), it strikes me how it solves many common problems people have with this fairy tale. Like:

Why did they try to identify the mystery girl using her shoe size? Because the bullheaded king's only clue to her identity was the shoe the Grand Duke picked up off the steps.

Why didn't the prince recognize her by her face? Because his father wouldn't involve him in the process at all, and wasn't the one going around trying to find her.

Why did the prince want to marry a lady he only met that night? Because his father was going to force him to marry someone, and he genuinely liked this woman.

Why did Cinderella want to marry a man she only met that night? Because marriage was her best and most secure way to freedom. Fucked up, but you can't say it's unrealistic for the setting of a fairy tale. She also genuinely liked him.

If they're using the slipper to find her, wouldn't it be more sensible to search for the person with the other slipper? Yes. The King is purposefully nonsensical and the Duke is purposefully terrified enough of him to carry out his orders to the letter. Furthermore, they end up doing that in the end anyway, because the Duke's glass slipper is shattered, and Cinderella brings out the one she has to prove her identity.

Why didn't the stepmother and stepsisters recognize Cinderella at the ball? Because they were dancing too far away, and then left the party to dance in private, which was possible because the King wanted very badly for his son to hit it off with someone and tried to arrange the best conditions for that to happen.

Why didn't Cinderella save herself? Because in real life, abuse victims should not have to shoulder that responsibility, and usually can't. In real life, you need and deserve an external support system. Asking for help, in this kind of situation, is very important. She is saved by others because she is loved. Because she is not alone. Because she has friends who love her, and want her to be happy and safe and free. Because in real life, people who want to help someone who is suffering are like the mice. We can't pull out miracle solutions, but we can provide companionship and if we're in the right place at the right time, we can help the person find a better life.

Why didn't the fairy godmother save Cinderella from her abusive household, or try to help her sooner? Because she's magic, and magic can't solve your problems. Quote: "Like all dreams, well, I'm afraid it can't last forever." This (and Cinderella's dream of going to the ball) is a metaphor for pleasurable things in bad circumstances. An ice cream won't get rid of your depression, but it will provide you with momentary happiness to bolster you, as well as the reminder that happiness in general is still possible for you. Cinderella doesn't want to go to the ball so she can get away from her stepmother and stepsisters, or so she can meet someone to marry and leave with. She wants to go to the ball to remind herself that she can still have things she wants. That her desires matter. This is important because the movie does a very good job of illustrating Lady Tremaine's subtle abuse tactics, all of which invisibly press the message that Cinderella doesn't matter. While going to the ball and fulfilling her dreams may not be a victory in the material sense, it is still a victory against Lady Tremaine's efforts.

Why is Cinderella's choice to be kind and obedient framed as a good thing, when you are not obligated to be kind to your abuser? This one walks a very fine line, but I think the movie still makes it make sense. Lady Tremaine never acknowledges her cruelty. She always frames her punishments of Cinderella as Cinderella's fault. Cinderella is interrupting, Cinderella is shirking her duties, Cinderella is playing vicious practical jokes. Cinderella is still a member of the family, of course she can go to the ball, provided she meet these impossible conditions. Lady Tremaine's tactics are designed to make Cinderella feel like she must always be in the wrong and her stepmother must always be in the right. If Cinderella calls her stepmother out on her cruelty, or attempts to fight back, Lady Tremaine can frame that as Cinderella being ungrateful, cruel, broken, evil, etc. If Cinderella responds to her stepmother's cruelty defiantly (in the way she's justified to), she's not taking control out of Lady Tremaine's hands. Disobedience can be spun back into her stepmother's control. She wants Cinderella to be angry and sad and show how much she's hurting. So since Cinderella is adapting to her situation, she chooses to be kind. Not only because she naturally wants to be and it's part of her personality, but because it is a form of defiance in its own way, and it allows her to keep a reminder of her agency and value. Her choice to be kind is her chance to keep her own narrative alive: she is not obeying because her stepmother wants her to and she has to do what her stepmother does, but because she wants to. It's a small distinction, but one that makes all the difference in terms of keeping her hope and identity. (Fuck, I wrote a whole paragraph about how this doesn't mean you can't be angry at people who hurt you or that you need to be kind to deserve help, and then deleted it by accident. Uh. Try again.) Expressing anger and pain is an important part of regaining autonomy and healing. Although it is commendable to be kind while you are suffering, it is NOT required for you to get help or be worthy of help. If Cinderella's recovery was explored beyond "happily ever after" she would need to let herself be angry and sad to heal. Cinderella is not only kind because it comes naturally to her, but because it's her defense against the abuse she's suffering. Everyone's story and experiences are different, and one does not invalidate the other.

Bonus round for answers that aren't part of the movie:

Why didn't Cinderella run away? Where would she go? Genuinely, in hundreds-of-years-ago France, where would she go if she snuck out of the window with a change of clothes? With her step-family, she's miserable and abused, but she's fed, clothed, and in no danger of dying or being taken advantage of by anyone other than her stepmother and stepsisters. Even if she escapes and manages to find financial security, her stepmother might be able to find her and get her back.

Why didn't Cinderella burn the house down with them inside it/slit their throats in the night/poison their food/etc.? Because that's a revenge fantasy, and this story is a fantasy about being saved. There's nothing wrong with making Cinderella into a revenge fantasy. That's perfectly fine, as long as you acknowledge that the other type of fantasy is also a valid interpretation. (I mean, the original fairy tale features the stepsisters getting their feet mutilated and all three of them getting their eyes pecked out, so go for it.)

Why isn't Cinderella more proactive in general? Because she's a child who has been abused for the back half of her life, who has had to be focused on survival because. you know. she's an abused kid.

How did she dance in glass slippers? Gotta agree with you there man, that's weird.

[agoddamnrayofsunshine]

I’m sure someone has talked about this before but one thing I absolutely love about tbosas is how Snow’s descent into villainy is never once presented as something that was inevitable

So many villain origin stories portray this idea of a person who tries incredibly hard to be a good person, who takes every opportunity to be kind and to better themselves, but are ultimately doomed to fail by the narrative. Their environment and their circumstances make it impossible for them to be a good person, and while this is effective from a storytelling point of view it’s not exactly accurate to real life

In real life there is always a point where a bad person makes the decision to do something bad, they make the decision to prioritise themselves, their own power, money or desires over someone else. That’s how real life dictators are made, they are presented with every opportunity to be good, and they purposefully choose to not take it

This makes Snow’s storyline so effective because he is given so many opportunities to do the right thing and yet, at every single turn, he chooses to serve himself instead, exactly like how real dictators are made

Snow, unlike most people we see in the capitol, is in a unique position where he could genuinely have the chance to understand and relate to the people from the districts. He, unlike his classmates, is poor and spends most nights going hungry, he witnessed firsthand the cruelty of the capitol when Clemensia was bitten by the snakes for nothing more than lying about doing her homework, when his sister was forced to sell herself on the streets in order to feed the both of them

Throughout his book, the three people he is closest to are Tigris (who dislikes the hunger games, is a rebel, and a victim of the capitol forced to turn to prostitution), Sejanus (who is originally from district 2, dislikes the capitol and knows he will never be accepted there, and also a rebel) and Lucy Gray (who is a victim of the hunger games, from district 12, and is also treated horribly by the capitol). These are all people who gave him an opportunity to realise the cruelty of the system he was in, a chance to directly confront his prejudices and see that people from the districts are just the same as him, and yet he still refuses to take the chance to change

He is given every opportunity, he’s sent away from the capitol to be a peacekeeper in the districts, he forms personal connections with people from the districts, he helps Sejanus perform funeral rites, and yet at every moral crossroads he comes to he makes the wrong decision. He didn’t have to become a villain, and yet he made the choice to do so anyway, despite every chance he was given

I think it’s a really effective portrayal of Snow as a character, and it’s a very effective villain origin story for the type of villain that Snow is. It never once excuses him from his actions because it highlights just how accountable he was for his actions

[baeshijima]

being married to duke!blade is a feat inconceivable to many.

overseeing the northern region where monster outbreaks are high and temperatures are low, he is feared by many for not only his undeniable battle prowess, but also his cold and dismissive demeanour. from all the stories and rumours passed down from those who battled alongside the duke, it wouldn’t be an exaggeration to say his mere presence alone is sufficient enough to take on an entire army.

but despite his infamous personality, the young duke had made rounds within high society when he first showed his face. he was handsome, having that rugged appearance expected of a blood-soaked warrior residing on the battlefied, yet beautiful with a haunting allure — those crimson-marigold eyes of his can simultaneously bewitch an unassuming victim and bring the most prideful of monarchs down to their knees.

and, as expected of someone with such descriptors, many of the nobility found themselves drawn to him in spite of the rumours which clung to his very being. noble ladies wished to be the first he ever danced with, while many families seeked to gain even a morsel of his power through arranged marriages. relentless as they were, none succeeded in swaying the stone-cold duke.

and stone-cold he was upon your first meeting, albeit in… less than fortunate circumstances.

having meandered around the foresty northern borders not too far from where your family estate is, you certainly were not expecting to stumble across a rotting corpse smack-dab in the middle of your path! okay, well, rotting may not be the most suitable term, but the slumped body, battered and bruised and bloodied, you accidentally kicked was very much a corpse.

you had contemplated leaving the body there but, upon seeing a bloodied insignia of an all-too familiar ducal household, you decided you wanted to live a little longer. of course, this led to you lugging a slumped, muscle-packed warrior of a man all the way to where your estate was, heaving and huffing with your body trembling under the weight.

(to say you were just about ready to collapse when the family knights spotted your emerging figure was no understatement!)

whisked away into a guest room near your own, your parents called for the family doctor immediately. when the blood was cleaned and his wounds were wrapped, the sight of his injuries mending themselves was sure to be a sight you would never be able to rid your mind of. it was a strange but intriguing phenomenon to see his skin stitched anew, that horrid sight of him collapsed in the forestry almost like that of a dream.

your father immediately sent word to the duke’s estate to notify them of the circumstances. in the meanwhile, the man of the hour was unconscious for three days. seeing as how you were the one to find him, you took it upon yourself to help look after his well-being. changing his bandages, regularly wiping the accumulating sweat with a freshly damp cloth, ensuring the room is well-ventilated — you did the lot!

(sometimes you would stare at his resting face, wondering just how much more handsome he would be with his eyes open; only to retract that sentiment when recalling the tales about how his eyes could burn a man alive. exaggerated or not, he is still a dangerous individual you would rather not further entangle yourself with.)

with his people having retrieved their master from your care, promises of hefty compensation for taking care of their lord ringing in your ears, you were ready to sweep the whole ordeal under the rug and never get yourself involved with a man like him again! after all, he is the fearful duke responsible for your region, while you’re just another noble within his domain.

so, naturally, when you first heard of your soon-to-be marriage, you thought your parents did something to offend him and were sending you as a sacrifice meant to appease his wrath.

because, well, why else would the very same duke infamous for having zero interest in romantic and political marriages be sending a letter for your hand in marriage of his own accord? being unconscious the entirety of the time made him unable to see you, let alone know your family, so of course that meant his staff had filled him in on what happened. but why would he initiate this proposal without even knowing who you are first???

(did you get a say in this? no. would you have refused? yes. did your parents care about you and your well-being? aside from their apologetic gazes at your slack-jawed reaction and somewhat rational reasoning of “his grace may have an infamous reputation, but he is not a cruel ruler nor man,” you would like to deny the parental affection they have given you thus far in favour of objecting the claim.)

well, no matter. there was little time to prepare for his arrival to your estate, as the letter stated he would be arriving to escort you himself.

after much fuss over your clothing and luggage, the day arrived; you were going to see him again, except this time, he would see you as well.

a regal carriage entered the estate’s gates. the door swung open. a black gloved hand was the first to appear, followed by a ducked head of long navy hair, a familiar figure donning a freshly pressed suit and black overcoat, and finally — finally — a pair of burning crimson-marigold met your own gaze.

you weren’t sure if it was the adrenaline of your fight or flight response kicking in or the butterflies which ruptured within you that caused your heart rate to increase, but you found yourself unable to tear your gaze away from him.

he stopped in front of you, the features you once saw up close felt more complete than ever with the addition of his eyes open.

and thus, with your palm settled atop his outstretched gloved one, your fate was sealed.

(man. was this the compensation the staff were saying to you as they left…?)

that was two years ago.

savage. cold-blooded. inhumane. brute. monster. these were some of the ways in which duke blade was described. the man who currently sits on the edge of the bed watching you dress his wounds, however, is much different than the public opinion.

ever since exchanging vows at the altar and slipping sacred rings of matrimony onto each other’s fingers, you have come to know many sides of blade you never thought possible.

and while he rarely spoke in the beginning, his actions spoke louder than any voice could ever hope to measure up to. and, eventually, he became more vocal in regards to his feelings for you, just as you have with yours upon witnessing firsthand his true character.

from his battle-haggard, near manic state when on the verge of succumbing to the curse before falling into your healing embrace, to his tender fleeting touches and ever-adoring affection repressed within his gaze when in the presence of others, you have seen it all.

the process of getting to know and understand the intricacies of his life is almost like unravelling layers upon layers of thin bandage wrapped tightly around a gaping wound, hoping to block out the vulnerabilities which could be exposed. it was rocky at first, you being in an unfamiliar environment while he had his own inner battles to deal with first and foremost, but time carved its path for the two of you to partake in talks lasting late into the night, a subtle fondness growing more pronounced as familiarity grew alongside it.

and, of course, the time he returned from a subjugation battle-worn and mind having been overriden with mania. it was the first you’d seen him in such a loss of control. knights were rushing to subdue him while the servants desperately tried to usher your bewildered form some place safe, as though this had been a common occurrence well before you came into the picture. that hadn’t gone as planned, however, as the moment blade’s heaving figure locked eyes with you, a state of chaos ensued the moment he broke through the wall of knights with ease and appeared in front of you. no time was wasted when he lunged, a panic chorus of cries following suit as you remained rooted in place.

while you would never forget the blown-out, near-animalistic look in his eyes as he drew closer at an impossible speed, the gentle — almost reverent — manner in which he embraced you then, rigid body instantly relaxing against you, would forever be the turning point of your relationship, as well as a long-cherished memory of his first true feelings.

a dull sensation poking the space between your brows snaps you out of your thoughts. “stop frowning. i’ll be fine like always.”

your hands pause in their ministrations, hovering over his bare torso where you finished tying up a bandage. a blink and a sigh, another swab of disinfectant is in your hands working at the wound on his bicep.

“but that doesn’t mean i like seeing you return to me wounded,” you mutter bitterly, blatantly ignoring his stare. “i know you can take care of yourself, what with that regenerative ability of yours, but i still worry over you. you can still feel the pain, after all, and not to mention that curse—”

a swift tug forward abruptly cuts you off, your words fizzling on the tip of your tongue as a familiar warmth encases you in its entirety. instinctively, your hands grip onto his shoulders, the coarse material of bandages not unfamiliar to your touch, while blade’s hands are splayed across the expanse of your back as he holds you against his seated form.

his nose nudges along the slope of your neck, the shape of your jaw, the contours of your face, a trail of soft kisses leaving searing imprints in its wake.

a deep breath, a ticklish sensation, a thrumming heartbeat.

and when he rests his forehead against your own, crimson-marigold eyes dyed with devotion and seeping ardour, you think the world will be okay.

(even if it were to burst into flames and be reduced to ash, if it means you would be by this man’s side for a little longer, you think it will be okay.)

[golden-redhead]

I think there's a lot of signs pointing to Jayce actually doing the right thing ...or at least the right thing based on the information available to him at the time.

We can't know for a fact just how much Viktor was changed and what his healing was doing to the people who came to him in the long run, but considering all the hints dropped by the writers, the situation is much less clear than we think. Obviously, everyone's first instinct is to condemn Jayce and his actions, especially because Viktor is one of fan favourites, but looking at the teaser for the next Act and what little we know about what happened to Jayce, I think it might have been necessary evil.

I think this scene of Viktor temporarily 'possessing' Salo in order to talk with Jayce points to just how fucked this little community that Viktor created actually is. There's a reason why everyone's getting those 'it's a freaking cult' vibes.

This scene made me more uncomfortable than anything else this season and I think it's clear that it was meant to make feel that way. There's something so uncanny about Viktor's voice coming out of Salo's mouth, especially paired with that look on his face and how Viktor seems to be able to see and experience things through him in this moment.

And then there's also the issue of all these people dying a horrible drawn-out death as soon as Viktor himself 'dies'. Yes, they came to him on their own, they asked to be healed, but did they really know what they are getting into? Did they know this is what might happen?

Some of them were already dying, true, but Viktor healed all kinds of people, some of whom most likely had their whole lives ahead of them. He, knowingly or not, inevitably sped up this process. Not all of them were consummed by Shimmer-addiction or permanently disabled like Salo.

And then there's also the fact of all of them basically abandoning their previous lives to serve Viktor and his community. Which, okay, makes sense, there's certainly a parallel with the community that Ekko created for Zaunites to keep them safe from Piltover and Silco's plans. They made an informed choice, though, and I don't think the same can be said about Viktor's cult-like commute.

They seem peaceful, yes, but also devoid of personality and entirely dedicated to Viktor and his cause. Of course, it can be explained by gratitude towards him and desire to be kept safe in a calm and peaceful environment, but it's taken to such an extreme point that it definitely crosses the line into uncanny territory in my eyes. Their hivemind behaviour is very unsettling and even though Viktor seems to frame his recent actions as some kind of greater good, I don't think it's necessarily true.

We have yet to find out what Jayce saw and who's in the right and who's in the wrong. Either way, as usual when it comes to Arcane, it seems to me that more than ever, everyone's a victim of the circumstances and tragedy spares no one.

Considering that Viktor is set up to be 'reborn', I can't help but wonder what it means for his community and if they will also be brought to life by whatever connection they have with him. It would be a fascinating choice given how Viktor's arc has always been about autonomy and making your own choices.

Arcane, it's been a pleasure having my heart torn out of my chest by you. Can't wait for the last Act.

[ellesreids]

warm reception — s. reid

you finally meet some of spencer's colleagues in an unconventional way. very heavily implied towards earlier seasons reid.

──── ୨୧ ────

It's been an exhaustingly busy day; the team was working a local case, meaning no long-distance traveling was required, but that didn't make the case itself any easier. They weren't very close to a solid profile, and it felt like the unsub's MO changed with every attack.

The most recent has been at a university not far from headquarters, a young woman found dead inside the main quad. It was also the same university you went to, and if that wasn't already enough to unnerve Spencer, you not answering his calls were close to pushing him over the edge.

Spencer feels like he's been on his feet the whole day, and he feels like he hasn't been much help to anyone with his mind wholly preoccupied by his concern for you. He wondered if you were safe, if you were the one that discovered the body, if you were maybe close to the victim.

The team had some of the victim's friends and other witnesses brought in for questioning, and while they were busy with that, Spencer had been quietly working on the geographical profile to try and pinpoint where the unsub might strike next. His attention is drawn from the map in front of him when he hears his name called, only to find you standing next to Morgan, seemingly making your way from one of the interrogation rooms.

He drops everything curtly before making his way to you, quickly giving you a once over, and once he sees no visible damage, he calms down a bit. It doesn't completely eliminate the nerve wrecking anxiety, but it gives him some peace of mind that you atleast hadn't been hurt.

"Hey, are you okay? What are you doing here?" he rushes out, not really giving you time to process his questions. "I'm okay," you breathe, sparing him a small smile you hoped looked somewhat reassuring, "I wasn't at the crime scene, I was only brought in for questioning because I was one of Kathy's long term lab partners. Nothing serious I suppose," you add, sparing Morgan a look, who was still standing next to you and silently observing the scene unfolding infront of him.

"I'm sorry, you two know each other?" he asks, looking at you and then Spencer with a raise of his eyebrows. You nodded once his eyes were on you again, suddenly shy under his questioning gaze. "We're dating," you said with a small smile, watching as the shock took over Morgan's whole face, from his eyebrows shooting up into the sky to his mouth hanging slightly agape at your words.

"Dating, huh?" he asked, watching as you nodded again. "Well, how come you never told us you had a pretty girl waiting for you at home, Reid?" he asked, attention back on the now furiously blushing young man. "It's— it's fairly new," he stuttered, trying his best to look collected, and failing miserably. "I was going to tell you, eventually."

Spencer was right, the two of you had only been dating for a little less than two months, and as selfish as it may sound, he was planning on keeping you to himself for a little longer. Morgan shook his head in understanding and slight disbelief, a gentle hand coming up to pat your back. "Well, it's nice to finally meet pretty boy here's girlfriend, even under the circumstances," he said, and you hummed in agreement, giving him a warm smile.

"Are my ears deceiving me or did I just hear you refer to this young lady as Reid's girlfriend?" a bubbly voice came seemingly out of nowhere as Penelope appeared next to Spencer, curious eyes drifting over to you and Morgan. "You heard right," he smiled, "this is—"

"Penelope Garcia," she interjects, shaking your hand, and you notice how everything about her is so vibrant. From her prettily painted nails, to the colorful frames of her glasses and the many statement pieces that adorned her, like the bows and the chunky jewelry. She was like the embodiment of sunshine.

"Gosh, you're gorgeous! It is so nice to meet you, even if I'm just now finding out about you," she said, side eyeing Spencer, who looked like he was on the verge of passing out. "We should totally go out for drinks some time though, a formal introduction is way overdue," she added very matter-of-factly.

"I agree," you smiled, already taking a liking to her sweet and bubbly personality. "I'd love to hang out and get to know Spencer's colleagues."

"I'm already excited!" she said, bracelets chiming as she clapped her hands together. "Oh! We should have a girls night! You'll love Elle and JJ, we could—"

"Okay, I think we should give these lovebirds some space, babygirl. You can plan your girl's night some other time," Morgan chirped in, already throwing his arm around Garcia and leading her away. "You'll be okay seeing her out, right Reid?" he asked and Spencer nodded, already leading you to the door with a hand to the small of your back.

"They seem nice," you said, once you were out of earshot, hovering around the exit not yet ready to leave yet. "They are nice," Spencer smiled before his face morphed into an unreadable expression. "I hope you don't think I was trying to hide you from them," he spoke softly, "I really was going to tell them about you when the time was right."

"I understand," you smiled, squeezing his upper arm affectionately, "I am glad I finally got to meet them though. Some of them at least." He smiled at that, nodding as if deep in thought. The flurry of movement behind him caught your attention, making you giggle to yourself at the sight. "I think you're needed back at your desk," you said, prompting Spencer to turn around swiftly, scared that it might be Gideon or Hotch waiting for him. It wasn't, but it was a group of very curious agents gathering around his desk in hopes of catching another glimpse of the mystery girl.

You recognized Penelope, who seemed to be in the middle of telling a very interesting story to the blonde and brunette ladies that stood either side of her. The brunette's eyes caught yours, her sparing you a shy smile at being caught before she was swiftly dispersing everyone away from Spencer's desk and back to their respective stations.

"I'll see you tonight," you said, bringing Spencer's attention back to you. When you saw the coast was clear, non of his colleagues in close range anymore, you pressed a chaste kiss to his cheek, watching the way his ears tinged pink almost immediately, making you smile. He only nodded in reply, giving you a tight lipped smile and seeing you off with a small wave which you returned eagerly.

[urlocallemgrem]

I’ve said it once and I’ll say it again- stop victimizing Narcissa Malfoy. The take that she was this wonderful person who was simply a victim of her circumstances is absolutely hot garbage. The same goes for Regulus as well.

No. She was an evil girl boss who wore her heritage and pure blood beliefs like a badge of honor. She was the matriarch of one of the wealthiest and most prominent wizarding families in the WORLD.

Lucius also wasn’t this “abusive” father that you all paint him out to be. He loved Draco dearly- and he spoiled him as such (even if some of his parenting methods were questionable). He was trying to keep his family alive while also being an asset to Voldemort. He took the hits for his family MULTIPLE times. I think a lot of you take the movie version of him at face value without actually looking at the context.

Narcissa quite literally threatened Harry when he taunted her about Lucius being in Azkaban. She also stood up for him to Bellatrix multiple times. The Malfoys were loyal to each other to a fault.

Bad people can still love each other!!! Let evil female characters be evil!!

[scarletriddles]

Lost in the fire ˚༄ | S.R

↳ in which the team’s newest case puts your life in jeopardy, at your own accord.

pairing: spencer reid x fem!reader

genre: angst, sprinkle of fluff

warnings: general cm gore/case discussion, fire/arson, injuries related to fire, swearing, references to religion + greek mythology, friends to…? (they’re in la-la-la-love, your honour), some possible inaccuracies (sorry!), small jemily mention because lesbian rights, hopeful ending, use of she/her pronouns, no use of y/n, second person narrative.

word count: 4.3k

a/n: my first ever fic i’m very nervy🫣i’m not expecting this to gain any sort of traction, but lmk how you find it, i suppose!

“Haley Bradstone, aged twenty-five, and Laura Kilmey, aged twenty-seven, are the most recent victims in a series of murders in Detroit, Michigan. Both victims were discovered four days apart, and only five miles away from each other, their bodies disposed of in black FIBC bulk bags that were left in trash-sites.” JJ pauses, her gaze flickering between the team, almost hesitant as her thumb circles the silver remote. But, with a clearing of her throat, she continues. “Cause of death for both victims has been ruled asphyxiation…by smoke inhalation.”

You abruptly halt toying with the frayed edges of the case file, your eyebrows shooting up and head lifting to look at her, and then also at the rest of the team - who look just as bewildered.

“Sorry, did you just say smoke inhalation?” You ask, genuine confusion weighing down your tone.

JJ nods, her expression dismayed as she eyes the two beaming faces displayed on the board. “Yes, as laid out in the case files, high levels of carbon monoxide, hydrogen cyanide and hydrogen sulphide were found in both victim’s lungs. The coroner also noted soot around the victim’s faces, and TBSA burns, all of which are synonymous with death via smoke inhalation.”

“Carbon monoxide poisoning is actually the leading cause of death in smoke inhalation - causing approximately 2,100 deaths in the U.S each year.” Spencer adds, followed by his familiar flat smile, which he usually does when he doesn’t know what to do with his face - which happens to be always.

You blink, with a slight quirk to your lips, despite the circumstances. Trust your good doctor to know just about everything.

“Were there reports of any fires around the general area?” Hotch pipes up, his face set in his usual stony expression, though his eyes betray his pensiveness.

JJ shakes her head, adjusting her stance. “No, which is what makes this stranger. The DPD reported no calls about any sort of fire on the days our victims were killed.”

“What? So our unsub just…lit a bunch of fires in plain sight?” Derek questions, with a flick of his brow, his gaze alternating between the board and the manilla folder in his grasp.

You huff, turning to face him with a slight smile, musing. “Must be one hell of a magician.”

Derek smirks in general bemusement, his dark eyes swirled with mirth, his tone light as a feather as he shifts in his scratchy office chair. “Looks like it, lil mama.”

Ever the smooth talker.

“Or, he could be using a secondary location.” Emily chimes in, her narrow-eyed gaze set firm on the file in front of her, her slender fingers fiddling with a bullet-point pen, and her lips contorted into a reflective pout.

“That’s plausible, but you’d think at least someone would notice.” Rossi adds, with a slight huff of incredulity, his calculating gaze sweeping across the entire room before him.

The two smiling faces are quickly joined by two more, both just as radiant, both just as nausea-inducing. Those poor girls.

“We don’t know for sure. But, the most recent victims join twenty-eight year old Sarah Holloway, and twenty-two year old Jessica Bailey. Who, similarly, were found four days apart, five miles away from each other and dumped in black FIBC bags, also ruled dead via asphyxiation. However, Sarah and Jessica’s dumpsites were around 14 miles away from Haley and Laura’s.” JJ purses her lips faintly, eyes still fixated on the crime scene photographs of four similar looking women who didn’t even live properly yet, robbed of the chance to, just like Poseidon robbed Medusa of her autonomy, on the marble steps of her deity’s temple. The thought alone just worsens the crease between her brows.

“four victims…why are they only just asking for our help, now?” Spencer ponders, features frozen in contemplativeness. His fingers sweep up to push his black-rimmed frames back to their previous position on the bridge of his nose.

God, you love his glasses.

JJ’s face morphs into a faint grimace, as she replies in a reluctant tone. “Unfortunately, the media managed to connect the dots on this one, they’re dubbing our unsub ‘the smoke-killer.’ But, the DPD really needs our help with this.”

You sigh, eyes trained on the gruesome imagery displayed on the silver screen. No matter how long you’ve been with the BAU, the violence never quite gets bearable for you, though you can’t bring yourself to look away - like witnessing a car-crash. You understand the psychology behind it, shock rooting the human body in place as the brain tries to comprehend that what it’s processing is real.

But, guilt still flows around in your system like the Noachian flood. Maybe, if you thought about it hard enough, you’d feel the ark bashing against your innards as it tries to navigate the brutal waves.

You suppose the violence doesn’t get easier for the team, either. Perhaps that’s what keeps you all tethered to each other, bonded. After all, the Greeks did beat the Trojans in unity - and disguised as a large, ligneous horse, but you digress.

Hotch nods, solemnly. “Alright, we can discuss further on the jet. Wheels up in 20.” And with that, he abruptly stands up, striding out of the room with a sureness in his step that only he could possess, effectively putting an end to the briefing.

The screen then goes dark, the car-crash finally being attended to. The sounds of chairs scraping across the frizzled navy carpeted floor and paper rustling bounces around the small space, as everyone heads out and into the bullpen, all but the exception of spencer, who remains seated, brooding over his manilla file as though he’s a modern day Thomas Aquinas. always thinking. You muse to yourself, though your eyebrow still raises in question nonetheless.

“Reid, you coming?” You probe gently, standing in the doorway with a faint grin. Your eyes flickering like fairy-lights all around his hunched-over frame.

Spencer startles slightly, craning his head up from the file and over to you - a rosy hue creeping up the nape of his neck from the sight of you alone. He swallows, standing up suddenly, and pushing his chair out with his hip, as he breathes out. “Uh, yea-yeah i’m…i’m coming.” He collects his things quickly, scrunching up his case file as he slings his satchel over his shoulder. Though, it doesn’t really matter, he’s already memorised it from start to finish. Eidetic memory and all.

He flashes you his signature flat smile once again, as his muddy hues rake over your appearance. You look pretty today, well he thinks you always look pretty, but today especially. Your hair swishes around your face in wisps like cotton-candy, your frame adorned in your usual grey fitted slacks, paired with a pink striped puff sleeved button down and black leather boots.

He believes you’re the personification of an angel, and with the way the abnormally-harsh office lighting is dancing around your hair in a nimbus-like manner, he’s probably right.

“C’mon then doctor genius, we have an hour long flight to catch.” Your voice rolling out with a teasing lilt, a subtle smile curled around the edges of your glossed lips.

Spencer usually loathes being referred to as a genius, namely because it’s said with such obvious sneer and condescension, like he’s an abnormal form, like he’s still that twelve-year-old high schooler. But, you never say it with thinly-veiled disgust, no, you say it with such reverence- like it’s something to be admired.

Yeah, angel.

He mirrors your smile, eyes soft and starry eyed as he follows you out of the room. “one-hour, 19 minutes and 45 seconds.” He corrects softly, always keen for specifics, his satchel smashing against his upper-thigh periodically as he walks beside you.

You huff in amusement, rolling your eyes in jest. “Right. My bad, one-hour, 19 minutes and 45 second long flight.” Your head tilts up slightly to look up at him, your irises dipped in unsubtle gaiety,

Spencer lets out a huffy laugh of his own, shaking his head in amusement. He loved when you teased him, though he’d never admit that. At least, not to you anyway.

“Oh, forgive me for being specific.” He sounds out, airily, like a dish-soap bubble crafted by small exploring hands, as he places his own ridiculously large palm on his chest in mock-offence.

“more like particular.” You reply, just as you reach your desk, in faux-annoyance, the curl of your lips betraying that fact.

Spencer puffs out another slight laugh in response, as he leans against the edge of your desk, watching you comb through it. His gaze doesn’t settle, darting around the array of trinkets and just general stuff aligning the glossy oak, including the multiple pots of bright pens - some looking vaguely like the ones he’s seen scattered around Penelope’s ‘bat-cave’ - and even a stick-figure drawing of him scribbled onto a canary yellow sticky-note, featuring overly large glasses and converse, which are more akin to clown shoes, alongside an equally as dramatised stick-figure version of Morgan, complete with a badly scrawled out six pack and huge biceps.

He feels a warmth blossom in his chest as looks over the cluttered space. It’s just so irrevocably you.

“particular or not, i still believe everything-“ He begins.

“-everything should be accurate, wherever possible” You mock affectionately, with a barely hidden smirk, still rooting through your things like a squirrel digging for an acorn.

A slight pout forms on his face, bordering on more petulant than anything. “How’d you even know I was going to say that?”

A faint effervescent giggle slips past your lips, your head still firmly pulled down, as your hands continue their wandering through your desk drawers. “ ‘Cause you’ve said that line at least a dozen times now, doc.” You drawl out, still grinning to yourself.

He wants that sound to be his morning alarm.

He rolls his eyes, only half-seriously, a smile lighting the corners of his mouth up like a vegas ‘welcome’ sign. “I have not said that a dozen times!” He huffs out, with a shake of his head at the injustice of it all, his dark curls springing with the movement.

You just smile, continuing to rifle through your desk before you locate what you were looking for, quickly straightening up and collecting the rest of your things before turning to him.

“Well, I’m all set doctor, lead the way.”

“Is that just so you don’t get lost again?” he replies, with an overt teasing twinkle.

You groan, blowing out like a whistle “that was one time! i was still new, and the hallways are confusing!”

He just bellows out a laugh, pushing up off the edge of your desk and beginning to walk - more like stride - his way to the elevators. You in tow, but just barely. His legs are way too long.

“I can put a sign on my back that says, ‘follow me’, if needs be.” He throws behind his shoulder.

“Oh, shut up!” You bark out, not really with any bite. Never with him.

It had been about three days since you landed in Detroit, Michigan. Most of that time being spent cramped up in the tiny makeshift office curated for the team, downing copious amounts of coffee, reading files until the backs of your eyes burned and dodging the borderline leering looks from the mid 40-year-old, beer gut endowed cops.

In other words, it was hell.

The team had made some progress, though. Narrowing down the profile to a white male in his early to mid thirties, who works a menial job, of average height and build, and who clearly dislikes women. Obviously, that didn’t narrow down the ‘Where’s Waldo’ search by much. But still, you really just couldn’t shake the obvious question…

Why go through all the trouble of burning these women, but not completely, just to dump their bodies?

And it seemed that question floated around the backs of everyone else’s mind, too. It was bizarre, to say the least.

Currently, the team is all stuffed in said aforementioned makeshift office space, like sardines in a can, no less. Emily and JJ sat at the table together, as usual, Derek propped up against the wall, Hotch and Rossi stood brooding in the corner of the room, quietly discussing something between themselves, leaving you and Spencer situated in front of the board, where the geographical profile is mapped out.

“He’s operating within a 20 mile radius, dumping the bodies within an area he’s comfortable in. He’s either going to strike here.” Spencer points to a spot on the map with his finger, tapping against it slightly before dragging it across and towards another spot, “or here.” His features were swamped in pondering thought, his honeyed gaze encompassing the sight in front of him.

“Yeah, but i still don’t understand why he’d go through all the trouble of burning them till they die from smoke inhalation, and then discarding the bodies. jus’ seems a lil’ pointless t’ me” Morgan drawls out, his stance wide and his arms folded, one of his hands resting on his chin.

“well ain’t that the million dollar question.” You reply, with a sigh lathered in perplexity, your arms folded in a similar manner, but with one of your hands rubbing up the side of your arm, in a absentminded fashion.

“Morgan’s right, it doesn’t make any sense.” Hotch pauses slightly, contemplating - like everybody else in the room. His dark eyebrows stitched together, and his lips set in a taut frown.

“None of it makes sense, i mean, even the dumping method, why bulk bags and not just plain ol’ trash bags?” Emily questions, sitting back in her seat with an exhale, her legs crossed with her boot-clad foot tapping against one of the legs of the rickety table.

You blink, a thought coming to you at her question. “Theres a Hardware store in the middle of town, right?” You throw out, hands stuffed into the pockets of your black slacks.

Hotch’s brows furrow, as he regards you. “Yes, why?” He says simply, almost curiously.

You shrug, “so then he’d probably be getting the bulk bags from there, since it’s easily accessible.”

Everyone goes silent at your question, seemingly mulling it over, before Morgan responds.

“If so, why wouldn’t he just buy trash bags?” He says, with a cock of his brow.

“Because he wants the victims to be found.” Spencer states, plainly, piling onto your train of thought and rocking back and forth on his heels, as his tongue darts out, swiping his slightly dry bottom lip.

“Think about it, a bulk bag is much more conspicuous than a simple trash bag, he wants his handiwork to be seen - maybe not right away, but he knows at least one person would find the presence of a large plastic bag near a dumpster to be…alarming, whereas no one would bat an eye at seeing a trash bag. Same goes for his M.O, he most likely has some sort of access to an incinerator, perhaps due to his job, which allows him to discreetly ‘burn’ his victims, before dumping them in a way which derives notice.”

His hands flail around wildly as he talks, an endearing habit that makes it seem like he’s so excited to talk about what he’s discussing that, at the minimum, one part of his body has to move with the speed of his mouth.

You smile - more of a secret thing, really, just for yourself - you love listening to that man talk. It’s the eighth wonder of the world, to you.

Everyone nods, the notion seemingly settling into their psyche without much problem, as logically, it did make sense.

“If thats the case, then we have a problem.” Rossi scratches the side of his jaw lightly, his head tilted and his bronze hues directed at the table.

Emily raises her brow, in clear need of clarification. “What problem?” She murmurs out, her head cocked to the side, questioningly.

“We have an unsub who wants attention, and will stop at nothing to get it.” Hotch adds on, sharing a brief glance with Rossi, his expression more grave than usual, before he fishes out his phone, dialling a number and setting the onyx Nokia down onto the table. “Garcia, you’re on speaker.”

“Hello, my favourite crime-fighters! To what do i owe the pleasure?” The shrill cheery voice of Penelope Garcia rings out, immediately bringing a small smile to your face. She really was like bathing in sunshine.

“We were wondering if you could take a look at a hardware store’s sales within the last month, more specifically of FIBEC bulk bags.” Hotch drags out, his arms still folded and his face betraying nothing but his usual stoicism.

“Oh, that i can do upside down with my hands tied, sir! just…one…second.” Penelope’s voice hauls out, followed by the rapid clinking of keyboard keys. “What’s the name of the store?” She asks, her tone focused.

“Sally’s Shack” Hotch replies, his tone equally levelled.

After a few moments, and a lot more keyboard clicking, Penelope finally pipes up again. “Ah-hah! so, it appears that our shack in question has sold six FIBEC bulk bags within the last month, all to the same buyer - well, at least the same credit card was used, ending in 4678.”

Hotch looks visibly taken aback slightly, before he asks “Can you get a name, Garcia?”

“Already on it, sir.” Penelope replies, with her usual peachy tone.

A tense silence follows, only sporadically broken by the clickity-clack of Penelope’s rainbow pastel keyboard. Then, she pipes up again.

“Okay…looks like the card belongs to a 33-year-old, Mr. Eugene Humphrey, who currently works at…” Her words trail off, obvious hesitance behind them “…burns funeral home and crematory, and owns a residence just in the middle of town.”

Everybody seems to pause, then. He matches the profile - Mid thirties, works a menial job which would give him access to a ‘discreet’ burning method and just so happened to purchase the same material used by the unsub, whilst also owning his own property not too far away from the hardware store in which the material was purchased…yeah that can’t be a simple coincidence.

“Pen, does he have a criminal record of any kind?” Your voice floats out, drifting through the confined space like Thumbelina on her shamrock lily-pad.

“I will have a looksie for you now, my sweet sugar muffin, just hang on one second-“ Penelope cuts herself off as her fingers begin their ministrations again, the keyboard rumbling with every tap, a smile edging on your face at the absurd term of endearment.

“Alright…looks like our guy spent six months in juvenile detention when he was sixteen for lighting his girlfriend’s car on fire, claimed he caught her cheating on him with his best friend, youch!”

You can practically see the cogs turning in your teammates heads, looks like you got your guy.

“Okay, thats good garcia, could you-“

“-send his information over? already done, sir.” promptly interrupting the low voice of your unit chief, in a way that is so Penelope, that he can’t really object.

“Thank you Garcia, We appreciate it” Hotch replies in his typical authoritative tone.

“You’re welcome, my gorgeous gods and goddesses, now go and save lives.” Penelope chirps out, swinging on her swanky desk chair, her hands now preoccupied with a bright pink fluffy pen.

“You’re the best, babygirl.” Morgan calls out, his tone suave and a smirk illuminating his features.

Penelope lets out a giggle, replying in her token-teasing articulation. “Only for you, my chocolate thunder, now ta-ta!” Her sing-songy voice sounds out with finality, before the line drops, indicating that she ended the call.

“Alright, everyone, looks like we’re scoping a funeral home. I’ll go inform the captain, and i need all of you to gear up, as a cautionary, is that clear?” Hotch demands, his gaze expectant.

resounding murmurs of “yes” fill out the area, to which the dark-haired agent replies to with a curt nod, before swiftly exiting the room.

You let out a breath, turning to the rest of the team with a faintly reluctant expression. “Let’s get this show on the road then, guys.”

Morgan flashes an easy smile, coming up behind Spencer and clapping him on the shoulder, his smooth voice infused with teasing. “You heard her, pretty boy, let’s get moving.”

Spencer has to resist an eye-roll, his cheeks immediately flushing raspberry red, whereas you just let out a small confused laugh - clearly not in on whatever inside joke that seems to be playing out - turning on your heel and prancing out of the room, leaving the two of them to squabble like 10-year-old brothers.

Though, on your way out, you swear you saw Emily squeeze JJ’s hand underneath the table…

Something went wrong. Terribly wrong.

You don’t know how - hell, nobody on the team knows how, but Humphrey somehow found out you were coming. He might’ve gotten some frustratingly accurate in-tell, or maybe he just… knew. After all, bad news attracts bad news, right? And being arrested for the murders of four women sure seems like pretty bad news. Or maybe he was a paranoid fuck. Either thought seems plausible, but currently pointless.

Ironically, Burn’s Funeral Home and Crematory, was well…burning. The two-story high foundation, which you’re guessing was once a depressing waxen colour, is now engulfed in orange. Bright, blazing orange, and for a moment, you almost believe the sun crash-landed onto earth.

The ignited shades dance across your features , making you look like you’re almost glowing. You hear Morgan let out a few curses, and Emily mutter something eerily close to “Oh my God” under her breath. But, the rest of you remain silent, devoid of speech, heads lifted up and staring at the fiery wreckage. Drawn in, entranced.

You can’t pull your eyes away, Not even when Hotch snaps out of his own silent gazing and begins to talk around you, shooting out instructions like darts to your co-workers. Well, until you hear a fire-man trudge past you, in full PPE and carrying a winding anaconda-like hose, writhing along the gravelled floor with each step he takes, similar orders being barked out of his mouth to his team-mates. But, that isn’t what grabs your attention, it’s the information coming from his radio.

A mother and her child are stuck in there, apparently looking for a casket for her husband before the building went up in flames, and they aren’t even going to attempt to save them - something about the fire being “too large, too risky.”

A mother and her child. Her 8-year-old little girl who just lost her father, and now is going to lose her own life, trapped in a scorching maze.

Not on your watch.

You will not, cannot, let this sick bastard take another girl’s life.

Your legs move before your brain even has time to catch-up, darting straight past multiple fire personnel who all try to stop you, but you dodge each one. Not even the sounds of the team shouting your name halts you, your figure retreating straight into the raging inferno.

What’s that saying? Moth to a flame?

Well, consider the molten-structure your flame. Because you won’t stop, will not stop, not until the mother and her daughter are out. Safe.

Either way, God appeared before Moses in the form of a fiery bramble. And maybe, he was doing it again, instead for their freedom, not yours or a 120-year-old man’s. You were getting them out of this desert, even if there were no miles of grainy-sand and the occasional tumbleweed, but instead hot, piercing, smouldering heat.

Spencer’s astute brain doesn’t take long to register what the hell you are doing. And, he doesn’t think he’s ever felt so panicked. He practically screeches your name, moving to go after you, but with no such luck as Morgan and Hotch hold him back. But he fights, and he fights harder than he’s ever had in his life, because this is you.

“Let me go! she’s in there! you can’t just let her go in there!” He shrieks, every word sharpened with utter desperation.

Neither Morgan’s nor Hotch’s replies to his incessant wailing actually penetrates his mind. He feels like he’s underwater, succumbing to the depths of the Mariana Trench, fading black and blue.

The water freezes over the longer you’re in there. Trapped in that dismal, enflamed formation. He feels sick, but he knows spilling his stomach content won’t provide any relief, it’s a sickness that’s lodged itself into his bones, into his very being. He wonders if this is what the Woolly Mammoths felt like during the first coming of the glacial-period, just observing as they, one-by-one, all perished to the frost.

He can’t have lost you. Not before he-

…Not before he could tell you that you’re his first thought when he wakes up, and his last before he surrenders himself to the dark abyss of unconsciousness.

No, this can’t be it. He refuses, he downright rejects the thought.

He just stares, and stares at the lit up property, his whole entity screaming for you to just make it. His mind and mouth spinning prayers to god’s he doesn’t even believe in because if there was any chance of that turning the cards in your favour, then he’s taking it and holding on tight.

The seconds feel like minutes, the minutes like hours. Time is a fickle thing, always stretching and compressing back together again depending on someone’s emotions. But, that philosophy does nothing to distract him from the ache. Because a life without you in it, he grasps, isn’t a life at all. Not one that he wants to live, anyway.

Two soot-covered frames emerge from the fiery entrance, immediately being swept away by fire-personnel for medical treatment. And his heart stops, until he realises you aren’t either of those coughing figures.

Where are you? Why aren’t you coming out?

Time seems to stretch again, expanding like a black-hole over his fitful, beating heart. Ready to consume, ravage. But, maybe, that would be an act of mercy, anything would be an act of mercy compared to the waiting. Agonising, hoping and waiting.

Then…a third figure finally bursts out of the flames. He’s seen that mop of hair before, he knows that hair. Even at a fair distance, hunched over and simultaneously gasping for air and hacking your lungs up, tousled, with skin embedded in ash, You’re beautiful and you’re alive.

You’re alive.

He pushes his body forward and he runs, he sprints and goes to you. And this time, Hotch and Morgan let him.

[moonbakeries]

HOW I MANIFESTED MY DREAM LIFE IN A WEEK

BACKSTORY

So I decided to fully immerse myself in "persisting" and fulfilling when I listened to Lonely one by LOVA because I spent around an hour just sobbing because I related to the song.

the week that I started was around Easter break and I was under the most amount of stress I have ever been through and I could see it the effects on my body

I was breaking out with huge pimples even though I was on accutane, I was averaging 2 hours of sleep a day every week for 2 weeks, my period had going on for 2 weeks, I was losing weight rapidly (was under 35kg:( ) my anxiety was at an all time high because I got harassed again(sexual assault victim). I used to have severe depression and have had multiple failed attempts of suicide. AND YES I WAS DESPERATE AS FUCK TO MANIFEST THIS DREAM LIFE OF MINE WHICH IS NO LONGER A DREAM

in the mornings I would be super anxious but I learned how to deal with it and get myself into the state super easily

HOW I DID IT

I GOT OFF TUMBLR: you know how many times I doubted myself only to realise I was doing everything right

I also read and listened to Edward Art MULTIPLE TIMES

Within a week of fulfilling and persisting, I had manifested my dream life. just like that. I woke up one morning and everything I had ever desired was right there. and it was super easy.

all I did was affirm(to remind not to get), visualise and feel. I would only do these methods if I wanted to, if I didn't I wouldn't.

Within a few days, the anxiety lessened so much and it started to feel natural. 

this was a question on Bambi's " how I manifested with hard circumstances " post which has now been sadly deleted but I remember copying this because it gave me hope at the time I copied it (don't hope, just know)

"But isn’t ranting “not letting the old story die out?” you and i could rant until our minds are cleared, just as long as you flip my thoughts, you are on the right track.  I rant for 2% of my 24 hour days. The other 98% i was persisting in the fact that creation was done. as “time” went on, it began to feel more natural and I felt more at ease. I held onto that feeling because I knew this was when I would get my desires and I did."

and that was when I knew I shouldn't give up and I just kept going even when I wanted myself to just get on tumblr and overconsume 

I actually nearly decided to see what I was "doing wrong". I clicked on one of Aphrodite's posts but I didn't read it. I just asked myself if I would look through it if I had my desires and I wouldn't and since I already have all of my desires I didn't.

Whenever the anxiety was too strong and I could feel the frustration and desperation building up, I would just rant and it helped me calm down and get back into the state super easily.

why?

because STATES MANIFEST THOUGHTS DON'T

which is why you can rant.

you know how many FUCKING DOUBTS I had, but I didn't even give them attention coz they didn't deserve any and how many times I wanted to just give up, but I was like NO, STFU, I DON'T WANNA LIVE MISERABLY ANYMORE and now I'm not :)

The affirmations I used:

It is done

I am living my dream life

I am in my desired reality

The 3d will conform as long as i keep persisting

Imagination is the real reality

I also daydreamed, but since imagination is the real reality they were real

WHAT I MANIFESTED

- desired appearance

- name change

- family change

- skills (drivers licence etc)

- apartment and furniture

- wealth

- a bunch of random materialistic things

- desired friend group (I absolutely love them!)

- desired uni and always getting good grades

- outfits from pinterest

and a bunch of other things

- I also ended up manifesting an sp without even knowing and he's pretty much I everything I scripted him to be(scripted a year ago because I didn't really care for a relationship) but this happened before I manifested my dream life

after a year and half of being on loablr I finally manifested my dream life. and you can too

(there was probably over 100 things I wanted but I realised what I want is not much, nothing ever is when you know about loa and yes, i was super desperate)

you don't need anymore information other than @angelsinluv states post and fulfillment challenge

you shouldn't ever be stressed or worried while manifesting whatever you want, because you wouldn't stress if you had it

TAKE YOUR TIME

YOU GOT THIS

[apas-95]

one of the more common manifestations of idealism you can run into among 'progressives' is the notion that intentionality matters significantly more than it actually does.

the principal way you'll see it is as a defense of some sort of privilege: that, for example, people the USA who benefit from imperial spoils, in even something as small as availability of bananas, aren't knowingly deciding to engage in the exploitation of latin america - as though this somehow changes the conditions of the workers harvesting said bananas, or the cheap price they sell for in the US as a result. you'll often also see it assumed, when discussing a given social class acting in its class interests, that such a thing must necessarily mean conscious planning and conspiracy. most often, it'll appear in discussions of bigotry.

the notion, that the intent of a bigot is what generates bigotry, is an idealistic, individualistic notion. it discounts the material, structural nature of systems of oppression, and it explicitly follows that, for instance, someone who behaves in a racist way without knowing so somehow isn't being racist - that A Racist is what someone is inside, rather than racism being something they do. this view of oppression as stemming principally from the thoughts in a bigots head rather than the actual circumstances of the oppressed also leads to other wrong conclusions, like the transphobic notion that trans men are victims of misogyny, rather than transphobia; or that transmisogynists who aggress against trans women are 'man-hating'.

in general, this sort of idealism is deployed to defend against some notion of moral culpability, of being a Bad Person, and serves to excuse harmful behaviours.